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Displayed below are some selected recent viaLibri matches for books published in 1627


         Tabulae Anatomicae LXXIIX . . . Daniel Bucretius . . . XX que deerant supplevit et omnium explications addidit / De humani corporis fabrica libri decem.

      [Evangelista Deuchinus], Venice 1627 - Tabulae Anatomicae LXXIIX . Daniel Bucretius . XX que deerant supplevit et omnium explications addidit. Venice: [Evangelista Deuchinus], 1627. [3], 1-87, 87-88, 88-95 ff, including engraved title with border by Valesio after Fialetti, 97 full-page engravings numbered to 95 (77 probably by and after J. Maurer, 20 by Valesio after Fialetti), explanatory text on verso, woodcut ornaments, colophon and printer's woodcut device on final leaf verso. [Bound before:] SPIEGEL, Adriaan van de [SPIGELIUS, Adrian]. De humani corporis fabrica libri decem. [12], 328 (i.e. 330), [14] pp., including engraved title with architectural border by Valesio after Fialetti, woodcut initials and ornaments, index and final blank. Folio (399 x 255 mm). Contemporary vellum with blind-stamped central arabesque to both boards, binding restored with the spine rebacked (boards soiled and darkened, original endpapers repaired), colored edges. Final leaves of index of De humani corporis with ink smudges (having created 3 holes with loss of letters due to ink corrosion). Internally very little marginal browning, very minor spotting and finger soiling in places, a few faint dampstains, a few closed worm holes in blank margins, frayed engraved title-page of the Tabulae repaired at blank fore-margin, upper corner of fol. 51 with paper repair (not affecting image), a few leaves with faint marginal waterstains, a few closed tears, fol. 1 with marginals in contemporary hand (cropped), plate V in fol. 7 printed upside-down, offsetting to a few plates. Both works carefully cleaned. Extensive annotations to first preliminary leaves, ink stamps by W. W. Hall to a few leaves. Provenances: Samuel Simmons, Maryland (inscribed and dated 1772 on rear pastedown), William Whitty Hall, M.D., physician and editor of health magazines (ink stamp to title page and annotation on two leaves). A handsome copy. ---- Roberts & Tomlinson, The Fabric of the Body, pp. 262-63; see also pp. 259-61; Cazort, Kornell, Roberts, The Ingenious Machine of Nature: Four Centuries of Art and Anatomy (1996) pp. 167-68; Choulant-Frank 225; Garrison-Morton 381; Eimas, Heirs of Hippocrates 414; NLM/Krivatsy 2202; Sappol, Dream Anatomy, pp. 110-111, 113; Waller 9121 and 1812. FIRST EDITION OF THIS MAGNIFICENT AND ORIGINAL SERIES OF ANATOMICAL PLATES drawn by the late-Mannerist Italian painter and printmaker, Odoardo Fialetti (1573-1638) and engraved by Francesco Valesio (b. ca. 1560). Born in Bologna, Fialetti initially apprenticed with Giovanni Battista Cremonini, and later under Tintoretto, with whom he was a favorite. Fialetti painted some of the churches at Venice, where he settled in 1604 in preference to Bologna, in order to avoid competition from the Carracci. Fialetti also engraved many plates, and was the author of works on costume, the arts, and a treatise on anatomy for artists. Since before 1600 Casseri had been working on a fully-illustrated anatomical treatise, which he hired Fialetti to illustrate. His De Vocis of 1601 concludes with a promise to publish a treatise on the anatomy of the whole human body with illustrations. However, at the time of his early death in 1616 Casseri left 86 spectacular anatomical drawings by Fialetti, and also possibly their engravings, but no text. Casseri and the co-author of this work, Adrian van de Spiegel, both studied under Fabrici (Fabricius ab Aquapendente) at the University of Padua. Both worked closely with their teacher for many years, and in 1608 Casseri succeeded Fabrici in Padua's chair of surgery and anatomy, which passed in turn to Spiegel upon Casseri's death in 1616. [Attributes: First Edition; Hard Cover]

      [Bookseller: Milestones of Science Books]
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         Lucan's Pharsalia or the civill warres of rome, betweene Pompey the great and Julius Caesar. The whole ten bookes Englished, by Thomas May London printed for Thomas Jones and John Mariott 1627.

      Thomas Jones, London 1627 - Extremely rare first edition. Weight (kg): 0,155 Height (cm): 14,8 Width (cm): 9,1 Thickness (cm): 2,2 16MO Sextodecimo 16mo [Attributes: First Edition]

      [Bookseller: Antiquariaat Meuzelaar]
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         Regola delli Cinque Ordini d’Architettura di M. Iacomo Barozzio da Vignola

      Catarin Doino 1627 - VIGNOLA (Da) Regola delli Cinque Ordini d’Architettura di M. Iacomo Barozzio da Vignola, In Venetia, per Catarin Doino. senza data (ma 1626 o 1627). In folio (41×28 cm); Legatura originale in piena pergamena con piatti interni a motivi floreali in rosso e bianco. Tracce del tempo sulla carta, ma integro in tutte le sue parti. Contiene 46 tavole comprensive di due frontespizi e dell’avviso al lettore scritto a mano con magistrale grafia. . La numerazione delle tavole alquanto confusa è in parte in numeri romani ed in parte in numeri arabi. In ultimo senza numerazione è aggiunta una tavola con un altare del Bernini, non presente in altre edizioni. Le porte del Buonarroti annunciate nel secondo frontespizio sono sostituite con opere dello stesso Vignola. Non compare alcuna dedica. Una copia simile alla nostra, esistente nella Biblioteca Angelica a Roma, con la sostituzione delle tavole del Buonarroti, senza dedica e con l’aggiunta del Bernini, venne censita nel 1792 da Angelo Camolli nella Biblioteca storico critica dell’architettura, Vol.IV, pag.99: “ Senza indicazione di un anno un’altra edizione uscì in Venezia per Catarin Doino in foglio. Ma il Mazzucchelli nota, che dalla dedicazione dello stampatore indirizzata a Monsig. Pietro Geri Aretino, si ricava essere il 1626 l’anno in cui fu fatta. In questa Biblioteca Angelica se ne ha un bell’esemplare, in cui sotto il frontespizio leggesi: In Venetia per Catarin Doino, ma né si legge l’indicata dedicazione, né vi si ricava l’anno suddetto 1626. Compreso il frontespizio essa contiene 33 tavole. Quindi segue la Nuova et ultima aggiunta della parte di architettura di MicheLangelo Buonarroti, ma questa aggiunta non racchiude che alcune parti del Vignola e non del Buonarroti per maggior confusione trovasi aggiunta in una tavola la confessione di S. Pietro del cav. Bernino.”.il libro non ha licenza di esportazione [Attributes: Hard Cover]

      [Bookseller: Libreria Aurora]
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         The Attornies Almanacke, Provided & Desired for the Generall Ease...

      1627. Only edition. London, 1627. "For the Genereall Ease and Daily Use of All Such as Shall Have Occasion to Remove any Person, Cause or Record" Powell, Thomas [1572?-1635?]. The Attornies Almanacke. Provided & Desired for the Generall Ease and Daily Use of All Such as Shall Have Occasion to Remove any Person, Cause or Record, From an Inferiour Court to Any the Higher Courts at Westminster. London: Printed by B[ernard] A[lsop] and T[homas] F[awcet] for Ben: Fisher, 1627. [viii], 72 pp. Quarto (7" x 5-1/4"). Stab-stitched pamphlet bound into recent calf, gilt title to spine, endleaves added. Light rubbing, corners and spine ends bumped. Moderate toning to text, slightly heavier in places, light soiling to front endleaf and p. 72. A handsome copy. $1,000. * Only edition. Powell was a notable poet, a man of letters and an industrious legal antiquarian. In this work, the Attourney's Academy and the Direction for Search of Records Powell offered guidance to lawyers concerning the location and use of records, mostly to settle title claims. All are mentioned favorably by Holdsworth, who notes that the study of early records was an important aspect of legal education. In a sense, these books helped students to locate material for study. They are also important sources for students of Shakespeare. (All are listed in Lee's Catalogue of Shakespeareana). OCLC locates 6 copies in North American law libraries (Harvard, Library of Congress, University of Michigan, University of Pennsylvania, University of Washington, Yale). Holdsworth, A History of English Law V:381. English Short-Title Catalogue S115029.

      [Bookseller: The Lawbook Exchange, Ltd.]
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         Antique Map-BRABANT-NETHERLANDS-BELGIUM-Georg Keller-Lundorp-Bellus-1627

      - Title: 'Abbeldinig des Fvrstendom Brabant mit die aengrender Lander. 1624'. Rare map of the Principality of Brabant with adjacent countries. West above. Title and year above the map. Bottom right compass rose. Verso unprinted. Copperplate engraving on a verge type of hand laid paper. Description: This map was published in 1627 by Schoenwetter - Kempffer in Frankfurt am Main, in the book 'Ostereichischer Lorberkrantz Oder Kayserl. Victori .' by Michael Caspar Lundorp.Artists and Engravers: Michael Caspar Lundorp also known as Nicolaus Bellus (c.1580-1629), was a German historian and author. Engraver: Georg Keller (1568-1634), was a student of Jost Amman. He exibited a loose style of engraving. Condition: Excellent given age. Storage location: TPC-Expo-P4-18 The overall size is ca. 15.7 x 11.2 inch. The image size is ca. 13 x 9.8 inch. The overall size is ca. 40 x 28.5 cm. The image size is ca. 33 x 25 cm.

      [Bookseller: ThePrintsCollector]
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         The Attornies Almanacke, Provided & Desired for the Generall Ease.

      1627 - Only edition. London, 1627. "For the Genereall Ease and Daily Use of All Such as Shall Have Occasion to Remove any Person, Cause or Record" Powell, Thomas [1572?-1635?]. The Attornies Almanacke. Provided & Desired for the Generall Ease and Daily Use of All Such as Shall Have Occasion to Remove any Person, Cause or Record, From an Inferiour Court to Any the Higher Courts at Westminster. London: Printed by B[ernard] A[lsop] and T[homas] F[awcet] for Ben: Fisher, 1627. [viii], 72 pp. Quarto (7" x 5-1/4"). Stab-stitched pamphlet bound into recent calf, gilt title to spine, endleaves added. Light rubbing, corners and spine ends bumped. Moderate toning to text, slightly heavier in places, light soiling to front endleaf and p. 72. A handsome copy. $1,000. * Only edition. Powell was a notable poet, a man of letters and an industrious legal antiquarian. In this work, the Attourney's Academy and the Direction for Search of Records Powell offered guidance to lawyers concerning the location and use of records, mostly to settle title claims. All are mentioned favorably by Holdsworth, who notes that the study of early records was an important aspect of legal education. In a sense, these books helped students to locate material for study. They are also important sources for students of Shakespeare. (All are listed in Lee's Catalogue of Shakespeareana). OCLC locates 6 copies in North American law libraries (Harvard, Library of Congress, University of Michigan, University of Pennsylvania, University of Washington, Yale). Holdsworth, A History of English Law V:381. English Short-Title Catalogue S115029. [Attributes: Hard Cover]

      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]
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         Hartford Shire Described. The Situations of Hartford, and the most ancient towne S. Albons with such memorable actions as have happened.

      1627 - London, George Humble, 1627. Coloured. 385 x 515mm. Small repairs to edges, shiny glue remains on reverse. Engraved by Jodocus Hondius, this is one of the most decorative maps of the county, with town plans of Hertford and St. Albans, a strapwork title cartouche, a stylised battle and two cartographers in the lower corners. On verso is a English-text history of the county.

      [Bookseller: Altea Antique Maps]
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         De Plantis Exoticis Libri Duo.

      1627 1627 - Prosperi Alpini phylosophi, medici, in gymnasio Patauino medicamentorum simplicium professoris ordinarij, & horti medici præfecti. Opus completum, editum studio, ac opera Alpini Alpini phylosophi, & medici, auctoris filij. Venice: Giovanni Guerilio 1627. With copperengraved title-page and 145 copperplates, ornamental initials. [16] + 344 pp. Well-preserved copy bound in contemporary full vellum. Inner frontboard-paper with minor tears at top and bottom and with small wormholes, mostly in lower margin. Name at the bottom of title-page. * 1st edition of Alpini's further observations on exotic plants. The specimens here presented were collected primarily in Crete and the Eastern Mediterranean, including many xerophilous plants from Egypt and scores of plants not mentioned in earlier works. This first edition was published posthumously in 1627 and was edited by the author's son, Alpini Alpini. Prospero Alpini [1553-1617], an Italian physician and botanist, travelled through Greece, Crete, and Egypt from 1580 to 1583 with the Venetian Consul Giorgio Eno. He worked as a medical advisor and took the opportunity to carry out botanical investigations. His work includes the first European recognition of the medicinal value of coffee and introduced banana and baobab. Alpini became professor of botany at Padua after having spent three years in Egypt [Garrison/M., pp. 992].Nissen BBI 21. Cf. Pritzel 112. Hunt 213. [Attributes: First Edition]

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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         Eigentliche Abbildung der berumbte Vestung Gulich, wie Die im Jhar 1621. den 5. Septemb. vom Graffen Heinderich von dem Berge, im namen Königliche Maiesteet in Spanien, ist belagert worden, und hat es erobert, den 3. Febr. Ao 1622.". Kupferstich. Aus: Caspar Enß, Fama Austriaca.

      Köln, Peter von Brachel und Abraham Hohenberg, 1627 - Schöne Gesamtansicht von Jülich und Umgebung mit Belagerung von 1622 aus der halben Vogelsperspektive. - Das Bild befindet sich auf den Innenseiten eines bedruckten Doppelblattes (insgesamt vorhanden sind die S. 567-570). - Stärker gebräunt, im Rand etw. fleckig. *** /// *** Copyright: Matthaeus Truppe - Stubenberggasse 7 - A-8010 Graz - +43 316 829552 *** /// *** Sprache: Deutsch Gewicht in Gramm: 0 Ca. 22 cm x 27 cm (Platte); ca. 33 cm x 40 cm (ganze Doppelseite).

      [Bookseller: Matthaeus Truppe Antiquariat]
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         De conviviis libri quatuor (beigebunden): De pictura, plastice, statuaria libri duo. (beigebunden): De Ludis veterum liber unicus

      Lyon, Ludovici Prost 1627 - Bemerkungen: Seltene erste Ausgaben. Die Abhandlung des französischen Jesuiten Jules César Boulenger (1558–1628) „de conviviis “ ist in 4 Teile (liber) gegliedert. Der erste behandelt die Gastlichkeit, der zweite das Essen, der dritte den Wein, der vierte Ausrüstung und Belegschaft von Küchen und Festsälen. Die beiden beigebundenen Schriften „de pictura “ und „de ludis “ behandeln (Kunst)Bildnerei und die Durchführung von (Fest)Spielen. Boulenger war eine Art Soziologie-Phänomenologe, der vor dem Hintergrund seiner umfassenden philologischen und historischen Kenntnisse vor allem durch die Beschreibung lebenskultureller Bezüge aus den alten Schriften der Griechen und Lateiner zu einem Transfer spezifisch häuslichen Kulturwissens in das 17, Jh. beitrug; vgl. z.B. die Titel anderer meist als Monographie bezeichneter Schriften von ihm wie: De sortibus liber. De auguris et auspiciis liber. De ominibus. De prodigiis. De terrae motu et fulminibus. De oraculis et vatibus liber. Item excerptum de templis ethnicorum. De triumphis, spoliis, bellicis, trophaeis, arcubus triumphalibus et pompa triumphi liber. Drexel 225. (I - III), de Backer/S. fl, 371, 24-26. Beschreibung: Pergamenteinband der Zeit. Format/ Einband 18 x 11,5 cm. 3 zusammengebundene Teile unterschiedlichen Inhalts - Teil 1: (De conviviis ) 394 Seiten/ 12 Seiten Index; Teil 2: (De pictura ) 162 Seiten/ 7 Seiten Index; 3. Teil: (De Ludis ) 80 Seiten/ 7 Seiten Index; handschriftlicher Rückenbeschriftung; zahlr. figuralen Holzschnittinitialen und -bordüren; handschriftliches ex libris und marginale Notizen auf Vor- und Nachsatz, Frontispiz und auf wenigen Innenseiten von sehr alter Hand (1642 ?), Vorsatzpapier zur Hälfte fehlend; leichter Papierverlust auf Frontispiz ohne Textverlust; Papier nur mit Flecken und Wasserrändern; ansonsten ein vollständig erhaltenes Exemplar. [Attributes: Hard Cover]

      [Bookseller: BundesAkademieVerlag-Dr.Timmermanns]
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         De conviviis libri quatuor [.] Auctore Iulio Caesare Bulengero Societatis Iesu presbytero. [Seguono, con proprio front. e proprie note tipografiche: De pictura plastice statuaria libri duo e De ludis privatis, ac domesticis veterum liber unicus].

      - Lione, sumptibus Ludovici Prost haeredis Roville, 1627, tre titoli legati in un volume, in-8, leg. di poco posteriore in piena pergamena, titolo manoscritto al dorso, tagli spruzzati, pp. [16], 394, [14] - [8], 162, [6] - [8], 80, [8], l'ultima carta bianca. Bruniture e fioriture dovute al tipo di carta. Prime edizioni di questi trattati sui banchetti e la gastronomia, sulla pittura e scultura e sui giochi fra i Greci e i Romani. [Attributes: Hard Cover]

      [Bookseller: Libreria Oreste Gozzini snc]
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         England Wales Scotland and Ireland Described and Abridged.

      [London: J. Dawson] sould by Georg Humble,, 1627. With ye historic relation of things worthy memory from a farr larger voulume. Landscape octavo (107 x 162 mm). Recently bound using old vellum, tawed leather ties. Engraved decorative title, engraved "Catalogue of all the Shires", 63 maps (complete, 2 folding). A few marginal annotations in a 17th-century hand; neat restorations to title, map of Northumberland and last leaf, paper flaw at fore margin of O4, a couple of maps shaved, 3 with early hand-colour (Sussex, Dorset, Essex), a couple of leaves a little ragged at fore-edge, a few old pale marginal stains, yet a very good copy, with decent margins and strong impressions of the maps. Second miniature edition of Speed's atlas of Great Britain and Ireland, following the edition of 1620. The "farr larger Voulume Done by John Speed" is a reference to the famous Theatre of the Empire of Great Britaine (1611), issued in folio. Thomas Chubb explains that for the first miniature edition of 1620 "forty [of the maps] are reprints of Peter Keer's maps of 1599 issued at Amsterdam in 1617 [for William Camden's Viri clarissimi Britannia]. Sixteen are newly engraved maps of some of the English counties which, in the earlier editions of 1599 and 1617, were grouped together, seven are additional maps". The publisher George Humble was "granted a privilege to print the Theatre for twenty-one years from 1608… [Speed's Theatre and History of Great Britain] were an immediate success: three new editions and issues of each appeared during Speed's lifetime, and a miniature version was first published about 1619-20" (ODNB). A delightful edition, showing the mapped landscape of Britain as it would have been known to Shakespeare.

      [Bookseller: Peter Harrington]
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         Antique Map-BREDA-FORTIFICATION-SPINOLA-CITY-Herman Hugo-1627

      - Antique map, titled: 'Breda fortified with new workes after the comming of spinola. ', it shows a plan of the Dutch city of Breda, with the additional fortifications built after the arrival of Spinola. It shows several landmarks around the city, beside the details of the fortification. Etching/engraving on hand laid (verge) paper with watermark (not visible in every sheet). Description: This print originates from Herman Hugo's 'The Siege of Breda by the Armes of Phillip the Fourth.', by Herman Hugo, published in 1627, which is the English translation of 'Obsidis Bredana, sub Ambrosio Spinola.' (edition in 1626 and 1629), an eye-witness account of the ten-month siege of the fortress of Breda in 1625 by Spanish forces led by Spinola.Artists and Engravers: The author of this work is Herman Hugo (1588-1629). He was a Jesuit priest, writer and military chaplain. His is best known for his spiritual emblem book 'Pia Desideria'. Artist and engraver for this work unknown, to be determined. Published by Balthasar Moretus at the Plantin Press. Condition: Fair, given age. Original middle fold, as issued. Browned in the middle fold. Several creases in the image. A tear in the middle fold, backed with contemporary paper and acid-free archival tape. Right margin cropped to the platemark, extended using contemporary paper and acid-free archival tape. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: A245-15 The overall size is ca. 15.2 x 11.2 inch. The image size is ca. 14 x 9.3 inch. The overall size is ca. 38.5 x 28.5 cm. The image size is ca. 35.5 x 23.5 cm.

      [Bookseller: ThePrintsCollector]
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         The Sea-mans Grammar: Containing Most plain and easie directions, how to Build, Rigge, Yard, and Mast any Ship whatsoever. With the plain exposition of all such terms as are used in a Navie and Fight at Sea. Whereunto is added a Table of the Weight, Charge, Shot, Powder, and the dimensions of all other appurtenances belonging to all sorts of great Ordnance. With divers practicall Experiments in the Art of Gunnery. Also the Charge and Duty of every Officer in a Ship and their Shares: With the use of the Petty Tally. Written by Captain John Smith, sometimes governour of Virginia, and Admiral of New England.

      Small 4to, [A]2, B-K4, L2, pps [iv], 1-75 [last 3 pp misnumbered 83-85], black letter, title-page within a border of printer's flowers, ink stain to title, disbound, preserved in a cloth folder and 1/4 morocco slip-case, engraved bookplate of "Harriet Aldrich and Winthrop Williams Aldrich", fine.A reprint of the author's "A Sea Grammar. London J.Haviland, 1627". He played an important part in the establishment of Jamestown, the first permanent English settlement in North America. He was a leader of the Virginia Colony (based at Jamestown) between September 1608 and August 1609, and led an exploration along the rivers of Virginia and the Chesapeake Bay. He was the first English explorer to map the Chesapeake Bay area and New England. A note on the Thomason copy: "Nouemb. 6 1652" and the '3' in the imprint has been crossed out.

      [Bookseller: H M Fletcher]
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         The Generall Historie of Virginia, New-England, and the Summer Isles: with the names of the Adventurers, Planters, and Governours from their first beginning Ano: 1584 to this present 1626

      London: J. D.[awson] and I. H.[aviland] for Michael Sparkes 1627 - First edition, third issue. This is an outstanding copy of a foundational work of American history, from the library of the Calverts, the original Proprietors and colonial governors of Maryland. Folio. Engraved title page (Sabin’s third state), folding plate with map of Ould Virginia (fourth state), folding map of Virginia (tenth state), folding map of the Summer Isles (third state), and folding map of New England (Sabin’s eighth state), expertly mounted repairing a few old tears. This copy without the errata occasionally found pasted to foot of final page. Title a little soiled, minor stains. 17th-century blind-tooled calf, red morocco label, minor repairs, later endpapers. Half morocco case. A fine, fresh copy. This American classic is “the foundation of England’s knowledge of America during the early period of colonization” (PMM). John Smith was one of the original settlers of the Jamestown colony and a member of its governing council. After exploring the region for a year, Smith returned to find the settlement failing. “Although he is best known as the man who stepped in to force the disoriented Jamestown colonists to save themselves, his contribution as historian and theorist was also extremely important” (ANB), most notably his Generall Historie of Virginia. The Generall Historie of Virginia contains Smith’s eyewitness accounts of the founding of Jamestown, his capture and rescue through the intercession of Pocahontas, his time spent in Virginia (1606- 1609), and his explorations of the New England coast (1610-1617). The work comprises six books as follows: 1) the first settlement of Virginia, and the subsequent voyages there to 1605, 2) the land and its Indian inhabitants, 3) Smith’s voyage and the settlement of Jamestown, from December 1606 to 1609, plus two pages reprinting laudatory verses addressed to Smith from The Description of New England, with a few lines of introduction by Smith beginning: “Now seeing there is thus much Paper here to spare,” 4) Virginia from the planting of Point Comfort in 1609 to 1623, 5) the history of the Bermudas (or Summer Isles) from 1593 to 1624, followed by verses also reprinted from the Description, and 6) the history of New England from 1614 to 1624. There was one edition of the text. Over the period of its sale, the title page was updated to reflect the year as well .0as the accession of Charles I, whose portrait appears on this title. The copper plates of the four excellent maps were also altered, adding names and changing details. The Generall Historie of Virginia contains some of the most important American maps ever published including Smith’s map of Virginia (“one of the most important printed maps of America ever produced and certainly one of the greatest influence”) and his map of New England (“the foundation map of New England cartography, the one that gave it its name and the first devoted to the region”) (Burden). This is a magnificent colonial American association copy in a period binding. This book is from the library of the Calvert family, the original Proprietors of Maryland. It bears the bookplate of Benedict Leonard Calvert (1700-1732), restored Proprietary Governor of Maryland and son of Benedict Leonard Calvert, 4th Lord Baltimore. This copy may descend from George Calvert, 1st Lord Baltimore, who sailed from Newfoundland to Virginia in 1629. His son Cecil Calvert, 2nd Lord Baltimore, was granted the charter for Maryland by Charles I in 1632. In 1715, the Crown restored proprietary rights to Benedict Leonard Calvert, 4th Lord Baltimore. His son Benedict Leonard Calvert, whose bookplate is in this volume, was named governor of Maryland by his brother, the 5th Lord Baltimore. Benedict Leonard Calvert died at sea in 1732 on his return voyage to England. A superlative colonial provenance: Benedict Leonard Calvert (1700-1732), restored Proprietary Governor of Maryland and son of Benedict Leonard Calvert, 4th Lord Baltimore (bookplate reading: “The Honble Benedict [Attributes: First Edition; Hard Cover]

      [Bookseller: 19th Century Rare Book & Photograph Shop]
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         Recueil des plus beaux vers de Messieurs de Malherbe, Racan, Monfuron, Maynard, Bois-Robert, l'Estoille, Lingendes, Touvant, Motin, Mareschal et autres des plus fameux esprits de la Cour.

      Paris, 1627 - Plein vélin d'époque à recouvrement, titre manuscrit au dos. Manques le vélin au niveau du recouvrement. [6]ff, 955pp, [1]f blanc, [8]ff, [26]ff entre les pages 608 et 609. Contient 538 pièces : de Malherbe (p.1 à 144), de Racan (p.145 à 260), Maynard (p.261-440), Bois-Robert (p. 441 à 608, plus 8 f. n. c. ici manquants), L'Estoille (26 f.n.ch.), Lingendes (p609 à 655), Touvant (p.656 à 689), Motin (p.690 à 792), Mareschal (p.793 à 838), "Divers auteurs" : trois pièces non signées qui sont de Motin (p.839 à 850), une chanson signée "Malherbe" (p.851-852), des stances de Tristan [l'Hermite](p.853-855), quatre sonnets de la Picardière Forget (p.856 à 859), une pièce de Callier (p.860 à 861), une pièce de Cremail (p.862 - 864), un sonnet de Le Brun (p.865), une élégie de Bois-Robert (p.866-896), cinq epigrammes et une ode de Maynard non signées (p.870 - 876), quatre sonnets de Méziriac (P.877 - 880), une ode de Beaumont-Harlay (p.881-888), trois pièces de Du Bellan (p.889 -896), trente-trois pièces de Monfuron (p.897-954).318 pièces sont en édition originale. Francois Malherbe décèdera un an plus tard. Ce n'est qu'un an avant sa mort, qu'il se préoccupe de réunir cette ?uvre poétique, avec celles de Racan, Monfuron, Maynard, Boisrobert, L'Estoille, Lingendes, Premier de cette liste d'auteurs et de ce recueil, Malherbe attache une importance particulière à la norme et à la hiérarchie des genres. Il donne ici soixante-deux poèmes, dans un ordre hiérarchique convenu, du plus « élevé » au « médiocre » ou « moyen », en excluant le « bas » ou l'« extraordinaire » : poésies religieuses (paraphrase des Psaumes), poésies et odes consacrées aux rois, aux reines et aux Grands, poésies galantes, vers de ballets, épitaphes et consolations.Le premier recueil dit de Toussaint de Bray, premier recueil de poésies du XVIe siècle, date de 1608. Toussaint du Bray, avec ce recueil qui est la suite des Délices, revient au titre de sa première publication. Comme il le dit dans l'avis du "Libraire au lecteur", une partie des poésies ayant figuré dans les "Délices" se retrouve ici mais avec des pièces nouvelles, "en partie de Monsieur de Malherbe et de ceux qu'il avoue pour ses écoliers".Au total, 538 pièces dont 17 non signées mais qui ont pu être attribuées. Parmi les pièces de Malherbe, 13 sont en édition originale.Bien complet donc des 26 feuillets reliés entre les pages 608 et 609 qui font partie de l'édition : ils correspondent à des vers de Mr de l'Estoille.Il manque 8 feuillets non chiffrés comprenant des poésies de Bois-Robert, après la page 608. Ces pièces ne figurent pas dans la table. Le feuillet des pages 445 - 446 manquant, a été remplacé par un fac-similé. Fortes mouillures aux six premiers feuillets s'atténuant rapidement ensuite. ARBOUR, Roméo - Toussaint du Bray, n°257. Brunet IV, 1167. Lachèvre, 62 - 66. [Attributes: Hard Cover]

      [Bookseller: Librairie Gaëlle Cambon]
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         De referendariorum votantium signaturae justitiae collegio.

      Fatinellis (1627-1719)

      [Bookseller: Wissenschaftliches Antiquariat Köln]
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         Proxeneta, seu de prudentia civili liber.Lugduni Batavorum, ex officina Elzeviriana, 1627.

      Lugduni Batavorum, ex officina Elzeviriana 1627 - Cm. 12, pp. (24) 767 (1). Bellissimo frontespizio inciso in rame raffigurante Cardano. Bella legatura in pieno marocchino rosso, dorso a 4 nervi con titoli e ricchi fregi dorati agli scomparti. Piatti inquadradrati du duplice filettatura con fregi in oro agli angoli e tagli dorati. Antica firma di possesso al frontespizio. Trascurabili mende alla legatura, qualche sporadica fioritura e lieve alone al margine alto delle carte finali. Bell'esemplare. Gerolamo Cardano (1501-1576), nativo di Pavia, fu medico, matematico, filosofo e astrologo di grande fama. Ebbe una vita tormentata a cusa dei figli, uno condannato a morte per uxoricidio, l'altro sospettato di furto. Nel 1570 fu arrestato per eresia e costretto a lasciare l'insegnamento e a distruggere le opere compilate e mai date alle stampe. La redazione di questa importante opera politica fu particolarmente travagliata e durò circa un decennio (1560-1570). Ne scaturì un manuale pratico dall'essenza utopica in cui la filosofia morale diviene guida per i comportamenti nella vita civile e politica. Rara prima edizione postuma. Si ebbero in seguito numerose ristampe, sotto il titolo di "Arcana politica". Cfr. Iccu; Willems, 272; Brunet I, 1573. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Apuleio]
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         Tabulae Rudolphinae, quibus astronomicae scientiae, temporum longinquitate collapsae restauratio continetur; a Phoenice illo astronomorum Tychone, ex illustri & generosa Braheorum . familia ., primum animo concepta . Jussu et stipendiis fretus trium Imppp. Rudolphi, Matthiae, Ferdinandi, annitentibus haeredibus Braheanis; ex fundamentis observationum relictarum . continuis multorum annorum speculationibus & computationibus . perfecit, absolvit, adq(ue) causarum & calculi perennis formulam traduxit Joannes Keplerus.

      - Ulm, J. Saur, 1627. Folio. Illustr. Kupfertitel (G. Celer fec.), 8 Bl., 120 S. Moderner Halbleder mit Marmorpapierbezug u. Rückenschild. Erste Ausgabe, zweite Fassung, aber ohne den Tafel-Anhang (119 S.). - Der vorliegende Textteil enthält die "Praecepta", d.h. Anweisungen zur Benutzung der hier fehlenden Sonnen-, Mond- und Planetentafeln. "Die Vollendung der sog. Rudolphinischen Tafeln ist als Krönung der von Kepler bereits 30 Jahre zuvor unter Tycho Brahe in Angriff genommenen Arbeiten anzusehen, denen erstmals die neue logarithmische Rechenmethodik sowie die von Kepler erkannten Planetengesetze zugrundegelegt werden konnten" (Dünnhaupt, Kepler 49.1). - Caspar, Bibliogr. Kepleriana 79; Zinner 5063; DSB VII, 305; VD17 12:651552R; Sparrow, Milestones of Science 116; PMM 112 ". remained the standard astronomical tables for one hundred years". - Durchgehend gebräunt u. stockfleckig, stellenw. stärker u. gelegentlich fingerfleckig. Im Fußsteg meist etwas wasserrandig. Kupfertitel unten mit altem hs. Eintrag, Drucktitel mit teilw. entferntem kl. Stempel. Titel mit Stempelrasur). [Attributes: First Edition; Hard Cover]

      [Bookseller: Buch & Consult Ulrich Keip]
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         Arciducatu de Austria

      Artist: Rossi Giacomo Giovanni ( - 1691) Rome; issued in: ; date: ca 1684 1627 - - technic: Copper print; - colorit: colored; - condition: Some restoration at lower centerfold; - size (in cm): 40 x 55; - description: Map shows total Austria; -vita of the artist: Giovanni Giacomo De' Rossi was the son of the founder of the most important and active printing press of the 17th century in Rome. Begun in 1633 by his father Giuseppe (1570-1639), the press passed firstly to Giacomo and to his brother Giandomenico (1619-1653), and then later to Lorenzo Filippo (1682-?); in 1738 it became the Calcografia Camerale, from 1870 until 1945 the Regia Calcografica, and today it is known as the Calcografia Nazionale. Here are conserved, amongst many others, the plates of Giambattista Piranesi (1720-1778). Giacomo De' Rossi was the most involved of all the various family members who ran the press, and he worked between 1638 and 1691, and was to take the company to the height of its success.

      [Bookseller: Antique Sommer& Sapunaru KG]
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         Piano della Citta di Quebec

      Artist: Rossi Veremondo ( - 1691) Rome; issued in: Italy; date: ca 1770 1627 - - technic: Copper print; - colorit: colored; - condition: Very good; - size (in cm): 24 x 23; - description: Map shows a city map of Quebec; -vita of the artist: Giovanni Giacomo De' Rossi was the son of the founder of the most important and active printing press of the 17th century in Rome. Begun in 1633 by his father Giuseppe (1570-1639), the press passed firstly to Giacomo and to his brother Giandomenico (1619-1653), and then later to Lorenzo Filippo (1682-?); in 1738 it became the Calcografia Camerale, from 1870 until 1945 the Regia Calcografica, and today it is known as the Calcografia Nazionale. Here are conserved, amongst many others, the plates of Giambattista Piranesi (1720-1778). Giacomo De' Rossi was the most involved of all the various family members who ran the press, and he worked between 1638 and 1691, and was to take the company to the height of its success.

      [Bookseller: Antique Sommer& Sapunaru KG]
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         Wales: Set of eight maps]

      c.1627 - Copper engraved 81 x 121 mm A set of eight maps of Wales with accompanying text on verso: Wales, Angelsey & Caernarvon, Denbigh & Flint, Glamorgan, Montgomery & Merioneth, Monmouth, Pembroke & Radnor, Brecon, Cardigan & Carmarthen, from Pieter van den Keere's 'England, Wales, Scotland, and Ireland Described'. The miniature atlas, which was heavily based on John Speed's 'Theatre', is generally referred to as a 'pocket edition' of Speed's atlas. In total, 63 maps were featured in van den Keere's atlas, those of of which were arranged in the same sequence as Speed's 'Theatre', and featured English text on the backs that was a word-for-word reprinting of the text featured in Speed's atlas. Although three editions of the atlas exist - 1627, 1632, and 1646 - the plates for the maps remained unaltered, although progressive wear and damage assists dating the editions. Whilst the plates were not reworked, the layout of the text on the reverse of the maps differed from edition to edition. Between 1662 and 1668, Roger Rea reissued the atlas, with several of the damaged and worn plates being re-engraved, or replaced. Pieter van den Keere, also known frequently as Petrus Kaerius, came to England in 1584, as a Protestant refugee from his home town of Ghent with his sister Colette, who married Jodocus Hondius, in 1587. It was probably from Hondius that Keere learned to engrave. Both engravers left London in 1593 to settle in Amsterdam. Keere began to engrave a series of miniature maps in 1599 in preparation for a small atlas of the British Isles. The maps were first published in 1617 by William Blaeu with plate numbers and Latin text. They then passed to George Humble, who published them in 1619 and then again in 1627, by which time they had become known colloquially as 'Miniature Speeds.'

      [Bookseller: Sanders of Oxford ltd]
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         La Morea

      Artist: Rossi Giacomo Giovanni ( - 1691) Rome; issued in: Rome; date: ca 1685 1627 - - technic: Copper print; - colorit: colored; - condition: Some restoration at lower centerfold; - size (in cm): 43 x 55; - description: Map shows the Pelepones; -vita of the artist: Giovanni Giacomo De' Rossi was the son of the founder of the most important and active printing press of the 17th century in Rome. Begun in 1633 by his father Giuseppe (1570-1639), the press passed firstly to Giacomo and to his brother Giandomenico (1619-1653), and then later to Lorenzo Filippo (1682-?); in 1738 it became the Calcografia Camerale, from 1870 until 1945 the Regia Calcografica, and today it is known as the Calcografia Nazionale. Here are conserved, amongst many others, the plates of Giambattista Piranesi (1720-1778). Giacomo De' Rossi was the most involved of all the various family members who ran the press, and he worked between 1638 and 1691, and was to take the company to the height of its success.

      [Bookseller: Antique Sommer& Sapunaru KG]
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         Archidipno, overo dell’insalata, e dell’uso di essa. Trattato nuovo, curioso, e non mai più dato in luce

      Venice: Marco Antonio Brogiollo, 1627. 4to (200x142 mm); contemporary flexible vellum, ink title along spine; (16), 426 [recte 436], (4, of which the last 2 are blank) pp. Coat-of-arms of Colantoni family engraved on the title-page. On the front flyleaf a contemporary note says: "Si quem alicui detrahentem audieris, procul fugiens / dimitte eu[m], ut serpente[m]. Dr. Hier.s de murmutat.e fugienda / e cosi terrai a core quest'Autore". Ownership's inscription on the title-page inked out. Contemporary underlining and annotations in the margin. Some foxing and browning, but a very fresh and genuine copy in its first binding.FIRST EDITION of the first monograph on salad. In sixty-eight chapters it deals with all kinds of salads and many vegetables, discussing a great number of recipes and dressings. The book is also a mine of medical, botanical and historical information, as well as anecdotes and detailed news on the eating habits of the nobles of the time.The work is accompanied by an index of ancient and modern sources: A. Petronio, A. Mizauld, Avicenna, Aristotle, G. Cardano, Galen, G. Mercurial, Homer, Plutarch, Hippocrates, M.A. Brasavola, Pliny, Apicius, etc. The sixty-eight chapters are grouped into sections that follow a precise 'Aristotelian' logic order: definition, composition and purpose of the main subject of the book (chaps. 1-4); condiments (chaps. 5-14); salad ingredients (chaps. 15-62), divided into roots and bulbs (chaps. 16-25), sprouts (chaps. 26-29), leaves (chaps. 30-53 ), beans (chaps. 54-55), flowers (chaps. 56-57), fruits (chaps. 58-60), and mixed salads (chaps. 61-62); dietary suggestions of various kinds related to salad and vegetables (chaps. 63-68).Each entry repeats the logical structure of the treaty and includes for each ingredient definition, organoleptic characteristics, geographical distribution, different local names, methods of cultivation, varieties, different uses in the salad, medical and dietary benefits. In particular, it specifies whether an ingredient can be defined 'hot' or 'cold according to the Hippocratic criteria, whether it is digestible or not, increase or moderate the effects of wine, stimulate the appetite, diuresis and sexual libido. The selection of the ingredients discussed is mainly made on the basis of their notoriety and accessibility: Massonio deliberately avoids treating rare, little known or indigestible vegetables.The author remarks that salad is different from other foods as it is a composite and not a simple aliment, and its aim is not that of satiating rather that of stimulating the appetite; by this virtue salad can be considered as a specific food to human beings only (chap. 1).The condiments treated by the author include traditional ones, such as vinegar (chap. 6), oil (chap. 7), and salt (chap. 8): essential elements from which salad (in Latin, 'acetarium') derives its original name (chap. 9). But Massonio also quotes lesser-known and less used condiments, like 'garum', the famous sauce in use among the ancient Romans made of macerated fish guts, compared by the author to caviar (chap. 10); 'sapa' or cooked must (chap. 11); pepper, the "most noble", but involving several side effects (chap. 12); lemon and orange juice (chap. 13); and finally garlic with its remarkable healthy effects, except for the breath (chap. 14).Among the roots, Massonio lists carrot and parsnip, which he recommends cooked (chap. 16), red beet (chap. 17), buttercup (chap. 18), turnip (chap. 21), and onion (chap. 22), just to mention a few. After this series, Massonio discusses the bulbs and roots (chap. 23), like the truffle (chap. 24) and the horseradish (chap. 25). As for the shoots (chap. 26), he examines the hops (chap. 27), the asparagus (chap. 28), and the fennel (chap. 29).The largest section of the treaty is obviously the one devoted to the "leaves" (chap. 30), the main ingredient of salads. Priority is quite understandably given to lettuce (Chap. 31), both raw and boiled; then Massonio deals with endive and chicory (chap. 32), arugula (chap. 33), valerian (chap. 34), nasturtium (chap. 35), borage (chap. 36), sorrel (chap. 37), lemon balm (chap. 38), watercress (chap. 39), chervil (chap. 42), burnet (chap. 43), tarragon (chap. 44), star grass (chap. 45), calendula (chap. 46), basil (chap. 49), beans (chap. 50), cabbage (chap. 53), just to mention a few. After that are discussed beans and peas (chaps. 54-55), saffron (chap. 56), rosemary (chap. 57), pumpkins (chap. 58), capers (chap. 59), and cucumbers (chap. 60). A separate section is devoted to mixed salads, the so-called 'misticanze'.The last part of the book gives dietary suggestions. Massonio recommends "not having salad at the end of the dinner" (chap. 63); it should rather be eaten as an appetizer and the food should be taken immediately afterwards, without waiting (chap. 66). Nor is it appropriate to drink wine or water after eating salad, as it undermines its positive effects. The author then strongly advises against drinking wine after eating: a habit that prevents a good digestion. Massonio concludes that even salad is not always salutary and its use should be evaluated according to temperament, health and age (chap. 65). The final chapter contains "useful warnings" on salad (chap. 68) (cf. S. Ferrero, Introduzione, in: "Archidipno, ovvero dell'insalata e dell'uso di essa di Salvatore Massonio", M. Paleari Henssler & C.S. Ferrero, eds., Milan, 1990, pp. I-XXX).Massonio was a poet, a historian and a physician. He published dramas and poems as well as a history of L'Aquila, his hometown (Dialogo dell'origine della città dell'Aquila, L'Aquila, 1594). He was a member of the Accademia dei Velati of L'Aquila with the name of 'Avviluppato'.Catalogo unico, IT\ICCU\UFIE\000648; C. Benporat, Cucina e convivialità italiana del Cinquecento, Florence, 2007, p. 240; K. Bitting, Gastronomic bibliography, San Francisco, 1939, p. 315; B.IN.G., no. 1266; W.R. Cagle, A matter of taste, New York, 1990, 1160; P. Krivatsy, A Catalogue of Seventeenth Century Printed Books in the National Library of Medicine, Bethesda, 1989, no. 7547; A.L. Simon, Bibliotheca gastronomica, London, 1953, no. 1023; G. Vicaire, Bibliographie gastronomique, Paris, 1890, col. 577; Wellcome Library, no. 4118; R. Westbury, Handlist of Italian Cookery Books, Florence, 1963, p. 146.

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         Le cose maravigliose di Roma; cioè, chiese, e luoghi pij; con la delineatione dell’edificio... Cimiterij, reliquie, corpi santi, stationi... Solennità, maritaggi... Antichità, tempij, archi, teatri, anfiteatri... La guida romana, ch’insegna a’ forastieri di trovar facilmente le sudette cose. I nomi de’ sommi pontefici, imperatori, re... Le sette famose meracviglie del mondo. Le poste principali d’Italia: & altre cose notabili. Tutte nuovamente corrette, et abbellite

      s.t. 8vo (cm. 17), 120 pp. Frontis. stampato in rosso e nero entro cornice architettonica figurata. Una ill.ne xilografica e 51 incisioni su rame n.t., di cui la Basilica di San Pietro a doppia pagina (legato con) Palladio Andrea, Le antichità dell’alma città di Roma..., in Roma, Per Andrea Fei, l’Anno del Giubileo 1650. Terzo de’ Giubilei delle sue Impressioni. Con licenza de’ Superiori. Ad instanza de Antonio Maria Gioiosi all’Insegna del Morion d’oro, 48 pp. (per errore del legatore le pp. 17-18 sono posposte a p. 30). Graziosa vignetta con la lupa capitolina al frontis. e 17 ill.ni xilografiche n.t. Legatura settecentesca in pergamena rigida con titolo oro su tassello dipinto al ds. Antica firmetta e minuscolo timbro ex libris al frontis. della prima opera. Traccia di un insignificante e ben lontano dal testo percorso di tarlo al margine esterno di 5 carte. Poche ingialliture sparse. Nel complesso, esemplare genuino ed in bello stato di conservazione. Prima opera pubblicata con ogni certezza tra il 1627 (data indicata a p. 68 in cui viene citata la stampa dell’Itinerario di Giovanni Enrico) e il 1644 poiché la Cronologia dei Pontefici si arresta al 1644 con la fine del papato di Urbano VIII. Nel nostro esemplare quest’ultima cronologia prosegue - anticamente ms. su tassello cartaceo - fino al 1758, anno di elezione al soglio di Clemente XIII. Edizione censita da ICCU in due sole bibl. italiane. Cicognara, 3689. Rossetti (G-708) cita una diversa edizione (con indicazione della data 1640 e del nome del tipografo) con stesso titolo e identica collazione. Non in Olschki. Per la seconda opera: cfr. Rossetti, G-759 e Cicognara, 3814; Due rare guide della città di Roma, legate in un volume, con numerose e splendide illustrazioni sia calcografiche che xilografiche.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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         Archidipno, overo dell'insalata, e dell'uso di essa. Trattato nuovo, curioso, e non mai più dato in luce

      4to (200x142 mm); contemporary flexible vellum, ink title along spine; (16), 426 [recte 436], (4, of which the last 2 are blank) pp. Coat-of-arms of Colantoni family engraved on the title-page. On the front flyleaf a contemporary note says: "Si quem alicui detrahentem audieris, procul fugiens / dimitte eu[m], ut serpente[m]. Dr. Hier.s de murmutat.e fugienda / e cosi terrai a core quest'Autore". Ownership's inscription on the title-page inked out. Contemporary underlining and annotations in the margin. Some foxing and browning, but a very fresh and genuine copy in its first binding.FIRST EDITION of the first monograph on salad. In sixty-eight chapters it deals with all kinds of salads and many vegetables, discussing a great number of recipes and dressings. The book is also a mine of medical, botanical and historical information, as well as anecdotes and detailed news on the eating habits of the nobles of the time.The work is accompanied by an index of ancient and modern sources: A. Petronio, A. Mizauld, Avicenna, Aristotle, G. Cardano, Galen, G. Mercurial, Homer, Plutarch, Hippocrates, M.A. Brasavola, Pliny, Apicius, etc. The sixty-eight chapters are grouped into sections that follow a precise 'Aristotelian' logic order: definition, composition and purpose of the main subject of the book (chaps. 1-4); condiments (chaps. 5-14); salad ingredients (chaps. 15-62), divided into roots and bulbs (chaps. 16-25), sprouts (chaps. 26-29), leaves (chaps. 30-53 ), beans (chaps. 54-55), flowers (chaps. 56-57), fruits (chaps. 58-60), and mixed salads (chaps. 61-62); dietary suggestions of various kinds related to salad and vegetables (chaps. 63-68).Each entry repeats the logical structure of the treaty and includes for each ingredient definition, organoleptic characteristics, geographical distribution, different local names, methods of cultivation, varieties, different uses in the salad, medical and dietary benefits. In particular, it specifies whether an ingredient can be defined 'hot' or 'cold according to the Hippocratic criteria, whether it is digestible or not, increase or moderate the effects of wine, stimulate the appetite, diuresis and sexual libido. The selection of the ingredients discussed is mainly made on the basis of their notoriety and accessibility: Massonio deliberately avoids treating rare, little known or indigestible vegetables.The author remarks that salad is different from other foods as it is a composite and not a simple aliment, and its aim is not that of satiating rather that of stimulating the appetite; by this virtue salad can be considered as a specific food to human beings only (chap. 1).The condiments treated by the author include traditional ones, such as vinegar (chap. 6), oil (chap. 7), and salt (chap. 8): essential elements from which salad (in Latin, 'acetarium') derives its original name (chap. 9). But Massonio also quotes lesser-known and less used condiments, like 'garum', the famous sauce in use among the ancient Romans made of macerated fish guts, compared by the author to caviar (chap. 10); 'sapa' or cooked must (chap. 11); pepper, the "most noble", but involving several side effects (chap. 12); lemon and orange juice (chap. 13); and finally garlic with its remarkable healthy effects, except for the breath (chap. 14).Among the roots, Massonio lists carrot and parsnip, which he recommends cooked (chap. 16), red beet (chap. 17), buttercup (chap. 18), turnip (chap. 21), and onion (chap. 22), just to mention a few. After this series, Massonio discusses the bulbs and roots (chap. 23), like the truffle (chap. 24) and the horseradish (chap. 25). As for the shoots (chap. 26), he examines the hops (chap. 27), the asparagus (chap. 28), and the fennel (chap. 29).The largest section of the treaty is obviously the one devoted to the "leaves" (chap. 30), the main ingredient of salads. Priority is quite understandably given to lettuce (Chap. 31), both raw and boiled; then Massonio deals with endive and chicory (chap. 32), arugula (chap. 33), valerian (chap. 34), nasturtium (chap. 35), borage (chap. 36), sorrel (chap. 37), lemon balm (chap. 38), watercress (chap. 39), chervil (chap. 42), burnet (chap. 43), tarragon (chap. 44), star grass (chap. 45), calendula (chap. 46), basil (chap. 49), beans (chap. 50), cabbage (chap. 53), just to mention a few. After that are discussed beans and peas (chaps. 54-55), saffron (chap. 56), rosemary (chap. 57), pumpkins (chap. 58), capers (chap. 59), and cucumbers (chap. 60). A separate section is devoted to mixed salads, the so-called 'misticanze'.The last part of the book gives dietary suggestions. Massonio recommends "not having salad at the end of the dinner" (chap. 63); it should rather be eaten as an appetizer and the food should be taken immediately afterwards, without waiting (chap. 66). Nor is it appropriate to drink wine or water after eating salad, as it undermines its positive effects. The author then strongly advises against drinking wine after eating: a habit that prevents a good digestion. Massonio concludes that even salad is not always salutary and its use should be evaluated according to temperament, health and age (chap. 65). The final chapter contains "useful warnings" on salad (chap. 68) (cf. S. Ferrero, Introduzione, in: "Archidipno, ovvero dell'insalata e dell'uso di essa di Salvatore Massonio", M. Paleari Henssler & C.S. Ferrero, eds., Milan, 1990, pp. I-XXX).Massonio was a poet, a historian and a physician. He published dramas and poems as well as a history of L'Aquila, his hometown (Dialogo dell'origine della città dell'Aquila, L'Aquila, 1594). He was a member of the Accademia dei Velati of L'Aquila with the name of 'Avviluppato'.Catalogo unico, IT\ICCU\UFIE\000648; C. Benporat, Cucina e convivialità italiana del Cinquecento, Florence, 2007, p. 240; K. Bitting, Gastronomic bibliography, San Francisco, 1939, p. 315; B.IN.G., no. 1266; W.R. Cagle, A matter of taste, New York, 1990, 1160; P. Krivatsy, A Catalogue of Seventeenth Century Printed Books in the National Library of Medicine, Bethesda, 1989, no. 7547; A.L. Simon, Bibliotheca gastronomica, London, 1953, no. 1023; G. Vicaire, Bibliographie gastronomique, Paris, 1890, col. 577; Wellcome Library, no. 4118; R. Westbury, Handlist of Italian Cookery Books, Florence, 1963, p. 146.

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         Tabulae anatomicae LXXIIX (with 2 other works)

      Venice: Deuchinum, 1627. Casserio, Giulio (1561?-1616) Tabulae anatomicae LXXIIX . . . Daniel Bucretius [1600?-1631] . . . XX . . . addidit [by Francesco Valesio (1560-1648?) after Odoardo Fialetti (1572-1638)]. Folio. [3] 97ff. Engraved title-page, 97 full-page text engravings. Venice: apud Evangelistam Deuchinum, 1627. With: Spiegel, Adriaan van der (1578-1625). De humani corporis fabrica libri decem . . . Engraved title, [10], 328 (i.e., 330), [12]pp., plus final blank. Venice: apud Evangelistam Deuchinum, 1627. Bound with: Spiegel. De formato fœtu liber singularis ćneis figuris exornatus . . . Padua: Apud Io. Bap. de Martinis, & Livium Pasquatum, [1626]. [8], 104pp. 9 engraved plates. Together 3 works in 1, folio. 383 x 265 mm. 18th century quarter calf gilt, vellum boards (vellum reused from an earlier binding), light wear, front cover a bit warped. Plate in De formato fœtu repaired, some marginal dampstaining on last several leaves, upper corners of first few leaves worn, but very good. Rare First Edition of the first original series of anatomical illustrations since Vesalius, Estienne, and Eustachio. Casserio and Spiegel both studied under Fabricius ab Aquapendente at the University of Padua. Both worked closely with their teacher for many years, and in 1608 Casserio succeeded Fabrici in Padua's chair of surgery and anatomy, which passed in turn to Spiegel upon Casserio's death. Casserio had been working since before 1600 on a fully-illustrated anatomical treatise; however, he did not live to finish it, leaving upon his death 86 engraved plates but no text. His successor Spiegel wrote an unillustrated treatise on anatomy that remained unpublished during his lifetime; in his will, he appointed Daniel Bucretius (né Rindfleisch) to see the work into print. To illustrate Spiegel's treatise, Bucretius obtained 77 of Casserio's original 86 anatomical plates from his heirs, and commissioned 20 more by the same artists to complete the series; the remaining 9 plates left by Casserio were used to illustrate Spiegel's De formato fœtu. "In the complete series, the largest number of plates, forty-three-and these perhaps the most memorable-are to be found in Liber IV, on the muscles. There are also interesting illustrations on the genito-urinary system in Liber VIII and on the brain in Liber X-one of these, showing the arterial circle at the brain, predates the Willis-Wren illustration [from Willis's Cerebri anatome (1664)] . . . Except for those few plates which were derived from Vesalius, the anatomists-Casserio first and Bucretius later-had reconsidered ways of presenting human anatomy. In doing so they produced the first original series of illustrations of the anatomy of the human body since Vesalius, Estienne and Eustachio" (Roberts & Tomlinson, The Fabric of the Body, pp. 262-63; see also pp. 259-61). Odoardo Fialetti, the artist who drew Casserio's and Bucretius's anatomical illustrations, was a pupil of Tintoretto and himself the author of a manual of anatomy for artists. Though a number of copies exist in institutions this work is surprisingly scarce on the market. The Ingenious Machine of Nature, pp. 167-68. Garrison-Morton.com 381.

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         De lactibus sive lacteis venis quarto vasorum mesaraicorum genere novo invento Gasparis Asellii Cremon.is anatomici Ticinensis dissertatio…

      Milan: Giovanni Battista Bidelli, 1627. 4to (218x176 mm). Collation: †4 2†4 A-K4 3†4. (16) pp., including the title-page and the author's portrait engraved by Cesare Bassano (1583-ca. 1648), 79, (9) pp. With also IV woodcut folding plates printed in black, dark red and light red, usually attributed to Cesare Bassano and Domenico Falcini. Contemporary stiff vellum, ink title on spine (lower corners and lower edge of the panels worn and rubbed, few worm holes on the spine, otherwise very well preserved). Insignificant small stain in the upper margin of the title-page, skillfully repaired wormholes on the back pastedown and flyleaves, one of which also affects the final plate, old reinforcing strips on the verso of some plates along the folding, otherwise a beautiful and very genuine copy in its original binding.Provenance: On the front flyleaf recto two ownership's inscriptions: "Ex libris Doctoris Joseph Peregi Phisici Colleg. Mantuae 1651" (also repeated on the back flyleaf recto) and "Musei Aloysii Francisci Castellani Phil. et Med. Doct. 1752".The second inscription refers to the important physician Luigi Francesco Castellani (1727-1794). Born in Sermide (near Mantua), Castellani graduated in medicine at the University of Ferrara in 1746. He practiced for a few years in Ferrara and Bologna, before moving back to Mantua in 1563. Later he became deputy head of the local hospital and was the first physician in the Mantua province to practice the inoculation of smallpox and to support its validity in letters to his correspondents (Dissertazione epistolare sulla inoculazione del vaiuolo, Milan, 1765). In 1767 Castellani was admitted in the Mantua colony of Arcadia with the name of Acasto Acarnanio. He wrote several papers for the academy and in 1767 published a short biography of Antonio Brasavola (De vita Ant. Musae Brasavolae Commentarius historico-medico-criticus). In his scientific papers he wrote about the unhealthiness of rice fields and the non-contagious nature of pulmonary tuberculosis. This thesis (Sulla insussistenza del contagio tisico. Dissertazione, Mantua, 1777) raised a lot of criticism, in particular from the physicians L. Targioni and H. Maret. Castellani was later appointed head of the Mantua hospital and personal physician of the Duchess of Modena, Maria Teresa Cibo Malaspina. In 1781 he also started teaching medicine at the renewed Gymnasium of Mantua. He died in Mantua in 1794. Nothing is known about Castellani's collection of books and objects, that must have been cospicuous if he called it "museum" (cf. U. Baldini, Castellani, Luigi Francesco, in: "Dizionario Biografico degli Italiani", XXI, 1978, s.v.).VERY RARE FIRST EDITION, published posthumously by Alessandro Tadini and Ludovico Settala and by them dedicated to the Senate of Milan, of the first scientific study of the lymphatic system and the first book with anatomical illustrations printed in color.In the book Aselli refers the experimental researches that led him to discover the lacteals, that is the lymphatic vessels of the small intestine that absorb the digested fats and control their entry into the lymphatic system.Gaspare Aselli, born in Cremona, studied medicine at Pavia. After moving to Milan, he exercised anatomy and surgery and in 1624 obtained the chair of anatomy at the University of Pavia. He died in Milan in 1625."Among the last to continue the preeminent northern Italian traditions of anatomy and physiology, Aselli studied medicine at the University of Padua with Giambattista Carcano Leone, himself a pupil of Gabriele Falloppio. He subsequently obtained a position with the Spanish army in Milan that allowed him sufficient leisure for research. The context in which Aselli studied and experimented was one of considerable intellectual excitement, and although he died young, he was nonetheless able to make some important contributions to the history of medicine. In 1622, while performing vivisection on a dog, Aselli chanced upon the lacteal vessels, which had gone virtually unnoticed since Galen and Erasistratus reported their documentation by Hippocrates and Aristotle. Aselli's achievement was not only to have 're­discovered' these vessels but to have clarified their nature and function. However, Aselli's De lactibus sive lacteis venis is important also as a landmark in the history of anatomical illustration: it may well be the first publication to use colored illustrations in the service of scientific clarity. The four chiaroscuro woodcut charts that accompany the text use color - black, dark red, light red, and the natural white of the paper - to distinguish more precisely the different types of vessels from one another. Although De lactibus sive lacteis venis probably had no influence on Harvey, its findings were confirmed later in the seventeenth century by such anatomists as Nicolaas Tulp, Guerner Rolfinck, and Johann Vesling. Aselli's work also significantly influenced Jean Pecquet's vascular researches. The color-printed woodcuts illustrating the first edition of De lactibus sive lacteis venis have been attributed to Caesare Bassano, who engraved the title and the portrait of Aselli for this edition and who was also a wood-engraver, or to Bassano's associate Domenico Falcini. Preparatory drawings and proofs for the plates are preserved at the College of Physicians of Philadelphia. Aselli's work was reprinted in Basel in 1628, in Leiden in 1640, and in Amsterdam in 1645 (the last in Adriaan van de Spiegel's Opera quae extant omnia). In all of these later editions, the illustrations were reduced in size and printed in black only from copperplate engravings" (H.F. Norman, One Hundred Books Famous in Medicine, New York, The Grolier Club, 1995, no. 26).The book is extremely rare on the market. Only three copies sold at auction over the past fifty years: Sotheby's 1992; the Haskell Norman copy 1998; Evans-Friedman copy 2001.G. Aselli, De lactibus sive lacteis venis nono invento Gasparis Asellii, P. Franceschini, ed., Milan, 1972 (facsimile reprint of the first Milan 1627 edition); Norman, 76; Heirs of Hippocrates, 453; Lilly Library, Notable Medical Books, 61.

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         Galeatii Landrinii ferrariensis Problemata ad sanitatem, & ægritudinem, vitæ brevitatem, ac longitudinem, necnon hominis vitam ipsam, & mortem spectantia, numero LV

      ex Typographia Francisci Succij, Ferrara 1627 - In-4 (200x150 mm.), pp. (8), 19, (1). Segnatura: [ast]4; A4;C6. Frontespizio racchiuso entro cornice architettonica con figure allegoriche. Ex libris manoscritto in corrispondenza del taglio di testa. Iniziali xilografiche. Legatura in cartonato rustico modernamente adattato. Edizione originale e unica di opera che si svolge su 55 punti posti come questionario intorno alla vita e alla morte, alla salute e alla malattia, alla brevità o longevità dell'esistenza (con riferimenti ai principi opposti di magrezza e pinguedene, attività e ozio, umido e secco, caldo e freddo, vino e acqua, ect.). Il Landrini, nato a Ferrara intorno al cadere del secolo XVI e ivi morto nel 1633, fu medico e filosofo assai noto al suo secolo. Bibliografia: Bruni-Evans, 3496. [Attributes: Soft Cover]

      [Bookseller: AU SOLEIL D'OR Studio Bibliografico]
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         De lactibus sive lacteis venis quarto vasorum mesaraicorum genere novo invento Gasparis Asellii Cremon.is anatomici Ticinensis dissertatio...

      4to (218x176 mm). Collation: †4 2†4 A-K4 3†4. (16) pp., including the title-page and the author's portrait engraved by Cesare Bassano (1583-ca. 1648), 79, (9) pp. With also IV woodcut folding plates printed in black, dark red and light red, usually attributed to Cesare Bassano and Domenico Falcini. Contemporary stiff vellum, ink title on spine (lower corners and lower edge of the panels worn and rubbed, few worm holes on the spine, otherwise very well preserved). Insignificant small stain in the upper margin of the title-page, skillfully repaired wormholes on the back pastedown and flyleaves, one of which also affects the final plate, old reinforcing strips on the verso of some plates along the folding, otherwise a beautiful and very genuine copy in its original binding.Provenance: On the front flyleaf recto two ownership's inscriptions: "Ex libris Doctoris Joseph Peregi Phisici Colleg. Mantuae 1651" (also repeated on the back flyleaf recto) and "Musei Aloysii Francisci Castellani Phil. et Med. Doct. 1752".The second inscription refers to the important physician Luigi Francesco Castellani (1727-1794). Born in Sermide (near Mantua), Castellani graduated in medicine at the University of Ferrara in 1746. He practiced for a few years in Ferrara and Bologna, before moving back to Mantua in 1563. Later he became deputy head of the local hospital and was the first physician in the Mantua province to practice the inoculation of smallpox and to support its validity in letters to his correspondents (Dissertazione epistolare sulla inoculazione del vaiuolo, Milan, 1765). In 1767 Castellani was admitted in the Mantua colony of Arcadia with the name of Acasto Acarnanio. He wrote several papers for the academy and in 1767 published a short biography of Antonio Brasavola (De vita Ant. Musae Brasavolae Commentarius historico-medico-criticus). In his scientific papers he wrote about the unhealthiness of rice fields and the non-contagious nature of pulmonary tuberculosis. This thesis (Sulla insussistenza del contagio tisico. Dissertazione, Mantua, 1777) raised a lot of criticism, in particular from the physicians L. Targioni and H. Maret. Castellani was later appointed head of the Mantua hospital and personal physician of the Duchess of Modena, Maria Teresa Cibo Malaspina. In 1781 he also started teaching medicine at the renewed Gymnasium of Mantua. He died in Mantua in 1794. Nothing is known about Castellani's collection of books and objects, that must have been cospicuous if he called it "museum" (cf. U. Baldini, Castellani, Luigi Francesco, in: "Dizionario Biografico degli Italiani", XXI, 1978, s.v.).VERY RARE FIRST EDITION, published posthumously by Alessandro Tadini and Ludovico Settala and by them dedicated to the Senate of Milan, of the first scientific study of the lymphatic system and the first book with anatomical illustrations printed in color.In the book Aselli refers the experimental researches that led him to discover the lacteals, that is the lymphatic vessels of the small intestine that absorb the digested fats and control their entry into the lymphatic system.Gaspare Aselli, born in Cremona, studied medicine at Pavia. After moving to Milan, he exercised anatomy and surgery and in 1624 obtained the chair of anatomy at the University of Pavia. He died in Milan in 1625."Among the last to continue the preeminent northern Italian traditions of anatomy and physiology, Aselli studied medicine at the University of Padua with Giambattista Carcano Leone, himself a pupil of Gabriele Falloppio. He subsequently obtained a position with the Spanish army in Milan that allowed him sufficient leisure for research. The context in which Aselli studied and experimented was one of considerable intellectual excitement, and although he died young, he was nonetheless able to make some important contributions to the history of medicine. In 1622, while performing vivisection on a dog, Aselli chanced upon the lacteal vessels, which had gone virtually unnoticed since Galen and Erasistratus reported their documentation by Hippocrates and Aristotle. Aselli's achievement was not only to have 're­discovered' these vessels but to have clarified their nature and function. However, Aselli's De lactibus sive lacteis venis is important also as a landmark in the history of anatomical illustration: it may well be the first publication to use colored illustrations in the service of scientific clarity. The four chiaroscuro woodcut charts that accompany the text use color - black, dark red, light red, and the natural white of the paper - to distinguish more precisely the different types of vessels from one another. Although De lactibus sive lacteis venis probably had no influence on Harvey, its findings were confirmed later in the seventeenth century by such anatomists as Nicolaas Tulp, Guerner Rolfinck, and Johann Vesling. Aselli's work also significantly influenced Jean Pecquet's vascular researches. The color-printed woodcuts illustrating the first edition of De lactibus sive lacteis venis have been attributed to Caesare Bassano, who engraved the title and the portrait of Aselli for this edition and who was also a wood-engraver, or to Bassano's associate Domenico Falcini. Preparatory drawings and proofs for the plates are preserved at the College of Physicians of Philadelphia. Aselli's work was reprinted in Basel in 1628, in Leiden in 1640, and in Amsterdam in 1645 (the last in Adriaan van de Spiegel's Opera quae extant omnia). In all of these later editions, the illustrations were reduced in size and printed in black only from copperplate engravings" (H.F. Norman, One Hundred Books Famous in Medicine, New York, The Grolier Club, 1995, no. 26).The book is extremely rare on the market. Only three copies sold at auction over the past fifty years: Sotheby's 1992; the Haskell Norman copy 1998; Evans-Friedman copy 2001.G. Aselli, De lactibus sive lacteis venis nono invento Gasparis Asellii, P. Franceschini, ed., Milan, 1972 (facsimile reprint of the first Milan 1627 edition); Norman, 76; Heirs of Hippocrates, 453; Lilly Library, Notable Medical Books, 61.

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         A Relation of a Journey begun An: Dom: 1610. Foure Bookes. Containing a description of the Turkish Empire, of AEgypt, of the Holy Land, of the Remote parts of Italy, and Ilands adioyning

      London: Printed [by Thomas Cotes] for Ro: Allot, 1627. Third Edition of the definitive English Renaissance work of travel to the Middle East, and one of the finest illustrated travel books of the first half of the 17th century. Folio: [4],309,[3]pp, complete with engraved architectural title by Francisco Delaram, double-page map of the eastern Mediterranean with full margins (often found trimmed), folding panorama of the Grand Seraglio (often wanting; added to fill a blank spot on D4v.), and 47 text engravings (several full-page) depicting views, buildings, and monuments throughout Italy and the Middle East (including the sphinx, the pyramids, the Nile River, Constantinople, and Jerusalem). Andrew Edge, his 18th-century ownership signature on front fly leaf. Seventeenth-Century English speckled calf, neatly rebacked, with original gilt-decorated spine laid down; spine in compartments divided by gilt-ruled raised bands, original red morocco lettering piece gilt. Occasional stains and toning to text; plates pristine, in deep, rich impressions; handsome contemporary binding. Cox I, 206. Graesse VI, p. 264. Blackmer Library 297 (referencing 2nd ed.). Bowers & Davis (Sandys) 1c. Lowndes IV 2189 ("distinguished by erudtion, sagacity, and a love of truth"). Reprint of the Second Edition (1621), correcting the errata. In 1610, Sandys spent a year in Turkey, Palestine and Egypt. His observations, including excerpts on Sicily "Queen of the Mediterranean islands") and Malta, first appeared in print in 1615, and were soon regarded as a special authority on the Levant. Jonathan Haynes (The Humanist as Traveler) calls Sandys's work the "most literary of English Renaissance travel books. . . . The polish of its prose, the poetic translations with which it is studded, and the erudition with which it sometimes bristles are easy enough to notice. (p. 40) N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.). Near Fine+.

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         L'instruction du roy en l'exercice de monter a cheval. [.] Le tout enrichy de grandes figures en taille douce, representant les vrayes & naïfves actions des hommes & des chevaux en tous les airs, & maneiges, courses de bague.ensemble les figures des brides, les plus necessaires à cet usage, desseignees & gravees par Crispian de Pas le jeune.

      Paris Pierre Rocolet 1627 - Folio (38.5 x 26 cm), engraved frontispiece Louis XIII, double-page engraved title dated 1629 (as in the second edition), printed title dated 1627 (second edition), divsion de tout l'oeuvre leaf, au Roy leaf, engraved portrait of Pluvinel engraved portrait of Menou with verse beneath and privilege du Roy to verso, 207 pp divided into three parts (1-70; 71-115, 117-207) as in the first edition, 58 double-page engraved plates mostly by de Passe, nineteenth century mottled calf gilt, covers ruled in gilt, spine in six compartments, morocco lettering-piece to second, others gilt, lightly rubbed, raised bands, all edges gilt, short splits to a few folds (plates 12, 14, 22, 35, 40), plate 36 with longer split into image, crease to plate 3, occasional trivial spotting or staining, a very good example. This copy with the title-pages for the second edition but the text to the first. With 58 engraved plates (compared with first edition 60 plates, second edition 51 plates). Antoine de Pluvinel, 1555-1620, was one of the most famous stable masters in France. He gained experience in the most famous Academies in Italy during a period of six years. Under Henri IV of France he given control of the Grandes Ecuries and was made a gentleman of the Chamber and Deputy Governor to the Dauphin. In 1594 Pluvinel founded his own Academie in Paris. Pluvinel, passionate about horses and equitation from an early age, went as a boy to Italy where he frequented the most illustrious academies and was eventually regarded as the finest riding master of his day. He was brought back to France by the Master of Horse of Charles IX and served him and his brother Henri III who showered him with honours. He made his transition to the Bourbon kings with ease and in 1594 opened his academy which taught not only horsemanship but also mathematics. This work, first published in Utrecht in 1625, contains Pluvinel's definitive text, compared to the incomplete version which originally appeared in 1623 under the title Le Maneige Royal. Cf. Dejager 166 & 167; Cf Menessier, II, 329-330; Cf. Mellon/Podeschi 21. [Attributes: First Edition; Hard Cover]

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         Proscenium vitae humanae sive emblematum secularium iucundissima and artificiosissima varietate vitae humanae and seculi huius depravati mores ac studio perversissima adumbrantiumFrankfurt Wilhelm Fitzer

      Fine engraved title with nine circular figures and two small white shields left blank, 73 engraved emblems by Johann Theodor de Bry partly after Brueghel the Elder, of which 72 numbered. 4to. 18th century polished calf, triple gilt fillets on covers, flat gilt spine (upper cover joint restored, spine and corners rubbed).

      [Bookseller: Maggs Bros. Ltd.]
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         Beutelschneider/ Oder Neue/ wahrhaffte/ und eigentliche Beschreibung Der Diebs Historien. 2 vols.

      Frankfurt, In Verlegung Wilhelmi Fitzers, 1627, 8, (8), 644 PP., (8), 364 pp. 2 Titel- und 7 Textkupfer, Pergamenteinband d.Zt. 2 Textblätter faksimiliert, vereinzelt zarter Wasserrand, trotz der Mängel feines Exemplar. Sehr seltene erste deutsche Ausgabe nicht zu verwechseln mit der von ULB Halle, als erste Ausgabe ausgewiesenen Ausgabe mit dem Imprint "Erstlich gedruckt zu Frankfurt/ 1627." (siehe Pon IIk 3854 (1/2)).Der Titel lautet: "Beutelschneider/ Oder Newe/ warhaffte/ und eigentliche Beschreibung Der Diebs Historien : Darinnen Der Beutelschneider/ Diebe/ und Rauber Arglistigkeit/ Verschlagenheit/ Bossen/ Rencke/ und Tücke/ auch was sie für wunderbarliche seltzame Diebsgriffe/ Practicken und Fündlein erdacht/ gebraucht/ unnd ... in Franckreich gestifftet und begangen haben. In sonderlichen waarhafften Historien vor Augen gestellet ... Auß dem Frantzösischen in die Hochteutsche Sprach ubersetzt /" [François de Calvi] -und "Beutelschneyder. Das ist: Newe/ warhaffte und/ eygentliche Beschreybung der DiebsHistorien : Ander Theil. Darinnen der Beutelschneyder/ Diebe und Rauber arglistigkeit ... gebraucht ... In sonderlichen ... Historien vor Augen gestellet .. Itzunder erstlich auß dem Frantzösischen in die Teutsche Sprach ubersetzet".Zahlreiche Paginierungsfehler im 'Anderen Theil': 164 (172) 165 (173) 176 (168) 169 (177) 172 (180) 173 (181) 176 (184) 177 (185) 180 (188) 181 (189) 184 (192) 185 (193) 189 (197) 200 (100) 201 (101) 204 (104) 205 (105) 208 (108).François de Calvi Verf. ermittelt in: Holzmann-Bohatta. Bd. 1, S. 224Bibliogr. Nachweis in : Bircher, Dt. Drucke des Barock, A 4070 - 4071 VD17 32:675036E , VD17 32:675037N

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         Portrait of Andries Bicker

      Bust portrait of Andries Bicker, doctor and burgomaster of Amsterdam in 1627. Below eight lines of text in Dutch by Vondel. Signed on the bottom of the portrait: 'B. van der Helst Pinx.' and 'I. van Vilsteren fecit 1756' Mezzotint and engraving on paper, trimmed to plate mark; total: 168 x 108 mm; Wurzbach 3, Van Someren 439a

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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         A THANKFULL REMEMBRANCE of Gods Mercie In an Historical Collection of the Great and Mercifull Deliverances of the Church and State of England Since the Gospell Beganne Here to Flourish from the Beginning of Queene Elizabeth

      Printed by M. Fletcher for Robert Mylbourne and Humphrey Robinson, 1627. 3rd edn revised. 8vo. Rebound in later full calf, poorly rebacked in calf with spine label (edges rather rubbed). Pp. 291, illus with engraved frontispiece, engraved portrait of author and 21 woodcuts in text (inner hinges reinforced with tape; previous owner's engraved armorial bookplate on front paste-down).

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         JOHANN VON GÖTZ (auch: JOHANN VON GÖTZEN, 1599-1645 gefallen in der Schlacht bei Jankau) Graf, kaiserlicher Generalfeldmarschall im Dreißigjährigen Krieg, Oberst und Statthalter von Rügen, 1630 richteten seine Truppen das "Pasewalker Blutbad" an, in der Götz'schen Armee auch der einfache Musketier Hans Jakob Christoffel von Grimmelshausen

      - Brief (1 S. gr. folio, leicht gebräunt, gering fleckig, kleines rotes Wachssiegel) mit Ort, Datum, Unterschrift signiert Königslutter, 11.01.1627 - an den Amtsverwalter von Ambtleben. Befehl, bei Strafe von 100 Reichsthalern, Gerste und Butter nach Königslutter zu schaffen. (dito : Brief (1 S. quer 8°, eng beschrieben, 3 kleine rote Wachssiegel) mit Ort, Datum, eigenhändiger Empfehlungsformel und Unterschrift signiert Villingen, 11. ?.1638 - an den Herzog von Lothringen. (= Karl IV. (* 5. April 1604 in Nancy ; ? 18. September 1675 in Allenbach ) war rechtmäßiger Herzog von Lothringen und Bar von 1625 bis 1675) Vorschlag betreffend des weiteren Vorgehens gegen den Feind bei Breisach und Neuburg. EUR 1250,-) (BEILAGE: alte Katalogbeschreibung zu beiden Stücken. // Die Belagerung von Breisach begann im Mai 1638 und endete am 17. Dezember 1638 mit der Übergabe der Festung . Sie ging in die Militärgeschichte ein, da zahlreiche Entsatzversuche fehlschlugen. Am 19. Mai gelang es der Reiterei des Johann von Götzen , 500 Säcke mit Mehl sowie Verstärkung in die Festung zu bringen. Am 7. August marschierte ein Entsatzheer von 18.500 unter Federigo Savelli und Johann von Götzen von Offenburg in Richtung Breisach. Bernhard nahm 13.000 Mann und zog dem Tross entgegen. Bei Wittenweiher kam es zur Schlacht , und die Kaiserlichen wurden vernichtend geschlagen. (Wiki)) [Attributes: Signed Copy]

      [Bookseller: Herbst-Auktionen]
 37.   Check availability:     ZVAB     Link/Print  


         Dieci libri di pensieri diversi [..] aggiuntovi nuovamente il decimo libro del paragone de gl'ingegni antichi e moderni con altri varij quesiti.

      Aappresso Marcantonio Brogiollo, 1627. In-4? (cm. 21,2), legatura in p. pergamena coeva rimontata con titolo anticamente ms. al dorso; pp. [96] 679 [1] in buono stato, con emblema araldico in rame al frontespizio, capilettera e testatine in legno; lievi fioriture sparse, ossidazione al margine inferiore di poche carte centrali, minuscoli segni di tarlo al margine inferiore di un solo fascicolo finale senza fastidio. Prima edizione definitiva di quest'opera famosa per le notizie di carattere magico, alchemico, astronomico, zoologico, botanico: una vera enciclopedia di erudizione intemperante e bizzarra, preceduta da un vastissimo indice. Cfr. Gamba, 2098. Buon esemplare.

      [Bookseller: Gabriele Maspero Libri Antichi]
 38.   Check availability:     maremagnum.com     Link/Print  


        Law, or, a discourse thereof, in foure bookes. Written in French by Sir Henrie Finch Knight, his Maiesties Serieant at Law. And done into English by the same author.

      London printed for the Societie of Stationers 1627 - 8vo., (8) + 496 + 499 - 506 + (16)pp., including the first and final blanks, with a very slight old waterstain on first three or four leaves and occasionally elsewhere, contemporary calf, ruled in blind, skilfully and appropriately rebacked and restored, the spine with raised bands, and title label. A very good copy indeed. First edition in English. STC 10871. Sweet & Maxwell I, p.238 #10. A classic text in English law. Sir Henry Finch (1558-1625), serjeant-at-law, was engaged with Bacon, Noy, and others on an abortive attempt at codifying the statute law. His main work was Nomotechnia> (1613) in four books, treating of jurisprudence, common law, procedure, and special jurisdictions. It was in law French. The present 1627 book is the first edition in English of Nomotechnia> 'but a different version of the [French] text. 'As an exposition of the common law it was not superseded, on common law, until Blackstone, and on jurisprudence, until Austin'. [Walker, Oxford Companion,> p.471. 'The English version is the product of second thoughts, and a great improvement upon the French; and it is obviously the version that has influenced subsequent writers. . Finch's book is a pioneer book of the institutes of English law.' [Holdsworth H.E.L. V.pp.399-400]. 'Finch's Law>, till the publication of Blackstone's Commentaries,> was regarded as the best elementary book to be placed in the hands of the law students. It is one of the few attempts that have been made to reduce the common law into system; and the author prided himself very much upon having accomplished so difficult a task, as appears from the dedication to King James. His definitions were exact, his style concise and nervous, and his illustrations clear and authentic. Most of the valuable parts of Finch are incorporated in Blackstone's Commentaries.> [Sweet & Maxwell I, p.238]. [Attributes: First Edition]

      [Bookseller: John Drury Rare Books ABA ILAB]
 39.   Check availability:     AbeBooks     Link/Print  

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