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Displayed below are some selected recent viaLibri matches for books published in 1992

        Griechenland. "Graecia." Kupferstich-Karte mit zeitgenössischem Kolorit von G. Mercator 1607

      36x47 cm. - Zacharakis (1992) 1447. Griechenland mit dem Ägäischen Meer, der europäischen Türkei und der türkischen Küste. Kurzer Einriss in Mittelfalte restauriert.

      [Bookseller: Wenner Antiquariat]
 1.   Check availability:     Biblio     Link/Print  


        All the Pretty Horses

      New York: Knopf, 1992 A Fine copy in a Fine dj signed by McCarthy directly onto the half-title page; signature only, no inscription. 24th printing, May 1997. A collector's copy.. Signed. First Edition/Later Printing. Cloth. Fine/Fine.

      [Bookseller: Liber Mirabilis]
 2.   Check availability:     Biblio     Link/Print  


        The Warrior Ant. Etchings by Susan Weil

      New York: Vincent FitzGerald & Company. 1992. Artist&#39;s book, one of 40 copies only, all on handmade paper by Paul Wong of Dieu Donne Papermill, each copy signed by the artist, Susan Weil, and author, Lee Breuer. Page size: 10 x 10 inches. Bound: handmade paper wrappers in custom box by BookLab, fine. The etchings were editioned by Marjorie Van Dyke and Vincent FitzGerald at The Printmaking Workshop and the text printed letterpress in Bembo by Dan Keleher at Wild Carrot Letterpress. The calligraphy is by Jerry Kelly. & Lee Breuer, one of the pre-eminent figures in contemporary theater, was a former chair of the Directing Department at Yale University&#39;s School of Drama. He was commissioned by the Next Wave Festival of the Brooklyn Academy of Music (BAM) to write the libretto for an opera by composer Bob Telson, to be staged as part of the innovative productions of this theatre arts festival in 1983. The opera THE WARRIOR ANT has been recorded by Gramavision titled AN ANT ALONE. This is dramatist Lee Breuer&#39;s second collaboration with composer, Bob Telson; the first was a staging of Robert Fitzgerald&#39;s version of Sophocles&#39; second Theban play, THE GOSPEL AT COLONUS which was also staged at the Brooklyn Academy of Music&#39;s Next Wave Festival. Breuer is the founder of Mabou Mines, an experimental theater group, which has mounted Breuer productions of DOLL&#39;S HOUSE, RED BEADS, and PETER AND WENDY, among others. Breuer has been awarded OBIE&#39;s for "Best Play, "Best Production," "Directing," "Lifelong Achievement" as well as grants from CAPS, the National Endowment for the Arts, the Rockefeller Foundation, Guggenheim Foundation, as well as Fulbright and MacArthur Fellowships. Susan Weil, an American artist who studied with Josef Albers at the famous Black Mountain College and later in NY at the Art Student&#39;s League, was active in experimental artistic developments and was closely associated with such artists as Rauschenberg, Johns, Merce Cunningham, and John Cage. Together with her first husband, Robert Rauschenberg, she published "Blueprints," a series of works which contained figurative and abstract elements drawn from realms of dance, performance, and ready- mades, all of which influenced her future artistic evolution. Her juxtaposition of figurative and abstract elements, her creative use of collage, as well as the pictorial qualities of the various materials she uses for their sculptural potential are highlights of her work. All these elements are present in THE WARRIOR ANT, an intriguing continuum of text and images where the viewer wishes to move forward and yet backward sampling fresh pleasures from the pages each time they are viewed. & Once again, Vincent FitzGerald has integrated an avant-garde collaboration in the performing arts with the book arts, rewarding the reader / viewer with text, images, and concepts that challenge and intrigue. <br>See an <A HREF= http://www.bookrouter.com/im/juvelisbks/6652.jpg >Image.</A><br>

      [Bookseller: Priscilla Juvelis, Inc.]
 3.   Check availability:     Biblio     Link/Print  


        HELTER SKELTER: L.A. ART IN THE 1990S - SIGNED BY CHRIS BURDEN, MIKE KELLEY, PAUL McCARTHY, MANUEL OCAMPO AND CHARLES RAY

      Schimmel, Paul, Norman M. Klein & Lane Relyea. HELTER SKELTER: L.A. ART IN THE 1990S - SIGNED BY CHRIS BURDEN, MIKE KELLEY, PAUL McCARTHY, MANUEL OCAMPO AND CHARLES RAY. Signed by the Artists. Los Angeles: Museum of Contemporary Art, Los Angeles & Thames and Hudson, Inc., 1992. First Edition. 4to. Printed Wrappers. Exhibition Catalog. Near Fine. 181pp, profusely illustrated in color and b&w. Designed by Mr. Keedy. Twenty years on, Paul Schimmel&#39;s sprawling early nineties survey of the crème de la crème of younger to mid-career Los Angeles artists pushing the edge seems almost prescient in its choices for benediction. In its clever catalogue, the work of Chris Burden, Meg Cranston, Victor Estrada, Llyn Foulkes, Richard Jackson, Mike Kelley, Liz Larner, Paul McCarthy, Manuel Ocampo, Raymond Pettibon, Lari Pittman, Charles Ray, Nancy Rubins, Jim Shaw, Megan Williams, and Robert Williams is juxtaposed with literary contributions by Charles Bukowski, Michelle T. Clinton, Dennis Cooper, Harry Gamboa, Jr., Amy Gerstler, Jim Krusoe, Bia Lowe, Rita Valencia, Helena Maria Viramontes, and Benjamin Weissman. A bright, most handsome copy of this always in-demand document BOLDLY SIGNED "M. Kelley 1992", "Paul McCarthy", "Charles Ray", "Chris Burden" and "Manuel Jesus Ocampo - with a drawing of a face" at the exhibition opening in black ink on the title page and its verso. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-914357-27-1 Inventory Number: 020702&

      [Bookseller: Arcana: Books on the Arts]
 4.   Check availability:     Biblio     Link/Print  


        GUS VAN SANT: 108 PORTRAITS

      Santa Fe, NM: Twin Palms Publishing, 1992. First Edition. First Printing.. Hardcover. As New/No Dust Jacket, As Issued.. Santa Fe, NM: Twin Palms Publishing, 1992. Hardcover. As New/None, As Issued. First Edition/First Printing. 120 pages. The film director&#39;s debut collection of portrait-photographs. One of the finest photography books of the last decade of the 20th century. Deluxe Slipcased Edition of 100 numbered and signed copies. Should not be confused with the regular trade edition. An austerely elegant production by Jack Woody and Gus Van Sant: Oversize-volume format. Black cloth boards with glossy black titles embossed on the cover and spine, as issued. Photographs and text by Gus Van Sant. List of Plates appended at the end. Matching black cloth slipcase with titles on cover and spine. Printed in gravure on thick uncoated stock paper in Tokyo, Japan to the very highest standards. The breathtakingly beautiful printing quality must not only be seen but touched and caressed to be believed. Without DJ, as issued. Presents Gus Van Sant&#39;s starkly beautiful portraits of actors, artists, writers, colleagues, and friends. Every subject is photographed in exactly the same way: A frontal pose, taken at a medium-shot angle, with minimal lighting, thereby bringing out both the chiaroscuro effect of light and shadow and the expressiveness of his subjects&#39; faces and bodies, in a manner reminiscent of Avedon&#39;s influential portraits. Every portrait is about beauty (as seen in the subject&#39;s face) and charisma (as shown by the subject&#39;s body). Gus Van Sant began taking photographs for the auditions of "Drugstore Cowboy" and "My Own Private Idaho". The casual picture-taking quickly developed into a full-fledged project, encompassing a Who&#39;s Who of the last and, in some ways, one of the most creative decades of the 20th century. Gus Van Sant knew and worked with a lot of people not only in film but also in theater, literature, painting, poetry, music, photography, and dance. Patrick McMullan&#39;s book, "So 80&#39;s", captured the exuberance and hedonism of a decade that was abruptly cut short by the devastation of AIDS. As a result, the succeeding decade turned out to be more sober. And yet, it was no less productive, as those who survived channeled their efforts into social activism and serious art-making. It was a somber mood that "My Own Private Idaho" captured so brilliantly. Some of the Beautiful People photographed include Robert Altman, William S. Burroughs, David Byrne, Annie Leibovitz, Sofia Coppola, Ken Kesey, Keanu Reeves, Allen Ginsberg, Matt and Kevin Dillon, Francesco Clemente, River Phoenix, Peter Gallagher, Francis Ford Coppola, Todd Haynes, John Waters, Faye Dunaway, Ricky Schroeder, and David Bowie. Gus Van Sant finally achieved mainstream status with "Good Will Hunting" and "Elephant", the culmination of his work in the 1990&#39;s, which includes this nostalgically, magically, and heartbreakingly beautiful book. A "must-have" title for Gus Van Sant collectors. <b><i> This copy is one of the Deluxe Slipcased Edition, indicated as such on the Back Limitation Page, and is very prominently and beautifully signed in metallic-silver marker by Gus Van Sant. It is signed directly on the page itself, not on a tipped-in page. This title is now highly collectible. This is one of only two copies of the Deluxe Edition still available online, is our very last copy, and has absolutely no flaws, a pristine beauty. A rare signed copy thus. </b></i> 108 gravure plates. One of the finest living American film directors/artists. A flawless collectible copy. (SEE ALSO OTHER COPY OF THIS AND OTHERGUS VAN SANT TITLES IN OUR CATALOG). ISBN 0944092233.

      [Bookseller: Modern Rare]
 5.   Check availability:     Biblio     Link/Print  


        Form (Signed Limited Edition)

      Altadena, CA: Twin Palms, 1992. First Edition. First Edition. One of 100 numbered copies (this being No. 57) SIGNED by Horst. A wonderful retrospective of the great fashion photographer&#39;s work, with photographs ranging from 1932 to 1990. Fine and unread in a Fine dust jacket and slipcase, as issued. Gray cloth boards with titles in blue on the front board and spine. Small folio, 10 x 15 inches. 75 black-and-white plates at with biography and bibliography.

      [Bookseller: Royal Books, Inc.]
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        Misas Herejes - La Cancion Del Barrio. (Heretic Masses - The Neighbourhood's Song)

      Ediciones Dos Amigos Buenos Aires: Ediciones Dos Amigos. 1992. One of 17 copies, the total edition, 15 on cream Richard de Bas paper and 2 on white Richard de Bas paper, all signed by the artist, Mirta Ripoll, the publisher, Samuel Cesar Palui, and the printer, Ruben R. Lapolla on the colophon page. Page size: 15-1/4 inches x 11-1/4 inches; 64pp. Bound: loose in original wrappers as issued with etching by Aida Barballo on the front wrapper, housed in publisher's brown cloth over boards clamshell box with cork paper on front and spine reverse printed with title and author, artists, and publisher's names on front and author's and artists name on spine (author in large type descending down spine), fine. The text is printed in 20pt. Erasmus in a soft brown; the initial letters designed by Mirta Ripoll are in an elegant blue with title of each poem letterpress printed in the same blue; the title page is printed in black as are the dedication, table of contents, and colophon. There are 12 original full- page etchings printed in color to accompany the 11 poems. See an Image.

      [Bookseller: Priscilla Juvelis, Inc. ]
 7.   Check availability:     ABAA     Link/Print  


        Booked to Die (Signed First Edition)

      Charles Scribner's Sons New York: Charles Scribner's Sons, 1992. First Edition. First Edition. SIGNED by the author on the title page in the year of publication: "John Dunning / 2-4-92." The greatest bibliomystery of the latter half of the twentieth century. Jacket art by John Dawson. About Fine and unread in a Fine dust jacket. A pristine copy.

      [Bookseller: Royal Books, Inc. ]
 8.   Check availability:     ABAA     Link/Print  


        The Art of Robert McCall: A Celebration of Our Future in Space (with Original Art and inscribed) Introduction By Ray Bradbury

      Bantam Books New York: Bantam Books, 1992. Beautiful full page ink drawing of the planets and exploding sun with inscription: "For Hugh Downs with admiration and best wishes" Signed by Robert McCall. Captions by Tappan King.. First Edition. Cloth. Fine/Fine. Square Quarto.

      [Bookseller: Alcuin Books, ABAA-ILAB ]
 9.   Check availability:     ABAA     Link/Print  


        CHRISTOPHER COLUMBUS

      The John Carter Brown Library Roslyn, NY: The John Carter Brown Library. 1992. 8vo., quarter leather, cloth, inserted in a clamshell case with separate porfolio containing six woodcuts on individual plates. 85 pages.. Limited to 200 numbered copies signed by the the artist, the binder and the printer, this being one of twenty of the deluxe edition. The prize winning play translated into English by William Jay Smith. Preface by Norman Fiering. Designed, bound and signed by Deborah M. Evetts in quarter leather with Thai silk sides. Portfolio contains six wood engravings printed and signed by John De Pol, and prospectus. Text illustrated with the engravings by John Depol and six engravings from works in the John Carter Brown Library. This copy comes from the library of Deborah Evetts, the binder, and contains a pen and ink drawing of the design used on the front cover, a sample stamped in green leather of this design, and various photographs of the covers. .

      [Bookseller: Oak Knoll Books/Oak Knoll Press ]
 10.   Check availability:     ABAA     Link/Print  


        The Warrior Ant. Etchings by Susan Weil

      Vincent FitzGerald & Company New York: Vincent FitzGerald & Company. 1992. Artist's book, one of 40 copies only, all on handmade paper by Paul Wong of Dieu Donne Papermill, each copy signed by the artist, Susan Weil, and author, Lee Breuer. Page size: 10 x 10 inches. Bound: handmade paper wrappers in custom box by BookLab, fine. The etchings were editioned by Marjorie Van Dyke and Vincent FitzGerald at The Printmaking Workshop and the text printed letterpress in Bembo by Dan Keleher at Wild Carrot Letterpress. The calligraphy is by Jerry Kelly. Lee Breuer, one of the pre-eminent figures in contemporary theater, was a former chair of the Directing Department at Yale University's School of Drama. He was commissioned by the Next Wave Festival of the Brooklyn Academy of Music (BAM) to write the libretto for an opera by composer Bob Telson, to be staged as part of the innovative productions of this theatre arts festival in 1983. The opera THE WARRIOR ANT has been recorded by Gramavision titled AN ANT ALONE. This is dramatist Lee Breuer's second collaboration with composer, Bob Telson; the first was a staging of Robert Fitzgerald's version of Sophocles' second Theban play, THE GOSPEL AT COLONUS which was also staged at the Brooklyn Academy of Music's Next Wave Festival. Breuer is the founder of Mabou Mines, an experimental theater group, which has mounted Breuer productions of DOLL'S HOUSE, RED BEADS, and PETER AND WENDY, among others. Breuer has been awarded OBIE's for "Best Play, "Best Production," "Directing," "Lifelong Achievement" as well as grants from CAPS, the National Endowment for the Arts, the Rockefeller Foundation, Guggenheim Foundation, as well as Fulbright and MacArthur Fellowships. Susan Weil, an American artist who studied with Josef Albers at the famous Black Mountain College and later in NY at the Art Student's League, was active in experimental artistic developments and was closely associated with such artists as Rauschenberg, Johns, Merce Cunningham, and John Cage. Together with her first husband, Robert Rauschenberg, she published "Blueprints," a series of works which contained figurative and abstract elements drawn from realms of dance, performance, and ready- mades, all of which influenced her future artistic evolution. Her juxtaposition of figurative and abstract elements, her creative use of collage, as well as the pictorial qualities of the various materials she uses for their sculptural potential are highlights of her work. All these elements are present in THE WARRIOR ANT, an intriguing continuum of text and images where the viewer wishes to move forward and yet backward sampling fresh pleasures from the pages each time they are viewed. Once again, Vincent FitzGerald has integrated an avant-garde collaboration in the performing arts with the book arts, rewarding the reader / viewer with text, images, and concepts that challenge and intrigue. See an Image.

      [Bookseller: Priscilla Juvelis, Inc. ]
 11.   Check availability:     ABAA     Link/Print  


        ALL THE PRETTY HORSES

      Knopf NY: Knopf, 1992 First edition, ltr prnt (23rd). Inscribed by McCarthy on the half-title page. "For Suzi All best Cormac McCarthy." Fine condition in a Fine dustjacket with an archival cover. Signed trade edition copies of McCarthy's novels are not plentiful; copies inscribed by him are even less common. Volume One of McCarthy's Border Trilogy.Inscribed by Author. Hardcover. 8vo - over 7¾" - 9¾" tall. The images are of the book described and not stock photos.

      [Bookseller: Revere Books, ABAA & IOBA ]
 12.   Check availability:     ABAA     Link/Print  


        Rode e la civiltà Micenea.

      1-2. Rome, Gruppo editoriale internazionele, 1992. Large 4to. XXIII,+ (blank),+ 482,+ (1) pp.; (5) pp.+ 186 plates. Publ. boards with dustwrappers. Two volumes. (Istituto per gli Studi Micenei ed Egio-Anatolici des CNR. Incunabula Graeca vol. XCIV.)

      [Bookseller: Centralantikvariatet]
 13.   Check availability:     Antikvariat     Link/Print  


        You Can't Hit the Ball with the Bat on Your Shoulder: The Baseball Life and Times of Bobby Bragan

      The Summit Group Fort Worth, Texas: The Summit Group. (1992). First. First edition. Fine in fine dustwrapper. Joe DiMaggio's copy with a letter of provenance signed by two of DiMaggio's granddaughters. Inscribed by Bragan, apparently to one of DiMaggio's assistants: "6/26/92 Marcie -- This is your own copy -- because every time I call trying to locate Joe -- you are so helpful and so cooperative. Enjoy the reading -- and Keep Swinging. Bobby Bragan." Despite the inscription, apparently DiMaggio kept this copy. With a a letter of provenance signed by DiMaggio's two granddaughters. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 14.   Check availability:     ABAA     Link/Print  


        (Stuttgart 1925). Über den Wolken. Tuschfederzeichnung auf weißem Karton. Stuttgart, 1992. Verso signiert und betitelt. 48,5 x 37,5 cm; Blattgr. 64 x 50 cm.

      Akribische feine Arbeit mit schönen graphischen Effekten.-

      [Bookseller: Antiquariat Schramm]
 15.   Check availability:     antiquariat.de     Link/Print  


        Flies: the Best One Thousand - 1st Edition/1st Printing

      Portland, OR: Frank Amato Publications, Inc.. Fine in Fine dust jacket; Signed by Author. 1992. Limited/Numbered Edition; First Printing. Full-Leather. 1878175211 . A handsome First Edition/First Printing in Fine condition. This copy is SIGNED and numbered 22/103 by author Randle Stetzer on attached card with original fly. Bound in black leather with gold lettering. Little signs of rubbing of dustjacket in Fine condition; A comprehensive reference for the North American fly fisherman. Contains 1000 fly patterns, all functional fishing flies with a proven history of angling success. Most of the flies featured were tied either by Randy Stetzer himself or by specially skilled tiers. Included is an actual fly tied by Stetzer attached to a signed numbered card ; Color Photographs .

      [Bookseller: Books Tell You Why ]
 16.   Check availability:     ABAA     Link/Print  


        The Poetry of Song: Five Tributes to Stephen Sondheim

      (New York): Poetry Society of America. (1992). First. Quarto. Stapled wrappers. Slight soiling with slight waviness else near fine. Tributes to Sondheim by Robert Creeley, John Hollander, Richard Wilbur, J.D. McClatchey and Grace Schulman, issued to coincide with a benefit for the Poetry Society of America. Of a total edition of 750, this is copy 89 of only 90 copies Signed by all five contributors as well as by Sondheim. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 17.   Check availability:     ABAA     Link/Print  


        Das Berliner Bad.

      41 x 51 cm, 37 x 46 cm, Tadell. Exemplar Nr. 4 von 25 Abzügen. Vorne rechts unten Stempelprägung des Künstlers. Auf Rückseite handschriftlich signiert, betitelt und nummeriert. André Rifel, geb. 1967 in Berlin, 1994/95Art-Director der Zeitschrift Sibylle (Zeitschrift für Mode und Kultur), 1995-98, Zweitwohnsitz in den USA. Seit 1999 in Berlin. Zahlreiche Ausstellungen: 1988Kodak Nachwuchsförderpreis (Photokina Köln) 1992" Weinende Frauen" (Galerie Art Communication Berlin)Einzelausstellung 1994" Das Berliner Bad"-one photo exibition (Galerie Art Communication Berlin)Einzelausstellung 1995" Deutschland erotisch" (Museum für Kunst und Gewerbe Hamburg) 1996 "100 Frauen Selbstansichten" (Deutsches Hygiene MuseumDresden ), Einzelausstellung 2000" Bilder die noch fehlten" Aktion Mensch(Deutsches Hygiene Museum Dresden) 2002" André Rival " ( C/O Berlin , Münchner Kammerspiele ) Einzelausstellungen 2003 " Ich habe einen Traum" (Galerie in Einstein Berlin ) 2004 " Autobeziehungen" (Galerie im Einstein Berlin) Einzelausstellung 2005 " Born in the sixties "( C/O Berlin ) 2008 "André Rival-Politiker" (Galerie im Einstein) Einzelausstellung. Erhielt zahlreiche Auszeichnungen.

      [Bookseller: Antiquariat Peter Petrej]
 18.   Check availability:     antiquariat.de     Link/Print  

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