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Displayed below are some selected recent viaLibri matches for books published in 1986

        Malerische Reise in Brasilien. Faksimile der Ausgabe Paris, Engelmann, 1835: Stuttgart, Daco-Verlag Bläse, 1986. 1 w. Bl., 2 Bll., 50, 38, 56, 32 S., 8 Bll. Mit 100 farb. faks. Tafeln. Folio. OHldr. mit goldgepr. RTitel. und Goldschnitt.

      Eines von 950 Exemplaren.- Johann Moritz Rugendas (Augsburg 1802 - 1858 Weilheim an der Teck) war ein Abkömmling der bedeutenden Künstlerfamilie Rugendas. Er bereiste über mehrere Jahre Südamerika, zuerst mit dem russischen Staatsrat und preußischen Generalkonsul Georg Heinirich von Langsdorff. Angeregt von Alexander von Humboldt war es Rugendas Ziel, neben der exotischen Natur Südamerikas auch die Menschen und deren Sitten darzustellen. Es blieb seine einzige Publikation.

      [Bookseller: Antiquariat Schramm]
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        (Hamburg 1929 - 1925). Annettchen - seine Bäume. Radierung von 1986. Signiert, datiert '22.8.86', numeriert und bezeichnet. 59 x 49,5 cm.

      Radierzyklen 44/23.- Probedruck, unterhalb bezeichnet 'p-'.- Schwarz auf leicht getöntem Papier.- Blatt aus der Folge 'Laokoon - die Bäume der Annette'.

      [Bookseller: Antiquariat Schramm]
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      Naef, Weston J., Gordon Baldwin, Virginia Dodier, Thomas Weston Fels, Mikka Gee, Michael Hargraves, Eugenia Parry Janis, Judith Keller, Ben Lifson, Katherine Ware, Brett Abbott, Anne LaCoste & Virginia Heckert . A COLLECTION OF SIXTY-FIVE EXHIBITION BROCHURES FROM THE J. PAUL GETTY MUSEUM DEPARTMENT OF PHOTOGRAPHY. Malibu & Los Angeles, CA. 1986-2008.: The J. Paul Getty Museum, First Editions. 8vo. Illustrated Wrappers. Exhibition Brochures. Very Good - or Better This is a collection of sixty-five brochures issued by the J. Paul Getty Museum to accompany the shows curated by the Department of Photographs. These are beautifully printed (typically duotone on coated, heavy stock), never available for sale, and most represent the only published documentation for its exhibition. The format of this series is for the most part one continuous sheet printed recto and verso, folded neatly in fourths to make 8pp - typically with five illustrations. The monographic publications are on Eugene Atget, Brassai, Manuel Alvarez Bravo, Julia Margaret Cameron (2 different), Edgar Degas, William Eggleston, P.H. Emerson, Walker Evans (2 different), Roger Fenton (2 different), Lady Clementina Hawarden, Hill and Adamson, Graciela Iturbide, Andre Kertesz, Dorothea Lange, Gustave Le Gray, Lisette Model, Laszlo Moholy-Nagy, Eliot Porter, Man Ray, Alexander Rodchenko, August Sander (3 different), Camille Silvy, Frederick Sommer (2 different), Alfred Stieglitz (2 different), Paul Strand, Edmund Teske (2 different), Doris Ulmann, Carleton Watkins, Weegee, and Edward Weston (2 different). The survey exhibitions are "After the Manner of Women: Photographs by Kasebier, Cunningham, and Ullman", "Antiquity and Photography: Early Views of Ancient Mediterranean Sites", "Dance in Photography", "Eternal Cities: Photgraphs of Athens and Rome", "Experimental Photography: Discovery & Invention", "Experimental Photography: The First Golden Age 1851 - 1889", "Experimental Photography: The Machine Age", "Experimental Photography: The New Subjectivity", "Experimental Photography: The Painter-Photographer", "Fame and Photography", "The Flowering of Early French Photography", "Grave Testimony: Photographs of the Civil War", "The Heart of the Storm: Northern California Pictorialism", "...Images that yet / Fresh images beget... Photographing Art", "Little Pictures", "Nadar + Warhol: Paris + New York", "Neither Speech Nor Language: Photography and the Written Word", "Palette of Light: Handcrafted Photographs, 1898-1914", "Photographers of Genius at the Getty", "Procession to the Fallen Gods: Photography in Nineteenth Century Egypt", "Public Faces / Private Spaces: Mary Ellen Mark, Bill Owens, Anthony Hernandez, and Donald Blumberg", "Rare States and Unusual Subjects: Photographs by Paul Strand, Andre Kertesz, and Man Ray", "Recent Acquisitions: Eugene Atget - Brett Weston - William Garnett - Milton Rogovin", "The Eye of Sam Wagstaff", "Where We Live: Photographs of America from the Berman Collection", and "Women on the Edge: Twenty Photographers in Europe, 1919-1939". A most handsome set of these ephemeral items - all (with the exception of the Lisette Model and Edmund Teske) in at least Very Good minus condition, with most being Fine. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Inventory Number: 005262&

      [Bookseller: Arcana: Books on the Arts]
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        LEFT OUT IN THE RAIN: NEW POEMS 1947-1985

      San Francisco: North Point Press, 1986,. 1st edition, full green cloth, with illustrated dust jacket. The author's own copy, with annotations in his hand, beautifully inscribed to fellow poet and colleague, Celeste Wright, at U.C. Davis where both were professors for many years. Snyder's annotations include his signature "Gary Snyder copy" and his address, phone number, and various page markings in red ink. Snyder has additionally corrected two errors to the text in pencil, and recorded these errors on the colophon page. Overall the book and dust jacket show very minimal wear. A remarkable association and true 'Presentation Copy' of the author's own copy.

      [Bookseller: Jett W. Whitehead Rare Books (ABAA)]
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        Annie, Gwen, Lilly, Pam and Tulip

      NY: Whitney Museum of American Art, 1986. First edition. Hardcover. Orig. black cloth, front cover inset illustrated in gilt. Fine in fine green and black slipcase./No Dust Jacket. Fischl, Eric. Large folio, 51.5 x 38.5 cm. Limited edition one of 145 copies, signed by Jamaica Kincaid and Eric Fischl, author and artist respectively with nine original full-page color lithographs by Fischl, text hand-set in Monotype Gill Sans on Rives BFK paper. Lithographs printed at the Palisades Press. Fourth in the "Artists and Writers" series. AMERICAN LIVRE de PIENTRE 16.

      [Bookseller: Royoung bookseller, Inc.]
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        Je Suis Le Cahier The Sketchbooks of Picasso

      Atlantic Monthly Boston: Atlantic Monthly, 1986. First edition. leather_bound. Full orange morocco. Fine in near fine solander case of quarter orange morocco with two spine inlays in gray morocco (spine lightly sunned), and beige basket weave cloth./No Dust Jacket. 349 pages. 30 1/2 x 23 1/2 cm. Edited by Arnold Glimcher and Marc Glimcher. Bound by the Harcourt Bindery (with their ticket at backcover paste-down) in full orange morocco decorated in blind in a Picasso motif, a line drawing of male/female faces intertwined with this design motif replicated on the cover of the solander case. Copiously illustrated in black and white and color, including samples from each of 175 different sketchbooks. Features essays by Claude Picasso, Robert Rosenblum, Sam Hunter, Francoise Gilot, and others. The monograph presents for the first time the personal sketchbooks of Picasso, and contains a catalogue raisonne, which fully describes all 175 extant sketchbooks. This book was produced in conjunction with an accompanying exhibition at the Pace Gallery in New York in 1986.

      [Bookseller: Royoung bookseller, Inc. ]
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        The Wedding

      San Pedro: Brown Buddha Books. 1986. The first issue of this limited edition printed to celebrate the August 18, 1985 wedding of Bukowski and Linda Lee Beighle. The entire edition was only 40 copies, each illustrated with eleven tipped in original photographs of the wedding by Michael Montfort, known for his photographic collaborations with Bukowski, among his other work. This first issue is distinguished by the inclusion of the photograph of the bride kneeling to repair Bukowski's trousers and her surname misspelled on the colophon. Signed by both Bukowski and Montfort. According to the colophon, this copy belonged to Julie Curtiss Voss, mentioned by Bukowski in the text as assistant to John Martin, Bukowski's publisher and best man. Martin, the publisher of Black Sparrow Press, began publishing Bukowski in the mid-1960s and by the 1990s he had dozens of his titles in print. While this title was not issued by Black Sparrow it is likely that Martin arranged the details of its publication: it was designed by Barbara Martin and handbound by Earle Gray, as most of the Black Sparrow editions were. Fine, without dust jacket, as issued. A nice association copy of a scarce item in the Bukowski canon. . First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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      NY: Harper & Row. (1986). First thus, the thirtieth anniversary original draft facsimile edition of the most famous and important American poem of the second half of the twentieth century. Includes the facsimile of the manuscript, transcript, variant versions, along with correspondence and a history of the first public reading, the legal battles surrounding it, and other information, including a bibliography. Inscribed by Ginsberg to Nelson Lyon in 1992, with a drawing of a "Grumpy Buddha." A nice association: Lyon was a friend of Terry Southern, William Burroughs, Timothy Leary, and others associated with the Beat movement and the counterculture. Remainder mark lower page edges; foxing to top page edges; else fine in a very near fine dust jacket. . First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        The Works of Charles Darwin. Edited by Paul H. Barrett & R,B. Freeman. Complete set in twenty-nine [29] volumes. [The Pickering Masters series]

      London: William Pickering, Pickering & Chatto Limited, 1986 - 1989. First edition. Hardcover. Near Fine/No dustwrapper, as issued.. Complete set in twenty-nine volumes. London: William Pickering, Pickering & Chatto Limited, 1986-1989. All volumes first impression. Original illustrations reproduced, some in colour. Consolidated Index to the twenty-ninth and final volume. Original dark green cloth, black lettering-piece, gilt lettering and decoration. No dustwrappers, as issued. A near fine, bright set: crisp, clean and unused. (**PLEASE READ CAREFULLY** - This is a heavy/overweight 29 volume set, therefore additional postage will be charged. To order this book PLEASE CONTACT US for a prior shipping quote and for further information).

      [Bookseller: JAMES HAWKES]
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      In-4 (mm. 320x240), cartoncino edit. figur. a colori, sguardie pure figurate che rimandano all'illustrazione interna, 8 pp. (con cartoncini sovrapposti ad ante mobili). ?Dove mai l?avrà cacciato? Nell'armadio, dietro la poltrona, nella ghiacciaia, nella cesta della biancheria? Ma no.. sulla sua testa!? Volume n. 7 della celebre collana di libri animati, ideati, disegnati e realizzati da Munari nel suo periodo dedicato alla sperimentazione didattica. Le pagine che compongono i libri sono tutte illustrate a colori, sagomate, sovente di dimensioni via via più piccole mentre procede la storia, che è sempre accompagnata da un essenziale testo. Cfr. Maffei, Munari I Libri, p. 73. - Bruno Munari,Electa, 1986, p. 21. Copertina con aloni, ingialliture e picc. restauri, ma complessivam. un buon esemplare.

      [Bookseller: Libreria Antiquaria Malavasi]
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        The Seventy-Four Gun Ship: A Practical treatise on the art of naval architecture. (4 Volumes) Vol 1: Hull Construction; Vol II: Fitting out the Hull; Vol III. Masts, Sails, Rigging; Vol IV: Manning, Shiphandling.

      Jean Boudriot 1986. English Edition, Revised and Corrected. Four volumes, 4to., bound in blue cloth, with dust jackets, all illus throughout with b/w line drawings and diagrams, some foldout, Vol IV has colour plates of uniforms. All VG/VG. (SHELF 6) PLEASE NOTE: HEAVY Set [9kG+] = SPECIAL UK RATE of £5.00 FOR THIS SET SENT VIA UPS, TRACKED. [We WILL REQUIRE EXTRA CHARGES FOR POSTAGE OUTSIDE THE UK].** To see a scan of this set please visit our Home page **

      [Bookseller: Chaucer Bookshop]
 11.   Check availability:     UKBookworld     Link/Print  

        Original Signed & Inscribed Warren Brandt Still-Life Watercolor on Paper

      Paris and London, 1986. Original watercolor approx. 4 1/4" width x 6" height of this Warren Brandt still life subject; inscribed at the bottom left in pencil "For Gloria Merry Christmas 1988 (and beneath that) Warren Brandt Paris 1988"; inscription is to Gloria Jones, wife of the American author James (From Here to Eternity) Jones; colors bright and vivid; had been tape-mounted in the past, now re-tipped on at top edge archivally; in it's original mount, a hand-painted matte board cover, probably also done by Brandt, since the back of the board is additionally inscribed "For Gloria Christmas 1988" in the artist's hand; the matte is worn, naive-looking- the artwork itself is in very good condition a nice, intimate small piece. Warren Brandt (1918-2002) American painter, teacher, author, studied with Philip Guston and Max Beckmann, active in Provincetown Massachusetts, widely exhibited, at Metropolitan Musem of Art watercolor exhib., Sachs Gallery, more. (Who Was Who in American Art). Signed by Illustrator. Very Good.

      [Bookseller: Certain Books, ABAA]
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        Along the Santa Fe Trail

      University of New Mexico Press Albuquerque, NM: University of New Mexico Press, 1986. Small folio, xxi, 184pp. Pages 90-184 are photographs with titles. Half-leather spine, letters in gilt, with woven cloth boards and matching slipcase. Marbled endpapers. This special binding and slipcase are by Virginia Marquis. Book design by Emmy Ezell, typeset at the University of New Mexico Printing Plant in Goudy Old Style. Duo Tone plates were printed by offset lithography in Japan by Dai Nippon Printing, Ltd. Text was printed by Thomson-Shore, Inc. Books were bound by John H. Decker & Sons. Contains a 2-page map of Santa Fe Trail. An original palladium by Myers is laid in with its original tan card stock envelope: 10 1/2 X 8 1/2 inches, signed in pencil by Joan Myers in 1982. This beautiful collector's item is signed by author and artist, #5 in a limited edition of 20. A gorgeous example of New Mexicofine books.. Signed by Author. Limited Edition. Half-Leather. Fine/No Jacket. Illus. by Myers, Joan. Small Folio. Slipcase.

      [Bookseller: Alcuin Books, ABAA-ILAB ]
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        Original b&w photo by Lütfi Özkök.

      Mexico City, 1986. 24x18 cm. Contemporary print. Fine. With Özkök's stamp on verso. The photo was taken in Aridjis home in Mexico City

      [Bookseller: Patrik Andersson Antikvariat]
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        A Fowl Alphabet, Twenty-six Wood Engravings by Alan James Robinson

      [Easthampton, Massachusetts]: Cheloniidae Press, 1986. 2 volumes (including a chemise with an additional suite of plates), octavo. (8 ½ x 5 ½ inches). Bound volume: title printed in black with the word fowl lettered by hand, half title. Text and colophon/limitation leaf printed in brown and black. 26 wood-engraved plates of birds by Robinson, presented in alphabetical order according to their common name, each with their name and their scientific name added beneath in variously coloured inks in a fine calligraphic hand by Suzanne Moore, the letter of the alphabet added above each plate in manuscript by the same hand. Colophon/limitation leaf signed and numbered 'A/2' in pencil by Robinson; Chemise: an additional suite of the 26 wood-engraved plates, each signed and numbered 'A/2' in pencil; a set of 26 blind-stamped impressions of the line cut initials produced for the regular limited edition; 1 original pen, ink and watercolour drawing on vellum (sheet size: 5 ¼ x 5 ¼ inches) of the head of the Toucan; extra-illustrated with two copies of the original prospectus, one signed by Robinson. Bound volume: original limp vellum by Grey Parrot, the flat spine titled in gilt; Chemise: unbound (as issued) within original vellum-backed cloth-covered boards. Both volumes contained within a single vellum-backed cloth-covered box, the spine titled and dated in gilt with the Sea Turtle device at the foot of the spine. One of five copies: the whole edition limited to 231 signed and numbered copies, including 31 "Full Vellum Edition" copies, this a "Full Vellum" example but one of the "five artists proofs" and numbered "A/2". The prospectus describes the "Full Vellum Edition" as having the "initial letter and the Latin and common names of the birds… hand lettered by Suzanne Moore. The book is bound [in] full bleached vellum by Gray Parrot. An extra suite of the 26 wood-engravings, a set of the alphabet blind-stamped and a drawing are laid in a chemise and housed in a quarter vellum tray-case." [with:] A boxed collection of three 'folders', containing a paste-up, original artwork, and a set of watercolour drawings, all relating to the production of 'A Fowl Alphabet', together with an explanatory 3pp. TLS from Robinson. [Easthampton and elsewhere: circa 1986]. The three 'folders' contained within a single cloth box, with a calligraphic manuscript title label inset on the spine [comprised of:] Alan James ROBINSON (designer, illustrator), and Harold Patrick McGRATH (printer). A full-size paste-up of 'A Fowl Alphabet'. [Easthampton and elsewhere:] "1986". 44pp. (8 ½ x 5 ½ inches): title and 3 preliminary pages with a mixture of pasted-on typeset words and manuscript notes; 8pp. introductory text composed from blocks of pasted-on typeset text with numerous manuscript notes; 1p. manuscript section title; 1p. blank; 27 pp., twenty-six of which have versions of the wood-engraved illustrations pasted-on with the initial letters penciled above (the final image with a proof of the line-cut initial pasted on), with the type-set (or in two cases manuscript) names of the birds below (the twenty-seventh page, between 'Y' and 'Z' is blank); 1p. blank; 1p. colophon/limitation with a block of pasted-on typeset text; 1p. final blank. + 1 second version of the title and the following three pages. Unbound within a cloth chemise. The "first complete paste-up of the book with notes and placements - a unique piece" (Robinson, letter) [and:] Alan James ROBINSON (illustrator), and Suzanne MOORE (calligrapher). A full set of original pencil drawings for "A Fowl Alphabet' with the manuscript calligraphy added. [Easthampton and elsewhere:] "1986". 27 leaves (8 ½ x 5 ½ inches): typeset title with the word 'fowl' added in a calligraphic hand; 26 leaves of thick 'papier d'arches' each with an original pencil drawing of a bird's head by Robinson, presented in alphabetical order according to their common name, each with this name and their scientific name added beneath in light brown coloured inks in a fine calligraphic hand by Suzanne Moore, the letter of the alphabet added above each plate in manuscript by the same hand. + two smaller sheets with trial lettering by Moore. Unbound within a cloth chemise. A "full set of drawings that I did so Suzanne Moore could work out the design and size of the alphabet. I've included a couple of test pages that I thought you would enjoy" (Robinson, letter)[and:] Alan James ROBINSON (artist). A full set of new watercolour drawings illustrating the birds which had previously appeared in "A Fowl Alphabet'. [Easthampton?: no date]. 26 leaves of 'd'arches' watercolour paper (10 x 8 inches): each with an original pen, ink and watercolour drawing of a different bird by Robinson. Unbound within a cloth chemise. A "new set of watercolors for the Fowl Alphabet. These watercolors are easily my best to date" (Robinson, letter). A unique archive of material, chronicling the genesis of the Cheloniidae Press' twelfth book, and one of Alan James Robinson's most successful productions. The book is described in the prospectus as "a collaboration of twenty-six wood-engravings by Alan James Robinson and a newly designed alphabet by Suzanne Moore. The text was culled from 'Animate Creation,' by Rev. J.G. Woods, Vol.II Birds 1885. the text explains that the classification of birds depends largely on the shapes of their beaks or bills. The bird portraits, arranged alphabetically, consider the more diverse and curious forms that beaks have taken through evolution … Two hundred and thirty-one books were printed by Harold P. McGarth at Cheloniidae Press … during the Fall of 1986. The type was set by Mackenzie-Harris with some handset by Arthur Larson … This book was designed by Alan James Robinson, Arthur Larson, and Suzanne Moore."

      [Bookseller: Donald Heald Rare Books ]
 15.   Check availability:     ABAA     Link/Print  


      Norfolk: Bluntisham Books, Paradigm Press,1986.. Limited Edition: Number 34 of 58, [58 copies of the original were known to exist at the time]; 194pp, 11 plates, Introductory 24 page pamphlet, by John Millard, with a preface by Lord Shackleton. Contains the title leaf "A Giant Tick Was Investigating the Carcass" Quarter calf plywood boards with beveled edges, (imitation of the original packing-case binding), edges uncut, blue cloth clam shell box, tan sides, brown paper interior, red morroco title label lettered in gilt. "This fine Bluntisham facismile of Spence 1095, correct in every detail and issued in an edition of 58 copies........" Taurus 60. Fine/Fine.

      [Bookseller: Polar Books]
 16.   Check availability:     UKBookworld     Link/Print  

        Manuscript in Swedish for the novel Bernard Foys tredje rockad (English title: Bernard Foy's Third Castling).

      One folder called "Foy 1", comprising the first of the three chapters of the novel, in duplicated typescript with many small changes, and the device "Veritas omnia vincit" on the title, which was not used in the printed version. A second folder of 30 leaves with sketches for the structure of the novel in both handwriting and typescript, where different authors and titles of works are mentioned. This folder comes with a sketch for the cover, onto which a photo of a zeppelin has been mounted. A third folder comprising the whole novel, but lacking half of the first chapter. The text in this folder consists of both duplicated typescripts and print-outs, where sections have been crossed out, sentences on paper strips have been mounted onto the text leaves, and manual changes and additions have been made. The novel was first published in 1986. The last folder is dated "Austin, Texas, 1983-85", the others are not dated. The Swedish author Lars Gustafsson (1936-) served as professor of philosophy at the University of Texas, Austin, from 1983 to 2006, and it seems that he started using a computer when coming there. Another version of the manuscript for this novel is included in the holdings of Uppsala University Library. A comparison between the two versions shows that the version offered here belongs to an earlier state of the novel's emergence

      [Bookseller: Patrik Andersson Antikvariat]
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        Per Kirkeby. Werkverzeichnis der Radierungen 1977-1983. In Zusammenarbeit mit dem Silkeborg Kunstmuseum.

      419 S. Mit 435 Abbildungen. Originalbroschur mit einem Schutzumschlag in Prägedruck, gestaltet von Per Kirkeby. In Schuber. Nr. 24/25 von Per Kirkeby handschriftlich numerierten und signierten Exemplaren der Ausgabe B mit einer Originalkaltnadelradierung. [2 Warenabbildungen bei]

      [Bookseller: Daniel Thierstein Buchantiquariat]
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        Great Domesday Book. Six Volumes [Complete]. Facsimiles in Two Volumes. Translations in Two Volumes. Maps and Indices in One Volume Each. One of 450 Sets

      The marvelous facsimile of William the Conquerer's unprecedented survey of his realm, providing an unparalleled view of medieval England, including its courts and nascent legal system; with English translations, maps, and extensive indices. The 'Millenium Edition', the facsimile volumes bound in modern calf replicating the 12th century Winton Domesday, the earliest exising Domesday binding. Alecto Historical Editions, London, 1986-2000.

      [Bookseller:  Meyer Boswell Books, Inc.]
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        The Man Who Shot Lewis Vance (Original Manuscript with author's corrections)

      St. Martin's Press New York: St. Martin's Press, 1986. Final corrected manuscript for Stuart Kaminsky's novel, "The Man Who Shot Lewis Vance," ultimately published in book form by St. Martin's Press in 1986. Included is a typed letter signed by Pam Hoenig, assistant editor at St. Martin's Press, on the publisher's stationery, dated January 27, 1986, addressed to Kaminsky and confirming that the manuscript is enclosed for addition to what she describes as his "vast archive." Mechanically reproduced typescript, with profuse holograph corrections by the author in blue ink throughout, and proofreader's corrections in red pencil. Other kinds of corrections, such as whited-out text with ribbon copy typeovers, are present as well. 251 pages. Very Good overall, with some curl and light wear at the corners.

      [Bookseller: Royal Books, Inc. ]
 20.   Check availability:     ABAA     Link/Print  

        The Stone Beloved. Six Poems from Dante Alighieri. Translated by Harry Duncan. Lithographs by Peter Nickel.

      Austin Kairos Press 1986 Folio. (28)pp.,(7)ff. From an edition of 150, this is one of 25 copies signed by the artist, and with the lithographs subtley tinted. Out of those 25 this is one of eight copies in the deluxe binding by Sylvia Rennie. Illustrated with seven original monochrome lithographs, one of which is double-page. The prints form a sequence reflecting the progression of the poems, from the sensual woman portrayed in the opening spread to the cold stone statue of the final image. This is the first book of this Press, the private imprint of W. Thomas Taylor. In the publisher's binding of vellum-backed grey boards. A very fine copy in slipcase with very minimal wear to extremities. Prospectus laid in. At the publication price.

      [Bookseller: Bromer Booksellers]
 21.   Check availability:     Direct From Bookseller     Link/Print  


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