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Displayed below are some selected recent viaLibri matches for books published in 1943

        Men, Women and Dogs

      Harcourt, Brace and Company, New York 1943 - First edition. Preface by Dorothy Parker. Corners frayed a bit, an about very good copy in near very good dustwrapper with some professional internal strengthening and some modest chips at the extremities. Inscribed to the longtime office manager of *The New Yorker*, Daise Terry: "For Terry, Love and kisses, James Thurber." See this book in 3D on our site. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Gremlins on the Job.

      London, Canada London Printing & Lithography 1943 - Quarto. 12 ff. First edition. Illustrated in color. Like Roald Dahl's book, which bears a similar title, Varga's text is based on an R.A.F. legend of capricious sprites whose raison d'être is to sabotage aircraft. Both books were published in the same year, and it is not known which actually appeared first, though inscribed copies of Dahl's book suggest it was published toward the end of 1943. This book, however, did not benefit from having Disney as a collaborator, as Dahl did; nevertheless, its colorful depictions of these aeronautic mischief-makers have a folk-art quality that, in some respects, fits better with the subject matter. Original color pictorial wrappers show some light toning, name stamp at top of cover and title page, corners very lightly creased, else a fine copy of an ephemeral item. [Attributes: First Edition; Soft Cover]

      [Bookseller: Bromer Booksellers, Inc., ABAA]
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      Duell, Sloan and Pearce, (1943), New York: - Woodcut vignette to t.p. Opened in 1854, McSorely's Old Ale House is the oldest, continuously- operated Irish pub in New York City. As a measure of its 'traditionally minded' owners, the tavern was men-only until 1970, when the National Organization for Women won a legal suit, thereby gaining admission [if not welcome]. By the time I had a beer or two there in the late 70s, the female gender had become a vital ingredient to a congenial evening imbibing amid general convivality, though McSorleys had yet to make any concession in terms of facilities- there was one. if a lady wanted to use it, she took her chances. the memory of the subsequent clapping on her exit, all the while the waiter was bringing 14 mugs of beer to the table [sans tray], is as vivid today as if I had been there just last night. VG+/VG (bit of chipping to spine ends). Red cloth binding with black spine lettering. Dust jacket. 8vo. 8-1/4" x 5-5/8". 1st edition. [10], 253, [1 (blank)] pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: Tavistock Books, ABAA]
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        Les gentilshommes chasseurs

      - Editions littéraires et artistiques, Paris, 1943. In/4 en feuilles sous couverture imprimée et rempliée, chemise cartonnée et étui, 35 illustrations de K. Reille en couleur. Exemplaire numéroté sur vélin à la forme. Petit défaut à l’étui. Tirage 600 exemplaires.Mouchon 1135. Monod 4822. [Attributes: Hard Cover]

      [Bookseller: Philippe Lucas Livres Anciens]
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        Soldaten der Leibstandarte SS Adolf Hitler,

      . Berlin, Selbstverlag, 1943, großformatige Mappe mit 15 Fototafeln, Mappe berieben und mit kleiner Fehlstelle, Zustand 2- (NG28).

      [Bookseller: Helmut Weitze Militärische Antiquitäten ]
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      New York: Alfred A. Knopf, 1943 - Octavo, cloth. First edition. This novel was first serialized in BLACK MASK magazine, September -- November 1942. It has been adapted for film several times. First filmed as "The Lady and the Monster" from Republic Pictures (1944) directed by George Sherman from a screenplay by Dane Lussier and Frederick Kohner with a cast featuring Vera Hruba Ralston, Richard Arlen, Erich von Stoheim and others. The second and best known adaptation was filmed as "Donovan's Brain" released by United Artists (1953) directed by Felix Feist from a screenplay by Felix Feist and Hugh Brooke with a cast featuring Lew Ayres, Nancy Davis, Steve Brodie and others. Filmed again in 1962 as a German/English production it was released in the U.S. in 1964 as "The Brain," directed by Freddie Francis. Anatomy of Wonder (1987) 3-351. Barron (ed), Horror Literature 3-179. Survey of Science Fiction Literature II, pp. 579-82. In 333. Bleiler (1978), p. 180. Reginald 13243. A near fine copy in near fine dust jacket with closed tear at lower left edge of front panel with tape mend to inner surface, light wear to spine ends, and a touch of rubbing to edges. (#126603) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        The Story of Dr. Wassell

      Boston: Little, Brown. 1943. First. First edition, preceding the English. Endpapers foxed, else near fine in near very good dustwrapper with some modest chips and tears. Signed by both James Hilton and the subject of the book, Dr. Corydon Wassell. Based on Wassell's heroic stance against orders to save the wounded during the Japanese invasion of China. Basis for the Cecil B. DeMille-directed film starring Gary Cooper. This copy also bears the contemporary signature of actor John Burton, who appeared in several films either scripted by Hilton or based on his novels, including Lost Horizon, Mrs. Miniver, and Foreign Correspondent (though he was not in The Story of Dr. Wassell.) At any rate a scarce book to find signed by both Dr. Wassell and Hilton. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Gelber Chrysanthemenstrauß in brauner Vase. Ölgemälde.

      1943.. Bildgröße: 59 x 78 cm ( Höhe x Breite ), alt gerahmt ( Rahmenmaß: 73 x 92,5 cm ). Ölgemälde auf Leinwand. Unten links mit dem Pseudonym *Marinus Ottee ( für Aarnout van Gilst ) signiert und etwas undeutlich wohl mit *1943* datiert. Das Bild zeigt einen gelben Chrysanthemenstrauiß in brauner Vase, daneben eine kleine Glassschlüssel. Das Bild gering berieben, der Rahmen leicht bestoßen. ( Bitte beachten: Hier aufgrund der Größe kein Versand - hier nur Selbstabholung in meinem Ladengeschäft ) ( Pic erhältlich // webimage available ).

      [Bookseller: Buchhandlung & Antiquariat Friederichsen]
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        Berner Chronik 1483. Bearbeitet von Hans Bloesch und Paul Hilber.

      Bern, Aare 1943 - -1945. Folio. 4 Bde. with über 600 teils farbigen Abbildungen. Orig.-Pergament with kollorierten Rücken- und Deckelillustrationen von Paul Boesch. Nr. 47 der Vorzugsausgabe in Ganzpergament. Gesamtedition der 3 Handschrift-Folianten, die Diepold Schilling im Auftrag des Schultheissen Adrian von Bubenberg in den Jahren 1474 bis 1483 für Rät und Burger von Bern geschrieben und with über 600 Bildern geschmückt hat. Nach den Originalen sind 400 vierbändige Werke in einer einmaligen nummerierten Auflage hergestellt worden. Ex Libris auf Innendeckel. Band 4 with leichterer Kratzspur in der Deckelillustration. Sehr gutes Exemplar.

      [Bookseller: Antiquariat Fatzer ILAB]
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        Bound For Glory [Review Copy]

      New York: E.P. Dutton & Co, 1943. First Edition. Perhaps the greatest of Dustbowl narratives, Bound For Glory is now recognized as a signal work of mid-20th century American letters, an enduring classic which deserves a place in the American Depression-era canon beside the work of Steinbeck, West, and Dos Passos. An attractive jacketed copy, and particularly scarce with the review slip. REUSS 34. First Printing, a Review Copy with publisher's printed slip tipped onto front endpaper, giving the date of publication as March 22, 1943. Octavo (22cm); black cloth, with titling and decorations stamped in gilt on spine and front panel; yellow topstain; dustjacket; 428pp. Very Near Fine, with the spine ends slightly nudged, but without oxidation to the gilt typically found with this title. Dustjacket is unclipped, lightly spine faded, with some shallow chipping to spine ends and corners (not affecting lettering) and a few unobtrusive tears along upper front joint and to the rear flap fold; Very Good+.

      [Bookseller: Lorne Bair Rare Books]
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      Audrey Wood, [n.p.] New York: [n.d.] 1943 - Williams, Tennessee. THE ANGEL IN THE ALCOVE. [n.p.] New York: [n.d.] 1943. 8vo., 13 pp. rectos only. First Edition. Original carbon typescript short story [basis for Vieux Carré], punch bound blue stiff wrappers of the Liebling-Wood Agency, 551 Fifth Ave. New York. A fine House File Copy. [Audrey Wood was Williams' literary agent. From 1939 Wood helped guide & focus Williams' writing. With her nurturing, he created some of his greatest works, including: Menagerie, Streetcar & Cat]. Very uncommon example in private hands. Recognized as Williams's (quasi) autobiographical coming-out narrative which found major success not in the US but in the UK. "Of the numerous plays written in the later portion of Tennessee Williams's prolific career, perhaps the most satisfying and undoubtedly the most favorably received was the 1978 British production of Vieux Carré, directed by Keith Hack, presented first at Nottingham Playhouse (16 May 1978) & later in London at the Piccadilly Theatre (9 August 1978). The British staging came a year after the play's disastrous Broadway premiere. "What was potentially strongest in this chamber-music play of time, place, & memory has been botched by inept direction," noted T. E. Kalem in Time magazine, & Walter Kerr in the New York Times indicted the director for what he termed an "irresponsible production", suggesting that the play be given another staging with different personnel. He concluded his review: "I'm game for a second go". The British production proved to be the "second go" that Kerr had championed, and under Keith Hack's direction it emerged as a major success, evoking comparison with A Streetcar Named Desire and The Glass Menagerie. Michael Coveney's review in the Financial Times was a rave: "Mr Williams returns to the London stage in blistering form" - Craig Clinton, Finding the Way: The Evolution of Tennessee Williams's Vieux Carre - Resources for American Literary Study 26:1 [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        he Two-Move Chess Problem in the Soviet Union, 1923-1943

      Stamford: Overbrook Press, 1943 [9]+71 pages with diagrams and index. Octavo (8 1/2" x 5 1/2") issued in red cloth with gilt lettering to spine and gilt stripe to front cover. Edited by Albrecht Buschke, Richard Cheney and Alain White. Limited to 300 copies. Title page decoration by Vera Back. Errata tipped in. (Betts: 36-7). First edition.A Collection of 120 problems by Russian composers, with notes on the themes, constructions and composers. The problems are arranged in four groups and further sub-divided by theme. Includes an index of composers, sources and keys.Condition:A near fine copy with the original brown dust wrapper.

      [Bookseller: The Book Collector]
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      Duell, Sloan and Pearce, [1943, New York - Fisher, M.F.K. THE GASTRONOMICAL ME. New York: Duell, Sloan & Pearce, 1943 . "Like most humans, I am hungry. . . our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it. . . ." First Edition, Publisher's green cloth stamped in silver at the spine. 8vo., 295pp, with the more common dustwrapper of a handsome Fisher three quarter portrait on the back panel that replaced [by the publisher] the more provocative reclining pose shot by Hurrell. A fine copy in the publisher's smooth green cloth in a fine bright dustwrapper with one tiny chip at the spine crown of this admired tightly woven memoir & collection of cooking essays written over a twenty year period that have more to do with the entanglements of life & the appreciation of good things. Considered by many as her best book, TGM is about hunger in all its variant forms. The book starts with: "There in Dijon, the cauliflowers were very small and succulent, grown in that ancient soil. I separated the flowerlets and dropped them in boiling water for just a few minutes. Then I drained them and put them in a wide shallow casserole, and covered them with heavy cream, and a thick sprinkling of freshly grated Gruyere, the nice rubbery kind that didn’t come from Switzerland at all, but from the Jura. It was called rape in the market, and was grated while you watched, in a soft cloudy pile, onto your piece of paper". John Updike called Fisher "Poet of the appetites". A beautiful copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        Mann und Maus im Tessin. Mit sechs Zeichnungen des Verfassers.

      Olten, Ver. Oltner Bücherfreunde, 1943 - Quer-8°, 19 (6) S., 6 Abb. (davon 4 ganzseitig), 1 ganzs. Orig.-Tuschzeichnung, OHPgt. in Schmuckschuber., Schuber minimst lichtrandig, sonst praktisch verlagsfrisch. Ex. Nr. 15/125 auf italienischem Bütten und im Impressum signiert (bei einer Gesamtauflage von 250 Ex.). In vorliegendem Ex. beigebunden eine signierte Orig.-Tuschzeichnung von G. Böhmer. Sehr selten! 1200 gr. [Attributes: Signed Copy]

      [Bookseller: antiquariat peter petrej]
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        CALDER. Signed.

      MUSEUM OF MODERN ART, New York 1943 - A rare publication as the MOMA intended print run was curtailed due to war time restrictions of paper. A fine example in dustwrapper which has been gingerly restored. Warmly inscribed by Calder on the title page in blue fountain pen & dated 3 Feb 1952. Very Uncommon. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        10 Compositionen.

      Zürich, Allianz, 1943 - 8°, o. P. (14 Bl.), 10 Abb., Brosch. m. Transp.-OU, Tadellos. Ex. Nr. 34 von 80 Ex. der Normalausgabe (bei einer Gesamtauflage von 120 Ex.). Die Gestaltung und Vorwort von Max Bill. 1100 gr. [Attributes: Soft Cover]

      [Bookseller: antiquariat peter petrej]
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        A Tree Grows in Brookly

      Harper & Brothers, New York 1943 - "A Tree Grows in Brooklyn" by Betty Smith. First edition first printing with "First Edition" stated on the copyright page. Published by Harper & Brothers, New York, 1943. The book measures 5.5" x 8.25", 443 pages. With a first printing dust jacket. The dust jacket is in fair condition. Heavy creasing to the panels with tears and chips at the edges. Large piece of the spine missing at the bottom and onto the front panel. Chipping at the joints and flap folds. Tape repairs made to the verso at the flap folds and joints. The original price of $2.75 present on the front flap. The book is in very good condition. The green cloth boards are well preserved. Sunning to the board edges and especially at the bottom of the spine. Previous owner's writing on the front paste-down in ink.The front board is cracked at the hinge. The textblock is gently toned but clean and bright with sound binding. Previous bookstore's sticker on the rear paste-down. A nice copy of this American classic. Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books. Inventory #(GWA-26) [Attributes: First Edition; Hard Cover]

      [Bookseller: Ernestoic Books]
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        GUERRILLA SERIES Boxed Set of 6,all first editions

      Angus and Robertson 1943 - True first edition set of one of his rarest books.Set of 6 books in cloth covered box custom mage with label plate in gold titles.Titles are;The Scout;near as mint copy,no names etc;Lurking DeathVG+,2 creases to cover 3cm each,1cm of paper spine cover lifting at bottom,no names etcslight cant to book;Trapping The Jap,near as mint,no names etc;Guerrilla Tactics,insect chewing to covers and spine,mainly on back cover,no names etc,plastic cover for protection;Sniping,near mint,no names etc;Shoot To Kill,near mint,no names etc.This set has taken many years to build in such good clean copies,there will not be many sets in exhistance anywhere.Good investment and collectors dream. [Attributes: First Edition; Soft Cover]

      [Bookseller: THE BOOK SHOP]
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        Rerum vulgarium fragmenta

      Milano: Edizioni della Conchiglia, 1943. Edizione originale di 150 esemplari. broch. Fioriture leggere alla copertina (Some light yellowing)/Molto buono (Very good). 4to. Francisci Petrarchae Laureati Poetae. Prefazione di Luciano Anceschi. Con 10 tavole in nero a piena pagina di Carlo Carrà (riproduzioni litografiche fotomeccaniche da disegni originali dell'Artista) Collana di Poeti Antichi e Moderni

      [Bookseller: Studio Bibliografico MArini]
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        Views and costums of the city and neibourhood of Rio de Janeiro, Brazil 1819-20

      - Rio de Janeiro, Livraria Kosmos, 1943., Olderband m. Goldprägung Chamberlain, Views and costumes of the city and neibourhood of Rio de Janeiro, Brazil, 1819-20, hrsg. in limitierter Auflage (1315 Stk.) v. Livraria Kosmos, Erich Eichner & Cia, Rio de Janeiro, 1943 unter den Titel "Vistas e costumes da cidade e arredores do Rio de Janeiro en 1819-20 segundo desenhos feitos pelo Tte. Chamberlain. Mit 36 hochqualitatitven farbigen Offset-Lithographien m. Darstellungen v. 1819/20 u. 1 zusätzl. Offset-Lithographie sowie 6 erstveröffentlichte Zeichnugen, Folio quer (2°), Olderband m. Goldprägung a. Rücken, leicht bestessen auf Vorderdeckel, Textsetien etwas gebräunt, ansonsten Top-Zustand! Sehr rare Erstausgabe d. 1943 nur 1 x wiederveröffentlichten tollen Bildwerken v. Chamberlain. Weitere Fotsos sind auf Anfrage verfügbar! Brasilien

      [Bookseller: Alte Bücherwelt]
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        Cloth of the Tempest

      New York: Harper and Brothers. (1943). First. First edition. Small owner's label of Arthur Sturcke, a small image of Patchen and other clippings affixed to the front and back blanks, thus very good in near fine dustwrapper with some modest age-toning. Inscribed by Patchen: "for Arthur with all the etc. etc. Kenneth." Laid into the book at page 60 is a printed rejection slip from The Saturday Review, on the bottom of which however is a handwritten note Initialed by Stephen Vincent Benet: "We are taking 'O My Darling Troubles Heaven with Her Loveliness' & glad to have it! S.V.B." The poem is printed on page 60 of this book. Sturcke, a lifetime friend of Patchen, was a painter and pacifist who exhibited in the 1930s and 1940s, and who did much to help and support the author. Patchen mentions him in his book Memoirs of a Shy Pornographer in a dialogue discussing art and artists: "And what about DeNiro? There is a serious young painter. All right what about Kamrowski? -- Or Lee Bell? Or Jackson Pollock? -- Or Arthur Sturcke?" .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Fountainhead and Atlas Shrugged

      New York: Bobbs-Merrill Company & Random House, 1943 & 1957. First editions of each The Fountainhead and Atlas Shrugged. Octavo, 2 volumes. Finely bound in full morocco; The Fountainhead in red morocco; Atlas Shrugged in green morocco. Gilt titles and tooling to the spine, front and rear panels, raised bands, marbled endpapers, all edges gilt. Housed in a custom half morocco slipcase with ribbon.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        [Screenplay]: Heaven Can Wait

      (New York): 20th Century Fox. July 7, 1943. Continuity and Dialogue Script Taken from the Screen. Mimeographed sheets bradbound in blue stiff wrappers. About fine. Stamped "Received New York Legal Department Jul. 19 1943." Apparently prepared for the legal department to review, and dated just one month before the film was released. The Ernst Lubitsch-directed classic, highlighed by Raphaelson's witty script, featured Don Ameche as a would-be sinner not quite bad enough to get into Hell on his deathbed, and Gene Tierney as his long-suffering love. Both Lubitsch, cinematographer Edward Cronjager, and the film itself were nominated for Oscars. Very scarce. Ex-Carter Burden. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        George Washington Carver: An American Biography

      Garden City: Doubleday, Doran and Company. 1943. First. First edition. Full pebble-grained morocco gilt. A slight split on the front joint, corners a bit rubbed, and a very faint dampstain on the margins of a few pages, but a handsome, about very good copy. One of an unspecified number of copies issued by the publisher with a tipped-in leaf Signed by George Washington Carver. Although we are not certain, it seems very likely that this is a publisher's presentation binding, of the sort generally prepared for the author or subject of a book. An important biography. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Little Prince

      New York: Reynal & Hitchcock, 1943 Illustrated by Saint-Exupéry. Translated by Katherine Woods. First edition, first printing, first issue. Publisher's pictorial pale orange cloth, with an illustration of the Little Prince to the front board in burgundy, lettered in burgundy; in the original first issue dust jacket, with the publisher's 4th Avenue address to the front flap, illustration of the Little Prince on Asteroid B-612 to the panels, lettered in black and blue. Near fine, with a hint of light wear to the extremities, very light offsetting to the endpapers, bright and clean interior; unclipped dust jacket, with very light toning to the spine and panel edges, a few chips to the bottom edges of the panels, short closed tears and minor creasing to the edges, a few faint spots of light soiling. Overall, a pleasing copy. The Little Prince is a beloved children's novella that tells the story of a little boy from the tiny Asteroid B-612 who falls to Earth and meets a pilot who has been stranded in the desert, based loosely on Saint-Exupéry's own experience in the Sahara Desert. The text is complimented by the author's watercolor illustrations, which add to its dreamlike quality. The Little Prince was first published in the United States while Saint-Exupéry, a native of Lyons, was living in self-imposed exile in North America after France signed an armistice agreement with Nazi Germany. The text was published simultaneously in English with Katherine Woods' translation and in the original French under the title Le Petit Prince. Translated into over 250 languages and selling nearly 2 million copies per year, The Little Prince is indeed, as the dust jacket proclaims, one of the "few stories which in some way, in some degree, change the world forever for their readers.". 1st Edition. Hard Cover. Near Fine/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Der Satan in Goray = Satan in Goray and other stories

      New York: Farlag Matones, 1943. 8vo. 319pp. Yiddish. Good in black boards. Spine top and bottom bumped and torn. Front cover corners slightly bumped and frayed. Front cover slightly creased at top. Pages slightly yellowed. First book by author to be published in United States.

      [Bookseller: Alan Wofsy Fine Arts]
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      New York: Henry Holt and Company. (1943). First. First edition. Quarto. 192pp. Photographs arranged and edited by Fritz Henle. Very slightly cocked with rubbing and edgewear else very good. Inscribed by Fritz Henle. Scarce signed. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Ein paar Gedichte, die nicht in der Gesamtausgabe stehen". Typoskript mit handschriftl. Gruss in schwarzer Tinte und aquarellierter Federzeichnung von H. Hesse auf dem Kartonumschlag.

      - 8 Bl. 16 S. auf blaugrauem Briefpapier mit Leinenstruktur (15 : 14 cm), lose in crèmeweissem Kartonumschlag. Das schöne Landschafts-Aquarell mit den schneebedeckten Bergen am Horizont misst 6,5 : 7 cm. – Der Gruss des Autors lautet: „Ein Gruß zu / Ostern 1943 / von / Hermann / Hesse". – Enthält die drei Gedichte: Beim Wiedersehen einer Kindheitsstätte; Einsamkeit; Ausflug im Herbst. – In sehr schöner Erhaltung.

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        Ms. Brief mit eigenh. U.

      Pacific Palisades, 19. Mai [1943].. 1 S. 4to.. An Shirley Lawrence, die sich ihm als Übersetzerin vorstellig gemacht hatte: &quote;[ ] As far as my assurance is concerned that I would call your name to the attention of the gentlemen who compiles the book to which the Moses story is to be the introduction, I have to tell you that he had arranged for the translation beforehand; consequently I could not exert any influence upon the choice of the translator. I hope that I have not raised false expectations and want you to know that your name and address remains in my files, so that I may refer to it if an opportunity arises in the future [ ]&quote;. - Die &quote;Moses story&quote;, d. i. die Erzählung &quote;Das Gesetz&quote;, war eine Auftragsarbeit, die Thomas Mann im Frühjahr 1943 für einen von Armin L. Robinson herausgegebenen Erzählungsband &quote;The Ten Commandments: Ten Short Novels of Hitler's War Against the Moral Code&quote; verfaßt hatte; in dem im Sommer/Herbst des Jahres bei Simon & Schuster erschienenen Band, der auch Beiträge von u. a. Rebecca West, Franz Werfel, Andre Maurois und Sigrid Undset umfaßt, ist Thomas Mann Erzählung in einer englischen Übersetzung von George R. Marek unter dem Titel &quote;Thou shalt have no other gods before me&quote; zu finden; zwei Jahre darauf veröffentlichte sie Alfred A. Knopf in einer Übertragung von Manns bevorzugter Übersetzerin Helen Tracy Lowe-Porter (1877-1963) unter dem Titel &quote;The Tables of the Law&quote;. - Thomas Mann hatte Miss Lawrence schon in einem Brief v. 15. Januar des Jahres für ihm zugesandte Übersetzungsproben gedankt und ihr empfohlen, sich an einen großen Verlag wie Alfred A. Knopf in New York zu wenden, &quote;der ihr am besten sagen könne, welche Wege sie einschlagen soll, um Berufs-Übersetzerin zu werden&quote; (Regesten und Register Bd. II, 43/22, S. 702); am 19. Februar dankte er ihr für eine Übersetzungsprobe aus dem &quote;Tod in Venedig&quote; und versprach zu versuchen, &quote;ihr den Übersetzungsauftrag für die Moses-Novelle zu verschaffen&quote; (ebd., 43/46, S. 708). - Nicht in: Die Briefe Thomas Manns. Regesten und Register. Hrsg. v. Hans Bürgin und Hans-Otto Mayer. Bearb. und hrsg. unter Mitarbeit von Yvonne Schmidlin. Bd. II. 1934-1943. Frankfurt a. M., S. Fischer, 1980. - Auf Briefpapier mit gedr. Briefkopf.

      [Bookseller: Kotte Autographs GmbH]
 29.   Check availability:     ZVAB     Link/Print  

        Schwarzweisse Original-Fotografie (Original-Papierabzug 4,9 : 5,8 cm) von Hermann Hesse mit Max Wassmer vor Schloss Bremgarten. Verso mit handschr. Text von Hesse in schwarzer Tinte: : "Herzlich / dankt Ihnen / Ihr / H Hesse".

      - Um 1943/44. 4,9 : 5,8 cm. DABEI: „Besuch im Schloss Bremgarten". Faksimile des Gedichtmanuskripts in blauer Tinte. 2 Titelzeilen, 28 Zeilen Text, 1 Z. Datierung u. 3 Z. Widmung: „im August 1944. / Für die Freunde in Bremgarten / von Ihrem / H. Hesse". 2 Seiten auf 1 gefalt. Doppelbl. 25 : 17,4 (25 : 34,8) cm. – Das späte Gedicht mit dem Anfang: „Man möchte, wären noch die Sinne munter,." wurde im August 1944, anlässlich eines Besuchs Hesses bei Max und Margrit Wassmer im Schloss Bremgarten geschrieben und den Freunden dediziert. – Mileck V, D, 772a; X, 449 u. 457 – ZUSAMMEN MIT: „Winter in (Im Schloss) Bremgarten (Für Max u. Margrit Wassmer)". Faksimile des Gedichtmanuskripts in blauer Tinte. 1 Titelzeile, 1 Widmungszeile, 17 Zeilen Text (5 Strophen), Unterschrift u. Datierung: „Hermann Hesse / im August 1944". 1,5 S. auf 1 gefalt. Doppelbl. 25 : 17,4 (25 : 34,8) cm. – Das späte, im August 1944 im Schloss Bremgarten geschriebene, den Freunden Max und Margrit Wassmer gewidmete Gedicht mit der Anfangszeile: „Wer hat einst die alten Kastanien gepflanzt," hier in der Titelvariante: "Winter in Bremgarten". – Mileck X, 449 u. 457

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
 30.   Check availability:     AbeBooks     Link/Print  

        Guld- och silversmeder i Sverige 1520-1850.

      Stockh. 1943. Illustr. 951 s. Smukt priv. hlvldr. Nice contp. halfleather.. The gold- and silversmiths of Sweden

      [Bookseller: Peter Grosells Antikvariat]
 31.   Check availability:     Antikvariat     Link/Print  

        Ceiling Unlimited

      Burbank, California: Columbia Broadcasting System. 1943. First. First edition. 16mo. Cloth and papercovered boards with applied title label. Fine, probably issued without dustwrapper. A series of six broadcasts on CBS radio sponsored by Lockheed and Vega Aircraft Corporation. One of 100 numbered copies (this copy unnumbered) Signed by Hilton. Exceptionally scarce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 32.   Check availability:     IOBABooks     Link/Print  


      New York:: Duell, Sloan and Pearce,. (1943).. 8vo. 8-1/4" x 5-5/8". 1st edition. [10], 253, [1 (blank)] pp.. Red cloth binding with black spine lettering. Dust jacket.. VG+/VG (bit of chipping to spine ends).. Opened in 1854, McSorely's Old Ale House is the oldest, continuously- operated Irish pub in New York City. As a measure of its 'traditionally minded' owners, the tavern was men-only until 1970, when the National Organization for Women won a legal suit, thereby gaining admission [if not welcome]. By the time I had a beer or two there in the late 70s, the female gender had become a vital ingredient to a congenial evening imbibing amid general convivality, though McSorleys had yet to make any concession in terms of facilities- there was one... if a lady wanted to use it, she took her chances... the memory of the subsequent clapping on her exit, all the while the waiter was bringing 14 mugs of beer to the table [sans tray], is as vivid today as if I had been there just last night. . Woodcut vignette to t.p.

      [Bookseller: Tavistock Books, ABAA]
 33.   Check availability:     IOBABooks     Link/Print  

        THE GREMLINS (with near fine jacket)

      Random House 1943 - Near fine First edition, First Printing, with the Original Scarce First edition dust jacket, of THE GREMLINS by Roald Dahl, published by Random House, New York 1943. A clean, handsome copy of this rare book with its original unclipped dust jacket of Roald Dahl's first book. Please see images. The book is in a large format hardcover (about 9" x 11") and is profusely illustrated throughout in both black and white, and in color. The boards are in great condition, still maintaining their original sheen. The boards have no edgewear and only one corner with some very slight soft wrinkling. The binding is tight and square. The original end papers are clean and bright with no bookplates, no bookstore stamps, and no stains. Rear end papers have a penned owner name. The internal pages are very clean, bright and flat with but two pages with scuffing (image shown), otherwise no writing, no handling marks, no stains, no bent pages, and no foxing. A very crisp, clean example of this book which is most unusual as children's books are usually 'well loved'. The very scarce original first edition, first printing dust jacket has benefited from some slight restoration by an expert paper conservator and presents as a near fine example. The jacket has strong vibrant colors with no edgewear, no chips, no rips, no stains, no rubbing and no fading. Touch of very slight toning to rear panel. The dust jacket is NOT price clipped and has a stated price of $1.00. Stunning jacket presenting the book beautfully. Please see images. A very handsome example presenting very well with the stunning scarce original jacket and clean, crisp interior at a great price for this title. ADDITIONAL IMAGES AVAILABLE UPON REQUEST. Please see our Abe store for additional rare children's books [Attributes: First Edition; Hard Cover]

      [Bookseller: Meier And Sons Rare Books]
 34.   Check availability:     AbeBooks     Link/Print  

        The Lady in the Lake.

      New York: Knopf, 1943 - Octavo. Original green cloth, spine and front board lettered in green. With the dust jacket. An excellent copy in the jacket that has a toned and slightly soiled rear panel, with some rubbing to the extremities. First edition, first printing.

      [Bookseller: Peter Harrington. ABA member]
 35.   Check availability:     IberLibro     Link/Print  


      New York: Knopf, 1943. - Cloth. Near fine, in very good or better pictorial dust jacket by Norman Reeves (neatly price-clipped, some slight darkening to the lower flap fold and off-white portions, with signs of subtle and minor restoration, most significantly at the top of the upper joint and to a short tear at the top edge of the rear panel). First edition. The first printing consisted of six thousand copies, and a second printing was ordered before formal publication. The source novel for the 1947 MGM adaptation, based on a screenplay by Steve Fisher, directed by Robert Montgomery, and starring Montgomery, Audrey Trotter, et al. BRUCCOLI A4.1.a.

      [Bookseller: William Reese Company - Literature, ABAA]
 36.   Check availability:     IberLibro     Link/Print  

        Fabrik. Ein Bildepos der Technik von Jak Tuggener.

      Erlenbach, Rotapfel, 1943 - 4°, 52 Bl., 94 Abb., 1 Bl. Tafel-Verzeichnis beilieg., OLwd. m. OU., Riss im OU (hinterlegt), etwas angeschmutzt. Buchdeckel min. fleckig, innen tadellos. Mit dem oft fehlendem blauen Tafelvezeichnis. Eine vergangene Welt d. Arbeit in einfühlsamen Photos im Kupfertiefdruckverfahren wiedergegeben. Eines der wichtigsten Bücher zum Thema Industrie in der Photographie. Jakob Tuggener (1904 - 1988) einer der grossen Schweizer Photographen der auch als Maler u. Filmer ein spannendes Werk vorzuweisen hat. 1200 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
 37.   Check availability:     AbeBooks     Link/Print  

        Fabrik: Ein Bildepos der Technik (Factory: A Photoessay on Technology)

      Rotapfel-Verlag 1943 - Erlenbach-Zurich: Rotapfel-Verlag, 1943. (12.25 x 9 in, 31.4 x 23 cm). 112 pp. First edition. Fine in very good dust jacket. 95 black and white gravure plates. Introduction by Arnold Burgaurer. Original beige cloth covered boards, front cover lettered in red (spine a bit slanted, else fine); original printed and photographically illustrated dust jacket (light wear to extremities, 3.2 cm closed tear at head of upper panel near fore-edge, .5 cm tear and associated creasing at top edge nearing spine, .5 cm closed tear at crown, complete and quite nice); original sheet of plate captions laid in (edges age toned to a degree). "As Arnold Burgaurer cogently states in his introduction, Tuggener is a jack-of-all-trades: he exhibits, 'the sharp eye of the hunter, the dreamy eye of the painter; he can be a realist, a formalist, romantic, theatrical, surreal.' Tuggener moves effortlessly between large-format lucidity and grainy, blurred impressionism, in a book that is a decade ahead of its time." (Parr/Badger, "The Photobook" Volume I, p. 144). Additional references: (Roth, ed., "The Open Book", p. 134-135; Auer, "802 photo books", p. 300) A fine copy in a very good, complete and unrestored example of the dust jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: William Gregory, Bookseller]
 38.   Check availability:     AbeBooks     Link/Print  

        Fabrik. Ein Bildepos der Technik von Jak Tuggener.

      Erlenbach, Rotapfel, 1943 - 4°, 52 Bl., 94 Abb., 1 Bl. Tafel-Verzeichnis beilieg., OLwd., Eingeklebte Teile des Schutzumschlages auf vorderem Vorsatz. Auf hinterem Vorsatz eingeklebter Ausstellungshinweis. Jahreszahl im Impressum unterstrichen. Selten! Eine vergangene Welt d. Arbeit in einfühlsamen Photos im Kupfertiefdruckverfahren wiedergegeben. Eines der wichtigsten Bücher zum Thema Industrie in der Photographie. Jakob Tuggener (1904 - 1988) einer der grossen Schweizer Photographen der auch als Maler u. Filmer ein spannendes Werk vorzuweisen hat. 1200 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
 39.   Check availability:     AbeBooks     Link/Print  

        Bêtes de la brousse

      Editions du Moulin de Pen - Mur, Paris, 1943. In / 4 plein maroquin vert sous étui, dos à nerfs, titre doré, 15 illustrations hors texte en couleur de André Collot, 236 p. Exemplaire numéroté sur vélin filigrané des papeteries de Lana sans la suite en noir des bois. Biblio : cité par Monod 7724. relié DeCollection

      [Bookseller: Livres Anciens Lucas Philippe]
 40.   Check availability:     Link/Print  


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