The viaLibri website requires cookies to work properly. You can find more information in our Terms of Service and Privacy Policy.

Displayed below are some selected recent viaLibri matches for books published in 1983

        CHRISTINE [SIGNED]

      West Kingston, Rhode Island: Donald M. Grant, 1983. Limited Edition, #101/1000. Hardcover. 8vo., 509pp.; VG/VG; spine black and red pictorial with olive lettering; dust jacket has price uncut '$65.00'; dust jacket has minimal wear, with the slightest crinkling to upper edges, small closed tear to upper rear hinge, tiny wear to head of spine, still in publisher's plastic bag; housed in a VG red slipcase with no wear; limitation page in front, of the 1000 numbered and signed copies, this is number 101, signed by King and Gervais; LP consignment; shelved case 8, Dupont. Full-priced Rockville.

      [Bookseller: Second Story Books ]
 1.   Check availability:     ABAA     Link/Print  


        LE BAL MOVIE POSTER/BAL/POSTER

      1983 - BAL - 1983, Dir: ETTORE SCOLA, Cast: ÉTIENNE GUICHARD, RÉGIS BOUQUET, FRANCESCO DE ROSA, ARNAULT LECARPENTIER, LILIANE DELVAL, MARTINE CHAUVIN, , Nac. film: ITALIA, Company: , Designer: PAGOWSKI, , Nac. poster: POLONIA, Measures (Cm. and Inches) : 68x94 cm 27x37 in, Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

      [Bookseller: BENITO ORIGINAL MOVIE POSTER]
 2.   Check availability:     ZVAB     Link/Print  


        Profil 1 - 10. Kunstmagazin. Herausgeber Hans Georg Ruckes.

      Düsseldorf. Profil und Galerie Kunst im Salon. 1978 - 1983. - 1. Auflage. 10 Bände. 21 x 15 cm. Ca. 1125 S. OKarton. Zwei Hefte an den Rücken leicht gebräunt,zwei gering nachgedunkelt, eines davon etwas fleckig. Gutes Exemplar. Vollständige Folge der Reihe, die von 1978 bis 1983 von Hans Georg Ruckes herausgegeben wurde. Die Bände erschienen in einer Auflage von 500 Exemplaren, wovon 50 Exemplare als Vorzugsausgabe nummeriert waren und Originalgrafiken der beitragenden Künstler enthielten. Von vorliegenden Heften sind 6 Hefte Vorzugsausgaben mit der Nummer 37 / 50, es liegen teils mehrere Arbeiten bei. Heft 3 enthält auf der hinteren Umschlaginnenseite eine Blestiftzeichnungen von Klaus Rinke, signiert und datiert 80. Heft 4 enthält drei beiliegende Arbeiten von Halina Jaworski (Polaroid), Mario Reis (Radierung in Pergamintüte), Yoshio Shirakawa (Stempel und Text in Wachskreide auf Abrissblatt); Heft 5 mit Arbeiten von Franco Campana (Radierung), Otto Piene (mit Filzstift ummalter Offsetdruck), Klaus Ritterbusch (Kolorierter Offsetdruck), Keiji Uematsu (Blesitiftzeichnung und Offset), Van den Valentyn (Text), Heft 6 enthält W. E. Herbst (Linolschnitt), Barbara Petri (Kolorierter Offsetdruck), Johannes Lenhart (Materialcollage), Heft 7 mit Arbeiten von Christoph Ingenhoven(Siebdruck), Tomas Schmitt (Künstlerbuch); Heft 8 enthält Heinz Scharbert (Radierung), Tatsuo Tsuda (Übermalte Materialcollage), Bernard Bazile (Foto), Wolfgang Döring (mit Wachskreide kolorierter Offsetdruck auf transparentem Pergamin), Hildegard Schöneck (Zeichnung, Buntstift), Erwin Heerich (Offsetdruck); Heft 9 mit Arbeiten von Rüdiger Kramer (Radierung), Helmut Sundhaußen (Siebdruck), Hella Lütgen (kolorierter Offsetdruck), Johannes Erdmann (Radierung), Paul Wienand (Aquarell), Wolfgang Stickel (kolorierter Offsetdruck). Die Bände enthalten weitere Beiträge unter anderem von Joseph Beuys, Theo Lambertin, Günther Uecker, Fritz Schwegler, Erika Kiffl. Mit zusammen 26 beiliegenden Originalarbeiten und Grafiken, alle Arbeiten sind handschriftlich von den Künstlern signiert und mit 37/50 nummeriert. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Antiquariat Querido - Frank Hermann]
 3.   Check availability:     ZVAB     Link/Print  


        The Bowmen of Shu

      Grenfell Press, (NY) 1983 - Copy No. 78 of 125 copies. Signed by Guy Davenport. An assemblage about the life of sculptor Henri Gaudier-Brzeska, with twelve drawings by Davenport and five reproductions of Gaudier pen and ink drawings. One of 115 copies bound in quarter morocco with printed Fabriano paper over boards. Mild sunning to the spine and rear board; near fine. With publisher's prospectus for a forthcoming book laid in. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Ken Lopez Bookseller, ABAA (Lopezbooks)]
 4.   Check availability:     AbeBooks     Link/Print  


        La Polynésie et les îles Marquises ; voyages et marine accompagnés d'un voyage en Abyssinie et d'un coup-d'oeil sur la canalisation de l'isthme de Panama

      - Librairie de Guillaumin, Paris 1983, 13x21,5cm, relié. - Edition. Il legame del cartoncino nero editor di piena, colonna vertebrale liscio lavorato con filetti e celle frigorifere, i filetti cornice freddo sulle copertine, guardie e contreplats di carta gialla, tutti dorati. Alcuni punti, sembra che il cartone è stato originariamente inteso per un altro libro il cui nome è stato ben spazzolato, prima del loro riutilizzo per la nostra copia, tra il primo piatto.   - [FRENCH VERSION FOLLOWS] Edition originale. Reliure de l'éditeur en plein cartonnage noir, dos lisse orné de filets et de caissons à froid, encadrement de filets à froid sur les plats, gardes et contreplats de papier jaune, toutes tranches dorées.  Quelques rousseurs, il semblerait que le cartonnage était initialement prévu pour un autre ouvrage dont le nom a été proprement gratté, avant réemploi pour notre exemplaire, au milieu du premier plat.  

      [Bookseller: Librairie Feu Follet]
 5.   Check availability:     maremagnum.com     Link/Print  


        Sword Guards and Fittings from Japan. The Collection of the Museum of Decorative Art, Copenhagen, Bequest of Dr. Hugo Halberstadt. 1-2.

      Tokyo, Kondansha 1983. 36x25,5 cm. 269; 303 pp. Richly illustrated. First volume in full burgandy cloth, the other in turquose cloth, both in publisher's gold cloth fall-down-back box. All in original printed paper box. Condition as new.

      [Bookseller: Rönnells Antikvariat AB]
 6.   Check availability:     Antikvariat     Link/Print  


        Treason's Harbour.

      London: Collins,, 1983. Octavo. Original red boards, titles to spine gilt. With the dust jacket. An excellent copy in the slightly toned jacket. First edition, first impression.

      [Bookseller: Peter Harrington]
 7.   Check availability:     Biblio     Link/Print  


        The Spanish and Minorcan Linguistic Heritage of St. Augustine, Florida

      St. Augustine Historical Society 1983 - Light wear to covers. Text clean and unmarked. The binding is tight and square. Your Satisfaction is Guaranteed! [Attributes: Soft Cover]

      [Bookseller: First Coast Books]
 8.   Check availability:     AbeBooks     Link/Print  


        Le Voyage De Charlemagne à Jérusalem et à Constantinople. Illustrations De Jean-François Mincet.

      Les Éditions De L'Ibis, Paris 1983 - 191 pp. y 2 hojas y 5 láminas, una de ellas a doble hoja. Texto orlado. Sumamente ilustrado también entre el texto. Todas las ilustraciones coloreadas a mano a varias tintas. De una edición total de 928 ejemplares, el nuestro del tiraje de 150 ejemplares (nº118) en papel Vélin Chiffon de Lana, que contiene a parte, una Suite con láminas de las ilustraciones sin colorear, un grabado original firmado y numerado por el artista. Y una de las láminas, a parte, coloreada a mano y firmada a lápiz por el artista. Muy bien encuadernado de editorial a plena piel grabada en seco y al oro. Estuche a media piel y tela para la suite. Y todo guardado en una caja con interior en tela y con acabados en piel. Size: 33 X 22,5 Cm. [Attributes: Hard Cover]

      [Bookseller: BALAGUÉ LLIBRERÍA ANTIQUÀRIA]
 9.   Check availability:     AbeBooks     Link/Print  


        The Eclectic Abecedarium

      Anne & David Bromer, Boston 1983 - (62)pp. First edition. From an edition of 400 copies signed by Gorey, this is one of 100 copies comprising the deluxe issue with the illustrations hand-colored by him. The text is an alphabet of short humorous couplets patterned after early moral primers for children, as in "Find tasks to do While in a Queue." Each couplet is accompanied by a full-page illustration. This is the first miniature book that Edward Gorey wrote, designed, and illustrated. This copy has been specially bound by Michael Wilcox in full green morocco with multicolored leather onlays, gilt tooling, and leather doublures. Wilcox described his design as "the young abecedarian doing a bit of eclectic collecting," and indeed, the binding depicts a figure smelling a flower while gathering a bouquet of multi-hued alphabetical blooms. A.e.g. Signed by Wilcox on the rear doublure and dated 1989. Housed in a custom box with a leather spine label. A fine copy in a unique designer binding. (1 by 1 1/4; 25x32mm). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bromer Booksellers, Inc., ABAA]
 10.   Check availability:     IberLibro     Link/Print  


        A1: The Great North Road (Signed)

      Grey Edns, 1983. First Edition. Softcover. Very Good Condition. Signed by Author. ~~Signed neatly by Paul Graham to fly-leaf beneath 'A1'~~VG- 1st edition 1983 Grey Editions paperback, landscape format, superbly photographed and valuable resource. Minor lower edge crease to front cover and light spine-end shelf-wear else VG and tight, scarce especially with the author's signature. Sent Airmail at no extra cost; Worldwide Shipping IMMEDIATE 1ST CLASS/AIRMAIL DISPATCH Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Photography; Signed by Author. ISBN: 0950870307. ISBN/EAN: 9780950870304. Pictures of this item not already displayed here available upon request. Inventory No: 067805.. 9780950870304

      [Bookseller: M. Guida - 84 CCR Books]
 11.   Check availability:     Biblio     Link/Print  


        ORIGINAL SIGNED WATER COLOUR ARTWORK FOR TALES FROM WIND IN THE WILLOWS.

      London, St. Michael / Purnell, 1983.. 1983, image size 150 x 198 mm, 6 x 7¾ inches, a charming river scene with beautiful trees on the far bank, a small rowing boat in the foreground, Ratty on the oars and Mole pointing at the Wild Wood. Signed "BIRO" on the lower edge of the image at the left. In a large cream mount. A Fine example. This edition of the book produced for Marks & Spencer, contained 50 illustrations by the versatile and prolific Hungarian artist Val Biro, famous amongst other things, for the Gumdrop series. Our image appears on page 6. Price includes VAT. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 12.   Check availability:     Biblio     Link/Print  


        The Reluctant Dragon

      New York: Holt, Rinehart and Winston, 1983. Illustrated by Michael Hague. Limited edition. Thin 4to. Brown cloth spine, gilt; green cloth sides. Green endpapers. Limited edition: One of 350 copies (this is no. 341) signed by Hague and with a reproduction of a specially commissioned pen and ink drawing. A fine copy in publisher's slipcase. Fine.

      [Bookseller: Thorn Books, ABAA]
 13.   Check availability:     Direct From Seller     Link/Print  


        ORIGINAL SIGNED WATER COLOUR ARTWORK FOR TALES FROM WIND IN THE WILLOWS.

      London, St. Michael / Purnell, 1983. 1983, image size 150 x 198 mm, 6 x 7¾ inches, a charming river scene with beautiful trees on the far bank, a small rowing boat in the foreground, Ratty on the oars and Mole pointing at the Wild Wood. Signed "BIRO" on the lower edge of the image at the left. In a large cream mount. A Fine example. This edition of the book produced for Marks & Spencer, contained 50 illustrations by the versatile and prolific Hungarian artist Val Biro, famous amongst other things, for the Gumdrop series. Our image appears on page 6. Price includes VAT. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
 14.   Check availability:     maremagnum.com     Link/Print  


        The Witches

      London: Jonathan Cape,, 1983. Illustrations by Quentin Blake. Octavo. Finely bound by the Chelsea Bindery in bright blue morocco, titles to spine and front board onlaid in pale blue morocco and blocked in black, pictorial onlay wrapped around front and back board after the original dust jacket, twin rule to turn-ins in black, plain blue endpapers, gilt edges. With black and white illustrations. A fine copy. First edition, first impression. Winner of the Whitbread Award for Children's Novel in 1983, the book was adapted into a stage play and a two-part radio dramatization for the BBC, a 1990 movie directed by Nicolas Roeg which starred Anjelica Huston and Rowan Atkinson, and an opera by Marcus Paus and Ole Paus.

      [Bookseller: Peter Harrington]
 15.   Check availability:     Biblio     Link/Print  


        Tübke, Werner. - "Harlekin begräbt einen Freund".

      - Lithografie / Kreidelithografie, in Schwarz, auf schwerem Hahnemühle-Bütten, 1983. Von Werner Tübke. Auflage Exemplar Nr. 13/60. 28,3 x 39,2 cm (Darstellung / Einfassungslinie) / 39,5 x 50 cm (Blatt). Tübke-Schellenberger 133. Rechts unten in Bleistift signiert. Links Auflagenbezeichnung. Im Stein unten spiegelschriftlich Signatur und Jahr. - Sehr gut erhalten. Werner Tübke (1929 Schönebeck/Elbe - 2004 Leipzig). Deutscher Maler, Zeichner und Grafiker, neben Bernhard Heisig und Wolfgang Mattheuer einer der bedeutendsten Künstler in der DDR, Vertreter der ersten Generation der Leipziger Schule. 1935-45 privater Zeichenunterricht bei Karl Friedrich in Magdeburg. Studierte 1948/49 Malerei an der Hochschule für Grafik und Buchkunst in Leipzig (HGB), 1950-52 Kunsterziehung und Psychologie an der Universität Greifswald. 1955-57 Assistent an der HGB. 1961/62 Studienaufenthalt in der Sowjetunion. Ab 1962 Oberassistent, ab 1964 Dozent an der HGB, 1972 Professor und 1973-76 Rektor. 1971 erste Italienreise. 1976-87 Arbeit am Panoramagemälde zum Deutschen Bauernkrieg in Bad Frankenhausen in Thüringen. 1977 documenta in Kassel. Sprache: Deutsch [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 16.   Check availability:     ZVAB     Link/Print  


        Die Künstler aus Gugging.

      Wien, Medusa 1983 - 4°, 447 S., 489 teiw. farb. Abb., OLwd. m. OU., Tadell. Mit Signaturen von: Johann Hauser, Oswald Tschirtner, Johann Fischer, Fritz Koller, Franz Kernbeis, eine Unleserlich, August, Walla. Von Walla auch ein hübscher Teufelskopf.- Enthält u.a.: Dieter Ronte: Museum und zustandsgebundene Kunst / Peter Baum: Die Sammlung Leo Navratil / Alois Marksteiner: Kunstpsychotherapie und Psychiatrisches Krankenhaus / Art Brut und Psychiatrie / Das Haus der Künstler in Gugging. Die Künstler (zahlreiche Künstlerbiographien). Anhang: Eine Theorie der Kretivität; Die kreativen Grundformen; etc.- Umfangreiche Einführung in das Phänomen Gugging. 3200 gr. Schlagworte: Kunst - art brutKunst - 20 Jht. nach 1945Signierte Bücher [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
 17.   Check availability:     ZVAB     Link/Print  


        Eloise

      1983 - We're hereby presenting a unique connoisseur's copy of 'Eloise' replete with the Triton Gallery Original Sketches & Poster Designs for the Theatre 1974 featuring an original silkscreen print 'Pink Broadway'! Furthermore, there's an amazing original drawing with hand-written inscription: I Have A Special Message For Bill from Hilary and Me, Eloise/ Dear Bill Schelbe Thank you for a very special treat this Halloween and Birthday from Hilary Knight- October 1984 'Eloise and Weenie'! Thus an amazing "association' copy indeed!~

      [Bookseller: The Cary Collection]
 18.   Check availability:     AbeBooks     Link/Print  


        Coplas de Navidad

      Camaleón ediciones, Santiago de Chile 1983 - PRIMERA EDICIÓN FIRMADA POR EL AUTOR. FIRST EDITION SIGNED BY THE AUTHOR. edición limitada a 1000 ejemplares. MUY BUEN ejemplar en formato de códice. Sin numerar [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: 101PoE]
 19.   Check availability:     IberLibro     Link/Print  


        The Caribbean Poetry of Derek Walcott and The Art of Romare Bearden

      New York: Limited Editions Club, 1983. Cloth. Fine. Romare Bearden. Illustrated by Romare Bearden. Introduction by Joseph Brodsky. Limited Edition (603/2000). Signed by Walcott and Bearden on the limitation page. Includes the orignal, numbered litograph (11/275). Fine in a near fine, lightly rubbed slipcase. Beautifully decorated cloth binding. A tight and clean copy. Also included with the book are various contemporary clippings about Walcott and Bearden from news publication. More interesting, there is a Bearden-designed 4.5"x6.5" card that reads on the inside, "The Limited Editions Club invites you to a celebration for Romare Bearden & Derek Walcott Poems of the Caribbean Wednesday, June 8th, 1983 six to nine p.m. The Water Club | The East River at 30th Street."

      [Bookseller: Carpetbagger Books]
 20.   Check availability:     Biblio     Link/Print  


        IL PRINCIPE DI HOMBURG

      RIZZOLI, 1983. INTERLINGUE 0,19 Introduzione e traduzione di Luigi Lunari, con testo tedesco a fronte, pagine brunite da fattore tempo, brossura editoriale morbida, illustrata, leggermente ingiallita al dorso e con lievi segni di usura ai bordi, piccolo segno di bruciatura al bordo laterale del piatto anteriore ed alla pagina sottostante USATO

      [Bookseller: Biblioteca di Babele]
 21.   Check availability:     maremagnum.com     Link/Print  


        Hockney Paints the Stage - Signed with drawing by David Hockney

      Abbeville Press (NY) 1983 - Abbeville Press (NY) 1983. VERY GOOD in large illustrated wraps. SIGNED with a small drawing by David Hockney on the half-title page. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Chris Grobel]
 22.   Check availability:     AbeBooks     Link/Print  


        Paul Celan: Gesammelte Werke in fünf Bänden.

      Suhrkamp, Frankfurt / Main 1983 - Fünf Bände, VOLLSTÄNDIG. In eleganter pappbezogener Hartkarton-Kassette. Alle Bände: gestaltete Schutzumschläge mit Rückentitelei, unverletzt. GANZLEDER Einbände, montierte goldgeprägte Titelschildchen, alle TADELLOS. ERSTER BAND: Gedichte I: Mohn und Gedächtnis, Von Schwelle zu Schwelle, Sprachgitter, Die Niemandsrose. 328 Seiten. +++ ZWEITER BAND: Gedichte II: Atemwende, Fadensonnen, Lichtzwang, Schneepart. 446 Seiten. +++ DRITTER BAND: Gedichte III: Der Sand aus den Urnen, Zeitgehöft, Verstreute Gedichte, Prosa, Reden. 233 Seiten. +++ VIERTER BAND: Übertragungen I, zweisprachig. 885 Seiten. +++ FÜNFTER BAND: Übertragungen II, zweisprachig. 665 Seiten. Eine bibliophile Ausgabe in NEUWERTIGEM ZUSTAND! +++ "Celan schafft seine Symbole, in denen der uralte Bestand als Grundschicht weiterlebt, überlagert von vielem Heutigen von Jüngstem. Mit ihm ist eine poetische Kraft aufgestanden, die das unsagbare an seinen Rändern packt und das Wort als eine äußerste Wirklichkeit Ernst nimmt" (Karl Schweldhelm, Deutsche Zeitung). +++ Paul Celan gehört zu den größten deutsch-jüdischen Poeten des 20. Jahrhunderts. Geboren in Czernowitz im Jahr 1920, nahm er sich das Leben 1970 in Paris. +++ 12,4 x 20,4 cm je, Gewicht insgesamt 3,1 kg. +++ Stichwörter: Gesamtausgabe Lyrik Poesie Übersetzungen Literatur Germanistik Bibliophilie Vorzugsausgabe Gewicht in Gramm: 3100 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Clement]
 23.   Check availability:     ZVAB     Link/Print  


        A1: The Great North Road (Signed)

      Grey Edns, 1983, Softcover, Book Condition: Very Good Condition, First Edition, Signed by Author. ~~Signed neatly by Paul Graham to fly-leaf beneath 'A1'~~VG- 1st edition 1983 Grey Editions paperback, landscape format, superbly photographed and valuable resource. Minor lower edge crease to front cover and light spine-end shelf-wear else VG and tight, scarce especially with the author's signature. Sent Airmail at no extra cost; Worldwide Shipping IMMEDIATE 1ST CLASS/AIRMAIL DISPATCH Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Photography; Signed by Author. ISBN: 0950870307. ISBN/EAN: 9780950870304. Pictures of this item not already displayed here available upon request. Inventory No: 067805.

      [Bookseller: 84 Charing Cross Road Books]
 24.   Check availability:     Bookzangle     Link/Print  


        A1. The Great North Road.

      Bristol: Grey Editions, 1983 - Oblong quarto. Original photographic wrappers, titles to spine and front wrapper in black. Gift inscription to half-title. Wrappers only a touch rubbed otherwise an excellent copy. 40 full page colour photographs. First edition, first impression. A series of photographs documenting the travels on the Great North Road between 1981-1982. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 25.   Check availability:     ZVAB     Link/Print  


        ANIMAL (6 RADIERUNGEN)

      - 6 Aquatinta auf Bütten, unterschiedliche Formate 10,2 x 13,5 bis 18,2 x 24 cm, Blattgrösse 38 x 50 cm, je numeriert 38/50 unten links, signiert u. datiert (19)83 unten rechts, in Orig.Leinenmappe Portfolio mit 6 expressiven Tierdarstellungen, erschienen bei der Galerie Hilger, Wien 1983. Das Begleitblatt fehlt, ansonsten sauber und gut [Attributes: Signed Copy]

      [Bookseller: Antiquariat A. Thomi]
 26.   Check availability:     ZVAB     Link/Print  


        Pet Sematary

      Doubleday 1983 - Stephen King (1983) ‘Pet Sematary’, US first edition, first print (first edition on copyright page + correct gutter code Y38 on page 374), published by Doubleday. Signed and inscribed by Stephen King: “For Tiffany – All best always, [signature; date]”. Condition: near fine book in a very good dust jacket. The book does not display any major flaws apart from some minor shelf wear from sliding in and out of shelf. The dust jacket has some moderate edge wear including minor chips and is faded on the spine. However, it is the first state wrapper with correct pricing of USD 15.95 and 1982 date at the rear. ‘Pet Sematary’ was adapted as a much loved Horror movie in 1989. The novel was King’s last to fulfil his contract with Doubleday. The idea came to King when his daughter’s cat was run over on the much frequented road where King lived with his family at the beginning of his career. A new movie adaptation is on its way. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: First and Fine]
 27.   Check availability:     AbeBooks     Link/Print  


        La Polynésie et les îles Marquises ; voyages et marine accompagnés d'un voyage en Abyssinie et d'un coup-d'oeil sur la canalisation de l'isthme de Panama

      First edition.Publisher's binding in full black cardboard, smooth back decorated with nets and cold boxes, framing of cold fillets on the plates, guards and contreplats of yellow paper, all golden edges.Some foxing, it would seem that the cartonnage was initially planned for another work whose name was neatly scratched, before reuse for our copy, in the middle of the first board. Librairie de Guillaumin Paris 1983 13x21,5cm relié

      [Bookseller: Librairie Le Feu Follet]
 28.   Check availability:     Direct From Seller     Link/Print  


        Trattato di Tecnica Chirurgica 1,2,4,5,6,7,8,9,13,13,14,14,16,17 In vendita anche SFUSI

      Uffreduzzi

      [Bookseller: Libreria Fabiocomics]
 29.   Check availability:     maremagnum.com     Link/Print  


        Portrait de René Char à l'Isle sur Sorgué. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1983 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 30.   Check availability:     Direct From Seller     Link/Print  


        Portrait de André Masson. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1983 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 31.   Check availability:     Direct From Seller     Link/Print  


        Portrait de Michel Foucault. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Small tear on the upper edge and stain on the white part of the photograph.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1983 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 32.   Check availability:     Direct From Seller     Link/Print  


        Portrait de Nathalie Sarraute. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1983 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 33.   Check availability:     Direct From Seller     Link/Print  


        Portrait de Bernhard Thomas. Photographie Originale tirée par l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. par l'auteur s.l. 1983 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 34.   Check availability:     Direct From Seller     Link/Print  


        Portrait de William Hayter. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1983 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 35.   Check availability:     Direct From Seller     Link/Print  


        Broadway. SIGNED.

      New York/Rotterdam, A. Jan Henderikse-Uitgeverij/Uitgeverij Bébert Edition, 1983. Brown (!) corrugated cardboard with ribbon ties (hardcover), 11,7 x 36,3 cms., leporello consisting of title-page + accordion-folded sheets containing b/w photographs (cross-sections, 3 pictures per page) showing perspectives of New York's Broadway by walking, title page loose. Signed 'Jan Henderikse' on front cover. Artist's book. Including Manhattan BUS MAP, inserted in rear pocket. Broadway is a book about Broadway, Manhattan, starting downtown in the financial district, then moving uptown to Soho, Times Square, the Upper West Side, Harlem, Sugar Hill and Inwood to Spuyten Duyvil, which separated Manhattan from the Bronx. "En nu dus BROADWAY. Zo'n 250 straten lang. Dat houdt in zo'n 250 foto's. 3 op een pagina. Fijn uitgevoerd in Harmonica stijl (...)." This rather general indication of the number of plates may indicate that the number of plates per copy can vary (among others according to Jan Henderikse). From an edition of 100 signed copies only sold in Europe. There was another edition of 100 for the U.S.A., unsigned. Slight discoloration to upper title-page, but generally in fine condition. Henderikse, Jan.

      [Bookseller: Luïscius Books]
 36.   Check availability:     NVvA     Link/Print  


        THE PRINCE / LEVIATHAN Or the Matter, Form, and Power of a Commonwealth Ecclesiastical and Civilmachiavel

      Franklin Center Pennsylvania: Franklin Library. 1983. First Edition; First Printing. Hardcover. Fine, Accented in 22kt gold, printed on archival paper with gilded edges, smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. Pristine. A Limited Edition.; Franklin Library the Great Books of the Western World Series; 8vo 8" - 9" tall .

      [Bookseller: Rare Book Cellar]
 37.   Check availability:     Biblio     Link/Print  


        My Deep Dark Pain is Love. A Collection of Latin American Gay Fiction. Edited by Winston Leyland. Translated from Spanish and Portuguese by E. A. Lacey.

      San Francisco: Gay Sunshine Press, 1983 - Octavo. Original blue cloth, titles gilt to spine. No jacket as issued. Fine. Illustrated frontispiece. First edition, first printing, very scarce cloth issue, from the personal collection of publisher and editor Winston Leyland, signed by him on the title page. The vast majority of the clothbound copies were sold to libraries and are very scarce. Winston Leyland (b.1940) was a leading figure in American LGBT publishing and won the Stonewall Book Award in 1980. He established the Gay Sunshine Press in 1975, which was notable for its pioneering anthologies of gay writing from other cultures, and his Gay Sunshine Journal (1970-82) was particularly influential for its interviews with prominent gay writers of the era. Gay Sunshine A35a. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 38.   Check availability:     ZVAB     Link/Print  


        TWENTY THOUSAND LEAGUES UNDER THE SEA

      Franklin Center, Pennsylvania: Franklin Library. 1983. First Edition; First Printing. Hardcover. Fine, Accented in 22kt gold, printed on archival paper with gilded edges, smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. Pristine. A Limited Edition.; Oxford Library of the World's Greatest Books; 8vo 8" - 9" tall .

      [Bookseller: Rare Book Cellar]
 39.   Check availability:     Biblio     Link/Print  


        The Bowmen of Shu

      (NY): Grenfell Press. 1983. Copy No. 78 of 125 copies. Signed by Guy Davenport. An assemblage about the life of sculptor Henri Gaudier-Brzeska, with twelve drawings by Davenport and five reproductions of Gaudier pen and ink drawings. One of 115 copies bound in quarter morocco with printed Fabriano paper over boards. Mild sunning to the spine and rear board; near fine. With publisher's prospectus for a forthcoming book laid in. First Edition. Hardcover. Near Fine.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 40.   Check availability:     IOBABooks     Link/Print  


        Photographs

      c. 1983-84. Six black and white photographs (not stated but) by Abe Frajndlich, of William Burroughs, or details thereof. Two photos of Burroughs seated inside at a desk; two photos of Burroughs standing outside in a trench coat and hat; one photo of Burroughs' coat, hat and cane on the floor next to a baseboard heater; one photo of Burroughs' hands as he signs a copy of The Place of Dead Roads. Each photo is 8-1/2" x 11"; faint staining to a few margins, else fine. No Binding. Near Fine.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 41.   Check availability:     Biblio     Link/Print  

______________________________________________________________________________


      Home     Wants Manager     Library Search     562 Years   Links     Contact      Search Help      Terms of Service      Privacy     


Copyright © 2018 viaLibri™ Limited. All rights reserved.