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Displayed below are some selected recent viaLibri matches for books published in 1960

        I Generali.

      - 1960 circa. Tecnica mista policroma su carta pesante, cm 50 x 69,5 (il foglio), esemplare in prova d'artita "E. A." (a lapis in bs. a sn.), "bay" (a lapis in bs. a ds.). Soggetto caro all'Autore: nella composizione "I Generali" ostentano le medaglie al valore e nei loro loro volti sono le due facce del potere economico e militare, le due facce delle gerarchie che ordinano la società. Notevole prova ben marcata e in ottimo stato.

      [Bookseller: BOTTEGHINA D'ARTE GALLERIA KÚPROS]
 1.   Check availability:     IberLibro     Link/Print  


        Chinese Ceramics in the West : A Compendium of Chinese Ceramic Masterpieces in European and American Collection

      Mayuyama & Co. Ltd, 1960-01-01. Hardcover. Very Good. x, 18, 1 pages : 120 plates maps ; 33 cm. Hardcover in slip case. Good binding and cover. Clean, unmarked pages. English and Japanese. This is an oversized or heavy book, that requires additional postage for international delivery outside the US.

      [Bookseller: SequiturBooks]
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        Topographia Germaniae : I: Schweiz. II: Schwaben. III: Elsaß. IV: Bayern. V: Rheinpfalz. VI: Mainz - Trier - Köln. VII: Hessen. VIII: Westfalen. IX: Franken. X: Österreich. XI: Böhmen - Mähren - Schlesien. XII: Obersachsen. XIII: Brandenburg - Pommern. XIV: Niedersachsen. XV: Braunschweig - Lüneburg. XVI: Niederlande - Burgund.

      Kassel Bärenreiter, 1960-1968. 16 Bände mit zahllosen teilweise nehrfach ausfaltbaren Ansichten und Karten. 4°. gebundene Originalpappbände (Elefantenhaut) mit blindgeprägtem (jeweiligem) Wappensupralibros und goldgeprägtem Lederrückenschild mit Originalumschlägen. gutes Exemplar der hochwertigen Faksimilserie, bis auf den später erschienenen Registerband komplett. Wenige Umschläge mit kleinen Einrissen und leicht nachgedunkelt. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Michael Solder]
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        Profile Publications Automobile Magazine - Volume 1 to 96

      Profile Publications, 1960. First Edition. Softcover. Very Good Condition. VG collection of issues 1 to 96 in order, of these highly desirable automobile profile publications, with full specifications and photos throughout each. Runs from Volume 1 profiling the 1908 and 1914 G. P. Mercedes through to number 96 V16 B. R. M. Light corner wear and creasing to number 1, all others VG and well-preserved, light usage and a little edge and corner rubbing only, all bindings are secure with bright staples. Immediate dispatch worldwide Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Automobiles & Vehicles; Pictures of this item not already displayed here available upon request. Inventory No: 036176..

      [Bookseller: 84 Charing Cross Road Books]
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        The Rise and Fall of the Third Reich (Signed)

      New York: Simon & Schuster, 1960. First Edition. Hard Cover with Dust Jacket. Very Good/Very Good. First printing, SIGNED by the author, on FEP; octavo; a handsome book with very light wear at corners; dust jacket with a little wear at extremities and 1/4" chip at spine head, and $10 price on front flap. Overall, a very good copy, now quite scarce on the market. Please see photos.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
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        A Separate Peace

      New York: Macmillan, 1960, 1960. First edition. Fine copy; fine, unblemished dust jacket.. 8vo, original blue cloth, black lettering. From the inventory of Burton Weiss, Bookseller.

      [Bookseller: The Brick Row Book Shop]
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        To Kill a Mockingbird

      Philadelphia: Lippincott, 1960. Later Printing 21st on jacket; 23rd on copyright page. . Hardcover.. Very good condition./Very good lightly edgeworn dust jacket. . Signed by author. Price clipped.

      [Bookseller: Harvest Book Co]
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        Haute Societé - Revue bimestrielle, nos 1 - 3 (all published).

      Paris. Juin - novembre, 1960 - Complete set of a scarce journal devoted to art and literature. Quarto. Wrappers. Literary contributions, all in French, by William S. Burroughs, Gregory Corso, Art Buchwald, Robert Benchley, Jean Genet, Richard Wright, et al. Images from Brassaï, Folon, Siné, Brunhoff, Topor, et al. The cover for each issue is a lithograph, by André Francois, Roland Topor and Bassiak, respectively.A very good set indeed. [Attributes: Soft Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
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        The Astronauts: The Story of Project Mercury, America’s Man-In-Space Program.

      New York: E. P. Dutton & Company, 1960. First edition. Octavo, original cloth. Signed by all seven of NASA's original Project Mercury astronauts on the front free endpaper, using their full signatures. Signed by Walter M Schirra Jr, Donald K. Slayton, Alan B Shepard Jr, Virgil I. Grissom, John H. Glenn, Jr., M. Scott Carpenter and Leroy G. Cooper Jr. It is inscribed above by Alan Shepard: "To Lewis S. Baer with warm regards The Astronauts." Light rubbing and wear, near fine in a near fine dust jacket. Books with all of the Project Mercury's signatures are rare, especially with full signatures. "The first seven American astronauts were an admirable group of individuals chosen to sit at the apex of a pyramid of human effort... They chose to lead by following the opportunity that chance, circumstance, technology and history had prepared for them" (Swenson, Grimwood & Alexander). NASA introduced the seven astronauts in Washington on April 9, 1959. Although the agency viewed Project Mercury's purpose as an experiment to determine whether humans could survive space travel, the seven men immediately became national heroes and were compared by TIME magazine to "Columbus, Magellan, Daniel Boone, and the Wright brothers" (TIME 1959).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Senza titolo. - Sans titre.

      1960 - Nasce a Bruxelles, ma per molti anni vive e lavora tra Bougival, zona visitata spesso da Renoir e il sud della Francia.\rNel 1944 frequenta l’Ecole nationale supérieure d’Architecture et des Arts décoratifs de La Cambre, a Bruxelles, dove studia tecniche di illustrazione, stampa e fotografia. Un anno dopo, nel 1945 scopre i lavori di Henri Michaux, Jean Dubuffet e diventa amico di un critico di un rinomato critico d’arte, Jacques Putman. Insieme a Karel Appel, Asger Jorn e Corneille fonda nel 1948 il gruppo CO.BR.A., che prende nome dalle iniziali delle loro città d’origine (Copenaghen, Bruxelles e Amsterdam). Con il gruppo partecipa ad entrambe le esposizioni. Nel 1951, si trasferisce a Parigi per studiare tecniche di stampa con una borsa di studio del governo francese e l’anno dopo approfondisce le sue conoscenze dell’incisione con Stanley William Hayter. Tre anni dopo, nel 1954, espone per la prima volta le sue opere a Parigi e inizia ad interessarsi alla calligrafia giapponese.\rIntorno al 1960 poi, esibì il suo talento, già affermato, a Londra, Berna e alla Biennale di Venezia; in seguito si esibì anche a Pittsburgh, New York, Amsterdam e a Silkeborg. Non appena la sua reputazione crebbe a livello internazionale, lavorò con Wallace Ting, mantenendo sempre stretti rapporti con Christian Dotremont. Allacciò poi i rapporti anche con André Breton. La sua fama internazionale continuò durante tutti gli anni ’70 e circa nel 1983 entrò nell’École nationale supérieure des Beaux-Arts, a Parigi, come professore di pittura. Nel 1994 gli fu assegnato il titolo di Dottore Onorario dalla Université libre de Bruxelles e un anno dopo, nel 1995 uno dei suoi disegni venne stampato sui francobolli belgi.\rAttualmente Alechinsky vive a Bougival, in Francia, dove continua ancora a dipingere e a realizzare stampe e illustrazioni per libri. Si vende in cornice, esemplare n. 50/100. Firmato in basso a destra. Formato: Acquaforte di cm 19x27. Buono.

      [Bookseller: Studio Bibliografico Adige]
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        Kleinplakat zur Ausstellung in der Galerie La Tartaruga, Roma, 1960.

      Roma 1960. - 30,5:34 cm. Mit Abbildung auf Vor-und Rückseite. Die Rückseite ist offensichtlich von Kounellis mit den Ausstellungsdaten in Form eines Lautgedichtes gestaltet. Ex. leicht gelbfleckig. Small poster which also served as an invitation for the gallery Tartaruga, Rome, printed on both sides. With slight foxing on front.

      [Bookseller: M + R Fricke]
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        La guerra de guerillas.

      [Habana], Talleres tipogr. del I.N.R.A., [1960]. - 8vo. 211, (5) pp. With autograph inscription signed. Rare first edition, inscribed to the fellow revolutionary (and physician) Faustino Pérez Hernández (1920-92), later Che's political antagonist, here called "amigo". - Covers somewhat frayed and foxed. Stamped "Escuela Nacionale / Direccion" on the inscribed flyleaf. OCLC 250709171. [Attributes: First Edition; Signed Copy]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        The Astronauts: The Story of Project Mercury, America's Man-In-Space Program.

      E. P. Dutton & Company, New York 1960 - First edition. Octavo, original cloth. Signed by all seven of NASA's original Project Mercury astronauts on the front free endpaper, using their full signatures. Signed by Walter M Schirra Jr, Donald K. Slayton, Alan B Shepard Jr, Virgil I. Grissom, John H. Glenn, Jr., M. Scott Carpenter and Leroy G. Cooper Jr. It is inscribed above by Alan Shepard: "To Lewis S. Baer with warm regards The Astronauts." Light rubbing and wear, near fine in a near fine dust jacket. Books with all of the Project Mercury's signatures are rare, especially with full signatures. "The first seven American astronauts were an admirable group of individuals chosen to sit at the apex of a pyramid of human effort. They chose to lead by following the opportunity that chance, circumstance, technology and history had prepared for them" (Swenson, Grimwood & Alexander). NASA introduced the seven astronauts in Washington on April 9, 1959. Although the agency viewed Project Mercury's purpose as an experiment to determine whether humans could survive space travel, the seven men immediately became national heroes and were compared by TIME magazine to "Columbus, Magellan, Daniel Boone, and the Wright brothers" (TIME 1959). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Lithographs of Marc Chagall

      1960 - CAIN, Julien and SORLIER, Charles. The Lithographs of Chagall. Monte Carlo, New York, Boston: André Sauret; George Braziller; Boston Book Shop; Crown Publishers, 1960-86. Six volumes. Folio, original beige cloth, original dust jackets each with original lithograph; Volume I with original cardboard slipcase. $19,000.Mixed first American and French editions of all six volumes in the catalogue raisonné of Chagall's lithographs, richly illustrated with 28 original lithographs (including the dust jackets), inscribed in Volume II, "Marc Chagall, Vence. 1965," surrounded by a large drawing of a tree across the front free endpaper and part of the front pastedown."Chagall's emblematic irrationality shook off all outside influences: color governed his compositions, calling up chimerical processions of memory where reality and the imaginary are woven into a single legend, born in Vitebsk and dreamed in Paris" (Dictionary of Modern Art). For Chagall, the medium of lithography did not come easily. Printer Fernand Mourlot ran a lithography press where such greats as Braque, Matisse, Picasso, Miró and Chagall came to have their designs printed and to learn about this still nascent print-making process. "For many long months Chagall came and worked tirelessly, and his dissatisfaction allowed him to have only a few of his first attempts printed" (Sorlier, 45). Volumes I and II contain 24 of the original 28 lithographs published throughout the series; the dust jackets and frontispieces of Volumes III and IV account for the remaining four. (Volume V was published near the end of Chagall's life, and Volume VI was published posthumously.) All were issued separately over a period of 26 years and are very scarce as a complete set. All volumes published simultaneously in English and French. Volumes I and II also issued in a deluxe signed limited edition of only 100 and 150 copies. In this set, Volumes II is in French; all the other Volumes are in English. Gauss, 391. Freitag 1914. See Cramer, 43, 56, 77, 94. Owner signature in Volume II; owner blindstamp to title page in Volume III.Books fine, with light repair to one pastedown (Volume III), only very minor wear to bright dust jackets of the first four volumes. About-fine condition, most desirable inscribed with a sketch by Chagall. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bauman Rare Books]
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        Ring of Bright Water + Signed Letter

      Published by Longmans, Green and Co. Ltd., 6 & 7 Clifford Street, London First Edition 1960. London 1960. First edition hard back binding in publisher's original turquoise paper covered boards, gilt title and author lettering to the spine, brown otter sketches on grey paper end papers. 8vo. 8½'' x 5½''. Contains 211 printed pages of text with beautiful monochrome otter sketch illustrations and monochrome photographs throughout. Dust marking to the closed page edges, minimal foxing to the lower edge, one tan spot to the front cover, light foxing to the end papers and fore edges of the first few pages. Very Good condition book in Very Good condition dust wrapper with light marking, creases and small chips to the spine ends and corners, not price clipped 25/-. Loosely inserted is a SIGNED hand written card from Gavin Maxwell's private residence on the northern west coast of Scotland - Sandaig, [Glenelg] by Kyle, Ross [before it was destroyed by fire], and dated October 29th, 1965. 'Dear Dr. Eddison, Please forgive a card in reply to your very pleasant letter of 20th. My secretary in London who does all the routine correspondence and tradesmen etc. has glandular fever, so that I am trying to cope with everything from up here besides trying to finish a book against time. It's very strange that this book should have produced several voices from the past, but perhaps even stranger that you should remember a patient from so long ago. I remember you well, [though I don't suppose either of us would be likely to recognise each other now], and preferred your visits to those of your senior, who [am I right?] took over from Dr. Beer. I lead a very peripatetic existence, but shall much hope to meet you again sometime when I am in the south. Meanwhile thank you again for your very kind letter. Sincerely Gavin Maxwell.' The card is in its original envelope with the post mark from Kyle, Ross-shire and dated 1st November, 1965. He wrote the book about how he brought an otter back from Iraq and raised it in Scotland. It sold more than a million copies and was made into a film starring Bill Travers and Virginia McKenna in 1969. The title Ring of Bright Water was taken from a poem by Kathleen Raine, who said in her autobiography that Maxwell had been the love of her life. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A.

      [Bookseller: Little Stour Books PBFA]
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        Goldenrod In Pitcher

      1960-08-07. Oil on canvas. 15" x 20". No Binding.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Pukall, Egon. - "Büste auf Sockel in einer Ruine".

      - Aquarell, über Bleistift, auf Büttenpapier, um 1960. Von Egon Pukall. 41,0 x 29,5 cm (Darstellung / Blatt). Verso Nachlaßstempel des Künstlers. - Verso atelier. Sonst sehr schön erhalten. Egon Pukall (1934 Riesenkirch / Westrpeußen - 1989 Dresden). Deutscher Maler und Grafiker in Dresden. 1951-54 Studium an der Hochschule für Grafik und Buchkunst Leipzig und 1954-57 an der Hochschule für Bildende Künste Dresden. Seit 1957 freischaffend in Dresden tätig. Von 1977-85 Rekonstruktionsarbeiten der Decken-gemälde beim Wiederaufbau der Dresdner Semperoper. Pukall lebte und arbeitete von 1961-89 im Künstlerhaus Loschwitz am Dresdner Elbhang.

      [Bookseller: GALERIE HIMMEL]
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        To Kill A Mockingbird

      8vo. Newly bound in black half morocco, pp. 296; very good. First English Edition of Harper Lee's classic of modern American literature.

      [Bookseller: Henry Southern Ltd.]
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        FOTOGRAFIA ? ÁLBUNS DE CAÇA - ÁFRICA E EUROPA ? SÉC. XX [1940 ? 1960].

      - Conjunto de 3 álbuns (de 25x37 cm) com 34, 66, e 58 fólios cartonados. Contêm provas fotográficas (na sua maioria a preto e branco) com elevada definição impressas em papel mate (p/b) e na sua maioria reveladas nos melhores laboratórios de fotografia da época: Instanta e Fotocolor, em Lisboa. O acervo fotográfico apresenta grande importância para o estudo da caça, e da ecologia em Portugal e em África, retratando regiões e parques naturais com fauna hoje extinta ou protegida. As fotografias mostram as espécies nos seus habitats naturais; e os grandes panoramas naturais, presentes nas séries fotográficas, revelam-se com interesse para a biologia e para a ecologia das regiões onde decorreram as actividades venatórias. Apresentam-se também com grande interesse etnográfico as séries de imagens das populações locais obtidas em Angola e em Marrocos. O conjunto desta base de imagens estrutura-se da seguinte forma, nomeadamente; Álbum Nº1 com 200 provas p/b e 11 provas a cores; Álbum Nº2 com 240 provas p/b + 8 provas a cores; e Álbum Nº 3 com 359 provas p/b + 2 provas a cores. Total: cerca de 828 provas fotográficas. A maioria das provas fotográficas encontram-se no formato 9x12 cm; e as restantes no formato 10x15 cm; sendo na sua maior parte legendadas e com a referência ao número do fotograma e ao rolo de negativos a que pertenceram, e algumas com remissões à revista de caça Diana, da qual o autor/fotógrafo era redactor/editor. Seguidamente referimos os locais, as datas, e o contexto da tomada das fotografias: ALBUM Nº 1 Em 06.05.1951 Pinheiro ? Bastesa da Malhada de Cabras: ninho de Rabo-de-Bacalhau (ave de rapina) 20.05.1951 Idem: ninho de Cegonhas. 12.5.1951 Idem: Águia; idem Estorninho; idem Paúl das Foicinha. 20.05.1951: ibidem 2ªas e 3ªas visitas ao mesmo local com as aves em diferentes estágios de crescimento (Notas às fotografias remetem para Revista Diana nº 32 e 33); Idem até à 5 ª visita e ao transporte das águias para a domesticação. 12-5-1951 até 27.5.1951: várias visitas a um ninho de Corvo Grande, contendo também Cucos. Junho e Julho de 1951 Pinheiro, Pinhal da Estação, ninho de Gavião e a sua retirada para cetraria. Idem, Pinheiro, Ninho de Águia-de-asa-redonda. (Nota: Diana 32) contendo fotografias de 5 visitas. Idem: ninho de Corvo Pequeno. Segue-se série de provas fotográficas (a cores) com cegonhas. Seguem-se séries de fotografias (instantâneos) de Patos e de Raposas no seu habitat. Segue-se uma série de fotografias (instantâneos noturnos) de um Ginete. Segue-se uma série de fotografias de Patos em voo. Segue-se uma série fotografias de uma batida à Raposa com entrada na propriedade de um automóvel topo de gama com adaptação na bagageira para a o transporte de cães. Batida acompanhada a cavalo. Segue-se a continuação da série de fotografias com uma Gineta a subir a uma palmeira. Fotografia, datada de 1950, retrata a apanha da azeitona. Em 1952, Maio: [Herdade do] Pinheiro: Coruja das Torres; e Grão-Duque (ave de rapina) pousado num pinheiro; Abetarda; Perdigotos recém-nascidos; ninho de Cisão; Pintasilgo alimentando os filhos presos; Coelhos à saída da cova; série de fotografias de Cisões; e Texugo à saída da cova; texugos sendo filados por cães; e caçada ao Texugo. Participantes: Ana Maria, Luís Almeida Araújo e Manuel Lapa. Pinheiro: Maio de 1952: Furão (domesticado) transportando os filhos. Ilha do Cavalo, no Tejo: Águia Sapeira no ninho. 1954: caça ao Texugo com cães. Em 1954, Março: António [Maria] Bravo aos patos nas esteiras de Alcochete (Rio Tejo). Colocando as negaças para os Patos no Tejo. Segue-se uma fotografia isolada: na Alemanha (em uma feira de produtos coloniais). Mafra, 1954: fotografias de veados na tapada. Segue-se fotografia no formato 12x18 cm (com margens) apresentando 4 homens em trajos tradicionais camperos e de caça, com legenda: «Na assistência à final do ?Pote 1953?». ALBUM Nº 2 Apresenta várias séries de fotografias nos primeiros 23 fólios com safaris em África, sem data, sem local, s

      [Bookseller: Livraria Castro e Silva]
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        The Constitution of Liberty.

      London: Routledge & Kegan Paul,, 1960. Octavo. Original mustard yellow cloth, titles to spine gilt on blue ground. With the dust jacket. Ownership inscription of D. R. Tozer to front free endpaper. Dust jacket slightly chipped at extremities, endpapers slightly darkened and a little spotted, a few initial pages with ink underlining First UK edition of Hayek's "positive statement of the principles of free society that in scope and breadth is more like a new Wealth of Nations" (dust jacket blurb), published on the hundredth anniversary of Mill's On Liberty in 1960. An American edition was also published by the University of Chicago Press in 1960.

      [Bookseller: Peter Harrington]
 20.   Check availability:     Biblio     Link/Print  


        [Research and Publication Archive of GRAHAM GREENE: A Bibliography and Guide to Research]

      Various [Majority Institute, WV]: np, [ca. 1960-1980]. First Edition. Very good. 1.5 linear feet approx. in total of various printed and holograph materials, largely organized into a series of some 20+ thick file folders. A folder-level inventory is available on request. Conditions vary, but generally very good. Wobbe's bibliography of Graham Greene (Garland, 1978) remains the standard on the famed and prolific British author. Offered here are Wobbe's working research files and production materials utilized in the publishing of the bibliography. Highlights include: over fifty original photographs (title pages, dust jackets, a complete photo reproduction of Greene's BABBLING APRIL, etc.) considered or included in the finished bibliography (including 22 original photos utilized in the layout itself - with notations and other printer's annotations); a unique 10-volume typed, bound, and slip-cased collection of Greene's complete early contributions to THE SPECTATOR -— all transcribed in full by Wobbe — used in the production of his article “Graham Greene's Literary and Theater Reviews and Articles in THE SPECTATOR, 1932-1941” (Bulletin of Bibliography & Magazine Notes, Jan. - March, 1977); an extensive collection of clippings, photo-mechanical reproductions, and (often) Wobbe's own meticulously typed and holograph transcriptions (many with Wobbe's additional notes) of Greene appearances, including many that remain difficult to access to this day; correspondence with scholars, collectors, auction houses, and dealers who provided corrections and other information for the bibliography; Wobbe's holographic and typed bibliographic lists, notes, etc. on and about Greene; as well as various drafts for portions of the bibliography itself. In short, a vivid working portrait of a diligent bibliographer compiling a still-important bibliography on a major 20th century writer.

      [Bookseller: Brian Cassidy, Bookseller]
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        LOZAS DEL SIGLO XIX. Artes Industriales Cartageneras. Museo Arqueológico Municipal.

      Tall. Tip. La Moderna, Cartagena 1960 - 28x22, 7h, 536p, 31h (tablas con ils.), 1 plano despl, XI fots. color (montadas sobre cartón), 257 ils. fot. en láms. Tela edit. - Primera edición, 1000 ejemplares numerados. 1960

      [Bookseller: Escalinata, librería]
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        Statistische Hefte. Internationale Zeitschrift für Theorie und Praxis.

      Berlin (u.a.), Springer, 1960-1982. - ISSN: 0039-0631, 1613-9798. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild. Sprache: Deutsch Gewicht in Gramm: 26000

      [Bookseller: Antiquariat Trageser]
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        THE GLORY OF THE GARDEN

      Original Manuscript. c.1960. Illuminated manuscript on vellum. Measuring 34.5 x 24cms. Card mount. This fine manuscript of Kipling's poem is in an unknown but highly skilled hand. A beautiful original artwork. Previously framed and from an exceptional American private collection which included fine literature and Kipling autograph manuscripts. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        To Kill a Mockingbird

      J.B. Lippincott Company, Philadelphia and New York 1960 - First Edition, First Printing SIGNED by Harper Lee on a handwritten note by the author laid into the book. This is the TRUE FIRST EDITION with the words "First Edition" printed on the copyright page. A beautiful copy. An attractive First Printing dustjacket that has the Jonathan Daniels quote on the back panel of the dustjacket. This ORIGINAL dustjacket is rich in color with minor wear to the spine and edges. The book is in great shape. The binding is tight with minor wear to the spine. The pages are clean with NO writing, marks or bookplates in the book. A superb copy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        The Children of Bladensfield During the Civil War

      Stamford: Virginia Jevne. 1960. Bound mimeograph of Ward's memoir of Bladensfield, a famed Virginia plantation, edited by Peter Matthiessen, himself one of the "children of Bladensfield": Ward was his great-great-aunt. This copy is from the library of Peter Matthiessen and has "Edited by Peter Matthiessen" handwritten on the title page; the editing of Ward's memoir is normally unattributed. A very good copy in wrappers. Together with the 1978 Viking edition, published with Matthiessen's essay "Homegoing." Foxed; near fine in a very good dust jacket. The mimeograph is an unusual edition we have not seen before, and this copy contains previously unknown bibliographic information, presumably. First Edition. Softcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        For Your Eyes Only

      London: Jonathan Cape,, 1960. Five Secret Occasions in the Life of James Bond. Octavo. Original black boards, titles to spine gilt, eye design to front board in white. With the illustrated dust jacket. An exceptional copy. First edition, first impression. Rather than a full-length novel, For Your Eyes Only was Fleming's first collection of short stories. Apart from the titular story, the collection includes "From a View To a Kill", "Quantum of Solace", "Risico", and "The Hildebrand Rarity".

      [Bookseller: Peter Harrington]
 27.   Check availability:     Biblio     Link/Print  


        Summer and Smoke; Final White Script, James Poe, November 15, 1960

      Wallis-Paramount-Hazen, (Hollywood) 1960 - 4to, 137pp typescript, with additional inserted pages. Original shooting script from the Paramount film adaptation of Williams's 1948 play. This is an intermediate state, with newer sections inserted on blue paper. There were subsequent revisions to the script and while we have been unable to compare with other versions, it is safe to say that there are discrepancies. Three names have been inked onto the title leaf, including that of the film's star Laurence Harvey, though it does not appear to be Harvey's hand. The other two names are of casting directors Eddie Morse and Bill Greenwald (crossed out), both longtime behind-the-scenes figures in numerous films, and neither of whom is credited with invovlement in this particular production. Summer and Smoke was released in 1961, directed by Peter Glenville from the script by James Poe and Meade Roberts -- both of whom worked with Williams on other adaptations as well, such as Cat on a Hot Tim Roof and The Rose Tattoo. The film received four Oscar nominations, including two in acting categories for Geraldine Page and Una Merkel. Few pencil marks, as from a member of production crew; names written on title leaf; genrally used, but fresh, brad-bound through three punch-holes, in plain black buckram spring binder.

      [Bookseller: Locus Solus Rare Books (ABAA, ILAB)]
 28.   Check availability:     AbeBooks     Link/Print  


        Pin-Up pour Castrol".

      1960 - Gouache signée au milieu à gauche, (1960), 49.5 x 51 cm. Maquette préparatoire et publicitaire pour les calendriers"Castrol". Une jeune pin-up blonde, au brushing retroussé et à la moue sensuelle, tient dans ses mains un carton blanc - encore vierge de toute annotation. Marques pour l'imprimeries marginales. Quelques fines salissures et taches. Pierre BRENOT (1913-1998), affichiste des "années 50", formé par l'école Estienne, devient dessinateur de mode et collaborateur de la fameuse agence De LA VASSELAIS qui regroupe les principaux affichistes de l'après guerre. Il est aussi un illustrateur au talent reconnu. Dans la presse de charme ses couvertures pour le Rire ou la Vie Parisienne séduisaient un très large public. Ses femmes dessinées glamour et sexy ont gagné l'appellation de "BRENOT-Girls" ou "La Pin-up française", faisant fureur dans les calendriers automobiles et animaient les murs de nos villes. (Exposition FORNEY 1996). Oeuvre originale

      [Bookseller: Librairie Chretien]
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        Kiss Kiss.

      London: Michael Joseph,, 1960. Octavo. Original green cloth, titles to spine in gilt, top edge pink. With the dust jacket. Spine gently rolled, board edges sunned; an excellent copy in the jacket with toned spine and edges, some light marks and nicks to extremities. First UK edition, first impression, signed by Dhal on the front free endpaper. Kiss Kiss was originally published in the US earlier the same year.

      [Bookseller: Peter Harrington]
 30.   Check availability:     Biblio     Link/Print  


        Le matin des magiciens

      Gallimard 1960 - - Gallimard, Paris 1960, 15x21cm, relié. - Edition originale, un des 36 exemplaires numérotés sur vélin pur fil, le nôtre portant le N°1, seuls grandspapiers. Reliure en pleine peau grainée, façon galuchat, rose de différente nuance avec des effets mordorés, dos lisse non titré, un triangle de nacre incrusté au centre du premier plat, contreplats et gardes de daim bordeaux, couvertures et dos conservés, chemise à rabats en demi box bordeaux, auteur et titre au palladium, doublures de daim bordeaux, étui bordé de box bordeaux avec intérieur de feutrine grise, reliure signée d'Alain Devauchelle et datée 2004. Très bel exemplaire établi dans une importante reliure d'artiste évoquant l'aspect ésotérique du livre. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of 36 numbered copies on vellum "pur-fil" paper, ours wearing the number 1, only grandspapiers. Binding in full grained leather, shagreen, of different shade pink with bronzed effects, smooth back untitled, a pearl triangle embedded in the center of the first flat, contreplats and burgundy suede guards, wrappers and back preserved and bound in, flaps shirt half maroon box lined with burgundy suede pouch lined with burgundy box with internal gray felt, Alain Devauchelle binding achieved around 2000. Very nice copy made in an important artist of binding evoking the esoteric aspect of the book. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
 31.   Check availability:     AbeBooks     Link/Print  


        Production of commodites by means of commodities;

      Cambridge: Cambridge University Press,, 1960. Prelude to a critique of economic theory. Octavo. Original blue cloth, spine lettered gilt, with the dust jacket. A little fading to board edges; an excellent copy in the slightly faded jacket with some nicks and chips to extremities. First edition of Sraffa's attempt to perfect classical economics' theory of value, as originally developed by David Ricardo and others. "Production of Commodities is a peculiarly sparse book. The argument has been pared to the absolute minimum to sustain the propositions which Sraffa wishes to advance. Yet, the precision and logical elegance of the argument are 'the work of an artist working in the medium of economic theory' (P. Newman)" (John Eatwell in The New Palgrave).

      [Bookseller: Peter Harrington]
 32.   Check availability:     Biblio     Link/Print  


        To Kill a Mockingbird.

      Philadelphia: J.B. Lippincott Company, 1960. First edition of the author's Pulitzer Prize-winning novel. Octavo, original green cloth backed brown boards, titles to spine in gilt. Contemporary inscription on the front free endpaper, near fine in a very good dust jacket with a chip to spine crown and some wear to the foot of the spine. The first edition had a printing run of 5,000. To Kill a Mockingbird became an immediate bestseller and won the 1961 Pulitzer Prize for Fiction. The New Yorker declared it "skilled, unpretentious, and totally ingenious." It has gone on to become one of the best-loved classics of all time and has been translated into more than forty languages selling more than forty million copies worldwide. Made into the Academy Award-winning film starring Gregory Peck. Named the best novel of the twentieth century by librarians across the country (Library Journal).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        FOR YOUR EYES ONLY

      London: Jonathan Cape. 1960. First edition, first printing. First edition, first printing. Original cloth in dustwrapper. A lovely near fine copy, the binding square, the contents clean and without inscriptions or stamps. Faint remains of an erased pencil name to the front free endpaper. Complete with the near fine lightly rubbed and creased dustwrapper. Excellent strong unfaded red lettering to the spine. Not price-clipped (15s net to the front flap). An excellent example in entirely original condition. Comprising From a View to a Kill, For Your Eyes Only, Quantum of Solace, Risico and The Hildebrand Rarity. [Gilbert A8a (1.1)] Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
 34.   Check availability:     Biblio     Link/Print  


        No 119: Poètes, Peintres, Sculpteurs

      - - Original-Lithographien von: Raoul Ubac, Georges Braque, Marc Chagall, Joan Miró, Alberto Giacometti, Jaen Bazaine, Eduardo Chillida, Pablo Palazuelo, Pierre Tal-Coat und Francois Fiedler / 2 Lithographien nach Fernand Léger und Wassily Kandinsky sowie Texten von René Char, Blaise Cendrans, Raymond Queneau, Jacques Dupin u.a. / Text französisch - Gewicht in Gramm: 392 Maeght Editeur, Paris, 1960. 11 Original-Lithographien (inkl. Umschlag) davon 9 farbig, 4 doppelblattgroß und einige Abb., kart., folio [Attributes: Soft Cover]

      [Bookseller: Celler Versandantiquariat]
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        Mr. Citizen.

      Bernard Geis,, New York: 1960 - Presentation copy, inscribed "from Harry Truman with kindest regards and best wishes. Independence, August 18, 1960". This is the Author's Edition, of which only 100 copies were issued, to be given by President Truman to friends and family members.President Truman's memoirs concerning the period from the end of his presidency in 1953 until his death in 1972. Truman's retirement years in Independence were devoted to developing the Truman Library, teaching young people American history and government, traveling, serving as an elder statesman, and writing. 8vo, 315pp, b&w photographic illustrations. Quarter brown morocco and patterned boards with two gilt labels at the spine. Top edge stained red, title page printed in red and black. Gilt label at front board "Author's Edition". In the pictorial slipcase. OCLC: 623468778 records one copy at the University of Texas at Austin. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antipodean Books, Maps & Prints, ABAA]
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        Selected Images.

      - 2 photographs, including 'Branches in Snow' and 'Grass and Pool', plates 5 and 11 from 'Portfolio III' (San Francisco: Sierra Club, 1960) mounted, each signed by the photographer in pencil on the mount, the photographer's portfolio stamp on the reverse, matted, circa 1932 and 1935, printed in 1959, no. 8 and no. 11 in a total edition of 149 (Portfolios, pp. 45 and 51).

      [Bookseller: Yushodo Co., Ltd.]
 37.   Check availability:     AbeBooks     Link/Print  


        WAIT TILL NEXT YEAR. THE LIFE STORY OF JACKIE ROBINSON

      Random House (1960), New York - Illustrated with eight pages of black-and-white photographs. This copy is INSCRIBED and SIGNED by the Hall of Famer on the front endpaper: "7-6-60/To Stevie ---- with best/wishes. I hope you enjoy/reading the book/Sincerely/Jackie Robinson." Slightly cocked, boards slightly warped. Dustwrapper is price-clipped with minor edgewear and rubbing. Very Good in a Very Good dustwrapper [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
 38.   Check availability:     AbeBooks     Link/Print  


        Moments Preserved / Eight Essays in photographs and words

      New York: Simon and Schuster, (1960) - Folio (325 × 240 mm), pp.184. 38 colour and 262 black-and-white photographs, introduction by Alexander Liberman, captions written with the assistance of Rosemary Blackmon. Plain endpapers. Beige cloth-covered boards, spine lettered in black. Printed dust-jacket. Photo-illustrated laminated paper-covered board slipcase; soiling to front at edges, tear from bump to rear at spine. A fine copy in an excellent slipcase. First edition. Moments Preserved provides an overview of Penn’s early career which began in earnest in 1943 when he was hired as assistant to Vogue art director Alexander Liberman. It was Liberman who sensed his talent as a photographer and encouraged him to pursue it as a career. Penn found that he could muster little enthusiasm for his ideas amongst Vogue’s distinguished roster of photographers, which at that time included Horst, Erwin Blumenfeld, Cecil Beaton and George Platt Lynes, so Liberman suggested he try making the photographs himself. This resulted in one of his photographs being used on the cover of Vogue’s October 1, 1943 issue, the first time a still-life had been used on the cover in the magazine’s history. Sinibaldi, A. and Couturier, J-L., Regards sur un siècle de photographie à travers Le Livre (123); Roth A., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century pp.158-9; Roth, A., The Open Book: A History of the Photographic Book from 1878 to the Present pp.186-7; Auer, M. and M., 802 photo books from the M + M Auer collection p.401. [Attributes: First Edition; Hard Cover]

      [Bookseller: Oliver J. Wood]
 39.   Check availability:     IberLibro     Link/Print  


        THE ENEMY WITHIN

      Harper & Brothers (1960), New York - INSCRIBED and SIGNED on the front endpaper by the author "To Kay and Marshall Field/With Best Wishes/Bob Kennedy." Books authentically signed by Robert Kennedy are uncommon, this title, Kennedy's first book, especially so. Kennedy examines the McLellan Committee enquiry into union and management corruption with a focus on Jimmy Hoffa's links to organized crime. Marshall Field, from the Chicago Marshall Field Department Store Family, owned the CHICAGO SUN-TIMES. Spine of the book is sunned. Very Good in a Very Good dustwrapper with edgewear and rubbing [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Divine Comédie / Divine Comedy : illustrated with 100 woodcuts by Salvador DALI

      Les Heures Claires, Paris 1960 - - PRESENTATION : 6 volumes in-4 in leaves in illustrated slipcase. - ILLUSTRATED : with 100 full page woodcuts by Dali. - LIMITED : 4980 copies. - PAPER : BFK Rives. - SIZE : 10 x 13". - REFERENCES : Field p. 189-200 / Michlerand Lopsinger 1039 to 1138. - HISTORY : it took over 3 years to engraved the 3500 woodplates needed for the creation of the woodcuts. - CONDITION : Very good condition, light soiling to the cases. - ASK FOR EXTRA PICTURES [Attributes: First Edition; Hard Cover]

      [Bookseller: Artfever]
 41.   Check availability:     AbeBooks     Link/Print  


        To Kill a Mockingbird

      Philadelphia, PA: J.B. Lippincott Company, 1960. Second printing. Hardcover. Lee's classic novel, the basis for the Gregory Peck movie. The book was an instant success and this, the second printing was done very shortly after the first printing. A tight very good copy with two small spots to the front free endpaper and some slight edge wear and small tears to the foredge of a few pages in a very good plus unrestored dust jacket that has some rubbing, edge wear, small chipping to the spine ends and corners. Still, a pleasing copy that has the Truman Capote photograph of Lee on the rear panel that was removed from later jackets.

      [Bookseller: Jeff Hirsch Books, ABAA]
 42.   Check availability:     Biblio     Link/Print  


        HOMMAGE AUTOGRAPHE SIGNE A CHRISTIAN BERARD.

      1960 - TEXTE AUTOGRAPHE AU RECTO D'UN FEUILLET (21 X 27 CENTIMETRES) : CHRISTIAN BERARD EST UN "SEMBLE-MORT", CAR UN TEL ARTISTE JAMAIS NE MEURT, IL SOMNOLE. SES IMAGINATIONS MAGNIFIQUES, SES LIGNES, SES TACHES LE PROLONGENT. BERARD BESOGNAIT SUR DES NAPPES, DES MENUS, COMME LA NATURE SE CHARGE D'ORNER, N'IMPORTE OU, LES PLANTES ET LES BETES. C'EST SANS DOUTE A CE PRIVILEGE DE PARTICIPER AUX ENIGMES DE L'UNIVERS, QU'IL DOIT UNE SORTE D'INGRATITUDE OUBLIEUSE DES HOMMES. CE QU'IL CREAIT RELEVE DE CE QUI POUSSE ET NON DE CE QUI S'INVENTE. LA BEAUTE SORTAIT DE SA PERSONNE AVEC L'ETRANGE ET MONSTRUEUSE FACILITE DU REGNE ANIMAL ET VEGETAL. BERARD ETAIT UN DEMIURGE ET LES DEMIURGES SONT IMMORTELS. JEAN COCTEAU * 1960. ON JOINT UN CARTON DE LA GALERIE LUCIE WEILL ANNONCANT UNE EXPOSITION CHRISTIAN BERARD DU 26 FEVRIER AU 16 MARS 1960. CHRISTIAN BERARD (1902-1949), PEINTRE, ILLUSTRATEUR, SCENOGRAPHE, DECORATEUR ET CREATEUR DE COSTUMES, COLLABORA DE NOMBREUSES FOIS AVEC JEAN COCTEAU, EN PARTICULIER POUR LE FILM "LA BELLE ET LE BETE". [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Librairie du Château de Capens]
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        TESTA DI FAUNO

      PARIGI, AU PONT DES ARTS, 1960Tavola originale tratta da album a fogli sciolti, esemplare 47 / 175, in prima tiratura, composto da frontespizio tipografico, frontespizio litografato a colori su disegno di Picasso, foglio con testo di Jaime Sabartès, 11 tavole litografate a colori su carta avorio incise da Daniel Jacomet, 1 carta recante il colophon e cartella editoriale in tela beige recante il titolo in rosso sul piatto superiore. Il foglio è tratto da un pregevole suite che riproduce con il mezzo litografico, in formato originale, i dipinti su carta della serie La Joie de Vivre, eseguiti da Picasso ad Antibes sulla Costa Azzurra fra l'agosto e il settembre 1946. Le tavole recano la potente capacità di sintesi tipiche dello stile picassiano. I soggetti delle raffigurazioni sono principalmente due: le teste di fauno e la natura morta. Il fauno, colto talora nell'atteggiamento di suonare il flauto, è nella pittura di Picasso il simbolo di una condizione al tempo stesso umana e ferina, appagata e in pieno accordo con gli istinti della natura. Le nature morte sono composte di oggetti comuni, come un gruppo pesci o una caffettiera, che alludono ai semplici piaceri della vita. Le immagini sono risolte con segni energici, in nero e a colori, alternati o sovrapposti a campiture di colori piatti, sapientemente alternati fra loro. Esemplare in buono stato conservativo.

      [Bookseller: Herb Tandree Philosophy Books]
 44.   Check availability:     maremagnum.com     Link/Print  


        Richter, Hans Theo. - Kleines Mädchen auf einem Stuhl.

      - Zeichnung / Kreidezeichnung, in Schwarz, auf gelbem Umdruckpapier, um 1960. Von Hans Theo Richter. 41,9 x 30,0 cm (Darstellung / Blatt). Verso Nachlass-Stempel des Künstlers. - In den Ecken originale Reißzwecklöchlein. Verso Papiergelenkreste einer ehemaligen Montierung. Insgesamt guter Zustand. Hans Theo Richter (1902 Rochlitz ? 1969 Dresden). Deutscher Maler und Grafiker. 1919?23 Studium an der Kunstgewerbe-Akademie in Dresden. 1926?31 Studium an der Dresdner Kunstakademie u.a. bei Richard Müller, Meisterschüler von Otto Dix. 1929 bezog er ein Atelier in Dresden. Ab 1932 freischaffend. Freundschaft mit Karl Kröner und Paul Wilhelm. Ab 1932 Mitglied im Deutschen Künstlerbund. 1933 Auszeichnung mit dem Rompreis des Deutschen Künstlerbundes. 1938 Auszeichnung beim Internationalen Graphikwettbewerb in Chicago. 1941 Dürer-Preis der Stadt Nürnberg. 1943 Besuch bei Käthe Kollwitz in Berlin. 1944?46 Dozent für Grafik an der Staatlichen Akademie für Grafische Künste und Buchgewerbe in Leipzig. 1947?67 Professor für Grafik an der Hochschule für Bildende Künste Dresden. Freundschaft mit Josef Hegenbarth und Wilhelm Lachnit. 1956 Berufung zum ordentlichen Mitglied der Deutschen Akademie der Künste zu Berlin. 1959 Wahl zum ordentlichen Mitglied der Bayrischen Akademie der Schönen Künste in München. 1965 Burda-Preis für Grafik in München und Nationalpreis der DDR.

      [Bookseller: GALERIE HIMMEL]
 45.   Check availability:     ZVAB     Link/Print  

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