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Displayed below are some selected recent viaLibri matches for books published in 1924

        Noa Noa, Vojage de Tahiti 17 essays proof of woodcuts after Paul Gauguin

      Paris, 1924 17 essays proof of woodcuts after Paul Gauguin, engraved by is friend George Daniel de Monfried from the publication of Noa Noa, Vojage de Tahiti manuscript.Noa Noa "Very Fragrant", was the name given by Gauguin to Tahiti. Paul Gauguin after his return in France from Tahiti, recollected his travel journal in a book Noa Noa, in a series of woodcuts and the collaboration of the symbolist poet Charles Morice. Later, after the death of Gauguin, his great friend Daniel de Monfreid, artist and art collector, recovered the original manuscript, adding woodcuts, watercolors and photographs of Gauguin. The original manuscript was then given to the Louvre. Only few essays proof of woodcuts aside the final edition were issued, the 17 essays proof for sale are part of that collection. A facsimile of the original manuscript was published in Munich in 1926. Condition: The proofs were issued on very thin and delicate Japan tissue paper, considering it, they are in very good conditions, with light creases and little scraps on the edges. The 17 woodcuts are mounted on 5 acid-free card-boards, complete of acid-free mat, securely attached with acid-free museum quality tape.More pictures on request

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
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        Chalk Face

      New York: Boni and Liveright. (1924). First. First edition. A small price on the front pastedown, and a trifle spotted on the boards, else near fine in a good dustwrapper with a few chips, mostly on the front panel, and some old and unnecessary internal repairs. The author's only mystery, a horror story listed in both Bleiler and Hubin. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Gesammelte Schriften

      Leipzig: Holder-Pichler-Tempsky A.G.,, 1924-26. 2 volumes, octavo. Cream boards backed marbled sides, red and green labels to spine, spines lettered in gilt with gilt motifs, cream endpapers. Portrait frontispiece. Spines darkened, boards sunned and contents toned. A very good set. First edition, edited by Professor Franz X. Weiss, 'one of the ablest of Böhm-Bawerk's pupils' (Schumpeter, p. 845). Widely regarded as the founder of Austrian capital theory, this collected edition of Böhm-Bawerk's works comprises important treatises, articles and papers, some of which had hitherto appeared in periodicals only.

      [Bookseller: Peter Harrington]
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        Eigenh. Brief mit U.

      Mönichkirchen, 15. VIII. 1924.. 1 S. Gr.-4to.. An einen namentlich nicht genannten Adressaten: "Wir haben im Archiv bis Mitte September Ferien und können fürs Erste schon aus diesem Grund - sehr zu meinem Bedauern - nicht dienen. Aber auch prinzipiell: nach auswärts verleihen wir längst nicht mehr, besonders nicht Sachen, die auf unserm eigenen Konzertrepertoire stehen [...]". - Der eng mit Johannes Brahms befreundete und später als dessen Nachlaßverwalter eingesetzte Eusebius Mandyczewski war seit 1879 Chormeister an der Wiener Singakademie; von 1887 bis 1929 als Archivar und Bibliothekar der Gesellschaft der Musikfreunde tätig, unterrichtete er seit 1896 auch am Konservatorium, wo u. a. Rudolf Bella, Karl Prohaska und George Szell zu seinen Schülern zählten.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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      Wien, Graphische Union, 1924.. 34 x 24,5 cm. 23 S. Mit 43 montierten Farbtafeln nach Gemälden von S. Katchadourian. Original-Broschur und lose Tafeln in einer Halbleinenmappe mit goldgeprägtem Deckelschild.. Die 43 Tafeln mit Motiven aus Armenien sind auf 38 schwarze Kartons montiert und mit einer Legende versehen. Die Broschur mit einer handschriftlichen dreizeiligen Widmung des Künstlers an Ms. Levetus. Die Kunsthistorikerin Amelia Sarah Levetus war als Wiener Korrespondentin für die Kunstzeitschrift "THE STUDIO" tätig. - Kapitale leicht eingerissen, sonst sehr gut erhalten.

      [Bookseller: Antiquariat Manfred Nosbüsch]
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        Autograph letter signed ("TE Shaw").

      Clouds Hill, Moreton, Dorset, 15. X. 1924.. 2 pp. 8vo. With autogr. envelope. Includes TDS by G. E. B. Bromley-Martin, of the Bank of Liverpool and Martin, London (dated 22. Dec. 1924).. To Whitney H. Shepardson of New York, who had inquired as to how he might obtain a copy of the "Seven Pillars of Wisdom" when the book was finally published: "The Prophet has sent me on your letter, with instructions to deal with it: - and I'm puzzled. Really you know you are foolish to want a copy. It's a thirty guinea book, of which so many copies are being sold as will meet the printing bills (about 120 copies perhaps) with some off-prints of the unadorned text for the twenty or thirty fellows who shared the campaign with me. I can't give them 30-guinea presents: they can't buy 30-guinea books. So I want the subscribers to pay for my generosity in giving them free copies. The prime cost lies in the pictures (about 60, many in colour, at 10/- a print!) and the pictures are only an unjustifiable whim of mine. They have been done by British artists whom I liked, + who would work for me. Such a luxury book is for the idle rich. Mrs. Lamont is getting one. Huntingdon [!] + Pierpont Morgan aren't...! ... Do you feel justified in chucking away so much on an amateur production? The writing is pretentious, dull, hysterical, egotistical, + preternaturally long. No human being has ever been to the end of it [the 335,000 word ms.]. They return it, thumbed to about half way, with pretty speeches. So long as I hold it secret, the sight of it is a boast, so long it will be praised. Seriously, it isn't any earthly good. It costs as I have said, may be a year yet in printing, + is horrible in parts. Eleanor (beg her pardon, but that's her only possible name. The proper ones only indicate her wayward choice of parents etc.) would be sick over it. The thing will not be reprinted entire in my life-time: you suggest 'for a long time.' ... but the prospect isn't pleasing. There will be an American Edition, to secure copyright. Doubleday, probably. He has made a reasonable estimate. It would be printed at my expense, two copies for the Library of Congress, or whatever the show is, + eight for sale: + the sale price will be prohibitive, so that they will never sell, + the edition will never be exhausted, + no one may pirate! I suggest 10,000 dollars, but F.N.D. hasn't yet considered what is above-high-water-mark in U.S.A. Tell me, please, if you are knowing! If despite all faults (my most honest dissuasion puts people on sometimes!) you want a copy: then you'll have to send fifteen guineas, half price - E. will know the size of the extinct coin - to: Manager / Bank of Liverpool + Martins / 68 Lombard St. / London, E.C.3, payable to TE Lawrence, + 'Seven Pillars account' . Balance when you get the book. Let me strongly urge you not to. I have 90 subscribers, so there is no urgency - on the point of helping lame dogs! [...]". - When the book finally appeared in 1926, the cost of each copy to Lawrence was triple the selling price, and it was not until the fourth reprint of the 1927 abridgement "Revolt in the Desert" that his debts were paid off. As the included receipt shows, Shepardson was undeterred and duly transferred the 15. 15/- to Liverpool & Martins' (the last copy of the 1926 "Pillars" at auction commanded 30,000 at Sotheby's in 2009). - The U.S. businessman Whitney Hart Shepardson (1890-1966), educated at Colgate, Balliol (as a Rhodes Scholar), and Harvard, had served as aide to the State Department at the 1919 Paris Peace Conference, where he may have met Lawrence. Between 1925 and 1927 he served as director on J. D. Rockefeller's General Education Board. A leading O.S.S. operative in WWII, he was the first London head of Secret Intelligence and remained with the organization soon to become the C.I.A. until 1946.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Grampa in OZ

      , 1924 Early Thompson book in the OZ series.

      [Bookseller: Early Map Source, LLC]
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        Der goldene Esel. Mit Radierungen von R(ichard) Janthur.

      Franz Schneider,, Berlin, Leipzig, Wien u. Bern, 1924 - Berlin, Leipzig, Wien u. Bern, Franz Schneider, (1924). 26x19,5 cm. 87 S. Mit 12 signierten Original-Radierungen. OHLdr. mit goldgepr. Rückentitel und Kopfgoldschnitt. =7. Prosaband der Luxusgraphik Schneider. - Nr. 34/200 numerierten und signierten Exemplaren auf handgeschöpftem Bütten. - (Kanten berieben. Rücken verblasst. Text bis S. 15 und 1. Radierung mit einem kleinen Wasserfleck in der oberen Ecke). Sprache: Deutsch OHLdr. mit goldgepr. Rückentitel und Kopfgoldschnitt. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Biblion Antiquariat]
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        The Holy Bible Reprinted According to the Authorised Version 1611 Including The Apocrypha 5 volume set The Nonesuch Press Limited Edition

      London: The Nonesuch Press. VG : in very good condition without dust jacket as issued. Some minor cracking to outer joints of two volumes and light wear to spine ends. 1924. Limited to 1000 copies. The Apocrypha numbered 1157 limited to 1250 copies. Cream/gilt decorated board cover. 310mm x 210mm (12" x 8"). 238pp;328pp;418pp;328pp;310pp. Copperplates including title pages, head and tail pieces by designed and engraved by Stephen Gooden. Published 1924-1927. Typography arranged by Francis Meynell. Printed by Oxford University Press on Japon Vellum. .

      [Bookseller: Barter Books Ltd]
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        Fugen des Seins.

      Octavo. 70, [vi] pages. Edition limited to 550 copies; this is No. 176, signed by both the author and the artist. Bouind in half red morocco by Hubel & Denck. Protective blue dustwrapper and blue slipcase. Illustrated with 8 original etchings by Willi Jaeckel. Isphording II, 131; Lang, Expressionismus 140; Sennewald 24.3; Stilijanov-Nedo 98; Wilpert-G.þ 81. Not in Rodenberg.

      [Bookseller: Sam Gatteno Books]
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        MEN AND BOYS. An Anthology

      Privately printed in New York. 1924. First edition, first printing and first state. Contemporary half blue morocco over marbled paper-covered boards. Gilt titles, borders and raised bands to the spine. Small book label of Herbert Boyce Satcher to bottom edge of front pastedown. A very good copy, the binding a little rubbed to the extremities, the contents complete and without inscriptions or stamps. Minor finger-marking and the odd light corner crease throughout. This copy seemingly unique with the integral first state half title / variant title page present (of the handful of copies known and inspected by the bibliographer D. H. Mader (who also edited the reprint), all lack the half title or have it as a cancel). With a loosely inserted carbon copy of an English poem (first 2 lines reading: 'Somewhere he lies asleep/ Serene and free from dread'). Rare. The first anthology of homosexual verse published in the United States and one of the cornerstones of any collection of gay literature. A search of worldwide Institutional holdings of the 1924 first edition would suggest only one copy in the UK (in the Bodleian Library, Oxford) and one in the US (Dartmouth College, New Hampshire). All others hold only the 1978 second edition.

      [Bookseller: Lucius Books]
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        THE ADVENTURES OF A COQUETTE. Translated by Hannaford Bennett

      London: T. Werner Laurie. [1924]. First edition, first printing. Original red cloth, in dustwrapper. An excellent near fine copy, without inscriptions or stamps but with faint tanning to the endpapers. Complete with the very good, lightly rubbed and chipped dustwrapper which has faint evidence of a sticker having been removed from the spine. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        La guérison des maladies

      Deuxième édition en grande partie originale, un des exemplaires du service de presse.Rare envoi autographe signé de l'auteur à Pierre de Massot.Dos et plats marginalement passés comme généralement.  Grasset Paris 1924 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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      First edition, one of 1092 numbered copies on pure wire, ours one of 12 hors commerce, only large paper with 108 reimposed. Signed autograph from the author to Charles Hirsch. Very light marginal bites affecting certain witnesses. Nrf Paris 1924 13x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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      First Edition, one of 1115 numbered copies on vellum imitation tank only draw with Japan 25. Bound in half morocco hazelnut, smooth back, covered with paper plates decorated with a scene depicting a intermingled yarn reminiscent of a maze, guards and contreplats paper imitating wood, covers and spine preserved, minor small scratches on the edges, elegant and original binding signed Mercher. Book illustrated with a portrait of the author by Maccown engraved on wood by G. Aubert. Superb autograph dedication signed by the author, full screen, Valentine and Jean Hugo: "... the first born lost, then found, and I commend them for them to learn it without Detour drawing, art costumes, dreams on screen and the kindness of friendship. Quite sympathy. Crevel. 1926. " Beautiful specimen, perfectly prepared, exceptional provenance. Nrf Paris 1924 13x19cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Deuil pour deuil

      First Edition, one of 700 numbered copies on Rives, ours unjustified, only draw with Japan 50. Beautiful, rare autograph dedication signed by the author Gabriel Reuillard "... admire the absurdity of things ..." Nice copy. Editions du Sagittaire Paris 1924 11,5x16cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Vie des martyrs

      First edition under this title, one of 500 numbered copies on white vellum containing a statement of etchings. Bound in full morocco old pink back with four wide false nerves decorated with nets and boxes in cherry branch stamped cold dishes decorated with a large plate frame nets representing a war helmet abandoned in a ruined landscape suplombé a cherry branch, covers and spine preserved, golden head, the binding signed Kieffer time. Illustrated book of etchings and woodcuts by Paul Baudier. Great autograph signature of the author on the half-title page. Fine copy in a well established binding characteristic decoration work of René Kieffer. René Kieffer Paris 1924 13x25,5cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Les cinq sens

      Original, one of five numbered copies on China Edition, draw tiny tête.Un lack in foot back, four leaves awkwardly cut that caused small gaps marginaux.Rare. Grasset Paris 1924 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Le grand écart

      First Edition paper current visionary edition statement. Binding to bradel half morocco bordeaux, smooth back, flat marbled paper covers preserved, binding signed Laurenchet. Send the author in blue ink, enriched with a drawing of the face of a young man in profile. Copy pleasantly established. Stock Paris 1924 12x19cm relié

      [Bookseller: Librairie Le Feu Follet]
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        La croisade des longues figures

      First edition, one of 75 copies numbered on Holland, the only major papers. Guards shaded, otherwise rare and nice copy with all margins. Editions du siècle Paris 1924 15x21cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Plainte contre inconnu

      Original, one of the 108 ex on laid Lafuma numbered and reimposed in quarto format foolscap, print head Edition. Bound in half navy grief back with five nerves decorated with golden jewels typographical, covers and spine preserved. Beautiful specimen. Nrf Paris 1924 17x22cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Cyrano - Dessin préparatoire pour la couverture de la revue éponyme

      Original drawing in ink and gouache, recorded in golden frame and mat is signed in the lower right of the sheet.Louis Anquetin, Étrépagny born in 1861 and died in Paris in 1932, is an important French painter.He began his career with avant-garde artists such as Vincent Van Gogh and Henri de Toulouse-Lautrec. With Emile Bernard, he is the inventor of Cloisonnisme. From 1884 to 1893 Louis Anquetin continues to explore the new possibilities introduced by the release of Impressionism in French painting. From 1893, following a long confrontation with the "old masters", he adopts a bias that will put the painting on the sidelines of the general movement of the art, and will take away from his friends. Dazzled by Baroque art and creative force, he thinks as his childhood friends are engaged in a path that will lead to the death of painting. He believes in a "perfect painting" embodied in the re-remembering the lessons Michelangelo and Rubens among others. His work becomes more classic, it advocates a return to the trade, proposing to reflect on the a priori conditions of any possible form of art while respecting the rules of perspective and anatomy, as practiced by the masters the sixteenth and seventeenth siècle.Ne leaving only a few works that can be described as monumental, Anquetin proves prolific for his many studies and sketches, who considered that the design was "a very powerful means of expression," the mandatory basis for all plastiques.En arts voluntarily working backward of his time, Louis Anquetin made possible the existence of an original modern figuration. By his stubbornness and his passion for painting, he has indeed prevented is completely blocked the path of the great Western tradition.One can admire his works in many prestigious museums such as the Musée d'Orsay and the Louvre in Paris, San Francisco and Detroit, Hermitage Museum in St. Petersburg, the National Gallery and the Tate London, etc. S.n. S.l. Circa 1924 Cadre : 31,5x37cm ; dessin : 18,5x22,5cm une feuille sous marie-louise encadrée

      [Bookseller: Librairie Le Feu Follet]
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      New Era Publishing Co., [1924]., 1924. First edition. 12mo. Presentation inscription on the front fly leaf "To ... ... Sincere compliments "The 25th Man," Ed Morrell." Cloth, [18], 390 [1] pp., frontis. [portrait of Ed Morrell], foreword, introduction, author's preface, illustrated. Six Guns 1548 says "Scarce." "A scarce book about the terrible experiences of the last survivor of the Evans-Sontag band of train robbers. The author helped Sontag escape jail and became a hunted man with him." The foreword by Arizona Governor George W. P. Hunt and the introduction by Dr. Raymond S. Ward, Montclair, New Jersey are quite revealing about the torture and sufferings of the author while imprisoned at San Quentin, California. Jack London held the author in high regard as he credited Morrell with helping him develop his masterpiece THE STAR ROVER. Former owner's neat stamped name on front fly leaf, page 1 and page 209, cloth has wear to spine ends, corners. and extremities, text has a few pages darkened from newspaper clippings that are no longer present, else a good, square copy in a lightly soiled dust jacket with minor wear to the spine ends. SIX GUNS 1548.

      [Bookseller: BUCKINGHAM BOOKS]
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        Sonette. Phaidon-Druck Nr.VII, herausgegeben von Ludwig Goldscheider, Nr.VIII (von L). L U X U S A U S G A B E in Ganzleder

      Ludwigsburg, Schwabenpresse, um 1924.. . Vollständige Ausgabe in elegantem, aufwendig hergestellten Verlags-Handeinband der Zeit: Ganzfranzband geheftet auf fünf erhabene Bünde, beiges Maroquin-Leder / Ganzleder / Leder im Format 20,5 x 28 cm) mit Rücken- und Deckeltitel in Goldprägung sowie dezenter Dekoration der Deckel (Linien in Handvergoldung und Blinddruck, Filetendruck), handgestochenem Kopfband, Lederhäubchen, Steh- und Innenkantenvergoldung, Kleisterpapier-Vorsätzen, Kopfgoldschnitt sowie Buchbinder-Signatur in Goldprägung "E.Riethmüller Stuttgart" am Unterrand des hinteren Einbanddecke innen; Buchlock zweiseitig unbeschnitten. 30 Seiten auf kräftigem Büttenpapier, mit Druckvermerk am Ende des Bandes: "Dieses Werk wurde als siebenter Phaidon-Druck von der Schwabenpresse Ludwigsburg hergestellt. Auflage: zweihundert Exemplare auf handgeschöpftem Bütten; Nr. I-L in Saffianleder, Nr. 1-150 in Bockleder mit der Hand gebunden". - "Warum handgebunden? - Die wesentlichsten Vorzüge des guten Handbandes sind: Die einzelnen Druckbögen werden mit der Hand nach dem Schriftspiegel gefalzt. Die Bogenränder werden dadurch zwar ungleich, aber das Satzbild steht gerade. Um infolge der ungleichen Ränder ein späteres zu starkes Beschneiden mit der Maschine zu vermeiden, werden die Bogen einzeln, vorne und unten, mit der Pappschere auf ein Mittelmaß rauh beschnitten. Dadurch wird der Druckrand weitestgehend geschont. Als erste und letzte Lage wird dem Buche zum Schutze eine leere Papierlage hinzugefügt, welche mit einem feinen Leinen- oder echten Japanpapierfalz versehen ist. Geheftet wird der Handband nach sorgfältiger Auswahl des Heftzwirnes auf echten erhabenen oder aufgedrehten flachen Bünden und auf Pergamentriemchen (welche beim Pergamentbande durch den Rücken gezogen werden). Oben wird das Buch beschnitten und erhält nicht nur der Schönheit willen Goldschnitt, sondern diese feine Metallschicht schützt vielmehr die dem Lichte und Staub am meisten ausgesetzte Schnittfläche vor deren schädlichen Einflüssen. Die Deckel werden in einem tiefen Falz angesetzt, mit den Bünden nach außen. Ein Herausreißen aus der Decke ist somit nur unter Zuhilfenahme von Werkzeug möglich. Zum Kapital wird kein schlappes maschinengewebtes Bändchen verwendet, sondern das Kapital wird von Hand mit dem Buchblock umstochen, gibt dadurch dem Rücken einen festen Abschluß und bietet zugleich dem späteren Ledereinschlag ("Häubchen") die Unterlage. Als Einbandmaterial kommen sumachgares, lichtechtes Saffian, Kalbleder, vereinzelt auch Rindsleder, ferner naturelles und weißes Schweinsleder sowie Kalbspergament zur Verwendung. Ein mit der Hand hergestelltes, dazupassendes Überzugpapier sowie Handvergoldung oder Blinddruck am Rücken ergänzen das Werk nach außen. Ein solcher Einband entspricht allen Anforderungen, die an einen Gebrauchsband gestellt werden können." Aus einem alten Prospekt von Richard Hönn, ehemals Handbinderei des Verlages Albert Langen, Werkstatt für feine Buchbinder- und Lederarbeiten in München. - Meistereinband, Handeinband, Prachtausgabe, Gesamtausgabe, Vorzugsausgabe, Erstausgabe, EA, erste Auflage in guter Erhaltung (minimale Schabspuren, sonst sehr gut) - "So ist's mit aller Bildung auch beschaffen: / vergebens werden ungebundene Geister / nach der Vollendung reiner Höhe streben. / Wer Großes will, muss sich zusammenraffen; / in der Beschränkung zeigt sich erst der Meister,/ und das Gesetz nur kann uns Freiheit geben"

      [Bookseller: Galerie für gegenständliche Kunst]
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        Missions-Album. China, das größte Missionsland. Land und Leute.

      Steyl, Post Kaldenkirchen : Missionsdruckerei, [1924].. Missions-Album mit zahlreichen photographischen Abbildungen und Illustrationen im Format 15,5 x 20,5 cm, quer-8°, 32 Seiten, leicht gebräuntes, gutes, sauberes Exemplar der sehr seltenen Schrift..

      [Bookseller: Afrika- und Kolonialantiquariat Welwitsc]
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        CHALK FACE

      New York: Boni and Liveright Publishers,. [1924]. Octavo, pp. [1-10] 11-252 [253-256: blank] [note: last two leaves are blanks],. original decorated black cloth, front panel stamped in green and blind, spine panel stamped in green, top edge stained green, other edges untrimmed.. Faint spotting to cloth along bottom edge of front cover, else a. bright, nearly fine copy in good plus pictorial dust jacket with. several closed tears and edges, dust soiling to rear panel and 40x50. mm v-chip from upper right corner with loss of "K" in "CHALK." A. fairly uncommon book, especially in jacket. (#104001). First edition. "Psychological horror thriller, beneath which lies a deeper meditation on Life, Death and Beauty. A literary shocker, more akin to Leonard Cline than Mary Roberts Rinehart." - Robert Knowlton. Clareson, Science Fiction in America, 1870s-1930s 308. Bleiler (1978), p. 76. Reginald 05595.

      [Bookseller: L. W. Currey, Inc.]
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      Macmillan Co., London 1924 - The first British edition, published by Macmillan ( London ) in 1924. A beautiful copy. A near fine example of the book bearing the bookplate of noted scholar in Germanic philology Ernst Alfred Philippson.Philippson has affixed two newsprint portraist of Yeats to the rear of the book. The dust jacket is fine. As the leaves of the book remain uncut, Philippson never had occasion to read this copy of Essays. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Reluctant Bookseller]
 27.   Check availability:     AbeBooks     Link/Print  

        Der Mensch und die Sonne (Man and Sunlight) Signed Limited Edition

      Dieck & Co, 1924. Hardcover. Very Good. Collectible signed, limited edition of German Nacktkultur pioneer Hans Suren's Der Mensch und die Sonne (Man and Sunlight). Soren championed nudity, preferably practiced in sunlight, as a path to health, happiness and the realization of human potential. Extraordinarily popular in its day, Dieck & Co. seeing it through 68 printings in its first year alone, Der Mensch und die Sonne presented Suren's teachings in energetic detail, illustrating them with numerous photos of primarily nude men, women and children. Joining the Nazi party in 1933, Suren revised and expanded the book to embrace Aryan principles. Signed in ink by Hans Suren on the limitation page. Copy #523 of 1,000 issued. Bound in black linen with author, title and publisher's device gilt-stamped to front panel. Printed on coated paper in German Fraktur typeface. Twenty-first printing, so stated on title page - an early 1924 issue. Tight, unmarked copy with minimal shelf wear. Rubbing to spine panel gilt. Odor free. Photographs of or additional information about this item are available on request. All inquiries answered promptly.

      [Bookseller: Midnight Books]
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        Night Fears and Other Stories

      London & New York: G. P. Putnam's Sons,, 1924. Octavo. Finely bound by The Chelsea Bindery in dark green morocco, titles to spine, raised bands, twin rule to boards, burgundy endpapers, top edge gilt, others untrimmed. A fine copy. First edition, first impression of the author's first published work.

      [Bookseller: Peter Harrington]
 29.   Check availability:     Biblio     Link/Print  


      London & New York: G. P. Putnam's Sons,. [1924]. Octavo, pp. [1-8] 1-220 [221: blank] [222: publisher's device] [223-224: blank] [note: last leaf is a blank],. original green cloth, front and spine panels stamped in gold, fore and bottom edges untrimmed.. A fine copy in fine pictorial dust jacket with hint of age-darkening. to spine panel. An excellent copy of an uncommon book rarely found in. dust jacket. (#71697). First edition. A presentation copy with contemporary signed inscription by Hartley on front free endpaper: "Alfred / from / Leslie / with my love / June 1924." Hartley's scarce first book collecting seventeen stories, including several later reprinted in The Travelling Grave (1948). "Hartley is the master of the double entendre and sinister talk at cross purposes." - Bleiler, The Guide to Supernatural Fiction, p. 228. Ashley, Who's Who in Horror and Fantasy Fiction, p. 88. Barron (ed), Horror Literature 3-80. Sullivan (ed), The Penguin Encyclopedia of Horror and the Supernatural, pp. 192-93. Tymn (ed), Horror Literature 4-112. Bleiler (1978), p. 94. Not in Reginald (1979; 1992).

      [Bookseller: L. W. Currey, Inc.]
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        Photo Album - Voyage on RMS Majola

      Europe, 1924. Sri Lanka, Egypt, Yemen, France, England, April 1924. Photograph Album from a cruise on RMS Maloja, with views of Colombo, Kandy, Aden, the Suez canal and Port Said, two French cities, and the Isle of Wight. Contains 265 black and white photographs mounted with onto cardstock leaves, with manuscript captions. Oblong folio album measuring approximately 40 x 27 x 4 cm, half calf over green cloth boards, a patented London made album with solid two post binding. Photographs vary in size, the majority measuring approximately 14 x 8 cm, and the smallest ones measuring 5,5 x 5,5 cm. Wear and minor indication of moisture to boards, mainly at extremities, otherwise in Very Good Condition, internally sound with sharp images. Sri Lanka is featured in 19 photographs, with harbour views of Colombo, including local vendors approaching the British ocean liner to sell their wares. A city tour of Kandy renders lovely scenes now approaching a century in age, including large domesticated elephants, rickshaws passing in front of the colonial Queen's Hotel which was originally constructed as a residence for the Governor of Ceylon, the Royal Palace and moat which surrounds it, a tiered rice paddy, a monument in the Royal Botanical Gardens, and views of Kandy Lake in the heart of the city. Cruising through the Suez Canal, the photographer captures uncommon views of tiny villages along its banks, an industrial compound, the parallel railway, and local men constructing a barrier to one side. Tugboats, sailboats, and a flat passenger riverboat are also in the canal. There are also 19 views taken on the Suez Canal. Five photographs are taken in the busy Port Said harbour in north east Egypt during its active period of commercial development. A large ship is being supplied with coal, while local fishing and merchant boats line the boardwalk behind which is situated the lighthouse and large retail outlets. English products are advertised on large billboards, including The Lipton and Pears Soap. The approach to the Tawahi Port of Aden in Yemen is illustrated in 19 views, with Hogg?'s clock piercing the rocky landscape. [Tawahi was known as "Steamer Point" during Aden's time as a British colony from 1937 to 1963.] An overnight was made in Marseilles, France, affording from Vieux-Port (old harbor) a view of the Chateau d'If island prison famed for the fictitious Count of Monte Cristo Edmond Dantes. Historic monuments are also photographed at the Palace of Versailles, including the exquisite Apollo fountain in the gardens, and long garden path leading to the royal château. At Spithead near the Isle of Wight a naval review was underway, and a fine week-long regatta at Cowes was won by baronet Sir William Portal and his ketch "Valdora." Other places visited include Shanklin, Ryde, Alum Bay, and Seaview Bay with its charmng Victorian and Edwardian buildings, and Wootton Suspension Pier. Some thirty photographs are taken on the Isle of Wight. After a visit to Southampton, the voyage safely piloted by Captain Warner concludes in Tilbury. Homebound, the inland journey includes sojourns to Sonning in Wokingham, Bagnor in West Berkshire, and Marlow in south Buckinghamshire. RMS Maloja was a British steam-powered ocean liner owned by P&O Steam Navigation Co. Her mail and passenger service took her between London, India, China, and Australia from 1923 to 1954, her maiden voyage beginning 2 November 1923. On 18 January 1924 she began running the fortnightly service between Tilbury and Sydney via Colombo and Melbourne. Luxurious and lofty, she quickly earned a reputation for comfort and reliability. She and her sister ship Mooltan were the largest that could comfortably pass through the Suez Canal at that time.. Very Good.

      [Bookseller: Voyager Press Rare Books & Manuscripts, ]
 31.   Check availability:     Biblio     Link/Print  


      London: John Lane, The Bodley Head. 1924. First edition, first printing. Original yellow cloth with black titles and border to the upper board and spine, in dustwrapper. With the publisher's advance review slip loosely inserted. A superb near fine clean and bright copy, the cloth with only minor rubbing to the extremities. Complete with the very good rubbed, nicked and lightly marked dustwrapper which has small chips to the spine tips and fold corners. Correctly priced 7/6net to the spine and with the W. Smithson Broadhead illustration of Poirot on the upper panel of the dustwrapper. Rare in dustwrapper. Queen?'s Quorum.

      [Bookseller: Lucius Books]
 32.   Check availability:     Biblio     Link/Print  

        Beggars of Life: A Hobo Autobiography

      New York: A&C Boni. 1924. First. First edition. Moderate wear to the extremities, thus very good plus in a soiled, very good plus example of the rare dustwrapper with some short tears and tiny nicks, and some modest soiling. Basis for the 1928 William A. Wellman film featuring Wallace Beery, Louise Brooks, and Richard Arlen. The author's most sought after book, rarely found in jacket. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 33.   Check availability:     IOBABooks     Link/Print  

        Le Casseur d'Assiettes

      Paris, Galerie Simon 1924 - Capolavoro editoriale di Gris negli anni del suo cubismo teorico e maturo . Tutte le tavole sono monogrammate in lastra e firmate in originale a penna blu dall'artista. Frontespizio stampato in nero e rosso con il famoso marchio editoriale 'Les deux coquilles' di Daniel-Henry Kahnweiler disegnato da André Derain. Le edizioni della Galerie Simon condivisero il lavoro di Kahnweiler tra il 1920 e il 1940. Prima edizione. Primo libro di Salacrou. Esemplare n.54 stampato su d'Arches e firmato a penna dall'autore e da Juan Gris. Edizione di 100 ex. Con quattro litografie originali e una di copertina di Juan Gris. Cm 25x20 [Attributes: First Edition]

      [Bookseller: Giorgio Maffei]
 34.   Check availability:     IberLibro     Link/Print  

        THE COMPLETE WINNIE THE POOH: When We Were Very Young, Winnie The Pooh, Now We Are Six and The House At Pooh Corner

      London: Methuen & Co. 1924 - 1928. First editions, first printings. Four volumes. Original cloth in dustwrappers. Top edge gilt. A superb fine set, each volume without inscriptions or stamps. Complete with their beautiful ever so lightly rubbed and nicked original dustwrappers. Small bookplate of E[dward] Hubert Litchfield to the pastedown of When We Were Very Young. An exceptionally clean and bright, attractive set, in entirely original condition. Housed in a purpose-made quarter morocco folding case with gilt titles on the spine. When We Were Very Young with the contents page numbered correctly. All dustwrappers are in the correct first state.

      [Bookseller: Lucius Books]
 35.   Check availability:     Biblio     Link/Print  


      . Radierung in Schwarzbraun, signiert sowie mit dem Namenszug und Titel in der Platte, auf kräftigem chamoisfarbenem Bütten. 28:23 cm. Vorzüglicher Abdruck mit sehr breitem Rand. Literatur: O.J. Bierbaum, Stuck. Bielefeld/Leipzig, 1924, S. 27, Abb. S. 29; Ausst. Katalog: Franz von Stuck. München, Villa Stuck, 1968, Abb. 32; J.-A. Birnie-Danzker, Die Sammlung des Museums Villa Stuck. München 1997, S. 144, Kat. 44 mit Abb. Das Motiv hat Stuck bereits 1890 als Gemälde umgesetzt..

      [Bookseller: Galerie Joseph Fach GmbH]
 36.   Check availability:     ZVAB     Link/Print  

        Umbra Vitae. Nachgelassene Gedichte. Mit 47 Originalholzschnitten von Ernst Ludwig Kirchner.

      München: Kurt Wolff; 1924.8°. 64 S. Oln. Einband am Rücken und am oberen Rand bzw. am Kopfschnitt minimal lichtrandig. Deckel im oberen Teil ganz schwach gebogen. Sonst keine Mängel. Eine Inkunabel des expressionistischen Buchdrucks. Diese Gedichte von G. Heym (1887 - 1912) entstanden zwischen 1910 - 1912 und erschienen bereits kurz nach seinem Tode. Die Gestaltungen für die Sammlung besorgte Ernst Ludwig Kirchner im Jahr 1922, bis diese 1924 veröffentlicht wurden. Insgesamt dauerte das ganze, meist zähe und mühsame, Projekt etwa 5 Jahre, begleitet von einem umfangreichen Briefwechsel zwischen Kirchner und dem Verlag. "Dies Buch ist einer Auflage von 510 in der Presse numerierten Exemplaren von der Spamerschen Buchdruckerei in Leipzig im Jahre 1924 gedruckt worden. Sämtliche Holzschnitte wurden von den Original - Holzstöcken abgezogen. Die gesamte Buchausstattung erfolgte nach Angabe des Künstlers, der auch Einband und Vorsatz in Holz schnitt. (...) Dies Exemplar ist Nummer 215." Dube 759 - 807. Göbel 624. Lang 175. Deutsch

      [Bookseller: Antiquarian bookshop Antiquariat Hameche]
 37.   Check availability:     Link/Print  

        The Soul of Wit

      London - William Heinemann, Ltd., 1924 Book. Very Good. Hardcover. First edition. The Soul of Witis anthology of epigrams chosen by George Rostrevor Hamilton. An author's presentation copy with signed dedication to John Drinkwater dated October 1927 to front free endpaper, with an additional epigram inscribed in ink by the author on the page preceding the introduction and with a letter from the authorto Mr Drinkwater dated 13/x/27 inserted to front. First edition. Sir George Rostrevor Hamilton (1888 - 1967) was an English poet and critic. He worked as a civil servant and Special Commissioner. He was knighted in 1951. Condition: In a cloth binding. Externally, generally sound but with slight bumping and wear to extremities and with staining and the odd mark to boards. Internally, generally firmly bound. Bright but with odd spotting mostly to first and last few pages with slight foxing and occasional marksto endpapers. With inscription to front free endpaper. Overall: VERY GOOD.

      [Bookseller: Rooke Books]
 38.   Check availability:     Biblio     Link/Print  

        Doctor Dolittle’s Circus.

      Fred[erick] A. Stokes, [1924]., New York: - 8vo. x, [ii], 379 pp. With colour frontispiece, illustrated title and 79 plates, all by Lofting. Original decorated yellow cloth with illustrated end-papers, binding a bit soiled, but generally a very good copy. Inscribed by the author on half-title ("Sincerely yours, Hugh Lofting"). First American edition of the fourth book in the Doctor Dolittle series.

      [Bookseller: B & L Rootenberg Rare Books, ABAA]
 39.   Check availability:     AbeBooks     Link/Print  

        A Child's Rosary Book

      Ditchling: St. Dominic's Press, 1924. 1st. Paperback. Small 8vo. 37, [2] pp. 15 wood-engraved illustrations by David Jones, two of which are reproduced on front cover. Stiff light brown wrappers with black illustration & lettering to front cover. Minor wear to extremities; small crease to upper front corner; 2" split to lower spine with small loss at end; light spotting to rear cover else a very good plus copy. Being the fifteen mysteries of the Most Holy Rosary of the Blessed Virgin Mary divided into three parts: the Joyful, the Sorrowful and the Glorious mysteries. David Jones (1895-1974) was a painter, wood engraver and considered one of the most important of the British modernist poets. Through his association with the artist, Eric Gill, Jones learned wood and copper engraving and eventually began illustrating books, initially for the St. Dominic's Press and later for the Golden Cockerel Press, for which he engraved the Cockerel itself in 1925. Next day shipping. Celebrating our 20th year - all domestic orders ship with Delivery Confirmation Tracking Number - Images available upon request.

      [Bookseller: Carpe Diem Fine Books]
 40.   Check availability:     Biblio     Link/Print  

        Handbook to the Exhibition of Pure Science

      publisher's information unknown, 1924 Book. Very Good. Hardcover. A detailed handbook of the British Empire Exhibition, 1924. From the Preface: The Handbook is arranged into two parts, the first a series of articles by well-known authors, intended to give some indication of the state of the Science at the time of the Exhibition, the second a descriptive Catalogue of the exhibits, numbered to correspond with cards displayed in the cases and on the benches. In the majority of cases the exhibits are shown by the scientific men actually engaged in the work, supplemented by instruments loaned by some of the leading firms of scientific instrument makers. Condition: In a paper binding with decorated front board. Externally, sound with slight rubbing. There are some chipsto the spine and a closed tear to the front board. Joints are weak. There is an ink inscription to the front board. Internally, binding is loosening in places. Pages are generally bright and clean. Overall: GOOD..

      [Bookseller: Rooke Books]
 41.   Check availability:     Biblio     Link/Print  

        Galapagos: World's End

      New York: 443G.P. Putnam's Sons, 1924. Hardcover. Collectible: Very Good. Signed by Author(s). Author's Autograph Edition. Printed on French handmade paper, limited to 100 copies signed by the author. This is No. 54. Nine tipped in color plates with 20 illustrations by Isabel Cooper. B&W photographs, mostly by John Tee-Van. Maps. Original gray coated cloth dust jacket, somenwhat soiled and curled on edges. Minor insect chewing on edges of free endpapers. TEG. Book and covers near fine.

      [Bookseller: Buteo Books]
 42.   Check availability:     Biblio     Link/Print  

        Gesammelte Werke (in vier Bänden).

      München. Buchenau & Reichert Verlag, ff. 1924.. jeder Band mit Bildnis' Merimees, 8°. 20,3 x 12,9 cm. 538/406/369/357 Seiten, Einbände mit Rückenvergoldung, Bandnummer, goldgeprägtem Deckelsignet und Kopfgoldschnitt, Hardcover in Pergament, Herausgegeben von Arthur Schurig, übersetzt von Arthur Schurig aus dem Französischen, Vorwort von Arthur Schurig,. In gutem Zustand. die Bände minimal fleckig, Band 2 am Rücken leicht gebräunt, die Vorsätze leicht braunfleckig, die Buchblöcke sauber und frisch, leicht gelbliches, lesefreundliches Papier, als Beilage ein Prospehkt der ursprünglich auf 5 Bände geplanten Ausgabe, der 5. Band mit Essays, Dokumenten und Dramen ist nicht erschienen. "Prosper Merimee, Gesammelte Werke Band.., gedruckt in der Bessemer Antiqua vom Jahre 1795 bei Jakob Hegner in Hellerau. Die Einbände nach Angaben Erich Etzold's von Hübel und Denck in Leipzig. Zweihundert Exemplare auf Deutsch-Japanpapier, Davon hat dieses die Nummer 34", Inhalt: Bd.1: Der Novellen 1. Teil, Bd.2: Der Novellen 2. Teil, Bd.3: Die Romane (Diana von Turgis / Lug und Trug), Bd. 4: Ausgewählte Briefe aus "Lettres a une Inconnue".

      [Bookseller: Leipziger Antiquariat e.K.]
 43.   Check availability:     ZVAB     Link/Print  

        Ten Lyrics

      The Pear Tree Press, Flansham, Bognor 1924 - First edition. 10" x 6 1/2". Decorative title page in blue and red; headpiece; jacket all designed by James Guthrie. Dust jacket (a few small chips). Very good. 12 pages. No signatures or bookplates. Rare thus. No. 65 of 110 numbered copies, printed by The Wessex Press, Taunton. Not listed in Ridler. [Attributes: First Edition; Hard Cover]

      [Bookseller: Houle Rare Books/Autographs/ABAA/PADA]
 44.   Check availability:     AbeBooks     Link/Print  


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