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Displayed below are some selected recent viaLibri matches for books published in 1628
2011-10-04 17:18:04
Scharpio, Iohanne
Aurelii-Allobrogum, Apud Franciscum Nacolaum, 1628,. PGMt.der Zeit, [8], 1015 S., [11], lex.-8°. Einband etwas berieben u. abgegriffen; Decken, stellenweise auch Seiten wurmfraßspurig. Besitzeranmerkungen auf Titelblatt; -sinatur mit Buntstift auf Vorsatzplatz. Häufige Marginalien mit Zeichen- u. Bleistift; mehrfach unterstreicht. Ansonst gut erhaltenes Exemplar. * Our books are stored in our warehouse, not in the shop. Please notify beforehand, if you want to visit us and see a specific book. Unser ZVAB-Bücher-Bestand befindet sich in unserem Lager am Stadtrand Prags, nicht in unserem Geschäft. Bitte, teilen Sie uns vorher mit wenn Sie uns besuchen möchten und bestimmtes Buch auswählen wollten *.
Bookseller: Antikvariát Valentinská
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2011-09-27 01:19:42
HONDIUS, Jodocus, & Jan Jansson.
Atlas Minor. Jan Jansson the Elder. 1628, Latin edition. Copper engraving. Later colouring. Size: 18 x 12 cm. (7 x 4½ inches). In fine condition In 1604 Hondius bought the plates of Gerard Mercator's atlas, added about 40 maps to Mercator's original number, and from 1606 published enlarged editions in many languages still under Mercator's name, but with his own name as publisher. These atlases have become known as the Mercator/Hondius series. The following year the maps were re-engraved in miniature form and issued as a pocket Atlas Minor. This 1628 edition published by Jansson is the first with newly engraved maps by Petrus Kaerius and Abraham Goos Bannister/Moreland - Antique Maps pp 97 & 102 [Attributes: First Edition]
Bookseller: Peter Harrington. ABA member [London, United Kingdom]
2011-07-18 16:26:19
. Kupferstich aus Meßrelationen, um 1628, 15,5 x 32,5 (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request). Ansicht mit der niederländischen und spanischen Flotte in Patanca Bay, Kuba. - Unten rechts Insetkarte von Kuba. - Dieser Zustand selten! (rare state!)
Bookseller: Antiquariat Norbert Haas
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2011-03-17 09:50:04
MERCATOR, Gerardus.
Amsterdam. 1628 - Carta raffigurante il Tirolo e parte dell’Italia nord-orientale. Considerabile un passivo rifacimento dell’innovativo modello iniziale che lo stesso Mercator realizzò nel 1589, ne conserva la nuova impostazione con proiezione mercatoriana, ma anche gli errori e le imprecisioni che verranno riportati anche nelle carte successive. Si trova in "Atlas minor Gerardi Mercatoris. Typis Jean Janssonius", l’incisore è Petrus Kaerius. Scheda bibliografica tratta da "Il territorio trentino-tirolese nell’antica cartografia" di Gino Tomasi, scheda n. 21. \r Formato: Incisione su rame di dimensioni 12,5x17,5 cm. Buono, ordinari segni d’uso e del tempo. Lievi bruniture ai margini.
Bookseller: Studio Bibliografico Adige [Italy]
2010-09-04 02:46:26
LANCELOT Nicolas
Chez Pierre Billaine, Rue St.Jacques a la bonne foy, A Paris, 1628. Testo francese. Opera in due parti raccolte in unico volume, dedicata a Roger du Plesseys. Cm.17,2x10,5. Pg.(16), 256; 350. Legatura in piena pergamena molle coeva, con minima abrasione al piatto posteriore. Frontespizio decorato da Iaspar Isac a motivi allegorici. Cartigli e capilettera incisi. Minime tarlature con restauri cartacei alle pg.43-155 della prima parte. Il volume contiene sei novelle: "Les Esclauses Illustres", "Le Ravissment heureux", "L'Infidelle Confidente", "La Devôte hypocrite", "L'Insolente Belle-mere", "L'Hermaphrodite". La prima, la terza e la sesta delle presenti Novelle provengono dal "Teatro Popular" di Francisco De Lugo y Davila (1622). Dopo aver già tradotto alcuni testi spagnoli, Nicolas Lancelot pubblicò a Lyon nel 1614 una versione della "Constante Amarilis" di Suarez de Figueroa, per poi dedicarsi alla traduzione di testi moreschi. Il presente costituisce il suo testo più rinomato. > Graesse, IV, 93. 400 gr. [Attributes: Hard Cover]
Bookseller: Studio Bibliografico Pera [LUCCA, Italy]
2010-07-15 21:53:20
SPELTA Antonio Maria
- chez Claude Larjot., à Lyon 1628, in-12 (9x15cm), (24) 192pp. (12) , (8) 407pp. (1bc) (14)., deux parties reliées en un volume. - Edition originale française. La première édition du texte italien est de 1607. Illustrée de deux frontispices allégoriques signés Gr. Huret. Edition peu courante. Un exemplaire à la BN de France de 1628, et un autre à la British Library. Rien dans les catalogues collectifs français et anglais. Reliure en plein vélin d'époque à rabats. Dos lisse avec titre à la plume en partie illisible. Traces de lacets. Rousseurs pâles éparses. Antonio Maria Spelta (1559-1632) fut un écrivain, un érudit et un historien de Padoue, c'est en se souvenant de l'Eloge de la folie d'Erasme qu'il écrivit ce recueil composé d'une part de réflexions sur la folie, d'autres de sujets variés allant des astrologues aux chasseurs, d'anecdotes historiques. La première partie tend davantage à dresser un éloge de la folie, malgré la satire toujours présente, alors que la seconde partie dresse un tableau des hommes et des professions en proie à la folie, au fantasque et à la vanité. La plume alerte et mordante de Spelta croque à merveille le portrait de la folie dans ses moindres atours. Livre singulier. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] French Edition. The first edition of the Italian text is 1607. Illustrated with two allegorical frontispiece signed Gr Huret. Uncommon Edition. A copy of the BN France 1628, and another at the British Library. Nothing in French and English union catalogs. Vellum full time with flaps. Smooth back with title pen partly illegible. Traces of l … [Click Below for Full Description]
Bookseller: Librairie Le Feu Follet [Paris, France]
2010-04-23 07:59:31
THIBAULT, Girard - [?Simon Van de PASSE (1595-1647)]
[Leiden: B. & A. Elzevir, 1628. Copper engraving by ?Simon Van der Passe. Very good condition apart from a few small tears in the margins, a tiny hole in the lower left-hand corner of the image, and a few light foxing marks in the margins. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2010-04-23 07:59:31
THIBAULT, Girard - [?Simon Van de PASSE (1595-1647)]
[Leiden: B. & A. Elzevir, 1628. Copper engraving by ?Simon Van der Passe. Very good condition apart from some overall light soiling and a small loss in the top margin. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2010-03-24 23:51:04
[WINE] [S.V.]
1628. Rare first edition of this anti-Semitic broadsheet, a derisive attack on the perceived Jewish monopoly on the German wine industry during the Thirty Years War. A wealthy, Janus-headed merchant rides on a large wine barrel wagon, driven by a devil straight towards Hell’s flaming maw. Identified as Jewish by the circular patch on his jersey which Jews were required by law to wear in Germany, as well as the caricatured facial features, the figure draws on the iconographic tradition of Bacchus as well as the subversive mockery of Carneval parades. The rich allegory is reinforced by 20 Lutheran Biblical verses, many from the Old Testament, all aimed at depicting the prototypical Jewish wine merchant as a covetous and grasping profiteer for whom divine justice waits. The protagonist travels with vintner symbols including the watering-can helmet, weights and other measures, and a waving pennant with five wine-related icons, including the vintner’s horseshoe-shaped hoe and a siphon. While his bulging moneybags and fine clothing are clear signs of prosperity, the tally sticks and flaying knife in his left hand represent usury. With the terms “wine”, “brandy” and “vinegar” inscribed on his torso, he clearly controls all elements of the trade. His two faces are accompanied by the joint motto, “Lying in the barrel, lying in the countryside”, representing the double monopoly over both production and distribution. Although unsigned, the etching was most likely produced in the Rhine and Moselle region. One of the casks in the wine ce … [Click Below for Full Description]
Bookseller: Martayan Lan, Inc.
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2010-03-17 01:45:51
SPELTA Antonio Maria
- chez Claude Larjot., à Lyon 1628, in-12 (9x15cm), (24) 192pp. (12) , (8) 407pp. (1bc) (14)., deux parties reliées en un volume. - Edizione francese. La prima edizione del testo in lingua italiana è 1607. Illustrato con due frontespizio allegorico firmato Gr. Huret. Edizione Uncommon. Una copia della BN France 1628, e un altro presso la British Library. Nulla in cataloghi collettivi francesi e inglesi. Velina a tempo pieno con alette. Smooth indietro con la penna il titolo parzialmente illeggibile. Tracce di lacci. Sparsi foxing pallido. Antonio Maria Spelta (1559-1632) è stato uno scrittore, studioso e storico di Padova, è ricordare l'Elogio della follia Erasmo scrisse questa raccolta si compone di due riflessioni su follia, altri temi che vanno astrologi cacciatori, aneddoti storici. La prima parte mira a sviluppare una maggiore elogio della follia, nonostante satira sempre presenti, mentre la seconda parte offre una gamma di uomini e professioni in preda alla follia, l'imprevedibile e la vanità. L'avviso e mordere penna Spelta scricchiolii perfettamente ritratto di follia in ogni suo abbigliamento. Libro singolare. - [FRENCH VERSION FOLLOWS] Edition originale française. La première édition du texte italien est de 1607. Illustrée de deux frontispices allégoriques signés Gr. Huret. Edition peu courante. Un exemplaire à la BN de France de 1628, et un autre à la British Library. Rien dans les catalogues collectifs français et anglais. Reliure en plein vélin d'époque à rabats. Dos lisse avec titre à la plume en partie illisible. Traces de lacets. Rousseurs pâles éparses. Ant … [Click Below for Full Description]
Bookseller: Librairie Feu Follet [FR]
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2010-03-11 23:19:23
Coke, Edward
First edition of Coke's most single famous work and one of the five greatest books of English law, glossing Littleton's 'Tenures', one of the remaining four, and forming the first part (of four) of his monumental Institutes of English Law. Modern calf, gilt, one leaf in facsimile, without the portrait and table of consanguinity, some browning and staining, early notations; a working copy. Printed for the Society of Stationers, London, 1628.
Bookseller: Meyer Boswell Books, Inc. [U.S.A.]
2010-02-19 06:20:35
THIBAULT, Girard - Andries Jacobsz STOCK (1580-1648)
[Leiden: B. & A. Elzevir: 1628]. Copper engraving by Andries Jacobsz Stock. Very good condition apart from several skillfully repaired small losses and tears in the margins. 19 x 27 1/2 inches. 21 x 29 3/8 inches. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" (Encyclopaedia Britannica). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p … [Click Below for Full Description]
Bookseller: Donald Heald Rare Books
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2010-02-10 17:48:44
Anon
London: Printed by William Stansby for Nathaniell. Butter, 1628. London: Printed by William Stansby for Nathaniell. Butter,, 1628. Collation, viii+55pp. Recently rebound in full marble paper boards, paper title label on top board, binding in excellent condition. Internally, title and last blank dusty, short addition to title in a early hand, pages in very good clean condition. A very good copy, of a very rare work. . First And Only Edition. Very Good Plus. Small Quarto.
Bookseller: George Jeffery Books [HERTFORDSHIRE, United Kingdom]
2010-02-07 21:25:09
Bernkastel -
Kupferstich aus Meisners Schatzkästlein, 1628. ca. 9,5 x 14,5 cm. Ansicht der Stadt Bernkastel, rechts im Vordergrund allegorische Darstellung. Titelleiste "Glück und Glass, wie bald bricht das". Unterhalb der Darstellung "Cum ridet Fortuna nimis, cave, rumpitur ultro, Cum splendent, facile vitrea vasa crepant.". Darunter die deutsche Übersetzung. Erstmals 1623 erschienen, hier vorliegend in der zweiten Auflage von 1628 mit der Numerierung "4" rechts oberhalb der Darstellung.
Bookseller: Antiquariat Peter Fritzen [Trier, Germany]
2010-01-10 20:33:07
Trier -
Kupferstich aus Meisners Schatzkästlein, 1628. ca. 9,5 x 14,5 cm. Stärker braun- und fingerfleckig. Ansicht der Stadt Trier, im Vordergrund allegorische Darstellung. Rechts oben Petrus-Wappen. Titelleiste "Liber, libera, liberi et liber". Unterhalb der Darstellung "Liberum amans pater est, cui libera libra, liberq. Liber, Liberius, Liber et ipse pater.". Darunter die freie deutsche Übersetzung "Bißweiln man was Lateinisch spricht, So wohl laút es im Teútschen nicht. Als Kinder, Búch, Wag und Freÿ sein, Trifft im Latein fast überein." Erstmals 1623 erschienen, hier, vorliegend in der zweiten Auflage von 1628 mit der Numerierung "46" rechts oberhalb der Darstellung.
Bookseller: Antiquariat Peter Fritzen [Trier, Germany]
2009-06-25 15:26:10
Stevini, Simonis [ Simon Stevin ]. Danielis Schwenters, editor and contributor
Nürnberg: Simon Halbmayer, 1628. Vellum bound First German edition of a Dutch work published earlier in Stevin's Wisconstige Gedachtnissen (Complete Works) (1605-08) Very Good Duodecimo. 2 complementary works bound in one volume. Contemporary vellum over boards. Slight wear to edges and corners. Many pages have foxing, more so in the pages of the Axiomata. A few pages have very slight tears at foredge. A small rectangle has been cut from the lower corner of the first free endpaper. Binding has a small nick at foredge of back board. Vellum slightly scuffed. with light soiling. [24]154 [10], [182] p. Large printer's device on last page. Many simple geometrical woodcut illustrations, primarily of triangles. Contains the first 2 parts of Stevin's work on trigonometry translated into German from the original Dutch, with 4 axioms (Pitisci Axiomata) from Bartolomeo Pitiscus added by Schwenters in his forward. The second part of the book is a work consisting of tables for sine, tangent and secant added by Schwenters. The work does not include the 3rd part of Stevin's Trigonometry, which covered spherical triangles - indeed, Schwenters states Stevin did no writing in this area, which is incorrect. The original edition of this work is titled "Driehouckhandel". The translator for this work is unknown and was perhaps Schwenter himself, but appears not have had access to a complete copy. (Struick, Principle Works of Simon Stevin, II B p. 755). Less desirable than Dutch editions but still a scarce work on Trigonometry by one of the more important mathematicians of the early Dutch indepen … [Click Below for Full Description]
Bookseller: Motte & Bailey, Booksellers
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2009-05-23 12:28:24
THIBAULT, Girard - Nicolas Petri LASTMAN (d.1625)
[Leiden: B. & A. Elzevir: 1628]. Copper engraving by Nicolas Petri Lastman. Very good condition apart from some mild creasing and several tears at the extreme edges of the sheet. 18 7/8 x 27 1/8 inches. 21 3/4 x 29 inches. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" (Encyclopaedia Britannica). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. … [Click Below for Full Description]
Bookseller: Donald Heald Rare Books
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2009-05-23 12:28:24
THIBAULT, Girard - Nicolas Petri LASTMAN (d.1625)
[Leiden: B. & A. Elzevir: 1628]. Copper engraving by Nicolas Petri Lastman. Very good condition. 19 x 27 1/4 inches. 21 x 29 1/4 inches. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" (Encyclopaedia Britannica). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald Heald Rare Books
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2009-05-23 12:28:24
THIBAULT, Girard - Adrian MATHAM (1600-1660)
[Leiden: B. & A. Elzevir: 1628]. Copper engraving by Adrian Matham. Very good condition apart from a few small tears at the extreme edge of the top margin and some light foxing. 18 3/4 x 27 1/4 inches. 21 7/8 x 29 1/2 inches. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" (Encyclopaedia Britannica). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). C … [Click Below for Full Description]
Bookseller: Donald Heald Rare Books
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2009-05-23 12:28:24
THIBAULT, Girard - Pieter van SERWOUTERS (1586-1657)
[Leiden: B. & A. Elzevir: 1628]. Copper engraving by Pieter van Serwouters. Very good condition. 18 1/2 x 27 inches. 21 x 29 1/8 inches. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" (Encyclopaedia Britannica). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald Heald Rare Books
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2009-05-23 12:28:24
THIBAULT, Girard - Saloman SAVERY (1594-1678)
[Leiden: B. & A. Elzevir: 1628]. Copper engraving by Saloman Savery. Very good condition. 19 x 27 1/4 inches. 21 x 29 1/2 inches. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" (Encyclopaedia Britannica). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald Heald Rare Books
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2009-05-23 12:28:24
THIBAULT, Girard - Egbert van PANDEREN (d.1637)
[Leiden: B. & A. Elzevir: 1628]. Copper engraving, coloured by hand, by Egbert van Panderen. (Occasional small marginal tears). 18 13/16 x 27 inches. 21 3/16 x 29 7/8 inches. A fine hand-coloured print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" (Encyclopaedia Britannica). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald Heald Rare Books
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2009-05-01 11:12:48
THIBAULT, Girard - Schelte Adams BOLSWERT (1581-1659)
[Leiden: B. & A. Elzevir: 1628]. Copper engraving Schelte Adams Bolswert. Very good condition apart from some light foxing in the margins, a skillfully repaired 1" tear in the left margin, and a 3/8" tear in the top margin. 18 7/8 x 27 inches. 21 x 29 1/2 inches. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" (Encyclopaedia Britannica). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the I … [Click Below for Full Description]
Bookseller: Donald Heald Rare Books
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2009-02-20 06:11:58
BRUELE, GUALTHERI
- 1628 Apud Iacobum Chouet, Genevae 476 p. + [1] h. 15x9 cm. Enc. pergamino. Algo fatigado. Con ex-libris de anterior propietario. Firma de anterior propietario en el corte de pie. Página 275-276 muy deteriorada, afectando al texto. Algunas manchas de óxido Para ver o recibir fotografías de los libros puede ir a nuestra web. (medicina teorica)
Bookseller: Costa LLibreter
2009-02-15 01:44:35
MARTYN, William.
London: James Boler, 1628. hardcover. Title within fine ornamental woodcut border, small chip at corner of title page, tear to page 357/358 affecting last 5 lines of text, 17th century ink marginalia on last page. Folio, early full calf, back gilt. London: James Boler, 1628. Very good. Crisp copy with the splendid bookplate of the Earl of Aylesford, designed by Piranesi, showing table with books and inkwells, with detail of pillar behind them. Said to be the only bookplate ever engraved by Piranesi. BOUND WITH: The Successions of the Dukes & Earles of this Kingdome. G. Tompson, 1628. STC 17528.
Bookseller: Argosy Book Store
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2009-02-10 02:10:19
RUSCELLI G.
Venetia: Pietro Miloco., 1628. Venetia: Pietro Miloco.. RUSCELLI G.Del modo di comporre in versi nella lingua italiana, trattato. nel quale va compreso un pieno et ordinatissimo rimario, con la dichiarazione, regole, giudico.Venetia, Pietro Miloco. 1628[Rimario-Raro] (Cm. 16) ottima piena pergamena originale, titolo al dorso.- Pp. 591 Opera nota che ebbe fama e molte ristampe.Questa nostra è identica alla precedente del 1617, ma molto rara.Manca ad Autori Italiani del '600, Britisch M. Italian Cent. XVII, e Bruni-Evans "Italian in Cambridge".Legatura un pò lenta ma ottimo esempare.Manca anche a Michel-Michel.[f12] . ottimo. Rilegato. 1628.
Bookseller: LIBRI ANTICHI E RARI FRANCESCO&CLAUDIA [AREZZO, Italy]
2009-01-23 07:24:48
De BRY, Johann Theodore (1560-1623) and Johann Israel de Bry (1565-1609).
Frankfurt: Caspar R�tel for Wilhelm Fitzer, 1628. Frankfurt: Caspar Rötel for Wilhelm Fitzer, 1628. Part XII of "The Small Voyages", Folio (11 4/8 x 7 4/8 inches). Engraved title-page and four engravings in the text (lacking the engraved map of China, browned, some leaves close-cropped affecting some headlines). 20th-century marbled paper wrappers. FIRST AND ONLY GERMAN EDITION, of this part of De Bry's "Small Voyages," and EXCEPTIONALLY RARE IN ANY CONDITION. Devoted to the Near and Far East, China and the activities of the Dutch in Asia, and including illustrations of naval warfare, monkey-like beasts offering tokens of Christianity to native chiefs, Chinese people making offerings to their gods, and worshiping devilish beasts. Inspired by a meeting with the celebrated Richard Hakluyt in London in 1587, de Bry published the first of his own collection of voyages relating to the Americas in 1590: Hariot's account of Virginia. In order to maximize profit he had editions published in English, Latin, French and German. He went on to publish five further parts before his death in 1598, when his sons Johann Theodor and Johann Israel took over the task of completing the "Great Voyages" and began the "Small Voyages", an oeuvre which eventually stretched to 25 volumes published over forty-five years. Brunet I 1361-62; Church 244; Sabin 8784. .
Bookseller: Arader Galleries - Aradernyc [New York, NY, U.S.A.]
2009-01-07 21:24:05
[Eyck, Vander]
Dordrecht: Nicolaes Incentz. Van Spierincxhouck, 1628 [24]- 450, [6] PP.A major work in it's field. With a very finely etched full page frontispice by Willem Hondius after A.v.Venne , woodcut printer's mark on title and numerous woodcut text-ills (coats of arms) *Haitsma Mulier & Van der Lem 161 a. Generous margins, a very fresh and clean copy of a work which is no longer common! Contemporary full vellum with manuscript title at spine
Bookseller: Quist Antiquarian [Netherlands]
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2008-11-28 01:07:53
LOCCENIUS, Johannes.
Uppsala, Eschilli Mattiæ, 1628. 8:o. (16) s. Lätt fläckig. Sammanbunden med: LOCCENIUS, Johannes. Dissertationes duæ, I. de Scythis veteribus, eorumque ortu, propagatione reip. forma, moribus ac fortitudine, in genere. II. De svecis ac gothis separatim, eorumque politiæ vel regni constitutione, institutis civilibus, moribus av fortitudine militari. Uppsala, Eschilli Matthiæ, 1628. 8:o. (94) s. Lätt fläckig. Bundna efter: LOCCENIUS, Johannes. Antiquitatum Sveo-Gothicarum libri tres. In quibus prisci sveonum et gothorum mores, status regni atque instituta cum hodiernis, pro re nata, comparantur; leges patriæ passim, variaque auctorum loca illustrantur et explicantur. Editio tertia emendatior & auctior. Accedit nunc index rerum et verborum. Uppsala, Henricus Curio, 1670. 8:o. (8),+ 210,+ (14) s. Nära skuren nedtill. Sammanbunden med: SCHEFFERUS, Johannes. Upsalia cujus occasione plurima in religione, sacris, festis, regum electionibus, creationibus magistratuum, concessionibus dignitatum, funerationibus, & similibus, olim per septentrionem & vicinos germanos, gallos, brittanos, omneque pæne occidentem usurpata explicantur, lociq; bene multi veterum aliorumq; auctorum emendantur atque illustrantur. Uppsala, Henricus Curio, 1666. 8:o. (12),+ 192, 195-406 s. Två träsnittsillustrationer i texten. Delvis med hoppande pagineringsföljd. Samtida pergamentband, med fint handtextade titlar på ryggen. Handtextade index i bläck på för- och eftersättsbladen. Försättsbladet med bortklippt namnteckning. Ur C. H. Braads bibliotek med dennes namnteckning på samtliga titelblad, med en äldre Gus … [Click Below for Full Description]
Bookseller: Centralantikvariatet [Stockholm, Sweden]
2008-11-27 12:12:02
Cassianus, Johannes:
Arras (Atrebati), Johannes Baptiste & Guil. de la Riviere, 1628.. Titel, gest. Titel, 16 Bll., 296 S., 2 Bll., S. 297-954 (recte 955), 1 Bl., S. 959-1159, 21 Bll. (Koll. klpt). Mit gest. Titelvignette, gestochenem Titel, 2 Tafeln und 2 Holzschnitt-Zwischentitel. Folio. Schweinslederband d. Z. auf Holzdeckeln, mit reicher Blindprägung, 2 Messing-Leder-Schließen und hs. Rückentitel.. Gering berieben, bestoßen und fleckig; 1 Ecke mit winziger Bezugsfehlstelle; Deckel mit einigen winzigen Wurmlöchern; zahlreiche Paginierungsfehler, aber Kollation komplett; Wappen-Exlibris auf vorderem Innendeckel. Auf dem Titel Stempel der Kartäuser-Abtei in Buxheim und datierter (1628) Schenkungsvermerk "Ad usum FF. Cartusianorum (...) in Buxheim". Die Tafeln (p. 287 und 289) zeigen mit begleitendem Text die je zwölfsprossigen Leitern in den Himmel und in die Hölle (gradus humilitatis, scala superbiae). Allart Gazet (1566-1626), der Herausgeber der 1. Auflage von 1616, war Mönch in der Abtei St. Waast in Arras. "Edition plus complete que celle de Douai, 1616" (Brunet I, 1617). Graesse II, 62.
Bookseller: Antiquariat am Moritzberg
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2008-11-26 20:26:03
THIBAULT, Girard - Schelte Adams BOLSWERT (1581-1659)
[Leiden: B. & A. Elzevir, 1628. Copper engraving by Schelte Adams Bolswert. Very good condition apart from a 3/8" tear in the right margin and a few small orange spots in the lower part of the image. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; … [Click Below for Full Description]
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-11-26 20:26:03
THIBAULT, Girard - Schelte Adams BOLSWERT (1581-1659)
[Leiden: B. & A. Elzevir 1628 - A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon.and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats.As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302. Copper engraving Schelte Adams Bolswert. Very good condition apart from some light foxing in the margins, a skillfully repaired 1" tear in the left margin, and a 3/8" tear … [Click Below for Full Description]
Bookseller: Donald A. Heald Rare Books (ABAA)
2008-11-26 20:26:03
THIBAULT, Girard - Schelte Adams BOLSWERT (1581-1659)
[Leiden: B. & A. Elzevir, 1628. Copper engraving by Schelte Adams Bolswert. Very good condition apart from several skillfully repaired losses and tears in the margins. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-11-22 22:22:32
GUATEMALA, Audiencia de los Confines.]
Signed at Valladolid, Madrid, San Lorenzo, etc., @, 18 May 1600 to 15 June 1628. Folio (30.2 x 21 cm.), 99 leaves carefully removed from a bound volume and now stored in mylar sleeves in a blue cloth slipcase with 2 black leather spine labels. Written in ink, in a variety of small, even, very legible hands. In very good condition. *** The documents represent a remarkable, unpublished source for the history of the High Court of Guatemala during the first quarter of the seventeenth century, covering such subjects as the conquest and pacification of Indians in Honduras, granting of encomiendas, diversion of royal monies, establishment of missions and convents, and disciplining of politically active priests. Through them we find out what the "local customs" of patronage and of usurpation of royal prerogative were. Through the reiteration of previously issued decrees we discover which decrees the court was ignoring, using the famous doctrine of "obedezco pero no cumplo." Through these decrees we glimpse royal patronage and royal displeasure.The broad categories are requests for information, demands for action, and orders ending existing practices. An example of the Crown's requests for information is a decree of 4 December 1601. The king sometimes received complaints that were best handled extra-judicially, often involving political activities of clerics, over whom the civil and criminal courts did not have jurisdiction and with whom, the authorities felt, the ecclesiastical courts would deal ineffectively. In one case, the governor of Honduras complained to the king that the de … [Click Below for Full Description]
Bookseller: Richard C. Ramer Old and Rare Books [New York, NY, U.S.A.]
2008-11-22 09:58:16
THIBAULT, Girard - Adrian MATHAM (1600-1660)
[Leiden: B. & A. Elzevir, 1628. Copper engraving by Adrian Matham. Very good condition apart from a skillfully repaired loss in the right margin. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-11-22 09:58:16
THIBAULT, Girard - Egbert van PANDEREN (d. 1637)
[Leiden: B. & A. Elzevir, 1628. Copper engraving by Egbert van Panderen. Very good condition. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-11-22 09:58:16
THIBAULT, Girard - Nicolus Petri LASTMAN (d.1625)
[Leiden: B. & A. Elzevir 1628 - A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon.and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats.As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302. Copper engraving by Nicolus Petri Lastman. Very good condition apart from several skillfully repaired small losses and tears in the margins.
Bookseller: Donald A. Heald Rare Books (ABAA)
2008-11-22 09:58:16
THIBAULT, Girard - Johann GELLE (d. circa 1625)
[Leiden: B. & A. Elzevir, 1628. Copper engraving by Johann Gelle. Very good condition apart from a small orange spot in the left side of the image. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-11-22 09:58:16
THIBAULT, Girard - Johann GELLE (d. circa 1625)
[Leiden: B. & A. Elzevir, 1628. Copper engraving by Johann Gelle. Very good condition apart from a few light foxing marks in the bottom margin. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-11-22 09:58:16
THIBAULT, Girard - Willem Jacobsz DELFF (d.1638)
[Leiden: B. & A. Elzevir, 1628. Copper engraving by Willem Jacobsz Delff. Very good condition apart from a skillfully repaired 5/8" tear in the top margin. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-11-14 14:46:54
KEMPIS Thomas A & STRATIUS Jacob
- by Ian Maes, Loven (Leuven) 1628, in 12 (15,5x10,5cm), (8) 135ff. (5)., broché. - Première édition. Illustrée de 20 gravures de C. van Sichem, lettrines, ornementations, et texte dans un encadrement. Impression en gothique. rare. Absent à la BN de France et aux catalogues français. Un exemplaire à la British LIbrary. Broché, emboîtage contemporain en demi maroquin à nerfs fushia. Jacob Stratius (Antwerpen 1559-Leuven 1634) était le recteur du collège jésuite de Leuve, il a notamment écrit des ouvrages de compilation (.Guerres du pays de Flandre). Cet ouvrage de Thomas A Kempis est également une compilation et une édition de Jean Stratius. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition. Illustrated with 20 engravings by C. van Sichem, initials, ornaments, and text in a frame. Gothic print. rare. Absent the BN of France and French catalogs. A copy of the British LIbrary. Hardcover, contemporary half morocco fitting fuchsia nerves. Jacob Stratius (Antwerp 1559-1634 Leuven) was the rector of the Jesuit college Leuve, he has written books compilation (. Wars of the country of Flanders). This book by Thomas A Kempis is a compilation and edition of Jean Stratius. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! (8) 135ff. (5). [Attributes: First Edition; Soft Cover]
Bookseller: Librairie Le Feu Follet [Paris, France]
2008-10-03 10:28:40
THIBAULT, Girard - Crispyn Van den QUEBORNE (d.1652)
[Leiden: B. & A. Elzevir, 1628. Copper engraving by Crispyn Van den Queborne. Very good condition apart from some light foxing in the margins. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-10-03 10:28:40
THIBAULT, Girard - Crispyn Van den QUEBORNE (d.1652)
[Leiden: B. & A. Elzevir, 1628. Copper engraving Crispyn Van den Queborne. Very good condition. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-10-03 10:28:40
THIBAULT, Girard - 'Rob: BEAUDOUX'
[Leiden: B. & A. Elzevir, 1628. Copper engraving by 'Rob. beaudoux'. Very good condition apart from a small loss in the lower right corner, a few skillfully repaired tears in the top margin, and several small tears at the extreme edge of the bottom margin. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italia … [Click Below for Full Description]
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-10-03 10:28:40
THIBAULT, Girard - Saloman SAVERY (1594-1678)
[Leiden: B. & A. Elzevir, 1628. Copper engraving by Saloman Savery. Very good condition. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-10-03 10:28:40
THIBAULT, Girard - Johann GELLE (d. circa 1625)
[Leiden: B. & A. Elzevir, 1628. Copper engraving by Johann Gelle. Very good condition apart from several skillfully repaired losses in the margins. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-10-03 10:28:40
THIBAULT, Girard - Nicolas Petri LASTMAN (d.1625)
[Leiden: B. & A. Elzevir, 1628. Copper engraving by Nicolas Petri Lastman. Very good condition apart from a few skillfully repaired losses in the margins and several tears in the top margin. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Wille … [Click Below for Full Description]
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-10-03 10:28:40
THIBAULT, Girard - Andries Jacobsz STOCK (1580-1648)
[Leiden: B. & A. Elzevir, 1628. Copper engraving by Andries Jacobsz Stock. Very good condition apart from a few light foxing marks in the top margin. A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon...and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats...As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302.
Bookseller: Donald A. Heald Rare Books (ABAA) [New York, NY, U.S.A.]
2008-10-03 10:28:40
THIBAULT, Girard - Pieter van SERWOUTERS (1586-1657)
[Leiden: B. & A. Elzevir 1628 - A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon.and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats.As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302. Copper engraving by Pieter van Serwouters. Very good condition.
Bookseller: Donald A. Heald Rare Books (ABAA)
2008-10-03 10:28:40
THIBAULT, Girard - Nicolas Petri LASTMAN (d.1625)
[Leiden: B. & A. Elzevir 1628 - A fine print from the most sumptuous book on fencing ever produced, which combines a strong design sense with beauty and historical importance, executed by one of the greatest engravers of the day. The image illustrates Thibault's theories of successful fencing using movement and mathematical principles. Thibault's work was produced during a period when the Italian rapier (or epee) held sway. "The Italians discovered the effectiveness of the dexterous use of the point rather than the edge of the sword. By the end of the 16th century, their lighter weapon.and simple, nimble, and controlled fencing style, emphasizing skill and speed rather than force, spread throughout Europe. Most of the wrestling tricks [used in earlier disciplines] were abandoned, the lunge was discovered, and fencing became established as an art" ( Encyclopaedia Britannica ). The present image marks the zenith of the use of the epee in Europe. "In the latter half of the 17th century, the sword and swordsmanship changed dramatically with a change in gentleman's dress. In France the court of Louis XIV set the fashion of silk stockings, breeches, and brocaded coats.As the long trailing rapier was unsuited to this form of dress, fashion decreed the wearing of a light, short court sword. The French style set in throughout Europe as the Italian had done earlier" (op. cit.). Cf. Vigeant p. 125; cf. Willems 302. Copper engraving by Nicolas Petri Lastman. Very good condition.
Bookseller: Donald A. Heald Rare Books (ABAA)
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