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Displayed below are some selected recent viaLibri matches for books published in 1969

        Todai Zenkyoto / The All-Campus Joint Struggle at Tokyo University

      Tokyo: Sanichi Shobo, 1969. Corners and spine ends gently bumped, else near fine in a near fine jacket. Lacks the rare obi, but the first signed copy I have handled.. First Edition. Octavo. SIGNED by Hitomi Watanabe, a female member of Provoke, who was one of the most important photographers to shoot the student riots at Tokyo University.

      [Bookseller: Harper's Books, Inc.]
 1.   Check availability:     Biblio     Link/Print  


        6 PICCADILLIES

      - the set of six offset lithographs with screenprint in colours, 1969-70, printed recto and verso, each signed in pencil, dated, numbered from the edition of 150, published by Petersburg Press, London and New York, printed by Staib & Mayer, Stuttgart, and H. P. Haas, Korntal each card approx.: 492 by 692mm The images on the recto were all initially printed with the Piccadilly image in four colour, off-set lithography. These were then over-printed in screenprint using a range of one to twenty-six colours from stencils drawn by the artist. The verso of each print has a vignette image of the original Piccadilly scene printed in four colour, offset lithography. All six prints are based on the same image of Piccadilly Circus. [Attributes: Signed Copy]

      [Bookseller: Shapero Rare Books]
 2.   Check availability:     ZVAB     Link/Print  


        La Fanfarlo.

      Nice, La Diane Française 1969. Grand in-4° broché, sous emboitage (dos de l'emboitage uniformement insolé). 12 lithographies en couleurs dont 10 H.T., toutes signées au crayon par Léonor FINI. Tirage limité à 165 exemplaires. Un des 120 sur grand vélin d'Arches. Une des plus belle illustration de l'Artiste.

      [Bookseller: Librairie In-Quarto]
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        Ma nuit à moi. La couverture de cet ouvrage est un bronze d'Alicia Penalba.

      Lyon, Lescuyer pour Marc Pessin, La galerie St-Laurent à St-Laurent du Pont (Isère), 1969 ; in-4 en feuilles dans un coffret recouvert de lamé argent et premier plat en bronze ; [36] ff. et 1 f. reproduisant le dessin du bronze. Signature autographe du poète Roberto Gutiérrez et de l'artiste Alicia Penalba. Edition originale, tiré à 100 exemplaires numérotés ; bronze titré "Sur le sable", signé Penalba et numéroté 39 sur 100, coulé par Walter Couffini et relié par Jean Duval. Née près de Buenos Aires (1913-1982), Alicia Penalba entre en 1930 à l'école des Beaux-Arts de Buenos Aires et en sort avec un diplôme de professeur de dessins et participe à de nombreuses expositions. En 1948, elle s'installe à Paris et découvre la sculpture en travaillant pendant trois ans dans l'atelier de Zadkine où elle connaîtra les oeuvres de Hans Arp, Brancusi, Giacometti, etc. Sa carrière est lancée, elle fera de la sculpture non figurative à partir de 1951 et obtiendra en 1961, le Prix International de sculpture de la Ve Biennale de Sao Paulo au Brésil ce qui lui permettra d'exposer dans le monde entier et de rentrer dans de nombreux musées en France, Argentine, Pérou et aux Etats-Unis. Elle décédera le 4 novembre 1982, sa voiture étant fauchée par un train. Petites usures au lamé, dues au poids du bronze ; l'intérieur et le bronze sont en bel état.

      [Bookseller: Librairie Ancienne Clagahé]
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        Tributes to the President and Mrs Lyndon Baines Johnson in the Congress of the United States

      Washington, D.C.: GPO, 1969. First edition. 185 pp. 1 vols. 8vo. Blue printed wrappers. Fine in fine half blue morocco slipcase and chemise. First edition. 185 pp. 1 vols. 8vo. FINE ASSOCIATION. Inscribed on endpaper. "To Jane and Charles (Engelhard) with appreciation for your - - and help Lyndon B. Johnson."

      [Bookseller: James Cummins Bookseller]
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        Angela Davis (Vintage Poster, circa 1969)

      Personality Posters, Inc, New York 1969 - Vintage oversize poster depicting Angela Davis, with her iconic afro, speaking into a bullhorn microphone. Davis is a Civil Rights activist, Marxist, and former Black Panther Party member who became a cause célèbre for her alleged involvement in the murder of a judge and others at the Marin County Courthouse, CA in 1970. Subsequently placed on the FBI's Ten Most Wanted List, Davis became a fugitive, was caught, tried, and found not guilty, during which her cause became an international rally cry against both the treatment of African-Americans and the US criminal justice system.The photograph has never been attributed, but was likely taken circa 1969, here subsequently printed the same year by Personality Posters, Inc., a small company that produced, among other prints, a series of posters relating to iconic African-American events from the late 1960s contemporary to their occurrence.Near Fine condition, lightly but evenly toned, with professional restoration at the edges. Approximately 27.25 x 39.5 inches, linen backed, and rolled.

      [Bookseller: Royal Books, Inc., ABAA]
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        Georges Mathieu.

      Hachette-Fabbri / L'Art de notre temps 1969. Fort in-4 cartonnage éditeur pleine toile rouge sous jaquette illustrée & emboitâge. Photo de l'artiste en frontispice. Etude de François Mathey avec une foultitude de reproductions en noir & en couleurs, très souvent à pleine page ou en planches dépliantes. Tirage sur couché. Edition originale en superbe état avec coupures de presse jointes. Unique & précieux exemplaire orné d'une magnifique dédicace autographe de l'artiste, enrichie d'une peinture originale double page avec collage en feutrine ( la colle ayant servi à fixer cette dernière a un peu bavé en page de garde ).Port gratuit pour la France ( En raison des nouvelles normes postales, les livres dont l'épaisseur dépasse les 3 cm seront expédiés obligatoirement en Colissimo avec un forfait ajouté de 5 € ) Port à la charge de l'Acheteur pour le reste du monde. Pour destinations extra-planétaire s'adresser à la NASA. Membre du Syndicat Lusitanien Amateurs Morues - Vente exclusivement par correspondance ! Le libraire ne reçoit que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.

      [Bookseller: Librairie Victor Sevilla]
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        OFFICIAL ENTRY BLANK

      Lincoln: University of Nebraska Press, 1969. First Edition. Hard Cover. Very Good dust jacket. Octavo. Extremely uncommon hard cover edition of Kooser's first book; a bright clean binding; a bit of staining to a few pages (images available) else Fine; dust jacket is scuffed; closed tear at the top of the front joint with some creasing; jacket is now brightened and protected in a mylar cover. Signed by Kooser on the title page.

      [Bookseller: Michael Pyron, Bookseller]
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        The French Lieutenant’s Woman.

      London: Jonathan Cape, 1969. First edition of the author's third novel. Octavo, original brown cloth with titles to the spine in gilt. Signed by John Fowles on the title page. An excellent near fine copy in a the dust jacket with some rubbing and wear to the extremities. Possibly the most beloved of Fowles's internationally bestselling works, The French Lieutenant's Woman is a feat of seductive storytelling that effectively invents anew the Victorian novel. "Filled with enchanting mysteries and magically erotic possibilities" (New York Times). The novel inspired the successful 1981 film starring Meryl Streep and Jeremy Irons and is today universally regarded as a modern classic.

      [Bookseller: Raptis Rare Books]
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        FAUST. Traduction Gérard de Nerval. Gravures de Salvador Dali

      Argillet/Grafik Europa Unstalt, Paris 1969. 1 volume in-4 en feuilles sous couverture imprimée rempliée, emboitage rigide recouvert de toile rouge illustrée d'une composition dorée d'après l'artiste. 21 GRAVURES ORIGINALES DE SALVADOR DALI dont 10 À PLEINE PAGE (pointes sèches au rubis et au diamant). Edition : 293 exemplaires. Celui-ci 1 des 190 exemplaires numérotés sur grand vélin d'Arches signé au crayon par Salvador Dali (n° 132). Twenty one original engravings, eleven as loose full-sheet plates, and 10 drawings within the text. From an edition of 293. This one on Arches paper (n° 132) is handsigned in pencil at the justification page. Mint condition, complete and as new. État parfait. L'exemplaire est à l'état de neuf. References : Field 69-1 (p. 50-51) / Michler & Lopsinger 298 to 318.

      [Bookseller: Patrice Jeudy - Livres Anciens et Modern]
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        A Child's Christmas in Wales.

      New Directions,, New York: 1969 - Special edition of this Christmas classic, consisting of the illustrated text volume and a separate portfolio containing a suite of plates in larger format. The text volume signed by illustrator Fritz Eichenberg at the limitations page, and the 5 plates, in a separate printing, each one signed by Eichenberg in pencil at the lower right. This edition limited to 100 numbered copies, of which this is Number 15. Fritz Eichenberg, along with Rockwell Kent, is recognized for establishing the high level of American book illustration in the first half of the 20th century. Eichenberg (1901 - 1990) had a highly prolific book illustrating career, creating art for works by Charlotte and Emily Bronte, Dostoyevsky, Tolstoy, Poe, and Swift. He settled in New York City, taught at the New School and at Pratt and later at the University of Rhode Island. He was drawn to folklore, children's stories, and subjects with aspects of fantasy, spiritual and emotional conflict, or social satire.The text volume, oblong 4to, 33pp, 5 full page plates. 12 x 9". Quarter brown leather and cream linen boards, with gilt title at spine. The portfolio of wood engravings in stiff black paper wrappers with red and off white title label laid down. 15 1/2 x 12". [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Antipodean Books, Maps & Prints, ABAA]
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        The Ghosts' High Noon

      New York: Harper & Row, publishers,, 1969. Octavo. Original grey boards, light grey cloth backstrip, spine lettered in grey, publisher's device to front board in silver, top edge blue, others untrimmed, grey endpapers. With the dust jacket. Gift inscription to front free endpaper. Spine rolled, foot of spine bumped. An excellent copy in the dust jacket slightly rubbed and creased at spine-ends. First edition, first printing. Inscribed by the author "Yours sincerely, John Dickson Carr" on the title-page. The Ghosts' High Noon was Carr's third-to-last novel and his second set in New Orleans, following Papa Là-bas in 1968.

      [Bookseller: Peter Harrington]
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        ca. 180 orig. s/w- und ca. 80 Farb-Vintage einer Studienreise Mesopotamien - Persien, heute Irak und Iran, 1969 - Die Aufnahmen stammen von einem professionellen Fotograf (Name ist unbekannt) - die s/w Vintage auf Barytpapier, ca. 17, 6 x 23,2

      1969 - Ca. 180 orig. s/w Vintage auf Barytpapier, ca. 17, 6 x 23,2 cm und ca. 80 orig. Farb-Abzüge, ca. 13 x 18 cm . Die Aufnahmen wurden mit einer Leica-Mittelformat-Kamera gemacht und enstanden während einer Studienreise März-April 1969 durch die Gebiete des heutigen Irak und Iran. Die Bild-Kompositionen sind ausgewogen, die Motivwahl mit Bedacht, Verstand und gutem Auge gewählt. Zu sehen sind wichtige Bauwerke wie Moscheen, Museen, Brücken, Stadttore, Plastiken, Skulpturen und Reliefs, aber auch Einheimische in Alltagssituationen (die Fotos sind leider ohne Bezeichnung). Alle Photos sind mittels Photoecken auf Photo-Karton befestigt. Die Pappen sind in vier Ringücher abgeheftet. Die Photos sind sauber und unbeschädigt und können getrost als wichtige Dokumente der Kunst- und Kulturgeschichte des Mittleren Ostens bezeichnet werden. Sehr guter Zustand. ca. 1800 gr. Size: 4° [Attributes: Soft Cover]

      [Bookseller: Verlag IL Kunst, Literatur & Antiquariat]
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        PARIS SANS FIN

      Tériade. Paris, 1969. In-folio, en feuilles, 153 pp., couverture imprimée rempliée., chemise et étui de toile écrue, titré or sur le dos (emboîtage de l'éditeur). 150 LITHOGRAPHIES ORIGINALES DE GIACOMETTI toutes en hors-texte à pleine page. Édition originale et premier tirage. Édition : XX + 250 exemplaires tous sur vélin d'Arches. Celui-ci, l'un des 250, numéroté et portant la "griffe" de la signature de l'artiste disparu avant la publication du livre. Teriade. Paris., 1969. Folio. pp. 153. With 150 original lithographs by Alberto Giacometti. Loose as issued. Numbered on vélin d'Arches with the artist signature stamp. Le testament de Giacometti. Exemplaire en excellent état, tel que paru. Complet. (Lust 204-353). Documentation et photos supplémentaires sur demande. A major work and Giacometti's lithographic testimony. A complete and beautiful copy. Lust 204-353. Photos on request.

      [Bookseller: Patrice Jeudy - Livres Anciens et Modern]
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        The Raswan Index and Handbook for Arabian Breeders Volumes 1, 2 and 3.

      I-TEX Pulishing, Ames, (Iowa) 1969. 3 Bände, (3 Volumes), 871 S. (Bände 1+2) mit beiliegenden Falttafeln - zahlreiche Bildtafeln und Anhänge (Band 3), (871 pp. (Vols. 1+2) and a lot of plates in Vol. 3), 8°, Original-Kunstleder (Hardcover), Einbände, Titel und Vorsätze leicht stockfleckig, Widmung auf Vortitel, insgesamt gute und innen saubere Exemplare, (covers, title and flying endpapers little foxy, title with a dedication, alltogether good copy), Numeriertes Exemplar, die Bücher tragen die Nummer 432 (von 100 gedruckten Exemplaren). (Printed in a limited Edition of 1000 numbered sets. Set number 432) Als Manuskript gedruckt. (Printed as a script). Versand D: 5,00 EUR Hippologie, Zoologie, Züchtung, Tierzucht, Araber, Vollblüter, numeriertes Exemplar, Stutbücher

      [Bookseller: Antiquariat Silvanus]
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        "Paris a capitulé : les vacanciers occupent la capitale".

      1969Dessin à l'encre sur papier fort, signé et titré en bas à gauche, 1969, 15.5 x 17 cm. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Enfant et adultes, armés de masque, tuba, palmes, rame, pelle, caméra et d'un harpon sont prêts à défendre leurs vacances au péril de leur vie.Tels leurs ancêtres parisiens-héros de la République lors des émeutes de juin 1832 (immortalisés par Delacroix), ces vacanciers parisiens sont statufiés par Jean GOURMELIN. Dessin de presse pour France-Soir. Annotations manuscrites de l'artiste, à la mine de plomb et cachet de France-soir.

      [Bookseller: Librairie Chrétien]
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        Parallèlement.

      Paris-Bièvres, Pierre de Tartas, 1969, 1 volume de 300x405x75 mm environ, 117 pages en feuillets non rognés sous couverture illustrée à rabats, dans le coffret de l'éditeur. Exemplaire nominatif, sur Japon nacré moiré, signé par l'artiste et l'éditeur contenant 14 lithographies sur Japon signées (dont 6 double-page), 5 lithographies sur divers papier signées. Quelques rousseurs, frottements légers sur le coffret, sinon bon état.

      [Bookseller: Librairie Diogène]
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        Les Métamorphoses érotiques. Choix de dessins exécutés de 1940 à 1968. Avec une pointe sèche signée de Dali.

      Lausanne, A l'Erotitiade, 1969. 33 x 26 cm, 60 p., suite de 10 planches. En ff., chemise cartonnée toilée rouge, titre estampé, sous étui toilé pourpre, en ff. 60 p. et une suite de 10 planches volantes sous chemise à rabat, dans le carton d'origine, état impeccable. Edition originale, tirée à 300 exemplaires numérotés, signés par l'artiste : un des 150 exemplaires sur vélin de Rives, non justifié mais bien signé au crayon par Dali au colophon. Le portrait de Chimère gravé à la pointe sèche par Dali, tiré à 150 ex. est signé b.d. par l'artiste. L'éditeur a joint, dans une suite à part, " 10 planches extraites d'un traité des systèmes érotiques et des mille façons masturbatoires des Romains à Dali. ".

      [Bookseller: Solstices Rare Books Librairie]
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        Dali (Dali de Draeger)

      Berlin, Propylaen, 1969. In-4 carré, cartonnage éditeur illustré, texte en allemand (manque la page de garde volante et la page de faux-titre). Magistral ENVOI autographe signé de Dali et DESSIN-SIGNATURE surmonté d'une couronne, sur la page de titre, au feutre orange et rehaussé de peinture dorée. * Voir photographie(s) / See picture(s).* Frais de port en sus. * Membre du SLAM et de la LILA / ILAB Member. * La librairie est ouverte du mardi au samedi de 14h à 19h. * Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. *

      [Bookseller: Chez les Libraires Associés]
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        Campo urbano. Interventi estetici nella dimensione collettiva urbana. Como 21 settembre 1969

      Editrice Cesare Nani, 1969. Brossura (wrappers) Testo di Luciano Caramel. Completamente illustrato con fotografie di Ugo Mulas. Progetto grafico di Bruno Munari . 8vo. . Ottimo (Fine). Prima edizione (First Edition). Il 21 settembre 1969 ebbe luogo, per le vie e per le piazze di Como, la manifestazione "Campo urbano. Interventi estetici nella dimensione collettiva urbana". All'evento, coordinato dal critico e storico dell'arte Luciano Caramel, parteciparono artisti di spicco quali Enrico Baj, Davide Boriani, Gianni Colombo, Dadamaino, Luciano Fabro, Bruno Munari, Giulio Paolini, Ico Parisi, Grazia Varisco e tanti altri. Esso nasceva dalla volontà di portare l'artista a diretto contatto con la collettività di una città, coi suoi spazi, le sue necessità e le sue abitudini, permettendogli di agire in piena libertà. Il catalogo omonimo della performance, dopo la riproduzione della mappa del centro storico, del programma completo dalle 14 alle 21 e del comunicato stampa, riproduce le fotografie delle varie azioni in nero e ciano scattate da Ugo Mulas. Tra gli interventi più originali quello di Munari "Far vedere l'aria", tentativo di visualizzazione dell'aria di Piazza Duomo mediante il lancio di pezzi di carta dall'alto della torre. Oppure la "Dilatazione spazio temporale di un percorso" della Varisco che alterava gli abituali confini di una strada per mezzo di diaframmi che ne raddoppiavano l'itinerario e ne mettevano in luce nuovi aspetti. O ancora Dadamaino che organizzò una "Illuminazione fosforescente automotoria sull'acqua" \

      [Bookseller: Studio Bibliografico Marini]
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        The Great White Hope (Original screenplay for the 1970 film, with four original still photographs)

      Twentieth Century-Fox, Los Angeles 1969 - Revised First Draft for the 1970 film. "Art" in holograph pencil on the front wrapper, and a few holograph notations in ink on page 2 noting various scene props, leads us to believe this belonged to a member of the film's art department, Dennis J. Parrish being the property master. Brief holograph notations in pencil and ink throughout. Laid in are several pages of revisions, beginning with page 137, and a notice "to all secretaries" to add said revisions, dated October 3, 1969. Also included are four vintage black-and-white reference photographs from the film.Based on Sackler's 1968 Pulitzer Prize, Tony Award, and New York Drama Critics' Circle Award-winning play, a fictionalized account of the life of boxing champion Jack Johnson. James Earl Jones (his first starring role) and Jane Alexander (her first film credit and starring role) were both nominated for Oscars, reprising their lead roles from the Broadway production.Jack Johnson (1878-1946) boxed during heavy segregation in the American South, and rose to Heavyweight Champion of the World during the Jim Crow era. The white population was angered by Johnson's victories and his open relationships with white women, thus causing the United States Congress to pass a law in 1912 making it illegal to transport prizefight films across state lines, intending to curtail race riots. "The great white hope" is a reference to the boxer whom whites hoped would finally defeat Johnson. Shot on location in England, Arizona, and California. Blue studio wrappers, noted as REVISED FIRST DRAFT on the front wrapper, rubber-stamped copy No. 196, dated May 12, 1969. Title page present, dated May 12, 1969, noted as REVISED FIRST DRAFT, with credits for screenwriter Howard Sackler. Script: 156 leaves, last leaf of text numbered 155, eye-rest green stock, mimeograph. Laid-in revisions dated October 3, 1969: 16 leaves (1 yellow "notice" page, 15 eye-rest green stock), mimeograph. Pages Near Fine, wrapper toned with light yapping, else Near Fine, bound with three gold brads. Revisions bound with paper clip. Film stills Near Fine. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Photographs & Etchings.

      London. Petersburg Press. 1969. First Edition. 23 x 15 cm. 10 Blatt. OKarton-Leporello. Erstes und letztes Blatt mit mittigen Fixierlöchlein, dort etwas Papierabrieb. Insgesamt etwas nachgedunkeltes, aber noch gutes Exemplar. Leporello zu der in 75 Exemplaren durch die Petersburg Press herausgegebenen Mappe mit Fotografien von Lee Friedlander und Radierungen von Jim Dine. Alle Arbeiten sind hier beidseitig abgebildet. Auf dem ersten Blatt unter dem Foto der beiden Künstler von Jim Dine handschriftlich signiert, datiert 1974 und gewidmet \"for Joe\". Auf dem Impressumblatt eine weitere handschriftliche Widmung in dünnem Bleistift an eben diesen Joe \"von Jim und mir\", unterzeichnet Hartmut. Es handelt sich hierbei wohl um den Drucker Hartmut Kaminski, der für Dieter Roth unter anderem auch für die Petersburg Press druckte und vermutlich auch die Grafiken von Jim Dine für diese Edition gedruckt hat. Entgegen der Buchpublikation \"Work From The Same House - Photographs & Etchings\" aus dem gleichen Jahr ist das Leporello, die erste Veröffentlichung Friedlanders, sehr selten. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Amerika / America, Fotografie / Photography, Kunst, Radierung, Signierte Bücher / Signed Books, Künstlerbücher

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
 22.   Check availability:     buchfreund.de     Link/Print  


        The Delta Factor (Original corrected manuscript screenplay for the 1970 film)

      N.p., N.p. 1969 - Original ribbon copy typescript for Tay Garnett's screenplay adaptation of Mickey Spillane's 1967 novel. Profusely annotated by Garnett in blue and red ink on every page, and with a notations by him at the top right corner of the first leaf: "First Draft (Work Copy)," "Screenplay by Tay Garnett," and "From Mickey Spillane's novel."Raoul Walsh eventually worked with Garnett on the script, but this draft precedes his involvement. The film was released on May 15, 1970, and starred Yvette Mimieux, Christopher George, and Yvonne De Carlo.182 leaves, rectos only. Leaves supple, Very Good plus overall.

      [Bookseller: Royal Books, Inc., ABAA]
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        Slaughterhouse Five

      Delacorte Press, 1969 Fine first edition in a very good dust jacket with slight wear. First Printing stated on the copyright page. Original price of $5.95 still on front flap of the dust jacket. Comes in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
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        Slaughterhouse-Five

      Delacorte, 1969 A near fine first edition in a very good dust jacket, with the original price of $5.95 still present on the front flap. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Near Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
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        A Drunk Man Looks at the Thistle, Illustrated with Eight Woodcuts By Frans Masereel

      Duval & Hamilton, Falkland 1969 - Quarter vellum, patterned boards, top edge gilt. Fine in like slipcase. One of 160 copies (# 150) signed by MacDiarmid, Masereel and Giovanni Mardersteig. Illustrated with eight full-page woodcuts by Frans Masereel. Printed in Dante types on Amalfi handmade paper.

      [Bookseller: J.F. Wickwire Books]
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        The Dance of the Solids

      Scientific American, 1969 NY: Scientific American, 1969. First (only) edition. Softcover. Square 16mo. Fine copy, signed by the author. When signing he thought a lot about where he should sign, and decided to sign on the first page where his writing began, which is page 3. Comes in specially made custom cloth slipcase.. Signed by Author(s). 1st Edition. Soft cover. Fine/No Jacket.

      [Bookseller: Bookbid Rare Books ]
 27.   Check availability:     ABAA     Link/Print  


        La spiaggia

      Verona: Edizioni della Pergola, , 1969. Ottimo (Fine). 6 acqueforti originali in nero, titolate, numerate e firmate su foglio e lastra, di Walter Piacesi (da cm 9,2x9 a 13,2x14,2). Uno scritto di Luciano Troisio. 4to. pp. 6 + incisioni. Ottimo (Fine). Edizione originale di 50 es. numerati.

      [Bookseller: Studio Bibliografico MArini]
 28.   Check availability:     Biblio     Link/Print  


        LE SCIENZE. Edizione italiana di SCIENTIFIC AMERICAN.

      Le Scienze, 1969-1993. (Codice CU/6056) Disponiamo di 25 anni interi di pubblicazione: rara collezione della notissima rivista di divulgazione scientifica. In tutto 300 numeri consecutivi, da luglio 1969 (n. 7) a dicembre 1993 (n. 316): migliaia di articoli sui progressi delle scienze, molte migliaia di illustrazioni a colori. I fascicoli sono in ottimo stato, tutti conservati nei pratici ed eleganti volumi-raccoglitori semestrali originali (50) con macchinetta metallica, titoli oro ai dorsi. Ottima conservazione. Euro 600.00 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA

      [Bookseller: Bergoglio Libri d'Epoca]
 29.   Check availability:     maremagnum.com     Link/Print  


        Twentysix Gasoline Stations

      Edward Ruscha / The Cunningham Press, Alhambra, CA 1969 - (Cunningham Press). (Alhambra, CA). (1969). 12mo. 3rd edition of artist's first book. 3,000 copies printed. Light toning and edgewear to glassine dust jacket, with minute chipping to head of spine. Contents clean and tight. VG/VG in wrappers. [Attributes: Soft Cover]

      [Bookseller: Strand Book Store, ABAA]
 30.   Check availability:     IberLibro     Link/Print  


        Portraitphotographie mit eigenh. U.

      O. O. u. D. - 255 : 205 mm. Das offizielle Nasa-Portrait en face in Farbe und im Raumanzug. – Neil Armstrong hatte am 21. Juli 1969 als erster Mensch den Mond betreten.

      [Bookseller: Kotte Autographs GmbH]
 31.   Check availability:     ZVAB     Link/Print  


        TROUT FISHING IN AMERICA

      New York: Delta / Dell, 1969. Second printing. Paperback. Very good. 8vo. Glossy illustrated wrappers. 112 pages. SIGNED AND DATED by Brautigan on the Front FEP: "Richard Brautigan, November 22, 1969". No other names or marks. Minor wear to corners; small, faint damp stain to top of text block at spine. The second printing (November, 1969) of the Delta paperback edition, signed by Richard Brautigan in the month of publication.

      [Bookseller: Waugh Books]
 32.   Check availability:     Biblio     Link/Print  


        First Edition of "P.T. 109," Robert Donovan's 1961 book about Lieutenant John F. Kennedy in World War II, with lengthy signed inscription by JFK's radioman, John Maguire

      n.p., May 8, 1969. 8vo.. "Book Signed ""John Maguire / R.M. 2c / P.T. 109"" and inscribed on the half title. PT 109: John F. Kennedy in World War II by Robert J. Donovan. 248 pages, 6"" x 8.5"". New York: McGraw-Hill Book Company, 1961. First Edition Eleventh Printing. Illustrated. Original dust jacket, worn and chipped at edges, not price clipped. Protective plastic book cover taped to covers at book flaps. Very good condition.Inscribed ""5-8-69 / Best Regards / to my friend / & Co-Worker / Winky Bartholf / from / John Maguire / R.M. 2c / P.T. 109."" Maguire is mentioned on 37 pages! With Autograph Letter Signed ""John Maguire"" inside ""Thank You"" note card and original 1973 postmarked envelope, 3.25"" x 4.75"", each affixed with plastic tape on verso of half title; tape affects edges of three lines. Addressed by Maguire to Estelle W. Bartholf in Jacksonville, Florida. In full, ""Dear Winky: I cant express enough my appreciation of the plaque you presented me. It will remind me forever of the wonderful years of association with you in the Marshals service. John Maguire.""Accompanied by two 1976 newspaper articles about Maguire.John Maguire (1916-1990) was Lieutenant John F. Kennedy's radioman (Radio Man 2nd Class)and one of the 13 member crew of PT-109 torpedo boat, skippered by Kennedy when it was sunk by the Japanese destroyer Amagiri in August 1943. He later worked in Kennedy's congressional and presidential campaigns and after Kennedy was elected President, John Maguire was appointed U.S. Marshal for the Middle District of Florida. He was reappointed by President Lyndon B. Johnson. "

      [Bookseller: University Archives]
 33.   Check availability:     Biblio     Link/Print  


        Do Androids Dream of Electric Sheep?

      London: Rapp & Whiting, 1969 - Original green boards, titles to spine in silver. With the dust jacket. The slightest of fading to the edge of the foot of the spine, minor rubbing to corners of dust jacket, an excellent copy. First UK edition, first impression. Basis for the feature film ''Blade Runner,'' directed by Ridley Scott. Pringle, Science Fiction the Best 100 Novels. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 34.   Check availability:     AbeBooks     Link/Print  


        LE MONITEUR UNIVERSEL DU SOIR - JOURNAL OFFICIEL DE L'EMPIRE FRANCAIS- N°1 AU N°180 (premier semestre)

      1969. AUX BUREAUX DU JOURNAL. 1969. In-Folio.Carré. Relié demi-cuir. Etat d'usage. Coins frottés. Dos abîmé. Quelques rousseurs. 720 pages. 4 pages par numéros. Journal quotidien. Pièce de titre orange. PIèce de tomaison verte. Titre, année, tomaison dorés sur le dos cuir beige. Partie officielle, partie non officielle, faits divers, corps législatif, télégramme de l'agence Havas, feuilleton du moniteur du soir

      [Bookseller: Le-Livre.Com]
 35.   Check availability:     maremagnum.com     Link/Print  


        Donna e i bimbi nell'arte del nostro ottocento pittorico. (La)

      Aldo Martello, 1969. cm 31x36 pag. 40 ill. 296 tav col app 3 bellissimi volumi con centinai di tavole applicate a colori Italiano/Inglese

      [Bookseller: Libreria Merigo Art Books]
 36.   Check availability:     maremagnum.com     Link/Print  


        First Exhibition of the Centre of Studies on Art and Communication of the Foundation of Interdisciplinary Research Presented at the Bonino Gallery, Buenos Aires

      Buenos Aries: CEAC, 1969. Light edgewear, overall near fine in photo-illustrated wrappers, typed press release on CEAC letterhead laid in. Scarce, OCLC locates two copies.. First Edition. Slim, square quarto. Exhibition catalogue from an important show of electronic and cybernetic art shown from August through September, 1969, at Galería Bonino in Buenos Aires. Artists exhibited included Luis Benedit, Antonio Berni, Ernesto Deira, Eduardo Mac Entyre, Osvaldo Romberg and Miguel Angel Vidal as well as a project from the Computer Technique Group of Tokyo. The exhibition also featured electronic music by Dante Grela, Francisco Kröpfl, Carlos Rausch, Jorge Rotter, and Eduardo Tejeda. During the late 1960s, Buenos Aires had developed into an important meeting point for arts and technology. Projects in this show include an algorithmically powered printer capable of "automatic drawings" and an exhibition of digital printmaking from Japanese artists. Noteworthy exhibition catalogue that belongs alongside "Cybernetic Serendipity." Illustrated throughout with black and white photographs of the artists, their projects and computer screen reproductions, many set on a long, accordion folded strip bound near the center of the book. Parallel Spanish and English text.

      [Bookseller: Harper's Books, Inc.]
 37.   Check availability:     Biblio     Link/Print  


        Alan Arkin, Art Garfunkel, and Martin Sheen on the set of "Catch-22" (1969)

      N.p., N.p. 1969 - Vintage oversize double weight candid photograph of Alan Arkin, Art Garfunkel, and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot, struck, and mounted by the film's still photographer, Bob Willoughby. The photographer has written at the top of the verso, in holograph pencil: "Candid during rehearsal / The boys break up in briefing room scene / Art Garfunkel, Alan Arkin, Martin Sheen. Also with Willoughby's ASMP rubber stamp for both New York and Ireland addresses. Full provenance available.After studying with Saul Bass at the Kann Institute of Art in Los Angeles, Willoughby began working as a photographer for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. It was while on assignment covering Judy Garland in a "A Star is Born" that Willoughby's ability to capture his subjects' spontaneity, humor, and vulnerability, resulting in images that were far different from more traditional film stills, came to Hollywood's attention and earned him his first "Life" magazine cover. Willoughby spent the next 20-plus years working as a set photographer for every major studio, documenting some of most important films of the era and creating intimate portraits of some of Hollywood's greatest celebrities. Technically and stylistically innovative, Willoughby built the first remote radio-controlled cameras used on film sets, pioneered the use of the "silent blimp" for 35mm cameras, and created brackets to mount his cameras directly over the movie cameras to capture the same images.Willoughby moved his family to County Cork, Ireland in 1972, working on only a handful of films through the late 1970s and early 1980s, though he would continue to photograph, exhibit, and publish books for the remainder of his life. The stills in this collection were given by Willoughby to friends in Kilbrittain, Ireland just prior to his move to Vence, France in 1989, where he would remain until his death in 2009.Perhaps more than any other photographer, Willoughby is responsible for creating the the look of mid-century celebrity and moviemaking in the popular imagination, with his images printed in magazines literally every week of his career. But beyond being prolific, Willoughby's legacy rests with his ability capture the essence of the actors he photographed, as well as the films with which those photographs were associated. As Sydney Pollack said in his introduction to Willoughby's autobiography, "Sometimes a filmmaker gets a look at a photograph taken on his own set and sees the 'soul' of his film in one still photograph. It's rare, but it happens. It happened to me in 1969, the first time I looked at the work of Bob Willoughby during the filming of "They Shoot Horses, Don't They?"Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern.In a custom museum-quality frame, archivally mounted, with UV glass. 13.5 x 10 inches. Near Fine.National Film Registry. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 38.   Check availability:     IberLibro     Link/Print  


        The Moonshine War [Signed Bookplate Laid in]

      Doubleday & Company, Garden City 1969 - Octavo (21.25cm.); original two-toned (green and black) cloth in white pictorial dust jacket; [4],236pp. Jacket a bit dust-soiled, a few closed tears along extremities, else Near Fine in Very Good jacket. Bookplate signed by the author laid in. Crime novel set in Prohibition-era Kentucky. [Attributes: First Edition; Signed Copy]

      [Bookseller: Lorne Bair Rare Books, ABAA]
 39.   Check availability:     AbeBooks     Link/Print  


        Chagall Lithographe III (1962-1968)-1969 Mourlot Book

      1969 - "Chagall Lithographe III (1962-1968)" by Marc Chagall, Unsigned Book printed in 1969. The overall size of the Book is 12.75 x 10 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Book: Chagall Lithographe Volume III. 179 pages. 1969. Published by Andre Suaret, Paris.Translated from the French by George Lawrence. 185 illustrations from Chagall's lithographs, most are in color, two of which are original color lithographs (frontispiece, and dust jacket- Mourlot Number 577). Hardcover, light gray cloth, color pictorial jacket, plastic protector, and original slipcase. First American Edition. The third catalogue raisonne in a series of lithographs by Chagall, this is the last volume with original lithographs. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Rare Posters]
 40.   Check availability:     AbeBooks     Link/Print  


        Hippolytos

      Gehenna Press, Northampton 1969 - Northampton: Gehenna Press, 1969. Limited Edition. Etchings by Leonard Baskin printed from plates by Emiliano Sorini. Large folio with marbled boards and leather spine in marbled clamshell case. 10 prints with tissue overlays in marbled inner case. Boards show very light edgewear with some curving to edges. Prints and tissue overlays are clean and crisp, with a couple dog-eared corners and some rubbing to edges from outer case closure. Clamshell case shows a bit of curving at edges and some rubbing/bumping to edges and corners, but is sturdy and square with no splits or marks. Signed by Leonard Baskin under colophon at back and numbered 44 of 200 copies, of which 100 were available for sale. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Recycled Books]
 41.   Check availability:     AbeBooks     Link/Print  


        The Warlock of Love.

      London: Lupus Music, 1969 - Octavo. Original photographic boards, titles to spine and front board white. With the dust jacket. Board edges slightly rubbed; an excellent copy in the slightly creased jacket with extremities lightly rubbed and nicked. First edition, first impression, signed by Marc Bolan and fellow T. Rex band member Mickey Finn on the front free endpaper ("Marc Bolan / Micky Finn"). The signatures were obtained at their gig in the Ekectric Garden, Glasgow on 25 May 1970. With a letter laid-in from the original owner detailing the provenance. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 42.   Check availability:     AbeBooks     Link/Print  


        Das moderne Lexikon der Ehe von A bis Z

      Desch., 1969 - Seiten sind sauber und weisen weder Notizen noch Knicke irgendwelcher Art auf,4 Taschenbücher,Eine reich ill. aktuelle Enzyklopädie in 4 Bden. / Alfred Mühr. Ill. zusammengestellt von Anne Mühr. Sprache: Deutsch Gewicht in Gramm: 614 [Attributes: Soft Cover]

      [Bookseller: Versand-Antiquariat Konrad von Agris]
 43.   Check availability:     AbeBooks     Link/Print  


        Les valeureux

      Gallimard, 1969. - Gallimard, Paris 1969, 14,5x21,5cm, broché. - Prima edizione, uno dei 55 esemplari numerati sul filo puro solo grandi giornali. Bella copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 55 exemplaires numérotés sur pur fil, seuls grands papiers. Infimes piqûres sans gravité sur le dos. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 44.   Check availability:     maremagnum.com     Link/Print  


        La copa de sangre (Poemas en prosa)

      Tallone, 1969. Brossura, camicia, custodia (wrappers, chemise, slip - case) In appendice: Adios a Tallone. 4to. pp. 98. Ottimo (Fine). 482+25 507. Prima edizione mondiale di 507 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
 45.   Check availability:     maremagnum.com     Link/Print  


        Autographed Letter Signed, 2 Pages with Drawing

      1969 - A two page manuscript letter signed by Tasha Tudor with stamped envelope. Miss Tudor writes that she is poor in giving information about her work as she never keeps records or clippings of her work and finds gardening as her favorite pastime. Inscribed "Best wishes to you & a/ Happy New Year./ Sincerely/Tasha Tudor. With a charming drawing of a rabbit below.

      [Bookseller: Alcuin Books, ABAA]
 46.   Check availability:     AbeBooks     Link/Print  


        Gli Esclusi Fotoreportage da un'istituzione totale

      Il Diaframma, 1969. All'interno numerose fotografie in bianco e nero f.t. di Luciano d'Alessandro. Presentazione di Sergio Piro. Progetto grafico di Michele Ketoff.

      [Bookseller: Di Mano in Mano]
 47.   Check availability:     maremagnum.com     Link/Print  


        LA SEMAINE JURIDIQUE, DOCTRINE, JURISPRUDENCE, TEXTES, 35 VOLUMES (1969-1989, INCOMPLET)

      1969. Editions Techniques. 1969-1989. In-4.Carré. Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 35 volumes. Années 1970, 1972, 1976 et 1987 (2) manquantes. Texte sur 2 colonnes. Titres dorés sur pièces de titre. Couvertures légèrement frottées. Juris-Classeur périodique. Rédacteur en chef: P. Level. Rédacteur en chef adjoint: R. Dorat des Monts.

      [Bookseller: Le-Livre.Com]
 48.   Check availability:     maremagnum.com     Link/Print  


        Llanto por Ignacio Sanchez Mejias.

      Milano, Cerastico Editore, 1969, cartella in folio, mezza pelle con titoli in oro al dorso e piatto anteriore illustrato in nero e rosso, contenente un volume a fogli sciolti, stampato su carta forte, pp. 35-(5) con sette incisioni all'acquaforte di Luciano Minguzzi. Tiratura di cento esemplari numerati dei quali trenta (da 1 a 30) dipinti a tempera dall'autore. Dieci esemplari da I a X con un disegno originale. La nostra copia e' la numero VIII, completa. Tutte le tavole sono firmate dall'autore e protette da velina. In ottimo stato di conservazione.

      [Bookseller: Libreria Piani già Naturalistica]
 49.   Check availability:     Direct From Bookseller     Link/Print  

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