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Displayed below are some selected recent viaLibri matches for books published in 1984

        La Comédie humaine.

      1984 - Paris, Jean de Bonnot, 1984-1987; in-8, environ 500 pp. par volume, reliure d'éditeur plein cuir, coloris noir, dos orné lisse, plats estampés avec un motif doré, tête dorée. Les 28 volumes. Collection complète.

      [Bookseller: alphabets]
 1.   Check availability:     AbeBooks     Link/Print  


        Sting & Trudie Styler at a party in Neasden following a Police concert at Wembley, New Year's Eve. 31/12/1984

      - 745 x 520mm. Giclà e Print using Archival pigment inks on Hahnemüle Fine Art Pearl 285gsm paper. Limited edition of 10 numbered copies signed by the photographer. Alan Davidson is a press photographer based in London for more than 30 years, Alan has photographed the rich, the famous, the before-they-were-famous to those that have fallen from grace. Going through his vast archive, with new treasures found within the old brown manilla envelopes, reads like a who's who of the great and good (and the very bad) of London society. Cinema stars rub shoulders with pop stars, royalty with politicians. Working from the late 1960s to the present day Alan remembers the days before celebrities became surrounded by 30 young publicists and before there were 50 photographers at every event you went to, allowing him to take intimate and relaxed portraits, unlike the anodyne syndicated press shots of today. [Attributes: Signed Copy]

      [Bookseller: Henry Sotheran Ltd]
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        Collected English Writings. With a preface by Koshiro Okakura and an Introduction by Sunao Nakamura.

      Tokyo, Heibonsha Limited. 1984 - 3 Volumes (complete set). Octavo. XXI, 442, 446, 398 pages. With several photographic illustrations in each volume. Original Hardcover with original dustjackets in original slipcase. Very important publication. Extremely scarce and sought after edition. Excellent condition with only very minor signs of external wear. The dustjackets all in protective Mylar. Includes the following chapters: Volume I - The Life of Okakura Kakuzo / The Ideals of the East / The Awakening of the East / The Awakening of Japan / The Book of Tea / The White Fox / The Legend of Yoshitsune / Ataka / Ko Atsumori / A Bibliographical Introduction / Volume II - Essays from Japan / Notes on Contemporary Japanese Art / The Bijutsu-In or the New Old School of Japanese Art / Modern Problems in Painting / Japanese and Chinese Paintings in the Museum / Talk Given to Ladies who assisted in the Work of The Chinese and Japanese Department / Chinese and Japanese Mirrors / Prefatory Note for Japanese Sword Guards / The Nature and Value of Eastern Connoisseurship / Religions in East Asiatic Art / Nature in East Asiatic Painting / Prefatory Note for the Catalogue of a special Exhibition of Japanese and Chinese Lacquer / Preface for the Catalogue of Japanese and Chinese Lacquer / The History of Lacquer / The Confucian Age and the Laoist Age / On the Method of Practising Concentration and Contemplation, Chiki / Japanese Temples and their Treasures / Volume III - English Poems / Letters / Appendix with: Japan's greatest Critic tells of Japan's Art / Okakura-Kakuzo by Bigelow and Lodge / Kakuzo Okakura by S. Tagore / Priyambada Devi's Letters to Okakura / Priyambada Devi's Notebook / Priyambada Devi's Second Notebook / Notes by and concerning Okakura - Housed at the Museum of Fine Arts, Boston / A Record of Okakura's Eyesight Okakura Kakuzo (February 14, 1862 – September 2, 1913) (also known as Okakura Tenshin) was a Japanese scholar who contributed to the development of arts in Japan. Outside Japan, he is chiefly remembered today as the author of The Book of Tea. Born in Yokohama to parents originally from Fukui, Okakura learned English while attending a school operated by Christian missionary, Dr. Curtis Hepburn. At 15, he entered Tokyo Imperial University, where he first met and studied under Harvard-educated professor Ernest Fenollosa. In 1889, Okakura co-founded the periodical Kokka. In 1887 he was one of the principal founders of the Tokyo School of Fine Arts (Tokyo Bijutsu Gakko), and a year later became its head, although he was later ousted from the school in an administrative struggle. Later, he also founded the Japan Art Institute with Hashimoto Gaho and Yokoyama Taikan. He was invited by William Sturgis Bigelow to the Museum of Fine Arts, Boston in 1904 and became the first head of the Asian art division in 1910. Okakura was a high-profile urbanite who had an international sense of self. In the Meiji period he was the first dean of the Tokyo Fine Arts School (later merged with the Tokyo Music School to form the current Tokyo University of the Arts). He wrote all of his main works in English. Okakura researched Japan's traditional art and traveled to Europe, the United States, China and India. He emphasised the importance to the modern world of Asian culture, attempting to bring its influence to realms of art and literature that, in his day, were largely dominated by Western culture. His 1903 book on Asian artistic and cultural history, The Ideals of the East with Special Reference to the Art of Japan, published on the eve of the Russo-Japanese War, is famous for its opening paragraph in which he sees a spiritual unity throughout Asia, which distinguishes it from the West: Asia is one. The Himalayas divide, only to accentuate, two mighty civilisations, the Chinese with its communism of Confucius, and the Indian with its individualism of the Vedas. But not even the snowy barriers can interrupt for one moment that broad expanse of love for the Ultimate and Universa [Attributes: Hard Cover]

      [Bookseller: Woodpecker Books]
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        Vita der Mathilde von Canossa. Vollständiges Faksimile des Codex Vaticanus Latinus 4922.

      Zürich: Belser, 1984 - 90 Blätter, umfangreicher Buchschmuck, Numeriertes Exemplar Nr. 368 (von 2000). Sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 0 3-bündiger Ledereinband, Rücken etwas geblichen, im farbigen Originalschuber Mit dem Einführungsband, 221 Seiten, Leinen.

      [Bookseller: Steeler Antiquariat]
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        Microneurosurgery in 4 volumes. 6 Bde.

      - Suttgart, New Yor, Georg Thieme Verlag, 1984-1996, 4°, ca. 2600 pp., 5840 meist farb. abb., 6 orig. Leinenbände. First Edition - Complete mint set of this standard-setting guide to the field! I.Vol.: Microsurgical Anatomy of the Basal Cisterns and Vessels of the Brain. Diagnostic Studies, General Operative Techniques and Pathological Considerations of the Intracranial Aneurysms. II.Vol.: Clinical Considerations, Surgery of the Intracranial Aneurysms and Results. III A.Vol.: AVM of the Brain, History, Embryology, Pathological Considerations, Hemodynamics, Diagnostic Studies, Microsurgical Anatomy. III B.Vol.: AVM of the Brain, Clinical Considerations, General and Special Operative Techniques, Surgical Results, Nonoperated Cases, Cavernous and Venous Angiomas, Neuroanesthesia. IV A. Vol.: CNS Tumors: Surgical Anatomy, Neuropathology, Neuroradiology, Neurophysiology, Clinical Considerations, Operability, Treatment Options. IV B.Vol.: Microneurosurgery of CNS Tumors; Instrumentation and Equipment, Laboratory, Training, Surgical Approaches, Strategies, Tactics and Techniques, Surgery and Results of Extrinsic and Intrinsic Tumors, Interventional Neuroradiology, Neuroanesthesia, Complications. Mahmut Gazi Yasargil (1925- ) türkischer Mediziner und Neurochirurg. Er wirkte mit Raymond M. P. Donaghy an der University of Vermont an der Entwicklung der Mikro-Neurochirurgie mit. Yasargil behandelte Epilepsie und Gehirntumore mit selbst entworfenen Instrumenten. Von 1953 bis zu seiner Pensionierung 1993 war er zuerst Arzt, dann Oberarzt und später Professor und Lehrstuhlinhaber des Departments für Neurochirurgie an der Universität Zürich und dem Universitätsspital Zürich. 1999 wurde er auf der Jahrestagung des Congress of Neurological Surgeons als "Mann des Jahrhunderts 1950-1999 der Neurochirurgie" geehrt. Zusammen mit Harvey Cushing gilt Yasargil als einer der bedeutendsten Neurochirurgen des 20. Jahrhunderts. Er half drei Generationen von Neurochirurgen, definierte die Möglichkeiten der Neurochirurgie und demonstrierte die Möglichkeiten der Ausführung. Im mikro-neurochirurgischen Labor in Zürich unterwies er 3000 Kollegen aus allen Erdteilen und allen medizinischen Fachrichtungen. Die sechsbändige Veröffentlichung "Microneurosurgery" (1984-1996, Georg Thieme Verlag Stuttgart-New York) ist eine umfassende Zusammenfassung seiner breiten Erfahrungen und ein wichtiger Beitrag zur Literatur der Neurochirurgie. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiq. F.-D. Söhn - Medicusbooks.Com]
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        The White Alphabet

      The Circle Press 1984 - Limited Edition (Copy #77/150). Published by The Circle Press, 1984. Signed by Ronald King on limitation page. Double-sided concertina alphabet book bound between inlaid wood boards. 14 point Gill Light text printed on 120 pound RWS hand-made paper. 56 pages. 11.5 X 5.25 in in canvas slip case. Book is like new/very fine. Slipcase is like new. A scarce copy of this wonderful creation of the artist Ronald King. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Southampton Books]
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        Facsimile: Das Tierbuch Des Petrus Candidus Codex Urbinus Latinus 276.

      Zürich, Belser, 1984. - circa 27,5 x 19,5 cm. 3 Bll., 232 num. Bll., 3 Bll., mit 469 Tierdarstellungen in farbe Roter Original-Lederband mit reicher Rücken- und Deckelvergoldung Nummer 151 von 600 nummerierten Exemplaren für den deutschsprachigen Raum (Gesamt 2460). Der Codes wurde 1460 geschrieben und im 16. Jahrhundert illuminiert. Er gilt als eines wertvollsten zoologischen Manuskripte seiner Zeit. "- Schönes Exemplar. - NUR DAS FACSIMILE, ohne den Beiband! Fehlender Einführungsband im Preis deutlichst berücksichtigt!. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Rezek]
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        Carlo Scarpa: The Complete Works

      1984-02-02. Good. Ships with Tracking Number! May not contain Access Codes or Supplements. 100% Satisfaction Guaranteed!

      [Bookseller: Books Express]
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        Amorous Drawings of the Marquis Von Bayros

      1984-08-01. Good. Ships with Tracking Number! May not contain Access Codes or Supplements. 100% Satisfaction Guaranteed!

      [Bookseller: Books Express]
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        Kolmannen valtakunnan edustajana talvisodan Suomessa (Finnish Edition)

      Otava 1/1/1984 - 9511080113 Unmarked Text. In a fair jacket; edge-worn.

      [Bookseller: Blindpig Books]
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        Schattenviolette. 11 Gedichte von Dora Koster in 11 Bildern von Peter Weiersmüller.

      - München, Edition Der Landbote 1984. Quer-Folio (35,5 : 45,5 cm). Titelblatt und 11 Tafeln mit farbiger Originalgraphik in Mischtechnik (Linolschnitt, Radierung, Kupfertiefdruck, Prägedruck) mit integriertem Text in Bleisatz. Bemalter Leder-Unikateinband in Kassette von Peter Weiersmüller. In nur 80 nummerierten Exemplaren auf schwerem Hahnemühle-Bütten gedruckt. - Vom Künstler und von der Dichterin auf dem Titelblatt handschriftlich signiert. 11 eingebundene Zwischenblätter schützen die hervorragenden graphischen Kompositionen von Peter Weiersmüller. - Eines von wenigen Exemplaren im Handeinband des Künstlers. Sprache: de [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Gerhard Zähringer Antiquariat & Galerie]
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        Hunting the African Buffalo: An Anthology

      Clinton, NJ: Amwell Press, 1984. Hardcover. As new. 1000-copy slipcased edition. This copy is no. 235. Signed by Rikoff, President, NSFL. xxv, 599p. 24 cm brown hard cover binding with gilt on spine and front board in a 25.5 cm slipcase. Foreword by Harry Tennison. Features colur plates and line drawings by Guy Coheleach. An African Heritiage Hunting Book. No discernible wear.

      [Bookseller: Attic Books]
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        Ficciones

      Limited Editions Club, 1984. Leather bound. Near fine. Sol LeWitt. Near fine in a near fine slipcase. Minor rubbing to both the leather and the paper-covered slipcase. Translated by Emece Editores. Illustrations by Sol LeWitt, who has signed the limitation page (796/1500).

      [Bookseller: Carpetbagger Books]
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        Photographie de la citadelle de Dinant et de la collégiale Notre-Dame de Dinant. Photographie Originale de l'artiste

      Par l'auteur 1984 - - Par l'auteur, s.l. 1984, 19x37cm sur papier Ilford 30x40cm, une feuille. - Grande photographie originale en noir et blanc réalisée et tirée par Marc Trivier. Tirage argentique non signé, comme la plupart des oeuvres de Trivier. Epreuve unique tirée par l'artiste. Précieuse épreuve argentique originale du célèbre photographe belge, un des artistes contemporains les plus secrets, qui malgré un succès international précoce, a préféré limiter sa production pour conserver la cohérence de son œuvre. Marc Trivier ne tire pas de nouveaux exemplaires de ses anciens portraits, le papier de tirage qu'il utilisait n'est d'ailleurs plus commercialisé. L'artiste « réalise lui-même ses tirages sur papier baryté Ilford, consacrant plusieurs jours de travail à chacun, avec une concentration particulière pour rendre les blancs, par contraste avec des noirs d'une rare densité. Un tirage de Marc Trivier ne ressemble à aucun autre. Lorsqu'il accepte de les exposer, il les suspend dans des cadres en inox de sa fabrication, laissant libre cours à la vie du papier. » (Xavier-Gilles, « Marc Trivier et la tragédie de la lumière » in Le Monde Libertaire, 2011). Cette « vie du papier » participe de l'œuvre au même titre que les diverses altérations que subissent les photographies lorsqu'elles sont exposées : « Dans les boites, les tirages gondolent, mais qu'importe : le photographe affectionne ce genre d'accident. » (Claire Guillot, « Les face à face sans échappatoire du photographe Marc Trivier », Le Monde, 2011). Marc Trivier a une sensibilité particulière pour l'aspect matériel de ses productions. Alors que la photographie relève par essence du multiple, cette intervention de l'artiste dans tout le processus de création confère une aura autographique à ces tirages. Photographies d'artistes, de fous, d'arbres ou d'abattoirs, Marc Trivier aborde tous ces sujets avec un regard aussi précis qu'intense. « Dans sa cosmogonie, chaque chose, chaque être, végétal, animal ou humain, mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude. » (Luc Desbenoit). La beauté qui émane de ses photos vient de cette nudité. Il n'y a ni retouches, ni recadrages. On retrouve dans son œuvre le même format carré souligné par le carré du négatif que Trivier laisse sur ses tirages. Ce cadre piège notre regard dans des photographies où le fard de la couleur est rejeté pour un noir et blanc incisif. Toute artificialité ayant disparu nous ne faisons pas face à la mise en scène d'un sujet mais à une présence exacerbée par la lumière irradiante et singulière, témoin d'un instant de vie et non de pose. C'est cette lumière, liée au médium photographique, qui unit les séries de Marc Trivier : « Les photographies de Marc Trivier écrivent une tragédie de la lumière, celle-ci n'accueillant les êtres - hommes, arbres ou bêtes - qu'en les brûlant, avant disparition. » (Xavier-Gilles in Le Monde Libertaire). C'est aussi elle, délivrée de tous les artifices, qui donne à ses œuvres l'aura qui les rend si présentes. Cette « brûlure » de la lumière nous renvoie à un instant réel, au « ça a été » de Barthes (La Chambre Claire, 1980) : « De trente-cinq ans de pratique photographique, d'obsessions, c'est peut-être ça qui reste : un mode d'enregistrement singulier de la brûlure de la lumière, décliné d'une image à l'autre, en une succession de propositions qui se ressemblent et pourtant chacune est aussi singulière que la fraction de temps auquel elle renvoie. » (Marc Trivier). « La photographie ne dit qu'une chose : « C'était. » On ne fixe que ce qui a été. S'il y a une tragédie, elle est là. » (Marc Trivier) Warhol, Foucault, Beckett, Dubuffet . les plus grands écrivains et artistes ont posés pour Trivier. Simultanément l'artiste s'intéressent également aux marges de la société, à ce que les hommes ne veulent pas voir. Il photographie alors les aliénés et les abattoirs qu'il place en regard des célébrités. Dès la fin des années 1980 son œuvre est unanimement reconnu [Attributes: First Edition]

      [Bookseller: Librairie Le Feu Follet]
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        The Frog Prince

      New York: Vincent FitzGerald & Company, 1984. Hardcover. VG+. Orange cloth boards with green embossed title on cover. Spine is plain orange. 50 pp., Original etching frontis and four additional plates after etchings, all by the artist Edward Koren. "One hundred thirty copies of this limited edition have been printed on Rives paper at Wild Carrot Letterpress employing Janson type. The etching was pulled in New York by Lynn Rogan of Printmaking Workshop. The four additional illustrations have been printed on Misu paper at The Meriden Gravure Company. The title page calligraphy is the work of Jerry Kelly. The endpapers were handmade in Paris by Richard de Bay. The edition is bound by Gerard Charriere and Carol Joyce. Each copy is signed on the rear limitation page by the author and illustrator. This is the Publisher's Proof copy, rather than a numbered copy.." The frontispiece is also signed and labelled as Publisher's Proof numbered by the illustrator, Edward Koren. One of Mamet's three children's plays, a charming adaptation of the Brothers Grimm fairy tale. Small quarto. Original orange cloth binding, with green titles.

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
 15.   Check availability:     Biblio     Link/Print  


        Microneurosurgery in 4 volumes. 6 Bde.

      Suttgart, New Yor, Georg Thieme Verlag, 1984-1996, 4, ca. 2600 pp., 5840 meist farb. abb., 6 orig. Leinenbände. First Edition - Complete mint set of this standard-setting guide to the field!I.Vol.: Microsurgical Anatomy of the Basal Cisterns and Vessels of the Brain. Diagnostic Studies, General Operative Techniques and Pathological Considerations of the Intracranial Aneurysms.II.Vol.: Clinical Considerations, Surgery of the Intracranial Aneurysms and Results.III A.Vol.: AVM of the Brain, History, Embryology, Pathological Considerations, Hemodynamics, Diagnostic Studies, Microsurgical Anatomy.III B.Vol.: AVM of the Brain, Clinical Considerations, General and Special Operative Techniques, Surgical Results, Nonoperated Cases, Cavernous and Venous Angiomas, Neuroanesthesia.IV A. Vol.: CNS Tumors: Surgical Anatomy, Neuropathology, Neuroradiology, Neurophysiology, Clinical Considerations, Operability, Treatment Options.IV B.Vol.: Microneurosurgery of CNS Tumors Instrumentation and Equipment, Laboratory, Training, Surgical Approaches, Strategies, Tactics and Techniques, Surgery and Results of Extrinsic and Intrinsic Tumors, Interventional Neuroradiology, Neuroanesthesia, Complications.Mahmut Gazi Yasargil (1925- ) türkischer Mediziner und Neurochirurg. Er wirkte mit Raymond M. P. Donaghy an der University of Vermont an der Entwicklung der Mikro-Neurochirurgie mit. Yasargil behandelte Epilepsie und Gehirntumore mit selbst entworfenen Instrumenten. Von 1953 bis zu seiner Pensionierung 1993 war er zuerst Arzt, dann Oberarzt und später Professor und Lehrstuhlinhaber des Departments für Neurochirurgie an der Universität Zürich und dem Universitätsspital Zürich. 1999 wurde er auf der Jahrestagung des Congress of Neurological Surgeons als "Mann des Jahrhunderts 1950-1999 der Neurochirurgie" geehrt.Zusammen mit Harvey Cushing gilt Yasargil als einer der bedeutendsten Neurochirurgen des 20. Jahrhunderts. Er half drei Generationen von Neurochirurgen, definierte die Möglichkeiten der Neurochirurgie und demonstrierte die Möglichkeiten der Ausführung. Im mikro-neurochirurgischen Labor in Zürich unterwies er 3000 Kollegen aus allen Erdteilen und allen medizinischen Fachrichtungen.Die sechsbändige Veröffentlichung "Microneurosurgery" (1984-1996, Georg Thieme Verlag Stuttgart-New York) ist eine umfassende Zusammenfassung seiner breiten Erfahrungen und ein wichtiger Beitrag zur Literatur der Neurochirurgie.

      [Bookseller: MedicusBooks.Com]
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        A Journey. Eine Reihe von 10 Serigraphien, handgedruckt im November 1979 von Edition Noel.

      Auflage von 30 Exemplaren, davon 4 Probedrucke. 64 x 47 cm. 10 Blatt. OHalbleinen-Mappe. Sehr gutes Exemplar. Exemplar F / Z von 26 Exemplaren, nummeriert A / Z bis Z / Z. Handschriftlich auf dem Einband betitelt, persönlich dem Käufer zugeeignet und signiert, datiert Berlin 10. Mai 1984. Enthält, im Handsatz gedruckt auf handgeschöpftem Rives BFK Papier in 10 Folgen die Auflösung eines geblockten Satzes "a" in der Mitte des Blates bis zur totalen Unkenntlichkeit in Form von Strichen und Schraffuren über das gesamte Blatt gehend. Die Blätter, 38 x 56 cm, sind jeweils von Emmett Williams handschriftlich in Blesitift betitelt, nummeriert, signiert und 1979 datiert.

      [Bookseller: Antiquariat Querido]
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        Cuentos de Antano

      Ediciones Generales Anaya, 1984. SPAGNOLO 0,52 Legato in cartonato rigido illustrato usurato al dorso e ai bordi, con qualche piccola macchia e tracce di polvere. Tagli e pagine ingialliti. Interno nel conmplesso ben conservato. Antiporta illustrata in bianco e nero con ritratto dell'autore. Introduzione O. Peyrou, traduzione e note J. Eyheramonno e E. Pascual. Corredato da illustrazioni nel testo in bianco e nero (di G. Doré). USATO

      [Bookseller: Biblioteca di Babele]
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        Photographie de la citadelle de Dinant et de la collégiale Notre-Dame de Dinant. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photo perforated at the black square and slightly torn on the left edge.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1984 19x37cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 19.   Check availability:     Direct From Seller     Link/Print  


        Louis Diaz. Madrid 1984

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011.The photographs of the lunatics that Trivier made during the same contemporary were exhibited alongside those of the artists during the Paris retrospective of 2011. While the photographs of doctors like those of Charcot in the nineteenth century stress the illness of patients and make them to pose in such a way as to make their symptoms visible, those that Trivier takes do not seek to make the madman a mere witness of a pathology, or even another, someone who would be characterized by his difference. As with his other series, he leaves the system of the pose which is an artifice to reach the humanity of his subjects. These men have a powerful look. They are similar to artists and sometimes reveal a higher vitality. They stand straight in their chair, and we defy for some of the look. Par l'auteur s.l. 1984 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 20.   Check availability:     Direct From Seller     Link/Print  


        Mario. Barcelone 1984

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011.The photographs of the lunatics that Trivier made during the same contemporary were exhibited alongside those of the artists during the Paris retrospective of 2011. While the photographs of doctors like those of Charcot in the nineteenth century stress the illness of patients and make them to pose in such a way as to make their symptoms visible, those that Trivier takes do not seek to make the madman a mere witness of a pathology, or even another, someone who would be characterized by his difference. As with his other series, he leaves the system of the pose which is an artifice to reach the humanity of his subjects. These men have a powerful look. They are similar to artists and sometimes reveal a higher vitality. They stand straight in their chair, and we defy for some of the look. Par l'auteur s.l. 1984 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 21.   Check availability:     Direct From Seller     Link/Print  


        Louis. Liège 1984

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011.The photographs of the lunatics that Trivier made during the same contemporary were exhibited alongside those of the artists during the Paris retrospective of 2011. While the photographs of doctors like those of Charcot in the nineteenth century stress the illness of patients and make them to pose in such a way as to make their symptoms visible, those that Trivier takes do not seek to make the madman a mere witness of a pathology, or even another, someone who would be characterized by his difference. As with his other series, he leaves the system of the pose which is an artifice to reach the humanity of his subjects. These men have a powerful look. They are similar to artists and sometimes reveal a higher vitality. They stand straight in their chair, and we defy for some of the look. Par l'auteur s.l. 1984 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 22.   Check availability:     Direct From Seller     Link/Print  


        François. Manage 1984

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011.The photographs of the lunatics that Trivier made during the same contemporary were exhibited alongside those of the artists during the Paris retrospective of 2011. While the photographs of doctors like those of Charcot in the nineteenth century stress the illness of patients and make them to pose in such a way as to make their symptoms visible, those that Trivier takes do not seek to make the madman a mere witness of a pathology, or even another, someone who would be characterized by his difference. As with his other series, he leaves the system of the pose which is an artifice to reach the humanity of his subjects. These men have a powerful look. They are similar to artists and sometimes reveal a higher vitality. They stand straight in their chair, and we defy for some of the look.1984 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 23.   Check availability:     Direct From Seller     Link/Print  


        Michel. Manage 1984

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011.The photographs of the lunatics that Trivier made during the same contemporary were exhibited alongside those of the artists during the Paris retrospective of 2011. While the photographs of doctors like those of Charcot in the nineteenth century stress the illness of patients and make them to pose in such a way as to make their symptoms visible, those that Trivier takes do not seek to make the madman a mere witness of a pathology, or even another, someone who would be characterized by his difference. As with his other series, he leaves the system of the pose which is an artifice to reach the humanity of his subjects. These men have a powerful look. They are similar to artists and sometimes reveal a higher vitality. They stand straight in their chair, and we defy for some of the look. Par l'auteur s.l. 1984 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 24.   Check availability:     Direct From Seller     Link/Print  


        Philippo. Palerme 1984

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Photo perforated at the black square and slightly torn on the left edge.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011.The photographs of the lunatics that Trivier made during the same contemporary were exhibited alongside those of the artists during the Paris retrospective of 2011. While the photographs of doctors like those of Charcot in the nineteenth century stress the illness of patients and make them to pose in such a way as to make their symptoms visible, those that Trivier takes do not seek to make the madman a mere witness of a pathology, or even another, someone who would be characterized by his difference. As with his other series, he leaves the system of the pose which is an artifice to reach the humanity of his subjects. These men have a powerful look. They are similar to artists and sometimes reveal a higher vitality. They stand straight in their chair, and we defy for some of the look. Par l'auteur s.l. 1984 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 25.   Check availability:     Direct From Seller     Link/Print  


        The Cambridge History of Latin America [ Complete 10 Volumes Bound in 11 ]

      Cambridge: Cambridge University Press, 1984. Complete 10 volumes bound in 11. Books measure 9 1/4 x 6 1/4 inches. Mixed publishing dates 1984-1995. Bound in original publishers black cloth, with gilt lettering. All volume except volume 7, in very good clean firm condition, volumes 7 slightly dusty, minor wear, library number on spine. All volume in dust jackets, except volume 7. Jackets fixed to endpapers library label on spines. Jacket in very good clean condition. Internally, very occasional library stamp or mark, [ about 10 to each volume ]. Pages in very good clean condition throughout. A good clean set.. 8vo.

      [Bookseller: George Jeffery Books]
 26.   Check availability:     Biblio     Link/Print  


        Cyprus

      Quartet Books 1984 - Stated First Edition, First Printing. NOT price-clipped ($15.95 price intact). Published by Quartet Books, 1984. Octavo. Black cloth boards stamped in gold. Signed and inscribed by Christopher Hitchens on inside flyleaf, dated “20.iii.85”. Book is in very good condition. Has a light water stain on first few and last few pages. Interior pages are clean. Dust jacket has light shelf wear with no tears. A scarce signed copy of Hitchens’ first book. Not a book club edition. Not a remainder. 192 pages. ISBN: 0-7043-2436-9. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Southampton Books]
 27.   Check availability:     AbeBooks     Link/Print  


        Handbook of North American Indians: Volume 5, Arctic.

      First Edition, 777 pages sider, Smithsonian Institution, Washington DC, 1984, Hardcover cloth,with no DJ, as issued With noumerous photographs and illustrations

      [Bookseller: Andersens Antikvariat]
 28.   Check availability:     Antikvariat     Link/Print  


        Great Rifle Controversy

      1984-07-01. Good. Ships with Tracking Number! May not contain Access Codes or Supplements. 100% Satisfaction Guaranteed!

      [Bookseller: Books Express]
 29.   Check availability:     Biblio     Link/Print  


        SONATA BELZEBUBA MOVIE POSTER/SONATA BELZEBUBA/POSTER

      1984 - SONATA BELZEBUBA - 1984, Dir: , Cast: , , Nac. film: POLONIA, Company: , Designer: , , Nac. poster: POLONIA, Measures (Cm. and Inches) : 68x94 cm 27x37 in, Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

      [Bookseller: BENITO ORIGINAL MOVIE POSTER]
 30.   Check availability:     ZVAB     Link/Print  


        Rok spokojnego slonca MOVIE POSTER/Rok spokojnego slonca/POSTER

      1984 - Rok spokojnego slonca - 1984, Dir: Krzysztof Zanussi, Cast: Maja Komorowska , Scott Wilson , Hanna Skarzanka, , Nac. film: POLONIA, Company: , Designer: , , Nac. poster: POLONIA, Measures (Cm. and Inches) : 70X100-CM.-27X41-IN-1 SH., Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

      [Bookseller: BENITO ORIGINAL MOVIE POSTER]
 31.   Check availability:     ZVAB     Link/Print  


        The Frog Prince.

      New York: Vincent FitzGerald & Company,, 1984. A play. Illustrated by Edward Koren. Quarto. Original orange cloth, front cover lettered in green, handmade paper endpapers. Housed in the original solander case. Illustrated frontispiece with laid-in tissue guard, 4 illustrated plates. A fine copy. Signed limited edition, number 51 of 130 copies signed by the author and illustrator. Mamet's adaptation of the Brothers Grimm fairy tale was first performed in Chicago at the Goodman Theatre on 17 May 1982 and was first published in 1983.

      [Bookseller: Peter Harrington]
 32.   Check availability:     Biblio     Link/Print  


        Bonner historische Forschungen. Hrsg. von Max Braubach, ab. Bd. 33 von Stephan Skalweit.

      Bonn, Röhrscheid, 1952-1984. - Bde. 1-52 (ohne 46). Gr.-8°. Hln./Ln., Bd. 43 und ab Bd. 45: Orig.-Kart. (Bibl.-Expl. m. R.-Sign., hs. Besitzvermerk a. Tit.-Rückseite). [Attributes: Soft Cover]

      [Bookseller: Antiquariat Lehmann-Dronke]
 33.   Check availability:     AbeBooks     Link/Print  


        Rare Autograph letter signed, 'Painting My mother's stomach'

      - A rare and intriguing autograph letter signed by Lucian Freud, in bold pencil. Dated 'Monday night' [January, 1984], Freud writes to Angela Dyer, noting that Lawrence Gowing had sent him a copy of her letter to him. In part, 'I don't know if he's had any letters about the book but I certainly have not. Though I am rather immune to abuse and praise I had a feeling of exitement (sic) on reading what you wrote that I've only felt on suddenly coming across someone I really like the look of. So, right in the middle of painting my mother's stomach this morning, I read it again.' Letters folds, otherwise in fine condition. Together with a letter from the artist Lawrence Gowing to Angela Dyer, in which he responds to her 'fan letter', saying that he sent it straight on to Freud, and noting, 'You may have already heard from him.' Gowing's book on Freud was published in 1982. [Attributes: Signed Copy]

      [Bookseller: Adam Andrusier Autographs ABA PADA]
 34.   Check availability:     AbeBooks     Link/Print  


        The Frog Prince. A play. Illustrated by Edward Koren.

      New York: Vincent FitzGerald & Company, 1984 - Quarto. Original orange cloth, front cover lettered in green, handmade paper endpapers. Housed in the original solander case. A fine copy. Illustrated frontispiece with laid-in tissue guard, 4 illustrated plates. Signed limited edition, number 51 of 130 copies signed by the author and illustrator. Mamet's adaptation of the Brothers Grimm fairy tale was first performed in Chicago at the Goodman Theatre on 17 May 1982 and was first published in 1983. [Attributes: Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 35.   Check availability:     ZVAB     Link/Print  


        2 Smart Art Too (Art Poster designed by David Wojnarowicz)

      55 Mercer Street Gallery, New York 1984 - Single sheet of paper (approx. 11 x 17" high). Offset on paper. Illustrated poster for a group exhibition at 55 Mercer Street Gallery in NYC. Show was curated by Joseph Mashek and included works by The Starn Twins, David Wojnarowicz, Chaiklin, Brazelton, Lasker, Neher and others. This poster was designed by Wojnarowicz. Faint mailing folds else a near fine example. Poster was designed in 1984 for this show which ran in January 1985. Rare early poster art by Wojnarowicz. [Attributes: First Edition]

      [Bookseller: Derringer Books, Member ABAA]
 36.   Check availability:     AbeBooks     Link/Print  


        Enciclopedia Dantesca

      Istituto dell'Enciclopedia Italiana, 1984. I - VI Grande formato Volumi di pregio Opera di grande livello scientifico

      [Bookseller: Studio Bibliografico Giuseppe Indizio]
 37.   Check availability:     maremagnum.com     Link/Print  


        Studien zu Sprache und Religion Ägyptens. Zu Ehren von Wolfhart Westendorf, überreicht von seinen Freunden und Schülern. I. Sprache; II. Religion. [TWO VOLUMES].

      Göttingen, Junge, 1984.. Two volumes. Crown quarto. Pp. 672; (vi), 687-1144. Plates and text figures. Corrigenda slip loosely inserted. Hardcover, uniformly bound in the original publisher's full cloth, gilt lettering to cover, gilt label to spine. In mint condition. Excellent set. ~ First edition.

      [Bookseller: Librarium of The Hague]
 38.   Check availability:     Biblio     Link/Print  


        Senza Titolo

      , , 1984 - Litografia a colori, numerata e firmata a matita dall'Artista. Tiratura 99 + XXX esemplari. Cm 75x115 (foglio 100x140). . . Perfetto (Mint). . . . [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 39.   Check availability:     AbeBooks     Link/Print  


        Andrew Ridgley & George Michael. Wham's 1st Album launch party at the Xenon Club, Piccadilly. November 1984.

      - 745 x 520mm. Giclà e Print using Archival pigment inks on Hahnemüle Fine Art Pearl 285gsm paper. Limited edition of 10 numbered copies signed by the photographer. Alan Davidson is a press photographer based in London for more than 30 years, Alan has photographed the rich, the famous, the before-they-were-famous to those that have fallen from grace. Going through his vast archive, with new treasures found within the old brown manilla envelopes, reads like a who's who of the great and good (and the very bad) of London society. Cinema stars rub shoulders with pop stars, royalty with politicians. Working from the late 1960s to the present day Alan remembers the days before celebrities became surrounded by 30 young publicists and before there were 50 photographers at every event you went to, allowing him to take intimate and relaxed portraits, unlike the anodyne syndicated press shots of today. [Attributes: Signed Copy]

      [Bookseller: Henry Sotheran Ltd]
 40.   Check availability:     AbeBooks     Link/Print  

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