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Displayed below are some selected recent viaLibri matches for books published in 1835


         Veduta di fianco del Panteon

      Roma 1835 - Incisione in rame, mm 615x440, tratta da "Le Antichit? Romane ossia raccolta delle pi? interessanti vedute di Roma antica". Dopo gli studi artistici a Bologna, Luigi Rossini (1790-1857) si trasferisce a Roma dove scopre le incisioni di Giambattista Piranesi. Qui conosce Bartolomeo Pinelli con il quale instaura una fitta collaborazione che terminer? solo con la morte di questi, nel 1835. Grazie a Pinelli, le incisioni di Rossini si popoleranno dei suo celebri personaggi. Oltre che a testimoniare il fermento culturale dell'epoca, l'opera di Rossini mostra monumenti antichi ormai perduti. Buon esemplare ben impresso, margini brevi, soprattutto in alto (solo circa 5 mm oltre alla battuta del rame), alcuni strappetti restaurati nei margini, uno in alto entro la battuta. Copper engraving, mm 615x440 from "Le Antichit? Romane ossia raccolta delle pi? interessanti vedute di Roma antica". Good example, short margins, some restored tears (a short one in the platemark) vedutistica.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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         Autograph Music Quote Signed 1904

      French composer, organist, conductor and pianist (1835-1921), one of the greatest late-romantic composers. Unusually large autograph music quote, signed by him and dated in 1904, in a 3-part folded photo postcard of Buenos Aires, Argentina - a place he visited for the first time ever on concert tour in July 1904, returning later in 1916 for the second and last time. Quote has 10 bars from an unidentified piece, size is 16.5 x 3.4 inches (41.25 x 8.5 cm). Two folds and a small crack not affecting the signature, otherwise in very good condition.

      [Bookseller: Tamino Autographs]
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         [Hunt, Leigh] Captain Sword and Captain Pen. A Poem

      London: Charles Knight, 1835. Dark olive green wavy cloth, spine title in gilt. Half title. Eight superb, illustory woodcuts, illustrating the text, by Thornton Leigh Hunt and engraved by J. Jackson. Yellow endsheets. Scarce. 112pp. Ads at back.

      [Bookseller: Nudelman Rare Books ]
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         Bibliothèque en Miniature

      Paris, chez Marcilly (imp. de Firmin Didot), (v.1835), 6 vol. minuscules (format 69 X 47 mm), d'environ 24pp. avec titre gravé et une gravure h.t. par vol., broché couv. beige imprimée en litho., le tout dans une boite polychrome à encadrement et tr. gaufrées de motifs romantiques en relief, qq. rousseurs sinon bel état. Contient : Berquin Variétés ( 23pp., gravure h. t. Le petit Berger bienfaisant) - Demoustier Mythologie ( 24pp., gravure h. t. Les Graces) - Florian Mélanges ( 24pp., gravure h. t. L'Aveugle et le Paralytique) - La Fontaine Fables ( 20pp., gravure h. t. Le Veillard et ses enfants) - Millevoye ( 24pp., gravure h.t. La chute des feuilles) - Voltaire Poésies ( 24pp., gravure h. t. Le Temple de l'amitié). ¶ Gumuchian 4062 (daté vers 1835) - cat. CCFR 1 seul ex. complet (BNF.)

      [Bookseller: L'intersigne Livres anciens]
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         THE IMPRESSIONS OF THE MIND.; To which are added some remarks on the Church and State Discipline, and the acting Principles of Life

      Toronto: 1835. Willson was expelled by the Quakers for advocating the use of music in worship services. He and a small group moved to Sharon, Ontario, where they organized themselves as the Children of Peace, built a temple and formed the first civil band in Canada. Willson died in 1866 and the group disbanded in 1897, but they started a tradition of music in Sharon which lives on to this day and their Temple still stands as a museum. No publisher, printed by J.H. Lawrence; Original leather covered boards very worn; Leather spine label also worn; Front and rear hinge broken but binding quite solid; Internally very clean, with no foxing or marks though pages slightly warped; Long Errata slip pasted in; 358 pages.

      [Bookseller: By The Way Books]
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         The Universal Cambist and Commercial Instructor Being a General Treaty on Exchange, Including the Monies, Coins, Weights, and Measures, of All Trading Nations and their Colonies … The Second Edition. Corrected from verified Standards by Order and Aid of Government amd the East India Company: and kept correct during subsequent Alterations by a Series of Supplemets, comprising the New Laws for Establishing the Imperial System of Weights and Measures.

      - London, Printed for the Author, 1835. Two volumes in one, 4to. Original publisher's cloth (rarely seen), spine lettered in gilt, ornamented in blind, yellow endpapers; pp. xl, [2, errata], 422; xxiv, 380. [2], [2, author's advertisements], two engraverd maps of India at the end; cloth a little marked, a few pages alittle spotted, otjherwise very clean, fresh, and uncut with wide margins; provenance: contemporary engraved armorial bookplate of Lord Dinorben, Welsh copper mine owner, philanthropist and Whig politician, inside front cover. Actually third edition of an impressive accumulation of economic and trade knowledge for all kinds of business and financial services, with an supplement on the Indian Subcontinent on the final 55 pages of volume two. The title had appeared first in 1811 and was in this edition considerably enlarged and updated. The mathematician and astronomer Patrick Kelly 'was for many years master of the Finsbury Square Academy, London. Nothing is known of his parentage or early life; on 1 August 1789 he married Ann Plomley, who predeceased him. Their son, later the Revd Anthony Plomley Kelly (b. 1797), survived him. The Finsbury Square Academy, a finishing school teaching commercial and mathematical subjects, comprised a boarding-house, schools, and an observatory … At the end of the eighteenth century English merchants lacked any reliable guide to rates of exchange comparable with J. E. Kruse's Allgemeiner und besonders Hamburgischer Contorist (1753) prepared for the Hamburg merchants. The Bank of England in 1796 declined to undertake a similar task, and in 1804 Kelly submitted a prospectus for an expanded and updated version of Kruse's work. The bank then agreed to support Kelly, as did the Board of Trade, East India Company, and leading mercantile houses. His Universal Cambist (1811) dealt with the moneys, coins, weights, and measures "of all trading nations", and surpassed Kruse by including the East and West Indies and America. The Bank of England had assayed the gold and silver content of the coins, but Kelly could not procure foreign standards of weight and measure during the war years, and had perforce to rely on the equivalents provided by merchants. When peace came, the government issued a circular to all British consuls to obtain standards; these were compared at the Royal Mint. The first edition of the Cambist showed up the earlier defective exchange rates, especially in Spanish and French currencies, which had cost England dear, and these new and corrected values were published in the second edition in 1821' (ODNB). [Attributes: First Edition; Hard Cover]

      [Bookseller: Henry Sotheran Ltd]
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         Teilansicht, Domansicht, "Dom zu Antwerpen".

      - Lithographie v. I. Bergmann n. D. Quaglio b. Velten in Karlsruhe, um 1835, 61 x 48,2 (H) Beeindruckende Ansicht.

      [Bookseller: Antiquariat Nikolaus Struck]
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         Werke. Vollständige Ausgabe letzter Hand. Unter des durchlauchtigsten deutschen Bundes schützenden Privilegien.

      Stuttgart u. Tübingen, Cotta, 1828-1835. - 55 Bände und 1 Bd Register von Musculus in 29 Bdn uniform gebunden sowie 1 Bd Supplement:: Goethes Leben. Mit 4 gefalt. Tafeln u. 1 lith. Tafel. Kl.8vo (13,6 x 9 cm). Rotbraune, leicht genarbte HLederbde im Stil d.Z. mit grünem goldgepr. Leder-RSchild und Zierleisten a.d. Rücken, marmor. Deckelbezug mit lederverstärkten Ecken (Buchbinderei Butz, Säckingen). Goed. IV/3 11-13. WG 141. Hagen23.- Sog. Kleinoktavausgabe (wie meist ohne die erst 1842 publizierten 5 Folgebände, aber mit "Musculus"-Registerband !). Bde 41-55 mit Nebentitel: Nachgelassene Werke 1 -15. - Teils stockfl., einige (Titel-)Bll. u. Lagen stärker, wenige Bll. wasserrandig, vereinzelt Blei-Anstr. (Bd 12 Buntstift-Unterstr.). Ein Haupt- u. Nebentitel m. Bibl.-St. (überklebt). Bd 34 doppelt eingebunden. - Ausnehmend dekorative Reihe in überaus stabilen, sehr geschmackvollen Handeinbänden (um 1960) .- Dabei: Heinrich Döring. Goethes Leben.2.ergänzte Auflage (Supplement zu Goethes Leben). X, 1 Bl., 530 S.u. 72 S.Anhang (EA). Mit 1 gefalt.Kupfertafel. Kl.8vo. Marmor. Pappbd d.Z.m. RSch. (Gelenke u.Kapit. etwas beschabt). Weimar, Hoffmann, 1833.- Erste umfassende Biographie Goethes (EA 1828, Hirzel S.157) als "Supplement" zur Ausgabe letzter Hand im gleichen Format. Mit dem Handschr.-Faksimile (Erstdruck!) von Goethes Gedicht "Zum Beginnen, zum Vollenden."(Weimar 1826). Dörings Biographie enthält auch eine 70seitige Goethe-Bibliographie. - (Keine paypal-Zahlung möglich). [Attributes: Hard Cover]

      [Bookseller: Fontane-Antiquariat Dr. H. Scheffers]
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         Der Sächsische Trompeter. 1935 u. 1936 [komplette Jahrgänge] Eine Monatsschrift der neuesten und merkwürdigsten Weltbegenbenheiten. Nebst einem Anhange zur Belehrung und Unterhaltung.

      Verlag von C.E. Klinkicht & Sohn, Meißen 1835 - 8° 192 / 192 Seiten, 23 (von 24) / 23 (von 24) Tafeln m. lithographischen Ansichten; Privateinband: Halbleder; 590g; [Deutsch]; oberes Kapital abgebrochen und eingerissen, Ränder der Deckel stark bereieben, beschabt, Ecken bestoßen / durchgerieben. Besitzeinträge. Papier ergraut, teils gebräunt, stellenweise wasserrandig/-fleckig, stellenweise stockfleckig, ein Blatt etwas angerissen, 2 Tafeln etwas überstehend Die Monatsschrift enthält je Heft einen lyrischen Prolog, Berichte vom Weltgeschehen, 2 Federlithographien und deren Beschreibung, im "Anhang" eine Fortsetzungs- und Kurzerzählungen, Reiseberichte, Anekdoten, Witze, amtliche Mitteilungen (Personaländerungen i Kirchen- und Schulämtern, Unglücks- und Todesfälle, Getreidepreise im Kgr. Sachsen) folgende Lithografien: Malta / Schloß zu Belem / Heilbronn / Das Louvre zu Paris / Dieppe / Der königliche Pallast zu Turin / Lucern [=Luzern] / Die Felsenbrücke in Virginien / Edinburg / Der Staubbach [im Lauterbrunnental] / Lauban / Domo d'Ossola / Oporto / Der Libanon / Mont St. Michel / Olympus / Hurdwar / Das Pilsner Badehaus (Neue Heilquelle bei Pilsen in Böhmen) / St. Albans / Honfleur / Alhambra / [Fehlt: Feierlicher Aufzug bei der Erbhuldigung des Kaisers Ferdinand I ] / Valencia / Die Jungfrau [=Berg i.d. Lepontinischen Alpen] // New-Castle [= Newcastle] / Kaufhaus zu Manchester / Ingolstadt / Der Dom zu Mainz (Mainzer Dom) / Das königliche Schloss zu Amsterdam] / [Fehlt: Die Antonius-Säule auf dem Altmarkt zu Dresden] / Isola Bella und der Lago Maggiore / Kalisch (Kalisz) / Durham / Ruine Godesberg / Der Grosse Canal in Venedig [Canalo granda] / Interlacken [=Interlaken] / Deutsche Buchhandlerbörse in Leipzig / Brügge / Die Seil-Brücke bei Tiri (Terre) im Himalaya-Gebirge / Cahla [=Kahla i. Thür.] / Kriebstein / Die Bank der Ver[einigten] Staaten in Philadelphia / Annaberg [= heute zu Annaberg-Buchholz i. Erzgeb.] / Brücke über den Schuykill [und Faie-Mount-Waterworks] bei Philadelphia / Howard-Castle / Schlettau [bei Annaberg-B.] / Aussicht vom Cingel in Amsterdam / Buchholz [= heute zu Annaberg-Buchholz i. Erzgeb.] _ xMx_ Internat. Shipping (priority = airmail): EU/EC: 10,65 EUR _ all others: 9,30 EUR [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thieme]
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         Virgo Immaculata.

      S.n.t ma Venezia seconda metà XVIII secolo. - Incisione a bulino su rame (cm. 13,7x 9), firmata lungo il margine inferiore: ''Appo Wagner Ven.a C.P.E.S.'' La delicata coloritura coeva è realizzata a mano con lumeggiatura dei dettagli in oro zecchino. Bella e particolare incisione su pergamena con la raffigurazione della Vergine Immacolata circondata da amorini. Wagner merita una particolare attenzione nella storia della calcografia per la ''di lui maniera di combinare l'uso della punta a quello del bulino'', fu maestro di due grandi incisori, quali, Flipart e Bartolozzi. Ferrario, Le classiche stampe, Milano, 1835, p. 371-372. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
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         Zwanzig neu aufgenommene bildliche Darstellungen der vorzüglichsten Gebäude, Strassen und öffentlichen Plätze der Königlichen Bayerischen Haupt- und Residenzstadt München. Mit einem erläuterndem deutschen und französischen Texte von Adolph von Schaden.

      Mchn., Lindauer, 1835. 1. Aufl. 15,5 x 21,5 cm. 24 S. Einleitung. Mit 20 lithographierten Tafeln von Gustav Kraus. HLdr. d. Zt. Lentner 1184 (nennt nur 19 Tafeln); Pressler Nr. 65 - 84. - Reizendes und seltenes Münchner Ansichtenwerk in erster Auflage. Die Ansichten zeigen Marien- (Schrannen-) platz vom Rathaus aus, Frauenkirche, Michaelskirche mit der Neuhauser Straße, Maximiliansplatz, Maxburg, Residenz gegen den Hofgarten, Königsbau der Residenz, das Tal von der Hochbrücke aus, Ludwigskirche, Theatinerkirche, Ludwigsstraße, Odeonsplatz, Isartor, Briennerstraße, Pinakothek, Glyptothek, Allerheiligenkirche, Protestantische Kirche (in der Sonnenstraße), Karolinenplatz und die Auer Kirche. - Einband berieben und bestoßen. Durchgehend, besonderes in den Rändern stockfleckig. Versand D: 6,00 EUR BAYERN, Oberbayern

      [Bookseller: Antiquariat Bierl]
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         The Miscellaneous Poems. In Four Volumes; [Together with] Yarrow Revisited, and Other Poems.

      London: Longman, Hurst, Rees, Orme, and Brown; and Longman, Rees, Orme, Brown, Green, & Longman, and Edward Moxon, 1820 & 1835 - Together, 2 works in 5 volumes, duodecimo (165 x 98 mm). Contemporary green morocco, titles gilt to spines, spines and sides panelled in gilt and blind, board edges and turn-ins gilt-rolled, red coated endpapers, brown silk bookmarkers, gilt edges. Spines evenly tanned, some minor nicks to ends and corners and a few minor marks and scratches but on the whole a beautiful set, internally sound and fresh but for very minor spotting or offsetting from the frontispiece plates, excellent condition. Front blank, rear blank, and errata leaf in vol. I, engraved frontispiece to vols. I–IV (folding in vol. III), half-title to vols. II, III, and V. An extraordinary and rare presentation set of Wordsworth's Miscellaneous Poems (his first collected edition), inscribed by the author in each volume to his friend the poet and literary patron John Kenyon (1784–1856), together with a presentation copy to Kenyon of the later collection Yarrow Revisited bound to match at the time of presentation. All four volumes of the Miscellaneous Poems are inscribed on the title page verso in Wordsworth's hand, "To John Kenyon from his sincere friend William Wordsworth". All five volumes are inscribed by Kenyon, either on the half-title or title page, in the first four volumes "from the author to J. Kenyon", and in the fifth "From the Author. John Kenyon. London. 1835". The first volume of Miscellaneous Poems, and the Yarrow Revisited, are both additionally inscribed "from the author" in a different hand, either that of the publisher or his clerk. The splendid bindings are contemporary and appear (from the very slight cropping of his ownership inscriptions) to have been bound for Kenyon shortly after receipt. John Kenyon was himself a poet, and published three collections, but is best remembered as a patron of poets. He first became acquainted with Wordsworth in 1819. Wordsworth wrote many fulsome and friendly letters to Kenyon, and they hosted one another reciprocally in London and the Lakes. From their letters it appears that Kenyon sent frequent gifts to the Wordsworths, and they, for their part, used their connections to get Kenyon admitted to the Athenaeum Club. Kenyon was also friends with other Romantics such as Coleridge (to whom he provided much financial support), Southey (with whom Kenyon toured France in 1838) and Charles Lamb, as well as later poets such as Walter Savage Landor (who stayed with Kenyon when in England and wrote part of Orestes at Delpho under his roof), and perhaps most notably Robert Browning, who was his lifelong friend and who received the princely sum of £10,000 in Kenyon's will. It was Kenyon who first introduced Browning to Elizabeth Barrett, who was Kenyon's cousin. Kenyon was also responsible for introducing EBB to Wordsworth in 1836, which was the spur of much mutual literary admiration. This set was later in the library of Irish judge and collector William O'Brien (1832-99), which was endowed on his death to the Milltown Park Jesuit Library, Dublin. Each volume bears his post-mortem bookplate and the Milltown Park library ticket to front pastedown, and the library ink stamp to title or half-title page. Wordsworth's Miscellaneous Poems was the first edition to collect his published works (with the exception of the Excursion), drawing from Evening Walk, Descriptive Sketches (1793), Lyrical Ballads (1789 and 1790), Poems, in two Volumes (1807), Additional Pieces, and the White Doe of Rylstone (1815), Thanksgiving Ode (1816), The Tale of Peter Bell, and the Waggoner (1819), and River Duddon (1820). Naturally, the vast majority of Wordsworth's most significant and best loved poems are contained herein. It also entailed the first publication of a number of sonnets. It prints the Preface of 1815 and also reprints at the rear of volume IV the Preface to the Lyrical Ballads of 1800, dubbed the "manifesto" of the Romantic movement, with its famous definition of poetry as "the spontaneous overflow of powerful feelings emotion reco [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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         Wiener Zeitschrift für Kunst, Literatur, Theater und Mode 1835. 1.-4. Quartal in 2 Bänden

      Wien: Johann Schickh - Johann Schhickh's Witwe 1835 - Gedruckt bei Anton Strauß's Witwe, kompletter Jahrgang 1835 der damals 3 x wöchentlich erscheinenden Zeitschrift, insgesamt 157 Nummern (vom 1. Jänner bis 31. Dezember 1835), mit kritischen Beurteilungen der in Wien aufgeführten Theaterstücke, mit Gedichten, biographischen Skizzen, Reiseberichten, Nekrologen, Erzählungen, Fortsetzungsromanen und Novellen, Literaturblättern, Artikeln über bildende Kunst, Modeberichte usw. und mit Kupferstichen, beide Bände sind HPBd. der Zeit mit Rückengoldprägung und farbigen goldgeprägten Rückenschildchen, 1268 Seiten mit 53 kolorierten Modebildern, 10 unkolorierten Tafeln (4 Wagenbilder, 4 Meuble-Formen, 1 Porträt des in diesem Jahr gestorbenen Herausgebers Johann Schickh und 1 ausserordentliche Beilage zur Nr. 155 - Szene aus dem Nibelungenlied), mit 2 gefalteten Notentafeln, 15 x 22,5 cm, Deckel und Rücken abgeschürft, Rücken und Ecken bestoßen, Titelseite zum 3. Quartal vom Einband bis Hälfte gelöst, einige Modetafeln geknickt, einige Seiten und Tafeln und die ganze Nr. 157 gebräunt, altersbedingt stockfleckig, altersgemäß guter Zustand. Book Language/s: de

      [Bookseller: Antikvariat Valentinska]
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         Les Chants du crépuscule.

      Paris, Eugène Renduel, 1835. - In-8. Demi-maroquin rouge à coins, filet doré sur les plats, dos lisse richement orné, tête dorée, couvertures en bon état, dos restauré (Godillot). Edition originale qui forme le tome V des poésies dans l'édition collective de Renduel. Bel exemplaire parfaitement lavé et encollé, complet du feuillet final des Oeuvres de Hugo qui manque souvent, dans une fine reliure dans le goût romantique. [Attributes: First Edition]

      [Bookseller: Librairie BERTRAN]
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         Deutschlands Flora. Nach natürlichen Familien beschrieben und durch Abbildungen erläutert.

      Jena. August Schmid, ff. 1835. - 8 in 6, mit 891 farbig kolorierten Kupertafeln, jeder Text-Band mit Register, 8°. 20,6 x 13,5 cm. 346/302/242/86 Seiten, In gutem Zustand. Bände etwas berieben, Buchblöcke sauber, bis auf eine Ziffer und handschtiftlichem Bibliothekseintrag auf dem Titel kaum Benutzungsspuren, die Tafeln in der Mehrzahl sauber und frisch, ganz wenige leicht braunfleckig, die Kupfer in beeindruckender Altkolorierung. Ehemaliges Bibliotheksexemplar eines Gymnasiums, jedoch in gutem Zustand. Weiter im Untertitel: "Ein Handbuch für Botaniker überhaupt, so wie für Aerzte, Apotheker, Forstmänner, Oekonomen und Gärtner insbesondere". 4 Textbände in 2 Bücher - Buch 1: 1+2. Textband (1839, 346 S./1835, 302 S.) / 3+4. Textband (1844, 242 S./1850 86 S.); dazu 4 Bände mit Tafelabbildungen (kororierten Kupfertafeln), Band I: 228, Band II: 243, Band III: 240, Band IV: 180 farbig kolorierte Kupfertafeln. Teilweise in gebrochener Schrift. Zeitgenössische Pappbände, jeweils mit Lederrückenschild und kleinem Bibliotheksschildchen. Pergamentstoßecken und Pergamentkanten an den Rückenkapitalen, Hardcover in Pappband, [Attributes: Hard Cover]

      [Bookseller: Leipziger Antiquariat e.K.]
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         Figures du Paysagiste.

      Paris, chez Ed. Guérin et Cie du Dragon, (1835).. 20 Planches (19x22cm). Percaline de l'éditeur. Dos passé. Petits défauts aux plats. la reliure se déboîte en partie. Des rousseurs. Quelques petites mouillures claires. Recueil de Lithographies. Ce sont les 5 premières livraisons (sur un total de 10) . INTROUVABLE. Beaucoup d'entre-elles représentent des Chevaux, "chien courants", "Berger italien avec son chien, marin des côtes de la Normandie", "Chariot de la Normandie", "Chevaux de Poste", "L'Halali du Daim". Animaux. Très Rare. Belles Lithographies de Victor Adam.

      [Bookseller: ULTIMO CAPITULO]
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         Autograph Music Quote Signed with Photo

      Russian composer and music critic (1835-1918), member of the group of 5 nationalistic Russian composers (lead by Balakirev) that was famous in their time. Autograph music quote signed by him, from a piece called Letter of Love, containing 7 bars of music. Large size 12.75 x 7 inches, dated by him in 1913, in excellent condition - rare!. See scan and enlargement of the area with the music quote.

      [Bookseller: Tamino Autographs]
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         Malerische Reise in Brasilien.

      Paris und Mühlhausen Engelmann 1835 - Reprint: Stuttgart, Daco-Verlag Günter Bläse 1986. Mit 100 farbigen Tafeln. 2 nn. Bl., 50, 38, 56, 32 S., 8 nn. Bl. 51 x 35 cm. Handgebundener Original-Halblederband auf fünf Bünden mit goldgeprägtem Rückentitel und Rückenfileten sowie Kopfgoldschnitt und Deckelbezügen in handbemalter Gouachetechnik mit Blattgold-Collage. In Original-Leinenkassette. Eins von 97 römisch nummerierten Exemplaren der Vorzugsausgabe im handgebundenen Halbfranzband. Im Impressum von Verleger, Drucker und Einbandgestalter signiert. (121). Vgl. ADB XXIX, 601 ff. - Der Maler und Forschungsreisende Moritz Rugendas (1802-1858) bereiste ab 1821 Brasilien. "1825 kehrte er mit vollen Mappen nach Europa zurück, um zu Paris die Publication seiner Zeichnungen vorzubereiten. Sie erschienen, von den besten Künstlern lithographirt, als 'Voyage pittoresque' oder 'Malerische Reise in Brasilien von Moriz Rugendas' in 20 Lieferungen (zu je fünf Blättern mit deutschem und französischem Texte von V. A. Huber (Paris 1827-35 Fol. bei Engelmann). Rugendas führte damit die Landschaftsmalerei in das Gebiet der Ethnographie; Humboldt gedachte darob in seiner 'Pflanzengeographie' des Malers in anerkennendster Weise" (ADB). - Tadellos schönes Exemplar der aufwendigen Faksimileausgabe im Prachteinband der Vorzugsausgabe. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Sächsisches Auktionshaus & Antiquariat]
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         A SYSTEM OF ANATOMICAL PLATES OF THE HUMAN BODY,

      W. Lizars & W. Curry, Jun., Edinburgh 1835 - Accompanied with Descriptions and Physiological, Pathological, and Surgical Observations. Dedicated by Permission to The King. Edinburgh: W. Lizars & W. Curry, Jun. & Co., c. 1835. Folio. 4 + 101pp with plate 1-54; plate 1-15 (hand-coloured); plate 1-19; plate 1-13. Total 102 fine engraved anatomical plates (including the title-page). An early issue of Lizars' fine anatomical atlas. Half calf. New period-style spine, preserving original boards. John Lizars (1787-1869) was a Scottish surgeon, professor of surgery and anatomy at the Royal College of Surgeons at Edinburgh, where the first ovariatory in Britain was performed in 1825. One of his pupils was Charles Darwin. He is mostly known for his important and beautifully illustrated works. The plates for the work were engraved by his brother, William Home Lizars, after John's own dissections. W. H. Lizars (1788-1859), the son of a well-known copperplate engraver and printer, was a very successful painter, who ended up continuing his father's engraving and printing business after his death. He quickly became known as a highly skilled engraver and printer. Some of his great achievements are the plates for Audubon's Birds of America and the plates for his brother's great anatomical atlas. [Attributes: Hard Cover]

      [Bookseller: Bjarne Tokerud Bookseller ABAC & PBFA]
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         Autograph letter signed ("de Balzac").

      No place, [February 1835]. - 8vo. 2 pp. on bifolium. Letter of recommendation to Baron Gérard for the Swiss painter Louis-Aimé Grosclaude: "J'ai vu hier un artiste dont le nom n'est pas encore célèbre en France quoiqu' il ait beaucoup de talent, c'est M. Gros-Claude de Genève. Il désire, avec cette ferveur qu' inspire votre talent, vous faire voir ses tableaux qu' il expose au musée. J'ai osé faire les honneurs de votre bienveillance, et il doit venir vous les apporter entre midi et une heure aujourd' hui, car le terme de rigueur expire demain pour l'admission; il n'a rien autre chose à vous demander que votre avis, et celui de mademoiselle Godefroid. Il est grand ami de Schnetz et professe pour vous cette admiration que nous avons tous [.]" ("Yesterday I saw an artist whose name is not famous in France yet, although he has great talent, it is M. Gros-Claude of Geneva. He desires [.] to show you his paintings, which he exhibits at the museum [.] he has nothing else to ask of you but your opinion, and that of Mademoiselle Godefroid. He is a great friend of Schnetz [.]"). - Louis-Aimé Grosclaude (1784-1882) was a student of Jean-Baptiste Regnault, and exhibited at the Salon de Paris since 1833. Balzac had made his acquaintance in Geneva the previous year. Gerard was to write to Balzac that Grosclaude was "quite simply a man of talent". - Contemporary numbering in upper left corner. In excellent condition. Published in: Balzac, Correspondance I, Bibliothèque de la Pléiade, no. 35-21.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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         Texas

      November 24, 1835. Important Autograph Letter Signed “Manuel Rosas,” 2.5 pages, 6” x 8”, front and verso, two conjoined leaves. To Jesus de la Garza. Guerro, November 24, 1835. Light dampstaining at lower portion do not affect legibility. On watermarked paper. Not fully translated. Fine condition.

Rosas talks about his assignment, in part, “providing for the 100 men that Col. Ugartechea brought with the object of their joining the troops that the celebrated Jose Juan Sanchez is bringing ... if in some way I do not find a man to help me ... I believe I’ll do crazy ... My spirit is dampened. My will, never...”

From “The Handbook of Texas Online,” in part, “In 1835 Ugartechea was military commandant of Coahuila and Texas in command of the forces at San Antonio de Béxar Presidio, struggling with deficiencies in funding, supplies, and manpower. Although 200 men appeared on his rolls, only half that number were in active service ... Colonel Ugartechea commanded a unit of cavalry that slipped through the siege forces on November 12 [1835] and made its way in about ten days to the Rio Grande to seek reinforcements. On November 26 he guided a force of 454 conscripts and 173 veteran troops from Laredo to relieve the centralist army under Cos at Béxar. Their arrival on December 8 actually increased the burden of supply on the centralist army and helped to precipitate its surrender on December 9 ... Ugartechea returned to Laredo with Cos’s forces. He came back to Texas with the Mexican army in 1836.”

When Colonel Ugartechea passed through Laredo en route to San Antonio de Béxar, he gathered up all the good horses, leaving his poor ones with the commandant of the troops at Laredo. The citizens being, without horses, called on the commandant to deliver them the poor horses, as being the best bargain they could make. The commandant of Laredo, the “celebrated Juan Jose Sanchez,” replied that he could not do this without orders from the colonel or from the commander in chief. He was later promoted to the rank of lieutenant colonel, and was the first of the Mexican commissioners to sign the articles of capitulation entered into by General Martín Perfecto de Cos and General Edward Burleson after the storming and capture of San Antonio de Béxar by the Texans in December, 1835.


      [Bookseller: University Archives]
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         Manuscript letter to son seeking his help with "French land Claim"

      Hudson NY, 1835. Very good condition. Manuscript letter from a member of an old Hudson NY family member William Ashley, to his son, Col. Chester Ashley (then living in Arkansas Territory), asking for help with family land which Ashley senior refers to as the "French Claim prior to 1800". William appeals to his son Chester who had settled in Little Rock in 1820, a powerful lawyer and political operator, one of the founders of the Rose Law Firm. William Ashley specifically asks Chester to intercede with "Col. Sevier" who was a political ally of Chester's and serving at the time as an elected territorial delegate to Congress: "I calculate that Col. Sevier will be starting for Washington about the time you will review this letter; wish you to get him [engaged] in supporting The French Claim prior to 1800, as you know I have a deep interest at Stake, and I am inford (sic) by Some of our members of Congress that Col. Sevier has as much influence amongst the Members as any other man..." Ambrose Hundley Sevier (1801 - 1848) was a political ally of Chester Ashley in Arkansas Territory. Sevier too had settled in Little Rock in 1820, where he began a long political career. By 1827, he was elected territorial delegate, taking his seat in Congress in 1828. He quickly aligned himself with President Andrew Jackson, and secured Arkansas's bid for statehood, which was approved in 1836. Directly following statehood Sevier was elected one of the state's first US senators; he was reelected in 1837 and 1843. The reference by William Ashley to the French claim likely concerns land in the strategic corridor running from New York City to Montreal via Lake Champlain and along the Hudson River, which the French wanted to control as early as the 1690s. By 1753 Great Britain controlled the 13 colonies and as far west as the Appalachians, but everything to the north and west was New France. Borders were continually in dispute, and the Ashley land that William Ashley refers to had no doubt been claimed by the French. William Ashley also describes to his son the rapid rate of change in Hudson NY: land speculation; the laying out of a new railroad from Stockbridge to Hudson; the building of a new Court House and Jail; and a debt owed to pay the executors of the Elisha Williams estate.In reference to his debts, Ashley refers to a possible panic in the markets: "I fear it will be as bad as the panick (sic) was before; which ruined thousands who were men of property but could not command the money to save their credit...". The panic he refers to was the worldwide panic of 1825 which has been called the first modern financial crisis; the one he predicts is the panic of 1837, a financial crisis in the US that touched off a major recession that lasted until the mid-1840s. Chester Ashley, William's son (1791 - 1848) played an important part in the early history of Arkansas. Born in Hudson, he settled in Little Rock in 1820, and partnered with the future Territorial Governor Robert Crittenden to form a law firm which became the Rose Law Firm, the oldest west of the Mississippi. Ashley became wealthy through real estate speculation, investing in what is now downtown Little Rock. He was a powerful political figure, and served as a director of the government-chartered Arkansas State Bank. He was elected US senator in 1844 and served until his death in 1848. The letter is addressed to Col. Chester Ashley, Little Rock, Arkansas Territory, U. S. There is a circular Hudson NY cancel, with the 25 cent postage in mss. 16 x 12 3/4", folds to 8 x 12 3/3", written on 3 sides.

      [Bookseller: Antipodean Books, Maps & Prints ]
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         De las Artes Mecanicas, su utilidad, lo que han sido en España é importancia de fomentarlas. Memoria leida a la Real Academia de Ciencias Naturales y Artes de Barcelona en la sesión del día 22 de abril de 1835.

      Barcelona, Imprenta de Joaquin Verdaguer, 1835. - Petit in-4. 25pp. 1f. (1f.blanc). + 1f. manuscrit et 59ff. de dessins à la mine de plomb. Plein veau moucheté, dos lisse orné, dentelle dorée et ornement à froid encadrant les plats (reliure de l'époque, coins et coiffes un peu élimés). Edition Originale de ce discours prononcé devant l'Académie Royale des Sciences Naturelles et des Arts de Barcelone, et imprimé à ses frais. Après avoir souligné l'importance des arts et métiers pour la prospérité des nations, prenant pour modèle les grandes civilisations antiques et l'Angleterre contemporaine, l'auteur dresse un tableau enthousiaste des aptitudes de l'Espagne pour développer son industrie, particulièrement en Catalogne. Salavdor París y Pi était tapissier de son état. Il tenait son office de son père et la suite de son discours contient l'exposé de son projet pour développer l'industrie de la tapisserie en Catalogne, dans le but de concurrencer les tapisseries fabriquées à l'étranger. Précieux exemplaire offert par l'auteur à l'Académie. Il est truffé d'une lettre autographe de dédicace, et de 59 dessins de tapisseries à la mine de plomb. Bel exemplaire de cet ouvrage très rare, absent des collections espagnoles recensées au CCPB et dont nous n'avons pu localiser qu'une poignée d'exemplaires conservés à travers le monde. Manque au CCPB (Catálogo Colectivo del Patrimonio Bibliográfico). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librería Comellas]
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         Küferbuch für H. Silbersdorff. Deutsche Handschrift auf Papier. Österreich (Tirol), dat. (18)35. Quer. 8º (ca. 11 x 18 cm). 132 Bll. (davon ca. 35 weiße). Mit 32 Konstruktionszeichnungen. Leicht läd. Hldr. d. Zt.

      - Das Büchlein enthält insgesamt drei Teile, wohl alle etwa zur gleichen Zeit von dem Küferlehrling H. Silbersdorff angelegt. Auf das "Küferbuch" (37 Blätter) folgt ein Abschnitt mit Rezepten zur Herstellung von Wein- und Likör (16 Blätter), und im hinteren Teil sind Verse und Prosatexte eingetragen (43 Blätter); eingestreut finden sich einzelne andere Rezepturen. Die Überschriften sind in Antiquakursive, die Texte in sauberer Kurrentschrift geschrieben und gelegentlich mit kleinen Zierleisten versehen.- Auf der Titelseite mit der Überschrift "Küferbuch" ist unter der stolz mit Federschwüngen umkreisten Signatur "H. Silbersdorff" das Datum "Mai (18)35" vermerkt, wohl der Beginn der Lehrzeit. In 27 sorgfältigen, jeweils mit kurzen Texten erläuterten Zeichnungen wird die Konstruktion von Fässern erklärt, vom einfachen runden Faß bis hin zu einem Faß "nach Art einer Sanduhr". Dazwischen stehen insgesamt sechs kleine Rezepturen, etwa "Kupferstiche zu machen", ein "Hausmittel gegen den Geschwulls" oder eine "Salbe für den Kretz".- Der zweite Teil mit dem ebenfalls von H. Silbersdorff signierten Titel "Vom Wein und Liqueurs; überhaupt was die Kellerey anbelangt" ist in drei Teile gegliedert. Der erste Abschnitt (neun Blätter) unter der Überschrift "Von der Behandlung des Weins im Keller" enthält 34 Rezepte und Ratschläge, etwa für die Herstellung von Kräuterwein, Muskatellerwein und Alantwein oder die Bereitung der "allgemein bekannten Weinschöne". Es folgen vier Rezepte "Vom Wein- & Bier-Essig" und 16 Rezepte "Vom Brandwein-brennen, hauptsächlich aber Liqueure oder abgezogene Sorten davon zu machen".- Wendet man das Büchlein auf den Kopf und schlägt es von hinten auf, finden sich unter der Überschrift "Gedanken" insgesamt 40 ernste und humorvolle Verse und Prosatexte, meist wohl aus Almanachen oder Zeitschriften abgeschrieben, darunter Texte aus der Oper der "Freischütz" von Carl Maria von Weber. Auch eigenständige Gedichte könnten darunter sein, so ist eine Liebeserklärung in 32 Strophen mit der Unterschrift "Max Volkert im Februar 1835" versehen. Ein vierstrophiges Gedicht über den "Abschied der Maria Luise Kaiserin von Frankreich" oder ein "Tirolerlied" mit dem Beginn "Morgens wenn die Sonne lacht / Und sich alles lusti macht" und andere mundartliche Texte wie die Ansprache "Der Bauern-Bub" weisen auf die Entstehung in Österreich, wohl Tirol.- Ungewöhnlicher Einblick in ein Handwerkerleben der Biedermeierzeit.

      [Bookseller: Antiquariat Johannes Müller]
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         David Spareth Saul at Hachilah

      London. Published May 1st 1835 by John Martin, 30 Allsop Terrace, New Road: Messrs Ackermann & Co. A. Paris, chez M. Victor Morlot, Passage Vivienne, no. 26. Part VIII. - Mezzotint with etching Image 188 x 284 mm, Plate 264 x 354 mm, Sheet 295 x 434 mm. From part VIII of Illustrations of the Bible. 1 Samuel, Chap. 26, Verses 7, 9, 11, 12. Martin illustrates the struggle between King Saul and his son-in-law David. After pursuing David, King Saul and his army set up camp on the hill of Hachilah. The illustration shows the moment in which David and Abishai crept into the camp, hovering over the sleeping figure of King Saul. Abishai can be seen to be pulling the King's spear from the ground next to his pillow. Whilst at a first glance, the image may appear to foreshadow danger to the King, the tale later goes on to see King Saul stating that he will never again make an attempt on David's life. John Martin (1789-1854) was an English painter, illustrator and mezzotint engraver. He achieved huge popular acclaim with his historical landscape paintings which featured melodramatic scenes of apocalyptic events taken from the Bible and other mythological sources. Influenced by the work of J.M.W. Turner (1775-1851) as well as Theodore Gericault (1791â€"1824), Eugene Delacroix (1798â€"1863) and Paul Delaroche (1797â€"1856), his paintings are characterised by dramatic lighting and vast architectural settings. Most of his pictures were reproduced in the form of engravings, and book engravings, from which he derived his fortune. Despite his popularity, Martin's work was spurned by the critics, notably John Ruskin, and he was not elected to the Royal Academy. His fame declined rapidly after his death, although three of his best known works of religious art toured Britain and America in the 1870s: The Great Day of his Wrath (1853, Tate, London), The Last Judgment (1853, Tate) and The Plains of Heaven (1851-3, Tate). A great contributor to English landscape painting, Martin was a key influence on Thomas Cole (1801-48), one of the founding members of the Hudson River School. Campbell 107 ii/ii Condition: Light scratch to surface left hand side of image, staining from previous mount outside plate mark.

      [Bookseller: Sanders of Oxford ltd]
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         The Magazine Of Natural History And Journal Of Zoology, Botany, Mineralogy, Geology And Meteorology, Vol. Viii. 1835 [Including Early Discussion Of Natural Selection, By Edward Blyth]

      Longman, Rees, Orme, Brown, Green, And Longmans, London 1835 - Viii, 688 Pp. Full Year With "Corrections" On Last Page. Recent Full Green Cloth, Red Morocco Spine Label, Retaining Original Preliminary And Final Blanks. Articles By Edward Blyth At Pp 40 "An Attempt To Classify The 'Varities' Of Animals.", P. 198 "A Few Remarks On Hybrids.", P. 325 "Observations On The Cuckoo", P. 364 " A Notice Of A Very Remarkable Individual Of The Common Shrike."; Charles Waterton P. 166, 251, 322, 361, 453, 451, 663; W. J. Clarke P. 1 "On Certain Meteoric Phenomena"; Etc. The Blyth Article Is The First Extended Discussion Of The Basic Principles Of Natural Selection; Darwin Read Blyth's Work Carefully, And Was A Friend Of Blyth; Loren Eiseley's "Darwin And The Mysterious Mr. X" Is An Account Of Their Relationship, With Some Errors But Generally Correct. Binding As New; Preliminary And Final Blanks With Browning And Light Chipping At Corners; Contents Fine, Clean, Square, Unworn. No Names Or Marks. [Attributes: First Edition; Hard Cover]

      [Bookseller: Arroyo Seco Books, Pasadena, Member IOBA]
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         Wanderings and Adventures in the interior of Southern Africa

      First edition. 2 vols. Large folding map, engraved title pages & 12 other plates. 8vo. Original ribbed cloth, spines lettered in gilt, slightly worn, spine of vol I frayed, library stamp to front free endpapers with some spotting. xii, 330; v, 358pp. London, Longman & Co.,

      [Bookseller: Maggs Bros. Ltd.]
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         Voyage of the United States Frigate Potomac, under the Command of Commodore John Downes, during the Circumnavigation of the Globe, in the years 1831, 1832, 1833, and 1834.

      Harper and Brothers, New York 1835 - x, [i-xi], 12-560, 30 pages, with folding frontispiece, 8 plates 4 of which are folding, and one large map. professional repair to spine and to closed tear on frontispiece; 2 inch closed split along fold of one plate. Foxing throughout. Binding is sound. Size: 8vo. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Odd Book (ABAC, ILAB)]
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         Chatterton. Drame [ Edition originale ]

      Deuxième édition, 1 vol. in-8 reliure de l'époque demi-basane marron, dos à faux nerfs orné, Hippolyte Souverain, Paris, 1835, faux-titre, frontispice, titre, 229 pp. et 1 f. n. ch. Bel exemplaire de l'édition originale, en belle reliure d'époque. Comme le précise Vicaire, "Il y a des exemplaires, sous la même date de 1935, mais dont la couverture et le titre portent : Deuxième édition. Ce sont, en réalité, des exemplaires de la 1ère édition, même frontispice, mais avec un titre nouveau". Edition originale de l'un des ouvrages les plus essentiels du romantisme. Vicaire, VII, 1061 ; Escoffier, 1118 Français

      [Bookseller: Librairie Du Cardinal]
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         Tilt's Handbooks for Children

      Charles Tilt, London [circa 1835] - 3 x 2 1/2 inches, publisher's blind-and gold-stamped tan, brown, green or blue cloth, all edges gilt, all volumes rebacked in appropriate colors of cloth, 8 volumes (complete), each volume has 192 pages including 48 woodcut plates. Housed in publisher's leather-covered wooden case stamped with the words "My Own Library; about a third of the leather including that with "My Own" flaked off, case is entirely present but the top and back have become disconnected from the bottom and sides. Bondy pages 66-7. Spielmann 359 ("British Birds" only). The titles are as follows: W. May, "The Little Book of British Birds" (Welsh 4889); "London Sights for Little Folks" (Welsh 4699); May, "The Little Book of British Quadrupeds" (Welsh 4890); C. Williams, "The Zoological Gardens, Regent's Park" (Welsh 7173) [and] "The Surrey Zoological Gardens" (Welsh 7172); Isabella Child, "The Little Picture Testament" (Welsh 944) [and] "The Little Picture Bible" (not in Welsh); and "Country Walks for Little Folks" (Welsh 2053). All volumes have gift inscriptions dated June, 1840 on the front pastedowns. From the collection of Doris Varner Welsh. edition. . [Attributes: Hard Cover]

      [Bookseller: Dawson's Book Shop, ABAA, ILAB]
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         Sämmtliche Schriften. Reprint der Ausgabe Stuttgart 1835-1838.

      676, 494, 580, 756, 440, 671, 596, 532, 880, 488, 463, 448, 444, 888 S 8. Hochwertig gebundene Ausgabe. Neuwertig. 3487068109 --- Bei Neukunden sowie Lieferungen außerhalb Deutschlands behalten wir uns vor, gegen Vorauskasse zu liefern. ---

      [Bookseller: Antiquariat Ballon + Wurm]
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         Der Todtentanz - Ein Gedicht.

      VIII, 200 Seiten mit 48 Kupfern in treuen Contouren nach dem Original des Hans Holbein und dem Bildniss desselben, gestochen von dem Königl.Sächs.kupferstich-Gallerie-Inspector Frenzel in Dresden, 8, PPbd.d.Z. Einband etwas berieben und bestossen, Bibl.Kennzeichnung am Titel und Bibl.Zettel am Einband, leicht fleckig, ansonst guter und sauberer Zustand. --------------------------------- mit handschriftlicher Widmung und Signatur von Bechstein am Vorsatz ----------------- " Zur freundlichen Erinnerung an freundlichen Stunden, vom Verfaßer. Paris, 10.April 1835, Ludwig Bechstein" - Bechsteins grosses Totentanzgedicht wird hier würdig illustriert durch Frenzels Kupferstiche, die Holbeins Totentanz zum Vorbild haben. Joh. Gottl. Abraham Frenzel (geb. 1782 zu Dresden) bildete sich unter Darnstädt zum Kupferstecher aus, und schon mit 20 Jahren erwarb er sich grossen Ruhm durch seine Landschaftsbilder. [ ] Die Totentanz-Folge ist eines seiner besten Werke und zeigt deutlich seine höchst sorgfältige Nadelbehandlung und die wunderbare Feinheit der Zeichnung. Ludwig Bechstein selber war einer der grössten deutschen Privatsammler des 19. Jahrhunderts auf dem Totentanz-Gebiet und hat auch einige Werke darüber verfasst" (Oppermann 1161). - Goed. XIII, 165, 9 Linschmann 113 Massmann 56, K. 1. - First edition of this charming work, illustrated with altogether 49 plates of death dance scenes. A very rare work, a poem by one of the most important 19th century German collectors of death dances, well illustrated by Frenzel's cooper engravings after Holbein

      [Bookseller: Antiquariat-Deinbacher]
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         The French Cook, A System of Fashionable and Economical Cookery, Adapted to the use of English Families. Thirteenth edition, Corrected and Enlarged, With an Appendix of Observations On the meals of the day, - New method of giving fashionable Suppers at Routs and Soirees, as practised by the Author when with Lord Sefton – History of Cookery – Rules for Carving – On the Choice of Meat, &c.

      London: Ebers and Co 1835 - Ebers & Co., London, 1835. Formal French cuisine laid out for an English audience by the celebrated Monsieur Ude, who cooked for Louis XVI, the Earl of Sefton, and the Duke of York. This classic cookbook, ground breaking in its day, was first published in 1813 and is here in its thirteenth edition, with a frontispiece portrait of the author engraved by A. Deane after a Maclise drawing, and nine pages depicting bills of fare as they should be arranged at table. The work is peppered liberally with French terms (for which a vocabulary is provided) and with elaborate techniques that seem likely to have been in use in the most elegant kitchens (but not necessarily beyond the reach of less elite aspirants); Byron swiped the names of many of Ude's dishes for use in canto 15, stanzas 62 - 74 of "Don Juan," and indeed two of Ude's suggested course progressions for stanza 63 (see p. 426). 12mo (19.5 cm, 7.7"). Frontispiece, xlviii, 453 pp. Half leather, effectively disbound with spine leather coming away and rear board detached. Frontispiece browned; pages otherwise only very faintly age-toned, with scattered light spotting. Internally solid, generally clean, and attractive copy. Effectively disbound externally. Scarce.   Condition Report Externally See above and photos Internally See above and photos Publisher: see above. Publication Date: 1835 Binding:  Half Leather Edition: Thirteenth Edition [Attributes: Hard Cover]

      [Bookseller: Louis88Books]
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         ALS.

      N. p. o. d. [between 1828 and 1835]. - Small 8vo. 2 pp. on double leaf. To the composer Joseph Dessauer (1789-1876). - With traces of seal.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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         Puebla sagrada y profana, informe dado por su muy ilustre ayuntamiento en el ano 1746

      Impreso en la Casa del Ciudadano Jose Maria Campos, calle de la Carniceria numero 18, Puebla 1835 - RARA PRIMERA EDICION, EN UNA ESTUPENDA E INUSUAL ENCUADERNACION POBLANA ORIGINAL. Puebla sagrada y profana es un informe presentado ante el Ayuntamiento de esta ciudad mexicana en 1746, a cargo de Fray Juan Villa Sánchez. En dicho informe se hacen multitud de observaciones sobre la fundación de la ciudad, sus progresos, la agricultura, el comercio y todo tipo de cosas referentes a la localidad azteca. Incluye también notas de Francisco Javier de la Peña, vecino de la misma Puebla. Seguramente este ejemplar fue encuadernado para ser obsequiado a alguna autoridad del Gobierno, ya que no es habitual encontrar este tipo de libros historicos acerca de Mexico encuadernados en forma tan exuberante. Puebla history, commerce, agriculture - Puebla imprint - FINE Puebla binding, richly decorated. 4to; fine full contemporary Mexican morocco, richly gilt decorated in both covers. RARE FIRST EDITION, IN A SUPERB AND UNUSUAL ORIGINAL BINDING FROM PUEBLA. Puebla sagrada y profana is a report presented to the city council of Puebla (Mexico) in 1746, by Father Juan Villa Sánchez. The report contains numerous observations regarding the foundation of the city, its progress, agriculture, commerce and all manner of items relating to the land of the Aztecs. Also included are notes and commentary by Francisco Javier de la Peña, an inhabitant of Puebla. This copy was most likely bound as a gift to a government authority since it is unusual to find this kind of historical chronicle with such exuberant binding. # WorldCat: most library holdings are from the 1967 reprint. vols. volumen(es)/volume(s) S.P. páginas [Attributes: Hard Cover]

      [Bookseller: Libreria de Antano (ILAB & ABA Members)]
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         Grotta di Pozzuoli

      - Anonimo. Grotta di Pozzuoli. 1835 ca. Cm.15x27. Veduta originale a la gouache.

      [Bookseller: CASELLA STUDIO BIBLIOGRAFICO ALAI-ILAB]
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         GROTTA DI POZZUOLI.

      1835. Cm.15x27. Veduta originale a la gouache.

      [Bookseller: Studio Bibliografico Casella]
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         System der analytischen Geometrie auf neue Betrachtungsweisen gegründet, und insbesondere eine ausführliche Theorie der Curven dritter Ordnung enthaltend.

      Berlin, Duncker und Humblot, 1835. - 4to (ca. 27x22,5 cm), neuerer Halbleinenband mit goldgeprägtem Rückentitel, XVI, 292 Seiten, 1 Blatt, mit 6 gefalteten Kupfertafel. Poggendorf II, 475. Erste Ausgabe. Julius Plücker (1801-1868) lehrte u. a. in Berlin, Halle und Bonn. "Plücker gave constructions for the cubics thus determined. A real affine classification based upon these constructions leads to 219 different types" (DSB 11,44). Vorsätze erneuert, durchgehend etwas braunfleckig, die ersten Seiten mit schwachem Wasserrand, sonst gut erhaltenes Exemplar. [Attributes: First Edition]

      [Bookseller: Antiquariat Thomas Mertens]
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         The Grim King of Terrors; or, A solemn dialogue between death and the lady.

      J. Catnach, 2 & 3 Monmouth Court. [c.1835] Folio broadside, large woodcut illustration beneath title & four columns of verse, text beneath image in four columns, separated by repeated woodcut designs; old creases, a few small internal tears within image, some marginal tearing, one affecting the 'o' in 'Terrors' but without loss. 50 x 38cm.No copies located. P.A.H. Brown locates Catnach at 3 Monmouth Court until 1838. An illustrated 19th century broadside of a well known ballad of the 1680s, Death and the Lady. The woodcut illustration, 18 x 32cm, is of death, resplendently skeletal, wearing a skirt, cloak & crown. He is poised to throw a spear which is aimed at a well dressed lady who sits with her family and pets around her in a grand living room. 'DEATH. Fair Lady, lay your costly robes aside, No longer may you glory in your pride, Take leave of all your carnal vain delight, I'm come to summons you away this night ...'

      [Bookseller: Jarndyce Rare Books]
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         Narrative of a Second Voyage in Search of a North-West Passage, and of a Residence in the Artic Regions during the years 1829, 1830, 1831, 1832, 1833.

      1835 1835 - Including the Reports of Commander, now Captain James Clark Ross and the Discovery of the Northern Magnetic Pole. + Appendix to the Narrative. In all 2 vols. London: Webster 1835. With 6 engraved maps, one of which is folded and handcoloured, 21 coloured lithographs and 23 engraved plates. Small 4to. [6] + XXXIIII + 740; XII + 120 + CXLIV + CII + [8] + [2] pp. Spines restored and hinges weak, otherwise nice copy with wide margin and chiseled edges bound in contemporary full leather with coloured labels and richly gilt on spines, boards and edges. * First edition. The unfortunate expedition, John Ross and his nephew James Clark Ross, was trapped in the ice of Boothia Peninsula for a year. In Septemper 1830 the ice began to melt, and they again were under sail. They advanced for three miles, the weather worsened, and they were stuck for another winter. A year later the same thing happened. Eventually they were forced to abandon the one remaining ship and set off through a narrow channel of water in search of rescue by artic whalers; amazingly enough they were not only picked up but by the 'Isabella' of Hull, once commanded by John Ross. In spite of the appalling difficulties of the trip, Captain Ross and his nephew made detailed and important studies of the Eskimo tribes of the region, their dress and identify the North Magnetic Pole. The illustrations by the author give a life-like picture of the Eskimos, sitting comfortably with the officers in the ships library, or standing on the ice holding their catch. The natural history supplement is also very important. Lande 1436. Staton & Tremaine 1808. Sabin 73381 + 73384. Abbey 636. Nuuk 290. [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
 40.   Check availability:     ZVAB     Link/Print  


         The Life of Samuel Johnson, L.L. D., Including a Journal of His Tour to the Hebrides, Vols. I - X complete

      John Murray, London, England 1835 - ".to Which are Added, Anecdotes by Hawkins, Piozzi, Murphy, Tyers, Reynolds, Steevens, &c. and Notes by various Hands." Complete in ten volumes, 1835. Printed by A. Spottiswoode, London. Later half-leather bindings, by Root & Son, (binder's stamp to front free-endpapers), in claret polished calf, with crisp blind-stamped rules to the boards and with crisp gilt-stamped design to the hubbed spines, each spine with two green morocco labels with crisp gilt-stamped lettering. Handsome marbled paper hardboards. Generally unbumped spine heads and tails. Fairly sharp corners with a touch of rubbing. Almost no observable scuffing to the boards or leather and on the whole very clean and presentable bindings. Hinges strong. Text blocks firmly bound in. 6.5 x 4.25 inches. T.E.G. With handsome marbled paper pastedowns and FEPs. Text pages with copious footnotes and Vol. X with index. Each volume with lithograph frontispiece and half title page vignette: for example, Vol. I with frontispiece portrait of Samuel Johnson and with vignette depicting the house in which Johnson was born. Fold-out facsimile letter between pp. 208-209 of Vol. VI. Red ribbon page markers. As to all volumes, preliminaries foxed. To a rear FEP in each volume, tiny sticker of previous bookseller. Else very clean. Very Good Plus copies. Scarce in any condition. An exceptionally handsome set of bindings, and a pleasure to hold in hand. Size: 16mo - over 5¾" - 6¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Marc Sena Carrel]
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        Tratado de Mecánica Práctica y Economia Politica que con el titulo de Economia de máquinas y manufacturas escribió en inglés: traducido de la 3a edicion y ampliado con notas por D. José Diez Imbrechts.

      Madrid, litografia de Martinez y Compa. 1835. - in-4. 1f. XX. Portrait. 356pp. Demi-veau, dos lisse orné (reliure de l'époque, quelques défauts, le coin inférieur du second plat est coupé). Première Edition Espagnole, très rare, de cet important traité précurseur de la mécanique industrielle moderne. Charles Babbage (1791-1871) le composa alors qu'il travaillait à sa célèbre machine à calculer, ancêtre de l'ordinateur moderne, pour l'élaboration de laquelle il avait visité et analysé de nombreux ateliers et manufactures. Cet ouvrage contient notamment de nombreuses vues économiques novatrices, incluant notamment des techniques scientifiques de gestion des ressources humaines (subdivision du travail, maîtrise des coûts salariaux, rémunération au mérite etc.). Publié en anglais en 1832, l'ouvrage fut immédiatement traduit en plusieurs langues. La présente édition espagnole est l'une des plus rares. Son traducteur José Diez Imbrechts (1787-1849) était un entrepreneur espagnol qui fut notamment l'un des précurseurs des chemins de fer dans la péninsule. Intéressant exemplaire provenant de la bibliothèque des ateliers de la marque automobile Hispano-Suiza pendant la guerre civile (avec son cachet portant l'appellation "Industria Colectivizada"). Belle page de titre lithographiée représentant un jeune couple au travail dans un atelier avec un métier à tisser. Rousseurs sur le portrait mais bon exemplaire par ailleurs.

      [Bookseller: Librería Comellas]
 42.   Check availability:     IberLibro     Link/Print  

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