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Displayed below are some selected recent viaLibri matches for books published in 1910

        La fille à sa tante

      Splendida incisione all'acquatinta, mm.223x365, compresi margini bianchi mm. 231x346. Firma e titolo incisi sulla lastra. Al marg, inferiore dedica autografa dell'Editore Pellet. Bellissima impressione, stato perfetto.

      [Bookseller: Taberna Libraria]
 1.   Check availability:     maremagnum.com     Link/Print  


        KILMENY OF THE ORCHARD

      Boston: L. C. Page, 1910 Montgomery, L(ucy) M(aud). KILMENY OF THE ORCHARD. Boston: L.C. Page, 1910. 8vo., 256pp. + 6 pages of ads at the rear. Publisher's gilt lettered tan cloth covered boards with illustrated oval cover paste on illustration of Kilmeny & with four illustrations in colour from paintings by George Gibbs. First Edition, First Impression, First State of the third book by Montgomery, [In the Second State the line "Eric, Eric, look behind you" on p. 239 is added on a cancel leaf. This is not present in the First State]. A reworking of a serial called "Una of the Garden," the novel is the story of a young man named Eric Marshall who goes to teach a school on Prince Edward Island and meets a mute girl that has perfect hearing named Kilmeny, who miraculously gains the power of speech. It was published in April of 1910. A very good or better example showing light use, neat contemporary name on the front flyleaf otherwise the text block tight & clean - free of underlining or blemishes. Lechowick p. 35. $575. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        The Book of Betty Barber

      Toronto : Musson Book Company , nd[1910] . First Canadian Edition . VG/Poor . 8VO . Originally published in Little Folks Magazine in 1901 with black and white illustrations, this has six plates coloured by Harry Rountree with Rackham's permission as well as 12 black and white illustrations. This is the Canadian issue identical to the British edition by Duckworh with a cancel Musson title page and Musson imprinted at the bottom of the spine, and probably printed with a very small print run. Presumably issued at the same time as the 1910 Duckworth edition and there is a gift inscription dated Easter 1914. Bound in gilt-titled brown cloth with a large rectangular paste-on, TEG. Most of the original red jacket is present although it is in two pieces and completely missing the spine with a large title paste-on with the smaller illustration pasted on to that. Aforesaid gift inscription, very light wear to the book, some tanning to the endpapers, some mild white spotting on spine. Besides missing the spine the jacket has considerable wear along the top edge. A very nice copy of a scarce Rackham, even more scarce in the Canadian issue, and spectacularly rare in jacket, regardless of condition.

      [Bookseller: Neil Williams, Bookseller]
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        ETUDES DE FILLES. 40 eaux-fortes originales et une couverture du peintre-graveur Lobel-Riche.

      In-4 gr., bross. con figura incisa al piatto, pp. (6),121,(5), molto ben illustrato da 40 tavv. f.t.: sono acqueforti originali di Lobel-Riche, precedute da velina con didascalia. Cfr. Carteret,IV, p. 268: ?Très belle publication fort cotée. Une des meilleures de l?artiste? - Benezit,VIII, p. 739: ?Almery Lobel-Riche, pseudonyme de Riche Alméric (1880-1950), est surtout connu du grand public pour ses études du monde de la galanterie. Il a illustré un grand nombre d?oeuvres?. Magnifica edizione di 250 esempl. numer. Il ns., 227, fa parte della tiratura di 150 (num. 101 a 250) ?sur vélin d?Arches, filigrané au nom de l?éditeur, avec un seul état des planches?. Molto ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        The Tale of Mrs. Tittlemouse

      London, Frederick Warne & Co.,, 1910. Sextodecimo. Bound in recent pale tan half morocco, titles and decoration to spine, raised bands, original pictorial paper covered boards, original pictorial endpapers at front. With colour illustrations by the author. An excellent copy. First edition. The first two printings are identical.

      [Bookseller: Peter Harrington]
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        Tale of Mrs. Tittlemouse, The

      1910. first edition. First EditionPOTTER, Beatrix. The Tale of Mrs. Tittlemouse. London and New York: Frederick Warne and Co., 1910.First edition. Twelvemo (5 3/8 x 4 1/8 in; 137 x 103 mm). 84, [1], [1, blank] pp. Color frontispiece and twenty-six color plates (included in pagination). Black and white vignette on title-page. Quinby Plate X endpapers as called for.Original cream boards with color pictorial label on front cover. 1 3/4 inch abrasion to front cover. Light soiling to boards.Otherwise a near fine copy.Quinby 18. Linder, p. 429. V & A 1619.

      [Bookseller: David Brass Rare Books, Inc.]
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        THE TALE OF MRS. TITTLEMOUSE

      Published by Frederick Warne & Co., 1910. 1st edition.. Hardback. Very Good. Illustrated by Potter, Beatrix. Very good condition with no wrapper. Blue-grey boards, white lettering. Hexagonal pictorial onlay of the little mouse on front cover. Date on title page. First two printings believed to be identical. 16mo. 84 pages. Spine browned, small mark to front board. Rear edge of spine just starting to split. Overall covers are very nice. Contents are clean. A nice copy of the first edition. [S]

      [Bookseller: Stella & Rose's Books]
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        The Tale of Mrs. Tittlemouse

      London: Frederick Warne and Co., 1910., 1910. First Edition. pp. 85. Illustrated with 27 coloured plates. Publisher's blue paper-covered boards, illustration laid-down to upper. Binding rubbed, small chip to head of spine. A lovely copy.

      [Bookseller: Adrian Harrington Rare Books]
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        The Tale of Mrs Tittlemouse

      F. Warne & Co and New York.. Very Good. 1910. First Edition. None. Hardback, blue/grey boards with vignette, tiny scuff on vignette, boards very clean, very slight colour change to spine, complete, tiny corner rubs, no inscriptions, overall clean pages ( restoration to front hinge) overall Book VG. In plain glassine wrapper, hole to spine, and repairs. Quinby and Linder consulted to verify First edition. Books are packed in high quality packaging and posted within 24 hours of order received mon-sat. .

      [Bookseller: Cygnet Books]
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        The Grammar of Ornament. Illustrated by examples from various styles of Ornament

      London: Bernard Quaritch, 1910. Later Printing. Hard Cover. Folio, pp. [ff i] + [ii-iii] + 157 + plates (interleaved); rebound in modern cloth over boards with skins from the original upper and lower boards and spine laid down; spine faded and dulled; a.e.g.; later endpapers and flyleaves paired with original flyleaves; three-quarter inch tear to fore-edge of pp. 13-14; closed tear to pp. 15-16, effecting three words of text on two line; else an exceptionally clean, sound copy. Later printing of the important visual reference, first published 1856. Illustrated with 112 chromolithograph plates, including chromolithograph title leaf. Foundation work of 19th century decoration and a precursor to the Arts and Crafts movement, first published in 1856. Contains beautifully executed chromolithographs of decorative elements from a number of cultures and historical periods, including "savage tribes," Egyptian, Assyrian and Persian, Classical Greek, Roman, Byzantine, Arabian, Turkish, the Moors, Indian & Hindu, Chinese, Celtic, Medieval, Renaissance, Elizabethan, Italian, and forms from nature. Also contains Jones' "General Principles in the Arrangement of Form and Colour in Architecture and the Decorative Arts..." in thirty-seven propositions following the Preface. Jones (1806-1889), an architect, designer and teacher, collected decorative examples from throughout the globe and history in an attempt to create a comprehensive manual for design work. His idea was not a slavish imitation of styles, but for designers to assimilate and integrate these elements, making them part of their practical knowledge. Very Good.

      [Bookseller: Kuenzig Books, ABAA/ILAB]
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        (Barmen 1864 - 1936 Möltenort). Tauwetter. Öl auf Leinwand. (Möltenort ?), um 1910. Unten links signiert. 60 x 74 cm. Gerahmt.

      Verso auf Keilrahmen nochmals eigenhändig signiert und betitelt.- Zum Buch: Georg Burmester war der Sohn des Realschuldirektors Adolf Burmester und Charlotte Henriette Marie, geborene Ritter. Von 1881 bis 1883 studierte er an der Kunstakademie Düsseldorf bei Heinrich Lauenstein (1835-1910) und Hugo Crola, von 1883 bis 1889 an der Kunsthochschule Karlsruhe bei Gustav Schönleber. 1886 machte er eine Studienreise nach Italien und leistete 1887/88 seinen Militärdienst ab. Er lebte ab 1889 in Kiel, ab 1895 war er in Möltenort ansässig. In dieser Zeit machte er eine Studienreise nach Norwegen und Kopenhagen. 1907/08 erhielt er ein Stipendium der Villa Romana in Florenz. In der Zeit von 1912 bis 1930 war er Lehrer an der Kunstakademie Kassel. Im Jahre 1917 wurde ihm der Professorentitel verliehen. Nach dem Jahr 1930 war Burmester wieder in Möltenort bei Kiel ansässig und war zeitweise auch in der Künstlerkolonie Heikendorf wohnend tätig. Burmester war 1894 Gründungsmitglied der Schleswig-Holsteinischen Kunstgenossenschaft und später deren Vorsitzender.- Schneebedeckte Waldlandschaft mit einer Spaziergängerin.

      [Bookseller: Antiquariat Schramm]
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        THE AUTOBIOGRAPHY [1706-57] OF BENJAMIN FRANKLIN

      London: L. C. C. Central School of Arts and Crafts, 1910. Spine evenly faded to brown, else about fine. First edition Quarto. 197p. "Printed at the Central School of Arts & Crafts, Sheets a b c by W. Hyland & S. Collins (evening students) in 1910-1911; sheets d to end by the boys of the Day Technical School of Book Production. Teacher, J.H. Mason. Finished 1913." (Colophon). No frontispiece mentioned in colophon not included in this copy. Beautifully printed in black with shoulder notes and initials in red. In an unsigned binding of green crushed morocco with gilt titles on spine with uneven panels and gilt stylized initials on upper cover, t.e.g., the dentelles gilt stamped with the names in repeating pattern entirely around all edges: Suvia Arthur, Suvia Paton, Betsy, Dorothy, James, John Doreen, Anthony. This copy bound for Supreme Court Justice Arthur Whittemore, his wife Suvia Paton and family. A 5-page autograph letter signed in laid in written to Arthur Suvia in 1953 written by Jim [last name undetermined]. Jim states that he worked on this book as a boy at Central School, and is bound by his own design (by an old Central School boy) "to symbolize the linking of our families from the time when you took John and Doreen as your war-time guests.

      [Bookseller: First Folio]
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        Revolution and Other Essays

      NY: Macmillan, 1910. First binding state. An extremely fine copy in maroon ribbed cloth, gilt.

      [Bookseller: Bromer Booksellers]
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        Substanzbegriff und Funktionsbegriff. Untersuchungen über die Grundfragen der Erkenntniskritik.

      Berlin, Bruno Cassirer, 1910. Lex 8vo. cont. hcalf w. red title-labels and gilt spine. Front hinge broken and spine loose. Internally clean, apart from marginal annotations in pencil (probably by Anton Thomsen). Printed on thick paper. XV, (1), 459, (1) pp.. First edition of Cassirer's first original and systematic work, "Substance and Function", which actually began his philosophical-scientific path. The copy has belonged to the Danish philosopher, Anton Thomsen, and bears his bookplate on inside of front board, his ownership signature on fly-leaf, the date "Oktober-Nov. 1910", as well as the inscription in his hand: "Gave fra Forf." ("Gift from the author"). Anton Thomsen was Professor of Philosophy at the University of Copenhagen before Johannes Jørgensen, but unfortunately he died at a very young age. He wrote important books on Hume and Hegel and was a respected philosopher.This early work is considered highly important to the development of twentieth-century philosophy of mathematics and natural science. By directly using recent developments within the foundations of mathematics and mathematical logic, Cassirer comes to create a highly important work, in which he claims that developments in modern formal logic will enable us to once and for all reject philosophical empiricism, by rejecting the abstractionist part that underlies it (general concepts are given by induction from sensory particulars). Based on Dedekind's and Hilbert's works, which showed that mathematics has a meaning that is purely formal and ideal and is not based on sense or intuition, so that pure mathematics will be able to describe relational structures, Cassirer arrives at his conclusions that mathematical and natural scientific terms are terms of relations and not of things. The terms belonging to the strict sciences are joints/ links in a chain; these links are connected in a certain way and give sense to the numerous different perceptions of things. For Cassirer the object of perception is actually a web of relations, and the unity of being and thinking is the result of the two principles of convergence, that of the chain and that of experience.With the symbolic language of mathematics the theory of nature can become an actual description of the given, and it can be kept free from speculation.Cassirer has thus employed the late nineteenth-century "formalist" conception of mathematics and created a new sort of philosophical work that propounds a more abstract version of the genetic conception of knowledge

      [Bookseller: Lynge & Søn A/S]
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        Poetical Works of Henry Wadsworth Longfellow

      London: Frederick Warne. n.d., ca. 1910. Full red mottled calf. Striking fore-edge painting by Martin Frost of early baseball scene depicting a team on field, gallery and vivid flag motif on corners. The painting chronicles the 1865 baseball match between the Atlantics and the Mutuals at Elysian Fields, Hoboken, New York, after Currier & Ives. Fine condition.

      [Bookseller: Nudelman Rare Books]
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        Illuminated manuscript A Dream of Fair Women

      [London: , c. 1910]. Manuscript on vellum (225 × 165 mm), 14 leaves plus 4 blanks, in disciplined calligraphic hand in black and red ink to recto and verso. Contemporary blue-green morocco by Sangorski & Sutcliffe, signed at the foot of the front doublure; boards decorated with borders of brown onlays tooled with floral designs, short rules, and dots, and with red onlays at the cornerpieces; centre panel of upper board blocked in gilt in an elaborate and detailed floral design with red onlays and inset with 5 garnet cabochons and 6 turquoise cabochons; spine gilt in compartments with floral designs and red onlays; morocco turn-ins gilt ruled, white endpapers, gilt edges. Housed in a green morocco gatefold jewel case lined in cream silk and green velvet. Title page and first page of contents illuminated with bold acanthus leaves of red, green, and purple on a gold background, the title page with a delicate illumination of a woman dressed in robes. Verse initials in colour. Light toning to endpapers from turn-ins, otherwise in fine condition. The prestigious London bindery Sangorski and Sutcliffe made a speciality of fabulous jewelled bindings like the present, the most famous of which was a Rubáiyát written and illuminated by Alberto Sangorski (1862–1932), brother of Francis, co-founder, with George Sutcliffe, of the bindery. Finished in 1911, "The Great Omar" (as it is now known) sunk without trace a year later when in transit to America aboard the Titanic. This illuminated poem by Tennyson is a characteristic example of the Sangorski style, in a handsome jewelled binding.

      [Bookseller: Peter Harrington]
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        The Yerkes Collection of Oriental Carpets

      New York: Knapp. Very Good; 13.5 x 21.5 (54 cm) Portfolio in Very Good condition. Plates . bright and clean. Original gilt-stamped green silk cloth cover shows . professional repairs to spine. Damage to silk ties. Gold silk doublure in . Very Good condition.. 1910. Portfolio. Illustrated by 27 loose color plates; GWO 831. Scarce. Deluxe edition of an important and major documentation of classical Persian carpets.; 21; 116 pp. .

      [Bookseller: RugBooks.com]
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        Maxim's

      1910. Size: 505 x 660 mm. Lithograph on wove paper. Very good condition. In 1893, a seductive courtesan, Irma de Montigny, opened the door of a little coachman's meeting house owned by a waiter named Maxime Gaillard. She transformed the meeting house into one of the most celebrated romantic meeting places in Europe. However, it was Eugene Cornuche, Maxime's magician, who endowed the house with its world-wide reputation one after the other hundreds of celebrated personalities - Marcel Proust, Edouard VII, The Belle Otero, Maria Callas, Marlene Dietrich, Sacha Guitry, Mistinguett, Rita Hayworth, Aga Khan, and then Brigitte Bardot, Jeanne Moreau, The Prince of Venice, and so on. Maxim's has long been regarded as one of the world's great restaurants. Maxim's decor is influenced by the Parisian Belle Epoque flora and fauna ornamentation designed by Maurice Carrere, from the famed scroll work and plush red banquettes to the glistening inlays of brass and stained glass, and rich mahogany tones. The famed artist, George Goursat, also known as Sem, frequented the Maxim's restaurant where he sat for hours drawing caricatures of the society patrons. Sem attained a level of success with his wonderfully imaginative portrayals of Paris. By capturing the spirit of the subject, rather than the exact physical traits, Sem produced images that were probably truer to life than formal portraits. His skill as a caricaturist was outstanding. His works offer us glimpses into Parisian high society at the turn of the century.

      [Bookseller: Peter Harrington]
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        THE WORKS

      New York: Edwin C. Hill, 1910. Emerson Edition." ONE OF 1,050 COPIES. Sumptuously Gilt Morocco, withInlaid Morocco Doublures, the Text Unopened 235 x 162 mm (9 1/4 x 6 3/8"). 10 volumes. Translated by Charles Cotton and revised by William Carew Hazlitt. VERY HANDSOME OLIVE BROWN MOROCCO, EXTRAVAGANTLY GILT AND INLAID, covers with border of three gilt rules, central panel (with square-notched corners) formed by six parallel gilt lines and with large outward-pointing floral ornaments as cornerpieces; raised bands, spine compartments attractively gilt in an unusual asymmetrical panel design (suggesting the outline of a fortification) and with small fleurs-de-lys in two corners and a large inlaid fleur-de-lys of red morocco at the center; wide turn-ins with multiple plain and decorative gilt rules, the turn-ins framing RED CRUSHED MOROCCO DOUBLURES, the doublures with a border of five gilt fillets and WITH A FINE, LARGE CENTERPIECE OF INLAID BLACK MOROCCO IN THE FORM OF A FLOWER, the inlay enclosed by an elegant Rococo collar, crimson watered silk free endleaves, top edges gilt, other edges rough trimmed, THE SET ENTIRELY UNOPENED. With a total of 50 plates: 20 frontispieces (10 images, each in black and white and color) and 30 other plates. Original tissue guards. A Large Paper Copy. Minor wear to top inch and bottom inch of rear joint of first volume, spines uniformly faded to a slightly lighter brown, frontispieces offset onto title pages, one leaf with one-inch tear in fore margin, but IN VERY FINE CONDITION, the attractive bindings solid, bright, and scarcely worn, and the (unopened) text obviously untouched. With an untouched interior and a sumptuous binding that features lovely leather doublures, this is an extremely handsome and desirable set of the works of Michel de Montaigne (1533-1592), whose influential "Essays" were universally read and praised as one of the great books of the age. And they continue to be regarded as one of the major explorations, from any period, of human nature through self examination. The topics of the essays range from the frivolous (for example, Montaigne's argument, based on reports of the discovery of naked savages, that dress is superfluous) to the profound, as in his famous defense of Raymond Sebond, which argues for a dispassionate tolerance in religious controversy. Our author's writing style is fresh, racy, and familiar as opposed to lofty; it is digressive to the point of haphazard and is almost always both diverting and meaningful. The tolerance, moderation, and rationalism that breathe from his essays gave them great appeal for the English in the time of James I. The 17th century British authors most in the tradition of Montaigne include Walton, Browne, and Burton. Each of these three later writers shared Montaigne's approach of purportedly illuminating all of humanity by writing about oneself. The translator here, Charles Cotton (1630-87), will always be linked with his great friend Izaak Walton because of their collaboration on "The Compleat Angler." But Cotton was an important Caroline poet in his own right who numbered among his friends Ben Jonson and Donne as well as Walton. In the world of British letters, our editor William Hazlitt (1778-1830) was a memorable figure whose essays and criticism were of the greatest importance, even if his literary pronouncements were sometimes colored by the degree to which a writer's political beliefs were aligned with his own. The present edition is distinguished by the presence of a prefatory 43-page essay on Montaigne by Emerson.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        The Three Mulla-Mulgars

      Duckworth London: Duckworth. 1910. First. First edition, first issue in green cloth with monkey device and gilt lettering on the front board, and with the errata slip present. Fine in a slightly foxed, very good dustwrapper with some internal professional repair at the spine folds and a small dampstain on the front panel. A classic children's work, seldom found in jacket. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Works

      London, Chapman and Hall,, c.1910. 23 volumes, small octavo (170 × 118 mm). Contemporary green half morocco, titles and decoration to spines, raised bands, green cloth boards, top edges gilt. With black and white illustrations throughout. Fore-edge lightly foxed and the occasional blemish to pages, spines faded to tan, a very good set. The Charles Dickens edition.

      [Bookseller: Peter Harrington]
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        SWORD AND BLOSSOM: POEMS FROM THE JAPANESE

      1910. 1. JAPANESE INTEREST. SWORD AND BLOSSOM: POEMS FROM THE JAPANESE done into English by Shotaro Kimura and Charlotte Peake. Tokyo: Hasegawa, no date, circa 1910. 3 books (5 x 7") bound in pictorial creped covers, all in Fine condition in repaired slip case with ivory closures. The text in these volumes are short unrhymed poems. Printed on textured paper, each page is beautifully illustrated in rich colors by Japanese artists of the era. This is a beautiful set.

      [Bookseller: Aleph-Bet Books, Inc.]
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        THE SLOWCOACH. Presentation copy from Henry James

      New York: The Macmillan Company, 1910. First American Edition. Hardcover. Near Fine. Blue cloth with an attractive color cover. Illustrated with a color frontispiece and black-and-white plates. INSCRIBED and SIGNED by Henry James on the front blank: "To Rosamond Gregor/her affectionate old friend,/Henry James/New Years Day/1911."

      [Bookseller: Charles Agvent]
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        The Rime of the Ancient Mariner

      New York, Thomas Y. Crowell and Co.,, [1910]. Quarto. Finely bound by The Chelsea Bindery in full terracotta morocco, titles and decoration to spine gilt, raised bands, single rule to boards gilt, pictorial block to upper boards gilt, inner dentelles gilt, plain black endpapers, all edges gilt. Colour plates tipped in. Design, layout, lettering, colour and monochrome illustrations by Willy Pogany. A fine copy. Limited Edition, numbered 114 of 525 copies, signed by Willy Pogany. Arguably Pogany's best work and a well illustrated edition of Coleridge's masterpiece.

      [Bookseller: Peter Harrington]
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        RIME OF THE ANCIENT MARINER

      1910. 1. (POGANY,WILLY)illus. THE RIME OF THE ANCIENT MARINER by Samuel Taylor Coleridge. London: Harrap (1910). Folio (9 1/2 x 12 1/2"), green gilt pictorial cloth, top edge gilt, others trimmed, small faded area top rear corner (barely visible) else FINE IN DUST WRAPPER (dw with a few edge chips. First edition. This is a magnificent production illustrated by Pogany with pictorial endpapers and title page, 20 tipped-in color illustrations, full page color illustrations, calligraphic text enclosed within pictorial borders with decorative initials, plus smaller black and whites in-text - all ART NOUVEAU IN STYLE. Produced by Vincent Brooks and B. Dalziel, this is a beautiful copy of one of Pogany's most desired & lavish books, rare in the dust wrapper.

      [Bookseller: Aleph-Bet Books, Inc.]
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        THE RIME OF THE ANCIENT MARINER

      Published by George G. Harrap & Co., 1910. 1st edition.. Hardback. Very Good. Illustrated by Pogany, Willy. Very good condition. Limited edition of 525 signed copies. Bound in brown calf with tooled design to covers and spine. Pictorial endpapers. 20 ethereal tipped-in colour plates with numerous colour and b/w illustrations within decorative borders. Top edge gilt. A most beautiful production of this classic tale. SIGNED by Pogany. Corners and edges slightly rubbed. Slight fading to covers which are just very slightly marked. The last plate has one corner crease otherwise the contents are fine. A lovely copy.

      [Bookseller: Stella & Rose's Books]
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        The Novels of George Eliot. The Works include: Adam Bede, Middlemarch, Romola, Silas Marner, Scenes of a Clerical Life, The Mill on the Floss, Felix Holt, Daniel Deronda, and The Spanish Gypsy with The Legend of Jubal and Other Poems Old and New

      Edinburgh: William Blackwood and Sons, n.d. (c.1910)., 1910. 9 volumes; 8vo. Period binding by W.H. Smith and Son in brown half calf with red and brown title labels to spines with floral gilt tooling, brown cloth boards, top edges gilt, marbled end papers. Electrophotogravure frontispiece by Swan Electric Company to each volume. Light rubbing. A very attractive set.

      [Bookseller: Adrian Harrington Rare Books]
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        Rubaiyat of Omar Khayyam

      London: Siegle, Hill and Co., 1910. Unpaginated. Full publishers vellum, decorated in gilt, smooth back, morocco title label to spine, gilt flowers to spine, upper cover with large peacock inside an art nouveau style flower border all in gilt, t.e.g., decorative endpapers. Gilt to head of spine slightly rubbed, upper cover with a few small spots of foxing, slight rubbing to the breast of the peacock, but generally quite bright. Internally some light foxing to the reverse of the illustrations, but the illustrations and the text are bright and clean. Twelve full-page colour illustrations (as called for). Limited edition of five hundred and fifty copies, this being copy four hundred and ninety-two, signed by both Sangorski and Sutcliffe. Now housed in a velvet lined drop back box, with leather title label to spine, made by Temple Bookbinders. Potter 81. Signed by Illustrator. First Thus. Full Vellum. Good+/No Jacket. Illus. by Sangorski, F. And Sutcliffe, G.. Folio. Limited Edition.

      [Bookseller: Temple Rare Books]
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        With Father Tuck in Playtime - Mechanical Series / Movable

      London, Paris, Berlin, New York, Toronto: Raphael Tuck & Sons Ltd. Hardcover. Very Good. M. Bowley. [1910] Contains 4 full colour stand up plates that drop forward from the page forming a two level pop-up scene. One of the Father Tuck's Mechanical Series books. In addition there are supporting verses by Clifton Bingham with monochrome illustrations. In Montanaro [p.346]. The illustrations are of little children in Edwardian scenes with animals and toys - very charming. Stiff card covers, nicely illustrated on the front and the BACK. 12 pp. 28 x22 cm. Backstrip worn in places. Minor faded stain on outside to bottom corner - not very visible and does not show inside. Personal inscription [1913] on inside front cover. Minor marks inside to a few page edges. Pop-ups in excellent condition - no mis-folds or damage and colours are very bright and strong. Overall a very good copy of an early and hard to find movable / pop-up. 4to - over 9¾" - 12" tall.

      [Bookseller: The Little Book Store]
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        “She was driven away, beside herself with joy”

      1910. A Spectacular Original Watercolor Drawing by Edmund DulacDepicting Cinderella on Her Way to the BallDULAC, Edmund (1882-1953). “She was driven away, beside herself with joy.” Original pen-and-ink and watercolor drawing for the color plate facing p. 54, illustrating “Cinderella or The Little Glass Slipper,” in The Sleeping Beauty and Other Fairy Tales from the Old French Retold by Sir Arthur Quiller-Couch (London: [1910]). This spectacular watercolor drawing is typical of Dulac’s blue period and depicts a wooded scene with a full moon in the background and Cinderella being driven to the ball in “a beautiful coach all covered with gold,” drawn by horses “of a lovely grey, dappled with mouse colour” and accompanied by a coachman and three footmen in “their bedizened liveries.” Signed and dated at lower right. Image size: 12 1/2 x 10 1/4 inches (318 x 260 mm). Matted, framed, and glazed.“‘Good-bye, child!’ said her godmother. ‘But of one thing I must warn you seriously. I have power to send you thus to the ball, but my power lasts only until midnight. Not an instant beyond midnight must you stay there. If you over-stay the stroke of twelve, your coach will become but a pumpkin again, your horses will change back into mice, your footmen into lizards, and your ball dress shrink to the same rags in which I found you.’ Cinderella promised that she would not fail to take her departure before midnight: and, with that, the coachman cracked his whip and she was driven away, beside herself with joy.”“In November 1910, Hodder and Stoughton advertised Dulac’s newest book, The Sleeping Beauty, as ‘the most beautiful book ever published at a popular price’. (All 1,000 copies of the de luxe edition had been sold out a month earlier)…In painting the pictures [for this book, Dulac] found inspiration for his fairy tale characters’ dress and surroundings in the French 18th century. That of ‘the period’, as Mr. Quiller-Couch tells us in the preface, ‘when the literature he illustrates was at the acme of its vogue’. Such historical and artistic accuracy had become Dulac’s habit as he fashioned the details of his gift books—the binding, lettering style, end papers, pictures—integrating all into a unified whole. The result of this effort was appreciated by the Illustrated London News critic who highly recommended The Sleeping Beauty book for adults as well as children (December 3, 1910): ‘In binding, type, and illustrations, it is all that could be desired’…In the book’s pictures themselves, Dulac’s powerful, zesty and humorous style of the Arabian Nights and the Lyrics is much subdued…Here his technique seems akin to Arthur Rackham’s method of outlining figures in pen and ink and filling them in with colour. The complete illustrations too seem more like Rackham’s than any others of Dulac’s work” (Hughey 23, Comment). “In his painting, Edmund Dulac was ever the experimenter, ever the innovator…From his first to his last picture, Dulac displayed sensational colours, great design impact, orientalism and humor. From among the illustrators of his period, he is known as the outstanding colourist. His special shade of blue was called, with double entendre, bleu du lac. Not only his blue, but his very French talent for unusual combinations of colors, produced stunning effects” (Hughey, Introduction).“After the appearance in 1907 of Stories from the Arabian Nights with fifty plates from his hand, Dulac became Rackham’s chief rival in providing colored illustrations for reproduction by the three-color process for the giftbook trade. His best work, however, is to be found in The Sleeping Beauty and Other Fairy Tales. His designs for the title story and ‘Cinderella’ have ornate eighteenth-century settings in which some indebtedness to the engravings for Le cabinet des fées can be discerned” (Ray, The Illustrator and the Book in England, pp. 207-209).

      [Bookseller: David Brass Rare Books, Inc.]
 30.   Check availability:     Biblio     Link/Print  


        The Golf Courses of the British Isles

      London: Duckworth & Co., 1910. Green Cloth with gilt decoration to front board and to spine. Top edge gilt; other edges untrimmed. Illustrated throughout with full colour plates with printed tissue guards. Faint stain on upper edge; untrimmed edges browning nicely. Gift inscription to the front endpage. Rear endpage has a few vertical creases, rear hinge professionally repaired.. First Edition. Cloth. Very Good/No Jacket. Illus. by Harry Rowntree. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Contact Editions]
 31.   Check availability:     Biblio     Link/Print  


        Provenca: Poems selected from Personae, Exultations, and Canzoniere

      Boston: Small, Maynard, (1910). Octavo. First edition, second binding. Head of spine bumped and paper starting to split along upper hinge, else near fine. In dust wrapper with wear and chips to extremities. (Gallup A6).

      [Bookseller: Bromer Booksellers]
 32.   Check availability:     Biblio     Link/Print  


        PHOTOGRAPH ALBUM Of CHINA. 150 Silver-Gelatin Prints

      ca 1910 - 1920.. Photographs range in size from 1-5/8" x 2-1/2" to 6" x 4"; most are 3" x 4". 22 leaves of mounting stock, with photographs either glued onto the mounting stock, or displayed using corner mounts. Some commercially procured, with white lettered captioning at edge. At rear are found two 6" x 4" photo's by the Asian photographer Theodore Paar Darjeeling: "Darjeeling Cooly Girl" and "Bhutia Begger".. Cloth album, repeating red rose pattern, with oblong format: 7-1/2" x 9-1/4".. Album edgeworn. Most photographs in Very Good [or better] condition,. with the odd one or two lacking a corner.. A wonderful visual panorama of early 20th C China collected by a Cincinnati family who had business connections in Shanghai during this period. The images record many prominent landmarks & buildings, as well as aspects of everyday life, both urban & rural: farming with water buffalo, a barber rendering a haricut, dentist with a patient in the chair, ricksaw driver & fare, camels, sword swollower, street artist, children, small village & rural scenes with geese & livestock, &c, &c.

      [Bookseller: Tavistock Books, ABAA]
 33.   Check availability:     IOBABooks     Link/Print  


        This Map Shows Every Section of Land in the Houston-Galveston-Beaumont District

      Texas: Dorsey Company, 1910. A FANTASTIC EARLY MAP OF HOUSTON SHOWING ORIGINAL LANDOWNERS AND PROPERTY LINES Lithograph Sheet size: 32" x 36" . Book.

      [Bookseller: Arader Galleries]
 34.   Check availability:     Biblio     Link/Print  


        The Works Of John Burroughs In 15 Volumes

      Boston:: Houghton Mifflin,, ca. 1910.. Fine Condition. Titles included are Birds and Poets, Far and Near, Fresh Fields, Indoor Studies, Leaf and Tendril, The Light of Day, Literary Values Ect., Locusts and Wild Honey, Pepaction, Riverby, Signs and Seasons, Wake-Robin, Ways of Nature, Whitman a Study, and Winter Sunshine. Each volume is beautifully bound in half green morocco with marbled boards and marbled end papers. Spines are elaborately stamped in gilt with leaf and floral motifs. Top edges gilt.

      [Bookseller: James & Mary Laurie Booksellers (A.B.A.A]
 35.   Check availability:     Biblio     Link/Print  


        Poems

      1910. A Majestic EditionLimited to 350 CopiesSigned and Numbered by the ArtistROSSETTI, Christina. HARRISON, [Emma] Florence (illustrator). Poems. London-Glasgow-Bombay: Blackie and Sons Ltd., 1910. Limited to 350 copies numbered and signed by the artist, this being copy no. 14. Large quarto (11 3/8 x 8 7/8 in; 290 x 225 mm). xxiv, 369, [1, blank) pp. Thirty-six mounted color plates on heavy stock, with captioned tissue guards. Thirty-four mounted black and white plates. Head- tailpieces. Publisher's full vellum with pictorially gilt-stamped boards and spine. Original ribbon tie. A fine copy in a canvas dust jacket with spine label. Emma Florence Harrison (fl. 1887-1914) was figure painter and illustrator working in London from 1887 who specialized in illustrating poetry and children's books in a later Pre-Raphaelite style that was influenced by William Morris. Indeed, in 1914 she illustrated Morris' Early Poems. The majority of her work was executed for publishers Blackie and Son.Christina Georgina Rossetti (1830-1894) was an English poet who wrote a variety of romantic, devotional, and children's poems. She is best known for her long poem Goblin Market, her love poem Remember, and for the words of the Christmas carol In the Bleak Midwinter.

      [Bookseller: David Brass Rare Books, Inc.]
 36.   Check availability:     Biblio     Link/Print  


        [Autographes d'exception] Emile Verhaeren sa vie, son oeuvre

      Paris: Mercure de France, 1910. Broché. 12x19cm. Edition originale de la traduction française, un des exemplaires de première émission numérotés à la presse, il n'a pas été tiré de grands papiers. Précieux et rare envoi autographe signé de Stefan Zweig à Georges Duhamel. Ouvrage illustré de 2 portraits de E. Verhaeren. Dos légèrement insolé, petites rousseurs sur les gardes, un feuillet mal découpé. - Mercure de France, Paris _1910, 12x19cm, broché. - Autographes d'exception broché

      [Bookseller: Librairie Le Feu Follet]
 37.   Check availability:     Biblio     Link/Print  


        The Tale of Mrs. Tittlemouse [Peter Rabbit First Series Number Eleven]

      London: Frederick Warne and Co, 1910. First Edition, [First Printing]. Hardcover. Very Good/[No dustjacket]: A tidy copy. All notable faults: Some light to moderate surface dirt, moderate wear on the corners and edges, some light finger marks and previous owner&#39;s name on the free front endpaper. Dustjacket not present. Book conservation: Internal repair to the head of the lower joint. 12183. <b> Bibliographical Details: </b> First Edition, [First Printing] [[Quinby 18 and Linder, page 205]].

      [Bookseller: Kirkland Books Ltd]
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        Holland House: Photogravure from Alvin Langdon Coburn&#39;s New York

      London / New York: Duckworth & Co. / Brentano's London / New York: Duckworth & Co. / Brentano&#39;s, [1910]. Hand-pulled photogravure, 6 x 8 1/2 inches, recuperated from a broken edition of the striking 1910 publication New York, deaccessioned from the collection of The George Eastman House, with their stamp and pencil markings on the verso. Fine condition.

      [Bookseller: Harper's Books, Inc.]
 39.   Check availability:     Biblio     Link/Print  


        SLEEPING BEAUTY

      1910. 2. (DULAC,EDMUND)illus. THE SLEEPING BEAUTY and other fairy tales retold by Sir Arthur Quiller Couch. London: Hodder and Stoughton, no date [1910]. 4to (9 x 11 1/4"), publisher's red imitation morocco with extensive gilt decrated cover, 129p., light foxing on margins of text pages else VG+. 1st Dulac edition, illustrated with 30 very beautiful color plates with decorative borders and with tissue guards (half are mounted plates and half are printed on the page). Features Sleeping Beauty; Cinderella; Beauty And The Beast; and Bluebeard. This is a nice copy of a lavishly produced book.

      [Bookseller: Aleph-Bet Books, Inc. ]
 40.   Check availability:     ABAA     Link/Print  


        Green Willow and Other Japanese Fairy Tales. With Forty Illustrations by Warwick Goble.

      Macmillan and Co, London 1910. 4to. VIII+280+(2) pages. With 40 tipped-in colour plates with protective tissue guards (with printed titles). Publisher's blue cloth with gilt lettering and and a lovely gilt front vignette of a Japanese woman carrying her child. All 3 edges blue. A well-preserved copy

      [Bookseller: Vangsgaards Antikvariat]
 41.   Check availability:     Antikvariat     Link/Print  


        RHINEGOLD & THE VALKYRIE

      1910. (RACKHAM,ARTHUR)illus. RHINEGOLD & THE VALKYRIE by Richard Wagner. Lond. & N.Y. :Heinemann & Doubleday 1910. Large 4to, full vellum, some rubbing on spine and cover, ep's sl. foxed else a beautiful copy with silk ties renewed. LIMITED TO 1150 NUMBERED COPIES (150 FOR U.S.) SIGNED BY RACKHAM. Featuring 34 magnificent tipped-in color plates and 14 b&w's.

      [Bookseller: Aleph-Bet Books, Inc. ]
 42.   Check availability:     ABAA     Link/Print  


        Rhinegold & The Valkyrie, The [and] Siegfried & The Twilight of the Gods

      1910-11. Rackham Does Wagner[RACKHAM, Arthur, illustrator]. WAGNER, Richard. The Rhinegold & The Valkyrie. With Illustrations by Arthur Rackham. Translated by Margaret Armour. London: William Heinemann, 1910.First trade edition. Quarto (9 3/4 x 7 5/16 inches; 249 x 186 mm.). [2, blank], ix, [1], 159, [1] pp. Thirty-four color plates, mounted on tan paper, with descriptive tissue guards. Fourteen drawings in black and white. [Together with:][RACKHAM, Arthur, Illustrator]. WAGNER, Richard. Siegfried & The Twilight of the Gods. With Illustrations by Arthur Rackham. Translated by Margaret Armour. London: William Heinemann, 1911.First trade edition. Quarto (9 3/4 x 7 3/16 inches; 249 x 183 mm.). [2, blank], ix, [1, blank], 181, [1], [1, blank], [1, printer&#146;s imprint] pp. Thirty color plates, mounted on tan paper, with descriptive tissue guards. Nine drawings in black and white.The half-title in The Rhinegold & The Valkyrie reads: &#147;The Ring of the Niblung. The Rhinegold: Prelude. The Valkyrie: First Day of the Trilogy. Siegfried: Second Day of the Trilogy. The Twilight of the Gods: Third Day of the Trilogy.&#148;The half-title in Siegfried & The Twilight of the Gods reads: &#147;The Ring of the Niblung. A Trilogy with a Prelude by Richard Wagner. Translated into English by Margaret Armour. Prelude: The Rhinegold. First Day of the Trilogy: The Valkyrie. Second Day of the Trilogy: Siegfried. Third Day of the Trilogy: The Twilight of the Gods.&#148;Original light brown buckram with front cover pictorially stamped and lettered in gilt, back cover stamped in blind with publisher&#146;s device, and spine decoratively stamped and lettered in gilt. Top edge stained brown. Pictorial endpapers. Minimal rubbing to extremities. Slight browning, primarily to leaves preceding and following plates. Near fine copies.Latimore and Haskell, pp. 37-38. Riall, p. 103.

      [Bookseller: David Brass Rare Books, Inc. ]
 43.   Check availability:     ABAA     Link/Print  

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