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Displayed below are some selected recent viaLibri matches for books published in 1655

        de.

      Le secretaire a la mode. Augmenté d'une instruction d'escrire des lettres; cy devant non imprimée. Plus d'un recueil de lettres morales des plus beaux esprits de ce temps. Et des compliments de la langue françoise. Amsterdam, J. Janssen, 1655. 16:o. Extra grav. titelblad,3-492,(10,2 blanka) s. Litet samtida pergamentbd med fragment av en handskriven titeltext. Pärmar och rygg småfläckiga och allmänt solkiga. Bakre falsen har en mindre spricka. Genomgående fuktfläckar i övre marginalen och en bit in i texten. Enstaka småfläckar, t.ex. på s. 36 och 48. Mindre pappersförlust i nedre marginalen på s. 187. Med Leonhard Hindric Rääfs namnteckning daterad 1757.. En annan upplaga trycktes samma år av Elzevir. På s. 417 med eget titelblad och impressum: "Les complimens de la langue francoise, par N. N. Derniere edition reveuë & corrigée. Amsterdam, J. Janssen, 1655"

      [Bookseller: Mats Rehnström]
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        [Prospect of ]Paris

      [Ca 1655] Plate mark 35 x 46,5 cm. The whole sheet 37,5 x 48 cm. The sheet has 4 folds. Slight discolouration to a small area at the central fold at the top of the image. Slight loss of ink to the lower part of the letter "w" in the word "wessen". Very good impression.. A bird´s-eye view of Paris as it looked in 1620. In the upper corners the Royal arms and the arms of the city. A beautiful image with four costumed figures in the foreground. The title of the prospect is "Paris wie solche Ao. 1620 wessen gestanden"

      [Bookseller: Hammarlunds Antikvariat]
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        Præmissa sunt ejusdem prolegomena.

      Ubi regum gotthorum ordo & chronologia, cum elogiis. Accedunt nomina appelativa & verba gotthica, vandalica, langobardica, cum explicatione. Amsterdam, Ludovicum Elzevirum, 1655. 8:o. Grav. extra titel,+ (6),+ 148,+ 932,+ (98) s. Bortklippt signatur från titelbladets övre hörn. Återkommande liten fuktrand i övre marginal, något större sid. 605-640 och 859-898, och enstaka småfläckar. Samtida pergamentband, handtextad ryggtitel. Ur Ericsbergs bibliotek. Ter Meulen 735. Willems 1181. Berghman 1578. Brunet II, 1767. Hoffman III, 299. Warmholtz 1338: "Hon hålles för vara nog sällsynt". Carlander III, 564ff. Viktig utgåva för stormaktstidens göticistiska historieskrivning. Samlingen innehåller Hugo Grotius 70 sidor långa företal, vilket ansågs så viktigt att det även översattes till svenska 1670, Prokopius "De gothorum & de vandalorum", båda i Grotius latinska översättning, Agathius "Excerpta...", Jordanes "De getarum" i B. Vulcanius Brugensis utgåva, Isidorus av Sevilla "Gothorum, vandalorum et svevorum in Hispania chronicon" i Isaac Vossius textutgåva, samt slutligen Paulus Warnefrids "De gestis langobardum"

      [Bookseller: Centralantikvariatet]
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        Museum Wormianum. Seu Historia Rerum rariorum, Tam Naturalium, quam Artificialium, tam Domesticarum, quam Exoticarum, quæ Hafniæ Danorum in ædibus Authoris servantur. Adornata ab...Variis & accuratis Iconibus illustrata.

      Lugduni Batavorum (Leiden), Ex Officina Elzeviriorum, 1655. Folio. Fully contemporary full vellum, a bit soiled and with a bit of wear, but overall fine and sturdy. Remains of ties on boards. Internally very nice and clean, with just a bit of soiling and a removed old owner's name from the title-page. Good margins. Without front free end-paper. Fully complete, with the magnificent double-page engaved plate showing the interior of the museum by Wingendorp, the engraved portrait of Worm by Wingendorp, after Carl van Mander (which is often lacking), 11 beautiful engraved illustrations (one of which consisting in two illustrations), two of which are full-page (one being the famous one of the horn), and numerous lovely, and elaborate woodcut illustrations in the text. Woodcut title-vignette, woodcut vignettes and initials. Title-page + double-page plate + 4 pp. of dedication + 6 pp. of preface and index + portrait + 389, 3 (index) pp. A lovely copy, rarely seen in such nice condition, and in its first binding.. The scarce first edition of this monumental work in early modern museum literature, constituting the catalogue of the first Danish museum and one of the most important cabinets of curiosities in Europe. The magnificent double-page engraved plate depicting the interior and outlay of the museum is one of the most well known and famous illustrations from any "Wunderkammer"-book, iconographically summizing what we understand by the genre.The Museum Wormianum was filled with preserved animals, horns, tusks, skeletons, minerals, as well as various man-made objects that Worm found equally fascinating and interesting, either due to their age, their beauty, the wonder of their execution, their being exotic, etc., many of them depicted here in the finest manner. The text of the "Museum Wormianum" is divided into four books, the first three dealing with minerals, plants, and animals respectively. The fourth comprises man-made objects, e.g. archeological and ethnographical items, coins and some original works of art. This, Worm's magnum opus, is not merely a catalogue of the numerous wondrous items in the collection, however, it is a scientifically based scholarly work that also contains references to, and quatations from, other writers. The famous Danish doctor, Ole Worm (1588-1654), who was professor of medicine throughout the last thirty years of his life, had become professor of physics in 1621. Already the year before, in 1620, had he begun the famous collection that would become one of the greatest cabinets of curiosites in Europe (and one of the first museums) and which would earn him the position as the first great systematic collector (within natural history) in Scandinavia. It was his then newly begun collection that enabled him, as professor of physics, to introduce demonstrative subject teaching at the university, as something completely new. He continued building and adding to his magnificent collection, now known as "Museum Wormianum", throughout the rest of his life. Worm used his collection, not only in his teaching (for which he was famous), but also as a starting point for his speculations on philosophy, science, natural history, etc. He is responsible for many great discoveries, e.g. for identifying the narwhal's tusk as coming from a whale rather than a unicorn, as was generally believed at the time. As was also the case with other great cabinets of curiosities, the "Museum Wormianum" greatly served scientific advancement, not least when the images of its content were printed, as they were here, in 1655.As Worm visited other famous cabinets of curiosities, so many foreign visitors came to see his, which was famous throughout Europe. After his death, the collection was bought by the Danish King, Frederik III, and was thus included in Det Kongelige Kunstkammer (The Royal Art Chamber). The collection is now in Statens Naturhistoriske Museum (Natural History Museum), which in November 2011 famously reprodced the "Museum Wormianum", from what they could see it looked like on the great double-page plate in the fabulous catalogue, as a permanent exhibition. The magnificent folio catalogue of the collection was edited and seen through press by Worm's son Willum and was published by the Elzeviers. Willems 772; Paul Grinke: From Wunderkammer to Museum: no. 75

      [Bookseller: Lynge & Søn A/S]
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