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Displayed below are some selected recent viaLibri matches for books published in 1926


      - Paris, Au sans pareil, 1926, 23x29. Broché, sous couverture et emboîtage illustrés. Dos lisse portant le titre en lettre noires. Premier plat richement illustré en rouge et portant le titre et l'auteur en lettres noires. Tirage à 470 exemplaires, celui-ci est l'un des 30 exemplaires sur vélin de Hollande van Gelder (après 20 vélin et 30 japon). Il est accompagné d'une suite des gravures sur ancien papier à la forme de Japon. Ouvrage somptueux et en parfait état. [Attributes: Soft Cover]

      [Bookseller: Librairie de l'Univers]
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      New York: Charles Scribner's Sons, 1926.. Green cloth, lettered in gilt and blind. Expert restorations to spine extremities and joints, light foxing to prelims, small discoloration at top edge of first several leaves, but a good, sound copy. Half morocco slipcase. First edition of this collection of short stories (presumably the earliest printing, with no signs of type deterioration on pages 38, 90 and 248). Inscribed by Fitzgerald on the front free endsheet: "For Anne Ober [/] Hoping that none of her descendents will be sad young men [/] F. Scott Fitzgerald." With the ink signature of Harold Ober on the opposite pastedown. Harold Ober served as F. Scott Fitzgerald's literary agent beginning in November 1919, and until the end of Fitzgerald's career, as his confidant and friend. Anne and Harold Ober were particularly significant in providing support for Scottie Fitzgerald after Zelda was hospitalized. There are a few small pencil notes in the table of contents. A fine association copy. BRUCCOLI A12.I.A.

      [Bookseller: William Reese Company - Literature ABAA-]
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        All the Sad Young Men

      New York: Charles Scribner's Sons. 1926. First. First edition, first issue. Two owner's names on the front endpapers, else a fine, bright copy in an attractive, just about fine dustwrapper with a couple of tiny nicks at the corners of the crown. The figure on the jacket has only nominally "battered" lips, supposedly an indication that it was printed early in the run. A lovely copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      New York: Charles Scribner's Sons, 1926.. Green cloth, stamped in gilt. First edition, probable first printing, with no signs of type wear at the three points in the text cited by Bruccoli (the first three printings are not formally distinguished). Neat, April 1926 gift inscription on free endsheet, small bookseller's ticket at corner of free endsheet, otherwise a fine, bright copy, in very good, slightly spine darkened dust jacket with shallow fraying at crown of spine, slight cracking toward toe of upper fold, and a minor spot. The flapper's lips on the front panel of the dust jacket show signs of batter. Half morocco folding case. BRUCCOLI A12.I.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Corps perdu. Roman orné d'illustrations et de deux pointes sèches hors texte de Jean Lurçat.

      Paris, Au sans pareil 1926 - Livre épuisé 14,5 x 19,5 cm, broché, couverture bleue rempliée, 107 pp., 5 f. non paginés + double suite des illustrations. Publiée l'année de son exclusion du mouvement surréaliste, cette première version du roman "Coeur d'or" est souvent comparée à Nadja d'André Breton. Très belle illustration de Lurçat. Condition : Edition originale, l'un des 20 ex. num. du tirage de tête imprimés sur vélin de cuve et réservés aux Amis du Sans Pareil avec double suite des illustrations et des deux pointes sèches de Jean Lurçat imprimées sur papier Hollande et Japon. Exemplaire nominatif de Robert Coulouma qui fut chargé de l'impression de l'ouvrage. Dos et couv. fanés (comme souvent) sinon très bel état. 250g. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Faustroll]
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        Fumeurs d'opium.

      - Broché couverture rempliée, sous emboitage, 27X22 cm, 1926, 318 pages, eaux-fortes et vignettes par Henri le Riche, édition imprimée sur vélin de cuves du marais, fabriqué spécialement à la main et filigrané d'un dessin de Henri le Riche limitée stictement à 152 exemplaires tous paraphés par l'éditeur, un des 130 exemplaires numérotés contenant les eaux-fortes en noir et une suite avec remarques tirée en sanguine, éditions J. Ter. Bel exemplaire très frais. [Attributes: Soft Cover]

      [Bookseller: Latulu]
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        Satanu. Basen. (Satan. A Poem)

      Prague: The artist (Vrsovice: L.P.) 1926 - Published in an edition of 17 copies, this is a highly dramatic work illustrating the eponymous poem by Carducci (1835-1907), noted poet, historian and politician. SATANU is a magnificent work in large format (59 x 34 cm) with 11 full-page hand-colored woodcuts and 3 smaller linocuts, also in color. Váchal made the paper by hand, created the 1000 printed characters of his own making, and printed it in his studio in the Prague district of Vrsovice. The book is signed in the colophon and numbered by three thumbprints and four fingerprints, making this the seventh copy. Vachal presents us with a series of visual meditations that are some of his strongest, including an abstraction with alchemical symbols and possibly one of the most remarkable busts of the Lord of Darkness in the frontispiece. The artist was a lover of fine literature and poetry, and Carducci provides ample catalytic power in his strong declaration of free thought and personal autonomy for the individual. This book was published in the period of what could be considered the zenith of Váchal’s output (1918-1933) and is one of his undisputed masterworks. This copy is unbound as issued. There is light offsetting as usual on the Title. This book was handmade by Váchal and, as was his general custom, issued in loose sheets to his buyers who would take it as is and have them bound if desired. Váchal did not normally bind his private printing, doing so in very few cases such as with the mammoth ŠUMAVA, and even then only three or four out of the full edition of eleven. Each of Váchal´s private works may be considered unique and differ from the works destined for larger publication which were normally bound and more consistent (“larger” publications usually ran between 75 and 150 copies). Often one finds slight variations between one and another copy, just as his work was subject to spontaneous elements ad libitum. It is unquestionably noted as a book production in the catalogue raisonné. References: JOSEF VÁCHAL, a catalogue raisonné. Prague: Argestea, 1994. Catalogue K20, page 457; illustrated pp. 331-333. [Attributes: First Edition; Signed Copy]

      [Bookseller: Michael Fagan Fine Art & Rare Books]
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        La Sculpture Chinoise du Ve au XIVe Siècle - Neuf cents spécimens en pierre, bronze, laque et bois, provenant principalement du Nord de la Chine, reproduits sur 624 planches, accompagnés d'un texte descriptif et d'une introduction sur l'évolution de la sculpture chinoise du Ve siècle au XIVe siècle.

      Paris, Bruxelles, Librairie Nationale d'Art et d'Histoire, 1925-1926. - 1 ensemble de 5 volumes in quarto, 1 volume de texte relié demi-toile et 4 volumes de planches sous chemises cartonnées, dos toilé, très bon état. A complete set of 5 volumes, one volume of text (in french language) and 4 volumes of plates. Text volume in orange wraps covered by a half-cloth binding. Accompanied by four portfolios containing plates as follows: Vol 1: 1-165; Vol. 2: 166-333; Vol. 3: 334-484; Vol. 4: 485-623.` In addition to the text volume (Introduction Génrale), each of the four plate portfolios contains introductory text segments. A very clean, nice set of a rare title. Annales du Musée Guimet - Bibliothèque d'Art - Nouvelle Série. This is a unique collection of 623 full page plates of chinese sculpture art. Very scarce in such a good condition. [Attributes: Soft Cover]

      [Bookseller: INDOSIAM RARE BOOKS]
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        The History of Spiritualism. Two Volumes.

      Cassell and Company, Ltd., London 1926 - First Edition. 8vo; 342pp; 342pp; (includes 33-page index); blue gilt- stamped cloth, grey dust jackets printed in black. Volume I with Eight Plates; Volume II with Eight Plates. Books are fine except for a bit of foxing to half-title of Vol. I. Jackets a trifle sunned at spines and a bit rubbed, some small chips to top of spine of each jacket, no bigger than 1/4", still very good. An unusually nice set. Much material on Shakers - see Index. [Attributes: First Edition; Hard Cover]

      [Bookseller: Priscilla Juvelis Inc., ABAA]
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        The History of Harlequin.

      1926 1926 - With a preface by Sacheverell Sitwell. With cover design and decorations by Claudia Guercio and illustrations, 5 fullsize handcoloured, from contemporary sources. London: C.W. Beaumont 1926. 156 pp. No 244 of 325 copies. Publisher's decorated boards. * Signed presentation copy with a large inscription to the Danish critic Svend Kragh Jacobsen and with his bookplate. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        The History of Spiritualism

      George H. Doran Co. New York (1926) - First American Edition. Two Volumes, original blue cloth, tall octavo, illustrated. Doyle's two volume survey of the Spiritualism movement and the author's most comprehensive work on the subject. "Doyle has brought to bear all of his remarkable powers of narration, concentration and historical accuracy. The result is he has produced what must ever remain the standard history of the great subject of spiritualism and the supernatural". This copy with a vintage postcard laid in of the Fox House, the children of the house would become known as the earliest spiritualists. An extremely scarce Doyle set to be found in original printed dustjackets. Very Good or Near Fine, some foxing to page edges, in Very Good dustjackets, shallow chips at lower spine end of volume one jacket, some darkening to spine, volume two jacket with some shallow spine end chips and some red coloring to front panel. [Attributes: First Edition; Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
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        The Land Of Mist

      New York, George H. Doran Company 1926., 1926. First US Edition. 8vo. Near fine in publisher's green cloth with titles in black to spine and front board. Some residue remains of a white paper label that appears to have been fixed to the lower edge of the front board, aprt from this residue and a slight bump to the upper right hand corner the book is exceptionally clean and lovely. Slight spotting to the page edges, the book is clad in a lovely example of the fragile dustwrapper, wear to extremities and chipping to the top right hand corner of the front panel and to the base of the spine, otherwise unfaded and bright, some slight toning to the green and cream rear panel and spine but the virtues far outweigh the shortcomings. Scarce in the wrapper and even scarcer in a wrapper that doesn't look like it heaved itself down the Amazon wracked with yellow fever and babbling about dinosaurs. The third story in the series featuring Professor George Challenger, one of the most memorable characters in speculative fiction. Doyle's other great character beside Sherlock Holmes, Challenger had already starred in two novels 'The Lost World' (1912), and 'The Poison Belt' (1913) and would later appear in 'When the World Screamed' and 'The Disintegration Machine'; Brilliant, witty, insufferable, and blessed with a booming voice and a huge black beard, Challenger is an eccentric and able champion of the human race. Given the author's preoccupation with Spritism at this time, 'The Land of Mist' turned out to be a psychic adventure. Green and Gibson; A Bibliography of Arthur Conan Doyle.

      [Bookseller: Adrian Harrington Rare Books]
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      - Centre Muntanyenc Barcelonés. Encuadernación de tapa dura. Estado de conservación: Excelente. Conserva las tapas originals.Barcelona. Centre Muntanyenc Barcelonés. 1926-1936. 28X20. Tela. 6 Volums. Vol 1: Comarques de l'interior de Catalunya i Comarques confinats amb el Mediterrani, 326Pág+2h. Vol 2: Interior i extrem nord occidental de Catalunya, 372Pág+3h. Vol 3: Principat d'Andorra, 70Pág+2h. Vol 4: El sud de Catalunya, 328Pág+2h. Vol 5: Comarques de l'interior i de la part Nord-Oest de Catalunya, 382Pág+2h [Attributes: Hard Cover]

      [Bookseller: Reus, Paris, Londres]
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        Typescripts with Author's Corrections for Two or Three Graces.

      - 103ff. typed carbon sheets comprising the typescripts for the complete contents of Huxley's 1926 collection, Two or Three Graces. In addition to the title novella, the collection contains three shorter stories: "The Monocle," "Fairy Godmother," and "Half-Holiday." This is likely the setting copy for the book, as some of the pencil notations are concerned with matters of font selection and page breaks; also, it has the Little & Ives receipt stamp on the verso of page 4, showing it as being received on 8 December 1925. Huxley composed almost all of his works on the typewriter, and these typescripts show the author's changes in black and red pen, as well as an editor's annotations in pencil for the printer. The title of "Fairy Godmother" was changed by Huxley, and the first page of the story has a slip from the publisher tipped into the margin. Housed in a specially-made, folding cloth chemise and a green morocco-backed slipcase. Some edgewear is present to the thin typing paper, and a marginal tear to page 74 has resulted in slight text loss. [Attributes: Hard Cover]

      [Bookseller: Bromer Booksellers, Inc., ABAA]
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        Les Vits imaginaires

      Place des Erections, S.L. 1926 - Edition originale de ces neuf poèmes érotiques, illustrés par DUNOYER DE SEGONZAC d'une empreinte en brun pour le titre, d'une illustration à la justification, de 5 culs de lampe et de 2 gravures à la pointes-sèches hors texte. Tirage unique à 250 exemplaires numérotés sur vergé, celui-ci avec un ENVOI autographe le l'auteur, signé de son pseudonyme. La couverture est pudiquement intitulée " Vies ", la page de titre étant plus explicative. Fils de l'historien d'art Roger Marx qui, dés 1900, défendait Bonnard et Vuillard, Claude Roger-Marx est l'auteur de nombreuses études sur Jongkind, Daumier, Redon, Toulouse-Lautrec et bien d'autres. Les gravures qui illustrent ce petit livre sont les deux seules planches érotiques de Dunoyer de Segonzac. (Pia 1526-1527). [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie-Galerie Emmanuel Hutin]
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        Episoden des Untergangs.

      - Heidelberg, Merlin-Verlag (1926). 32,7 : 25 cm. 138,(2) S. Mit Titelzeichnung, Initiale, 26 Illustrationen nach Federzeichnungen u. 1 sign. Orig.-Lithographie. Dunkelroter Orig.-Ganzlederband mit Einbandvignette u. RTitel in Gold, KGoldschnitt. Horodisch 119. - Raabe 302. - Marks A 92. - Eines von 20 Exemplaren (Nr. 8) der ABSOLUTEN VORZUGSAUSGABE auf Juball-Bütten mit der handschriftlich signierten Original-Lithographie vor dem Titel und mit Beigabe einer Originalzeichnung von Kubin. Die Zeichnung in schwarzer Tuschfeder (19,5 : 14,5 auf Bütten 29,8 : 21,9 cm) unten rechts signiert, ist eine etwas grössere Version der auf S. 131 als Illustration verwendeten Federzeichnung. - Druckvermerk vom Autor in Tinte signiert. - Der empfindliche Kalbslederband an den Kanten und Ecken berieben und gering fleckig. [Attributes: Hard Cover]

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        Le thé du capitaine Sogoub. Nouvelle.

      Paris, Au sans pareil, 1926 - 8°, Fronti., 42 S., 6 Radierungen., Brosch. m. Transparent-OU., OU m. kl. Randläsuren, min. gebräunt, sonst gutes Exemplar. Nr. 887/1260. «Illustrée d? images hors-texte gravées par Nathalie Gontcharova.» Auf Vélin d?Annonay. Natalija Sergejewna Gontscharowa (1881-1962), russische Malerin, die der russischen Avantgarde zugerechnet wird. Joseph Kessel (1898-1979), französischer Journalist, Abenteurer und Romancier. Text frz. 1100 gr. [Attributes: Soft Cover]

      [Bookseller: antiquariat peter petrej]
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        Cloth banner]: The Ladies Home Journal. Wild Money by Freeman Tilden full of Cooling Thrills.

      Grinnell Litho., [New York] 1926 - Large litho-printed cloth banner. Measuring 45" x 34". Metal grommet in each corner. Modest wear, mostly very slight fraying at the margins, very good or better. Advertisement for the latest issue of the magazine which featured a serialized novel by Tilden, an article on Douglas Fairbanks by Vachel Lindsay, and "44 other features." The banner is illustrated with an image by J. Knowles Hare of a baby with an ice cream cone on a beach, meant to illustrate the Tilden novel. A wonderful survivor -- we've only seen a few of these sorts of cloth banners advertising magazines.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        The Haunting Hand

      The Macaulay Co New York (1926) - First Edition. George W. Gage dustjacket art. First mystery novel written by an African American and Hubin listed novel of Hollywood. "In the midst of the gay philandering by movie men and their mannequins comes the grisly hand of sinister crime and the weirdest of all phantoms. " Very scarce title to be found in original dustjacket. Near Fine with mild cocking, in Very Good Plus dustjacket with small ink name and date near front spine edge, shallow chipping to spine ends, light staining to top spine end and mid spine, and general shelf wear. An attractive copy of this important landmark novel with nearly unattainable dustjacket [Attributes: First Edition; Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
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        Ludwig Hohlwein

      Berlin: Phonix Illustratrionsdruck Und Verlag G.M.B.H., 1926. 1926 1st edition of this impressive monograph on German poster/graphic artist Ludwig Hohlwein. VG in its original blue cloth, with light fading and offsetting to the panels and spine. Dark blue title label with bright gilt-lettering tipped onto front panel. Quarto, 73 pgs. of text (in both German and English) and 223 plates, many of which are in bright, vivid color. All plates crisp and very bright.. First Edition. Cloth. Collectible; Very Good.

      [Bookseller: Appledore Books, ABAA]
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      Garden City: Doubleday, Page & Company, 1926 - Octavo, pp. [1-10] 1-296 [note: title leaf is a tipped in single leaf], title page printed in green and black, original orange cloth, front and spine panels stamped in green, top edge stained yellow green. First U.S. edition. Metcalfe's first book, collecting eighteen stories including the classic horror tale "The Smoking Leg." Barron (ed), Horror Literature 3- 147. Bleiler, The Guide to Supernatural Fiction 1168. Locke, A Spectrum of Fantasy, p. 156. Sullivan (ed), The Penguin Encyclopedia of Horror and the Supernatural, pp. 290-91. Tymn (ed), Horror Literature 4-179. Wilson, Shadows in the Attic, p. 364. Bleiler (1978), p. 138. Reginald 10083. A fine copy in near fine pictorial dust jacket (striking illustration by Juan Oliver on the front panel) with tiny chip from upper spine end, 30 mm closed tear along front spine fold, and light wear, 15 mm closed tear at lower spine end, and some mild dust soiling. A fresh, attractive example of this rare jacket. (#107057) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Ne Coupez pas Mademoiselle ou les erreurs des PTT. Conte Philosophique.

      Editions Galerie Simon., Paris. 1926 - 'Ne Coupez pas Mademoiselle ou les erreurs des PTT. Conte philosophique' by Max Jacob.Published by Editions Galerie Simon, Paris. Illustrated with four lithographs by Juan Gris.Number 62 of 100 copies on hollande Ven Gelder paper.Signed by author and illustrator. Bound in original wrappers. There are some light soft handling folds through out, one lithograph has a small mark in the margin, else very good. More details and photos can be sent upon request. size 32 x 24cm ( 13 x 10 inches approx.) Juan Gris (José Victoriano González Pérez), Spanish 1887-1927) Juan Gris, real name José Victoriano González Pérez, was born in Madrid in 1887. His father, Gregorio González, was a well known paper manufacturer. He studied engineering at Madrid's School of Arts and Sciences. He took painting lessons with the minor academic artist José Maria Carbonero . After his fathers death, Gris moved to Paris in 1906 and remained in France for the rest of his life. He had missed military service, so he was unable to return to Spain. He settled in the Bateau Lavoir, a tenement that housed many painters, critics, and poets, and it was there that he met Pablo Picasso, Georges Braque, Guillaume Apollinaire, Max Jacob, and Maurice Raynal. Gris produced his first cubist paintings in 1911-1912.Gris and his wife spent the summer of 1913 with Picasso at Ceret, and the following year he spent the time spent time with Henri Matisse at Collioure. Gris returned to Paris in 1915 and suffered poverty during World War I. Daniel Henry Kahnweiler, became Gris's dealer in 1920 and wrote the first monograph on the painter in 1929. As a businessman Kahnweiler innovated many new ways of working with artists; and art dealing; - now established practise with art dealers. In 1907 when there were only half a dozen good galleries in Paris, he made contracts with artists to buy all of their work .He held exhibitions of their work and he promoted their work internationally. He encouraged the practise of Artist Ilustrated books, where a contemporary artist illustrates a work of a contemporary writer - he expanded his presentations by bringing together artists, writers and poets to produce their works as a joint project in more than 40 books. In fact as an art and literary publisher he had no equal; being the first to publish works by Max Jacob, Guillaume Apollinaire, André Masson, Gertrude Stein, Pablo Picasso, Juan Gris and many others and in so doing launched many literary careers. Due to Khanweiler helping his career and to counter hs declining health, in 1922, Gris was able to move his studio from the "Bateau Lavoir" to Boulogne-sur-Seine. In 1924 and 1925 Gris spent much of his time writing and lecturing on his views on painting. In 1924 he delivered a paper at the Sorbonne, Les Possibilités de la Peinture (On the Possibilities of Painting), which was later translated and widely published. He died in Paris 1927 at the age of forty from an asthma attack. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Roe and Moore]
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        Le Journal d'une Femme de Chambre by Octave Mirbeau [The Journal of a Chambermaid]

      Javal et Bourdeaux, Paris 1926 - 310 pages. 33 x 26 cm. Limited edition, copy 111 of 180 plus (15 copies reserved for La Societe Des Medecins Bibliophiles) printed on velin des papeteries d'arches, illustrated with a host of etchings in three states by Lobel-Riche. Printed in red and black in Della Robbia type, original wrappers bound-in, latter front cover darkened. Originally published 1900 during the Dreyfus Affair. Mirbeau, an anarchist had wide public as well as literary and artistic avant-garde appeal both as a journalist and novelist. As an art critic he espoused the work of Rodin, Monet, Pissarro, Gauguin, Renoir and Bonnard, and was an early advocate of Van Gogh. This novel like Dreiser's, SISTER CARRIE published the same year was also considered decadent; it defied the hypocritical rules of convention, Celestine the main character in this novel is assigned a succession of degrading roles by a society the author despised. Bound by David, raised bands, gilt spine lettering, inner dentelles in art deco style, marbled endpapers. A very fresh and bright copy. [Attributes: Soft Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        A Complete Catalogue Of The Etchings And Dry-Points Of Edmund Blampied

      Halton & Truscott Smith, London 1926 - 28 pages in text. 29 x 23.5 cm. Limited edition, copy 47 of 350 including an original signed etched frontispiece by Blampied entitled "The Cooling Stream." 99 plates with lettered tissue guards. An eminent artist born in the Parish of Saint Martin, Jersey in the Channel Islands whose first language was Jerrais, a French/Norman tongue. Elected to the Royal Society of British Artists in 1938, he produced some 200 etchings and drypoints, and more than 80 lithographs and lithographic prints, many of which depicted rural life in his beloved island of Jersey. He was also a prolific illustrator, appearing in around 50 books and over 600 issues of magazines and newspapers. Laid in is letter on Cleveland Museum of Art stationary noting the exhibition of Blampied sponsored by the Print Club of Cleveland, together with a Catalogue of the Exhibition. Clean, very bright copy, bookplate. Orig. brown cloth lettered in gilt. Teg. Fine [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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      Shanghai: T'Usewei Printing Press, 1914 - 1926. - Two parts in eight volumes (of thirteen published through 1938 ?). Open sewn cloth backed printed boards. Heavily illustrated with hundreds of plates and facsimiles printed via chromolithograph. Extremities of boards worn, a few corners bruised, spine labels largely chipped away, volume 5 shaken, with several gatherings started, endsheets a bit dusty, a bit musty, some marginal tanning; generally a good set, the plates fresh and bright. First edition in English of this mammoth undertaking, translated from the French, with historical and explanatory notes, by M. Kennelly. The First Part (comprised of the first five volume) is devoted to Superstitious Practices; the remaining three volumes, denoted the Second Part, are devoted to the Chinese Pantheon of religious figures. Given the span of years over which the work was published, many of the extant sets are fragmentary or want later volumes. Doré served as a Jesuit missionary for over twenty years in the Kiangsu and Nganhwei provinces. His original French text began publication in 1911 as elements in the VARIÉTÉS SINOLOGIQUES, and the preface to the first volume of this English text projected completion of the French work, in eight volumes, by 1915.

      [Bookseller: William Reese Company - Literature, ABAA]
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        White Buildings

      New York: Boni and Liveright. 1926. First. First edition, second issue. Foreword by Allen Tate. Near fine in near fine dustwrapper. Hart Crane's own copy of his first book, with his later ownership Signature: "Hart Crane, Aug. '31" and his bookplate on the front pastedown. Apparently Hart Crane's mother either gave away or sold some of his bookplates shortly after his death to Crane's good friend, the bookseller Samuel Loveman, thus resulting in occasional "association copies" surfacing. However, all of the books that we have seen Signed by him (with the exception of the Signed edition of The Bridge) were from his personal library. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      Berlin: August Scherl, 1926. Book. Fine. Hardcover. 1st Edition. [1926]. True first edition (in German). Dust jacket shows 3/4-inch tear in front cover, minor chipping at corners and top and bottom of dust jacket's spine, spine and back cover of dust jacket show toning and dust soiling, book's spine slightly cocked, bookplate on front paste-down endpaper, otherwise fine in color pictorial dust jacket. Basis for Fritz Lang's famous film of the same title..

      [Bookseller: Barry R. Levin Science Fiction & Fantasy]
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        Dictionary of Anonymous & Pseudonymous English Lit

      Edinburgh & London: Oliver and Boyd, 1926 Volumes 1,2,3,4,5,6, & 7 which is the index and second supplement, last 4 vols have DW although a little battered! The reference book for bookdealer & collectors! (due to weight consideration will not be able to ship oveseas) Red cloth covers with title in gilt to spines.

      [Bookseller: Madoc Books]
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        The Casuarina Tree. Six Stories.

      London: William Heinemann Ltd., 1926 - Octavo. Original green cloth, titles to spine and upper board gilt, Maugham's seal to upper board in black. With the dust jacket. Bump to top corner, extremities rubbed, partial tanning to free endpapers, spotting to edges and occasionally to margins of contents. A very good copy in the rubbed and faded jacket with significant chips from the ends of the spine panel. First edition, first impression. Loren & Frances Rothschild Collection V, 138; Stott A34a. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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      London: Selwyn & Blount Ltd., [1926] - Octavo, pp. [1-10] 11-251 [252-256: blank] [note: first and last two leaves are blanks used as front and rear paste-downs and endpapers, original red boards, front and spine panels stamped in black. First edition, first printing. Collects fifteen stories by W. J. Stamper, Seabury Quinn, Frank Belknap Long, August Derleth and others, all first published in WEIRD TALES in 1925 and 1926. Second volume in the important "Not at Night" anthology series. Barron (ed), Horror Literature 3-195. Tymn (ed), Horror Literature 4-302. Bleiler (1978), p. 193. Reginald 14082. Edges of boards lightly rubbed, pulpy paper darkened, else a fine copy in very good pictorial first printing dust jacket with light wear at spine ends and corner tips and some age-darkening to front panel. A nice copy of this cheaply made book; rare in jacket. (#108360) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        La Poussière de Soleils [ Edition Originale sur JAPON ]

      Editions de la Librairie Alphonse Lemerre, Paris 1926 - Edition originale achevée d' imprimer le 8 juin 1926. Un des exemplaires toutes marges sur papier Japon non justifiés. Avec 17 illustrations en couleurs et hors-texte reproduisant les décors de cette pièce en 5 actes et 24 tableaux représentée au Théatre de la Porte Saint-Martin en 1926. Bien complet du supplément "La critique et l' auteur de La Poussière de Soleils" rédigé par André Gide, Marcel Proust, Edmond Rostand, Roger Vitrac, Philippe Soupault, Louis Aragon, Robert Desnos, etc.; 237 pages non coupées ; couverture rempliée. A noter : plats très légèrement défraîchie. RARE et RECHERCHé. Size: 15 x 19 cms. [Attributes: Soft Cover]

      [Bookseller: Pascal Coudert]
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        Die Geschichte von Ulenspiegel und Lamme Goedzak (2 Bde.). Und ihren heldenmütigen, fröhlichen und glorreichen Abenteuern im Lande Flandern und anderwärts.

      München, Wolff, 1926 - 4°, 496 (4), 534 (6) S., mit 150 (50 ganzseitigen) Orig.-Holzschnitten und 18 Holzschnitt-Initialen, Perg. mit Deckelvignette. u Rückentitel, Deckel etwas angeschmutzt. Bd. 1 auf hinterem Deckel kratzspuren. innen ganz wenig fingerfleckig. Gutes Exemplar. (Von der Gabelentz 57. Ritter 268 Ca 33). Unnummeriertes Exemplar der Vorzugsausgabe (Eines von 100 Exemplaren) der auf van Gelder-Bütten gedruckt und in Pergament gebunden. Der Druck der Holzschnitte von Frans Masereel erfolgte von den Originalholzstöcken. Eine bemerkenswerte Ausgabe. 6000 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Soldier's Pay

      Boni and Liveright 1926 - First Edition, first printing. This copy is SIGNED by William Faulkner on a laid in signature. An attractive dustjacket that has benefitted from expert repairs by a professional paper conservationist. This original dustjacket has all of the first issue points present, and the colors are vibrant. There is no chips or marks to the dustjacket. The book is in good shape, with light fraying to the spine ends, and some minor discolorization to the spine. The boards are crisp with some wear to the edges. The binding is tight, and the pages are clean with rubbing to the endpapers. There is no writing, marks or bookplates in the book. Overall, a beautiful copy of this rare first edition, SIGNED BY THE AUTHOR. We buy SIGNED Faulkner First Editions. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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      Boni & Liveright, New York 1926 - A near-fine copy, square and tight, bound in dark blue cloth with yelllow lettering, bright and complete except for the letter x on the spine, which has slightly worn away. The unrestored original dustwrapper, which has all of the first issue points, is very good with some wear along the edges and a little darkening to the spine, which is unusually nice for this title. There are tape repairs at the folds on the verso and this copy is price-clipped. The book is housed in a custom-made cloth chemise and slipcase. Soldiers' Pay is Faulkner's second book and first novel. The story is of a return home of a wounded aviator to a small town in Georgia following the conclusion of the First World War, escorted by a veteran of the war and a widow whose husband was killed during the conflict. The quality of the work helped to launch the career of, arguably, one of Amerca's greatest authors. : Home [Attributes: First Edition; Hard Cover]

      [Bookseller: Crawford Doyle Booksellers]
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        Soldiers' Pay

      Boni and Liveright 1926 - First Edition, First Issue dustjacket with five titles listed on back panel of dustjacket starting with "American Tragedy." This original dustjacket has chipping to the spine ends along the top and bottom panels not effecting any lettering. The book is wonderful shape. The binding is tight, and the boards are crisp with light wear to the edges. The pages are exceptionally clean, with light wear to the edges. There is no writing, marks or bookplates in the book. Overall, a collectable copy of this true first edition of Faulkner's first book. This title with the original dustjacket seems to elude even the best Faulkner collections of first editions. A must for serious collectors. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Légitime défense.

      Editions Surréalistes, (30) septembre, Paris, 1926 - Paris, Editions Surréalistes, (30) septembre 1926. 8°. 26 p. Broché, couverture originale. Edition originale. - Exemplaire signé par André Breton sur la première page. - Extrait du No 8 de "La Révolution Surréaliste". - Le nom du déstinaire découpé. - Papier, comme toujour, bruni. Sprache: Französisch [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Daniel Thierstein]
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        Winnie the Pooh" and "The House at Pooh Corner

      London, Methuen & Co.,, 1926 & 1928. 2 volumes, octavo. Finely bound in full morocco (Winnie the Pooh, green and The house at Pooh Corner pink), gilt titles and decoration to spines, raised bands, gilt rules to boards,and gilt pictorial motif to front boards, pictorial endpapers, all edges gilt, housed in a leather entry slip case. Illustrated by E. H. Shepard. Beautifully bound in fine condition. Both First Editions, signed by E. H. Shepard on the title page of "The House at Pooh Corner".

      [Bookseller: Peter Harrington]
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        Michael Collins and the Making of A New Ireland. Volumes 1 & 2.

      George G.Harrap and Co Ltd., London 1926 - Books in green covers with gilt lettering on spine and front covers, small oval minatures of Michael Collins. Wear to edges,corners and ends of spine. Covers are faded and darkened, inner hinges cracking, end papers grubby, foxing to pages. Both have coloured frontis, content generally ok. Scarce to find the two volumes. Heavy items may require additional postage. 6.5X8.75"TALL [Attributes: First Edition; Hard Cover]

      [Bookseller: Karen Millward]
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        El Habitante Y Su Esperanza

      Editorial Nascimento, Santiago de Chile 1926 - First edition of Nobel Prize winner Pablo Neruda's only novel. Influenced by the work of Rimbaud and Rilke, both of whom Neruda had translated into Spanish, this dreamlike revenge fantasy has an unapologetically poetic quality: in his prologue, Neruda admits: "Yo tengo un concepto dramático de la vida, y romántico; no me corresponde lo que no llega profundamente a mi sensibilidad." While El Habitante y Su Esperanza marked the end, rather than the beginning, of Neruda's career as a writer of fiction, it remains a significant early example of the experimental Latin American novel. Text in Spanish. This copy is inscribed by Neruda to American book dealer Maury Austin Bromsen, who was studying at the University of Chile in the year of presentation. No signed or inscribed first edition copies appear in the auction record: a genuinely scarce title inscribed by Neruda. Small octavo, cream-colored wraps printed in red and green. Wraps soiled with small stain to head of spine, title underlined in blue ink on the front panel, evidence of early repairs to edges and hinges. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Honey & Wax Booksellers]
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      N.P.: Privately printed, [1926]. - First edition. 8vo. Signed and dated by the author on front fly leaf on 4/5/27. From the library of Captain & Mrs. R. L. George, Camp Marfa, Texas, April 5, 1927. Purple cloth, gold stamping on front cover and spine, viii, 215 pp., frontis. [photograph of the author's father], preface, illustrated, plates, portraits, folding map bound-in at rear of book, index. BTB 184 says, "This worthwhile account of the Big Bend region during the 19th century is especially valuable because one of Shipman's major sources was her pioneer father, of whom she writes: 'To my father, Captain Pat Dolan, I am especially indebted. He has lived on the Texas frontier for seventy-five years and with remarkable clearness of mind recalls the stirring events of the days gone by.' She also quotes extensively from other pioneers and transients in the region, such as John L. Bullis, commander of Indian Scouts under Mackenzie; A. J. Fairmore and P. Bougad on the El Paso Salt War; Mexican outlaw Victor Ochoa; and Texas Ranger T. T. Cook. The work contains chapters on the early mail routes, the boundary commission, the camel experiment and transportation, the military posts, freighting, civil affairs, Indian Campaigns, the El Paso Salt War, Texas Ranger campaigns, ranching, outlaws, mining, and Mexican revolutionary activities after the turn of the century. This is followed by a section of sketches of early pioneer and ranching families." Six Guns 2006 says, "Scarce." "In a chapter entitled 'Law West of the Pecos' the author deals with the Texas Rangers and lawlessness. In another chapter there is mention of the Lincoln County War, Billy the Kid, John Wesley Hardin, John Selman, and other gunmen of the Southwest." Near fine, bright, square copy. An exceptional copy and a fine account of the early Anglo settlement of the Big Bend region. BTB 184. SIX GUNS 2006. HERD 2063. HOWES S422. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB]
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        EL JUGUETE RABIOSO. Novela

      Latina, Colección de Autores Nóveles, 170 pgs., Buenos Aires 1926 - Sellos en primeras páginas. Número escrito en lapiz azul en hoja en blanco. Primeras y últimas hojas con manchitas de óxido. Pequeña etiqueta en el lomo. [Libro en Español / Book in Spanish] 12mo. [Attributes: First Edition; Hard Cover]

      [Bookseller: Buenos Aires Libros]
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        El Cafe De Nadie, Novela

      Ediciones De Horizonte, Jalapa, Ver, Mex 1926 - 93 pgs y 1hs, 20cms x 14cms. Cubiertas originales amarillentadas, con sobrecubiertas con pequeño faltante en el margen superior interno. Texto ligeramente amarillentado, en buen estado. [Attributes: First Edition; Soft Cover]

      [Bookseller: Libreria Urbe]
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      Imprenta Continental, La Paz 1926 - Del MAR Serafín ¿ PORTAL Magda: EL DERECHO DE MATAR. La Paz. Imprenta Continental. 1926. S/ paginar. Rústica. Primera edición. Ejemplar firmado y dedicado por Serafín del Mar. Buen estado. Vanguardias Latinoamericanas. Inhallable. [Attributes: First Edition; Soft Cover]

      [Bookseller: Cabalgando en un Silbido]
 43.   Check availability:     IberLibro     Link/Print  


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