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Displayed below are some selected recent viaLibri matches for books published in 1982

        [POSTER] Tiny Tim, eternal troubadour. Opera House 5 Sept. 1982

      [Sydney, N.S.W. : McGregor, 1982]. Colour screenprint, from four stencils, 1010 x 760 mm, initialled "S" at lower right; a fair example with a few marks made by tape and white paint, mild creasing; unbacked. A rare original poster designed by the important Australian pop artist Martin Sharp, a friend, champion and collaborator of the American musician, Tiny Tim (born Herbert Buckingham Khaury, 1932-1996), whom he had met in London in the late 60s. Sharp worked for nearly a decade on his Tiny Tim tribute film Street of dreams, and was to illustrate the posthumous biography of the great performing artist, Tiny Tim: Tiptoe Through A Lifetime (2013). Martin Sharp's poster also features the face of Luna Park, which, along with Tiny Tim, was the other of the artist's two long-term obsessions.

      [Bookseller: Douglas Stewart Fine Books]
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        DEN ÄRLIGA BEDRAGAREN (The True Deceiver)

      Stockholm: Bonniers, 1982. 1st Edition . Hardcover. Fine/Near Fine. First Printing. Printed in the Swedish language. The Schildts imprint which in this case is simply a slightly amended dustjacket (with "Schildts" substituted for "Bonniers" at the front panel). A Fine copy in Near Fine dustajcket. SIGNED by Tove Jansson at the half-title, rare thus. With Provenance.

      [Bookseller: Old Swan Books]
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        Harald Klingelhöller. Atelier Düsseldorf, 1982.

       40,5 x 30,5 cm. Minimale Gebrauchspuren. Harald Klingelhöller, fotografiert von Erika Kiffl in seinem Atelier in Düsseldorf, 1982. Schwarz-Weiss Fotografie, Abzug 2006, verso handschriftlich bezeichnet und signiert. Erika Kiffl, geboren 1939 in Karlsbad (heute Tschechien), lebt seit 1951 in Düsseldorf. Seit 1979 als freie Fotografin tätig, zuvor als Artdirektorin. Erika Kiffl hatte bereits in den frühen 60er Jahren begonnen, in der Düsseldorfer Kunstszene aktiv zu fotografieren. Bekannt wurde sie mit ihrem eigenen Blick in die Ateliers der Künstler. Zu diesen Fotoserien erschienen mehrere Publikationen. Versand D: 3,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Düsseldorf / Düsseldorf, Fotografie / Photography, Kunstakademie Düsseldorf

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        Portrait de Hans Hartung. Photographie Originale de l'artiste

      Large original photographic portrait in black and white directed and shot by Marc Trivier.Unsigned silver print, like most of Trivier's works. Unique proof drawn by the artist.Small tear on the upper edge and stain on the white part of the photograph.Photographs of artists, madmen, trees or slaughterhouses, Marc Trivier approaches all these subjects with a look as precise as intense."In its cosmogony, every thing, every being, vegetable, animal or human, deserves the same respect. For all are confronted with the same law of brass: loneliness. (Luc Desbenoit)The beauty that emanates from his photos comes from this nudity. There is no editing or cropping. We find in his work the same square format that traps our eyes in photographs where the makeup of color is rejected for an incisive black and white. Since all artificiality has disappeared, we are not dealing with the staging of a subject but with a presence exacerbated by the radiant and singular light, witness of a moment of life and not of pose. It is this light, linked to and obsessed with Trivier's medium, that gives his works the aura that makes them so present:"Of thirty-five years of photographic practice, of obsessions, it is perhaps that which remains: a singular mode of recording of the burning of light, declined from one image to another, in a succession propositions that are similar and yet each is as singular as the fraction of time to which it refers. (Marc Trivier)Taken from the front, with a look at the subject directed towards the lens, the photographs that Marc Trivier realizes personalities of the 1980s are not those of a star portraitist, but result on the contrary from a desire to desacralize:"Instead of being a portraitist of writers and artists among many others, he is marginalized by his device: under the pretext of adjustments, he makes his models wait, he makes them ask several minutes which gives them a weary air. He may be waiting for a more natural behavior. And we find ourselves facing Francis Bacon in precarious balance, Samuel Beckett, Jean Dubuffet or Michel Foucault more or less packed in their chair. Intimate images. ". (A picture of tifoxing Marc Trivier, S. Rousselle-Tellier, in Marges, 2004)Photographed in their personal universe, most of the time their room, the subjects surrender themselves, no longer master their image. The imbalance that results reveals the fragility of these strong personalities, and allows Trivier to restore the unity of the intimate body and the public work."I read Genet; for me Genet, it was letters on a book. And then one day I saw his portrait, it was like a fracture. How was it possible that these signs are also someone? To make a portrait is to tie up the name and the face. (Marc Trivier)Warhol, Foucault, Beckett, Dubuffet ... the greatest writers and artists have posed for Trivier. At the same time, the artist is also interested in the margins of society, which men do not want to see. He then photographs the lunatics and slaughterhouses he places next to celebrities. By the end of the 1980s his work was unanimously recognized and he received the prestigious Young Photographer Award from the International Center of Photography in 1988 as well as the Prix Photographie Ouverte (Charleroi). After the Palais de Tokyo in Paris and the Musée de l'Elysée in Lausanne, the Casino in Luxembourg, the European House of Photography in Paris devotes a major retrospective to him in 2011. Par l'auteur s.l. 1982 22x22cm sur papier Ilford 30x40cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        Bom-Crioulo. The Black Man and the Cabin Boy. Translated from Portuguese by E. A. Lacey.

      San Francisco: Gay Sunshine Press, 1982 - Octavo. Original green cloth, titles gilt to spine and front. No jacket as issued. Very slight rubbing to tips, excellent condition. First English edition, first printing, very scarce cloth issue, publisher Winston Leyland's own copy with his ownership inscription to the front free endpaper. Winston Leyland (b.1940) was a leading figure in American LGBT publishing and won the Stonewall Book Award in 1980. He established the Gay Sunshine Press in 1975, which was notable for its pioneering anthologies of gay writing from other cultures, and his Gay Sunshine Journal (1970-82) was particularly influential for its interviews with prominent gay writers of the era. The vast majority of the clothbound copies of Gay Sunshine Press books were sold to libraries, and are consequently very scarce. Bom-Crioulo "was the first completely open gay novel to be published anywhere in the world (1895). The book provoked such controversy in Brazil that author was threatened with court proceedings; it has since become a classic and is still in print in that country." (Gay Sunshine bibliography). Gay Sunshine A22a. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Early Millar : The First Stories of Ross Macdonald & Margaret Millar

      Cordelia Editions, Santa Barbara 1982 - Limited to 170 total copies, this is copy # VII out of 15 Roman numeral copies, SIGNED by both Kenneth Millar and Margaret Millar on the limitation page. Additionally, this copy is inscribed, (it looks like its to Wayne Warga) and SIGNED by Margaret Millar on the page facing the title page. Laid in is a reproduction of a 1931 photograph of the high school debate team of which both authors were members. The first story of each, written when they were in high school was published in 1931 in their school magazine, The Grumbler. Each is reproduced in this book. This volume is in fine condition and is protected in a plastic sleeve. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Trilby & Co. Books]
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        Ham on Rye

      Santa Barbara: Black Sparrow Press, 1982. First Edition. Hardcover. Fine. Signed limited edition with original sketches by Bukowski on the limitation page. 226 of 350. Original broadside laid-in. Fine in the quarter cloth binding with pictorial boards, covered by glasseine. Bukowski's classic semi-autobiographical novel of Henry Chinaski as he comes of age in Great Depression-era Los Angeles.

      [Bookseller: Carpetbagger Books]
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        THE GREAT GATSBY

      Franklin Center, Pennsylvania: Franklin Library. 1982. First Edition; First Printing. Hardcover. Fine, Accented in 22kt gold, printed on archival paper with gilded edges, smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. Pristine. A Limited Edition.; The Oxford Library of the World's Greatest Books; 8vo 8" - 9" tall .

      [Bookseller: Rare Book Cellar]
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        o.T. (Blattwerk). Zwei Originalabzüge, verso signiert.

      (Wien um 1982). - Sprache: deu 24 x 17,7 cm. Silbergelatineabzüge aus dem Spätwerk der Wiener Fotografin (1943-2003), verso eigenhändig signiert und mit ihrer Adresse versehen (Starkfriedgasse 11 in Pötzleinsdorf, nach dem Tod Gustav Glücks, lebte sie mit ihrem Mann, dem Dichter Reinhard Priessnitz, vorübergehend in der Wohnung ihres Vaters). Seit Beginn ihrer Ausstellungstätigkeit hat sie dem weißen Rand ihrer Abzüge besondere Bedeutung beigemessen. Beiliegt Typoskript (von Reinhard Priessnitz) zu ihrer Ausstellung 'Fotoarbeiten' 1982 im Intakt-Treffpunkt, den die Galeristin Christa Hauer in ihrer Galerie im Griechenbeisl eingerichtet hatte. 'Hier wird gleichsam eine durch Fotoarbeit möglich gewordene Umwelt des zweiten Blicks vorgeführt, eine Darstellung von Formstrukturen .'. In der Priessnitz-Gesamtausgabe nicht enthalten. Originalabzüge der Fotografin sind außerordentlich selten im Handel. Diese bei Röbl / Coeln nicht abgebildet. [Attributes: First Edition; Signed Copy]

      [Bookseller: Georg Fritsch Antiquariat]
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        Lubny 1913 - 1989 Plön). Landschaft Holsteinische Schweiz (?). Öl auf Hartfaserplatte von 1982. Unten rechts monogrammiert und datiert. 34 x 50 cm. Gerahmt.

      1982 - Hügelige, sommerliche Landschaft mit Wiesen und Bäumen unter etwas bewölktem Abendhimmel.- > Gewicht in Gramm: 500

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        Christina's World: Paintings and Pre-studies of Andrew Wyeth

      Houghton, Mifflin Company, Boston 1982 - Wyeth, Andrew. First edition. Illustrated. [vi], 281, [1] pp. Oblong 4to. The Wyeths and the Kirsteins. Inscribed in Betsy Wyeth's hand, "For Lincoln and Fido / with love / Betsy & Andy," with "Andy" in the artist's hand.An outstanding association copy of the monograph on the painting which initiated the relationship between Andrew Wyeth and his intimate friend and adviser, Lincoln Kirstein (1907-1996). Kirstein, who was on the board of MoMA, met Wyeth after the museum acquired CHRISTINA'S WORLD in 1948. Wyeth was still largely unknown at that time, and he quickly came to rely on Kirstein for support and honest criticism of his work. "Kirstein appointed himself Wyeth's friend, admirer, mentor, and stern critic - in essence a supersuccessor to NC. [.] Wyeth thinks that in the 1950s he needed Kirstein to push him toward more form in his work, more solidity" (Meryman, Andrew Wyeth: A Secret Life (1998) p. 239, 243). Kirstein, who disdained most abstract art, was essential in providing Wyeth the confidence he needed to continue work in the face of hostile critics who derided his art as sentimental and unsophisticated. Wyeth was fond of quoting Kirstein's dismissive opinion of the critics, "Why do you want approval from those horses' asses?" (ibid, p. 390).Kirstein was a father-figure to two generations of Wyeth artists, and as Andrew's son Jamie developed his own artistic gifts, Kirstein began to transfer his attention to the younger Wyeth. "After posing for nineteen-year-old Jamie, Kirstein more or less shifted his allegiance from Andrew and became Jamie's friend and mentor. Kirstein told Betsy, 'You gave me the only son I ever had'" (ibid, p. 275)"Fido" was Kirstein's wife, Fidelma Cadmus (1906-1991), a painter and the sister of the artist Paul Cadmus. Original mustard cloth, illustrated dust jacket. Some rubbing and minor soiling to boards, a few scuffs to jacket Illustrated. [vi], 281, [1] pp. Oblong 4to [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Poems and a Memoir

      New York: The Limited Editions Club , 1982. 1st Edition 1st Printing. Hardcover. New/Publishers Slipcase. Folio - over 12 - 15" tall. Henry Pearson. 2000 copies of Poems and a Memoir by Seamus Heaney have been printed for the members of The Limited Editions Club. The typographic design is by John Anderson of The Pickering Press. Daniel IKeleher at The Wild Carrot Letterpress has printed the illustrations and the text on one hundred pound letterpress paper with a laid finish made by Mohawk Mills and used in this book for the first time. The original relief engravings are by Henry Pearson who has signed this book. The book has an introduction by Thomas Flanagan who has also signed the book, which is also signed by the author Seamus Heaney. This is copy #539.Thsi is a collection of six suites of poems by Heaney, a number of which appear for the first time. There is a wonderful contemporary illustration at the beginning of each suite by Pearson. The book is in new condition as is the publisher's slipcase. The monthly letter of the Limited Editions Club is tipped in as is the instructions on how to care for the pure aniline full top grain calf binding which is magnificent. The spine of the book is lettered in gilt and the front has an embossed design by the book's illustrator. This is a must for collectors of Seamus Heaney and fine poetry in general. What more can I say, this is as good as it gets.

      [Bookseller: Oshtemo Book Sellers]
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        Hommage à Aimé et Marguerite Maeght.

      Paris. Galerie Maeght. Août. 1982 - Sprache: Französisch Folio. 111 S., 2 Bl. Mit 24 teils farbigen und doppelblattgrossen Originalgraphiken und vielen teils s./w. Porträt-Fotografien. Originalkarton mit Schutzumschlag mit einer farbigen Originallithographie von Steinberg. "24 artistes ont accepté de réaliser une oeuvre graphique originale pour ce numéro qui comporte la table générale de tous les numéros ainsi que des extraits de textes de 32 écrivains." - Mit Originallithographien von Steinberg, Chagall, Miró, Bram Van Velde, Rebeyrolle, Tàpies, Tal-Coat, Alechinsky, Ubac, Pol Bury, Klapheck, Titus-Carmel, Kelly, Bazaine, Adami, Arakawa, Riopelle, Takis, Garache, Gardy-Artigas, Fiedler und Originalserigraphien von Chillida, Palazuelo, Monory.

      [Bookseller: Daniel Thierstein]
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        Cinnamon Skin

      Books on Tape 1982-01-01 - 5557074937 In a Good case.

      [Bookseller: Blindpig Books]
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        CASTELLI E PALAZZI D'ITALIA

      SELEZIONE DAL READER'S DIGEST, 1982. ITALIANO 1,93 Prefazione di Alberico Sala, rilegatura editoriale in tutta similpelle bordeaux, con titoli d'oro al piatto ed al dorso e con lievissimi segni del tempo, sovraccoperta illustrata, ingiallita, oscurata anche da velo di polvere al dorso e con usura da scaffalatura, pagine in buonissimo stato di conservazione e con numerose illustrazioni a colori nei testi USATO

      [Bookseller: Biblioteca di Babele]
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        A" is for Alibi A Kinsey Millhone Mystery

      Holt, Rinehart and Winston, New York 1982 - 274pp. Red gilt title on spine with original gray boards. Dust jacket in fine condition, bright illustrations, with $12.95 unclipped price in corner. Book appears to have never been read. This was the debut mystery novel from Sue Grafton, part of a future series of "Alphabet Mystery Series." First edition had 7,500 copies printed. [Attributes: First Edition; Hard Cover]

      [Bookseller: The First Edition Rare Books, LLC]
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        Autograph Letter Signed ("Patrick"), to Don and Iris Hunt

      Hog Hollow, Langata, [Kenya] 1982 - 1 p. red and blue ink on thick art paper with three hole-punches at left margin, addressed with rebus, cut-out of black-and-white photograph on verso of young woman (captioned "memories of Mogadishu:"). 14 x 11 inches. An exuberant, humorous letter. The rebus greeting, illustrating "Dear Iris, Don and Kewine [?]" makes this letter a work of art in its own right. Reading in part, "Warmest greetings from the land of hogs-Heaven's choicest blessings Shower upon us in the form of rain ?Glad to hear Lake Rudolph was such a success, we splinter off for Sudan tomorrow. If we miss you at Hoggers, settle in ? By the time you throw some stones on Lenana's Kiburi we will be back. 'M. Buno' is in charge of the grass - Kamande is in charge of the booze ? In hopes the opening 'Rhebus' has not boggled your minds ?" Don and Iris Hunt were co-founders of the Mount Kenya Wildlife Conservancy. Light edgewear and a few faint stains 1 p. red and blue ink on thick art paper with three hole-punches at left margin, addressed with rebus, cut-out of black-and-white photograph on verso of young woman (captioned "memories of Mogadishu:"). 14 x 11 inches

      [Bookseller: James Cummins Bookseller, ABAA]
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        `Iridology: The Science and Practice in the Healing Arts, Volume (Vol.) 2 (Two / II)

      Bernard Jensen, Publisher, 1982. (xxvi), 580 pages. Profusely illustrated with high-resolution color photos. Four foldout illustrations. "It is possible, through an iridology analysis, to discern the location of a problem and then, following proper nutrition, the chemical and structural changes in the body will be visually apparent in the iris. This process provides a necessary guide and method to the practitioner to help improve the patient's condition and to better monitor the patient's progress. Above all, it provides a perspective through which a correlation of all the drugless arts may be achieved, emphasizing not the treatment of a disease but the care of the patient." - from author's prefatory note. Average wear. Binding intact. Moderate quantity of markings and high-lighting to contents. A sound copy of this treasured reference.

      [Bookseller: Online Bookshop Jim and Mina Stachow]
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        TIN ROOF

      Island Writing Series, Lantzville 1982 - First edition, limited to 500 copies, fifty of which were bound in cloth and signed by Ondaatje. This copy is an out of series (unnumbered) softcover copy signed by Ondaatje on the title page. Printed stapled wraps. Wrapper with few tiny edge wrinkles and beginning staple oxidation (not immediately apparent). Near Fine condition. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: REVERE BOOKS, abaa & ioba]
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        Chemie, Nobelpreise.

      verschiedene Radiertechniken - 1983 signiert nummeriert und datiert 1982 - Aufl. 100 Exemplare + XXV + XV e.a. 39,5 x 49,5 cm Cramer 222 Blatt 2 der eindrucksvollen sechsblätterigen Radierfolge. Die Nobelpreise sind im April 1983 von der Galerie Börjeson, Malmö, herausgegeben worden. Die Graphik ist etwas lichtrandig. ** Photos auf Wunsch im JPG-Format erhältlich.**

      [Bookseller: Kunsthandlung Goyert]
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        Die Bibliothek deutscher Klassiker, 60 Bände. Gesammelte/Sämtliche Werke.

      8, (Kunst-)Ledereinband, gebundene Ausgabe 60 Bände (komplett: 1 Friedrich Gottlieb Klopstock 2-4 Gotthold Ephraim Lessing 5 Christoph Martin Wieland 6 Georg Christoph Lichtenberg 7-8 Johann Gottfried Herder 9-12 Johann Wolfgang von Goethe 13-15 Friedrich Schiller 16 Johann Peter Hebel 17-19 Jean Paul 20-21 Friedrich Hölderlin 22 Novalis 23 Friedrich Schlegel 24 E.T.A. Hoffmann 25-26 Heinrich von Kleist 27-28 Clemens Brentano 29 Achim von Arnim 30-31 Adalbert von Chamisso 32 Joseph von Eichendorff 33 Arthur Schopenhauer 34 Franz Grillparzer 35 Annette von Droste-Hülshoff 36-39 Heinrich Heine 40 Christian Dietrich Grabbe 41 Wilhelm Hauff 42 Eduard Mörike 43 Adalbert Stifter 44 Georg Büchner 45-46 Friedrich Hebbel 47 Otto Ludwig 48 Gustav Freytag 49 Theodor Storm 50-53 Theodor Fontane 54-55 Gottfried Keller 56 Conrad Ferdinand Meyer 57 Wilhelm Raabe 58-60 Friedrich Nietzsche), 8 (19*12 cm), Dünndruck, braunes (Kunst-)Leder m. rotem Rückenschildchen, Rücken- u. Deckelgoldprägung, hellbraune Vorsätze, Goldkopfschnitt, Lesebändchen, Klarsichtschutzumschlag. Einmalige Sonderausgabe der Harenberg Kommunikation 1982. Wohl komplett ungelesen, Schutzumschläge alterswellig, die Bücher selbst neuwertig erhalten, ohne Einträge, geruchsneutral.

      [Bookseller: Versandantiquariat Reader's Corner]
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        Bom-Crioulo.

      San Francisco: Gay Sunshine Press,, 1982. The Black Man and the Cabin Boy. Translated from Portuguese by E. A. Lacey. Octavo. Original green cloth, titles gilt to spine and front. No jacket as issued. Very slight rubbing to tips, excellent condition. First English edition, first printing, very scarce cloth issue, publisher Winston Leyland's own copy with his ownership inscription to the front free endpaper. Winston Leyland (b.1940) was a leading figure in American LGBT publishing and won the Stonewall Book Award in 1980. He established the Gay Sunshine Press in 1975, which was notable for its pioneering anthologies of gay writing from other cultures, and his Gay Sunshine Journal (1970-82) was particularly influential for its interviews with prominent gay writers of the era. The vast majority of the clothbound copies of Gay Sunshine Press books were sold to libraries, and are consequently very scarce. Bom-Crioulo "was the first completely open gay novel to be published anywhere in the world (1895)... The book provoked such controversy in Brazil that author was threatened with court proceedings; it has since become a classic and is still in print in that country." (Gay Sunshine bibliography).

      [Bookseller: Peter Harrington]
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        Die Bibliothek deutscher Klassiker, 60 Bände. Gesammelte/Sämtliche Werke.

      Frankfurt/M., Harenberg, Lizenz Hanser/Winkler Verlag, 1982. 8°, (Kunst-)Ledereinband, gebundene Ausgabe 60 Bände (komplett: 1 Friedrich Gottlieb Klopstock; 2-4 Gotthold Ephraim Lessing; 5 Christoph Martin Wieland; 6 Georg Christoph Lichtenberg; 7-8 Johann Gottfried Herder; 9-12 Johann Wolfgang von Goethe; 13-15 Friedrich Schiller; 16 Johann Peter Hebel; 17-19 Jean Paul; 20-21 Friedrich Hölderlin; 22 Novalis; 23 Friedrich Schlegel; 24 E.T.A. Hoffmann; 25-26 Heinrich von Kleist; 27-28 Clemens Brentano; 29 Achim von Arnim; 30-31 Adalbert von Chamisso; 32 Joseph von Eichendorff; 33 Arthur Schopenhauer; 34 Franz Grillparzer; 35 Annette von Droste-Hülshoff; 36-39 Heinrich Heine; 40 Christian Dietrich Grabbe; 41 Wilhelm Hauff; 42 Eduard Mörike; 43 Adalbert Stifter; 44 Georg Büchner; 45-46 Friedrich Hebbel; 47 Otto Ludwig; 48 Gustav Freytag; 49 Theodor Storm; 50-53 Theodor Fontane; 54-55 Gottfried Keller; 56 Conrad Ferdinand Meyer; 57 Wilhelm Raabe; 58-60 Friedrich Nietzsche), 8° (19*12 cm), Dünndruck, braunes (Kunst-)Leder m. rotem Rückenschildchen, Rücken- u. Deckelgoldprägung, hellbraune Vorsätze, Goldkopfschnitt, Lesebändchen, Klarsichtschutzumschlag. Einmalige Sonderausgabe der Harenberg Kommunikation 1982. Wohl komplett ungelesen, Schutzumschläge alterswellig, die Bücher selbst neuwertig erhalten, ohne Einträge, geruchsneutral. Versand D: 5,00 EUR

      [Bookseller: Reader\'s Corner, Versandantiquariat]
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        Norsk kunstnerleksikon. Bildende kustnere - arkitekter - kunsthåndverkere. Redigert av Nasjonalgalleriet. 4 bind.

      Oslo, Universitetsforlaget, 1982-1986. Leks8vo. 851 + 1046 + 632 + 603 s. Originale kunstskinnryggbind med vareomslag. Illustrerte i svart/hvitt og farger. Noen rifter i omslagene, ellers meget pent sett.. . Blant annet biografiene til tusenvis av norske kunstnere, tegnere, grafikere, billedhoggere, arkitekter, kunsthåndverkere, tekstilkunstnere, forgivere, rosemalere og treskjærere fra reformasjonen til i dag. Et uvurderlig oppslagsverk.

      [Bookseller: Norlis Antikvariat]
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        Keith Haring.

      New York: Tony Shafrazi Gallery,, 1982. Square octavo. Original bright pink spiral-bound boards, illustrations to front board in black. Reproductions of art by Haring throughout. A little rubbing to edges. An excellent, bright copy. First and limited edition, first printing, one of 2,000 copies of the Tony Shafrazi Gallery's exhibition catalogue for one of Keith Haring's early exhibitions with the gallery, which took place in 1982. It includes excerpts from "Questions for Keith Haring" as well as essays upon the artist and his works by Jeffrey Deitch, Robert Pincus-Witten and David Shapiro. His well-received solo shows with Tony Shafrazi were instrumental in launching him as an international artist.

      [Bookseller: Peter Harrington]
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        Böttcher, Agathe. - "Kleines Strukturenblatt".

      - Collage / Papier- & Materialcollage, Tusche, Papiere, Drucke & Folien, auf dunkelblauem Karton, 1982. Von Agathe Böttcher. 29,5 x 31,3 cm (Darstellung / Blatt) / 36 x 48 cm (Trägerblatt). Rechts unten in schwarzer Feder signiert, datiert und betitelt. - Original auf Trägerpapier aufgesetzt. Sehr guter Zustand. Agathe Böttcher (*1929 Bautzen, lebt und arbeitet in Dresden). Deutsche Malerin, Textil- und Collagekünstlerin sowie Grafikerin. Erster Unterricht beim Bautzner Maler R. Erdmann. 1947-49 Studium an der Hochschule für Werkkunst in Bautzen im Fach Applikation. 1950-54 Studium an der Hochschule für angewandte Kunst in Dresden und Berlin. 1954?57 Aspirantur an der Kunsthochschule Berlin-Weißensee. 1954-65 Ehe mit dem Maler und Filmemacher Jürgen Böttcher (später Strawalde). Freundschaft mit Ralph Winkler (später A.R. Penck), Peter Herrmann, Peter Makolies, Joachim Dieske und Peter Graf. 1958?79 künstlerische Mitarbeit an der TU Dresden am Lehrstuhl für Architektur im Bereich Innenraumgestaltung. Ab 1979 Lehrauftrag an TU Dresden und an der HfBK Dresden. Ab 1990 Atelier in Diehmen in der Oberlausitz. 1992-96 Atelier im Dresdner Künstlerhaus. Sprache: Deutsch [Attributes: Signed Copy; Soft Cover]

      [Bookseller: GALERIE HIMMEL]
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        LUKA MUDISHCHEV [Luka Mudischev]

      Manuscript Publishing House 1982 - 11 x 14". Unpaginated. Erotic b/w illustrations throughout. A poem in four parts, translated by Ann Peet and Sharon Miller; beautiful b/w illustrations by Alex Gamburg. Text in Russian and English. Please note: Oversized volume: this book will require additional shipping for destinations outside the US. Please write for details; we will ship at cost. Original printed wrappers. Light shelfwear; small nick to back edge. Very good

      [Bookseller: Alta-Glamour Inc.]
 27.   Check availability:     AbeBooks     Link/Print  


        The BFG

      First Edition, First Impression (Jonathan Cape, 1982). Signed by the author to a bookplate affixed to the front endpaper and by the illustrator to a cut signature slip on the title page. Edges toned; very minor bumping to spine tips; a couple of small dings to fore-edge of boards. A little light edge wear to extremities of original and unclipped dust jacket. A near fine example bearing both the signature of the author and illustrator.

      [Bookseller: Fine Book Cellar, IOBA]
 28.   Check availability:     Biblio     Link/Print  


        Graffiti Palace, N.Y. Dec. 1982.

      1982 1982 - Excellent condition. Collage made with colour photographs mounted on a blue grey board presented in the artist's curved wooden frame. Sheet size: 124 x 148 cm. Edition of 15. Titled, dated, numbered and signed in white paint lower middle by Hockney. This image was first exhibited at the "David Hockney: New Work with a Camera" exhibition at the Richard Gray Gallery, Chicago, May 1–31, 1983. [Attributes: Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 29.   Check availability:     ZVAB     Link/Print  


        Original Artwork

      1982 - Three original pen-and-ink S. Clay Wilson illustrations for the German edition of Burroughs' Cities of the Red Night. Wilson was one of the group of artists who gained exposure in the underground comix of the 1960s counterculture. After R. Crumb, he is probably the best known of that group, and his images are almost certainly the most extreme: all of the underground comic artists sought to break barriers and defy convention, and Wilson's images are densely packed and full of overt sex and violence to an extreme degree. In this he was very much like Burroughs, whose verbal imagery and subject matter sought to shatter barriers, preconceptions and hypocrisies; the collaboration between the two of them seems in retrospect to have been inevitable. These drawings were displayed at the Los Angeles County Art Museum in the show "Ports of Entry: William Burroughs and the Arts," which sought to convey the influence Burroughs had had on visual arts. Extraordinary images, and probably the best illustrations ever of Burroughs' writings. Burroughs himself appears as a character in one of the images. Two of the images are 5-1/4" x 9", the third is 5-1/4" x 10"; all three are matted and framed to approximately 16" x 19". Fine.

      [Bookseller: Ken Lopez Bookseller, ABAA (Lopezbooks)]
 30.   Check availability:     AbeBooks     Link/Print  


        Solal

      MILANO: Rusconi Libri, 1982. IED. Brossurato. BUONO. 13 21. Narrativa Rusconi USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 31.   Check availability:     Biblio     Link/Print  


        Nucleo zero

      MILANO: Edizione Club del Libro, 1982. IED. Rilegato. BUONO. 14,5 21,5. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 32.   Check availability:     Biblio     Link/Print  


        NUOVA ENCICLOPEDIA INTERNAZIONALE ANNUARIO

      GROLIER. ITALIANO 10,92 Annuari della nuova enciclopedia internazionale, relativi agli anni da 1982 a 1989. Mancante volume dell'anno 1983. Coperte rigide con titoli e decorazioni in oro al dorso con bottelli stampati in azzurro. Pagine in buonissima conservazione, con inserimento di immagini ed illustrazioni a colori e non. Annuario del 1984 con lieve sbucciatura al dorso ed annuario del 1988 con lievi sfregi al piatto anteriore. USATO

      [Bookseller: Biblioteca di Babele]
 33.   Check availability:     maremagnum.com     Link/Print  


        NUOVA ENCICLOPEDIA INTERNAZIONALE

      GROLIER, 1982. ITALIANO 13,3 Enciclopedia internazionale a colori con pagine patinate opache in buonissima conservazione. Coperte rigide con titoli e decorazioni in oro al piatto ed al dorso. Lievi segni di impurità alle coperte. Volume numero 5 con segni di graffiatura al piatto anteriore e lievi macchie di umidità; lievissima sbucciatura al dorso. Lievi sbucciature al piatto posteriore del volume 10 e 11.Mancanti volumi numero 2-3-6-8-9-12-13-14-15-16-17-19. USATO

      [Bookseller: Biblioteca di Babele]
 34.   Check availability:     maremagnum.com     Link/Print  


        Moi, laminaire.

      Seuil 1982 - - Seuil, Paris 1982, 13x18,5cm, broché. - Edition originale pour laquelle il n'a pas été tiré de grands papiers. Bel envoi autographe signé de Aimé Césaire à Willy Girardin : ". dont l'infatigable dévouement a rendu possible la grande entreprise." Agréable exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition for which it was not drawn large papers. Beautiful autograph signed by Aimé Césaire to Willy Girardin: ". whose tireless dedication has made big business possible ." Nice copy. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
 35.   Check availability:     AbeBooks     Link/Print  

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