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Displayed below are some selected recent viaLibri matches for books published in 1972

        A Theory of Justice

      Cambridge: The Belknap Press of Harvard University Press, 1972. Hardcover. Very Good. First edition, second printing. 607 p. Purple cloth with green lettering. Near Fine in Very Good dust jacket. Small scuffs on front flyleaf and fore edge. Jacket price-clipped, rubbed and a bit edge-worn. The original American cloth issue of this influential work was printed in small numbers and early printings are uncommon.

      [Bookseller: Burnside Rare Books]
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        Discurso de Stockholm

      Tallone, 1972. Brossura, custodia (wrappers, slip - case) . 4to. pp. 60 nn. Perfetto (Mint). Edizione di 270+35+25+10 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        The Exorcist (Original screenplay, west coast)

      Warner Brothers, Burbank 1972 - Early version of the final script for the 1973 film, directed by William Friedkin, based on the 1971 novel by William Peter Blatty, written for the screen by Blatty, and starring Ellen Burstyn, Max von Sydow, Lee J. Cobb, and Linda Blair. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic, with a strangeness and depth supplied by Burstyn and Sydow that only increases with repeated viewings. Another distinction of "The Exorcist" was that it walked away with 2 Oscars (including Best Screenplay for Blatty), along with 8 nominations (including Best Picture), a feat nearly unheard for a horror film. Yellow titled wrappers with titles in black, stated FINAL, dated April 24, 1972, rubber-stamped copy No. 13, and holograph ink notation reading: "WEST COAST VERSION / SAME AS NEW YORK RE-TYPED VERSION." Distribution page present. Title page present, with a credit for novelist-screenwriter Blatty. 137 leaves, mechanically reproduced, with blue revision pages throughout dated between 6/22/72 and 12/1/72, and some undated with "File Copy Change" noted at the top center. The revisions include a character name memo bound in just after the title page ("Cardinal" to "Bishop"), and a single-leaf Appendix with Merrin's speech to Satan.Pages Near Fine, wrapper Very Good plus with some small closed tears and yapping at the wrapper edges, internally bound with two gold screw brads. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        The Halloween Tree

      New York: Alfred A. Knopf, 1972. First Edition, First Printing. Cloth. Near Fine/Near Fine. Joseph Mugnaini. A charming First Edition, First Printing of this clever piece by Ray Bradbury. In Near Fine condition, the book is solid in construction with boards bound in black cloth. The top edge has an attractive red top stain that may be mildly faded, beautifully matching the bright poppy coloring of the end pages. A previous owner's inscription in neat black ink on the front free end paper. Author inscription on half title page in blue ink, "Kevin! Ray Bradbury, Sept 9, 05". Inscription includes an animated drawing by Ray Bradbury, a small preview of the delightful creatures Joseph Mugnaini illustrates throughout this curious tale. Pages throughout the book are crisp and clean with a few corners displaying slight creasing. Dust jacket protected by archival cover. Jacket displays two small chips at the head of the spine and price clipped, otherwise beautiful condition. A tiny light stain on the corner of the front flap. Front and rear flaps appear in lovely condition, with a stylized picture of the author on rear flap capturing the moody feel of the story. A very nice first printing of one of Ray Bradbury's most popular books.

      [Bookseller: Parrish Books]
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        Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream

      New York: Random House, 1972. First Edition. Hardcover. Like New. First edition, first printing. Fine with silver title stamping on spine extremely sharp and bright, just the slightest sunning along the edges of the boards, pages are bright and un-toned, in an About Fine dust jacket with several short closed tears along the bottom edge of the front panel, faint hints of edge wear though exhibiting none of the typical fading to the red ink. A superb copy of a book normally found with all manner of toning and wear.

      [Bookseller: Burnside Rare Books]
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        Pleins et déliés, souvenirs et témoignages 1926-1972

      Guy Authier, 1972. - Guy Authier, Paris 1972, 17x25cm, en feuilles sous chemise et boîte. - Originale, uno dei 70 esemplari numerati su Arches previste, il nostro recante il numero 1, l'unica grande edizione su carta. La nostra copia è piena di incisione originale di Georges Hugnet. Autograph firma dell'autore sulla giustificazione del sorteggio. Va notato che il nostro modello è quello di Guy Authier, l'editore di questo libro. Nizza copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 70 exemplaires numérotés sur vergé d'Arches, le nôtre portant le numéro 1, seuls grands papiers. Notre exemplaire est bien complet de l'eau-forte originale de Georges Hugnet. Signature autographe de l'auteur à la justification du tirage. Il est à noter que notre exemplaire est celui de Guy Authier, l'éditeur de cet ouvrage. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Loseblattsammlung in OUmschlag.

      Köln, art intermedia, 1972. - 29,8:21 cm. 1 Bl., 10 tw. farb. und signierte Grafiken. Lose in Orig.-Umschlag mit mont. Titelschild. Original-Ausgabe. Eins von 1000 num. Exemplaren. Erste Mappe dieser Reihe mit Werken von J. Beuys, K.P. Brehmer, M. Buthe, H. Gojowczyk, B. Koberling, E. Mitzka, S. Neuenhausen, G. Perneczky, B. Reinert, J. Stenger. . Der Umschlag ist oben rechts mit einem kleinen Aufkleber der Galerie Heiner Friedrich, Mu?nchen beklebt und etwas lädiert. First edition. [Attributes: First Edition; Hard Cover]

      [Bookseller: M + R Fricke]
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      First Edition. New York: The Viking Press, 1972. Hardcover. Octavo, 305 pages. Jacket is lightly crinkled in places, with one close tear, but is not price clipped. Slight soiling on top and fore edge of text block. A bright, attractive edition of this National Book Award winning novel about the emperor Augustus.

      [Bookseller: Terrace Books]
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        La Dialectique peut-elle casser des briques? L'oiseau de Minerve et Télémondial présentent: Le premier film entièrement détourné de l'histoire du cinéma. V.O. sous-titrée par l'Association pour le développement des luttes de classes et la propagation du matérialisme dialectique. joint : Affichette/annonce [235 X 320 mm] imprimée en couleur. Au recto, reproduction de l'affiche, au verso résumé du film original auquel ont été ajouté par Vienet deux "détournements de la critique"

      S.l.n.d. 1972. Affiche [1200 X 1600 mmm] imprimée en couleur Dans la pure tradition situationniste, "La dialectique peut-elle casser des briques ?" est le détournement d'un film de Kung-Fu nommé "The Crush". Voix off, sous titres et bruitages furent conçus par René Vienet. Dès le générique, une voix off annonce la couleur: les textes originaux ont été remplacés par des dialogues hautement politiques, et toute personne est invitée à faire de même avec n'importe quel film, y compris les plus mauvais: "les Godard, les Truffaut...".

      [Bookseller: Didier Lecointre-Dominique Drouet]
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      [Bookseller: Librairie du Château de Capens]
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        Decameron (Le). Dix compositions originales de Salvador Dali, gravées sur cuivre par lui-même, au rubis et au diamant.

      Paris, Michèle Broutta et Pamela Verlag, 1972 ; in-folio en feuilles sous chemise crème rempliée imp. en noir et fuschia, chemise cartonnée dessinée par Dali, pressée en relief et colorée en violet par les Ateliers Jean Duval, coffret-portefeuille de tissu vert-tilleul, bouton magnétique en acier dessiné par Dali (reliure de l'éditeur) ; 158, [159], (5) pp. ; 10 pointes sèches originales hors-texte, en couleurs, signées à la main par l'artiste. Belle réussite de Dali qui a gravé lui-même ses compositions en couleurs et dont le rendu est d'une très grande qualité. Tirage unique (sauf le N°1) à 150 ex. sur grand vélin d'Arches (celui-ci N°57) ; les planches sont toutes signées à la main par Dali. Le violet de la chemise s'est un peu déposé à l'intérieur du coffret, bel exemplaire et très beau tirage des cuivres.

      [Bookseller: Librairie Ancienne Clagahé]
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      Galerie Malmö, Borjeson, 1972 (Michelle Brouta, Paris 1972). 1 volume in-folio en feuilles sous double emboitage toilé rouge estampé d'un décor à froid et titré or sur le dos. 10 POINTES-SÈCHES ORIGINALES EN COULEURS DE SALVADOR DALI TOUTES JUSTIFIÉES ET SIGNÉES AU CRAYON PAR L'ARTISTE. Salvador Dali (Spanish, 1904-1989) Le Decameron The portfolio, comprising 10 drypoints with etching printed in colours, on BFK Rives, each signed in pencil and numbered 68/150, with accompanying text in Swedish by Boccaccio, numbered 68/150 on the justification page, published by Galerie Borjeson, 1972. Exemplaire à l'état de neuf. Le plus beau tirage des gravures de Dali (Michler/L. 552-561).

      [Bookseller: Patrice Jeudy - Livres Anciens et Modern]
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        New Naturalist Monographs Complete Series

      London: Collins. Hardcover. Used: Very Good. We are pleased to offer the complete series of the New Naturalist Monographs in dust jackets, all first editions with the exception The Trout which is a 1972 reprint. Some of the dust jackets have minor chipping and some small bits of insect chewing. A complete list of the

      [Bookseller: Buteo Books]
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        The Stones of Summer

      New York: The Bobbs-Merrill Company, 1972. 1st Edition. Hardcover. Near fine/near fine. 1st Edition. Hardcover. Unopened DVD of film "Stone Reader" included. Some shelf wear, rubbing on gold part of DJ (see picture), signed and dated on title page.

      [Bookseller: Lyons Fine Books]
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        Surbanalisme.- Séquences photographiques [21] de Bernard Plossu. Préface de Sergio Leone.

      Paris, Editions du Chêne, 1972. - 26 x 21 cm, 80 pp. Reliure spirale (pt accid. en pied), couv. impr. (pli ang.). Bel exemplaire malgré des défauts mineurs. Edition originale du premier livre publié par l'auteur : 90 photographies en noir et blanc, en 21 séquences "surbanalistes", la plupart en polyptique : "des séquences banales qui sont en fait surréalistes". [Attributes: First Edition; Hard Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
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        Viaggio verso il nord

      Cerastico,, Gli Smeraldi, 1972. Brossura, custodia (wrappers, slip - case) 7 litografie originali a colori di Ceri Richards (da cm 24x30 a cm 44x31). Le lito sono firmate e numerate da Frances Richards, moglie dell'artista. Poesie e nota di Sanesi in italiano e in inglese. Traduzione di William Alexander. Folio. pp. 60 non numerate. Ottimo (Fine). Prima edizione di 100+X+20f.c. es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        [Photo Albums]: Kenya 1972 and 1973

      Kenya. 1972 and 1973. Four oblong quartos. Full red and green leather with gilt lettering on the front boards and each housed in matching green and red cloth clamshell boxes with contrasting green and red leather gilt labels. The albums contain a total of 349 color images measuring between 2.5" x 3" and 6.5" x 4.5". Two of the albums have some wear to their lower spines else fine in very good clamshell case worn at the corners, with some rubbing and tidemark stains along the bottom of two of the albums. Four carefully assembled photo albums documenting two separate safari trips taken in Kenya by Hilary Hook, a retired British officer, who published his adventures serving in India and Africa and as a game hunter in his biography Home From the Hill.The trips, which took place in early 1972 and 1973, are divided into two volumes each with the first pages featuring tipped-in typed sheets listing the dates of the safari, the people involved, and their itinerary. The departure point of both trips was the Masai Mara Game Reserve with the first safari heading to Lake Lagaja in the Serengeti Reserve, then over to Fort Ikoma, and back to Lake Lagaja; the second began along the River Talek before departing for Njoro, then Lake Nakuru, Samburu Game Reserve, Meru Game Reserve, Rojweru River, and finally Lake Rudolf.Both albums are carefully captioned throughout with insights on particular images, animals, environments, and the situations in which the photos were taken. Among the wildlife recorded are zebras, giraffes, lions, white rhinoceros, elephants, ostriches, hippopotamuses, cheetahs, impalas, leopards, gazelles, and monkeys, along with numerous types of birds. Some of the most notable of the images captured are a series of photos showing a gazelle carcass being eaten by vultures then chased away by the arrival of hyenas; a series of lionesses in the tall grass ambushing a family of warthogs with only one young hog escaping; a pregnant cheetah perched in a tree; a lion guarding a zebra carcass; and various shots of herding zebra, gazelles, and ostriches. There are also about two dozen images of the travelers themselves, including Hook, making camp, sharing meals, and traveling; there is also a lone shot of a Masai shepherd with his son.A wonderful collection of African safari images assembled with particular and thoughtful care. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        California as an Island: An Illustrated Essay by John Leighly with Twenty-five Plates & A Bibliographical Checklist of Maps Showing California as an Island 1622-1785.

      San Francisco: Book Club of California, 1972. - One of 450 copies printed by Robert Grabhorn and Andrew Hoyem. 154 pp; 25 maps (some folding). Original brown morocco-backed pictorial boards with gilt-lettered spine, folio (13¾ x 8¼ inches). Near Fine. Prospectus and related ephemera laid in. BCC 141; GHB 60. [Attributes: First Edition; Hard Cover]

      [Bookseller: Ted Kottler, Bookseller]
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        Variations sur l'imaginaire

      1972. Club du livre & Philippe Lebaud, Paris 1972, 28x37cm, reliure de l'éditeur sous chemise-étui. - Club du livre & Philippe Lebaud, Paris 1972, 28x37cm, reliure de l'éditeur sous chemise-étui. - Prima edizione, prima stampa di tutte le 20 litografie originali firmate dall'artista, uno dei 140 esemplari numerati in Rives, un pareggio con il 20 e il Giappone 30 Auvergne. Bound in pieno scatola blu, indietro liscio, cuciture piatte parti scatola nera mosaicata, guardie e contreplats legno carta imitazione, testa dorata, camicia caso impeccabile. Introduzione a A. Grove. Contributi letterari EM Cioran, J. Cayrol, C. Roy, J. Follain, MA Asturias, R. de Obaldia, Guillevic, P. Emmanuel ... Firma autografi di ogni autore al termine del loro testo. Contributi pittorici da Man Ray, J. Herold, L. Coutaud, B. Dufour, L. Fini, J. Helion, F. Labisse, E. Baj, A. Masson, J. Monory, F. Due ... Ogni litografia è firmato dall'artista. [FRENCH VERSION FOLLOWS] Edition originale et premier tirage des 20 lithographies originales toutes signées par les artistes, un des 140 exemplaires numérotés sur Rives, seul tirage avec 20 Japon et 30 Auvergne. Reliure en plein box bleu, dos lisse, plats sertis de pièces de box noir mosaïquées, gardes et contreplats de papier façon bois, tête dorée, chemise-étui sans défaut. Présentation de A. Bosquet. Contributions littéraires de E.M. Cioran, J. Cayrol, C. Roy, J. Follain, M.A. Asturias, R. de Obaldia, Guillevic, P. Emmanuel... Signature autographe de chacun des auteurs à la fin de leur texte. Contributions picturales de Man Ray, J. Herold, L. Coutaud, B. Dufour, L. Fini, J. Hélion, F. Labisse, E. Baj, A. Masson, J. Monory, F. Deux... Chaque lithographie est signée par l'artiste.

      [Bookseller: Librairie Le Feu Follet]
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        Le rime

      Editiones Officinae Bodoni, 1972. Nota di Ada Ronzini. 8vo. pp. 126 (8). Ottimo (Fine). Prima edizione di 150 es. numerati. Le rime di Ser Garzo (bisavolo del Petrarca) sono qui raccolte in volume per la prima volta a cura di Ada Ronzini.

      [Bookseller: Studio Bibliografico Marini]
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        Der Lithograph.

      Paris und Genf Mourlot u Weber 1972 - 5 Bände. Original Einbände m. Original Schutzumschlägen. Sehr gut erhalten. Miro Werkverzeichnis 1, 2, 3, 5, 6, (von 6) 1972 - 1981. Die ersten beiden Bände erschienen bei La Boligrafa in Barcelona, die Bände 3,5, und 6 bei Weber in Genf. Band 1 und 2 in spanischer Sprache, die anderen Bände in deutscher Sprache. MIT ALLEN ORIGINAL LITHOGRAPHIEN, tadellos erhalten. Vol. 1,2,3,5, and 6 with all the ORIGINAL LITHOGRAPHS from J. Miro. In top condition. 1.100 gr. Original Einbände m. Original Schutzumschlägen.

      [Bookseller: P. u. P. Hassold OHG]
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      1972. EDITIONS D'ART LES HEURES CLAIRES. 1972. In - Folio.Carré. Relié, Sous emboîtage. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 264 pages - quelques bandeaux et lettrines en couleurs - quelques illustrations en couleurs hors texte - sous emboitage cartonné rigide jaspés en bon état - ornements encadrant le texte - signet conservé - tranches en tête dorées - 6 photos disponibles - titre + ornements dorés sur le dos . EXEMPLAIRE N°421 / 1630 SUR VELIN CHIFFON DE LANA - Miniatures de Yvonne Vaulpré Debeauvais - Traduction de Lamennais - La reliure éditeur est une réalisation de la reliure du centre d'après une maquette de Michel Vincent - Jean Taricco a gravé sur bois toutes les reproductions des aquarelles et ornements d'Yvonne Vaulpré Debeauvais et a assure la direction de l'impression du texte et des illustrations qui est due à Marcel Marsillac, Roger Fontaine, André le Coz, Serge Schlaeintzauer .

      [Bookseller: Le-Livre.Com]
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        Archive of photographs featuring Robert Plant and Jimmy Page on stage, circa 1972

      N.p., N.p. 1972 - Archive of nine black and white, double weight photographs, circa 1972, of Led Zeppelin members Robert Plant and Jimmy Page on stage, apparently unpublished, by noted photographer Michael Montfort, three with the stamp of German magazine "Stern" on the verso. A single photograph also features a bass-playing John Paul Jones in the background. From the estate of the photographer.Born in Freiburg, Germany, Michael Montfort began his career working as a photojournalist for German magazines such as "Stern," "Quick," and "Bild am Sonntag." In addition to shooting numerous rock and jazz performances, he covered Queen Elizabeth's 1965 visit to Germany, the aftermath of the Six Day War in Israel and Egypt, and the May 1968 protests in Paris. Montfort emigrated to Los Angeles in 1973 and began working as a freelancer. Four years later, on assignment for the German literary magazine "Rogners," Montfort was sent to photograph Charles Bukowski. Aided by the case of wine he smartly brought with him to their first meeting, Montfort connected with the publicity-shy and splenetic poet. Over the next two decades, as both Bukowski's drinking buddy and personal photographer, he shot literary thousands of images of Bukowski and collaborated with him on titles such as "Horsemeat," "Shakespeare Never Did This," and "The Wedding." In addition to Bukowski, Montfort shot notable photographs of luminaries such as William S. Burroughs, Klaus Kinski, Brigitte Bardot, and a Jackson 5 era Michael Jackson. Photographs sized variously 11.75 x 8 inches (30 x 20 cm), 15 x 10 inches (38 x 25.5 cm), and 15.75 x 11.25 inches (40 x 28.5 cm). About Fine. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Egon Schiele. Gemälde. Aquarelle. Zeichnungen.

      Salzburg, Residenz Verlag (1972). 4°. 696 S., 2 Bl., mit 228 (84 farbigen) Tafeln und 600 Textabb., schwarzes OKalbleder mit roter Deckel- und Rückenprägung. Ecken ganz gerin berieben. Schwarzer Pappschuber. Wie neu. Eines von 200 numerierten Exemplaren der Luxusausgabe; vorangebunden die beiden Originalgummischnitte \"Männerkopf\" und \"Mutter und Kind\", entstanden jeweils um 1916. Diese gedruckt auf einem Bl. handgeschöpftem Büttenpapier, sep. numeriert. Enthält ein \"Kritisches Werkverzeichnis der Gemälde\", Standortverzeichnis, Motivnachweis, Bibliographie etc.- Beiliegend ein gefaltetes Doppelblatt mit dem Neudruck der Tafeln 95 u. 218, \"da der Auflagendruck dem Original nicht entsprach\". Versand D: 15,00 EUR Malerei, Österreich, Werkverzeichnisse, Vorzugsausgaben, Originalgraphik, Luxusausgaben

      [Bookseller: Antiquariat Löcker]
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        CARNET PICASSO . Paris 1900

      Editorial : Gustavo Gili 1972 - Barcelona 1972 . Con una introducción de Rosa Mª Subirana . Caja-estuche con dos volúmenes, Vol. grande de 20 x 13,5cms. apaisado . Encuad : Rústica con sobrecubierta . 87 págs.+ 1 h, en papel hilo, con el texto explicativo en español, francés e inglés. Vol. pequeño de 11 x 7,3cms. Apaisado . Encuad : tela arpillera conteniendo 46 hojas con dibujos (de las 46 hojas 20 son hojas en blanco) . Edición facsímil ,ejemplar Nº 628 de 1000 ejempl. Tema : Arte, Pintura, Picasso . Buen estado de los libros .

      [Bookseller: montgiber]
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        Viruses of Potatoes and Seed-Potato Production

      Centre for Agricultural Publishing and Documentation, Wageningen, Netherlands 1972 - First Edition, First Printing' dj w/lite wear only; owner's name; 233 clean, unmarked pages/index Size: 8 vo [Attributes: First Edition; Hard Cover]

      [Bookseller: Dorley House Books, Inc.]
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        Rixdorfer Illustrierte Zeitung: Nr 1. (all published)

      Werkstatt Rixdorfer Drucke 1972 - Rixdorfer Illustrierte Zeitung: Nr 1. (all published) Berlin: Werkstatt Rixdorfer Drucke, 9. Mai 1972.9. 10 loose pages (64,5 x 50 cm) with original signed woodcuts (4 full page) held together with orginal printed wooden newspaper holder. Fine. - First edition. One of 250 numbered copies. Published on the occasion of the 1972 Munich Olympiade. With: "Eine Auswahl aus dem Werk des Baron de Coubertin" Redaktion Horst Tomayer. Signed by Horst Tomayer + 3 original woodcuts (among which 1 full page) signed and dated by Uwe Bremer; 3 woodcuts (among which 1 full page) signed by Arno Waldschmidt; 2 woodcuts (among which 1 full page) signed by Johannes Vennekamp + 2 woodcuts (1 full page) signed by Ali Schindehütte. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: studio montespecchio]
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        A Sun Cab

      New York: Adventures in Poetry, 1972. First Edition, First Printing. SIGNED by James Schuyler and Fairfield Porter on the limitation page of this collection, which features poems by Schuyler and illustrations by Porter. This is letter "P" of only 26 lettered copies, signed by both men, from a total edition of 300. 4to, 60 unnumbered, mimeographed pages. A fresh, Near Fine copy in stapled wrappers, with a bit of edge wear and rusting of staples. SCARCE signed by author and illustrator. A beautiful copy. This volume is a terrific collaboration between two key members of the New York School literary and art scene, who lived together from 1961 to 1973. In 1980, Schuyler won the Pulitzer Prize for Poetry for "The Morning of the Poem."

      [Bookseller: Le Bookiniste]
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      1972. COLIN. 1972. In-4.Carré. Relié toilé. Etat d'usage. Couv. défraîchie. Dos satisfaisant. Intérieur acceptable. 481 + 460 + 603 + 423 + 397 pages illustrées de nombresues photos, dessins et figures dans le texte en noir et blanc - Quelques annotations au crayon a papier sur les pages de garde.

      [Bookseller: Le-Livre.Com]
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        Storia d'Italia. Vol. I - I caratteri originali Vol. II - Dalla caduta dell'Impero romano al sec. XVIII Vol. III - Dal primo settecento all'unità Vol. IV - Dall'unità ad oggi Vol. V - I documenti Vol. VI - Atlante.

      Einaudi, 1972 - 1983. in - 8 6 voll in 10 tomi + 6 Annali in 7 tomi per un totale di 17 tomi

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        Anne Tyler 17-Volume Collection of Signed First Editions, with Correspondence: The Clock Winder; Celestial Navigation; Searching for Caleb; Earthly Possessions; Morgan's Passing; Dinner at the Homesick Restaurant; The Accidental Tourist; Breathing Lessons; Saint Maybe; Your Place is Empty; Tumble Tower; Ladder of Years; A Patchwork Planet; Back When We Were Grownups; The Amateur Marriage; Timothy Tugbottom Says No!; Digging to America

      An impressive collection of novels by the Pulitzer Prize winning author, comprising all published works released from 1972 to 2006 (and thus missing her first three, and last four, works), as well as her two juvenile titles. Your Place is Empty is also of particular interest, being an imprint of the William B. Ewert fine press in Concord, New Hampshire. With the exception of Digging to America, they are all signed by Anne Tyler directly on the title pages - no small feat considering that, until recently, the author did not make public appearances or grant interviews. Even sending items to her for the purpose of obtaining signatures was a complicated process, as illustrated in the four postcards and three greeting cards included here, in which Tyler requests they be sent such that she can receive them without leaving her home. The original recipient of these also sent the author a number of gifts, for which she expresses thanks in her correspondence. First editions. Each (except Digging to America) signed without inscription by author on title page. The Clock Winder: board edges a bit faded, two tiny spots on top page ridge. Back When We Were Grownups includes publisher's newsletter (laid in). New York: Alfred A. Knopf / G.P. Putnam's Sons / William B. Ewert / Orchard Books, 1972. First Edition. Near Fine/Near Fine.

      [Bookseller: Yesterday's Muse, ABAA, ILAB, IOBA]
 31.   Check availability:     IOBABooks     Link/Print  

        18 Bogendrucke. Vollständige Folge aller erschienenden Bögen.

      Berlin, Rainer Verlag, 1972 - 1973. 18 doppelblattgroße Bögen, ca. 41 x 30 cm (HxB), OHalb-Leinen-Broschur, meist farbige Offsetdrucke. Zum Teil (Nummer 11, 12, 13) nummerierte Exemplare. Dort wird die Auflagenhöhe mit 1000 Exemplaren angegeben. Laut Spindler (Typen, Deutschsprachige Pressen seit 1945) wurden ca. 90% der Auflage vernichtet). Bogen 17 (eine zweite Arbeit von Dieter Roth) ist nie erschienen. Bogen 12 (Tomas Schmit: Die Phallanx) weist ein größeres Format als die anderen Bögen auf und liegt deshalb separat dabei. 1: Irina Sorhagen: Tag um Tag ist guter Tag. 2: Roland Topor: Page d\'ecriture à la machine à écrire. 3: Hannes Jähn: Junge Hauskatzen. 4: Hannes Jähn: Elektriker. 5: Friederike Mayröcker: In memoriam Vladimir Kafka. 6: Albert Moehn (d.i. Staats Blumenbach): Die Cigarette. 7: KP Brehmer: Vermögensverteilung. 8: Vergrößern! Vergrößert die Freude! 9: Konrad Bayer: Herostrat. 10: Barbara Dierse: 3. Mendelsches Erbgesetz. 11: Wo ist sie? 13: Werner Brenner: Jesus Schweinefleisch. 14: Vietnam. 15: Detlef Kersten: Lieber Gott, schenk mir doch Spielraum. 16: Dieter Roth: Rekonstruktion. 17: Dieter Roth: nicht erschienen. 18: Bild Zeitung Heute. 19: Albert Moehn: Ahh. Schönes Exemplar. In dieser Form sehr selten. Very rare production by the independet editor. Versand D: 5,00 EUR Verlagswerbung, Kunst, Buchkunst, Pressen

      [Bookseller: AS - Antiquariat Schröter]
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        The Ballroom of Romance (Signed copy)

      London: The Bodley Head, 1972. First edition, first printing hardback in dustwrapper. 20.5 × 13.5cm, 269pp. Signed directly to the title page by William Trevor. This is the Irish author's second collection of short stories. From the dustwrapper, "In the space of twelve stories we meet an apparently random sample of humanity, children and adults, rich and poor, single and married, straight and kinky, good-looking and ugly - in short, a streetful of passing faces. The art of William Trevor lies in revealing, beneath the intriguing variety, their, and our, common predicament: the search for the right balance netween love and illusion, daring and timidity. Tragically, or comically, sometimes both, the actors in most of these stories come either to grief or to terms with the laws of equilibrium. Some dance alone, others change partners, others waltz stiffly on in immutable couples. It depends on the colour of the lighting whether you see it as a ballroom of romance or a third-rate dance-hall." The stories are: 1. Access to the Children; 2. Nice Day at School; 3. The Ballroom of Romance; 4. The Forty-seventh Saturday; 5. A Happy Family; 6. Going Home; 7. An Evening with John Joe Dempsey; 8. The Mark-2 Wife; 9. The Grass Widows; 10. A Choice of Butchers;, 11. Kinkies; 12. O Fat White Woman. Condition: This copy is in very good condition. The dustwrapper is in a protective sleeve and has not been price-clipped (though a biro stroke is through the price). It has some very mild tanning to the extreme top edge but is otherwise in excellent condition. The book is in an equally good state, with clean pages and secure binding though there are a few speckles of foxing and light dusting to the top edge. There is one small scar to the top outer corner of the ffep where a price-sticker has been removed and there is a little ghosting to the cloth of the spine from the dustwrapper. Overall, a super copy. PLEASE SEE THE COX AND BUDGE WEBSITE FOR FURTHER DETAILS AND TO SEE OUR FULL RANGE OF BOOKS. MANY THANKS.. Signed by The Author. First Edition. Hardback. Very Good/Very Good.

      [Bookseller: Cox and Budge Books]
 33.   Check availability:     Biblio     Link/Print  

        I travestiti

      Essedì Editrice, 1972. Rilegato (hardback) Testi e fotografie in bianco e nero di Lisetta Carmi. Una nota di Elvio Fachinelli. Inserto di 16 pagine di carta rosa sottile con riproduzione di foto e lettere dattiloscritte che i protagonisti del libro inviarono alla fotografa. Testi in italiano e inglese tradotti da Pietro Ferrari . 4. pp. 164. Ottimo (Fine). Prima edizione (First Edition). "I travestiti si mascherano, è vero, ma lo fanno per necessità. Hanno però il coraggio di fare quello che fanno e di affronatre una realtà spesso drammatica e violenta. Per molti di loro non esiste un'alternativa di lavoro: come uomini hanno un aspetto troppo femminile, come donne hanno l'impedimento dello stato anagrafico maschile. Sopportano stati di solitudine incredibile proprio perchè da una parte la società li ricerca e dall'altra li isola, li obbliga praticamente a vivere in ghetti (a Genova il loro quartiere è proprio l'antico ghetto degli ebrei), ha paura di riconoscersi in loro. Li usa, li paga, li giudica: ignorando volutamente che sono esseri umani. Ma io credo che il giudizio che noi diamo degli altri è quasi sempre un giudizio che noi diamo di noi stessi: ciò che negli altri ci spaventa è in noi. E difendiamo noi stessi sempre offendendo quella parte di noi che rifiutiamo" (Lisetta Carmi, dalla quarta di copertina) \

      [Bookseller: Studio Bibliografico Marini]
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        Allen Ginzberg. Miami (Florida). 1972. (Fotografia originale)

      S. e, 1972. Fotografia originale vintage in b/n, silver print cm 25 x 35,5,. Al verso timbro e firma autografa di Paola Agosti e timbro di agenzia di stampa (DFP). Bella immagine del poeta durante una manifestazione a Miami nel 1972. Paola Agosti, nata nel 1947 a Torino, ha iniziato nel 1969 la sua attivita' di fotografa indipendente. Ha fotografato leader politici, uomini di cultura e artisti di fama internazionale. Si e' occupata con particolare attenzione di volti e fatti del mondo femminile. Ha indagato la fine della civilta' contadina del Piemonte piu' povero, le vicende dell'emigrazione piemontese in Argentina e ha ritratto i grandi protagonisti della cultura europea del '900. E' autrice di vari libri fotografici su questi temi. ITA

      [Bookseller: Libreria Antiquaria Coenobium]
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        Artecatalogo dell'Ottocento "Vesuvio" dei pittori napoletani

      Belle Arti Editorialtipo, 1972. Rilegato tela, sovracoperta (cloth, dust jacket) Con 330 tavole a colori fuori testo e 712 illustrazioni in bianco e nero. Con biografie e quotazioni relative ai pittori trattati. 3 volumi . 4to. pp. 486 + 438 + 430. Molto Buono (Very Good). Prima edizione di 1200 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        Incontro con Boris Mardesic. Presentazione di Mario de Micheli.

      Ed. Del Milione, 1972. In - folio, cm. 58x44, cartella contenete 17 fogli doppi e scritti su di una sola facciata con testo di Guido Nicoletti e introduzione di Mario de Micheli e sempre su fogli doppi, 6 belle acqueforti a colori, firmate e siglate 5/99, nell'inconfodibile stile del grande artista croato. (Sono stati tirati novantanove da 1 a 99 e dieci esemplari fuori commercio, tutti contenenti sei incisioni originali, la cui stampa è stata curata da Enrico Majoli - Milano). Esemplare perfetto nei fogli e la stampa su carta distinta e marcata a secco. Difetti con scollature e altro alla cartella di contenimento. BORIS MARDESIC, nato in Croazia 1922, morto nel 2012, Ha esposto e lavorato in quasi tuttii paesi europei e negli Stai Uniti. Ha lavorato e soggiornato per molto tempo in Italia, a Milano, Roma... dove ha richiamato l'attenzione dei più autorevoli leterati e critici d'arte, Dino Buzzati, Franco Solmi, Mario De Micheli... Tra gli artisti amici, Lucio Fontana, G. De Chirico, Remo Bianco, Max Ernst, ...

      [Bookseller: Daris S.R.L.]
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        Discours de la fatigue -

      Fata Morgana 1972 - - 1 volume. In-4 Non paginé. Sous étui bordé et chemise. Reliure maroquin gris foncé à encadrement. Sur les plats, 3 bandes verticales de papiers blanc cassé, gris clair et gris foncé, ornés d?un décor dactylographié en différents tons de gris dessinant des silhouettes désarticulées et diagonales. Tête dorée. Couvertures et dos conservés. Reliure signée Claude HONNELAÎTRE. Avec 5 illustrations de Camille BRYEN. Magnifiquement relié. TIRAGE LIMITE à 560 exemplaires numérotés. Celui-ci un des 55 sur vélin d?Arches et contenant une suite de 4 eaux-fortes originales, signées par Camille Bryen. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
 38.   Check availability:     AbeBooks     Link/Print  


      London:: Andre Deutsch,. Near Fine in Near Fine dust jacket. 1972. Hardcover. 0233963421 . Illustrated by Emil Antonucci. First British edition. An association copy: INSCRIBED by the author to fellow writer John L'Heureux and his wife Joan Polston L'Heureux. L'Heureux reviewed Gardner's THE ART OF FICTON for the New York Time Book Review in 1986; Gardner had also reviewed some of L'Heureux's work. Near fine in a near fine (London hotel address written on the verso of the rear flap - perhaps where the book was inscribed) dust jacket. ; 174 pages .

      [Bookseller: Grendel Books, ABAA/ILAB]
 39.   Check availability:     Biblio     Link/Print  

        Wintering Out.

      London: Faber and Faber,, 1972. Octavo. Original wrappers printed in blue, grey, black and white. Backstrip very lightly toned. An exceptionally bright copy in excellent condition. First edition, first impression. Inscribed by the author on the half-title, "For Kees, slainte 'gus saol! Seamus Heaney, June 1977 in Rotterdam". Advance review copy with the loosely inserted slips of Faber & Faber and Heaney's publisher in the Netherlands, Meulenhoff. The wrappered edition preceded the casebound edition by one year.

      [Bookseller: Peter Harrington]
 40.   Check availability:     Biblio     Link/Print  

        Door into the Dark

      London: Faber and Faber, 1972. First Edition. Hardcover. Very Good. First British edition, first printing. Near Fine with lean to spine, foxing to top edge of page block, in a Near Fine dust jacket with publisher's price intact, light rubbing and several scattered tiny spots to front panel. A very nice copy.

      [Bookseller: Burnside Rare Books]
 41.   Check availability:     IOBABooks     Link/Print  


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