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Displayed below are some selected recent viaLibri matches for books published in 1836

        Relation chirurgicale de l'expédition de Constantine en novembre 1836 [et] Exposé sommaire du service médical de la 3e division de l'hôpital militaire de Patras

      Joinville, Victor Laurent [et] Paris, Jean-Baptiste Baillière, [circa 1837] et 1829, , 2 ouvrages en 1 volume in-8 de 59 feuillets (mal paginés) et de 22 pages et 1 tableau, bradel moderne, dos muet, Deux très rares relations de médecine militaire. Dans celle de l'expédition de Constantine Hutin narre, de façon spectaculaire, héroïque et pittoresque, les difficiles conditions météorologiques que dut subir l'armée française durant l'expédition et le siège de Constantine, ainsi que les batailles violentes et régulières entre l'armée d'occupation française et les troupes d'Ahmed Bey. Néanmoins, la plus grande partie de sa "Relation" constitue une statistique chirurgicale de médecine de guerre. Dans la deuxième relation, tiré-à-part extrait du Journal hebdomadaire de médecine du 29 août 1929, Félix Hutin étudie les conditions climatiques auxquelles sont soumis les soldats de l'Europe tempéré, et les épidémies qui affaiblissent les armées françaises. Malgré quelques rares rousseurs, bon exemplaire.

      [Bookseller: Librairie Alain Brieux]
 1.   Check availability:     maremagnum.com     Link/Print  


        Narrative of a Journey to the Shores of the Arctic Ocean, in 1833, 1834, and 1835; Under the Command of Capt. Back, R.N.

      1836 - First edition. Two volumes bound in one. Four plates, including two frontispieces and one map. 8vo. Modern half morocco and marbled boards, spine gilt, small old library stamp on each title-page and p.27 of each part, stamps on title-page mostly erased, otherwise internally clean. Very good. xv,[3],312; viii,321,[1]pp. London, Richard Bentley, ?Dr. King's narrative is full of the details of Indian life, as it was presented to the members of Captain Back's expedition. He looked at the same transactions with the natives, and the same phases of their character which Captain Back portrays, from a different point, and their coloring to his eye bears another tinge. His journal, filled with descriptions of interviews with the Chippewyans, Crees, Dog-Ribs, and Esquimaux, is therefore exceedingly interesting even after the perusal of Captain Back's narrative. Although every chapter is largely devoted to incidents associated with the natives, and anecdotes illustrative of their character, Dr. King yields the whole of Chapter XII to an examination and relation of the present condition of the tribes inhabiting the Hudson's Bay territories. King does not attempt to conceal the chagrin he felt, at the cool absorption of his own careful researches in the narrative of Captain Back. In the splendid work of that really eminent explorer, there appears a little, and but a little of that want of generosity which the relation of Dr. King insinuates. Both give the most minute narrations of the peculiar traits of the Northern Indians, their destructive wars, their wasting from disease, and famine, and debauchery, all of which are directly traceable to their communication with the whites. Dr. King, however, finds in them traces of some of the nobler, as well as the more tender emotions, the possession of which Captain Back somewhat superciliously derides. Dr. King very justly reminds him that the gallant Captain owed his life, and that of his entire party, to the devotion and self-denial, through two long starving winters, of the Chippewyan chief Akaitcho. This remarkable Indian deserves an honourable fame. While his tribe in common with himself were starving, he shared with Captain Franklin in his two expeditions, and with Captain Back in a third, the scanty food, which his superior hunter-craft enabled him to obtain, when the duller white reason failed. Captain Franklin would never have sailed upon his fateful voyage, but for the humanity of Akaitcho, as he would have perished of starvation on his first exploration? (Field).?King, surgeon and naturalist of the Back expedition that descended the Back River to the arctic coast of Canada, includes much material similar to that contained in Sir George Back's Narrative of the Arctic Land Expedition, 1836, with additional detail on birds, mammals, and fishes, especially as observed near Fort Reliance? (Arctic Bibliography). Most notable from a historical perspective is King's charge that Capt. Back appropriated his own research and that Back's conclusions were less than exact. King praises at great length the aforementioned Chipewyan chief Akaitcho. Arctic Bibliography, 8708. Field, 831. NMM, 857 (ref). Sabin, 37831 (calling for 7 plates); Streeter Sale, 3705; Wagner-Camp, 62. [Attributes: First Edition; Soft Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        Das Leben Jesu, kritisch bearbeitet von David Friedrich Strauss, Dr. der Philosophie. 1.-2. Band.

      Tübingen, C. F. Osiander 1835-1836. - ADB 36,538ff.; BBKL 11,27ff.; Kindler 13,5540. Erstausgabe der zu ihrer Zeit aufsehenerregenden kritischen Schrift des David Friedrich Strauß (1808-1874), protestantischer Theologe und Philosoph, zum überlieferten Jesusbild. Das Werk wurde von den Philosophen und Theologen der Zeit sehr kontroversiell aufgenommen und gilt als eines der bekanntesten aber auch umstrittensten Werke des 19. Jahrhunderts. Strauss interpretiert darin die (vermeintliche) Geschichtlichkeit der Evangelienbücher als mythische Darstellung urchristlicher Ideen. ".Kein theologisches Werk, seit den Wolfenbüttler Fragmenten, hat gegen seinen Urheber einen solchen Sturm entfesselt, wie das `Leben Jesu`. Die wissenschaftliche Arbeit der protestantischen Theologen drehte sich Jahre lang fast nur um dieses Buch. Hunderte von Entgegnungen jedes Umfangs erschienen, von allen Standpunkten und in allen Tonarten, in der Regel aber mit leidenschaftlicher Gehässigkeit, wurde es bestritten." (ADB). 8° (2 Bände). XVI, 731; XII, 750 S., 1 nn. Bll. Feste Pappbände d. Zeit, am Rücken Papierschildchen mit Beschriftung von alter Hand, Buchschnitt gelbgefärbt. Einbände etwas berieben und bestoßen, Seiten gut erhalten und kaum vergilbt. Mit je einem Ex-Libris (Otto und Liane Zimber) am vorderen Innendeckel, sowie jeweils handschriftlichen Namenszügen (Eckstein) am vorderem fliegenden Vorsatzblatt (in Bd 2 auch am Innendeckel). [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Löcker]
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        The Poetical Works: With a Fore-Edge Painting of a British Flagged Frigate.

      London: William Pickering, 1836. Octavo, bound in straight-grain full green morocco, gilt titles and tooling to the spine, all edges gilt. With a fore-edge painting of a British-flagged three-masted frigate, sails full, with land on the horizon. The earliest fore-edge paintings date possibly as far back as the 10th century; these earliest paintings were symbolic designs. Early English fore-edge paintings, believed to date to the 14th century, presented heraldic designs in gold and other colors. The first known example of a disappearing fore-edge painting (where the painting is not visible when the book is closed) dates from 1649. The earliest signed and dated fore-edge painting dates to 1653: a family coat of arms painted on a 1651 Bible. Around 1750, the subject matter of fore-edge paintings changed from simply decorative or heraldic designs to landscapes, portraits and religious scenes, usually painted in full color. Modern fore-edge painted scenes have a lot more variation as they can depict numerous subjects not found on earlier specimens. These include scenes that are erotic, or they might involve scenes from novels (like Jules Verne, Sherlock Holmes or Dickens, etc.). In many cases, the chosen scene will depict a subject related to the book, but in other cases it did not. In one instance, the same New Brunswick landscape was applied to both a Bible and to a collection of poetry and plays. The choice of scenes is made by either the artist, bookseller or owner, thus the variety is wide. The technique was popularized in the 18th century by John Brindley (1732-1756), publisher and bookbinder to the prince of Wales and Edwards of Halifax, a distinguished family of bookbinders and booksellers. The majority of extant examples of fore-edge painting date to the late 19th and early 20th century on reproductions of books originally published in the early 19th century.

      [Bookseller: Raptis Rare Books ]
 4.   Check availability:     ABAA     Link/Print  


        Miniature Alphabet ABC Sampler on Pin Saver

      1836. A 2" x 2" octagonal pin saver topped with a miniature ABC - 123 sampler stitched on silk mesh with silk thread. Backed in satin. Fine work. Some toning. Dated 1836.

      [Bookseller: Eclectibles]
 5.   Check availability:     Biblio     Link/Print  


        Bilderchronik des Sächsischen Kunstvereins 1833 - 1836. Mit 6 gestochenen Tafeln von Adrian Ludwig Richter

      Sächsischer Kunstverein, 1836 - 49 x 34 cm ; Enthält die folgenden sechs gestochenen Tafeln von Adrian Ludwig Richter: Der blinde Dorfgeiger ; Dorf Schaenke ; Der Zahnbrecher in einem roemischen Staedtchen ; Bauern aus einem Dorfe, welche die Leipziger Schlacht mit ansehen und Der erste Zahn (auf einer Platte) ; Römische Pilger und Pilgerinnen gehen durch einen Bach ; Auszug der Tyroler und Das Innere einer Dorfschule (auf einer Platte). Enthält außerdem Stiche der folgenden Künstler: J. Thaeter, Pfau, Pötschke, Faber, Pescheck, Gille, Fleischmann, Schütze, L. Schütz, Prof. Hammer, Prof. A. Krüger, C. Beichling, Stölzel [Stöltzel ; Stoltzel], Busse, Veith, Honeck, Dietze, Haach, Schmidt, Kluge, Schütz, Witthöft. Insgesamt 153 Stiche auf 84 Platten. Privater Halbleineneinband mit marmorierten Deckelbezügen und vergoldetem Leder-Deckelschild. Einige Tafeln etwas fleckig, die Tafeln von Richter nur zum Teil sehr wenig. Einband zum Teil berieben und an den Ecken bestoßen. Insgesamt gutes Exemplar. jpwRegal-HH [Attributes: Hard Cover]

      [Bookseller: Antiquariat Weber GbR]
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        Card signed in ink:"Winslow Homer / July 17th 1904 / Jacksonville Florida"

      - 1 vols. 3-1/4 x 5 inches. America's Most Famous 19th Century Painter. Winslow Homer (1836-1910), perhaps the most famous of America's 19th century painters, studied in Paris as a young man, but, unlike his contemporary Whistler, left before receiving the full impact of Impressionism. He began as a graphic artist in the 1850s for Harper's Weekly and from 1862 to 1865 did numerous "Campaign Sketches" of soldier life. Although he achieved his greatest fame in oils, and, particularly, watercolor--he had the most profound influence of any artist on watercolor painting in America--he continued in black and white through the 1880s. In painting, his marine subjects are particularly noteworthy: his oil "The Gulf Stream" quickly became an American icon. In later years Homer spent his summers on the Maine coast, and his winters in Florida, from whence this attractive autograph was dispatched to a collector in the artist's 68th year.

      [Bookseller: James Cummins Bookseller, ABAA]
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        Card signed in ink: "Winslow Homer / July 17th 1904 / Jacksonville Florida"

      1 vols. 3-1/4 x 5 inches. Fine condition. 1 vols. 3-1/4 x 5 inches. America's Most Famous 19th Century Painter. Winslow Homer (1836-1910), perhaps the most famous of America's 19th century painters, studied in Paris as a young man, but, unlike his contemporary Whistler, left before receiving the full impact of Impressionism. He began as a graphic artist in the 1850s for Harper's Weekly and from 1862 to 1865 did numerous "Campaign Sketches" of soldier life. Although he achieved his greatest fame in oils, and, particularly, watercolor--he had the most profound influence of any artist on watercolor painting in America--he continued in black and white through the 1880s. In painting, his marine subjects are particularly noteworthy: his oil "The Gulf Stream" quickly became an American icon. In later years Homer spent his summers on the Maine coast, and his winters in Florida, from whence this attractive autograph was dispatched to a collector in the artist's 68th year.

      [Bookseller: James Cummins Bookseller]
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        THEATRE PLAYBILLS: PROGRAMMES OF THE THEATRE ROYAL, HAYMARKET FOR THE SEASON OF 1836

      Small folio, [142] playbills, red half polished calf and linen with gilt titling and tooling (Very Good, some leaves loose and slightly age-toned, small tears and occasional tiny loss of paper, some leaves with tiny loss of text in the lower part, binding slightly stained and scuffed on the edges, spine rubbed with small loss of leather on the bottom, hinges of spine cracked and partly separating). - London 1836. A collection of 142 playbills of the Theatre Royal, Haymarket, for the season of 1836 were bound in contemporary red half calf. From the library of an actor and producer Seymour Hicks, with his dedication and autograph. - A collection of 142 playbills of the Theatre Royal, Haymarket, for the season of 1836 were bound in contemporary red half calf. From the library of an actor and producer Seymour Hicks, with his dedication and autograph. - A book includes a collection of 142 playbills, bound in a contemporary binding, for theatre performances at the Theatre Royal, Haymarket, between April 25 and October 8. The endpaper had a dedication by the actor, producer and playwright Seymour Hicks (1871-1949): From Bancroft to Hicks, From Hicks to his dear friend Watson. July 33, Seymour Hicks. The book was, according to this note, given to Hicks by a famous actor Sir Squire Bancroft (14 May 1841 – 19 April 1926).

      [Bookseller: Antiquariat Dasa Pahor]
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        Einleitung in die technische Chemie für Jedermann. Von Dr. f. F. Runge, ausserordentlichem Professor der Technolgie an der Universität zu Breslau. Mit 150 im Text befindlichen Tafeln, worauf die chemischen Verbindungen in natura dargestellt sind,

      Berlin: Verlag der Sanderschen Buchhandlung (Sander), 1836. 1 Tafel als Frontispiz, XIV, 570 Seiten mit ca 150 in den Text montierten, farbigen auf Kattun fixierten Verbindungen (Farbmustern). 20,5 x 12,5 cm, zeitgenössischer Halbpergamentband mit goldgeprägtem Rückentitel auf blauem Rückenschild, Deckel mit grünlichem Marmorpapier bezogen. Durch Register erschlossen. \"Friedlieb Ferdinand Runge (* 8. Februar 1794 in Hamburg-Billwerder; † 25. März 1867 in Oranienburg) war ein deutscher Chemiker. Er studierte von 1816 bis 1822 an den Universitäten Berlin, Göttingen und Jena zuerst Medizin, dann an der Universität Jena Chemie. Er promovierte 1819 zum Dr. med. und 1822 in Berlin zum Doktor der Philosophie mit einer Arbeit über das wirtschaftlich bedeutende Indigo. 1826 wurde Runge Privatdozent und 1828 außerordentlicher Professor für Technologie an der Universität Breslau. 1832 beendete er seine Universitätslaufbahn und zog nach Oranienburg, wo er bis zu seinem Tode lebte, um im Chemischen Etablissement Dr. Hempel, später Chemische Produkten-Fabrik Oranienburg, als Industriechemiker zu arbeiten. Runge war schon zu seiner Zeit bekannt für seine Arbeiten zur technischen Auswertung des Steinkohlenteers, der damals in großen Mengen bei der Leuchtgas- und Koksherstellung aus Steinkohle als Abfall anfiel und oft ins Meer verklappt wurde, was zu einem ernsten ökologischen Problem zu werden drohte. Er isolierte, charakterisierte und benannte Substanzen aus dem Steinkohlenteer, die wichtigsten darunter Kyanol (Anilin), Pyrrol, Leukol (Chinolin), Carbolsäure (Phenol), Rosolsäure (Aurin) – Grundbausteine für chemische Stoffe der späteren, 1865 gegründeten Badischen Anilin- und Soda-Fabrik (BASF). . . Runge führte unterschiedliche Versuche mit Anilin durch. Mit Chlorkalklösung versetzt nahm dieses eine violette Farbe an. Diese Reaktion wird heute noch als Rungesche Chlorkalkreaktion zum Nachweis von Anilin verwendet. Mit Sauerstoff, Säuren oder Basen versetzt bildete Anilin rote Farbstoffe. Hiermit hatte Runge erstmals Teerfarbstoffe hergestellt, die damals aber noch auf keine wirtschaftliches Bedeutung hatten. Das schlagende Quecksilberherz in der heute bekannten Form wurde zuerst von Runge im Jahr 1829 beschrieben.Andere wichtige Substanzen, die er erstmals beschrieb, sind Thymol und die Alkaloide Hyoscyamin und Koffein (auf Anraten von Johann Wolfgang von Goethe, der in Kaffeebohnen ein Gegengift zu Atropin vermutete). Die Urform der Papierchromatographie wurde von ihm entdeckt. In Schulen werden im Chemieunterricht „Bilder, die sich selber malen“ hergestellt, die auf seinen Erkenntnissen beruhen. Diese auch „Runge-Bilder“ genannten Musterbilder gelten als Vorläufer der Papierchromatographie.\" (Wikipedia)* * * Einband nur leicht berieben, sonst gut bis sehr gut erhaltenes und frisches Exemplar. Versand D: 5,20 EUR

      [Bookseller: Antiquariat Am Bayerischen Platz]
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        The Poetical Works: With a Fore-Edge Painting of a British Flagged Frigate.

      William Pickering, London 1836 - Octavo, bound in straight-grain full green morocco, gilt titles and tooling to the spine, all edges gilt. With a fore-edge painting of a British-flagged three-masted frigate, sails full, with land on the horizon. The earliest fore-edge paintings date possibly as far back as the 10th century; these earliest paintings were symbolic designs. Early English fore-edge paintings, believed to date to the 14th century, presented heraldic designs in gold and other colors. The first known example of a disappearing fore-edge painting (where the painting is not visible when the book is closed) dates from 1649. The earliest signed and dated fore-edge painting dates to 1653: a family coat of arms painted on a 1651 Bible. Around 1750, the subject matter of fore-edge paintings changed from simply decorative or heraldic designs to landscapes, portraits and religious scenes, usually painted in full color. Modern fore-edge painted scenes have a lot more variation as they can depict numerous subjects not found on earlier specimens. These include scenes that are erotic, or they might involve scenes from novels (like Jules Verne, Sherlock Holmes or Dickens, etc.). In many cases, the chosen scene will depict a subject related to the book, but in other cases it did not. In one instance, the same New Brunswick landscape was applied to both a Bible and to a collection of poetry and plays. The choice of scenes is made by either the artist, bookseller or owner, thus the variety is wide. The technique was popularized in the 18th century by John Brindley (1732-1756), publisher and bookbinder to the prince of Wales and Edwards of Halifax, a distinguished family of bookbinders and booksellers. The majority of extant examples of fore-edge painting date to the late 19th and early 20th century on reproductions of books originally published in the early 19th century. [Attributes: First Edition; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Venedig. - Ansicht. - "Dal Palazzo Pesaro a S. Geremia / Depuis le Palais Pesaro jusqu'à l'église de S. Jérémie".

      Venedig Joseph Battaggia 1836 - Historische Ortsansicht. Kupferstich, 1836. Von Antonio Visentini, nach Giovanni Antonio Canal (gen. Canaletto). 25,5 x 41,8 cm (Darstellung) / 39 x 55,5 cm (Blatt). Aus: Trente Huite Vues Choisies de la Ville de Venise. Dessinées par Antoine Canaletto et gravées par Antoine Visentini (Venedig: Joseph Battaggia 1836). - Unterhalb der Darstellung zweisprachig betitelt, ferner links mit "Canaletto d.", mittig "Presso G. Battaggia in Venezia" und rechts "Visentini inc" versehen. Unten mit "6" nummeriert. - Detailiierte Darstellung des Ca' Pesaro (1673-1710 erbaut), eines barocken Marmorpalastes, am Canal Grande in Venedig. Mit Boot- und Gondelstaffage im Vordergrund. - Im Randbereich minimal fleckig. Original Papierrand, geringe Randläsuren. Insgesamt gut erhaltenes Exemplar. Antonio Visentini (geb. 21. November 1688 in Venedig; gest. 26. Juni 1782 ebenda). Italienischer Architekt, Maler und Professor. Er war Schüler des Malers Giovanni Antonio Pellegrini, ab 1711 Mittglied der venezianischen Malerzunft ?Fraglia dei pittori? Er reproduzierte die venezianischen Veduten Canalettos, die 1742 erstmals herausgegeben wurden. Daneben erhielt er architektonische Aufträge und war als Professor an der venezianischen Akademie beschäftigt. Giovanni Antonio Canal (gen. Canaletto) (1697 Venedig - 1768 Venedig). Giovanni Antonio Canal (gen. Canaletto) war ein italienischer Veduten- und Landschaftsmaler. Antonio Canal ist zu unterscheiden von seinem Neffen Bernardo Bellotto, der in sehr ähnlicher Weise arbeitete und später ebenfalls den Künstlernamen Canaletto verwendete. Antonio Canals Arbeiten sind insgesamt lichtvoller, zumeist heiterer und auch heller als die seines Neffen. Sprache: Deutsch

      [Bookseller: Graphikantiquariat Koenitz]
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        Venedig. - Ansicht. - "Principio del Canal Grande / Commencement du grand Canal".

      Venedig Joseph Battaggia 1836 - Historische Ortsansicht. Kupferstich, 1836. Von Antonio Visentini, nach Giovanni Antonio Canal (gen. Canaletto). 25 x 41,8 cm (Darstellung) / 38,3 x 55 cm (Blatt). Aus: Trente Huite Vues Choisies de la Ville de Venise. Dessinées par Antoine Canaletto et gravées par Antoine Visentini (Venedig: Joseph Battaggia 1836). - Unterhalb der Darstellung zweisprachig betitelt, ferner links mit "Canaletto d.", mittig "Presso G. Battaggia in Venezia" und rechts "Visentini inc" versehen. Unten mit "1" nummeriert. - Malerische Ansicht des Canal Grande in Venedig mit der Kirche Santa Maria della Salute. Die vier Kilometer lange Wasserstraße ist das letzte Stück des Flusses Brenta, der die Stadt teilt. - Oben links mit leichtem Fleck. Original Papierrand, etwas knick- und fingerspurig, geringe Randläsuren. Insgesamt gut erhaltenes Exemplar. Antonio Visentini (geb. 21. November 1688 in Venedig; gest. 26. Juni 1782 ebenda). Italienischer Architekt, Maler und Professor. Er war Schüler des Malers Giovanni Antonio Pellegrini, ab 1711 Mittglied der venezianischen Malerzunft ?Fraglia dei pittori? Er reproduzierte die venezianischen Veduten Canalettos, die 1742 erstmals herausgegeben wurden. Daneben erhielt er architektonische Aufträge und war als Professor an der venezianischen Akademie beschäftigt. Giovanni Antonio Canal (gen. Canaletto) (1697 Venedig - 1768 Venedig). Giovanni Antonio Canal (gen. Canaletto) war ein italienischer Veduten- und Landschaftsmaler. Antonio Canal ist zu unterscheiden von seinem Neffen Bernardo Bellotto, der in sehr ähnlicher Weise arbeitete und später ebenfalls den Künstlernamen Canaletto verwendete. Antonio Canals Arbeiten sind insgesamt lichtvoller, zumeist heiterer und auch heller als die seines Neffen. Sprache: Deutsch

      [Bookseller: Graphikantiquariat Koenitz]
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        Venedig. - Ansicht. - "Dal Tintore Molin a S. Chiara / Depuis le Tenturier Molin jusqu'à Ste. Claire".

      Venedig Joseph Battaggia 1836 - Historische Ortsansicht. Kupferstich, 1836. Von Antonio Visentini, nach Giovanni Antonio Canal (gen. Canaletto). 25 x 42 cm (Darstellung) / 38,4 x 55,4 cm (Blatt). Aus: Trente Huite Vues Choisies de la Ville de Venise. Dessinées par Antoine Canaletto et gravées par Antoine Visentini (Venedig: Joseph Battaggia 1836). - Unterhalb der Darstellung zweisprachig betitelt, ferner links mit "Canaletto d.", mittig "Presso G. Battaggia in Venezia" und rechts "Visentini inc" versehen. Unten mit "10" nummeriert. - Ansicht Venedigs von der Färberei bis zur heute zerstörten Kirche S. Chiara. Mit Figuren- und Gondelstaffage im Vordergrund. - Original Papierrand, Ecken leicht bestoßen. Unten geringe Quetschspur im Randbereich. Insgesamt gut erhaltenes Exemplar. Antonio Visentini (geb. 21. November 1688 in Venedig; gest. 26. Juni 1782 ebenda). Italienischer Architekt, Maler und Professor. Er war Schüler des Malers Giovanni Antonio Pellegrini, ab 1711 Mittglied der venezianischen Malerzunft ?Fraglia dei pittori? Er reproduzierte die venezianischen Veduten Canalettos, die 1742 erstmals herausgegeben wurden. Daneben erhielt er architektonische Aufträge und war als Professor an der venezianischen Akademie beschäftigt. Giovanni Antonio Canal (gen. Canaletto) (1697 Venedig - 1768 Venedig). Giovanni Antonio Canal (gen. Canaletto) war ein italienischer Veduten- und Landschaftsmaler. Antonio Canal ist zu unterscheiden von seinem Neffen Bernardo Bellotto, der in sehr ähnlicher Weise arbeitete und später ebenfalls den Künstlernamen Canaletto verwendete. Antonio Canals Arbeiten sind insgesamt lichtvoller, zumeist heiterer und auch heller als die seines Neffen. Sprache: Deutsch

      [Bookseller: Graphikantiquariat Koenitz]
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        Venedig. - Ansicht. - "La Piazza e la Chiesa di S. Marco / La Place et l'Église de S. Marco".

      Venedig Joseph Battaggia 1836 - Historische Ortsansicht. Kupferstich, 1836. Von Antonio Visentini, nach Giovanni Antonio Canal (gen. Canaletto). 25,5 x 42,1 cm (Darstellung) / 38,7 x 55,4 cm (Blatt). Aus: Trente Huite Vues Choisies de la Ville de Venise. Dessinées par Antoine Canaletto et gravées par Antoine Visentini (Venedig: Joseph Battaggia 1836). - Unterhalb der Darstellung zweisprachig betitelt, ferner links mit "Canaletto d.", mittig "Presso G. Battaggia in Venezia" und rechts "Visentini inc" versehen. Unten mit "29" nummeriert. - Die Darstellung zeigt den Markusplatz mit dem Markusdom (1063-1094 errichtet) und dem Campanile sowie den Prokuratien und zahlreichen Staffagefiguren. - Original Papierrand, unten mit geringer Quetschspur im Papier. Verso oben Spuren vormaliger Montage. Insgesamt gut erhaltenes Exemplar. Antonio Visentini (geb. 21. November 1688 in Venedig; gest. 26. Juni 1782 ebenda). Italienischer Architekt, Maler und Professor. Er war Schüler des Malers Giovanni Antonio Pellegrini, ab 1711 Mittglied der venezianischen Malerzunft ?Fraglia dei pittori? Er reproduzierte die venezianischen Veduten Canalettos, die 1742 erstmals herausgegeben wurden. Daneben erhielt er architektonische Aufträge und war als Professor an der venezianischen Akademie beschäftigt. Giovanni Antonio Canal (gen. Canaletto) (1697 Venedig - 1768 Venedig). Giovanni Antonio Canal (gen. Canaletto) war ein italienischer Veduten- und Landschaftsmaler. Antonio Canal ist zu unterscheiden von seinem Neffen Bernardo Bellotto, der in sehr ähnlicher Weise arbeitete und später ebenfalls den Künstlernamen Canaletto verwendete. Antonio Canals Arbeiten sind insgesamt lichtvoller, zumeist heiterer und auch heller als die seines Neffen. Sprache: Deutsch

      [Bookseller: Graphikantiquariat Koenitz]
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        Essai sur les Hallucinations. Discours prononcé devant l'administration de l'hospice de l'Antiquaille de Lyon, dans sa séance publique du 3 mai 1836

      Lyon, imprimerie typographique et lithographique de Louis Perrin, 1836, in-8, 75 pages, broché, couverture imprimée en jaune pâle et vert de l'éditeur, ÉDITION ORIGINALE. Exemplaire enrichi d'un ENVOI de l'auteur en pied de la couverture ; à "M. le Docteur Carrier". Médecin à l'Antiquaille de Lyon, Alexandre Bottex (1795-1849) définissait la folie comme une affection organique et repoussait la conception d'affection de l'âme ou de l'esprit. Il institua des cours cliniques sur l'aliénation mentale dès 1831. Le présent essai fut lu à l'ouverture de l'un de ces cours. Semelaigne I, p. 196 et suiv.

      [Bookseller: Librairie Alain Brieux]
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        Journal of a Tour to Moscow, in the Summer of 1836.

      

      [Bookseller: Henry Sotheran Ltd.]
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        Winkle's Architectural and Picturesque illustrations of the Cathedral Churches of England and Wales; the drawing taken from sketches made expressly for this work by Robert Garland Architect

      Effingham Wilson, London 1836 - 1836-42. 3 vols. Complete with engraved plans & views. Contemporary half morocco, aeg. A good original and very clean copy [Attributes: Hard Cover]

      [Bookseller: Anah Dunsheath RareBooks ABA ANZAAB ILAB]
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        [Juvenile- Alphabetisch letterkransje

      Amsterdam: J. Guykens, (1836). Small 8vo. Original or contemporary salmon paper covered boards. Hand-colored engraved title page and 26 hand-colored engraved plates to the alphabet with a verse below, printed on 1 side only. Binding sl. worn at extremities and some sm. rubbed spots; front cover w. sm. ink-stain. Near fine. Finely colored plates depicting a broad range of children's activities, such as studying, riding a goat-cart, traveling in a tow-boat or a coach, visiting grandfather, feeding the ducks, watching the stars, training the dog, piano exercising and skating. Beautiful and very rare.

      [Bookseller: Nudelman Rare Books]
 19.   Check availability:     Biblio     Link/Print  


        Einleitung in die technische Chemie für Jedermann. Von Dr. f. F. Runge, ausserordentlichem Professor der Technolgie an der Universität zu Breslau. Mit 150 im Text befindlichen Tafeln, worauf die chemischen Verbindungen in natura dargestellt sind,

      Berlin: Verlag der Sanderschen Buchhandlung (Sander), 1836 - 1 Tafel als Frontispiz, XIV, 570 Seiten mit ca 150 in den Text montierten, farbigen auf Kattun fixierten Verbindungen (Farbmustern). 20,5 x 12,5 cm, zeitgenössischer Halbpergamentband mit goldgeprägtem Rückentitel auf blauem Rückenschild, Deckel mit grünlichem Marmorpapier bezogen. Durch Register erschlossen. "Friedlieb Ferdinand Runge (* 8. Februar 1794 in Hamburg-Billwerder; † 25. März 1867 in Oranienburg) war ein deutscher Chemiker. Er studierte von 1816 bis 1822 an den Universitäten Berlin, Göttingen und Jena zuerst Medizin, dann an der Universität Jena Chemie. Er promovierte 1819 zum Dr. med. und 1822 in Berlin zum Doktor der Philosophie mit einer Arbeit über das wirtschaftlich bedeutende Indigo. 1826 wurde Runge Privatdozent und 1828 außerordentlicher Professor für Technologie an der Universität Breslau. 1832 beendete er seine Universitätslaufbahn und zog nach Oranienburg, wo er bis zu seinem Tode lebte, um im Chemischen Etablissement Dr. Hempel, später Chemische Produkten-Fabrik Oranienburg, als Industriechemiker zu arbeiten. Runge war schon zu seiner Zeit bekannt für seine Arbeiten zur technischen Auswertung des Steinkohlenteers, der damals in großen Mengen bei der Leuchtgas- und Koksherstellung aus Steinkohle als Abfall anfiel und oft ins Meer verklappt wurde, was zu einem ernsten ökologischen Problem zu werden drohte. Er isolierte, charakterisierte und benannte Substanzen aus dem Steinkohlenteer, die wichtigsten darunter Kyanol (Anilin), Pyrrol, Leukol (Chinolin), Carbolsäure (Phenol), Rosolsäure (Aurin) – Grundbausteine für chemische Stoffe der späteren, 1865 gegründeten Badischen Anilin- und Soda-Fabrik (BASF). . . Runge führte unterschiedliche Versuche mit Anilin durch. Mit Chlorkalklösung versetzt nahm dieses eine violette Farbe an. Diese Reaktion wird heute noch als Rungesche Chlorkalkreaktion zum Nachweis von Anilin verwendet. Mit Sauerstoff, Säuren oder Basen versetzt bildete Anilin rote Farbstoffe. Hiermit hatte Runge erstmals Teerfarbstoffe hergestellt, die damals aber noch auf keine wirtschaftliches Bedeutung hatten. Das schlagende Quecksilberherz in der heute bekannten Form wurde zuerst von Runge im Jahr 1829 beschrieben. Andere wichtige Substanzen, die er erstmals beschrieb, sind Thymol und die Alkaloide Hyoscyamin und Koffein (auf Anraten von Johann Wolfgang von Goethe, der in Kaffeebohnen ein Gegengift zu Atropin vermutete). Die Urform der Papierchromatographie wurde von ihm entdeckt. In Schulen werden im Chemieunterricht „Bilder, die sich selber malen" hergestellt, die auf seinen Erkenntnissen beruhen. Diese auch „Runge-Bilder" genannten Musterbilder gelten als Vorläufer der Papierchromatographie." (Wikipedia) * * * Einband nur leicht berieben, sonst gut bis sehr gut erhaltenes und frisches Exemplar. Sprache: Deutsch Gewicht in Gramm: 950

      [Bookseller: Matthias Severin Antiquariat]
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        Topographisches Lexicon oder General-Verzeichniss aller in den Österreichischen Staaten gelegenen Ortschaften. Zum Allgemeinen Gebrauche. Neue, nach den jüngsten politischen und postalischen Bestimmungen umgearbeitete, und mit den Ortsnamen der Königreiche Ungarn, Kroatien, Slavonien, Dalmatien, Venedig-Lombardie, des Grossfürstenthumes Siebenbürgen, des Herzogthumes Salzburg, und Istriens vermehrte Auflage. Mit einer Übersichtskarte des Kaiserreiches. / Dizionario topografico postale etc. 3 Bde. [= kplt.].

      Wien, Vlg. der K. K. Hof- und Staats-Ärarial-Druckerei 1836-37. - ÖBL VIII, 389. In Lieferungen erschienene Überarbeitung des 1792 erschienenen Ortsverzeichnisses von Franz Landschau (`Ortschaften der kaiser. königlichen deutschen Erbländer zur postämtlichen Briefbestellung?). Titel und Überschriften, aber nicht das komplette Werk zweisprachig (dt. / ital.). Umfasst: Bd.1: A-E / Bd.2: F-M / Bd.3: N-Z. - Mit: ?Übersichts-Karte der Poststrasssen und Eisenbahnen in dem Kaiserthume Oesterreich und in den angrenzenden Staaten etc.? (51 x 41 cm) / ?Die Beförderungs-Anstalten für Reisende, Geld, Waaren, etc. oder: Lauf der Eil- und Fahrposten zwischen Wien und den Provinzen? (49 x 41 cm) und in 4 gef. Blättern ?Erste typographische Karte. General-Postkarte des Kaiserthumes Oesterreich und der nächsten Grenzländer, mit Ergänzungen der übrigen Staaten in Europa?(je Bl. 51 x 42 cm). ? Der aus Ungarn stammende Geograph, Kartograph und Topograph Franz Raffelsperger (1793-1861) gilt als einer der Bahnbrecher des typographischen Landkartendruckes. Nach seinem Studium in Wien und umfangreichen Reisen durch die Länder des österreichischen Kaiserstaates war R. 1824-1840 Beamter der k. k. Post in Wien und bemühte sich um Verbesserungen im Reisepostwesen der Monarchie. Er verfasste zahlreiche literarische und kartographische Arbeiten über die europäischen Länder. Seit 1835 beschäftigte er sich mit dem typographischen Landkartendruck, wobei er zunächst die Druckerei Anton Pichlers Witwe nutzte. 1837 erhielt er ein Privileg auf die Herstellung von Landkarten im Typendruck und 1843 gründete er die ?K. k. außerordentlich ausschließlich privilegierte typogr.-geograph. Kunstanstalt? in der Leopoldstadt. (vgl. dazu ÖBL VIII, 389 u. Wurzbach XXIV, 225 f.). Quer-4°. XXII(2), 506(2) S.; 2 Bll. (Titelei), 605(3) S u. 2 Bll. (Titelei), 680(2) S. Mit 1 gef. Taf. und 2 Karten (dav. 1 in 4 gef. Bll., diese ?geographisch gesetzt v. F. Rumpold? u. bei Pichler?s Witwe in Wien gedr.). Pappbde. der Zeit m. Deckelbezügen aus braunem Kleisterpapier und goldgepr. Titel auf mont., rotem Rüschi. Einbde. an den Kanten etw. berieben u. an den Kapitalen leicht lädiert, Ecken bestoßen, die ersten Bll. von 2 Bänden mit Quetschfalten, sehr vereinz. fingerfl., insges. im Text sehr sauberer u. guter Erh.zustand. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Löcker]
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        THE WORKS, SENSE AND SENSIBILITY; PRIDE AND PREJUDICE; EMMA; MANSFIELD PARK; NORTHANGER ABBEY with PERSUASION.

      London, Richard Bentley, 1836.. VERY EARLY COMPLETE SET OF JANE AUSTENS WORKS, SECOND EDITION 1836-1837, in Bentley's Standard Novels series, first published in 1833. 6 novels in 5 volumes, complete set, 8vos, approximately 170 x 105 mm, 6½ x 4¼ inches, each volume has an engraved frontispiece and a vignette on the title page, pages: Sense and Sensibility (1837), xv, [1], 331, [1]; Pride and Prejudice (1836), [4], 340; Emma (1836), [2], 435, [1]; Mansfield Park (1837), [4], 424; Northanger Abbey with Persuasion (1837), [4], 212, (2), (215)-440, all with half-titles except Emma. Rebound in modern quarter dark blue morocco over marbled boards, marbling matching the marbled edges, gilt dividing line to boards, 5 raised bands to spine, gilt rules, red and black contrasting gilt lettered morocco labels, new black endpapers. Sense and Sensibility: light browning and foxing to margins of frontispiece and engraved title page, light offsetting from frontispiece onto title page, ink name at top of engraved title page, a few very pale fox spots on margins of engraved title page to Pride and Prejudice, pale offsetting from frontispiece onto engraved title page of Emma, Mansfield Park and Northanger Abbey, 20 mm (¾") closed tear to top margin of the engraved title page of Emma, another to lower margin of page 19 in Northanger Abbey, both have neat old repairs with no loss, very faint narrow strip of damp staining to edges of frontispiece and engraved title page of Northanger Abbey. Otherwise a very good clean set. See XIX Century Fiction by Michael Sadleir, Volume 2, page 104-105; A Bibliography of Jane Austen by David Gilson, page 225-226. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Pericles and Apasia

      London: Saunders and Ottley, 1836. First edition. viii, 299; viii, 343 pp. 2 vols. 8vo. Original rey boards, paper label, uncut, some wear. Signature of T.J. Busco 1836 on front pastedown. In full blue cloth slipcase and chemise. First edition. viii, 299; viii, 343 pp. 2 vols. 8vo. With poem at beginning of Volume II "To General Andrew Jackson" NCBEL 3:1211; Wise 27; Block, p. 133

      [Bookseller: James Cummins Bookseller ]
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        Syria, The Holy Land, Asia Minor, &c. Illustrated. In a Series of One Hundred and Twenty Views Drawn from Nature by W. H. Bartlett, William Purser, and Thomas Allom.

      - London, Fisher, Son, & Co., [1836-1838]. 4to, 3 volumes. Original publisher's blue watered cloth, richly ornamented and lettered in gilt, all edges gilt; pp. [4], 80; 76; 100, [4]; 3 steel-engraved additional titles, 117 steel-engraved plates by W. Finden, retaining tissue guards, and 2 engraved maps; slightly rubbed and scuffed, light spotting and browning, otherwise a very good set. First edition, in the rarely seen publisher's binding. John Carne travelled through the Ottoman Empire in 1821, publishing Letters from the East in 1826, and was chosen by Fisher to be the author of the present work, which was intended to be the first in a series entitled 'The Turkish Empire Illustrated'. Carne wrote the descriptive text which accompanies each illustration; the majority of these are engraved from views executed by Bartlett during his first journey in the area in 1834-1835, and they are probably his first illustrations to appear in print. Only in the third volume do engravings by other artists such as Thomas Allom appear. Atabey 199; Blackmer 291; RÃ hricht 1690; Weber I, 1125. [Attributes: First Edition; Hard Cover]

      [Bookseller: Henry Sotheran Ltd]
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        Die Versteinerungen des Norddeutschen Oolithen-Gebirges.

      Hannover: Hahn, 1836. 218 S., 16 Taf. Hardcover Halblederband mit grünem Rückenschild. Inkl. 16 Tafeln. Ehemaliges Bibliotheksex. Buchrücken beschädigt. Bindung fest. Seiten altersbedingt nachgedunkelt und vereinzelt leicht gilbfleckig. Text und Tafeln sauber. Dem Alter entsprechend vor allem innen guter und gepflegter Erhaltungszustand. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Bookfarm]
 25.   Check availability:     buchfreund.de     Link/Print  


        Reports of Cases at Law and In Equity, Argued and Determined in the Supreme Court of Alabama

      Tuskaloosa: Printed by Marmaduke J. Slade, 1836. First Edition. Hardcover. Good. 8vo. [1], 501 pages, [2]. Restored. Text recased in half marbled paper covered boards with brown leather spine. Gilt lettered leather title label on brown leather spine. New front and rear end sheets added. Moderate scattered foxing to contents. Old ink inscription marked through with old ink at top of the title page. Inscription on front blank end sheet - "A. C. Hargrove Nov. 15 1860.

      [Bookseller: Americana Books ABAA]
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        Narrative of the Arctic Land Expedition to the Mouth of The Great Fish River, and Along the Shores of the Arctic Ocean, in the years 1833, 1834, and 1835.

      London. John Murray. 1836.. 1st Edition. Hardcover. 8vo. 21.3cm, The First Edition, x,[1], 663,p., with 16 engraved plates and a rear folding map, in contemporary full dark blue calf, gilt ruled raised bands, gilt border and center panel decorations, crushed crimson morocco label, double ruled borders on the boards, marbled endpapers and edges, about normal foxing on the plates, a very good to fine copy in attractive binding. (cgc) A.B. 851. T.P.L. 477. Lande 935. Sabin 2613. Wagner- Camp 58b:1. Streeter 3705. - Back, who had been on both Franklin expeditions, was sent out to locate Ross, who had been unreported through three winters. News of Ross's safe return reached Back in April 1833 and he then pursued the expedition's secondary objectives. These were, firstly, to navigate the length of a river supposedly arising in the neighbourhood of the Great Slave Lake and running north to the Arctic Sea, and then, secondly, to map as much as possible of the seacoast. He was successful in both objectives, travelling 7,500 miles in total and traversing the full 440-mile length of the river (known as Thlueetessy' by the Indians). The Great Fish River, as Back named it, has since become known as The Back River. .

      [Bookseller: Patrick McGahern Books, Inc. (ABAC)]
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        Danse à cloche-pied des indigènes de l'ile de Paques

      Plate from: Voyage autour du monde sur la frégate la Vénus, pendant les années 1836-1839 ... atlas pittoresque. [Paris : Gide, 1841]. Lithograph with hand colouring,172 x 272 mm; in fine condition; framed. The voyage of the Vénus, under the command of Abel du Petit-Thouars, was critical to the establishment of a French colonial presence in the Pacific, as well as for the promotion and protection of French commercial activities around the globe. It achieved its primary objective of establishing a French protectorate over Tahiti and the Marquesas. In 1838 the expedition visited Easter Island. This lithograph by Blanchard, after the original ship board drawing by Louis-Jules Masselot, was included in the monumental Atlas pittoresque volume of du Petit-Thouars' voyage account. It shows a "hopping dance" being peformed by native Easter Island men on the deck of theVénus.

      [Bookseller: Douglas Stewart Fine Books]
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        Hodgson's Trogon

      1836-38 1836 - John and Elizabeth Gould Hodgson's Trogon Original lithograph with later hand colour for 'A Monograph of the Trogonidae or family of Trogons' 1st edition 1836-8 530 x 360 mm approx £695 [Attributes: First Edition]

      [Bookseller: Henry Sotheran Ltd]
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        Narrative of a Residence in Koordistan, and on the Site of Ancient Nineveh;

      London: James Duncan,, 1836. with Journal of a Voyage down the Tigris to Bagdad and an Account of a Visit to Shirauz and Persepolis … Edited by his Widow. 2 volumes octavo (219 × 130 mm) Near contemporary russia, tan morocco lettering- and numberiing-pieces, low bands with dotted roll, gilt, compartments attractively gilt with repeated hexafoil and stylised foliate tools, single fillet panel gilt to the boards, board edges milled in blind. Folding map frontispiece to each, 10 lithographed plates in all, 3 of them folding, one folding plan, all plates and maps are laid down on linen, all plates have tissue-guards. Ex-San Francisco Mechanics Institute library, their perforated stamp to the title pages and to three text leaves in total, ink stamp to the top edges, ticket-pockets neatly removed from the rear pastedowns,frotnf ree endpaper neatly excised, text-blocks and plates a little browned and with the usual mild foxing, externally a little rubbed, corners bumped, tails of the spines with slight marks from the removal of labels, boards with a few other superficial scuffs and stains, but overall very good and presents well. Attractive bookplates of Rudolph J. Taussig, president of the MI, to the front pastedowns. First edition. An important study, which "long remained valuable, as the first nineteenth-century geographical and archaeological account of the region and also as an interesting narrative of travel. It was reissued in 1984 in recognition of its continuing value" (ODNB). A linguistic prodigy, Rich began the study of oriental languages at the age of nine. When he joined the HEIC as a cadet in 1803 he was described by a family acquaintance as "a most extraordinary young man. With little or no assistance he has made himself acquainted with many languages, particularly with the languages of the East. Besides Latin, Greek, and many of the modern languages, he has made himself master of the Hebrew, Chaldee, Persian, Arabic, and is not without some knowledge of the Chinese, which he began to decipher when he was but fourteen." His language skills convinced Charles Wilkins, the librarian to the Company, to persuade the directors to appoint him to a writership in Bombay, and he was attached as secretary to the consul-general in Egypt to "improve his Arabic and Turkish." Rich's ship was burnt, and he spent the next few years travelling the Mediterranean and Near East, including intelligence gathering in the interior of Asia Minor. In 1808 Rich became company resident at Bagdad, "where he remained for six years and during this period became the first European to excavate at the site of ancient Babylon" (Howgego). Ill health forced his return to Constantinople in 1813. "On his return through Asia Minor and Mesopotamia to Baghdad, he resumed his studies and collections, made his second visit to Babylon, and in 1820, being again in bad health, travelled in Kurdistan" (ODNB), the tour which is described in the present work. He died of cholera in Shiraz in 1821. "Parts of his collections were purchased by the trustees of the British Museum, and consisted of about 900 volumes of manuscripts in Arabic, Persian, and Turkish, and a great number in Chaldee and Syriac; a large collection of coins, Greek and oriental; and gems and antiquities dug up at Babylon and Nineveh, including the first cuneiform inscriptions ever brought to Europe

      [Bookseller: Peter Harrington]
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        Jocelyn - Episode. 2 volumes

      Paris, Charles Gosselin et Furne 1836 - Journal trouvé chez un curé de village. ÉDITION ORIGINALE. Paris, Charles Gosselin et Furne - 1836 - 322 et 328 pages. Reliure demi veau glacé prune de l'atelier de Thouvenin (non signée). Dos à nerfs orné de filets doré, légèrement insolé. Quelques rousseurs. Bon état. Format in-8° (21x13). Joseph Thouvenin, élève de François Bozerian, est un des relieurs les plus prolixes de son temps. C'est un des trois relieurs les plus importants du XIXe siècle et de la Restauration en particulier, avec René Simier et Jean-Georges Purgold. Il renouvela la reliure, notamment en créant les reliures « à la fanfare », avec Charles Nodier, et en remettant au goût du jour les reliures dites « cathédrale ». Par ailleurs, outre les reliures plus bibliophiliques, son atelier recevait chaque année 3000 commandes, qui furent exécutée essentiellement en demi-reliures typiques de Joseph Thouvenin. Ces reliures contribuèrent aussi à sa renommée par leur qualité. 1ère Edition [Attributes: First Edition; Hard Cover]

      [Bookseller: Livres et Collections]
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        A guerra civil em Portugal, o sitio do Porto e a morte de Don Pedro. Por hum estrangeiro.

      London, n.pr., 1836. - Large 12°, contemporary brown paper boards (worn, joints cracked and very weak, considerable part of spine gone). Dampstained, light browning, a few inked corrections to text. Overall in good condition. Author's presentation inscription in the lower margin of the recto of the second leaf: "Offerecido ao Illmº Snr // [name of recipient scored] // pelo Seu Verdadeiro Amigo // O Auctor." (2 ll.), 274 pp., (1 l.). *** First edition in Portuguese of this valuable account of the civil war in Portugal between the absolutists and Miguelists, and of the siege of Porto in 1832 and 1833. This work was also published in English, French and German, but from the introduction it appears that Owen first wrote it in Portuguese. A second edition in Portuguese appeared in Porto, 1870, but did not contain the complete text (see Canto).Owen (1784-1861), a British officer who served in the Peninsular War, remained in the Portuguese army until 1820, when all foreign officers were dismissed, and then took up residence near Porto. During the subsequent civil wars D. Pedro offered him a position as his personal aide-de-camp, with the rank of general, but Owen declined on grounds that he did not have his own sovereign's permission. Owen wrote several other works on the civil wars, including O Cerco do Porto em 1832 para 1833 (Porto, 1840).*** Innocêncio VI, 331: calling for 14 pp. of errata not present in this copy. Canto, Ensaio bibliographico .1828-34 (1892), 1008: without mention of the errata; assumes that the work was originally published in English. Gonçalves Rodrigues, A tradução em Portugal 4701: without mention of the errata. Duarte de Sousa II, 315. Porbase locates five copies, all at Biblioteca Nacional de Portugal, one lacking the title page. Copac repeats British Library and Oxford University. KVK (44 databases searched) repeats Porbase and Bibliothèques universitaires-Paris (via SUDOC). NUC: DLC, TxU, MH. [Attributes: First Edition; Hard Cover]

      [Bookseller: Richard C. Ramer Old and Rare Books]
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        THREE ORIGINAL PENCIL SKETCHES OF 19th-CENTURY BRITISH COLONIAL BUILDINGS IN PRAMPRAM, GOLD COAST].

      [N.p., but near present-day Prampram, Ghana. between 1819 and 1836]. - Three pencil sketches on wove paper, each approximately 7 x 10 inches. Central vertical crease to each drawing, the first two titled in a contemporary hand in pencil to verso, the third similarly titled below the image. Very good. An attractive set of skillfully-executed original pencil sketches featuring British colonial structures in Prampram, Gold Coast (present-day Ghana) likely between 1819 and 1836. The sketches are titled in pencil, as follows: "Commandant's Residence, Pam Pram, Gold Coast," "Lower Town, Pam Pram from the Upper Town," and "Abandoned Fort at Appolonia from the Beach." The Union Jack flies proudly in the foreground of the sketch of the Commandant's residence. Officially, Great Britain colonized the Gold Coast region from 1867 until the independence of Ghana in 1957, though the British had maintained and controlled forts along the West African coastline since long before 1867. Fort Appolonia, in the extreme southwestern corner of the country, had been a British trading and military outpost from 1691 until 1819, and then again from 1836 onwards, when it changed hands from the British, to the Dutch, then back to the British again. As such, if the artist here labeled Fort Appolonia as "Abandoned," he or she must have sketched the fort during the period it was shuttered between 1819 and 1836. A fascinating trio of original sketches offering unique from a rarely-visualized period in British colonial affairs in West Africa.

      [Bookseller: William Reese Company - Americana]
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        [THREE ORIGINAL PENCIL SKETCHES OF 19th-CENTURY BRITISH COLONIAL BUILDINGS IN PRAMPRAM, GOLD COAST]

      [N.p., but near present-day Prampram, Ghana, 1836. Three pencil sketches on wove paper, each approximately 7 x 10 inches. Central vertical crease to each drawing, the first two titled in a contemporary hand in pencil to verso, the third similarly titled below the image. Very good. An attractive set of skillfully-executed original pencil sketches featuring British colonial structures in Prampram, Gold Coast (present-day Ghana) likely between 1819 and 1836. The sketches are titled in pencil, as follows: "Commandant's Residence, Pam Pram, Gold Coast," "Lower Town, Pam Pram from the Upper Town," and "Abandoned Fort at Appolonia from the Beach." The Union Jack flies proudly in the foreground of the sketch of the Commandant's residence. Officially, Great Britain colonized the Gold Coast region from 1867 until the independence of Ghana in 1957, though the British had maintained and controlled forts along the West African coastline since long before 1867. Fort Appolonia, in the extreme southwestern corner of the country, had been a British trading and military outpost from 1691 until 1819, and then again from 1836 onwards, when it changed hands from the British, to the Dutch, then back to the British again. As such, if the artist here labeled Fort Appolonia as "Abandoned," he or she must have sketched the fort during the period it was shuttered between 1819 and 1836. A fascinating trio of original sketches offering unique from a rarely-visualized period in British colonial affairs in West Africa.

      [Bookseller: William Reese Company - Americana]
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        A narrative of the shipwreck, captivity and sufferings of Horace Holden and Benj. H. Nute : who were cast away in the American ship Mentor, on the Pelew Islands, in the year 1832; and for two years afterwards were subjected to unheard of sufferings among the barbarous inhabitants of Lord North's Island

      Boston: Russell, Shattuck, and Co, 1836. First Edition. Decorative Cloth. Fine-. First Edition. Small, slim 8vo: xii,13-133,[1]pp, with wood-engraved frontispiece of tattooing and full-page wood-engraved plate of native canoes approaching the British barque Britannia following p. 114. Original, elaborately embossed brown cloth, upper cover lettered in gilt. End papers spotted, else an excellent, unsophisticated copy. Sabin 32473. Hill 818. Taylor, p. 548. The Mentor sailed from New Bedford under Captain Edward Barnard in 1831. "Holden, a farm boy from New Hampshire, was aboard the whaleship when it was wrecked. Only half the crew survived; they were ultimately captured by natives, who tattooed, starved, and mistreated their prisoners. Holden and his friend Nute were rescued in 1834 by the British barque Britannia . . . This work includes a 'Vocabulary of the language of Lord North's Island' . . . ." (Hill) Melville's description of tattooing in Typee apparently derives from this account. N. B. With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        John Ross, a Cherokee Chief

      - A wonderfully detailed hand colored lithograph with beautiful original color from Thomas L. McKenney and James Hall's historically significant book "History of the Indian Tribes of North America", which was published in Philadelphia in 1836. Son of John Ross Sr., a powerful Cherokee Chief. Both were killed in 1866. This print is from the smaller octavo edition and measures 10.25"x6.75"". Originally this breathtaking series was issued in large folio size, but later McKenney had the images redrawn to a more practical and affordable octavo size.The majority of these octavos are from the early editions (1842-58), published either by J.T. Bowen or D. Rice & A.N. Hart. Those noted as "RR" were issued by Rice, Rutter & Co. between 1865 and 1870. From 1816 until 1830, Thomas McKenney was Superintendent of Indian Affairs and one of a very few government officials to defend American Indian interests. When a large delegation of Indians came to see President Monroe in 1821, McKenney commissioned the fashionable portraitist Charles Bird King to paint the principal delegates, dressed in costumes of their choice. Many of the most prominent Indian leaders of the nineteenth century were among King’s sitters, including Sequoyah, Red Jacket, Major Ridge, Cornplanter, and Osceola. The portraits hung in the War Department until l858, when they were moved to the Smithsonian Institute. Most of King’s original portraits were subsequently destroyed in a fire at the Smithsonian in 1865, so their appearance in McKenney and Hall’s publication is the only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century: Sequoyah, Red Jacket, Major Ridge, Cornplanter, and Osceola were numbered among King’s sitters. Andrew Jackson dismissed McKenney in 1830, but allowed him to have the portraits copied by Henry Inman, so that lithographs could be made from McKenney’s “Indian Gallery.” Additional images were taken from paintings by James Otto Lewis, George Catlin and other artists. James C. Hall, a Cincinnati judge and novelist, contributed an historical and anecdotal text. Both authors, not unlike George Catlin, whom they tried to enlist in their own publishing enterprise, saw their work as a means of preserving an accurate visual record of a rapidly disappearing culture. The portfolio nearly bankrupted McKenney as well as the two printing firms who invested in its publication. But their work proved to be much more valuable contribution than they imagined. Catlin’s paintings of Indians were destroyed in a warehouse fire; and James Otto Lewis’ watercolors burned along with those by King in the Smithsonian fire of l865. The McKenney and Hall portraits remain as the most complete and colorful record of the native leaders who made the long journey to Washington to speak for their people. overall this print is in very good condition with some foxing and staining and a few very small creases and tears.

      [Bookseller: Arader Galleries San Francisco]
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        BADÍA Y LEBLICH, Domingo. VIAJES DE ALI BEY EL ABASSI (DON DOMINGO BADÍA Y LEBLICH) POR ÁFRICA Y ASIA DURANTE LOS AÑOS 1803, 1804, 1805, 1806 Y 1807. TRADUCIDOS DEL FRANCÉS POR P.P.

      Librería de Mallen y sobrinos, Valencia 1836 - En 8º mayor, 3 tomos: XXXIV-340, 394 y 352 pp., retrato de Ali Bey grabado al cobre por M. Sigüenza. Ligero moteado de humedad. Encuadernación en 2 volúmenes en holandesa de la época. Primera edición española. Muy rara. [Attributes: First Edition; Hard Cover]

      [Bookseller: Ignacio Martin Villena]
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        Chinese Missionary Pamphlet, "The Perfect Man’s Model."

      Singapore, 1836. Stab sewn 8vo. 60 pp. This pamphlet is a religious tract written by Protestant missionary Karl Gutzlaff, a fascinating character, typical of the sort of opportunist who clustered around the opium business in the old China trade. In the 1830s he traveled as a translator on a British opium trading vessel, known as a “country ship” illegally selling opium for Jardine, Matheson & Co. down the coast of China. Gutzlaff justified his complicity with the pretty rationalization that the journey would be a good opportunity to preach the gospel and distribute Chinese language religious tracts. So, you got opium and Jesus on the same spoon. His moral flaws aside, Gutzlaff was a smart and lucid observer, whose writings offer excellent detail about China and the China Trade in the days leading up to the first Opium War. In his later days he opened a school for Chinese “native missionaries,” several of whom turned out to be opium addicts using their missionary cover and funding for illicit purposes. The fraud exposed, Gutzlaff died a ruined man. Bad karma, I suppose. This tract, written and printed entirely in Chionese as, "The Perfect Man’s Model," was published in Singapore in 1836, is typical of those he distributed on his opium voyage. Color title page lightly chipped, else very good condition in original wrappers.

      [Bookseller: Ten Pound Island Book Co.]
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        A Chippeway Widow

      Thomas L. McKenney & James Hall 1836 - Thomas McKenney and James Hall’s unparalleled documentation of Native American delegates to Washington in the 1820s resulted in an ethnographic collection that gives us a very rare glimpse into the sartorial and cultural practices of native leaders of the day. Paper dimensions: 12” x 16 ½” Framed dimensions: 22 ¼” x 26 ¾” Medium: Hand-colored Lithograph.

      [Bookseller: Arader Galleries San Francisco]
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        Flowers of Loveliness; Twelve Groups of Female Figues, Emblematic of Flowers; Designed by E. T. Parris, Esq.; With Poetical Illustrations, by the Countess of Blesington

      London: Ackermann and Company, 1836. First printing. Hardcover. Very Good. First edition, 1836. Large quarto, leather-backed patterned boards with gilt title and one small floral decoration on the spine, raised bands, all edges gilt, unpaginated, illustrated, Very Good copy, bookplate on the front pastedown, foxing or discoloration to some of the pages, minor cracking at the outer joints, some wear to the edges of the covers, no dust jacket. We have housed the book in mylar. A rare book.

      [Bookseller: Caliban Books ABAA-ILAB]
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        The Birth-Day; a poem, in three parts: to which are added, occasional verses.

      Edinburgh:: William Blackwood and sons; London: Thomas Cadell, 1836.. 12mo. [vi], ii, 288 pp. Original full dark purple blind and gilt-stamped morocco, all edges gilt. Initials of former owner; bookplate of Henry Sutherland. Near fine. WITH A FORE-EDGE PAINTING OF “MARINA OF VELETTA [SIC], MALTA,” [Valletta] attributed to Syd Dearden, ca. 1960s. The artist's known handwriting is evident with the penciled label of the fore-edge titles. See: Weber, Annotated Dictionary of Fore-edge Painting Artists & Binders, pp. 227-8.

      [Bookseller: Jeff Weber Rare Books]
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        LA SUISSE PITTORESQUE, ornée de Vues dessinées spécialement pour cet Ouvrage par W.H. Bartlett, accompagnée d'un Texte par William Beattie. Traduit de L'Anglais par L. de Bauclas.

      London and Paris, George Virtue and Ferrier, 1836.. FIRST FRENCH EDITION 1836, 2 VOLUMES, COMPLETE SET. TEXT IN FRENCH WITH ENGLISH CAPTIONS TO PLATES. 4to, approximately 270 x 205 mm, 10½ x 8¼ inches, 106 full page engraved plates, all with tissue guards, folding map, 2 engraved title pages with vignette, pages: printed title page to both volumes, a few prelim pages, list of plates and chapters etc, 1-192; 1-136, plates bound before text, attractively bound in full green morocco, gilt lettered and decorated spines, gilt decoration to covers, gilt initials to upper covers, all edges gilt. Slight rubbing to bindings, slight shelf wear, 3 plates and 1 engraved title spotted, occasional spotting to images and margins of other plates, ½ inch (1 cm) trimmed from bottom margin of 1 plate not affecting image or text, small repair to blank side of map, tissue guards have pale age-browning and a few have small creases, pastedowns have pale staining, 1 plate in each volume misplaced in the other volume, otherwise a very good attractive set. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        The Most Striking Events of a Twelvemonth's Campaign with Zumalacarregui, in Navarre and the Basque Provinces.

      London: John Murray, 1836. Hardcover. Very good. 2 vols. xvi, 307p; vi, 302p. 20 cm half-leather bindings with red boards. Gilt on spines. Marbled endpapers and page edges. Fading to spines and gilt. Frontispiece portrait of Zumalacarregui and foldout map of the Kingdom of Navarre in vol. 1. Scuffing and wear to boards mostly to hinges, corners, and edges. Published by John Murray, famed publishing house of Lord Byron and Jane Austen. Tomás de Zumalacárregui e Imaz (1788-1835) was a General from the Basque region of modern Spain, but then the Kingdom of Navarre. Henningsen's history recounts the First Carlist War. Henningsen was himself a mercenary solider who served on Zumalacarregui's bodyguard during the Carlist Campaign.

      [Bookseller: Attic Books]
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        Study of English Poetry, or Choice selection of the finest pieces of the poets of GreatBritain, arrenged in chronological order from the 13th century to the present day ; Preceded by a Treatise on English Versification

      Simpkin, Marshall, and Co, London 1836 - Relié. Dos lisse, solide, titre, fleuron, décors et filets dorés. Tranches roses. Plats estampillés, très légèrement frottés. Intérieur très frais malgré quelques rares rousseurs éparses sans conséquence sur la lecture. Bel et bon exemplaire d¿un ouvrage rarissime. [Attributes: Hard Cover]

      [Bookseller: AHA BOOKS]
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