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Displayed below are some selected recent viaLibri matches for books published in 1520
2020-05-23 09:32:05
Livy (Titus Livius Patavinus)
Venice, Italy: Aldus, 1520. Good to very good condition. [LIVY (Titus Livius Patavinus)]. Ex XIIII. T. Livii Decadibus. Prima, Tertia, Quarta, Cuius Tertio libro prima pars, quæ desyderabat, & Decimo quicquid ferè in calce non habebamus, additum est. verum præter hæc veluti fragmenta quartæ Decadi adiuncta. Sciant omnes qui hæc lecturi sunt, aliarum quoque Decadum libros castigatiores nunc emitti, quàm unquam aliâs. nam & multa adulterina expunximus, & multa vera recepimus, beneficio veterum exemplarium adivti. Duplex Epitome ... à T. Livio compositam esse, alteram ab L. Floro, qui omnem historiam ex T. Livio excerpsit ... Polybii libri V de rebus Romanis in latinam traducti à Nicolao Perotto ... Venetiis [Venice] : [Heirs of] Aldus Manutius, and Andrea Torresanus, October 1520 - February 1521. Hardcover. First folio Aldine edition. Five volumes in one, complete. Leather-bound. Thick folio [2°] (300 x 210 x 75mm), 442 leaves numbered on rectos. Latin text in Roman letter in lines of 54. Later full vellum. Title from general title page, partly in capitals, on leaf A1 recto of Part 1. Printed in five parts (and complete with the often lacking part 5 "Polybii Libri VI de rebus Romanis"), with titles and colophons in capitals: Part 1: title "Titi Livii Patavini Decas prima", colophon "Venetiis in aedibus Aldi, et Andreae soceri, mense Ianuario. M · D · XXI·" (leaves a1 recto and n10 recto respectively); Part 2: title "Titi Livii Patavini Decas tertia", colophon "Venetiis in aedibus Aldi, et Andreae soceri, M · D · XX· mense Octobri" (leaves aa1 recto and nn6 recto respecti … [Click Below for Full Description]
Bookseller: maxcloudforest [UK, United Kingdom]
2020-05-23 07:11:04
Dante Alighieri (1265-1321)
Venice, Italy: Bernardino Stagnino, 1520. Good to very good condition. [DANTE ALIGHIERI]. Opere del divino poeta danthe con suoi comenti: recorrecti et con ogne diligentia novamente in littera cvrsiva impresse. Impressa in Venetia [Venice]: Per Miser Bernardino Stagnino da Trino de Monferra, del. M.CCCCC.XX [1520] A. di. XXVIII. Marzo. Hardcover. Second Stagnino Edition. Vellum-bound. Thick quarto (205 x 150 mm), ff. [12], 441 [i.e. 440] (numbered leaves). Signatures: 2A¹² a-z⁸ [et]⁸ 2a-2z⁸ 2[et]⁸ 2[con]⁸ 2[rum]⁸ A-E⁸. Imprint from colophon on leaf 438: "Comento di Christoforo Landino Fiore[n]tino sopra la comedia di Danthe ... reuista [et] emendata ... per ... Pietro da Figino". Register at end. Italian text in italic type with some roman, in 51 lines of commentary partially surrounding text. Near contemporary full vellum binding with titles hand written to spine in black ink. Speckled page edges. Title-page printed in red and black, with ornamental woodcut border (repeated recto a²) incorporating winged angels playing instruments and other classical motifs, plus two woodcut vignettes depicting St. Bernardine of Siena holding the sacred monogram of Jesus on a board, and God confronting Adam and Eve in the Garden of Eden (repeated recto a²). One full-page woodcut depicting Virgil and three images of Dante (verso a¹). 98 xylographic illustrations in the text throughout, loosely based on those in the 1491 edition of Dante's works. Floriated initials. Spaces for capitals with guide letters. Shoulder notes. Later initial and terminal blanks. Comprises the Divina commedia, edite … [Click Below for Full Description]
Bookseller: maxcloudforest [UK, United Kingdom]
2020-05-16 01:07:01
French Illuminator of Manuscripts
[France, c. 1480-1520]. Manuscript leaf from an early 16th-century French Book of Hours, measuring 6.5 x 4.75 inches. Miniature of a manger scene featuring Mary with the Christ Child attended by angels. With a prayer in Gothic script from Hours of the Virgin, "tres douce dame pour icelle grant joie que vous eustes au jour de Penthecoste, quant votre doulx filz envoya le saint Esprit." Leaf rippled, color vibrant.
Bookseller: Moroccobound Fine Books, IOBA [Lewis Center, OH, U.S.A.]
2020-05-14 02:00:03
Livius Titus
per Melchiorem Sessam & Petrum de Rauanis socios, 1520. Piccole naturali imperfezioni al frontespizio, restaurato con risarcimenti e rinforzi. Rari percosi di tarlo restaurati senza interessamento del testo, altri due percorsi di tarlo estinto ma sempre marginali e senza perdita di testo. Restauri alla tavola della carta 1, bruciatura alle carte 6 e 7, Strappetto alla base della carta 33, Chiare macchioline di muffa alla base tra le carte 18 e 50, rarissime annotazioni coeve sempre marginali, ampia gora che interessa il volume per la seconda metà, scurimento alla carta 279 Frontespizio bicromatico rosso e nero raffigurante l'Autore incorniciato che tiene in mano un libro, marca tipografica xilografata raffigurante un gatto con topo in bocca in un cerchio in cui poggia una corona. Ai lati le iniziali MS. Bellissimi capilettera ornati xilografati, prima carta del libro I xilografata e incornicata, altre nove testatine xilografate ad ogni libro dell'Urbe Condita, nei 10 libri del De Belli Punici e nei 10 libri del De Bello Macedonio e Asiatico.
Bookseller: Libreria Libreria Antiquaria Giulio Cesare [Italy]
2020-05-13 10:43:02
Galeno Claudio
Paris: Officina Simonis, 1520. Antique old book. Please see all the photos. CLAVDII GALENI DE LOCORVM AFFECTORUM NOTITIA LIBRI SEX. GULIELMO COPO BASILIANSI, INTERPRETEGALENO, CLAUDIOParis 1520Officina Simonis29 cms, 75hs , numeradas desde la portada inclusive. A linea tirada, menos de Indice. Letra Romana. Apostillas. Sin reclamos. Iniciales.
Bookseller: forestequijo [Maracaibo, Venezuela]
2020-05-10 22:40:05
1520. PONTIFICALE ROMANUM. Pontificale fm Ritus Sacrosancte Romane Ecclesie cum additionibus opportunis ex aplica bibliotheca sumptis alias non ipressis... (Colophon:). In florentissima Venetiarum urbe per... Lucamantonium de Giunta florentinum anno Domini 1520 die xv septembris... In-folio, pergamena secentesca. 6 ff. nn., 253 ff., 1 f. bianco (mancante). Frontespizio stampato in rosso con grandi caratteri gotici entro bordura nera incisa in legno, testo e musica su due colonne in rosso e nero, 3 grandi illustrazioni racchiuse in bellissime bordure in silografia e 162 piccole figure incise in legno nel testo che si trovano quasi su ogni foglio le quali sono molto graziose, alla maniera di Zoan Andrea. L' esemplare è ben conservato, malgrado lievi tracce d' uso ai primi ff. Edizione rarissima. Manca alla Harvard College Library. Alès, Livres de liturgie, 165: Dans ce pontifical, chaque cérémonie est précédée d' une figure ad hoc; ces figures ne sont point reproduites dans le pontifical de 1572... Essling, 1695. Sander, 5839. Adams, 1238. B.M., Italian books, p. 387. Olschki, Choix de livres rares, 3230. Camerini, Annali dei Giunti (Venezia), II, 240.
Bookseller: Libri rari e antichi (libreriabrighenti) [San Giorgio di piano, BO, Italy]
2020-05-09 08:59:56
Livy (Titus Livius Patavinus)
Venice, Italy: Aldus, 1520. Good to very good condition. [LIVY (Titus Livius Patavinus)]. Ex XIIII. T. Livii Decadibus. Prima, Tertia, Quarta, Cuius Tertio libro prima pars, quæ desyderabat, & Decimo quicquid ferè in calce non habebamus, additum est. verum præter hæc veluti fragmenta quartæ Decadi adiuncta. Sciant omnes qui hæc lecturi sunt, aliarum quoque Decadum libros castigatiores nunc emitti, quàm unquam aliâs. nam & multa adulterina expunximus, & multa vera recepimus, beneficio veterum exemplarium adivti. Duplex Epitome ... à T. Livio compositam esse, alteram ab L. Floro, qui omnem historiam ex T. Livio excerpsit ... Polybii libri V de rebus Romanis in latinam traducti à Nicolao Perotto ... Venetiis [Venice] : [Heirs of] Aldus Manutius, and Andrea Torresanus, October 1520 - February 1521. Hardcover. First folio Aldine edition. Five volumes in one, complete. Leather-bound. Thick folio [2°] (300 x 210 x 75mm), 442 leaves numbered on rectos. Latin text in Roman letter in lines of 54. Later full vellum. Title from general title page, partly in capitals, on leaf A1 recto of Part 1. Printed in five parts (and complete with the often lacking part 5 "Polybii Libri VI de rebus Romanis"), with titles and colophons in capitals: Part 1: title "Titi Livii Patavini Decas prima", colophon "Venetiis in aedibus Aldi, et Andreae soceri, mense Ianuario. M · D · XXI·" (leaves a1 recto and n10 recto respectively); Part 2: title "Titi Livii Patavini Decas tertia", colophon "Venetiis in aedibus Aldi, et Andreae soceri, M · D · XX· mense Octobri" (leaves aa1 recto and nn6 recto respecti … [Click Below for Full Description]
Bookseller: maxcloudforest [UK, United Kingdom]
2020-05-06 19:40:54
Galeno Claudio
Paris: Officina Simonis, 1520. Antique old book. Please see all the photos. CLAVDII GALENI de morbis & symptomatis, Libri SexGuilielmo Copo Basileiensi , interpreteGALENO, CLAUDIOParis 1523Officina Simonis29 cms, LXI hs numeradas desde la portada. Letra redonda. A linea tirada, menos el índice. Apostillas impresas y manuscritas. Sin reclamos. Portada Orlada.
Bookseller: forestequijo [Maracaibo, Venezuela]
2020-05-02 14:53:23
LUCANUS M A
(Venetiis),: in aedibus Guilielmi de Fontaneto Montisferrati, XVIII Februarii 1520. (Venetiis), in aedibus Guilielmi de Fontaneto Montisferrati, XVIII Februarii 1520. In-4 p. (mm. 304x202), legatura in mz. pelle coeva (restaur.) con piatti in legno (manca il fermaglio in pelle), dorso a cordoni, 4 cc.nn., CCVI cc.num., incluso il frontespizio stampato in rosso e nero entro bella cornice ornamentale tratteggiata; testo inquadrato dal commento (in carattere tondo), ornato da pregevoli grandi capilettera per lo più su fondo nero, e con 10 bellissime vignette nel t., tutto xilografato. Cfr. Essling,854: “Bois de l’édition 4 juin 1511 avec les différences suivantes: Livre III, Combat devant Dyrrachium / Livre VII, Soldates assaillis par des serpents” - Sander,II,4021 - Adams,I, p. 671 - Choix de Olschki,IV,4757. “La "Farsalia", poema epico di Marco Anneo Lucano (Cordova 39 d.C. - Roma 65 d.C.) in dieci libri, è rimasto incompiuto. L’argomento dei primi 8 libri è la guerra tra Cesare e Pompeo, negli ultimi due v’è il racconto delle imprese d’Africa e d’Egitto.. Più che di Cesare, che egli dipinge uomo settario, avido di guerre e stragi, Lucano è fervido ammiratore di Pompeo che eleva a simbolo della libertà repubblicana. Nei suoi ottomila versi la "Farsalia" riesce opera a vero carattere storico.. e vi attinsero anche storici posteriori, tanto più che le decadi di Livio corrispondenti a questa guerra civile sono oggi perdute”. Così Diz. Opere Bompiani,III, p. 301. Ultima carta restaur. per str … [Click Below for Full Description]
Bookseller: Bottega delle occasioni [Italy]
Check availability:
2020-04-27 20:14:06
J. Gourmont & J. Petit, Paris 1520 (?). Condition: Gut. Boccaccio, G. De Casibus illustrium virorum libri novem quum historiis adfatim cognoscendis tum praeclare instituendis hominum moribus longe utilissimi. Ed. J. T. Bellovacus , Medium:BuchSprache:DeutschOrt/Verlag:J. Gourmont & J. Petit, Paris 1520 (?),Format:HC Erscheinungsjahr:1520Gewicht:1200g Opb, 4°, 109s., Fraktur., fachmaennisch restauriert, am Ende des Buches restaurierte Fehlstellen mit geringem Textverlust., sonst in gutem Zustand, [AZA8, SL2]., Unsere Bestellnr: #109608#.
Bookseller: Antiquariat Petri (nothweilergimbel) [Jena, Germany]
2020-04-24 17:14:04
DEL CARRETTO GALEOTTO.
S.l., s. n., (Milano, Alessandro Minuziano intorno, ca. 1520]. In-8°; 56 cc. nn., comprese le ultime due bianche, grande legno al titolo raffigurante l'autore con ai piedi un cane, simbolo della fedeltà dell'amore coniugale, e Amore alato. Legatura tardo-ottocentesca in mezzo marocchino rosso, titolo e filetti in oro al dorso. Titolo leggermente brunito, con firma di possesso coeva svanita al piede. Prima edizione estremamente rara della celebre commedia ispirata alla favola di Apuleio ed uno dei primi testi ad immaginarne il mito rappresentato sulla scena in volgare italiano. "Le Noze, scritte verso il 1502-1503, sono una parafrasi polimetrica della nota favola di Apuleio (Met., IV-VI), con lo scioglimento dell'originario tessuto narrativo in recitativo dialogato e melodrammatico e corali cantati, e rappresentano un primo tentativo di poesia "barbara"" (Sanesi). "Depuis les Noze de Psyche & Cupidine de Galeotto del Carretto, vers 1520, jusqu'à la « tragédie-ballet » de Molière, Corneille, Quinault et Lulli, jouée en 1671, Psyché est présente sur les scènes européennes : intermèdes, drames musicaux, masques, ballets de cour... tous les genres théâtraux s'emparent d'elle, avec une présence constante de la musique, et une remarquable constante de la dimension spéculaire." (Guillaume Berthon). Uscita senza note tipografiche l'edizione fu variamente attribuita sia alla stamperia milanese di Alessandro Minuziano, che alla tipografia di Niccolò Zoppino e Vincenzo di Paolo attiva a Venezia. Notevoli, oltre al pregevole legno iniziale, il corsivo e l'impaginazione, ricalcati sul mo … [Click Below for Full Description]
Bookseller: Mediolanum [Italy]
2020-04-18 09:16:05
SAVONAROLA, Girolamo.
Impressaque Venetijs: exquisita diligentia per Alexandrum Bindonum, 1520 die xj Februarij.. In quo sunt inserte omnes censure papales & episcopales. Novissime recognita cunctisque mendis expurgata. Venice 1520, Latin text, small 8vo, approximately 155 x 100 mm, 6 x 4 inches, half page woodcut on title page showing the author writing at a desk with a crucifix hanging in front of him and some books and a scroll on a cupboard to the right, large historiated initial at the beginning of the Prologue, small decorative or historiated initials to each chapter, text in black letter, paragraph marks heightened in bright red, initials touched in yellow, ruled faintly in red throughout, colophon on 104v facing large wood engraving of Lady Justice with a crown, sword and scales, a lion at either side of her feet, the lions hand coloured, leaves: (1)-104 (numbered 1004), (1), some misnumbering, but signatures correct, collated and guaranteed complete, signatures: A-N8. Handsomely rebound in modern blind decorated panelled calf, raised bands and blind motifs to spine, all edges red. Light browning to edges of endpapers, small brown mark to front pastedown, tiny area of worming at lower inner margin corner of first 2 leaves invisibly repaired, a little ink scribble to upper margin of 39v, old ink name on colophon page inked out long ago, tiny worm track in lower margin of final page, occasional small pale mark to margins, otherwise a very good clean copy. Savonarola wrote these instructions for taking confessions in about 1492. The book was first printed by the Venetian printer Laza … [Click Below for Full Description]
Bookseller: Roger Middleton P.B.F.A. [Oxford, United Kingdom]
2020-03-25 16:15:13
Jacobo Filippo Foresti de Bergamo
per Georgio di Rusconi, Venice, 1520. A beautiful book, filled with early woodcuts, in a contemporary binding. The 1503 edition was the first book to give a lengthy description of Columbus' trip, the text of which is also found in this edition (Leaves 342/343). Regarding the maps: left map is a "zonal" map, known as contemporary to Pythagoras (circa 500 BC). The right map is known as a T-O map. OCLC – 3 copies. St. Pancras copy hosted digitally ("9006.i.10."). OCLC #25540094 and OCLC #1064227220. Provenance - Nathan Comfort Starr Physical Attributes - Measures approx. 34 x 22 x 7 cm, folio. Bevelled oak boards with leather spine. Clasp hardware on back board, nails and remnants of leather clasps at front. More brass nails at edges of spine leather. Interlocking design tooled in blind onto leather. Three raised bands to spine, compartments with diapering by double blind fillet, title on paper in one compartment. 103 in-line woodcut illustrations, some repeated; most are views of cities, a few are biblical, and one map. One large full-page woodcut of Adam and Eve's expulsion. Two other large woodcuts from the famous 1503 edition are included, but lack the borders to make them full-page (as in 1503): Cain/Abel, and Babylon (the Creation is missing). The first leaf has richly illustrated borders. Each of the sixteen books has a decorated initial at its start. 356 leaves, numbered. Missing introductory 1st quire that included the title page, table of contents and one woodcut. Pagination starts at "1" and collates complete thereafter (see condition notes). Collation - A6, B to Z8 … [Click Below for Full Description]
Bookseller: Rare Tome [Newberg, OR, U.S.A.]
2020-03-22 18:39:37
TASSO Bernardo
MANUSCRIPT ON LAID PAPER. 210 x 155mm. 14 lines in elegant humanist hand on recto beneath remains of two-line title '[V]isconta il Passonico suo servitore', verso with five-line authentication in nineteenth-century hand, wax seal of the Biblioteca Estense in Modena (loss at head, affecting portion of dedicatory title, and damp staining particularly pronounced at left blank margin, visible fold lines running horizontally and vertically, generally grubby particularly at edges) with two accompanying pieces of correspondence. [Padova],
Bookseller: Maggs Bros. Ltd. [U.K.]
2020-03-21 10:56:21
Jacobo Filippo Foresti de Bergamo
Venice: per Georgio di Rusconi, 1520. My condition description exceeds the character limit Ebay applies to this text entry box. Please see my overall description, which includes a detailed condition report. A beautiful book, filled with incunable, and post-incunable woodcuts, in a contemporary binding. The first history to describe Columbus' voyage to "India", but America (1st included in the 1503 edition). Over one hundred woodcuts with views of cities (including Rome, Venice, etc.), a handful of biblical scenes/portraits, and two very interesting ancient maps (in one woodcut). Jacobus Philippus Foresti first produced his Chronicle in 1483, as a supplement to those Chronicles already in print. It was reprinted frequently. The 1503 edition is credited with being the first book to give a lengthy description of Columbus' trip, the text of which is also found in this edition of 1520 (verso 342, recto 343). Some woodblock city-views were either recut to be nearly exact, or are still the incunable blocks, re-used. Regarding the maps, they are the woodcut with the two circles (globes). The left map is a "zonal" map, known as contemporary to Pythagoras (circa 500 BC). The right map is known as a T-O map - "In these examples to O represents the boundary of the world, the horizontal stroke of the T the meridian running from the Don to the Nile, and the perendicular axis (the T-O maps invariably being oriented with east at the top) the line of the Mediterranean. T-O maps appeared in manuscripts from the early Middle Ages, and the very first printed world map, from a version of the s … [Click Below for Full Description]
Bookseller: RareTome (isaiah1000) [Newberg, Oregon, US]
2020-03-18 06:30:05
4to ff 32 full vellum. Complete Extremely scarce 1520 edition of the greatest agricultural treatise of the Latin literature.
Bookseller: jambabooks [Torino, IT]
2020-03-15 08:43:27
Dante Alighieri (1265-1321)
Venice, Italy: Bernardino Stagnino, 1520. Good to very good condition. [DANTE ALIGHIERI]. Opere del divino poeta danthe con suoi comenti: recorrecti et con ogne diligentia novamente in littera cvrsiva impresse. Impressa in Venetia [Venice]: Per Miser Bernardino Stagnino da Trino de Monferra, del. M.CCCCC.XX [1520] A. di. XXVIII. Marzo. Hardcover. Second Stagnino Edition. Vellum-bound. Thick quarto (205 x 150 mm), ff. [12], 441 [i.e. 440] (numbered leaves). Signatures: 2A¹² a-z⁸ [et]⁸ 2a-2z⁸ 2[et]⁸ 2[con]⁸ 2[rum]⁸ A-E⁸. Imprint from colophon on leaf 438: "Comento di Christoforo Landino Fiore[n]tino sopra la comedia di Danthe ... reuista [et] emendata ... per ... Pietro da Figino". Register at end. Italian text in italic type with some roman, in 51 lines of commentary partially surrounding text. Near contemporary full vellum binding with titles hand written to spine in black ink. Speckled page edges. Title-page printed in red and black, with ornamental woodcut border (repeated recto a²) incorporating winged angels playing instruments and other classical motifs, plus two woodcut vignettes depicting St. Bernardine of Siena holding the sacred monogram of Jesus on a board, and God confronting Adam and Eve in the Garden of Eden (repeated recto a²). One full-page woodcut depicting Virgil and three images of Dante (verso a¹). 98 xylographic illustrations in the text throughout, loosely based on those in the 1491 edition of Dante's works. Floriated initials. Spaces for capitals with guide letters. Shoulder notes. Later initial and terminal blanks. Comprises the Divina commedia, edite … [Click Below for Full Description]
Bookseller: maxcloudforest [UK, United Kingdom]
2020-03-15 03:31:03
Hans Sebald BEHAM Nuremberg 1500 - Frankfurt 1550
Bulino 1520, datato emonogrammato in lastra in basso a sinistra. Buona prova, impressa su carta vergata coeva, rifilata al rame, in ottimo stato di conservazione. Bibliografia: Bartsch 17; Pauli 18. Dimensioni 58x83. Engraving, 1520, dated and signed with monogram on lower left plate. Good work, printed on contemporary laid paper, trimmed to platemark, in excellent condition.
Bookseller: Libreria Antiquarius [Italy]
2020-03-14 20:52:21
TASSO Bernardo
[1520-25]. MANUSCRIPT ON LAID PAPER. 210 x 155mm. 14 lines in elegant humanist hand on recto beneath remains of two-line title '[V]isconta il Passonico suo servitore', verso with five-line authentication in nineteenth-century hand, wax seal of the Biblioteca Estense in Modena (loss at head, affecting portion of dedicatory title, and damp staining particularly pronounced at left blank margin, visible fold lines running horizontally and vertically, generally grubby particularly at edges) with two accompanying pieces of correspondence. [Padova], An unrecorded, unpublished manuscript poem by writer, courtier and father of Torquato, Bernardo Tasso (1493-1569), in his hand, and one of the earliest surviving examples of his poetry. Best known for his epic poem L'Amadigi (1560), this is of a distinctly different tone and subject. It is a love sonnet, in a pastoral, Petrarchan style, which describes the object of Tasso's affections walking through a garden - 'passando pressi gli fioreti e l'herba' - barefoot - 'bianco piedi' - and causing beautiful flowers to bloom with her touch - 'dove toccara la bianca mano.ivi nasceran fiori si belli che non si vedran' mail simil' a quelli.' Sonnets and love poetry formed a significant part of Tasso's oeuvre. Aside from the lyrical poems published in Amori (Venice, 1555) several manuscript examples of his poetry survive in Italian libraries. The largest extant corpus is at the Biblioteca Palatina at Parma (Parm.829) and comprises 11 sonnets and 7 madrigals, each written out individually on single folios (subsequently mounted on modern card). The … [Click Below for Full Description]
Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA [London, United Kingdom]
2020-03-07 08:35:24
Dante Alighieri (1265-1321)
Venice, Italy: Bernardino Stagnino, 1520. Good to very good condition. [DANTE ALIGHIERI]. Opere del divino poeta danthe con suoi comenti: recorrecti et con ogne diligentia novamente in littera cvrsiva impresse. Impressa in Venetia [Venice]: Per Miser Bernardino Stagnino da Trino de Monferra, del. M.CCCCC.XX [1520] A. di. XXVIII. Marzo. Hardcover. Second Stagnino Edition. Vellum-bound. Thick quarto (205 x 150 mm), ff. [12], 441 [i.e. 440] (numbered leaves). Signatures: 2A¹² a-z⁸ [et]⁸ 2a-2z⁸ 2[et]⁸ 2[con]⁸ 2[rum]⁸ A-E⁸. Imprint from colophon on leaf 438: "Comento di Christoforo Landino Fiore[n]tino sopra la comedia di Danthe ... reuista [et] emendata ... per ... Pietro da Figino". Register at end. Italian text in italic type with some roman, in 51 lines of commentary partially surrounding text. Near contemporary full vellum binding with titles hand written to spine in black ink. Speckled page edges. Title-page printed in red and black, with ornamental woodcut border (repeated recto a²) incorporating winged angels playing instruments and other classical motifs, plus two woodcut vignettes depicting St. Bernardine of Siena holding the sacred monogram of Jesus on a board, and God confronting Adam and Eve in the Garden of Eden (repeated recto a²). One full-page woodcut depicting Virgil and three images of Dante (verso a¹). 98 xylographic illustrations in the text throughout, loosely based on those in the 1491 edition of Dante's works. Floriated initials. Spaces for capitals with guide letters. Shoulder notes. Later initial and terminal blanks. Comprises the Divina commedia, edite … [Click Below for Full Description]
Bookseller: maxcloudforest [UK, GB]
2020-03-02 08:42:27
Galeno Claudio
Paris: Officina Simonis, 1520. Antique old book. Please see all the photos. CLAVDII GALENI DE LOCORVM AFFECTORUM NOTITIA LIBRI SEX. GULIELMO COPO BASILIANSI, INTERPRETEGALENO, CLAUDIOParis 1520Officina Simonis29 cms, 75hs , numeradas desde la portada inclusive. A linea tirada, menos de Indice. Letra Romana. Apostillas. Sin reclamos. Iniciales.
Bookseller: forestequijo [Maracaibo, VE]
2020-03-02 02:16:06
Galeno Claudio
Paris: Officina Simonis, 1520. Antique old book. Please see all the photos. CLAVDII GALENI de morbis & symptomatis, Libri SexGuilielmo Copo Basileiensi , interpreteGALENO, CLAUDIOParis 1523Officina Simonis29 cms, LXI hs numeradas desde la portada. Letra redonda. A linea tirada, menos el índice. Apostillas impresas y manuscritas. Sin reclamos. Portada Orlada.
Bookseller: forestequijo [Maracaibo, VE]
2020-03-01 22:51:10
Aristotle; Johann Eck
Augsburg: Sigmund Grimm; Marx Wirsung, 1520. Click here to see our other books! De anima, libri III per Argyropilum; De sensu et sensato, liber I; De memoria et reminiscentia, liber I; De somno et vigilia, liber I; De longitudine et brevitate vitae, liber I Aristotle; Johann Eck 1520 Sigmund Grimm; Marx Wirsung : Augsburg 12" by 8" 76, [152]pp SUMMARY A finely bound copy of this very scarce collection of Aristotle's works. Collected and edited by Johann Eck. An Important Work,Pleasing Copy,Very Scarce Overall Condition: Near Fine This book weighs 1 KG when packed UK Postage: £ 3.99 US Postage: £ 22.99 EU Postage: £ 16.99 European Postage: £ 17.99 Asia Postage: £ 22.99 Worldwide Postage: £ 28.99 DESCRIPTION Undated, dated using Worldcat, which only has one entry for this work held at Biblioteca Vigilianum, Itlay. Worldcat states the date of this work as 1519 or 1520 and names the publishers as Grimm and Wirsung. In a fine tooled binding, with new endpapers. With the bookplate of one 'Picajanus' to the front pastedown. Johann Eck was a German Scholastic theologian. He produced works of Aristotles following a ducal commission. A very early, possibly first edition of Eck's collection of Aristotle's works. Comprising of Aristotle's 'De Anima' or 'On the Soul'. 'De Anima' is a major treatise on psychology within a biological framework. The second tract to this is Aristotle's 'Sense and Sensibilia' which is found in his Parva Naturalia. Following this are another three tracts from 'Parva Naturalia' being 'Demomoria & Reminiscentia', 'De Somno & Vigilia' and 'De Longitudine & Breui … [Click Below for Full Description]
Bookseller: The Mad Librarian (the-mad-librarian) [Bath, GB]
2020-02-27 18:17:13
Aristotle; Johann Eck
Sigmund Grimm; Marx Wirsung, 1520. Condition: Good. Click here to see our other books! De anima, libri III per Argyropilum; De sensu et sensato, liber I; De memoria et reminiscentia, liber I; De somno et vigilia, liber I; De longitudine et brevitate vitae, liber I Aristotle; Johann Eck 1520 Sigmund Grimm; Marx Wirsung : Augsburg 12" by 8" 76, [152]pp SUMMARY A finely bound copy of this very scarce collection of Aristotle's works. Collected and edited by Johann Eck. An Important Work,Pleasing Copy,Very Scarce Overall Condition: Near Fine This book weighs 1 KG when packed Australia Postage: £ Free UK Postage: £ 3.99 US Postage: £ 22.99 EU Postage: £ 16.99 European Postage: £ 17.99 Asia Postage: £ 22.99 Worldwide Postage: £ 28.99 DESCRIPTION Undated, dated using Worldcat, which only has one entry for this work held at Biblioteca Vigilianum, Itlay. Worldcat states the date of this work as 1519 or 1520 and names the publishers as Grimm and Wirsung. In a fine tooled binding, with new endpapers. With the bookplate of one 'Picajanus' to the front pastedown. Johann Eck was a German Scholastic theologian. He produced works of Aristotles following a ducal commission. A very early, possibly first edition of Eck's collection of Aristotle's works. Comprising of Aristotle's 'De Anima' or 'On the Soul'. 'De Anima' is a major treatise on psychology within a biological framework. The second tract to this is Aristotle's 'Sense and Sensibilia' which is found in his Parva Naturalia. Following this are another three tracts from 'Parva Naturalia' being 'Demomoria & Reminiscentia', 'De Somno & Vig … [Click Below for Full Description]
Bookseller: The Mad Librarian (the-mad-librarian) [Bath, GB]
2020-02-25 08:48:38
Dante Alighieri (1265-1321)
Venice, Italy: Bernardino Stagnino, 1520. Good to very good condition. [DANTE ALIGHIERI]. Opere del divino poeta danthe con suoi comenti: recorrecti et con ogne diligentia novamente in littera cvrsiva impresse. Impressa in Venetia [Venice]: Per Miser Bernardino Stagnino da Trino de Monferra, del. M.CCCCC.XX [1520] A. di. XXVIII. Marzo. Hardcover. Second Stagnino Edition. Vellum-bound. Thick quarto (205 x 150 mm), ff. [12], 441 [i.e. 440] (numbered leaves). Signatures: 2A¹² a-z⁸ [et]⁸ 2a-2z⁸ 2[et]⁸ 2[con]⁸ 2[rum]⁸ A-E⁸. Imprint from colophon on leaf 438: "Comento di Christoforo Landino Fiore[n]tino sopra la comedia di Danthe ... reuista [et] emendata ... per ... Pietro da Figino". Register at end. Italian text in italic type with some roman, in 51 lines of commentary partially surrounding text. Near contemporary full vellum binding with titles hand written to spine in black ink. Speckled page edges. Title-page printed in red and black, with ornamental woodcut border (repeated recto a²) incorporating winged angels playing instruments and other classical motifs, plus two woodcut vignettes depicting St. Bernardine of Siena holding the sacred monogram of Jesus on a board, and God confronting Adam and Eve in the Garden of Eden (repeated recto a²). One full-page woodcut depicting Virgil and three images of Dante (verso a¹). 98 xylographic illustrations in the text throughout, loosely based on those in the 1491 edition of Dante's works. Floriated initials. Spaces for capitals with guide letters. Shoulder notes. Later initial and terminal blanks. Comprises the Divina commedia, edite … [Click Below for Full Description]
Bookseller: maxcloudforest [UK, GB]
2020-02-23 05:30:11
STADEN, Hans.
Extremely rare Dutch edition of an important and very popular eye-witness account of mid-16th-century Brazil, by Hans Staden (ca. 1520/25-ca. 1557 or ca. 1576), a Hessian artilleryman who served the Portuguese in Brazil in the years 1547-1548 and 1549-1555. During most of his second trip to Brazil he was held prisoner near Rio de Janeiro by the Tupinambá Indians. Already fluent in the Tupi language, he probably gained a more intimate knowledge of the Indians than any other writer of his day. The first part describes his voyages and his capture by the Indians, while the second part describes their culture and customs. Staden's sensational tales of the "savage, naked, very godless and cruel cannibals" of Brazil, published when Europeans knew almost nothing of the New World, immediately made the book a best-seller. While its biased view of the Brazilian "savages" was the progenitor of many widely accepted 16th-century European beliefs about the New World, it also contains a wealth of information from the direct observations of a participant observer familiar with the native language. It therefore forms one of the most important sources of both facts and misperceptions about indigenous Americans. We have located only three other copies of the present edition worldwide.With some water stains and an occasional minor brown spot, but still in good condition and only slightly trimmed.Alden & Landis 660/161 (1 copy); WorldCat (3 copies); cf. Borba de Moraes, p. 836; Sabin 90050; this ed. not in STCN..
Bookseller: ASHER Rare Books (Since 1830) [Netherlands]
Check availability:
2020-02-18 08:11:23
Ignatius, Saint, Bishop of Antioch
Basil: Adam Petri, 1520. Vellum. Very good. 4to. 95,(1)pp. Title within a fine woodcut border. Woodcut initials. A name at the top of the title page has been crossed out. Date of 1589 is readable. Text with numerous marginal notes in an early hand. Later stiff vellum, spine hand lettered. The 11 letters of Ignatius who later in life met his martyrdom en route to Rome. The text also includes a letter on martyrdom by Polycarp, the Bishop of Smyrna. Adams I 28.
Bookseller: Kenneth Karmiole, Bookseller, Inc. ABAA [Santa Monica, CA, U.S.A.]
2020-02-17 03:38:08
Ohne Ort, Drucker und Jahr [Leipzig: Martin Landsberg. [ca. 1520] 6 Blatt. Originale Broschur mit Fadenheftung ohne Einband, Oktav, 19,2 x 14,5 cm (Papierbedingt etwas gebräunt, leicht fleckig, Heftfaden nur teilweise erhalten, unten mit dezentem Feuchtigkeitsrand, teils staubrandig, erstes Blatt verso mit Klebestreifen, Nummerierung der Blätter von zeitgenössischer Hand, insgesamt ordentlich erhalte) In der Nennung von Drucker und Jahr folgen wir den Angaben der Österreichischen Nationalbibliothek, deren Digitalisat im Druck mit unserem vorliegenden Exemplar übereinstimmt. Das Heft wurde aus einem Sammelband gelöst, die Blätter sind rechts oben von alter Hand 343 bis 348 nummeriert. Diese Flugschrift der Reformation bringt den Dialog der Freunde Cirus und Pascuill über die Hinterlist der römisch-katholischen Kirche. Die Bibliotheken nennen keinen Autor der Satire, verschiedentlich wird der Text Ulrich von Hutten zugeschrieben. "(geb. 21. April 1488 auf Burg Steckelberg in Schlüchtern; gest. 29. August 1523 auf der Ufenau im Zürichsee) war ein deutscher Renaissance-Humanist, Dichter, Kirchenkritiker und Publizist. (...) Bereits während seiner ersten Italienreise hatte Hutten das weltliche Auftreten des Papsttums erlebt und angeprangert. In den Folgejahren verschärfte sich diese Gegnerschaft: In Huttens Schriften trat an die Stelle einer humanistisch-aufgeklärten Kirchenkritik der Wunsch nach einem radikalen Befreiungsschlag, der die verweltlichte Kirche zur Räson bringen sollte (vgl. die Schriften im Gesprächbüchlin). Hutten verfasste Aufrufe an die deutsche Nation, si … [Click Below for Full Description]
Bookseller: Versandantiquariat Bürck [Germany]
2020-02-16 04:49:11
Dante Alighieri (1265-1321)
Venice, Italy: Bernardino Stagnino, 1520. Good to very good condition. [DANTE ALIGHIERI]. Opere del divino poeta danthe con suoi comenti: recorrecti et con ogne diligentia novamente in littera cvrsiva impresse. Impressa in Venetia [Venice]: Per Miser Bernardino Stagnino da Trino de Monferra, del. M.CCCCC.XX [1520] A. di. XXVIII. Marzo. Hardcover. Second Stagnino Edition. Vellum-bound. Thick quarto (205 x 150 mm), ff. [12], 441 [i.e. 440] (numbered leaves). Signatures: 2A¹² a-z⁸ [et]⁸ 2a-2z⁸ 2[et]⁸ 2[con]⁸ 2[rum]⁸ A-E⁸. Imprint from colophon on leaf 438: "Comento di Christoforo Landino Fiore[n]tino sopra la comedia di Danthe ... reuista [et] emendata ... per ... Pietro da Figino". Register at end. Italian text in italic type with some roman, in 51 lines of commentary partially surrounding text. Near contemporary full vellum binding with titles hand written to spine in black ink. Speckled page edges. Title-page printed in red and black, with ornamental woodcut border (repeated recto a²) incorporating winged angels playing instruments and other classical motifs, plus two woodcut vignettes depicting St. Bernardine of Siena holding the sacred monogram of Jesus on a board, and God confronting Adam and Eve in the Garden of Eden (repeated recto a²). One full-page woodcut depicting Virgil and three images of Dante (verso a¹). 98 xylographic illustrations in the text throughout, loosely based on those in the 1491 edition of Dante's works. Floriated initials. Spaces for capitals with guide letters. Shoulder notes. Later initial and terminal blanks. Comprises the Divina commedia, edite … [Click Below for Full Description]
Bookseller: maxcloudforest [UK, GB]
2020-02-11 10:12:02
Ohne Ort, Drucker und Jahr [Leipzig, Martin Landsberg, 1520. Oktav, 19,2 x 14,5 cm. (Papierbedingt etwas gebräunt, leicht fleckig, Heftfaden nur teilweise erhalten, unten mit dezentem Feuchtigkeitsrand, teils staubrandig, erstes Blatt verso mit Klebestreifen, Nummerierung der Blätter von zeitgenössischer Hand, insgesamt ordentlich erhalte) In der Nennung von Drucker und Jahr folgen wir den Angaben der Österreichischen Nationalbibliothek, deren Digitalisat im Druck mit unserem vorliegenden Exemplar übereinstimmt. Das Heft wurde aus einem Sammelband gelöst, die Blätter sind rechts oben von alter Hand 343 bis 348 nummeriert. Diese Flugschrift der Reformation bringt den Dialog der Freunde Cirus und Pascuill über die Hinterlist der römisch-katholischen Kirche. Die Bibliotheken nennen keinen Autor der Satire, verschiedentlich wird der Text Ulrich von Hutten zugeschrieben. "(geb. 21. April 1488 auf Burg Steckelberg in Schlüchtern; gest. 29. August 1523 auf der Ufenau im Zürichsee) war ein deutscher Renaissance-Humanist, Dichter, Kirchenkritiker und Publizist. (...) Bereits während seiner ersten Italienreise hatte Hutten das weltliche Auftreten des Papsttums erlebt und angeprangert. In den Folgejahren verschärfte sich diese Gegnerschaft: In Huttens Schriften trat an die Stelle einer humanistisch-aufgeklärten Kirchenkritik der Wunsch nach einem radikalen Befreiungsschlag, der die verweltlichte Kirche zur Räson bringen sollte (vgl. die Schriften im Gesprächbüchlin). Hutten verfasste Aufrufe an die deutsche Nation, sich dem Kampf gegen die sogenannten Kurtisanen, also die Profiteur … [Click Below for Full Description]
Bookseller: Versandantiquariat Bürck (Einzelkaufmann) [Germany]
2020-02-05 11:24:14
Ohne Ort, Drucker und Jahr [Leipzig: Martin Landsberg. [ca. 1520] 6 Blatt. Originale Broschur mit Fadenheftung ohne Einband, Oktav, 19,2 x 14,5 cm (Papierbedingt etwas gebräunt, leicht fleckig, Heftfaden nur teilweise erhalten, unten mit dezentem Feuchtigkeitsrand, teils staubrandig, erstes Blatt verso mit Klebestreifen, Nummerierung der Blätter von zeitgenössischer Hand, insgesamt ordentlich erhalte) In der Nennung von Drucker und Jahr folgen wir den Angaben der Österreichischen Nationalbibliothek, deren Digitalisat im Druck mit unserem vorliegenden Exemplar übereinstimmt. Das Heft wurde aus einem Sammelband gelöst, die Blätter sind rechts oben von alter Hand 343 bis 348 nummeriert. Diese Flugschrift der Reformation bringt den Dialog der Freunde Cirus und Pascuill über die Hinterlist der römisch-katholischen Kirche. Die Bibliotheken nennen keinen Autor der Satire, verschiedentlich wird der Text Ulrich von Hutten zugeschrieben. "(geb. 21. April 1488 auf Burg Steckelberg in Schlüchtern; gest. 29. August 1523 auf der Ufenau im Zürichsee) war ein deutscher Renaissance-Humanist, Dichter, Kirchenkritiker und Publizist. (...) Bereits während seiner ersten Italienreise hatte Hutten das weltliche Auftreten des Papsttums erlebt und angeprangert. In den Folgejahren verschärfte sich diese Gegnerschaft: In Huttens Schriften trat an die Stelle einer humanistisch-aufgeklärten Kirchenkritik der Wunsch nach einem radikalen Befreiungsschlag, der die verweltlichte Kirche zur Räson bringen sollte (vgl. die Schriften im Gesprächbüchlin). Hutten verfasste Aufrufe an die deutsche Nation, sich … [Click Below for Full Description]
Bookseller: Antiquariat Bürck [Germany]
2020-02-03 00:59:22
1520. Notre blog : https://librairie-trois-plumes.blogspot.fr/ Notre mail : benoit@troisplumes.fr Œcolampade (Jean Husschin ou Johannes Häusgen dit), Oecolampadij iudicium de doctore Martino Luthero. Leipzig, [V Schumann], 1520. In-8, 4ff (le dernier blanc). Edition originale rarissime de cet opuscule. Cet ouvrage est très important dans l'histoire du protestantisme, en particulier dans le Vaudois. En effet, nommé comme prédicateur à la cathédrale d'Augsbourg, il se retrouve au cœur des débats houleux sur les écrits de Luther. Partisan d'une réforme ecclésiastique de l'Eglise catholique, il quitta sa place pour se retirer dans un monastère brigittin, à Altomünster près d'Augsbourg. L'humaniste Bernhard Adelmann lui demanda son avis sur Luther, ce qu'il écrivit donc et lui envoya, secrètement. Adelmann, sans demander son avis, l'envoya à Capito, à Bâle, qui le fit donc publier sous ce titre. Œcolampade loue dans cet ouvrage Luther dont il possède de nombreux livres et affirme qu'il ne changera pas d'opinion sur ceux-ci, même si les anges du ciel les contredisaient. Il y inclut aussi les jugements d'autres personnes dont Erasme. Suite à cet écrit et quelques autres, il dut quitter le monastère en 1522, s'impliqua dans le mouvement réformateur, devint commentateur à l'université de Bâle et finit par introduire formellement la Réforme à Bâle en 1529 avant de la diffuser dans le sud de l'Allemagne. Cartonnage XIXe. Rarissime plaquette, prémisse de la Réforme en Vaudois.
Bookseller: Librairie Trois Plumes (librairie_trois_plumes) [Angers, FR]
2020-02-02 08:31:35
Dante Alighieri (1265-1321)
Venice, Italy: Bernardino Stagnino, 1520. Good to very good condition. [DANTE ALIGHIERI]. Opere del divino poeta danthe con suoi comenti: recorrecti et con ogne diligentia novamente in littera cvrsiva impresse. Impressa in Venetia [Venice]: Per Miser Bernardino Stagnino da Trino de Monferra, del. M.CCCCC.XX [1520] A. di. XXVIII. Marzo. Hardcover. Second Stagnino Edition. Vellum-bound. Thick quarto (205 x 150 mm), ff. [12], 441 [i.e. 440] (numbered leaves). Signatures: 2A¹² a-z⁸ [et]⁸ 2a-2z⁸ 2[et]⁸ 2[con]⁸ 2[rum]⁸ A-E⁸. Imprint from colophon on leaf 438: "Comento di Christoforo Landino Fiore[n]tino sopra la comedia di Danthe ... reuista [et] emendata ... per ... Pietro da Figino". Register at end. Italian text in italic type with some roman, in 51 lines of commentary partially surrounding text. Near contemporary full vellum binding with titles hand written to spine in black ink. Speckled page edges. Title-page printed in red and black, with ornamental woodcut border (repeated recto a²) incorporating winged angels playing instruments and other classical motifs, plus two woodcut vignettes depicting St. Bernardine of Siena holding the sacred monogram of Jesus on a board, and God confronting Adam and Eve in the Garden of Eden (repeated recto a²). One full-page woodcut depicting Virgil and three images of Dante (verso a¹). 98 xylographic illustrations in the text throughout, loosely based on those in the 1491 edition of Dante's works. Floriated initials. Spaces for capitals with guide letters. Shoulder notes. Later initial and terminal blanks. Comprises the Divina commedia, edite … [Click Below for Full Description]
Bookseller: maxcloudforest [UK, GB]
2020-02-01 07:33:34
Aristotle; Johann Eck
1520 Book. Very Good. Hardcover. First edition.. Undated, dated using Worldcat, which only has one entry for this work held at Biblioteca Vigilianum, Itlay. Worldcat states the date of this work as 1519 or 1520 and names the publishers as Grimm and Wirsung. In a fine tooled binding, with new endpapers. With the bookplate of one 'Picajanus' to the front pastedown. Johann Eck was a German Scholastic theologian. He produced works of Aristotles following a ducal commission. A very early, possibly first edition of Eck's collection of Aristotle's works. Comprising of Aristotle's 'De Anima' or 'On the Soul'. 'De Anima' is a major treatise on psychology within a biological framework. The second tract to this is Aristotle's 'Sense and Sensibilia' which is found in his Parva Naturalia. Following this are another three tracts from 'Parva Naturalia' being 'Demomoria & Reminiscentia', 'De Somno & Vigilia' and 'De Longitudine & Breuiate Vitae'. With a woodcut title page, with a bishop's mitre and a crosier representing the arms of Christoph von Schroffenstein, Bishop of Brixen to whom this work is dedicated. Decorative woodcut letters. In Latin. A beautifully bound copy of this very scarce work. Condition: In a tooled calf binding. Externally, in an excellent condition with just some light shelfwear to the extremities. With the bookplate of one 'Picajanus' to the front pastedown. Internally, firmly bound. Pages are very bright. Just the odd spots to pages. Overall Condition: Near Fine.
Bookseller: Rooke Books [United Kingdom]
Check availability:
2020-02-01 00:30:26
Ohne Ort, Drucker und Jahr [Leipzig: Martin Landsberg, [ca. 1520]. perfect. Gut. 6 Blatt. Originale Broschur mit Fadenheftung ohne Einband. Oktav, 19,2 x 14,5 cm (Papierbedingt etwas gebräunt, leicht fleckig, Heftfaden nur teilweise erhalten, unten mit dezentem Feuchtigkeitsrand, teils staubrandig, erstes Blatt verso mit Klebestreifen, Nummerierung der Blätter von zeitgenössischer Hand, insgesamt ordentlich erhalte). In der Nennung von Drucker und Jahr folgen wir den Angaben der Österreichischen Nationalbibliothek, deren Digitalisat im Druck mit unserem vorliegenden Exemplar übereinstimmt. Das Heft wurde aus einem Sammlband gelöst, die Blätter sind rechts oben von alter Hand 343 bis 348 nummeriert. Diese Flugschrift der Reformation bringt den Dialog der Freunde Cirus und Pascuill über die Hinterlist der römisch-katholischen Kirche. Die Bibliotheken nennen keinen Autor der Satire, verschiedentlich wird der Text Ulrich von Hutten zugeschrieben. "(geb. 21. April 1488 auf Burg Steckelberg in Schlüchtern; gest. 29. August 1523 auf der Ufenau im Zürichsee) war ein deutscher Renaissance-Humanist, Dichter, Kirchenkritiker und Publizist. (...) Bereits während seiner ersten Italienreise hatte Hutten das weltliche Auftreten des Papsttums erlebt und angeprangert. In den Folgejahren verschärfte sich diese Gegnerschaft: In Huttens Schriften trat an die Stelle einer humanistisch-aufgeklärten Kirchenkritik der Wunsch nach einem radikalen Befreiungsschlag, der die verweltlichte Kirche zur Räson bringen sollte (vgl. die Schriften im Gesprächbüchlin). Hutten verfasste Aufrufe an die deut … [Click Below for Full Description]
Bookseller: Antiquariat Bürck [Germany]
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2020-01-31 09:46:02
Ohne Ort, Drucker und Jahr [Leipzig: Martin Landsberg. [ca. 1520] 6 Blatt. Originale Broschur mit Fadenheftung ohne Einband, Oktav, 19,2 x 14,5 cm (Papierbedingt etwas gebräunt, leicht fleckig, Heftfaden nur teilweise erhalten, unten mit dezentem Feuchtigkeitsrand, teils staubrandig, erstes Blatt verso mit Klebestreifen, Nummerierung der Blätter von zeitgenössischer Hand, insgesamt ordentlich erhalte) In der Nennung von Drucker und Jahr folgen wir den Angaben der Österreichischen Nationalbibliothek, deren Digitalisat im Druck mit unserem vorliegenden Exemplar übereinstimmt. Das Heft wurde aus einem Sammelband gelöst, die Blätter sind rechts oben von alter Hand 343 bis 348 nummeriert. Diese Flugschrift der Reformation bringt den Dialog der Freunde Cirus und Pascuill über die Hinterlist der römisch-katholischen Kirche. Die Bibliotheken nennen keinen Autor der Satire, verschiedentlich wird der Text Ulrich von Hutten zugeschrieben. "(geb. 21. April 1488 auf Burg Steckelberg in Schlüchtern; gest. 29. August 1523 auf der Ufenau im Zürichsee) war ein deutscher Renaissance-Humanist, Dichter, Kirchenkritiker und Publizist. (...) Bereits während seiner ersten Italienreise hatte Hutten das weltliche Auftreten des Papsttums erlebt und angeprangert. In den Folgejahren verschärfte sich diese Gegnerschaft: In Huttens Schriften trat an die Stelle einer humanistisch-aufgeklärten Kirchenkritik der Wunsch nach einem radikalen Befreiungsschlag, der die verweltlichte Kirche zur Räson bringen sollte (vgl. die Schriften im Gesprächbüchlin). Hutten verfasste Aufrufe an die deutsche Nation, si … [Click Below for Full Description]
Bookseller: Versandantiquariat Bürck (VDA / ILAB) [Berlin, Germany]
2020-01-30 15:17:19
Galeno Claudio
Paris: Officina Simonis, 1520. Antique old book. Please see all the photos. CLAVDII GALENI DE LOCORVM AFFECTORUM NOTITIA LIBRI SEX. GULIELMO COPO BASILIANSI, INTERPRETEGALENO, CLAUDIOParis 1520Officina Simonis29 cms, 75hs , numeradas desde la portada inclusive. A linea tirada, menos de Indice. Letra Romana. Apostillas. Sin reclamos. Iniciales.
Bookseller: forestequijo [Maracaibo, VE]
2020-01-30 15:17:19
Galeno Claudio
Paris: Officina Simonis, 1520. Antique old book. Please see all the photos. CLAVDII GALENI de morbis & symptomatis, Libri SexGuilielmo Copo Basileiensi , interpreteGALENO, CLAUDIOParis 1523Officina Simonis29 cms, LXI hs numeradas desde la portada. Letra redonda. A linea tirada, menos el índice. Apostillas impresas y manuscritas. Sin reclamos. Portada Orlada.
Bookseller: forestequijo [Maracaibo, VE]
2020-01-30 11:34:11
Gian Jacopo CARAGLIO (Verona 1505 - Cracovia 1565)
Bulino, 1520 circa, privo di firma e data. Esemplare nel primo stato di due, avanti i tratti aggiuntivi e le inziali R V. Bellissima prova, impressa su carta vergata coeva, rifilata alla linea marginale, piega centrale visibile al verso, in ottimo stato di conservazione. Il soggetto riproduce a stampa, in controparte, il famoso dipinto di Raffaello, oggi conservato al Louvre (inv. 604). Eseguito per 'il Cristianissimo' Re di Francia Francesco I. Nel 1518, Raffaello ricevette l'incarico di dipingere La Sacra Famiglia da Papa Leone X e suo nipote, Lorenzo II de Medici, duca di Urbino, per essere offerto in dono a Claudia, la regina di Francia, moglie di Francesco I. Dipinto in soli due mesi, aprile e maggio, fu consegnato alla fine di maggio e, sebbene firmato e datato da Raffaello, si ritiene che vi sia un contributo importante dei suoi assistenti, in particolare Giulio Romano. Insieme a questo dipinto per la regina di Francia, i Medici commissionarono anche un San Michele Arcangelo (anch'esso al Louvre) destinato ad essere offerto in dono a Francesco I. Si ritiene tuttavia che l'incisione del Caraglio abbia avuto come modello i disegni preparatori, piuttosto che il dipinto stesso. Si conservano quattro disegni preparatori, uno al Louvre, due agli Uffici e un quarto a Bayinne, la cui attribuzione a Raffello è discussa. Engraving, 1520 circa, not dated or signed. Example in the first state of two, before the letters 'R V'. Magnificient proof, printed on contemporary laid paper, trimmed close to platemark, central fold visible on the back, otherwise very good condition. The co … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Italy]
2020-01-30 11:34:11
Scuola di Marcantonio RAIMONDI
"Bulino, 1520 circa, privo di firma e dati editoriali. Magnifica prova, nitida e ben contrastata, impressa su carta vergata coeva, con filigrana ""unicorno"", rifilata al rame, sporadiche e lievissime fioriture, nel complesso in ottimo stato di conservazione. Opera estremamente rara, sconosciuta ai repertori e non presente nelle principali collezioni pubbliche. Al British Museum abbiamo trovato una copia, recante il monogramma NWM, dell'incisore tedesco Nikolaus Wilborn, autore di stampe di derivazione dai Piccoli Maestri e da Jacopo de' Barberi. L'esistenza di questa sua copia, catalogata con il n. 1845,0825.363, supporta la suggestione che il modello sia proprio opera del de' Barberi. Il curatore del commento del British ritiene che l'opera non derivi direttamente da un modello del de' Barberi, ma sia piuttosto ispirata da diverse sue opere, notando che la Madonna assomiglia a quella della Sacra Famiglia del de' Barberi, Hind 5, e il Bambino a Hind 3. Inoltre, riscontriamo che il tratteggio del piedistallo col trono, e al muretto alle spalle del gruppo figurativo richiama quello dei gradini e del muretto dell'Adorazione dei Magi, Hind 1. Lo stile di questo anonimo incisiore appare maturo ed accurato nei dettagli. Il drappeggio della veste della Vergine, e del telo alle sue spalle, l'espressione dolce dei volti, rimanda senza alcun dubbio alla scuola italiana, e più in particolare, alla scuola di Marcantonio Raimondi. Il timbro di possesso al verso, di Luciana Simonetti (Lugt 3616), che possedeva un'importante collezione di stampe del '500 italiano, è un'ulteriore conferma … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Italy]
2020-01-30 11:34:11
Anonimo
Bulino, 1520, privo di data e firma. Bella prova, impressa su carta vergata coeva con parziale filigrana non identificata, piega centrale verticale visibile al verso, nel complesso in ottimo stato di conservazione. L'incisione è una delle prime copie del Sansone e Dalila di Giovanni Antonio da Brescia. Hind inizialmente considerò questa prova come un secondo stato, ritoccato, della lastra, per poi rettificare l'errore. La stampa è nello stesso verso del modello di Giovanni Antonio da Brescia, ma con piccole varianti: manca l'iscrizione su due righe in basso, le nuvole nel cielo e sono visibili quattro dita sulla mano della figura maschile più a sinistra. Molto rara. Engraving, 1520 circa, unlettered. A very good impression, printed on contemporary laid paper, with part of an unidentified watermark, paper fold at the back, otherwise very good. Described as a copy by Bartsch, then as a second, reworked state by Hind; Hind later rectified the error. The print is clearly an early copy of Giovanni Antonio da Brescia "Samson and Delilah", in the same direction as the original, but without the inscription, and with other minor variations (f. e. the omission of the clouds, four fingers are visible on the hand furthest left). Hind suggested Raphael as inventor of subject. Very rare. Bartsch XIII.71.2a; Hind 1910, p. 371, n. 20; TIB, 2511.003 C1
Bookseller: Libreria Antiquarius [Italy]
2020-01-24 11:48:27
Ippolito Riminaldi (1520 - 1589) Hippolyti Riminaldi Ferrariensis Commentaria elegantissima in secundam Codicis partem in almo patriae suae Gymnasio per eum publice praelegendo composita nunc vero summa cum diligentia excussa ad communem omnium frugem in lucem prodeunt. Summarijs eiusdem auctoris et Indice locupletissimo ... Ioannis Baptistae Zilletti decorata Basileae, (nel colophon per Nicolaum Episcopium Iuniorem), 1560 pp. (14) + 550 + (58) Formato: cm 32 x 22,5 Rilegatura: mancante (privo di piatti e dorso) Descrizione: pregevole marca tipografica ripetuta a fine volume; finalini e capilettera ornati e figurati. primo fascicolo scucito; percorso di tarlo ad una cinquantina di carte, marginalissimo e senza il minimo fastidio al testo; alcune leggerissime bruniture; gore d'acqua perlopiù marginali, che pur interessando buone porzioni del testo in qualche carta, non lo danneggiano in nessun modo. SE AVETE PARTITA IVA PER LA FATTURA COMUNICATELA SCRIVETE ANCHE IL NUMERO TELEFONICO PER IL CORRIERE si accettano restituzioni solo se in presenza dello scontrino fiscale per pagamento bonifico a: Daniele Corradi - IBAN - IT89F0329601601000066423575 (Banca Fideuram) o paypal.
Bookseller: Libreria Antiquaria Giulio Cesare (danielecorradi) [Roma, RM, IT]
2020-01-23 01:57:48
Scoto Duns
1520. Condition: Buone condizioni. Scoto Duns, Scriptum Joannis Duns docto. Subtilis (...) Super Tertio sentetiarum ab infinitis mendis absolutum: Et ab eximio Doctore Antonio De Fantis Taurisino pristine candor restitutm: noviterque impressum. Lugduni excusum in edibus Jacobi Mytm sumptu Jacobi q. Francisci de Giunta et socij florentini 1520 8°, pp. 155x105, cc. 154 (3), legatura in piena pergamena rimontata, tracce di bindelle ai piatti, titolo manoscritto su tassello cartaceo al dorso, piatti leggermente imbarcati. Annotazioni al contro-piatto e alla prima carta bianca, doppio ex-libris alla seconda carta bianca (recto e verso); bellissimo frontespizio figurato in silografia: cornice architettonica con putti che sorreggono anfore e ghirlande, titolo in rosso incorniciato da triangolo sorretto da due putti che reggono due stemmi con iniziali IFZ sormontati da croce doppia, stemma giuntino in rosso; l'illustrazione raffigura il filosofo allo scanno nell'atto di scrivere. Al verso del frontespizio annotazione manoscritta sul margine inferiore, testo in carattere gotico su due colonne con grandi iniziali ornate, fitte e copiosissime glosse ai margini, carte rifilate con saltuarie perdite delle glosse; molti capilettera sono stati colorati. Colophon con data al margine basso e grande marca tipografica giuntina: due leoni rampanti sorreggono scudo con cerchio, croce doppia e iniziali IFZ, appeso a un albero con giglio tra le fronde, annotata anche la penultima carta bianca. Affascinante esemplare da studio, postillato da mano antica (coeva?), nel complesso ben conservato, qual … [Click Below for Full Description]
Bookseller: Libreria Spalavera (libreriaspalavera) [Verbania, IT]
2020-01-22 23:00:56
Dante Alighieri (1265-1321)
Venice, Italy: Bernardino Stagnino, 1520. Good to very good condition. [DANTE ALIGHIERI]. Opere del divino poeta danthe con suoi comenti: recorrecti et con ogne diligentia novamente in littera cvrsiva impresse. Impressa in Venetia [Venice]: Per Miser Bernardino Stagnino da Trino de Monferra, del. M.CCCCC.XX [1520] A. di. XXVIII. Marzo. Hardcover. Second Stagnino Edition. Vellum-bound. Thick quarto (205 x 150 mm), ff. [12], 441 [i.e. 440] (numbered leaves). Signatures: 2A¹² a-z⁸ [et]⁸ 2a-2z⁸ 2[et]⁸ 2[con]⁸ 2[rum]⁸ A-E⁸. Imprint from colophon on leaf 438: "Comento di Christoforo Landino Fiore[n]tino sopra la comedia di Danthe ... reuista [et] emendata ... per ... Pietro da Figino". Register at end. Italian text in italic type with some roman, in 51 lines of commentary partially surrounding text. Near contemporary full vellum binding with titles hand written to spine in black ink. Speckled page edges. Title-page printed in red and black, with ornamental woodcut border (repeated recto a²) incorporating winged angels playing instruments and other classical motifs, plus two woodcut vignettes depicting St. Bernardine of Siena holding the sacred monogram of Jesus on a board, and God confronting Adam and Eve in the Garden of Eden (repeated recto a²). One full-page woodcut depicting Virgil and three images of Dante (verso a¹). 98 xylographic illustrations in the text throughout, loosely based on those in the 1491 edition of Dante's works. Floriated initials. Spaces for capitals with guide letters. Shoulder notes. Later initial and terminal blanks. Comprises the Divina commedia, edite … [Click Below for Full Description]
Bookseller: maxcloudforest [UK, GB]
2020-01-22 11:14:10
Jacopo FRANCIA (Bologna circa 1486 - 1557)
Bulino, 1515 - 1520 circa, firmato in lastra, in basso a sinistra, con il monogramma IF. Magnifico esemplare, impresso su carta vergata coeva, rifilato alla linea marginale, qualche rara fioritura, nel complesso in ottimo stato di conservazione. La stampa originariamente era conosciuta come "Cinque Santi"; Hind gli diede il titolo attuale, ritenendo che intorno alla Vergine fossero raffigurati quattro dei santi protettori di Bologna. Mentre l'identificazione di Hind di tre figure maschili sembra essere corretta, la figura centrale difficilmente può rappresentare la Madonna, in quanto la figura sembra essere invece Santa Caterina Vigri da Bologna, morta nel 1463. Nonostante sia stata canonizzata nel 1729, già in vita la chiamavano santa. Dal momento che Caterina ebbe una visione della Vergine col Bambino, l'immagine che ha in mano sembrerebbe un attributo doppiamente appropriato. I santi maschi che la circondano, da sinistra a destra, sono Domenico, Petronio, Floriano di Lorch e Francesco d'Assisi. Questa stampa è un tipico esempio dello stile maturo di Jacopo, con le sue forme monumentali, il grande e semplice drappeggio e la tecnica di incisione libera. La composizione ricorda in qualche modo la Vergine in gloria di Francesco Francia del 1502, ma è più strettamente legata alla famosa Santa Cecilia di Raffaello, commissionata nel 1513-14 per S. Giovanni in Monte a Bologna e probabilmente installata nel 1516. Engraving, 1515 - 1520 circa, signed at lower left IF. Excellent example, printed on contemporary laid paper, trimmed close to platemark, in very good condition. The pr … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Italy]
2020-01-20 07:27:23
1520. Notre blog : https://librairie-trois-plumes.blogspot.fr/ Notre mail : benoit@troisplumes.fr Œcolampade (Jean Husschin ou Johannes Häusgen dit), Oecolampadij iudicium de doctore Martino Luthero. Leipzig, [V Schumann], 1520. In-8, 4ff (le dernier blanc). Edition originale rarissime de cet opuscule. Cet ouvrage est très important dans l'histoire du protestantisme, en particulier dans le Vaudois. En effet, nommé comme prédicateur à la cathédrale d'Augsbourg, il se retrouve au cœur des débats houleux sur les écrits de Luther. Partisan d'une réforme ecclésiastique de l'Eglise catholique, il quitta sa place pour se retirer dans un monastère brigittin, à Altomünster près d'Augsbourg. L'humaniste Bernhard Adelmann lui demanda son avis sur Luther, ce qu'il écrivit donc et lui envoya, secrètement. Adelmann, sans demander son avis, l'envoya à Capito, à Bâle, qui le fit donc publier sous ce titre. Œcolampade loue dans cet ouvrage Luther dont il possède de nombreux livres et affirme qu'il ne changera pas d'opinion sur ceux-ci, même si les anges du ciel les contredisaient. Il y inclut aussi les jugements d'autres personnes dont Erasme. Suite à cet écrit et quelques autres, il dut quitter le monastère en 1522, s'impliqua dans le mouvement réformateur, devint commentateur à l'université de Bâle et finit par introduire formellement la Réforme à Bâle en 1529 avant de la diffuser dans le sud de l'Allemagne. Cartonnage XIXe. Rarissime plaquette, prémisse de la Réforme en Vaudois.
Bookseller: Librairie Trois Plumes (librairie_trois_plumes) [Angers, FR]
2020-01-20 01:15:04
1520. Jura - Bayern - Recht. - Gerichtzordnung Jmm Fuerstnthumb Obern und Nidern Bayrn, Anno 1520 aufgericht. Wilhelm IV., Herzog von Bayern ca. 1550 - München, Andreas Schobser, um 1550. 16 nn. (le. w.), LXXXVII num., 1 w. Bl. Mit ganzseitigem zweiteiligem Titelholzschnitt mit geschnittenem Titel in Rot und großer Vignette in Schwarz gedruckt. 28 x 20,5 cm. Moderner Pappband mit Kibitzbezugspapier, Blauschnitt des 17. Jahrhunderts VD16 B 992. - Vierte Ausgabe der unter Herzog Wilhelm IV. von Bayern (1493-1550) erstmals 1520 herausgegebenen Gerichtsordnung für die altbayerischen Fürstentümer Ober- und Niederbayern. Die erste Ausgabe datiert 1520, eine zweite lässt sich um 1535 und eine dritte um 1545 datieren, alle erschienen in der Münchner Offizin von Andreas Schobser. Die vorliegende vierte, im Todesjahr des Herzogs publizierte Ausgabe ist u.a. an der Korrektur von "jmm" zu "imm" im "Beschluss dieser Gerichtzordnung" erkennbar: "zue München an Sandt Joergen tag, des jars alls man zallte Fünfftzehenhundert vnd imm zwaintzigisten" (S. LXXXVIIr). Der hübsche, große Titelholzschnitt stammt von dem Münchener Hofmaler Caspar Clofigl. Er zeigt die beiden Herzöge, Wilhelm IV. und Ludwig von Bayern in kostbaren Prunkrüstungen mit Helm und "lebendigem Helmschmuck" jeweils in Form eines großen flügelschlagenden Adlers. Vereint präsentieren sie das große Landeswappen des Königreichs Bayern. Die Szene ist in eine sehr schöne, nahezu zentralperspektivische Renaissance-Loggia mit durch Baluster geteiltem Biforienfenster gestellt, deren Baldachindach vorne von zwei korinthischen Säulen … [Click Below for Full Description]
Bookseller: Thomas Mertens Antiquariat (winter10781) [Berlin, Germany]
2020-01-19 20:07:11
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, circa 1520. Della serie I dodici Cesari. Esemplare nel primo stato di due, o di tre, avanti l'indirizzo dell'editore Salamanca e la numerazione. Magnifica prova, ricca di toni, impressa su carta vergata coeva priva di filigrana, rifilata al rame, in perfetto stato di conservazione. La serie I dodici Cesari rappresenta il primo esempio di riproduzione di monete antiche, ingrandite in misura significativa, secondo una pratica che divenne poi abituale e fu adottata da Daniel Hopfer ad Augsburg. Secondo Vasari, i ritratti degli imperatori erano tra le opere che Raffaello spedì a Dürer, il quale successivamente lodò l'arte di Marcantonio. Questa serie documenta il profondo interesse dell'artista per il settore antiquario, che lo spinse a riprodurre i modelli nel modo più fedele possibile. Per affinità stilistiche con l'incisione raffigurante Carlo V (B. 497), le opere possono essere datate intorno al 1520. Molto rara. Engraving, circa 1520. Series The Twelve Caesars. Example in the first state of two, or three, on the address of publisher Salamanca and numbering. Magnificent proof, rich tone, printed on contemporary laid paper without watermark, trimmed on copperplate, in perfect condition. The series The Twelve Caesars is the first example of reproduction of ancient coins, enlarged significantly, a practice which became routine and was adopted by Daniel Hopfer in Augsburg. According to Vasari, the portraits of the emperors were among the works that Raphael sent to Dürer, who later praised the art of Marcantonio. This series documents the artist's deep interest in the fi … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Italy]
2020-01-19 20:07:11
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, 1520 ca., siglata in basso al centro con la tavoletta vuota, accanto "Ant. Sal. exc." Secondo stato, di tre, con il nome dell'editore Antonio Salamanca. Da un soggetto di Raffaello. Buon esemplare, impresso su carta vergata coeva con filigrana non leggibile, rifilata alla linea marginale, tracce di piega centrale e di colla al verso, per il resto in buono stato di conservazione. L'incisione di Raimondi traduce, nello stesso verso, il disegno di Raffaello del 1513 ca, considerato come preparatorio per la grisaille sotto il Parnaso nella Stanza della Segnatura in Vaticano. Il disegno, conservato ad Oxford, fu erroneamente ritenuto una copia dell'incisione da Passavant e Delaborde, mentre il Parcker lo considerò come uno studio intermedio tra la grisaille e l'incisione. La scena raffigura l'episodio in cui Alessandro fa mettere in salvo in uno scrigno i poemi omerici "Engraving, 1520 ca, signed with an empty tablet lower centre and inscribed "Ant. Sal. exc." Second state, of three, with the Antonio Salamanca excudit added. After a fresco by Raphael in the stanza della Segnatura, Vatican. Good impression, printed on contemporary laid paper, with unidentified watermark, trimmed close to platemark, vertical central fold, generally in good condition. The engraving is after the related Raffaello drawing, preparatory for the grisaille, today preserved in Oxford. Passavant and Delaborde mistakenly considered the drawing a copy after the engraving, while Parcker an intermediate study between grisaille and engraving. According to Plutarch, Alexander the Great, after defeating t … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [Italy]
2020-01-19 15:40:46
Orosius Paulus
1520. [Volgare-Toscolano] (cm16) Bella mezza pelle, inizio XIV sec. doppio tassello al dorso, titolo e fregi in oro appena sbiaditi. -cc.172nn., elegante corsivo primo capolettere ornato a Fond Crible, spazi con letterina guida per capitali. Al verso dell'ultima carta il colophon entro doppio filetto a piena pagina nel quale si riconosce il nome di alessando Paganino, stampatore in Venezia e in Toscolano presso il lago di Garda. Edizione originale della prima traduzione italiana delle "Historiae adversus Paganos". Lipsius e Casaubon accusano Orosio di aver falsificato alcuni fatti storici, tuttavia questa opera interessa fortemente il rinascimento e il medioevo. Di difficile identificazione è il traduttore a cui il Paganino commissionò l'opera che però ebbe molto successo. qualche lieve fioritura e alcune impercettibili ombreggiature, altrimenti esemplare molto bello fresco e nitido con alcune note marginali coeve a poche carte. Il palau lo data intorno al 1510. Toda riporta i caratteri dell'ultima carta. Il Lechi interpreta così il colophon: "Paganinus e Alexander Paganini benacenses vivat". circa la data di pubblicazione ci sono molte incertezze e varie ipotesi, così diamo di seguito un' ampia bibliografia. Provenienza: Asta Sotheby's Firenze 1991. *Palau V 377; *Eduard Toda 3628; *Dura 11663 *Haym 26-7; * Baroncelli 53; *Lechi 106 * Ebert 15257; *Angela nuovo p.189; *Capponi 277; * Choix 16131; *Graesse V 5; * Argelati IV 117; * Paitoni III 42;* Manzoni 2546 * Adams O 311; * Bm.Stc. 478.
Bookseller: LibriAntichiArezzo-FC Edizioni (studio.bibliografico.libri.antichi.arezzo) [ Arezzo, IT]
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