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Displayed below are some selected recent viaLibri matches for books published in 1922


      William Heinemann. 1922 - Selected and edited by Gordon Bottomley. With an introductory memoir by Laurence Binyon. First edition; 8vo; cloth boards and dust jacket. Fine in a near fine dust jacket, which has a small abrasion to the spine. A lovely copy difficult to find in this condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: York Modern Books PBFA ABA]
 1.   Check availability:     AbeBooks     Link/Print  

        Sidelights on Relativity.

      Methuen, London. 1922 - First English edition. Translated by G.B. Jeffery and W. Perrett. Octavo. pp [iv], 56, 8 adverts. Contains two addresses, "Ether and Relativity" and "Geometry and Experience'. Spine and cover edges a little faded. Lower corners slightly bruised. Endpapers and edges spotted. Very good in the scarce and fragile dustwrapper which is good, chipped at edges, a bit rubbed, and starting to split at the joints. [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
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        Knizhnye znaki russkikh khudozhnikov chudozhnikov [Bookplates of Russian Artists]

      Peterburg: Petropolis. Very Good+. 1922. First Edition. Paperback. Beautifully produced and in extremely good condition. Original printed and colour decorated wrappers, colour decorated card covers, large 8vo, 21x28cm. 55 bookplates (in b/w and in colour), Russian text, indices. Limited edition of 500. Copy 327. ; Woven effect decorated dust-wrapper, as published, over beautifully decorated card covers. Cover, frontis., book decorations by Mitrokhin. Exquisite collection of bookplates by the leading graphic artists of the day; designed either for their own libraries or for others. Artists include Chekhonin, Somov, Favorsky, Petrov-Vodkin, Kustodiev, Belkin, Benois, Kruglikov, Konashevich, Dobuzhinsky and many more. A particularly striking example was designed for the satirical writer Teffi by Kalmakov. ; 239pp pages .

      [Bookseller: Marijana Dworski Books]
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        Just - William.

      London: George Newnes Limited, , [1922]. Octavo. Original red cloth, titles to front cover and spine in black. Illustrated by Thomas Henry. Cloth faded and with a few faint marks, spine gently rolled and rubbed at ends, front and rear joints starting but still holding firm, the occasional light spots but overall contents bright. A very good copy. First edition, first impression, of the first William book.

      [Bookseller: Peter Harrington]
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        Schriftsteller u. Revolutionär (1893-1939): Masch. Brief m. 2 eigenh. Zusätzen u. eigenh. U. London, 11. X. (1936).

       An Erik Warman wegen der Organisation eines Dinners: \"[...] Mr. Gordon, a student of London University who invited me to speak to 800 students on october 25th asked me to allow him to take part in the dinner. I agreed. Please reserve a ticket for him too. // Finally, Mrs. Vera Meynell, my nicest publisher, (Nonsuchpress [sic!]) wants to attend. I agreed to her attendance too. - [weiter mit der Hand (continue autograph:] I hope you alike! [...]\" - // - Nonesuch Press war eine 1922 in London von Francis u. seiner Frau Vera Meynell gegründete private Presse. - Dort erschien von Ernst Toller 1923: \"Masses and Man: A Fragment of the Social Revolution\" und 1926: \"Brokenbrow\", illustr. von Georg Grosz]. - Toller berichtet weiter vom Erhalt e. Manuskripts von Henderson. [Alexander Henderson, der Tollers Stücke ins Englische übersetzte] - Toller ging 1933 über die Schweiz nach England ins Exil und später in die USA. Auf zahlreichen Kongressen warnte er vor dem Faschismus. Nach dem Sieg Francos im Spanischen Bürgerkrieg beging er in New York Selbstmord. Versand D: 4,00 EUR Autograph, Autografen, autographs, Eigenh. mit U. = eigenhändig mit Unterschrift, Sozialismus, Kommunismus, Nonesuch Press, Exil in London

      [Bookseller: Antiquariat Husslein]
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        Why Europe Leaves Home

      Bobbs-Merrill. Very Good in Good+ dust jacket. 1922. 1st Edition. Hardcover. Hardcover with dustjacket, no date on title page, 1922 date on copyright page, sturdy and attractive burgundy cloth with bright gold title on spine, illustrated with photos, there are several gently corner-creased pages, page 19 and 356 have small pieces missing at the edges from being opened carelessly (no loss of text) . Two small dark smudges that appear to be printer's ink on page 156 have partially obscured a few words of text but all is still readable, mild tanning to the blank end-papers, tiny crease to the top rear corner, the book remains pleasing to the eye, the binding is tight, square and clean and with the exception of page 156 the contents are fine, please see our photos of the scarce jacket to determine whether suitable for your needs, the original price (3.00) is present and a professional (removable) mylar cover is included, subtitled "A true account of the reasons which cause Central Europeans to overrun America which led Russians to rush to Constantinople and other fascinating and unpleasant places which coax Greek royalty and commoners into strange byways and hedges and which induce Englishmen and Scotchmen to go out at night," the last two chapters on beer and scotch are exceptional .

      [Bookseller: Mainly Books]
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        Le Printemps sur la Neige et d?autres Contes du bon vieux temps.

      1922. First French Edition of Arthur Rackham's 'Snowdrop and Other Tales'One of 300 Copies with an Extra Suite of PlatesIn a Beautiful Binding by Marcel Albinhac[RACKHAM, Arthur, illustrator]. GUYOT, Ch. Le Printemps Sur La Neige et d'Autres Contes du Bon Vieux Temps. Illustrations de A. Rackham. Paris: L'Edition D'Art, H. Piazza, 1922. Limited to three hundred copies with an extra suite of color plates, out of a total edition of 1300, this being copy no. 142. Tall quarto (11 5/8 x 9 inches; 296 x 228 mm.). 103, [5] pp. Sixteen tipped-in color plates with descriptive tissue-guards (duplicate suite bound in), seven full-page drawings and and several textual drawings in black and white. Bound ca. 1922 in three-quarter brown morocco over marbled boards ruled in blind by M. Albinhac (stamp-signed on verso of front flyleaf). Smooth spine with five red morocco bands decorated in gilt, multiple 'floral' onlays of green, red, brown and tan morocco, and lettered in gilt, cockerel end-papers, top edge gilt, others uncut. Publisher's original brown-gray wrappers bound-in at front and back, with pictorial stamping in green and deep reddish brown with gilt lettering. Square red leather bookplate of the renowned collector Arpad Plesch on front paste-down. A handsome book in a beautiful binding.First edition in French, translated by Charles Guyot, of the Rackham-illustrated Snowdrop and Other Tales by the Brothers Grimm (1920, with twenty-five stories), a reprint of Fairy Tales by the Brothers Grimm illustrated in color by Rackham in 1909, here containing eight stories from those earlier editions in a volume with a completely different design including text borders and typographical devices, this copy including an extra set of the sixteen color plates. Marcel Albinhac was the son and successor of Alexandre Abinhac of 41 rue Madame in Paris.The Stories:1. Le Printemps Sur Le Neige2. Les Trois Désirs3. Le Roi De Mérchante Humeur4. La Petite-Fille Du Chaperon Rouge5. Les Maitres Invisibles6. La Pluie D'Or7. Le Princesse Aux Deux Visages8. SimpletteLatimore and Haskell p. 53 (1/1300 copies); Riall p. 140 (1/1300 copies).

      [Bookseller: David Brass Rare Books, Inc.]
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        Zentralblatt für Waggonbau-, Schiffbau-, Transportmittel-Industrie. Verbreitet in Mitteleuropa. 5. Jahrgang 1922 mit 52 Nummern.

      Gröning Itzehoe 1922 Mit je Heft ca. 12 - 16 Seiten = gesamt ca. 720 Seiten sowie ca. 200 n.n. Werbeseiten. Mit einigen Illustrationen und Abbildungen, die Werbeseiten mit zahlreichen Illustrationen. Privater Halbleinenband der Zeit, 4° ( 30,5 x 23 cm ). Einband stärker berieben, stärker fleckig, Ecken und Kanten bestoßen. Innen Papier durchgehend etwas gebräunt, Seiten durchgehend am linken Außenrand gelocht ( Ohne Text- oder Bildverlust ), einige Seiten etwas fleckig bzw. stockfleckig. Insgesamt unfrisch.( Gewicht 2200 Gramm ) ( Die Zeitschrift erschien von 1918 - 1936 und ist im Handel so gut wie unauffindbar und ist auch in Bibliotheken selten ). ( Pic erhältlich // webimage available ) Versandkostenfreie Lieferung Waggon, Waggonbau, Eisenbahn, Transport, Transportwesen, Schiffbau, Schiffahrt, Gröning, Zentralblat, Googlet

      [Bookseller: Antiquariat Friederichsen]
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        Der Tod des Löwen. Mit 12 signierten Radierungen von Hugo Steiner-Prag.

      Leipzig - Prag, Verlag der K. Andreschen Buchhandlung, 1922,. 174(2) S., OHalb-Ledereinband auf 5 Bünden mit Goldprägung auf dem Vorderdeckel, vergoldete Rückenverzierung, Kopf-Goldschnitt, Büttendruck. Mit radierter Titelvignette und 10 ganzseitigen, handsignierten Originalradierungen ohne Remarquen von Steiner-Prag. Es gab mehrere Vorzugsausgaben. Aus dem Impressum: \"von diesem Werke erschien eine einmalige numerierte Ausgabe von 400 Exemplaren. Dreihundert Stücke druckte die Offizin von Poeschel & Trepte in Leipzig, die Radierungen die Kupferdruckerei D.Felsing in Leipzig, die Bindung besorgte die Leipziger Buchbinderei A-G vorm. Gustav Fritsche. Die Nummern der Ausgabe A (1-145) enthalten die vom Künstler handschriftlich unterzeichneten Radierungen mit Remarquen, und sind mit der Hand in Ganzleder gebunden....Die Nummern der Ausgabe B (146-200) haben handschriftlich unterzeichnete Radierungen ohne Remarquen, die Nummern der Ausgabe C (201-295) sind einmalig vom Künstler signiert. die Ausgaben B und C sind in Halbleder gebunden.\" Vorliegend das maschninell nummerierte Exemplar Nr 165 der Ausgabe B ohne die Remarquen. Der Einband an den Kanten berieben. Insgesamt ein gutes Exemplar. Selten. Rare. Fine limited copy with handsigned etchings. Das Foto zeigt den Vordeckel. Versand D: 5,00 EUR Originalgraphik, Graphik, Handpressendruck, Steiner-Prag, Prag, Berlin, limited

      [Bookseller: AS - Antiquariat Schröter]
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        Die Aktion. XII. Jahrgang. Heft 39/40. 15. Oktober 1922

      Die Aktion, Berlin-Wilmersdorf 1922 - With Frans Masereel's woodcut on title. First edition. (3 pages), 551-576 columns. Title illustration by Frans Masereel on Franz Pfemfert's revolutionary, expressionist, leftist literary and political magazine, Die Aktion. Paper yellowed due to ageing. Some light stains on title and first leave. Artistically restored at spine. Overall in fine condition. [Attributes: First Edition]

      [Bookseller: Földvári Books]
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        Mozarts Faschingsoper. (Die künstlerische Ausstattung dieses Werkes stammt von Franz von Bayros in Wien. Es wurde in einer einmaligen Auflage von 1150 numerierte Exemplaren durch die Offizin W. Drugulin hergestellt. Die photo-lithographischen Vollbilder in zehnfarbigem Offsetdruck druckte die Graphische Kunstanstalt von Meißner & Buch. Das Papier lieferte Berthold Siegismund. Den Einband fertigte die Großbuchbinderei von E. A. Enders. Sämtliche Firmen in Leipzig. 50 Exemplare (in Ganzleder) wurden auf echtem van Geldern-Bütten, 100 Exemplare (in Halbleder) auf imitiert Japanpapier, die Bilder für diese beiden Ausgaben auf echt Kaiserlich Japanpapier abgezogen und vom Autor und Künstler signiert. Dieses Exemplar trägt die Nummer 48. Signatur von Bartsch im Impressum. Alle 6 Farbtafeln sind unten rechts von Bayros mit Bleistift zart signiert.

      Leipzig, L. Staackmann, 1922 166 S., Textillustrationen und 6 farbige Tafeln, Gr.8° goldgeprägtes Orig.- Leder Rücken minimal aufgehellt, minimal angekratzt/berieben, die Deckel ganz minimal berieben und lichtrandig; innen tadellos, insgesamt gut bis sehr gut erhalten. Versand D: 3,00 EUR Bibliophilie, limitierte Auflagen; signierte Bücher.

      [Bookseller: Versandantiquariat Daras]
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        Soldat im Prager Korps.

      Leipzig und Prag, Verlag der K. Andréschen Buchhandlung, 1922.. 316 S., 1 Bl. Orig.-HLdr. Erste Ausgabe. - Nr. 9 von 100 Exemplaren der Vorzugsausgabe, im Impressum von Egon Erwin Kisch signiert. - Gering berieben. Tls. leicht braunfleckig.

      [Bookseller: Antiquariat Turszynski]
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        The autograph album of Marie Garlicks, wife of Frank Garlicks (1869-1952), treasurer of the Metropolitan Opera from 1916-41, containing over 50 signed autograph inscriptions of Metropolitan Opera singers from the period ca. 1922-29, many quite scarce

      - Small oblong quarto, 103 x 150 mm. Black textured cloth with floral motif blindstamped to upper. With inscriptions and/or signatures of:Beniamino GigliNanny Larsen-TodsenLucrezia Bory Delia ReinhardtGustav SchützendorfAngelo BadaGouache drawing of a sailing ship signed Francis W. Bancroft, April 26, 1922 (probably related to Louise Bancroft, Frank Garlick's sister)Virginia A. MacyVincenzo BellezzaGeorge MeaderOrville Harrold Roberto Moranzoni (conductor)Antonio ScottiFeodor ChaliapinGiuseppe De LuccaEdward Siedle (technical director at the Met)Marion Talley (youngest primadonna to have debuted at the Met)Giovanni MartinelliJulia ClaussenArtur Bodanzky (conductor)Tullio Serafin (conductor), with autograph musical quotation from Verdi's FalstaffJosé MardonesMaria JeritzaMichael BohnenCarl SchlegelMarion WeedLéon RothierFrancis PeraltaJeanne GordonBerta MorenaCurt TaucherLawrence TibbettRosa PonselleMaria MüllerElisabeth RethbergEzio PinzaEdward JohnsonLouis Hasselmans (conductor)Marie MattfeldMarie SundeliusMarion TelvaFlorence EastonFrancis AldaMario ChamleeFriedrich SchnorrAdamo DidurRudolf LaubenthalPaul Bender, including a self-caricatureClarence WhitehillTito RuffoWalter KirchhoffGennaro Papi (conductor)Morgan KingstonAmelita Galli-Curci[?]Marianne FlahautFlora PeriniRyamonde DelaunoisBarbara KemopRafaelo DiazKarin BrnzellGiacomo Lauri-Volpi. [Attributes: Signed Copy; Hard Cover]

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        Die Streiche des Herrn Sassaparilla. Mit Illustrationen von Axel Leskoschek.

      Wien, Verlag der Wiener Graphischen Werkstätten, 1922 - 109(3) Seiten, Druck in rot-schwarz, 10 ganzseitige Holzschnitt-Illustrationen von Axel Leskoschek jeweils zu Beginn eines Kapitels. Leskoschek schuf auch die Initialen und die Titelzeichnung. Druck: Offizin der Waldheim-Eberle A.G. in Wien. Auflage: 300 nummerierte und vom Dichter und Künstler signierte Exemplare. Vorliegend Nummer 111. Darunter die beiden Signaturen. Gutes Exemplar. Limited copy, signed by the author and the illustrator. Good copy. Sprache: Deutsch Gewicht in Gramm: 1000 ca 35 x 25 cm (HxB), bedruckter Ganz-Leineneinband mit Pergaminumschlag in OSchuber, [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Uta-Janine Störmer]
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        Jahrbuch der jungen Kunst 1922.

      Klinkhardt & Biermann, Leipzig 1922 - Leipzig, Klinkhardt & Biermann, 1922. 4°. 4 Bl., 326 S., (16) S. Anz. Mit vielen s/w. Abb. und 7 Originalgraphiken. OHLn. mit Linoleumschnitt. Exemplar der Normalausgabe mit 3 Originallithographien von Max Beckmann "Liebespaar", Wilhelm Kohlhoff "Der Reiter", Berhard Kretzschmar "Der Schöne Sonntag", mit 3Originalholzschnitte von F.M. Jansen "Zeitgenossen", Robert Kohl (ohne Titel, [Paar mit Kind und Fuhrwerk]), Walter Teutsch "Schäferszene" und 1 Linoleumschnitt von Georg Mathéy auf dem Einband. - (Rücken und Vorsätze fachgerecht erneuert). - Sauberes Exemplar. Sprache: Deutsch [Attributes: Hard Cover]

      [Bookseller: Biblion Antiquariat]
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        Die Volkstrachten der Schweiz : 1. Innerschweiz; 2. Ostschweiz; 3. von Bern, Freiburg und Wallis; 4. von Zürich, Schaffhausen, Graubünden und Tessin; 5. der Mittel- und Westschweiz.

      Erlenbach-Zürich, Eugen Rentsch Verlag 1922?1932. - 5 Bände (cpl.). 4°. Reich illustriert mit Illustrationen u. zwischengeschalteten (Farb-) Tfn., zahlreiche fotogr. s/w-Abbn. a. Tafeln in den Anhängen. Bde. 1?4 mit sep. Schnittmusterbogen in hinterer Deckelschlaufe (so cpl.). OLn. (dunkelblau, lamin., mit transparenter Bibliotheksfolie) mit vergold. (R-) Titel u. unterschiedl. Deckelsujets. Leichtere Alters- u. Lagerungs-, wenig eigentliche Gebrauchsspuren, Bibliotheksetiketten a. Vorsätzen, Bibliotheksstempel mit hs. Vermerk ?Verkauft? a. Vortiteln. Gesamthaft bemerkenswert saubere, recht gute Serie. Standardwerk mit reichhaltigem dokumentarischem Bildmaterial. ? Total 688 Seiten (Text), 61 farbige, 71 einfarbige, 982 sonstige Abbildungen (Verlagsangaben in: 70 Jahre Rentsch Verlag 1910?1980. Erlenbach-Zürich und Konstanz 1981, p. 114). ? Band 5 von 1932 war ohne Schnittmusterbogen erschienen. ?? Julie Heierli (1859 San Francisco 1859?1938 während Ferienaufenthalt im Schwarzwald), ref., von Zürich. Als Autodidaktin begründete Heierli auf Grund von Feldforschungen die wissenschaftliche Erschliessung und Erforschung der schweizerischen Trachten. Sie gründete die Trachtensammlung des Schweiz. Landesmuseums mit und beriet verschiedene Museen zu deren Sammlungen. 1897 publizierte sie nach Aufnahmen des Trachtenfests, das der Lesezirkel Hottingen 1896 in Zürich veranstaltet hatte, ?Die Schweizer-Trachten vom 17.-19. Jahrhundert nach Originalen? Es folgten wissenschaftliche Artikel, und 1922?1932 veröffentlichte sie ihr fünfbändiges Hauptwerk ?Die Volkstrachten der Schweiz?, bis heute die umfassendste und historisch fundierteste Arbeit zum Thema. Mit ihren rein historisch begründeten Vorschlägen zur Erneuerung der Trachten wirkte Heierli dem folkloristischen Aspekt der neuen Trachtenbewegung entgegen. (U. Karbacher, in: HLS). ?? NETTOGEWICHT 5.3 kg Sprache: de [Attributes: Hard Cover]

      [Bookseller: Franz Kühne Antiquariat und Kunsthandel]
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      London: Selwyn & Blount Ltd, 1922. First edition. Trifling wear to spine ends, but fine with remnant of dust jacket laid in. First edition. Quarto. 175p. Illustrated throughout by John Austen with full-page plates and vignettes. Bound in original gilt-titled parchment spine over black boards with decorations in gilt and turquoise, illustrated endpapers. In our estimation John Austen's best work.

      [Bookseller: First Folio]
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      Harcourt, Brace and Company, 1922 A very good first edition, first issue (Purdy on page 49), in a good dust jacket with a 3 inch split and scratch on the spine of the jacket. Previous owner's name written on front paste-down. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Very Good/Good.

      [Bookseller: Bookbid Rare Books]
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        Lettera autografa inviata da Giacomo Puccini all'amico Angelo Magrini, non datata ma con timbro postale 21 dicembre 1922.

      - Lettera autografa ad inchiostro in formato cm.24,8x15,1, compilata solo al recto su 23 righe, su carta intestata "Via Verdi, 4 - Milano" in chiara grafia. ". Al verso indicazione del destinatario e indirizzo (Viale Carducci - Viareggio), con tre francobolli e relativa affrancatura. Missiva di interesse musicale, in cui il musicista parla di una prossima esecuzione della sua "Manon Lescaut" alla Scala di Milano, in programma appunto il 26 novembre 1922: "Caro Angiolino, La prima di "Manon" sarà il 26. Verrà? L'avrei caro ci fosse. Spero sarà molto bene, e difficilmente si sentirà un'esecuzione come questa alla Scala". Puccini ragguaglia poi l'amico sulle sue condizioni di salute ("Io sto meglio ma non ancora del tutto bene, qui piove e nebbia fitta, niente freddo"). A conferma dei rapporti di amicizia tra i due, il Maestro chiede a Magrini di porgere saluti e auguri a Elvira e Tonio, la moglie e il figlio, che evidentemente erano rimasti a Viareggio nell'abitazione di Via Foscolo senza seguire il musicista a Milano. Al verso, sempre di mano di Puccini, è aggiunta la notazione "saluti a Cecco". Pur dandosi ancora del "lei", Angelo Magrini fu grande amico di Puccini soprattutto negli ultimi anni di vita del compositore. Membro, con i vari Pagni, Marotti, Panichelli e Paladini" del "Club Gianni Schicchi", fondato in ricordo dei fasti di gioventù del "Club La Bohème", Magrini, di buone condizioni economiche, possedeva una casa a Cutigliano, ove Puccini ogni tanto soggiornava. Fu lui ad accompagnare il Maestro nel lungo tour europeo nell'estate del 1922, ancora in auto a Vienna nel maggio del '23, e soprattutto ad essere presente a Bruxelles al momento del decesso. 50 gr.

      [Bookseller: studio bibliografico pera s.a.s.]
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      1922 . (Segonzac, Andre Dunoyer de)illus. TABLEAU DE LA BOXE by Tristan Bernard. Editions de la Nouvelle Revue Francais, Tableaux Contemporains No. 2, Paris, 1922. 8vo. (9 1/2 x 7 1/2 in., From the regular, numbered edition of 318 copies (there were an additional 15 special copies). 212pp., with 29 etchings, 9 on full sheets, 20 in text. Attractively rebound in 1/2 leather over pictorial boards, with the original wraps bound-in. Light foxing, mostly in margins, not affecting images.

      [Bookseller: A FINE THING: Edward T. Pollack Fine Art]
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        The Fire Bird

      Garden City, NY: Doubleday Page, 1922 First edition. One of Porter's scarcest books, in fine condition. In a very good ORIGINAL DUST JACKET, with minor wear to spine ends and a 1" triangular chip from the top front hinge. A spectacular copy, very scarce in dust jacket..

      [Bookseller: March Hare Books]
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      New York Harcourt, Brace 1922 First Printing (no further printings noted), Second Issue, with 'Lyte' for 'Purdy' and 'any' for 'my' p. 49 (only 9500 copies of the first issue were printed before those two corrections were made). Thick 8vo: [6],401,[7]pp. Publisher's royal blue cloth, upper cover and spine lettered in blue (negative of orange title blocks) and orange; cream-colored dust jacket printed in French blue and black. Fine (very lightly read, if at all), with neat presentation inscription dated 1922 on first front blank; in a lightly restored example of the "absurdly fragile" (Pastore) jacket that presents as just about Fine, with a hint of fading to the spine and the flap folds dust-soiled. Pastore, pp. 67-73. Johnson, High Spots, pp. 50-51. Fine

      [Bookseller: Fine Editions Ltd.]
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        Beautiful and Damned, The

      New York Charles Scribner's Sons 1922 True First Printing (without the publisher's seal on the copyright page or the concluding advertisements on pp. 451-452 of later printings) of the author's second novel. 8vo; [10], 449, [1]pp. Publisher's dark blue-green linen-like cloth, the spine lettered gilt, the upper cover blind-stamped with the title and author, the fore-edge untrimmed. A just about Fine copy (lacking the dust jacket), save for offsetting to the end papers and faintly discernible pencil erasures to the front fly leaf. Bruccoli A8.1.a Fine-

      [Bookseller: Fine Editions Ltd.]
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        The Waste Land

      New York Boni & Liveright 1922 [1923?] Number 369 (stamped in type 2-mm high, per Gallup A6b) of the second impression limited to just 1000 copies. (Though stated as the "second edition" on the colophon page, this second impression of 1000 copies was printed from the same setting of type as the first printing and is more accurately termed, as listed in Gallup, the "second impression.") With the incorrect 'mount in,' line 339, p. 41. Slim octavo; 64pp. Publisher's stiff black cloth, the spine and upper cover lettered in gilt, all edges deckled; in the original salmon-pink dust jacket printed in black. Near Fine, clean and complete, the gilt lettering still bright, with minor bumping to the spine ends; flawed by dark offsetting from paper laid in between the rear end papers and between pp. 38-39 and light chipping to the top of the half title and title pages where the uncut pages were opened carelessly; otherwise a bright, unmarred, very lightly read copy with no names, bookplates, or writing. The jacket is Near Fine or better without restoration, the front and back panel clean and complete—indeed Fine—but the spine darkened with trivial rubbing to the ends and a small sliver of loss mid-spine, not affecting any lettering. Overall, a remarkable, highly collectible copy of likely the century's most important poetic work. Near Fine

      [Bookseller: Fine Editions Ltd.]
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        Die Meistersinger von Nürnberg. Facsimile of the autograph musical manuscript full score

      Munich: Drei Masken Verlag, 1922. A limited edition, this number 3 of of 530 copies. Die Meistersinger von Nürnberg was first performed at the Königliches Hof- und Nationaltheater in Munich on June 21, 1868, to a libretto by the composer. "The only comedy among Wagner';s mature works, Die Meistersinger is a rich, perceptive music drama widely admired for its warm humanity... Its genial aspect is immensely enhanced by the technical mastery displayed by Wagner at the height of his powers." Barry Millington in Grove Music Online.. Folio. Newly bound in quarter dark green calf with matching boards, dark brown morocco title label with spine in decorative compartments gilt. 1f. (facsimile title), 462 pp. + 1f. (colophon). A near-fine copy.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
 25.   Check availability:     Biblio     Link/Print  


      McLeod, 1922 First edition, first printing, first state, with "Supposing Purdy and I" and "to ruin my fellow human" to page 49.Book Condition: As New. 1st Edition. The book looks like new, unread and clean. Edges are sharp and fine. No tears or creases. No stain, writing or reminder marks. The binding is straight and tight. The book itself is very nice.SHIPPING WITHIN CANADA $13 DOLLARS US FUNDSPriority and International orders will require additional postage.More Information | Ask Bookseller

      [Bookseller: peterfryersales]
 26.   Check availability:     Biblio     Link/Print  

        The Innocents Abroad or The New Pilgrim's Progress (The Writings Of Mark Twain)

      New York: Gabriel Wells, 1922. Definitive Edition. These two volumes of the first two volumes of the 37 volume set of the Definitive Edition of The Writings of Mark Twain are in very near fine condition in 3/4 dark brown leather and brown cloth covered boards with four raised bands on the spines with gilt text and tool work in the compartments. The leather on the boards is outlined with gilt borders. In addition to making minor repairs to the leather and cloth edges a professional binder reinforced the joints on both volumes with Japanese tissue colored perfectly to match the color of the leather on the spines. The leather at the heads of the spines is worn down to the edge of the text blocks; and, a small section of the title to volume I has been replaced and stamped in gilt. Both volumes are contained within a handsome, cloth lined and leather covered slip case. Volume I is signed by the author using both his real name and his nom de plume. The facing page states that the page was signed by Mark Twain in 1906 in anticipation of the publication of this definitive collection. Additionally, volume I is identified as being part of set number 30 of only 1,024 sets printed. Volume I contains 311 pages of text and is illustrated with a frontispiece portrait of Twain and four engravings with titled tissue guards. Volume II contains 409 pages of text and is illustrated with a frontispiece engraving and four other engraved plates with titled tissue guards. Neither volume contains any prior ownership names, markings, book plates or marginalia. (BAL, 3691)

      [Bookseller: Town's End Books]
 27.   Check availability:     Biblio     Link/Print  

        Die Bücher der Bibel. Nach d. Übersetzung v. (Eduard Wilhelm Eugen) Reuss. 3 Bde. (1, 6, 7; alles Erschienene). Die Lehrdichtung - Die Liederdichtung - Überlieferung und Gesetz.

      Bln.-Wien, B. Harz (1922). gr.-8°, 304, 328, 552 S. mit je 1 Serien-, 1 Doppeltitel u. zahlr. Illustr. v. Ephraim Mose LILIEN. OHLdr. mit Rückengoldpräg. Bei Bd. 6 Rü. u. Kanten berieben, Ecken bestoßen. Insgesamt gutes Exemplar in der seltenen Orig.-Halblederbindung. Krieg, MNE I, 113; Hofstätter, Jugendstil-Druckkunst 144; Jüd.Lex. III,1113.- Nachdruck der Ausgabe 1908-12. Versand D: 15,00 EUR Judaica, Jugendstil, Bibel, Illustrierte Bücher

      [Bookseller: Antiquariat Löcker]
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        Canti malvagi

      1922 - Casa Ed. «La Fiaccola» (stampa: Tip. Di Stefano), pp. 63 [1], 1 c. patinata f.t. con ritratto dell'autore. Rara prima edizione. Raffinatissima plaquette poetica. «[ ] il volume di poesie 'Canti malvagi' alterna poesie futuriste di gusto sadico (nettamente ispirate a Soffici e Papini) a composizioni hai-kai di ascendenza giapponese, visibile anche nella copertina di Cottone, ricalcata da una celebre incisione del maestro Hokusai, sintetizzata nei versi de Il supplizio squisito [ ] futurismo rurale del Maciariello [ ]» (D'Ambrosio, Marinetti e il futurismo a Napoli, p. 119). Il libro occupa una parte di rilievo nel volume di Giuseppe Tardiola Il vampiro nella letteratura italiana (cfr. p. 63 e passim). Cammarota, 288.2. Minimi difetti al dorso, nel complesso bell'esemplare pregiato da invio autografo dell'autore al piatto anteriore «A Elpidio Jenco». [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Libreria Antiquaria Pontremoli]
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        OPERA OMNIA curata postuma da BENITO MUSSOLINI - 30 VOLUMI collezione completa di TUTTO IL PUBBLICATO nella tiratura speciale di lusso, Bologna 1922 - 1933, Cappelli Licinio, 1922

      15,5 x 22,5, rlegatura elegante editoriale cartonata telata marrone. titoli in oro sui dorsi (con sequenza dei volumi I - XXX) . Ognuno di pagine 200 - 300 E' da considerare che si tratta di una edizione numerata e non facile da reperire completa con le legature tutte eguali ed uniformi. Si tratta di tutta l'opera DEGLI SCRITTI E SAGGI di ALFREDO ORIANI, considerato il "precursore" del FASCISMO specialmente con la RIVOLTA IDEALE in cui, con toni Nietzeschiani, si auspica l'avvento di un leader carismatico che possa risollevare i destini italiani. A richiesta possiamo inviare elenco dei titoli. Sul sito è disponibile una bella foto dell'insieme per evidenziare lo stato pressochè perfetto e l'eleganza. La collezione dei 30 volumi viene offerta a

      [Bookseller: Libreria e Rivisteria Ferraguti]
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        Planta Parcial da cidade do Rio de Janeiro edithdh por Soria & Boffoni.

      Artist: Sorria & Boffoni Rio de Janeiro; Issued in: Rio de Janeiro; date: d 1922 - Artist: Sorria & Boffoni, Rio de Janeiro; Issued in: Rio de Janeiro; date: d 1922; - Condition: Very good, foldet; Map depicts the city of Rio de Janeiro. This highly decorative map, designed in contemporary Art Nouveau style, depicts Rio de Janeiro a splendit time in the city«s history, when it came into its own of the world«s greatest tourist and cultural centers.The map folds into a fascinating book that details the highlights of the city entitled: Guida da Citade do Rio de Janeiro, Condentdo muitas uteis, os principaes e vias de communicacoes indidpensaveis ( 66 pages)

      [Bookseller: Antique Sommer KG]
 31.   Check availability:     ZVAB     Link/Print  

        One of Ours

      New York: Alfred A. Knopf, 1922 - First Edition; one of 35 numbered copies on Imperial Japan Vellum, signed by Cather on the colophon page. Minor spotting, else fine in a custom clamshell box. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
 32.   Check availability:     AbeBooks     Link/Print  

        Group of Love Letters to Flora Temple Lash, whom he married, with sketches and related ephemera

      No Binding. Very Good. 20 letters, 59 pages, several letters illustrated with sketches, letters dated 1922-1941, the bulk from 1923-1924, with 9 pencil and pen sketches, 17 printed and manuscript ephemeral items, including: exhibition lists, catalogs and price lists, Christmas cards designed and printed by the artist, the ephemera dates from 1912-1941, with nine snapshot photographs, plus accompanying negatives. Collection of love letters from Albert Sterner, an academically trained artist, painter, draughtsman and print-maker, who as an older married man, at the age of 60, seems to have fallen hard for the younger Flora Temple Lash. Sterner divorced his first wife and later married Flora. The letters discuss Sterner's artistic life and his relationship with Flora. [March 14, 1923] New York, to Flora Temple Lash, Philadelphia "Darling! If ever in my life I did what I longed not to do it was then when the door closed last night and I left you. I crossed the wet street and looked up at your windows but you were busy - undressing - going in your little bed where but a moment before you had lain beside me. It was heavenly sweet that quiet embrace - It was so close so dear so deep - The silences of it are still in my memory! I got a lower berth on the 1215 and went to bed and stayed there till 7 this morning I slept fitfully - had breakfast at the Pennsylvania Station and got here long before Norah arrived. I have been working on and off at the etching scraping out a large place - it is arduous the cutting of the copper - So I am not sending you a proof till the thing is corrected - and Jules just came with another photograph of your drawing - but it is worse than the other so tomorrow he will do it again. ." [October 1, 1923] New York, to Flora Temple Lash, Philadelphia "Dear Love! I have thought of you all through this day - Now it is night - and I long for you so I might kiss your dear eyes and just hear your lovely voice say "Albert" No one says it like you do, no one! Even over the phone when you are many miles away it bears me to your love - and I love it. I had dinner alone at the Arts Club, for the Players Kitchen is out of commission and we go next door and eat among the old ladies - they are all old ladies there men and women - This morning I printed a beautiful proof from my plate 'the mask' or 'Now Unmask' which title do you prefer. It is really a beautiful proof. I am more & more mad about etching and I find out more wonderful things about it every hour. It is much more precious than lithography and much more difficult and longer to make and so one loves it more. It is more uncertain too and has more mystery. I want you to see this proof, so if you don't come to New York at the end of the week I will bring it to show you and will try to print from your plate reading too. - A mad idea has been in my head of renting my studio and going to stay in Vermont . so I would not have to earn so much money and could go on etching - but it is only an idea and may never materialize. ." [Jan 7 1924] New York to Flora Temple Lash, Philadelphia "Dearest Love! . All this week every evening till Saturday I have to play the little Pirandello Play - and on Monday the 14 - I begin the portrait of Mr. Tyler at Elkins Park. I shall go to Philad. Sunday the other two drawings they ordered are to be done later. Tyler wrote that they loved the boy's portrait. On the 17th I lecture at the Fellowship. Did you get the photographs & get them to Mary Butler? And on the 19th I give my lecture on drawing here at the Anderson ." June 27, 1924, Binghamton, New York to Flora T. Lash, Philadelphia "My Beloved - First how are you? You dear - I hope quite better and feeling allright. I never like to see you suffering. It

      [Bookseller: Michael Brown Rare Books, LLC]
 33.   Check availability:     Biblio     Link/Print  

        Mardrus, Joseph-Charles, Histoire de douce-amie. Conte des mille et une nuits. Mit 1 mont. Orig.-Tuschezeichnung, 34 pochoirkolor. Holzschnitten (1 auf dem Umschlag und 6 ganzseit.) von Ch. Picart le Doux sowie 1 Extrasuite der Holzschnitte in Schwarzweiß.

      R. Kieffer ., Paris 1922 - Handgeb. Ldr. d. Zt. (von René Kiefer) mit reicher floraler Blindprägung und goldgepr. RTitel und KGoldschnitt (OU eingeb.). 29,5 : 24 cm. 1 von 30 num. Exemplaren auf "Vélin à la cuve" mit dem Wasserzeichen "Editions René Kieffer", einer Suite der Illustrationen und einer Original-Zeichnung (GA 580) sowie dem schönen Einband von Kiefer. - Hervorragend illustriert und in leuchtendem Kolorit illuminiert. "Il a été fait, pour cet ouvrage, une reliure en veau plein, avec décor frappé à froid, composé spécialement pour l'oeuvre" (Mahé). - Die montierte Tuschezeichnung auf dünnem Papier, Papierformat ca. 13,5 : 19 cm, Bildgröße ca. 12,5 : 14 cm. - Druck des Textes in Schwarz und Blau. - Flieg. Vorsatz mit leichtem Eckknick. Rücken schwach verblichen, Kanten geringfüg. berieben. Die Zeichnung mit minim. Farbabklatsch, sonst innen schönes sauberes Exemplar.Monod 7741. - Carteret V, 132. - Mahé II, 799. 1400 g. [Attributes: Hard Cover]

      [Bookseller: Ketterer Kunst Hamburg GmbH]
 34.   Check availability:     ZVAB     Link/Print  

        The Early Ceramic Wares of China

      Benn Brothers, London 1922 - First edition. Quarto. Buckram. Very Good. 159 Pages, Profusely illustrated and with original tissue guards. One of the finest works of its time written only shortly after the first Tang dynasty (618 - 907) ceramics were unearthed in China for the first time. Up to then, scholars only new of the existence of this period in history though objects had up to ca. 1910 never been discovered. A must for the true collector of Chinese ceramics! [Attributes: First Edition; Hard Cover]

      [Bookseller: Meijering Art Books]
 35.   Check availability:     ZVAB     Link/Print  

        The Wonderful Adventures of Little Prince Toofat

      New York: The James A McCann Company, 1922. First edition. Very Good. A Good only copy, with minor dampstaining to the lower edge of the boards and several leaves. Minor wear at the spine ends, but complete and unrestored. A very scarce children's book, the first one illustrated by the wonderful Robert Lawson, best known for illustrating "Ferdinand' by Munro Leaf and for writing numerous children's books himself. Lawson won The Caldecott Medal, the Newberry Medal and the Lewis Carroll Shelf Award, for various works, the only person to win all three. No other first edition copies currently on the market and only one auction record from 2009 which brought over $2,000. (Remember 2009? That's when the bottom dropped out of the housing market and the Dow plunged below 7000). Very Good.

      [Bookseller: Whitmore Rare Books]
 36.   Check availability:     Biblio     Link/Print  


      1922. [one of 20 copies signed] A Preface to INTO THE EAST: Notes on Burma and Malaya by Richard Curle. [Edinburgh:] Twenty Copies Privately Printed for Richard Curle, December 1922. Original light blue-grey wrappers. First Edition, being one of only twenty copies, signed by Conrad. This piece, along with THE "TORRENS", are two of the scarcest of all the limited-issue Conrad publications -- as the limitation was so severe. On the half-title of each copy Conrad signed his name and added the date, 1922. This was later collected in the posthumous volume LAST ESSAYS. This is a fine copy (very light ruffling along the fore-edge). Keating 217. Housed in a morocco-backed slipcase, with inner chemise which bears the small oval bookplate of the renowned collector Kenyon Starling.

      [Bookseller: Sumner & Stillman]
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        Cirque de Paris. Holzschnitt.

      1922 - Signiert "GA. Mathéy". Breitrandiger Druck auf Velin. Söhn HDO 72711-6. Eines von 125 Exemplaren. Blatt 6 aus: Die Schaffenden, III. Jahrgang, 3. Mappe, 1922. Mit dem Trockenstempel "Die Schaffenden". - Mathey ist Graphiker und Briefmarkenkünstler.1920 wird er von Walter Tiemann als Leiter der Werkstätten für Buch- und Steindruck an die Staatliche Akademie für graphische Künste und Buchgewerbe in Leipzig gerufen, wo er bis 1928 wirkt. - An den Blattaußenkanten teilweise in einem schmalen Streifen stärker gebräunt bzw. schwach angestaubt. Wenige sehr kleine Braunflecken im breiten Rand, ein etwas größerer Fleck am rechten Blattrand. Eine ganz minimale Quetschspur im oberen Blattrand. Insgesamt dennoch sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 2100 25,4 x 22,2 cm. Papier: 41,5 x 30 cm. [Attributes: Signed Copy]

      [Bookseller: Kunstantiquariat Joachim Lührs]
 38.   Check availability:     IberLibro     Link/Print  

        LAS HOGUERAS DE CASTILLA. Las tumbas de León. Las piedras madres. Toledo. Cuenca. Segovia. Medina del Campo. Ávila. Valladolid. Palencia. León. Salamanca. Oviedo

      Oliva de Vilanova, Barcelona 1922 - Gran folio, 1 mapa color, portada grabados a dos tintas, 193 pags. Texto adornado con bellas cabeceras, capitulares, y viñetas a dos tintas, 10 láminas grabadas al aguafuerte por Castro-Gil. Ejemplar núm. 516 de una tiraje de 530 ejemplares, en papel de hilo y barbas. Pleno Pergamino romana, con escudo dorado de Castilla, lomo rotulado. Excelente edición de unas prosas que el autor califica de "ensayos sobre hechos, almas y paisajes", en los que "vemos el escenario de luchas gloriosas en los que los personajes vuelven a vivir" en ciertos momentos "en que la vida fue realmente española". Obra impresa con gran calidad por el famoso Oliva de Vilanova, con bellos aguafuertes que reproducen las siluetas de ciudades españolas. Buen ejemplar. Nacionalismo español. España. Literatura española. Prosa española. Spanish nationalism. Spain. Spanish literature. Spanish prose.

      [Bookseller: Libreria Anticuaria Studio]
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        L'uomo, la bestia e la virtù. Apologo in tre atti

      R. Bemporad & Figlio, Editori, Firenze 1922 - Maschere nude volume V. 151 pp. Full brown calf, four raised bands, gilt lettering and decorations on spines. Signed and inscribed by Pirandello "Ad Alessandro Varaldo, fraternamente, Luigi Pirandello." Varaldo was a fellow playwright, novelist and mystery writer: his book Il settebello is considered the first example of Italian detective novel. The tragic satire and savage humor that emerged through the story of a troubled couple disturbed early audiences accustomed to sentimental bourgeois comedy, but the play reveals Pirandello's ability to exaggerate the realms of both apology and farce. Mild foxing to edges, small laceration to the spine, short tear to front cover also along the spine. A pleasing presentation copy. In the Italian language. ; Octavo; Signed by Author. [Attributes: First Edition]

      [Bookseller: Parigi Books, ABAA/ILAB]
 40.   Check availability:     AbeBooks     Link/Print  

        Bildnerei der Geisteskranken. Ein Beitrag zur Psychologie und Psychopathologie der Gestaltung. Mit 187 zum Teil farbigen Abbildungen im Text und auf 20 Tafeln vorwiegend aus der Bildersammlung der Psychiatr. Klinik Heidelberg.

      Verlag von Julius Springer., Berlin 1922 - Berlin, Verlag von Julius Springer. 1922. 4°. VIII, 361 S., 1 Bl. Anzeigen. Neuer Halbleinwandband mit schwarzem goldgeprägtem Lederrückenschild. Selte erste Ausgabe wichtigen Publikation. - Exemplar aus dem Besitz von Hans Steck (1891-1980), Psychiater an der Universitätsklinik Lausanne. Steck gilt als einer der Pioniere der Kunst der Geisteskranken. Eine seiner Patientinnen war Aloïse. Befreundet mit Jean Dubuffet, war er massgeblich an der Schenkung dessen Sammlung für das Musée d'art brut in Lausanne verantwortlich. Mit einigen handschriftlichen Anmerkungen und Anstreichungen von Steck. - Vorsätze erneuert. Das letzte Blatt mit den Anzeigen verbunden. Sprache: Deutsch Neuer Halbleinwandband mit schwarzem goldgeprägtem Lederrückenschild. [Attributes: First Edition; Hard Cover]

      [Bookseller: Daniel Thierstein]
 41.   Check availability:     ZVAB     Link/Print  

        The Golden Hind. The Golden Hind a Quarterly Magazine of Art and Literature, Volume One, Numbers 1, 2; 3; and 4 ( 1 Bound volume ).

      Chapman & Hall October 1922 - July 1923, London - Hardcover. Folio (15 x 11 inches) iv + 48 pp, iv + 40 pp, 40 pp, 40 pp. Original publisher's quarter beige buckram with tan paper-covered boards, with dark- brown title on the front cover, gilt lettering to spine. Front wrappers of each issue bound in. A complete run of the four issues (Numbers 1, 2; 3; and 4, October 1922 - July 1923) which make up the First Volume of the famous Golden Hind literary journal, bound by the publishers into a single volume. Each issue is bound-in with its original printed thick buff paper top wrapper. A sumptuous production, beautifully printed on quality paper. One of a small number of sets issued thus (in hardcover binding) by the publishers. Each issue of The Golden Hind is a mixture of prose, poetry, and artwork, with authors including W. H. Davies, Aldous Huxley, Laurence Houseman, Clifford Bax, Rabidranath Tagore, Havelock Ellis, etc. etc. It also contains around 100 illustrations, pen drawings, lithographs, woodcuts, etc, many of which are full-page, and some double page, by artists including Alastair, Frank Brangwyn, Robert Gibbings, Nora Wright, Jack B. Yeats etc. etc. Perhaps most interestingly the issues contain many illustrations by Austin Osman Spare: No. 1 reproduces pen drawings of his on pp. 5, 6, 7, 8, 10, 31 & 32, and a magnificent double page lithograph ('The New Eden') over pages 44-45; No. 2 reproduces a pen drawing on p. 25 and a lithograph on p. 32; No. 3 reproduces a pen drawing on p. 4 and a double page lithograph (untitled) over pages 36-37; and No. 4 reproduces two bookplate designs on pp. 6 -7. Spare was a one-time student of Aleister Crowley's, and without doubt one of the greatest occult artists of the twentieth century, and a friend and mentor to Kenneth Grant. From the collection of the late Robert (Taylor) Agasucci (aka Stafford Stone), artist, graphic designer, book illustrator and aficionado of the work of Austin Osman Spare. The boards are a little marked and darkened, (tea?) splash at fore-edge of upper board, corners of boards rounded and chafed, but binding still very solid, page edges a bit darkened and foxed, owner's name on front blank. The individual issues: the wrappers and their contents have been well protected and are in Near fine condition with just a few scattered spots of browning. [Attributes: Soft Cover]

      [Bookseller: Weiser Antiquarian Books, Inc.]
 42.   Check availability:     AbeBooks     Link/Print  

        Beggars Opera, The

      London: O’Connor, 1922. Introduction by Oswald Doughty.Twenty-Eight Plates in Collotype and a facsimile title of the first edition. Limited edition.With four 18th century engravings, not called for, of the play characters. With a rare English binding from the 1920s Full brown morocco, inlaid with art-deco decorations in black gilt and red. Desiged and hand-tooled by H. Brown, forwarded by A. Warnock. Bookplates of “HB” [H. Brown?] and Jeffrey Stern.

      [Bookseller: Golden Legend, Inc. ]
 43.   Check availability:     Biblio     Link/Print  

        The Worst Journey in the World

      Constable, 1922. 1st edition. Hardcover. Two volumes, each in buff linen boards, very slightly rubbed, with later red morocco-backed spines. Clean pages throughout, bar a few light spots. Colour frontispieces to each volume. All colour plates, half-tone photographs, maps and panoramas, some folding, are present and correct in both volumes. Very nice marble-patterned slipcase. A really handsome presentation of this classic account of Captain Scott's fateful Terra Nova expedition to Antarctica, by the youngest member of the team. After arriving in McMurdo Sound, Dr Edward Wilson, 'Birdie' Bowers and Cherry-Garrard set off in 1911 to Cape Crozier to retrieve Emperor penguin eggs for scientific study, enduring terrible conditions ('the worst journey'). On their return, Wilson and Bowers joined the expedition to the South Pole, where they died, along with Captain Scott, and were found by Cherry-Garrard and others. Very nice copy of this much sought-after polar memoir.

      [Bookseller: Shellhouse Books]
 44.   Check availability:     Biblio     Link/Print  

        1922 Original Hardback Wisden - Signed by Pardon to Caine-

      Hi, This lot is a 1922 Original Hardback Wisden in OK Condition, 1922s do not come in very good very often and there are nicer condition 1922s out there but this one is special as it is a presentation Wisden, it is signed by the Editor Sydney H Pardon to Caine (future editor) on the title page. So condition, first off the gilt is bright to front and spine , the boards however are dark and marked and there is a lot of wear between the spine cloth and the front/back boards. Inside the hinges are strong but some yellow coming away to the front hinge. A bit grubby inside but not too bad. Great Photoplate. Sticker to first page. Please see the large pictures. More available on request. Buy-it-now. Payment: Card , Cheque or BACS or Paypal.

 45.   Check availability:     IOBABooks     Link/Print  


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