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Displayed below are some selected recent viaLibri matches for books published in 1519
2013-08-01 16:17:50
MELA, Pomponius, and others
Florence,: the heirs of Filippo Giunta,, 1519.. Small octavo, italic letter, capital letters neatly rubricated; numerous annotations of differing vintage; an excellent copy in contemporary Italian vellum, flat spine lettered and banded in gilt. Scarce edition of this important collection of classical geographical texts, closely based on the Aldine edition published a year earlier, and including the especially famous works by Pomponius Mela and Julius Solinus. Pomponius Mela's work (see previous item) is the classic early exposition of the argument that the known landmasses in the northern hemisphere must have antipodean counterparts to balance them. Solinus was a legendary Roman geographer whose Polyhistor survived in manuscript until the age of printing, first appearing in print in Venice in 1473. His text, much of it based on Pomponius Mela, also incorporated material from Pliny's Natural History, as well as remarks on a number of historical, social, religious and natural history questions. Other material in this edition includes a translation into Latin of the Periegesis of Dionysius Afer, a 1st-century Greek world geography.Adams, M1054.
Bookseller: Hordern House Rare Books
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2013-07-28 23:36:03
[Appianus] Appiano Alexandrino [Roman Civil Wars]
Bookseller: Buddenbrooks, Inc. [U.S.A.]
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2013-06-10 11:05:21
Venezia, in aedibus Aldi, et Andrease Soceri, 1519.In-12. Legatura del '600 in marocchino rosso, stemma nobiliare al centro dei piatti entro doppia cornice di triplici filetti dorati e con le iniziali LB negli angoli, dorso in sei comparti con titolo e iniziali entro ricchi fregi oro; tagli dorati; lievi abrasioni e angoli con un po? usati. Ancora aldina sul frontespizio e in fine. (8), 422, (2) ff. Esemplare particolarmente grazioso, completo dei fogli 291-295 con la Oratio Heliogabali Romanorum Imperatoris ad meretrices (a volte rimossi dalla censura), interamente regolato in rosso, e di pregevole provenienza: le iniziali LB sulla legatura probabilmente indicano Louis Bijeau, per il quale cf. Oliver, Manuel de l'amateur de reliures armoriés français, tav. 486. Seconda edizione aldina di questa raccolta di biografie di imperatori romani da Adriano a Numeriano, ossia dal 117 al 284 d.C. Questa edizione, assai ampliata rispetto alla prima del 1517, venne curata da Giovanni Battista Egnazio (Venezia 1478-1553), umanista, filologo e poeta, amico di Grolier e curatore di testi stampati da Aldo Manuzio. Brunet III, 225. Renouard 87-8. The second much enlarged Aldine edition of this collection of biographies of Roman emperors. A particularly attractive copy, ruled in red, in a fine 17th century red morocco binding, covers with gilt coat-of-arms within gilt fillets and initials LB in corners; spine in six compartments and richly gilt; gilt edges; a few scratches and corners slightly worn. Bookplate on front pastedown: From the collection of Charles Butler of Warren Wood Hatfield … [Click Below for Full Description]
Bookseller: Libreria Antiquaria Rappaport
2013-01-17 15:47:25
Augustinus, Aurelius:
Lyon, (Sacon für Giunta), 16. III. 1519.. 4 Tle. in 1 Band. Mit ders. vierteil. Holzschnitt-Bordüre und roter Druckermarke auf allen Titeln. 87; 113; 108 num.; 39 (st. 40) unn. Bll. HLdr. um 1800. 32 x 23 cm.
Bookseller: Antiquariat Turszynski
2012-11-28 03:30:02
Augustinus, Aurelius
4 Tle. in 1 Band. Mit ders. vierteil. Holzschnitt-Bordüre und roter Druckermarke auf allen Titeln. 87; 113; 108 num.; 39 (st. 40) unn. Bll. HLdr. um 1800. 32 x 23 cm. IA 110.145; Adams A 2215; Baudrier XII, 352; Gültlingen I, 252, 193; nicht bei Panzer u. im STC. - Es fehlen jeweils 1 w. Bl. am Schluss der Teile 1 und 2 sowie der Titel zum Register (dieses irrigerweise zwischen dem Titel und Bl. 2 von Tl. 1 eingebunden). - Etwas berieben und bestoßen. Kaum gebräunt, gering stockfleckig, Titel von Tl. 1 mit teilw. getilgten alten Besitzvermerken. Insgesamt recht gutes Exemplar!
Bookseller: Antiquariat Turszynski
2012-06-29 15:29:10
Gothi, Franciscus
Lugduni [Lyons]: Printed by Jacobi Mareschal, 1519. Leather Bound. Very Good +. 5 1/4 x 6 3/4 inches. 8vo. [30] + [500] + [38] + [15 ]+ 1 leaves. Collates as 2a - 2b (in 8s) + 2c (4 leaves) + 2d (8 leaves) + [blank] (2 leaves) + a - z (in 8s) + A - QQ (in 8s) + RR (4 leaves) + A - D (8 leaves) +E (6 leaves) + F (8 leaves) + H (8 leaves). Printed in two column black letter. Title in red and black, and woodcuts, including a full-page illustration of the six days of creation. Device of the sacred Sudarium on the title and last leaf, with the initials P.V. Blank section of final leaf has an early drawing of a coat of arms with inscription. Occasional ink stains and light toning. A few page corners chipped, 1 with loss, 1 with open tear. Bound at the end of this copy is a printing of the rhyming Biblical study, 'Compendiolum totius sacrae scripturae per rhythmos' composed by Franciscus Gothi (or Gotthi). Bound in later full brown leather, which is worn and abraded. Spine chipped and hinges cracked. Rare 1519 Illustrated Bible with Rhyming Compendiolum, designed to be used as a mnemonic device.
Bookseller: St. Wulfstans Books
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2012-06-24 14:57:14
PETRARCA, Francesco
Venice: pt. 1, Gregorio de' Grigori; pt. 2, Bernardino Stagnino,, 1519. con li soi commenti non senza grandissima evigilantia et summa diligentia correpti et in la loro primaria integrita et origine restituti noviter in littera cursiva studiosissamente impressi. Quarto (202 × 145 mm), in 2 parts. Seventeenth-century tan morocco, flat spine ruled across in gilt, with intertwined CCs in spine compartments and corners of sides, sides ruled in gilt with a French fillet enclosing the gilt arms of Charles de Valois (1573-1650), duke of Angoulême and illegitimate son of Charles IX of France and Marie Touchet, gilt edges. With 7 full-page woodcut illustrations. Spine slightly darkened, joints a little rubbed, one or two very minor light stains internally, but an excellent copy. This edition prints the commentary of Francesco Filelfo to the Sonetti and Canzoni and that of Bernardo Lapini, called Ilicini, to the Trionfi. It also prints a preface to the Trionfi by Marsilio Umbro, and the life of Petrarch attributed to Antonio da Tempo.
Bookseller: Peter Harrington
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2012-06-18 23:34:50
per haeredes Philippi Iuntae,, Florentiae, 1519. In 8? (160 x 95); 175 cc. numerate. Frontespizio con nota manoscritta di possesso, oltre ad un'altra nota con evidente cancellatura. Nota di possesso cancellata anche al colophon. "Ex libris Petri" al verso del piatto anteriore. La legatura Ë in pergamena recente rigida con unghie, di colore chiaro, titolo e data dell'opera stampati al dorso. Dedica iniziale di Antonio Francino a Francesco Spinello, a cui segue un breve resoconto della vita di Claudiano tratta dal quinto libro di Pietro Criniti. L'esemplare Ë in buone condizioni; salvo alcune fioriture a varie carte e piccoli forellini di tarlo nelle ultime quattro carte, senza toccare comunque il testo stampato. Piccolo strappo alle carte 10, 89, 90, 92, 145, 146. Adams C-2072; Isaac 13419 C. letteratura.
Bookseller: libreria antiquaria perini Sas di Perini [Verona, VR, Italy]
2012-06-05 17:17:21
ORIGENES ADAMANTIUS (Origen, Origenis).:
(Paris), venundantur cum reliquis eorundem tomis in edibus Joannis Parvi: et Jodoci Badii Ascensii, (1519).. Volumes III and IV only of 4, bound in 1 volume, (1519) Latin text, folio, 330 x 210 mm, 13 x 8¼ inches, 2 title pages, that to Volume III in red and black, both with architectural and pictorial borders, at the top Origen writing, in the centre the large device of the printer Josse Badius showing men working on the press, decorated initials throughout, leaves (6), CCXXIIII; (2), CLXXV, bound in modern quarter morocco over marbled boards, raised bands and title blind stamped to spine. Small dark spot at tail of spine, title neatly inked on fore-edges, title page to Volume III lightly soiled in lower outer corner, margin only, small neat repair to 3 margins, some early neat margin notes, occasional neat underlining or emphasis marks to margins, 1 or 2 corrections to text, not obscuring original, tiny wormhole to last 2 pages affecting running title but with no loss, final blank leaf with neat early manuscript notes and dusty and slightly stained. Contents otherwise bright and clean, binding tight and firm, a good sturdy copy. Date obtained from colophon to Volume IV. Volume III contains commentary on the New Testament (Matthew, Luke, the Epistle to the Romans); Volume IV contains chapters against heretics, the Contra Celsum, Peri Archon, and other material such as Tituli apologetici Pamphili pro Origene and Liber Rufini. Josse Badius Ascensius (1462-1535) was a humanist scholar and a pioneer of the printing industry. He set up his printing business in Paris in 1503 and … [Click Below for Full Description]
Bookseller: Roger Middleton
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2012-04-03 08:02:09
1519 - Paris, Les Quatre Chemins, 1926. Broché, 150 x 206 mm, 108 pp. Quelques piqures marginales. EDITION ORIGINALE ornée en frontispice d'une eau-forte originale de Julius PASCIN, tirée sur papier du Japon et ici signée par l'artiste.Un des 300 exemplaires sur papier vergé de Montval celui-ci signé en tête par André Salmon.
Bookseller: Librairie le pas sage
2012-03-18 21:21:32
Paris: impensis Francisci Regnault & Iohannis Petit 1519 - title-page printed in red and black within a woodcut border, variably browned and foxed throughout, a few leaves with old repairs to blank corners (and one in blank area of title-page verso), some corrections and marginal notes in several early hands, early ownership inscription to title-page, ff. [i], viii, [1], ix-cxciiii, cx, [87], folio, eighteenth-century Italian vellum boards, red and green morocco lettering-pieces to spine, these just slightly worn at edges, good A reprint of the 1513-14 printing (also Regnault & Petit) of this Latin translation of Josephus’s works, using the version by Tyrannius Rufinus as edited by Robert Goullet (1480-1560). Schreckenberg describes it as an incorrect edition, and an early owner seems to have agreed - beneath the final colophon, which concludes ‘non sine multa lucubratione ingentique labore compilavit’ (‘compiled with much study and great toil’), he has added ‘sed non exacta fide et bona distributione’ (‘but without exact faith and good distribution’). A number of pages also include small corrections and sometimes one or two marginal notes, seemingly in several hands, including the alteration of ‘biblia’ to ‘bibliis’ in every headline of one section. (Schreckenberg p. 6)
Bookseller: Blackwell's Rare Books ABA ILAB BA
2011-03-25 06:51:39
Schneidewein, Johann
1519. In folio, [mm. 387 x 230], pp. [4] – 615 – (1). Grandi testate, finali e capilettera ornati. Testo stampato su due colonne. Legatura originale in piena pergamena, dorso liscio con autore e titolo in oro tra due cordoncini attorcigliati, entro cornice sempre in oro. Al piatto anteriore Titolo scritto ad inchiostro con lettere gotiche ad iniziali riccamente ornate in epoca posteriore. Tagli spruzzati in rosso. Esemplare in ottimo stato, che presenta però la p. 205 staccata. Leggero alone alle pagine centrali che presentano qualche macchia normale per il tipo di carta. Goccia dello stesso tipo di inchiostro del titolo al piatto alla prima pagina. Cuffia inferiore strappata. Errore di numerazione a p. 153. Johan Shneidewein, nella forma ellenizzata Oinotomos nacque a Stolberg nel 1519; si iscrisse all’università di Wittenberg a soli undici anni, dunque proprio all’inizio della predicazione luterana, seguì gli insegnamenti di Melantone e Justus Jonas il vecchio. Lo stesso Lutero, presso il quale visse, gli consigliò, a soli venti anni il matrimonio con Anna Doring. Divenuto cancelliere presso il conte Gunther di Schwarzburg, dopo il ritorno a Wittenberg, nel 1551 divenne professore di Legge. Ebbe importanti ruoli di consigliere e nell’inverno del 1568, mentre era a Zerbst con Michael Teuber, venne trovato morto nel suo letto. Riportato a Wittenberg, è sepolto presso la tomba di Lutero.Le Institutiones, in quattro libri, sono ispirate all’insegnamento del suo maestro Melantone, e costituiscono l’opera principale del giurista tedesco e videro la luce nel 1573, nel corso di d … [Click Below for Full Description]
Bookseller: EDITORIALE UMBRA SAS [Foligno, PG, Italy]
2010-05-02 16:22:00
Dürer, Albrecht (1471-1528)
Germany: Albrecht Durer, 1519. AN EXTREMELY RARE WOODCUT PORTRAIT OF EMPEROR MAXIMILIAN I BY LEGENDARY GERMAN GRAPHIC ARTIST ALBRECHT DURER Woodcut Literature: Bartrum, Albrecht Dürer, 303-304; Bartsch, Le peintre graveur; 154; Bodnár, Dürer and his Contemporaries, 5,9; Hollstein, German Engravings, 205-206; Meder, Dürer-Katalog, 255 iv/iv. This commanding and extraordinarily rare woodcut portrait of Emperor Maximilian I (1459-1519), in absolutely superb condition, was executed by famed graphic artist and painter, Albrecht Dürer (1471-1528), around the time of the legendary German ruler's death in 1519. On June 28, 1518, Dürer, according to his own accounts, met the emperor "in a little room high up in the castle" while the pair was attending the Diet of Augsburg. During this encounter, the artist proceeded to create a splendid chalk drawing of Maximilian. The modest yet exquisitely realized work would ultimately serve as the portrait image contained within Dürer's magnificent woodcut, the first life-size woodcut portrait in European history. . Book.
Bookseller: Arader Galleries
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2010-04-05 18:43:53
Flemish School, 16th Century
AN UTTERLY UNIQUE DRAWING OF HOLY ROMAN EMPEROR CHARLES V AT ESCORIAL Inscription: 'Brixiae' et 'Carolus Puteus Hoc Opus Calamo Fecit./ Carolus innumeris redimitus tempora lauris,/Bellorum vitat fremitus atque otia querit./ Sacros monasterii: Sic bello strennuus HEROS: Deseruit terras, tradens sua regna PHILIPPO' et numerate '8' Pen and brown ink, on parchment Parchment size: approx. 7 1/10" x 8 9/10" Framed size: approx. 16 3/5" x 18 1/10" This is an extraordinary and utterly unique drawing of Emperor Charles V (1519-1558), produced by an unknown member of the Flemish School during the sixteenth century. This drawing is based on a composition painted by Antonio Tempesta (1555-1563) at Palazzo Mattei in Rome. It likely served as the basis of the eighth and final engraving included in Mattaus Merian's (1593-1650), father of legendary naturalist Maria Sibylla Merian (1647-1717), 1615 work dedicated to the life of Charles V. The artist to whom the inscription refers, "Carolus Puteus," is unknown today, but scholars have suggested that he is of the family of the gifted painter and miniaturist Thomas van den Putte (1532-1608). The scene represented in the drawing, however, is not a historical event, since the construction of Escorial did not commence until five years after Charles V's death. The drawing depicts Charles V overseeing the building of the famed Spanish monastery and palace. Decked out in full Classical garb, his chiseled musculature exposed, Charles V gives feedback to an architect holding a blueprint of Escorial's legendary basil … [Click Below for Full Description]
Bookseller: Arader Galleries
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2010-03-27 11:28:10
EMILIO, Paolo [Paulus AEMYLIUS] [d.1529]
Paris: Jodocus Badius Ascensius, [c1519-20]., 1519. folio. ff. 287, [2]. title within four-part woodcut border of armor, dolphins, &c. (Renouard D, in use July 1519-Feb. 1520). Badius woodcut device on title (Renouard 1). cribl? initials. 17th century mottled calf (worn but solid, joints cracked, internally a very good wide-margined copy). signature on title of Joannes Brecht of Tournon. Sixth Issue, comprising the second printing of the first four books (signatures a-u), the first printing of books V-IX (signatures x-S), and a revised errata. Emilio's history of the French monarchy to the mid-fifteenth century was commissioned by Charles VIII. The first four books were originally printed by Badius about 1517, reissued about 1519 with books V-VII added, and issued again together with books VIII and IX. The first four books were then replaced by a new, corrected printing. The difference between the fourth, fifth, and sixth issues is in the two errata leaves. Here they are unsigned and titled Recognitio, and have the errors for all nine books printed as one list. Mortimer's dating of the fifth issue as 1530 would appear to be incorrect, this version of the fine woodcut title border being found only in seven books issued by Badius between 22 July 1519 and 13 February 1520. Adams A231. Brunet I 64-65. Mortimer, Harvard French 16th Century Books, 196n. Renouard, Badius II, pp. 2-3 (this issue not described). Renouard, Imprimeurs II, 752C. cfBM STC French p. 4.. 1st Edition.
Bookseller: D & E Lake Ltd. (ABAC, ILAB)
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2009-12-23 00:44:32
& alijs peregrinis historijs temporum suoro, per Christophoru Persona romanum e græco in latinam traductus. Augsburg, Sigimundi Grim atq. Marci Vuirsung, 1519. 4:o. A4-T4, V6. Sista sidan blank. Titel tryckt i rött och svart och inom fin träsnittsram, med årtalet 1518. Titelbladet något fläckigt annars endast lätta lagerfläckar. Tagen ur band och insatt i senare grått, något trasigt pappersomslag. Ur Ericsbergs bibliotek. VD16 A612. Adams A325. Hoffman I. s. 106. Jmf. Warmholtz 1360. Andra tryckta utgåvan av Agathias, den första utkom i Rom 1516. Båda i Christophorus Personas latinska översättning. Den första grekiska textutgåvan kom 1594. Agathias från Myrina, som levde i Konstantinopel på 500-talet (+582), skrev fem böcker om kejsar Justinianus och krigen mot goterna och vandalerna under general Narses. Han tar vid där Prokopius slutar. Hans text återfinns senare i olika samlingsutgåvor om goterna och langobarderna, bl.a. i Hugo Grotius
Bookseller: Centralantikvariatet
2009-03-10 20:12:37
PFINTZING, Melchior (1481-1535).
Augsburg: Johannes Schonsperger, 1519. Folio (13 x 8 4/8 inches). 116 fine woodcuts (of 118, lacking numbers 4 and 111) by Jost de Negker and Heinrich Kupferworm after Leonhard Beck (77), Hans Burgkmair (13), Hans Schdufelein (20), and others (title-page and a2 supplied in an early manuscript facsimile, a8, b1, N5 and blank P5 lacking, lower portion of r5 repaired affecting some letters on verso, D8 with small hole to last two lines affecting a few letters supplied in facsimile, P4 loose with light fraying to lower margin). Late 19th- century vellum binding of an antiphonal leaf (inner hinges strengthened, lightly soiled). Provenance: with the 19th-century engraved bookplate of Daniel Henry Holmes (1816 - 1898), "the King of New Orleans retailers"; the early 20th-century bookplate of John Wesley Warrington (1844-1921), circuit judge. Second edition, mixed issue with b2 and b3 corresponding with Panzer A and the rest of the book corresponding with Panzer B, first published in 1517 by Schonsperger. A line-by-line reprint of the first edition, and printed with the same distinctive type, which was created specifically for the work. The type was designed by Vinzenz Rockner, the emperor's court secretary, and the woodcuts, based on preliminary drawings approved by Maximilian himself, are the work of the great woodcut artists, Beck, Schaufelein, Burgkmair, and others. A literary epic, sponsored by Emperor Maximilian (represented in the poem by the hero Tewrdannck) to celebrate his heroic feats in overcoming the difficulties of his journey to win his bride, Mary of Burgundy (die … [Click Below for Full Description]
Bookseller: Arader Galleries - Aradernyc [New York, NY, U.S.A.]
2008-05-12 11:49:12
Florentiae MDLI.: HAEREDES PHILIPPI JUNTAE, 1519. Florentiae MDLI.: HAEREDES PHILIPPI JUNTAE. [Giunti-prima edizione] (cm.16,4) buona piena pergamena originale semirigida con tracce di lacci. -- cc. 6 nn., cc. 2 bianche; cc. 88, cc. 301 + 1 c. con registro + 1c. bianca + 1c. con al verso la bella marca tipografica. Carattere corsivo elegantissimo. Dedica di G.B. Egnatio a Iacopo Minutio. Prima edizione giuntina di questo celebre classico, manca a CHOIX, BM. STC. e a vari altri repertori. Esemplare molto bello nitido e genuino, con spazi per lettere capitali e letterina guida ai capoversi. Solo lieve difetto all' unghia della legatura ben integrato. CAMERINI n° 128; BANDINI II 130; ADAMS s 780; RENOUARD p. 44 n° 28; GRAESSE III 225; BRUNET III 303.[f23] . ottimo. Rilegato. PRIMA EDIZIONE GIUNTINA. 1519.

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