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Displayed below are some selected recent viaLibri matches for books published in 1932

        Der Ur-Faust.

      - München 1932. 4°.1 Bl., 95(1) S., 1 Bl. Handgebundener buntpapierbezogener Orig.-Pappband mit Rückenschild. 53. Buch der Rupprechtpresse zu München. Im Auftrag von Heinrich Beck unter Leitung von F. H. Ehmcke im Sommer 1932 in einer Auflage von 125 nummerierten Abzügen mit der Hand auf Bedenk-Bütten gedruckt und 1932 ausgegeben. Als Druckvorlage diente Band 39 der Sophienausgabe von Goethes Werken.- Schauer II, 22. - Nicht mehr bei Rodenberg. - Tenschert, Kat. XLVI(2001), S. 128f. (mit Abb.). - Gesetzt aus der Ehmcke Brotschrift, Ehmcke Schwabacher für Personennamen und Regieanweisungen, Ehmcke Fette Fraktur für die Überschriften. - Titel mit Vignette (Pentagramm). - Schönes Exemplar. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Stammerjohann]
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        Götter stürzen;

      Urania-Freidenker Verlag, 1932 - 221 S., Altdeutsche Schrift! Sprache: Deutsch Gewicht in Gramm: 420 blau-graue Leinwand, Standardbuchformat, SELTEN!, Seiten altersentsprechend, Seitenschnitt gering fleckig, Buchdeckel/-rücken mit einigen Gebrauchsspuren und kl. Flecken, Ecken und Kanten leicht angestoßen, ansonsten altersentsprechend gutes Exemplar,.

      [Bookseller: Agroplant GmbH, Antiquariat ts-buch]
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        The Chinaberry Tree

      London: Elkin Mathew & Marrot. 1932. First. First English edition. Introduction by Zona Gale. Corners slightly bumped, a little fading at the extremities, about fine in an age-toned, very good plus dustwrapper with three old and unnecessary internal repairs. A very attractive copy of the third novel by the influential literary editor of The Crisis. Extremely uncommon. OCLC lists five copies; how many retain the rare jacket is not specified, but we suspect the answer is none. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Interne

      New York: The Macaulay Company, 1932 Bound in dark orange cloth with titles and decorations stamped in black.True first edition, with the $2.00 price to the front flap of the jacket, no top stain, and no advertisements. A classic achievement of the Harlem Renaissance. The cloth shows only a hint of wear at the extremities but does have a small fractional split at the head of the spine (see photos). Hinges solid, binding square. Former owner's signature to the front free endpaper, otherwise unmarked. The unclipped dust wrapper has moderate edgewear with a number of small chips, lacking at the most 3/8" at the head of the spine, with a similar chip at the heel. The front panel has one small chip at the lower edge. See the photo of the wrapper verso for complete details. The mostly white rear panel has very light soil. An attractive copy of the first edition, with the jacket now in mylar. See The Cumulative Book Index volumes for 1928-1932 and 1933-1934 for details for the identifying marks of the first versus the second editions.. First Edition. Hard Cover. Very Good+/Very Good-. 12mo - over 6¾" - 7¾" tall.

      [Bookseller: Friendly Used Books]
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      Paris, Javal et Bourdeaux, 1932 - 1934. 4 vols. large in-4. Broché, couverture illustrée.Tirage à 2350 exemplaires, celui-ci un des 2000 exemplaires sur vélin du Marais, contenant l'état en couleurs.Bien complet des 64 illustrations hors-texte de Kuhn-Régnier, protégées par des serpentes, et coloriées au pochoir par Jacomet. L'illustration est inspirée des grecs anciens. Ornementation et lettrines en vert. Imprimé sur les presses de Coulouma. Traduction de Littré parue pour la première fois chez Baillière et Fils de 1839 à 1861.

      [Bookseller: Librairie Gaëlle Cambon]
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        The "Sino-Japanese Disturbances" - Souvenir Album - Shanghai - 1932

      Shanghai, 1932. - 1 album oblong, olive green silk boards with rubbon ties and paper label onlay, 48 pages of tissue-guarded plates from photographs (mainly 2 pictures on each page) and 2 sketch maps, a very good copy, in its slip-case. A very nice and rare pictorial document on the "Sino-Japanese Disturbances" in Shanghai, in 1932, after the Moukden Incident. [Attributes: Hard Cover]

      [Bookseller: INDOSIAM RARE BOOKS]
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        A Game of Golf

      Houghton Mifflin, Boston and New York 1932 - Limited edition of 550 copies, this is #181, signed by Ouimet. Printed at the Riverside Press Cambridge. 8vo. 273 pages. Spine is sunned slightly. The book has the rare original red slipcase present. The slipcase is a bit tattered and has tape along one edge, however, the presence of the slipcase itself brings great value to this copy. Ouimet as an amateur won the 1913 U.S. Open at the Country Club in Brookline, MA where he defeated two stars of his era Harry Vardon and Ted Ray. Donovan & Murdoch 28460. Murdoch 580.D&J O6310. Ouimet would go on to receive a rare honor for an American - he served as Captain of the Royal and Ancient Golf Club of St. Andrews. We specialize in golf books. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Valuable Book Group, LLC]
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        The King of the Golden River.

      London: George G. Harrap & Co Ltd,, 1932. Octavo. Original limp vellum, titles to front cover gilt, top edge gilt, others untrimmed, pictorial endpapers. With the original slipcase (with hand-numbered spine label). Housed in a custom made green quarter morocco, fleece-lined solander box. Colour frontispiece and 3 colour plates, black and white illustrations in the text, by Rackham. Endpapers cockled, vellum a little puckered at corners (both having occurred during the binding process: a common trait with this book). An excellent copy. Deluxe edition, number 318 of 570 copies signed by the artist. With a delightful original pen-and-ink and watercolour drawing by Rackham (signed and dated "Arthur Rackham 1932") on the limitation leaf, depicting the twelve year old Gluck opening the window to Southwest Wind, Esquire.

      [Bookseller: Peter Harrington]
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        Christmas Pudding First Edition second impresion Dec 1932

      Thornton Butterworth, 1932 - First edition second impression published December 1932 one month after the first. A very close to Fine copy with slight dustiness to page edges, small neat owners shelf number in red ink to front blank, in a Fine Jacket, not clipped without tears or any of the usual age wear. A Fine example of this scarce second published work. [Attributes: First Edition; Hard Cover]

      [Bookseller: finecopy Ltd PBFA]
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        SIGNATURE

      - Boldly penned on stiff card [ca. 1932]. A fine, bold example. 3 1/2" x 5 1/2". [Attributes: Signed Copy]

      [Bookseller: Houle Rare Books/Autographs/ABAA/PADA]
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        L'opposition et les cases conjuguées sont réconciliées par / Opposition und Schwesterfelder sind versöhnt durch / Opposition and Sister Squares are reconcilied by DUCHAMP et HALBERSTADT.

      Paris - Bruxelles, Editons de L'Echiquier, Edm. Lancel / Gaston Legrain, 1932.

      [Bookseller: Solstices Rare Books]
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        Vorlesungen über die Arbeit der Grosshirnhemisphären. Autorisierte Übersetzung aus dem Russischen von Prof. Dr. G. Volborth.

      - Leningrad, Medizinischer Staatsverlag d. R. S. F. S. R., 1932. 8vo (14.7 x 21.9 cm). viii, 480 pp., some figures and tables. Original blue cloth with gilt title on the front board and spine. Original printed dustjacket, in transparent protective sleeve.l Ivan Petrovich Pavlov (1849-1936), "Genius of conditioned reflexes" (Parry) was the first Russian scientist to receive the Nobel Prize (1904). This is the rare first German edition of the original published in 1926-1927. It deals with Pavlov's famous lectures on the conditioned reflexes in dogs, with two illustrations of principle tests on pp. 27-28. The 23 lectures were held in 1924. In his two prefaces, Pavlov added some new facts, and, in the translator's preface, some information on Pavlov's research after 1927. Extremely rare with original dustjacket. The cloth binding is therefore in pristine condition, with the spine not faded, as in most copies. Dust jacket with only some tiny marginal chips, contents clean, unmarked. A near mint copy. DSB 10, pp. 431-436; Parry, pp. 78-89. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariaat Schierenberg]
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        LA SIRENE

      Paris, Pierre Vorms, éditeur, 1932. Edition originale; grand papier sur Japon impérial (un des 40 exemplaires numérotés). Avec 28 bois gravés de F. Masereel. Sans pagination. Complet. Format 20 X 27 cm. Très bon état; rare en grand papier.gg

      [Bookseller: Librairie Equinoxe]
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        WINGS Of The COAST GUARD. Aloft with the Flying Service of Uncle Sam's Life Savers

      W. A. Wilde Company, Boston 1932 - 314, [6 (adverts)] pp. Frontis on coated paper. 8vo. VG (square & tight/faint evidence of damping to front panel & rear boards' top outer corners)/VG (chip from top of spine panel [no lettering affected]/faint evidence of damping to front & rear panels' top outer corners). Original publisher's blue cloth with gilt stamped title lettering to spine & front board. Dust jacket [Attributes: First Edition; Hard Cover]

      [Bookseller: Tavistock Books, ABAA]
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        The King of the Golden River.

      London: George G. Harrap & Co. Ltd., 1932 - Octavo. Original full limp vellum, titles and decoration to front cover gilt, top edge gilt. Housed in a cream card slipcase with the original printed labels laid down. Mild soiling to vellum, the usual slight cockling to vellum and text block, minor foxing to endpapers. An excellent copy. Colour frontispiece, 3 similar plates, and black and white illustrations in the text. Signed limited edition, number 232 of 570 copies signed by the illustrator. Latimore & Haskell p. 67.

      [Bookseller: Peter Harrington. ABA member]
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        The Real Romanovs

      London - Putnam, 1932 Book. Fine. Hardcover. First edition.. Ahistory of the Romanovs by the enigmatic son of their court physician,presented in a handsomeAsprey binding. The first edition. Gleb Botkin was the son of Dr. Yevgeny Botkin, who was murdered at Yekaterinburg by the Bolsheviks alongside the Imperial family he served. He led an interesting life, founding the first neo-pagan church in the United States, and supporting Anna Anderson in her claim to be the surviving Grand Duchess Anastasia Nikolaevna. This illustrated history gives a unique insight into the doomed Russian monarchy, and holds additional interest in the author's curious relationship to their fateful history. Condition: In an Asprey full morocco binding, with gilt titles to the spine. Externally lovely. With the binder's stamp to the inside of the board. With a contemporary ink inscription to a front blank. Internally clean and bright throughout, and firmly bound. Overall: FINE.

      [Bookseller: Rooke Books]
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        Hyménée

      - Grasset, Paris 1932, 12x19cm, relié. - Edition, uno dei 20 esemplari numerati sul filo puro solo maggiori testate. La metà di rilegatura ... - [FRENCH VERSION FOLLOWS] Edition originale, un des 21 exemplaires numérotés sur pur fil, seuls grands papiers. Reliure à la bradel en plein papier à effet moiré, dos lisse, pièce de titre de maroquin noir, couvertures et dos conservés, reliure signée de Goy & Vilaine. Bel exemplaire agréablement établi.

      [Bookseller: Librairie Le Feu Follet]
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        Werkbundsiedlung Internationale Ausstellung Wien 1932: 70 Eingerichtete Hauser

      Wien, 1932. First Edition. Paperback. Very Good. Very scarce programme for this key 1932 architectural exhibition: the "largest building exhibition in Europe", showing 70 furnished houses and a 'Kaffeehuas', all designed by 32 distinguished modern architects from Austria, Germany, France, America and Holland; e.g. Josef Hoffmann, Clemens Holzmeister, Ernst Lichtblau, Adolf Loos, Walter Loos, Andre Lurcat, Ernst A. Plischke, Richard Neutra, Gerrit Rietveld, Walter Sobotka and Oskar Strang, etc. Catalogue gives construction details and names of the interior architects and contractors as well as the architect for each house, all accompanied by floor-plans. Bound in original decorative printed wrappers; 122 pages; illustrated from photos and plans; also includes 24 pages of period advertisements. Condition: upper wrapper with some slight creasing, a few pages mildly foxed, contents age toned; no pen-marks and no loose leaves. Overall just about very good for an item that is essentially ephemeral.

      [Bookseller: Prior Books]
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        6 June 1932 typed signed letter from Churchill to his publisher, George G. Harrap, submitting the draft of the first chapter of the first volume of Marlborough: His Life and Times

      Chartwell, Westerham, Kent, 1932. TLS. ?You will, I do not doubt, welcome the arrival of Chapter I?? This typed, signed letter from Winston S. Churchill to his publisher, George Godfrey Harrap, ostensibly accompanied submission of Churchill?s first chapter of the first volume of Marlborough: His Life and Times. The letter, on Churchill?s Chartwell stationery, contains 23 typed lines in two paragraphs, dated ?6th June 1932?, and concludes with Churchill?s holograph valediction and full signature in black ink. Condition of the letter is excellent, clean with no loss or tears, with a single vertical and single horizontal crease consonant with folding for original posting. Winston Churchill's monumental biography of his great ancestor, John Churchill, the first Duke of Marlborough, was initially conceived a full 40 years before publication of the fourth and final volume. Churchill originally considered the idea of the biography in 1898, returning to it in earnest in 1928. Marlborough ultimately took 10 years of research and writing and is the most substantial published work of Churchill's "wilderness years" in the 1930s. This decade saw Churchill pass into his sixties with his own future as uncertain as that of his nation. It is perhaps not incidental that Churchill?s great work of the 1930s was about a great ancestor. Churchill may have wondered more than once if the life history he was writing might ultimately eclipse his own. Richard Langworth says "To understand the Churchill of the Second World War, the majestic blending of his commanding English with historical precedent, one has to read Marlborough." The work was well received. Two months after Volume I was published, on 12 December 1933, T.E. Lawrence wrote to Churchill: ?I finished it only yesterday. I wish I had not? The skeleton of the book is so good. Its parts balance and the main stream flows? Marlborough has the big scene-painting, the informed pictures of men, the sober comment on political method, the humour, irony and understanding of your normal writing: but beyond that it shows more discipline and strength: and great dignity. It is history, solemn and decorative.? In this letter, Churchill sets context for the first chapter he is submitting and expresses confidence in both his writing and his approach to his subject: ?We have taken a great deal of trouble in verifying all the original sources, and as you see we have upset the long-accepted statements of the historians on numerous points of fact. The chapter is quite different from any of the opening chapters in other books on Marlborough, and may well go into print without further delay? it will be easier to fit the actual references in their proper places when we see the chapter in print.? Churchill took his task, and his research, seriously, as evidenced by his reference in this letter to the research substantiating his writing: ??Mr. Ashley has assembled an immense amount of material covering the whole field and including a great many documents which have never before been published.? Journalist and historian Maurice Percy Ashley (1907-1994) was Churchill?s research assistant from 1929 to 1933. Churchill often vexed his publishers by pushing deadlines. Churchill closes his letter providing some reassurance on this score: ?The second chapter is far advanced and I hope to let you have it in about a fortnight? I have every intention of completing my task in time for publication in the autumn of 1933." This deadline would be met. The first volume of Marlborough was published in October 1933 and the last on 3 September 1938. His publisher, George Harrap, died the next month and a year later Churchill was called back to the Admiralty, laying aside ancestral biography for the work of cementing his own place in history.

      [Bookseller: Churchill Book Collector]
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        Gilles de Raiz

      Editions Totem|& José Corti, 1932. - Editions Totem & José Corti, Paris 1932, 17,5x22,5cm, broché. - Edizione originale per i quali non vi è alcuna menzione di importanti documenti. Molto raro autografo firmato da Vicente Huidobro nel suo appariscente Marian Lanus "... Gilles de Rais se stesso con mago bianco e mago nero ... molto amichevole." libro illustrato di un ritratto dell'autore di Pablo Picasso e due disegni di Joseph Sima. Una grande camminata in posizione posteriore, piccoli morsi lunghezza del primo piatto. - [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'est pas fait mention de grands papiers. Très rare envoi autographe signé de Vincente Huidobro à sa voyante Marian Lanus : "... Gilles de Rais lui-même avec ses mages blancs et ses mages noirs. Très amicalement..." Ouvrage illustré d'un portrait de l'auteur par Pablo Picasso et deux dessins de Joseph Sima. Couvertures doublées et comportant de discrètes restaurations, dos comportant également d'habiles restaurations, agréable état intérieur.

      [Bookseller: Librairie Le Feu Follet]
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        Recherches Philosophiques. Publ. par A. Koyré, H. C. Puech et A. Spaier. 6 Bde. (Alles Erschienene).

      Paris Boivin et Cie -37 1932 - Gr.8°. Original-Kartonband Einbände mit Randläsuren, teilweise nicht aufgeschnitten. Gewicht (Gramm): 3000

      [Bookseller: Müller & Gräff e.K.]
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        Schlafende. Öl auf Leinen. Signiert und datiert (19)81, 35, x 47 cm. auf Keilrahmen. .

      - Klaus H. Zürner (geb. 1932 in Rochlitz) HGBL bei E. Voigt u. J. Lebek, Lehrauftrag Uni Leipzig, Seit 1958 VBK. Lebt und arbeitet in Leipzig u. Radebeul. 1200 gr.

      [Bookseller: Antiquariat Koenitz im Schloss Pillnitz]
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        Zürich. Acht Lithographien von Otto Baumberger.

      Zürich, Fretz & Wasmuth, 1932 Folio. (4) S. u 8. s/w Orig.-Lithographien (49 x 65 cm) unter Passepartout, HLwd. mit losen Blättern, Mappe etwas gebräunt, fleckig, Im Gelenk etwas eingerissen. Blätter tadell. Laut dem Autor des Werkververzeichnisses. Herrn Arnold Erni. wird die Auflage kaum über insgesamt 300 Exemplaren hinaus gegangen sein. davon vermutlich 150 signiert. Mappenwerk des künstlerisch auserordentlich vielseitigen und politisch sehr biegsamen Schweiz. Grafikers. Bühnenbildners. Malers. Zeichners u. Illustratoren Otto Baumberger (1889-1961). Nach seiner Ausbildung u. anschliessenden Auseinandersetzung mit dem Expressionismus u. Kubismus war der Künstler als Bühnenbildner tätig. Grosse Wertschätzung erhielt er vor allem als Plakatgestalter. Die vorliegenden Arbeiten dokumentieren die Industrialisierung Zürichs. \"Zu Beginn seiner künstlerischen Arbeit ist Baumberger in erster Linie dem Expressionismus verpflichtet. In den grafischen Blättern mit gesellschaftskritischen Themen nähert er sich inhaltlich wie stilistisch George Grosz und Otto Dix an. Zusammen mit Fritz Pauli. Otto Morach. Hermann Huber und Ignaz Epper gehört Baumberger zu den wichtigsten Vertretern des Expressionismus in der Schweiz\" (SIKART). [Starke. expressive Darstellungen der Stadt Zürich.] Versand D: 20,00 EUR Grafik - vor 1945 Illustr. Bücher - Originalgrafik

      [Bookseller: Antiquariat Peter Petrej]
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        Gli elementi dell'architettura funzionale. Sintesi panoramica dell?architettura moderna: 676 riproduzioni. Prefazione di Le Corbusier. Introduzione di Carlo Ciucci

      Hoepli, Milano 1932 - 28 cm, rilegatura editoriale in tela gialla, titolo in verde e illustrazione in rosso al piatto; p. (8), 538, (4). Interamente illustrato con foto e disegni di opere di Aalto, Albini, Baldessari, Belgiojoso, Bottoni, Breuer, Cattaneo, Cereghini, Figini, Gardella, Garnier, Griffini, Gropius, Le Corbusier, Lingeri, Mies van der Rohe, Nervi, Neutra, Nizzoli, Pagano, Peressutti, Perret, Persico, Pollini, Ponti, Sant'Elia, Sartoris, Tatlin, Terragni, Wright ecc. Dipinti e sculture di Andreoni, Arp, Belli, Benedetta, Boccioni, Tullio d'Albisola, De Chirico, Di Bosso, Diulgheroff, Dottori, Fillia, Fontana, Ghiringhelli, Kandinskij, Léger, Licini, Lissitzkij, Magnelli, Melotti, Monachesi, Mondrian, Morandi, Oriani, Prampolini, Radice, Reggiani, Rho, Savinio, Severini, Soldati, Tato, Van Doesburg, Veronesi, e altri Ottimo

      [Bookseller: Studio Bibliografico Orfeo]
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        Dinner at Eight

      New York: Doubleday, Doran & Company, 1932. First Edition. Hardcover. Very Good. First Edition. 259 p. Black cloth gilt lettering. Near Fine in Near Fine dust jacket. Very light foxing to top edge and paste downs. Small tear in jacket near head, light shelf wear, price intact ($2.00). Lovely shape overall. The basis of the alternately charming and maudlin George Cukor film with a dynamite ensemble cast.

      [Bookseller: Burnside Rare Books]
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        Brave New World

      Chatto & Windus, London 1932 - First Edition, First Printing. A beautiful price clipped dustjacket that is vibrant in color with NO chips or tears with some repair. The book is bound in the ORIGINAL publisher's blue cloth and is in great shape. The binding is tight with minor wear to the boards. The pages are clean with NO writing, marks or bookplates in the book. A lovely copy in collector's condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        An Heroic Poem in Praise of Wine, 1/100 SIGNED

      London, Peter Davies, 1932 - First edition, number 43 of 100 copies signed by the author, original boards with printed title label, minor rubbing to extremities, bumped at head of spine with some resultant creasing to pages very top of leaves throughout, else a Fine copy. Folio 1932. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: finecopy Ltd PBFA]
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        Der Arbeiter-Fotograf. 7 Hefte des VI. Jahrgangs 1932. Offizielles Organ der Vereinigung der Arbeiter-Fotografen Deutschlands.

      Neuer Deutscher Verlag, (Berlin 1932 - (Berlin, Neuer Deutscher Verlag 1932). 4°. Illustr. OBr. Vorhanden Heft 2 und Hefte 4 bis 9 (7 ohne Umschlag). In der Redaktion von Eugen Heilig erschienen. Durchgehend paginiert. Beiträge von Fritz Brill u.a., Abbildungen von T(ina) Modotti, Helma Tölle und sehr zahlreichen, mit Initialen gezeichneten, Amateurfotografen. - Diese Publikation aus dem Verlag von Willi Münzenberg stellt eine der wichtigsten Quellen für die Überlieferung und Erforschung dieser proletarischen Amateurkultur der Weimarer Republik dar. Die Zeitschriftendatenbank weist in Deutschland nur 13 Bibliotheken nach, die über mehr oder minder unvollständige Bestände dieser Publikation verfügen, fünf davon in Berlin. Sprache: deu [Attributes: First Edition; Soft Cover]

      [Bookseller: Georg Fritsch Antiquariat]
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        Klavierstueck

      1932 - SCHOENBERG, Arnold. Klavierstueck. (San Francisco: New Music), 1932. Folio (10-1/2 by 14 inches), staple-bound as issued, original yellow paper wrappers; pp. 7. $2000.First edition of Schönberg's final composition for solo piano, inscribed on the first page of the piano score: "For Mr. James P. Murphy's music collection. Arnold Schoenberg. August 1950."Schönberg wrote Op. 33b, part of a pair of piano compositions also including Op. 33a (1929) slated for an anthology, "during a stay in Barcelona. In his Piano Pieces, op. 33, Schönberg makes consistent use of a technique which combines twelve-tone rows, in which two forms of a row can be used at the same time without repeating individual tones. This expanded the number of possibilities for combination while also preserving the conclusiveness of the twelve-tone writing. The relatively short duration and unity of the pieces are reminiscent of romantic forms: the "Intermezzi" by Johannes Brahms, for instance, whom Schönberg greatly esteemed. The first piece in op. 33 has a rather impulsive and brilliant character, the second is restrained, more lyrical. A closer formal examination of the work clearly reveals the traditional origin of its elements. For example, op. 33a begins with a theme that consists of six chords; after a transitional passage this theme is played a second time one octave higher. A brief linking section is followed by the second theme, distinguished by a melody in the bass and a characteristic model of accompaniment. After the melody is repeated in the treble, a short developmental section begins, followed by a recapitulation in which the first theme can be heard in broken chords. The condensed sonata form is easily recognisable from the combination of two themes, a kind of elaboration and the recapitulation. Schönberg's op. 33b is structured according to altogether similar principles, although here the second theme appears before the first in the recapitulation. His final compositions for solo piano demonstrate his endeavours to fit new musical ideas into traditional contexts" (Arthur Schoenberg Center, Vienna). Promotional sheet for New Music Edition Orchestra Series with subscription clip-off laid in.Mild toning to wrappers. A near-fine copy. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
 29.   Check availability:     AbeBooks     Link/Print  


        Picture Map of China. ????

      New York.: Friendship Press.. 1932.. Wall-sized pictorial map, 37 1/4 x 48 1/2 inches on sheet 38 1/4 x 49 3/4 inches (97.5 x 126 cm), originally folded, now archivally mounted on linen. Evidence of some minor chipping to folds, now minimsed. Color pencil additions to the map outlining two regions. A good example of the scarce 1932 pictorial map of China by Frank Randolph Southard published by Friendship Press, the publishing arm of the National Council of Churches in New York. The map was designed as a teaching tool in classrooms and in this vein the added color on the copy offered here delineates a section of northeast China and a large swath of western China. The map is on a scale of 1:16,000,000. The outside border of the map shows various Chinese symbols such as the yinyang, the wheel of law, the pearl, long life etc. The inner border shows scenes of life in China: at home, at work, at school, in the street. The map itself is quite schematic, showing elevation pictorially, rivers, major cities. Listed in WorldCat at only three libraries, the scarcity of this map is no doubt due to its size and its practical application. A handsome map with much interesting commentary on the Western view of China in the years before World War II. .

      [Bookseller: oldimprints.com]
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        The Disappearing City

      New York: William Farquhar Payson, 1932. First Edition. Hardcover. Very Good. First edition, first printing, in second state binding. Very Good with fading to cloth at spine and edges, in a price-clipped, tattered dust jacket with tears (especially to rear panel), missing chips and repairs made to the verso. Scarce in dust jacket.

      [Bookseller: Burnside Rare Books]
 31.   Check availability:     IOBABooks     Link/Print  


        Cours de Cryptographie

      1932. BERGER-LEVRAULT. 2ème édition. 1932. In-8.Carré. Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Rare ouvrage de 304 pages. Etiquette de code sur la coiffe en-tête et tampons de bibliothèque sur la page de titre.

      [Bookseller: Le-Livre.Com]
 32.   Check availability:     maremagnum.com     Link/Print  


        VOYAGE DE BABAR

      DE BRUNHOFF, JEAN. DE BRUNHOFF,JEAN. LE VOYAGE DE BABAR. Paris: Jardin des Modes (1932). Folio (10 1/2 x 14 1/2"), cloth backed pictorial boards, 2 tips worn, VG-Fine with much less scratching than is usually found on the covers. FIRST EDITION OF THE SECOND BABAR BOOK, featuring rich color illustrations on every page. Nice copy.

      [Bookseller: Aleph-Bet Books, Inc.]
 33.   Check availability:     Biblio     Link/Print  


        [Photo Album]: New England and Dartmouth College

      New England. Oblong octavo. Flexible brown green boards with "Photographs" and "Souvenir of Atlantic City" in gilt. Near fine. A collection of 89 sepia toned photos measuring 4.75"x 2.75"and 11 sepia toned pictorial postcards measuring 3.5" to 5.5" as well as two road maps of Kentucky. The photo album is from an unnamed female student's graduation from Dartmouth College and the subsequent roadtrip she and her family through New England. The road trip begins in Cape Cod, with photographs of Massachusetts National Cemetery included, with close ups of headstone engravings and scenic views, before the family travel onwards to Cadillac Mountain in Maine, Glen Ellis Falls in New England, and the birthplace of President John Coolidge. The postcards show views of various buildings that make up her alma mater, with each building's title printed on the bottom edge. Also included are two maps, the first 'A Scenic and Historic Road Map' published by Kentucky Progress Commission in 1932. It includes black and white photographs of significant land marks and views on route, as well as a coloured road map of Kentucky on the reverse. The second map also has black and white photographs on one side, with a larger and more detailed map on the reverse, with the route the family chose picked out in blue pencil. An interesting collection given it provides a direct insight into how people conducted a road trip and how they perceived such landmarks as Echo Lake in their time, but it is made all the more significant by depicting a woman graduating college -- a concept that was still new at the time. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 34.   Check availability:     ABAA     Link/Print  


        Cold Comfort Farm (With The Original First Issue Wrapper)

      The First UK printing published by Longmans in 1932.The BOOK is in VERY GOOD++ condition.Light pushing to the spine ends with a tiny nick at the upper spine.Edges are lightly faded.Mild rubbing along spine folds.Toning to the text block but the pages remain clean.Free from erasures,inscriptions and markings. Light toning and spotting to the end papers as expected.A tight copy.The WRAPPER is complete and now presents in FINE condition.It is the correct first issue wrapper which has undergone restoration and repairs by a leading expert restorer: Rubbed areas,the lower third of the spine and the upper spine end have been restored and repaired (See image of original wrapper).It has also been cleaned.The wrapper now looks very striking in the removable Brodart archival cover.Housed in a custom solander box.The author's iconic first novel which established her reputation and which went on to win the literary Prix Femina Étranger. It has bequeathed a phrase that has passed into common usage: 'something nasty in the woodshed'. Extremely scarce as a first edition in wrapper - The first copy we have handled to date.

      [Bookseller: Ashtonrarebooks]
 35.   Check availability:     PBFA     Link/Print  


        COLD COMFORT FARM

      London: Longmans, Green and Co, 1932. First Edition. Hard Cover. Very Good binding/Fair dust jacket. A clean copy of the First Edition in a challenged dustjacket. The comic novel has nearly a cult following, with its depiction of the lives of the emotionally challenged inhabitants of rural England. The basis for the 1995 movies of the same name, starring Ian McKellan. ~~ The jacket has significant shelfwear with loss of 1 1/2" at the bottom of the spine, and 3/8" of an inch at the top. The spine has been reattached to the front and rear panels. The dustjacket has not been price-clipped. The binding is cocked. The lettering on the blue boards is bright. Very Good binding / Fair dust jacket.

      [Bookseller: Black Swan Books, Inc.]
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        Cold Comfort Farm

      London: Longmans, Green and Co. 1932. xii, 307 pp. Publisher's original blue cloth with white lettering to front board and spine. Wear to spine ends and along spine joints with slight rubbing & wear overall to extremities. Internally clean. No ownership names. Binding firm. A Good copy. . Good. Cloth. First Edition. 1932. 8vo..

      [Bookseller: Fosters' Bookshop]
 37.   Check availability:     Biblio     Link/Print  


        La Majesté de Rome : UN MANUSCRIT COMPLET

      Environ 340 feuillets, encore noire ou bleue. Classeur, 195 x 245 mm, titre au dos, mors fendus. MANUSCRIT COMPLET (340 feuillets) de cette étude sur Rome parue en 1932 chez Grasset sous le même titre. Sur la première page : "A toi ce manuscrit, ma Suzanne chérie, car ce livre, nous l'avons vécu et pensé ensemble, sous ses heures de joie, de ferveur, de foi dans le Beauté : et si j'ai tenu la plume, ce fut pour nous deux, qui ne sommes qu'un seul et même être. Camille Mauclair". Camille Mauclair rencontra Suzanne lors d'un séjour en Belgique, elle l'accom- pagnera dans tous ces voyages et l'assistera durant les derniers moments de son existence.

      [Bookseller: Librairie Le Pas Sage]
 38.   Check availability:     Livre-rare-book     Link/Print  


        King of the Golden River, The

      London: George Harrap & Co., 1932. - One of 575 Copies Signed by Arthur Rackham[RACKHAM, Arthur, illustrator]. RUSKIN, John. The King of the Golden River. Illustrated by Arthur Rackham. London: George Harrap & Co., [1932]. One of 575 copies signed by Arthur Rackham, this being copy No. 385. Octavo (8 3/4 x 5 3/4 inches; 222 x 146 mm.). 47, [1] pp. Four color plates and fifteen drawings in black and white. Original limp vellum. Pictorial endpapers in green and white. Top edge gilt, others uncut. Covers very lightly dust-soiled, otherwise a fine copy. Chemised in a green cloth slipcase with red morocco gilt lettering label.John Ruskin (1819–1900), "English author and artist, whose The King of the Golden River might be regarded as the first English fairy story for children. Though it was not published until 1851, seven years after Francis Paget's The Hope of the Katzekopfs, it was in fact written in 1841 for 12-year-old Effie Gray, whom he later married. It is a story of the three brothers of tradition, two bad, the youngest good, and their reception of a supernatural visitor, the South West Wind. Ruskin described it himself as ‘a fairly good imitation of Grimm and Dickens, mixed with some true Alpine feeling of my own’, but the South West Wind is a powerful and original character, described by Stephen Prickett [in Victorian Fantasy (1979)] as the ‘first magical personage to show that combination of kindliness and eccentric irascibility that was to appear so strongly in a whole tradition of subsequent literature’. Richard Doyle, who illustrated the original edition, made a striking drawing of him. Edgar Taylor’s translation of the Grimms’ stories with illustrations by George Cruikshank was published in 1823; in Praeterita Ruskin recorded how he had copied these when he was 10 or 11. The book was reissued in 1868 with an introduction by Ruskin in which he spoke of the value of the traditional tales, with their power ‘to fortify children against the glacial cold of selfish science’—a sentiment which lies at the heart of his own story" (The Oxford Companion to Fairy Tales).Latimore and Haskell, p. 67. Riall, p. 176.

      [Bookseller: David Brass Rare Books, Inc.]
 39.   Check availability:     AbeBooks     Link/Print  


        The "Sino-Japanese Disturbances" - Souvenir Album - Shanghai - 1932

      Shanghai, 1932. 1 album oblong, olive green silk boards with rubbon ties and paper label onlay, 48 pages of tissue-guarded plates from photographs (mainly 2 pictures on each page) and 2 sketch maps, a very good copy, in its slip-case. A very nice and rare pictorial document on the "Sino-Japanese Disturbances" in Shanghai, in 1932, after the Moukden Incident.

      [Bookseller: Librairie Ancienne Indosiam]
 40.   Check availability:     Livre-rare-book     Link/Print  


        Ms. Brief mit eigenh. U. München, 22. XII. 1932.

      1932. 2¼ SS. auf 2 Bll. Gr.-4to. Mit ms. adr. Kuvert. An den Dirigenten Hans Knappertsbusch: "[...] Heute in der Hauptprobe zum 'Christelflein', die bis dahin ohne die geringste Störung verlief, und von mir nur mit sehr wenig Unterbrechungen geleitet wurde, sah ich vor einem wichtigen Geigeneinsatz, daß verschiedene Herren von der ersten Geige das Instrument nicht spielbereit hatten und auf die Bühne sahen, und rief, zu den ersten Violinen gewendet, das Wort: "Geigen", damit der Einsatz präzis kommen solle. Daraufhin rief mir der erste Konzertmeister König laut zu, ich solle das anders sagen, und ich sei gereizt. Bei der sich nun ergebenden Kontroverse blieb Herr König bei seiner Behauptung, fügte hinzu, ich sei bissig, wiederholte dies mehrmals, als ich mir das verbat, bis ich die Kontroverse damit abschloss, dass ich seine Behauptung als unverschämt zurückwies und weiter probierte. Ich brauche wohl nicht extra zu versichern, dass von einer Gereiztheit oder gar Bissigkeit bei mir nicht entfernt die Rede sein konnte, dass vielmehr die Behauptung des Herrn König vollständig aus der Luft gegriffen war. Ich bin begierig, durch welchen Beweis jene Behauptung erhärtet werden kann. Vielmehr scheint mir die Sache so, dass gegen mich im Staatsorchester eine renitente Stimmung herrscht, die sich weiter nicht erklären lässt als höchstens dadurch, dass ich überhaupt während der Proben gelegentlich einen musikalischen Wunsch äussere. Das gilt den Herren anscheinend schon als Beleidigung. Und nun drehen Sie den Spieß um und behaupten, es liege an meinem 'Ton', wenn sie sachlich nichts dagegen sagen können. Hierbei nun wieder stützen sie sich auf eine längst gegen mich in Schwung gebrachte Mär, die ich nun endlich geradewegs als eine boshafte Verläumdung [!] bezeichnen muss, nämlich dass mit mir persönlich schwer umzugehen, ich schwer zu befriedigen, ständig gereizt, und was dergleichen mehr ist, sei [...]". - Auf Briefpapier mit gedr. Briefkopf.

      [Bookseller: Antiquariat Inlibris]
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        Eigenh. Brief mit U. ("Lersch"). Bodendorf an der Ahr, 7. VII. 1932.

      1932. 1¼ SS. auf Doppelblatt. Gr.-8vo. Mit einer Beilage (s. u.). An den Schriftsteller und Regisseur Hanns Maria Braun (1810-187): "Werter Kollege, darin haben Sie nicht Unrecht, daß ich Briefe gern beantworte, trotzdem es eine komische Sache ist: Wenn ein Nachbar kommt und sagt: Grab mir nach Feierabend ein Stück Feld um oder hilf mir mein Fahrrad flicken - so tu ich es sehr gern, denn es ist - gegen die Tagesarbeit eine schöne Ablenkung. Kommt aber ein Nachbar zu einem Nachbarn, der den ganzen Tag gegraben oder Fahrrad geflickt hat, der sagt, na, hast du keinen Brief zu schreiben oder so was? Das wär eine geistige Ergänzung zur Tagesarbeit. Also wenn schon schreiben, dann muß es Sinn haben [...]". - Heinrich Lersch war 1914 mit seinem Gedicht "Soldatenabschied" bekannt geworden, "in dem er der Kriegsbegeisterung der Arbeiter Ausdruck verlieh. Nach dem Ersten Weltkrieg kam Lersch in Kontakt mit dem Bund der Werkleute auf Haus Nyland, nahm jedoch eine ablehnende Haltung gegenüber dem Klassenkampf ein und schilderte u. a. in seinem autobiographischen Roman ‚Hammerschläge' (1930) die Lebensbedingungen der Proletarier, die Erfüllung in ihrer Arbeit finden. Er schloß sich den Nationalsozialisten an, die ihn 1933 in die Deutsche Akademie der Dichtung aufnahmen und seinem Werk zu großer Popularität verhalfen" (DBE). 1933 neben 87 anderen Schriftstellern ein Treuegelöbnis für Hitler unterzeichnend, unterstützte er folgerichtig im Jahr darauf einen "Aufruf der Kulturschaffenden" anläßlich der Volksbefragung zur Vereinigung des Amtes des Reichskanzlers und Reichspräsidenten in der Person von Adolf Hitler; 1935 erhielt Lersch den Rheinischen Literaturpreis. - Hanns Maria Braun, häufig unter dem Ps. Johann Gottlieb Dietrich publizierend, war Lektor im Heitz Verlag und Herausgeber der "Kulturpolitischen Rundschau", danach Schriftleiter beim "Völkischen Beobachter" und zuletzt Filmregisseur. Vgl. Kosch I, 911. - Die zwei letzten Zeilen der Recto-Seite von Bl. 1 sowie die oberen Zeilen auf Bl. 2 recto alt ausgeschnitten und mit Tesafilmstreifen erneut eingefügt; beiliegend ein Kuvertausschnitt mit e. Adresse und Absenderstempel.

      [Bookseller: Antiquariat Inlibris]
 42.   Check availability:     maremagnum.com     Link/Print  


        Valiant Dust (First UK Edition, inscribed)

      London: John Murray, Albemarle Street, W., 1932. First Edition. First Edition. INSCRIBED by the author on his coat of arms bookplate, affixed to the front pastedown: "To Mrs. D.O. Williams / with the author's regards / Wren."Moderate spine lean and moderate foxing to the fore-edges outer page margins, else About Very Good in a like dust jacket. Jacket is uniformly soiled on the spine and rear panel, with some minor chipping at the extremities, one short closed tear, and some cellotape reinforcements on the verso.

      [Bookseller: Royal Books, Inc. ]
 43.   Check availability:     ABAA     Link/Print  


        ALICE'S ADVENTURES IN WONDERLAND. --- & --- THROUGH THE LOOKING GLASS, AND WHAT ALICE FOUND THERE.

      Macmillan & Co. London. 1932 and 33. TWO VOLUMES BOUND IN ONE. 8vo, (7.4 x 5.2 inches). Both volumes are beautifully Illustrated throughout, with forty-two and fifty line engravings respectively, by John Tenniel . Bright, clean copies, finely bound, by Riviere & son, in early full dark red morocco. Spine with raised bands, each with gilt piping. The compartments ruled and fully decorated in gilt. Elaborate gilt ruled borders on boards with central colour leather onlay illustrations of Alice with the Dodo to the front board and Alice and the Red Queen to the rear. All edges gilt. Marbled endpapers. Turn-ins with fully gilt decorative borders. Some very light rubbing to the edges and a front blank free endpaper neatly removed (the marbled endpapers are all intact) but overall this is a highly attractive binding in very good condition.

      [Bookseller: Paul Foster Books]
 44.   Check availability:     Biblio     Link/Print  

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