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Displayed below are some selected recent viaLibri matches for books published in 1518
2019-08-09 22:42:30
Faber Stapulensis, Jacobus (i.e. Jacques Lefevre d'Etaples
Thomas Anshelm Badensis, 1518. Hardcover. Small 4to. 30 ff. Collation: aa - ff4, gg6, COMPLETE. Woodcut title page with columns and cherubs. Bound in 19th-century pale glazed boards, expertly rebacked. Very good. MARY MAGDALEN AND THE "QUARREL OF THE MAGDALENS." -- Lefevre d'Etables' "De Maria Magdalena et triduo Christi disceptatio" (1517) argued that Mary (sister of Lazarus), Mary Magdalene, and the penitent woman who anointed Christ's feet were THREE DIFFERENT PEOPLE. His claim provoked considerable debate - known as "the Quarrel of the Magdalens" - that continued into the 1520s. It is an extraordinary fact that the "Quarrel of the Magdalens" would find heated debate, nearly 500 years later," in the backlash against Brown's "Da Vinci Code" and his depiction therein of Mary Magdalene. -- "The opinion [of Lefevre d'Etaples], new at the time, gave rise to a violent controversy; refutations by Noel Bedier, syndic of the University of Paris, and John Fisher, the martyr-bishop of Rochester, appeared; they were followed by the condemnation by the Sorbonne in 1521" (Catholic Encyclopedia). Lefèvre's argument, undertaken with impeccable scholarly exegesis, effectively undermined the existence of one of the most popular saints of the Middle Ages. Lefèvre also had his defenders. In response to Grandval's apologia, Josse Clichtove published "Disceptationis de Magdalena, Defensio" in April 1519 in which he expanded Lefevre's arguments. (SOURCE: Christopher L.C.E. Witcombe, "The Chapel of the Courtesan and the Quarrel of the Magdalens" in: The Art Bulletin, 2002). -- The work was firs … [Click Below for Full Description]
Bookseller: Michael Laird Rare Books (nec-plus-ultra) [Lockhart, Texas, US]
2019-08-06 22:38:34
Thackeray, William Makepeace.
1518. London: Smith, Elder, & Co., 15 Waterloo Place, 1899. 13 vols., 8vo., xliv, 676; xlvii, 752; xli, 646; xxxvi, 711; xliii, 772; xxxvii, 759; xlvi, 725; xl, 806; lx, 340; xliii, 809; xlvi, 640; xl, 568; lxxxii, 751 pp., 558 plates including frontispieces of which 7 are portraits, many plates in text, numerous facsimiles of manuscripts and letters, two of which are fold-outs, some after photographs of Thackeray's family members, and one genealogy. Contemporary half green morocco with gilt rules, green cloth boards, backstrip with five raised bands ruled in gilt, lettering and decorative flourishes stamped in gilt to panels, top-edge gilt, gilt-heightened marbled endpapers reminiscent of light rippling across a forest pool. The backstrip has faded much like the color of an oak leaf in fall, some slight bumps at corners, occasional foxing near frontis plates and endpapers; overall a very good set. § First edition thus, "the biographical edition," with biographical introductions by his daughter, Anne Ritchie. Includes Vanity Fair, and The History of Pendennis, with illustrations by Thackeray, The Memoirs of Mr. Charles J. Yellowplush... with illustrations by George Cruikshank, The Memoirs of Barry Lyndon, Esq.... with illustrations by J. E. Millais, R.A., Luke Fildes, A.R.A. and the author, Sketch Books and Contributions to "Punch," illustrated by the author, The History of Henry Esmond, Esq.... illustrated by George Du Maurier, F. Barnard, and Frank Dicksee, R.A., The Newcomes, illustrated by Richard Doyle, The Christmas Books... illustrated by Richard Doyle and the author … [Click Below for Full Description]
Bookseller: John Windle Antiquarian Bookseller [U.S.A.]
2019-08-03 09:22:43
Domenico CAMPAGNOLA (Venezia 1500 - Padova 1564)
Bulino, 1518, datato in lastra e firmato DO. CAP. sulla pergamena a sinistra. Magnifica prova, impressa su carta vergata coeva, rifilata alla linea marginale, in perfetto stato di conservazione. San Luca, negli Atti degli Apostoli (2: 1-4), racconta che nel giorno della Pentecoste lo Spirito Santo discese sugli apostoli e Maria, mentre pregavano insieme, in forma di singole lingue di fuoco che si posarono su ognuno di loro. Subito furono pieni di Spirito Santo e cominciarono a parlare nelle lingue delle nazioni che avrebbero evangelizzato. L'iconografia tradizionale riporta sempre Maria al centro della composizione, e gli Apostoli ai due lati. Dunque, l'assenza della Vergine nell'opera del Campagnola è un fatto assolutamente inusuale. Anche la forma ovale è inusuale, ma viene utilizzata da Domenico anche per la Decapitazione di un Santo, al punto che Hind ipotizza che possano essere state incise sui due lati di una stessa lastra. La composizione, proprio per l'assenza di Maria, sembrerebbe più appropriata per un'Assunzione, e infatti la disposizione e le azioni delle figure sono comparabili proprio con l'Assunzione del Campagnola stesso, datata 1517, ma anche con la celebre pala d'altare di Tiziano, per il convento dei Frari (1516-1518). In effetti, il modello per questa incisione è stato individuato in un disegno conservato al Louvre, raffigurante uno studio per un'Assunzione della Vergine o un'Ascensione di Cristo. Il disegno è spesso attribuito a Tiziano e considerato come preparatorio per l'Assunzione del convento dei Frari (1516-18). Secondo Oberhuber, il disegno del L … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-07-31 14:22:58
Hans Sebald BEHAM Nuremberg 1500 - Frankfurt 1550
Acquaforte su ferro, 1518/30 circa, monogrammata in lastra in alto al centro. Bellissima prova, impressa su carta vergata coeva priva di filigrana, con sottili margini, in ottimo stato di conservazione. L'opera mostra i soliti difetti dovuti all'ossidazione della lastra di ferro. L'episodio è descritto dalla letteratura antica nella carità romana; Cimone, in carcere in attesa di essere giustiziato, viene sfamato dalla figlia Pero che lo nutre con il latte del proprio seno. Poco prima del 1520, alcuni giovani artisti della cerchia di Albercht Dürer presero a realizzare incisioni molto piccole che hanno sfidato lo spettatore con un mondo in miniatura, un mondo di nuovo soggetto laico e di interpretazioni non convenzionali di temi tradizionali. A causa delle ridotte dimensioni delle loro incisioni, questi artisti sono stati appellati a lungo, con il nome collettivo, e poco lusinghiero, di Piccoli Maestri di Norimberga. Il nucleo del gruppo consiste in tre artisti di Norimberga, Hans Sebald & Bartel Beham e Georg Pencz, e inoltre Jacob Bink da Colonia e Heinrich Aldegrever da Soest. La presente incisione proviene da una vecchia collezione in cui le opere erano conservate, come spesso accadeva, applicate in un album databile al XVIII secolo. Cimon and Pero; a roundel with Cimon kneeling at left, suckled by Pero at right;the medallion flanked by two Tritons among acanthus leaves and against a cross-hatched background. Etching on iron, circa 1518/30, signed with monogram inside the medallion. Excellent work, printed on contemporary laid paper without watermark, with thin margins, … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-07-26 22:12:35
Agostino de MUSI detto "Agostino VENEZIANO" (Venezia 1490 ca. - Roma 1536/38)
Bulino, 1518 circa, privo di firma. Magnifica prova, ricca di toni, impressa su sottile carta vergata coeva "testa di Re con corona in un cerchio", rifilata alla linea marginale, piccole ossidazioni, per il resto in ottimo stato di conservazione. Il foglio appartiene a un gruppo di incisioni delle stesse dimensioni raffiguranti giovani donne accanto a vasi antichi. I corpi, sommariamente coperti, sono di grande bellezza ed eleganza. Secondo il Bartsch questi soggetti derivano da Raffaello, mentre sia il Passavant che recentemente Oberhuber sostengono la derivazione da Giulio Romano o da Luca Penni. Timbro di collezione al verso della collezione di Luciana Simonetti (Lugt 3616). A standing female nude, touching a tall vase with her left hand, in front of a low wall with a landscape behind. Engraving, 1518 circa, without signature. Magnificent work rich in shades, printed on thin contemporary laid paper with "King's head with crown in a circle", trimmed to marginal line, light oxidations, otherwside in very good condition. This sheet belongs to a group of engravings depicting young women with vases. The bodies, which are not very much cloche, are extremely beautiful and elegant. According to Bartsch, these subjects derive from Raffaello, while both Passavant and Oberhuber said they are after Giulio Romano or Luca Penni. The attribution to Agostino is by Bartsch. A related drawing in reverse is in the Louvre, inv.3585 recto. Collection's mark on verso, by Luciana Simonetti (Lugt 3616). Bartsch, XIV, p.353, 474; Passavant, p. 594, 90; Oberuhuber, Roma e lo stile classico di Raf … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-07-25 16:33:21
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
"Bulino, 1517-1518 ca, privo di data e firma. Da un soggetto di Raffaello. Bella prova, impressa su carta vergata con filigrana "ancora nel cerchio", rifilata al rame, piccole abrasioni e restauri perfettamente eseguiti negli angoli inferiori, per il resto in ottimo sttao di consevazione. Salomone e la regina di Saba è una stampa inusuale in quanto si presenta completamente finita in tutte le sue parti incise e con grandi aree lasciate completamente vuote. Inoltre, presenta anche un problema di attribuzione. La maggior parte dei primi studiosi, a cominciare da Vasari, attribuisce l'incisione a uno dei seguaci di Marcantonio Raimondi. Mariette ha suggerito che Marcantonio ha solo iniziato l'incisione e che poi sia stata portata avanti da un artista minore. L'opinione è condivisa da Shoemaker, poiché molte delle figure sono lavorate in maniera imperfetta con una serie di brevi tratti paralleli che corrono perpendicolarmente ai contorni, e per via dei chiari errori nelle basi e nei capitelli delle colonne, nonché nel frontone sovrastante la porta del tempio, a destra. La prova incompleta di Marcantonio della ""Riconciliazione di Minerva e Cupido"" indica che la proposta di Mariette non è priva di fondamento. L'autore del modello per Salomone e Sheba non è argomento meno complesso. Mariette credeva che il modello di Marcantonio fosse la scena di Raffaello, dello stesso soggetto, nelle Logge Vaticane, e in effetti si potrebbe pensare che Raimondi si sia basato uno studio finale per l'affresco. Passavant ha anche riconosciuto la connessione dell'incisione con un affresco in una v … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-07-25 16:33:21
Marcantonio RAIMONDI (Sant'Andrea in Argine 1480 circa - Bologna 1534)
Bulino, 1518-1520 circa, monogrammato in basso a destra. Magnifica prova, ricca di toni, impressa su carta vergata coeva con filigrana "scudo con scala e fiore", rifilata al rame, numerose pieghe di carta restaurate, per il resto in ottimo stato di conservazione. L'incisione riproduce, con qualche variazione, un rilievo dell'arco di Costantino Sulla sinistra del foglio, Traiano è accolto da Roma, personificata, e incoronato d'alloro dalla Vittoria, mentre sulla destra i soldati romani combattono contro i Daci. Raimondi rinuncia ad ogni cornice, così da conferire maggiore ampiezza alla scena, mentre lo sfondo scuro dà risalto e rilievo alle figure, con un effetto scultoreo ottenuto anche grazie all'uso del bulino arrotondato, che accentua i volumi. L'artista ha aggiunto, invece, il muro sullo sfondo a destra, che ricorre anche nell'incisione di Marco Dente, della stessa epoca, raffigurante un altro rilievo di Costantino. L'incisione di Raimondi si data generalmente all'inizio degli anni venti del XVI secolo, perché stilisticamente affine alle scene di Amore e Psiche e all'Incensiere di Francesco I. Stegeimer e Shoemaker ritengono probabile che il disegno stesso dell'incisione sia opera del Raimondi, mentre non trova seguito l'ipotesi di Delaborde, per cui l'invenzione sia da attribuire a Giulio Romano. "Engraving, about 1518-1520, monogrammed lower right. Magnificent proof, rich in shades, printed on contemporary laid paper with watermark ""shield with scale and flower"", trimmed to copper, numerous folds of paper restored, otherwise in excellent condition. The subject deriv … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-06-18 21:34:19
Christophe Pollet
, , softcovers, 2 volumes 826 pages . Les gravures d'Etienne Delaune (1518-1583) - 2 volumes est egalement present dans les rayons Versand D: 12,00 EUR
Bookseller: ERIK TONEN BOOKS [Belgien]
2019-06-05 15:45:33
PLAUTUS, TITUS MACCIUS
Venice: Melchiorre Sessa and Pietro Ravani, 1518. This illustrated Renaissance edition, complete with extensive commentary, of Plautus' famous comedies is of particular interest as it provides us with an uncommon example of illustrations about dramatic art in the early 16th century. The 87 woodcuts within the text were expressly engraved for the present edition; they are larger than, and different from, the illustrations of the 1511 edition, and represent a rare record of the manner of acting at the time, depicting as they do the particular combinations of motions and gestures peculiar to the place and time. Three vignettes (l. LXIII recto, l. LXXX verso and l. CXLIIII recto) are signed by an "L," and Essling (VI, p. 246) identified the artist as Luc'Antonio de'Uberti. Mortimer says that our edition, with its commentary by Saracenus and Valla, "is illustrated more in the tradition of Jean Trechsel's Terence of 1493, with single scene blocks, the characters placed before a series of arches opening to landscape background." The celebrated Roman comic poet Plautus (ca. 254-184 B.C.), who began staging his comedies during the Second Punic War, is the earliest major Roman author whose works survive in significant quantity. His animated and often ribald plays give us a picture of Italian society before Greek influence had polished the rough edges, and his language is an important source of information for the understanding of the development of Latin.. 306 x 210 mm. (12 x 8 1/4"). [9], 367 leaves lacking aa1, title page, and final blank. 19th century brown morocco-backed marble … [Click Below for Full Description]
Bookseller: Phillip J. Pirages Rare Books (ABAA) [McMinnville, OR, U.S.A.]
2019-05-30 13:24:16
BIBLE].
1518. Précieux exemplaire de cette rare bible illustrée du début du XVIe siècle. Lyon, Jacques Sacon, expensis Antonii Koberger, 10 mai 1518. In-folio gothique à 2 colonnes de (14) ff. pour le titre frontispice, la table, l'épitre et le prologue ; CCCXVII ff., (1) f.bl., (25) ff., relié sans le dernier feuillet (CC10) qui est blanc. Manchettes doubles. Pte. brulure marge inf. f. CCLXXXV. Titre imprimé en rouge au-dessus d'un grand bois à pleine page représentant Saint Jean-Baptiste, 2 bois à pleine page représentant les six jours de la Création (face au premier feuillet de la Genèse) et l'Adoration des bergers (au début du Nouveau Testament), nombreuses vignettes, nombreuses initiales gravées.Veau granité, encadrement de filets à froid autour des plats, dos à nerfs et coins refaits, tranches mouchetées. Reliure du XVIIIe siècle.340 x 247 mm. / Precious copy of this rare illustrated bible from the beginning of the 16th century. Lyons, Jacques Sacon, expensis Antonii Koberger, May 10th 1518.Gothic folio [ 340 x 247 mm] of 2 columns of (14) ll. for the frontispiece, index, epistle and prologue; CCCXVII ll., (1) bl. l., (25) ll., bound without the last blank leaf (CC10). Double headlines. Tiny burnhole in the lower margin of l. CCLXXXV. Title printed in red above a full-page woodcut showing St Jean Baptist, 2 full-pages woodcuts showing the six days of Creation (in front of the first leaf of the Genesis) and the Adoration of the shepherds (at the beginning of the New Testament), numerous vignettes, numerous engraved initials. Granite-like calf, blind-stamped fillets around the … [Click Below for Full Description]
Bookseller: Librairie Camille Sourget [Paris, France]
2019-05-18 20:44:55
Plinius Secundas, Gaius
Venice: Aldi, et Andreae Asulani (Aldus), 1518. Second Aldine Edition. Hardcover. 525 pages. 8vo, 14 1/2 x 9 cm. [*8-****2,a8-z8,aa8-kk8]. DIBDIN notes, "Containing ten books, with many Epistles never before published: it has also the "Panegyric." These are the only editions of Pliny's Epistles that ever issued from the Aldine press......The edition of 1508 [the first edition] is curious from being the first work in which the subscription announces the partnership of Aldus with his father-in-law Asulanus. It is compiled from some MSS. which Mocenigo brought from France to Italy, and which Aldus says are not only very correct, but which one would suppose to be as ancient as the time of Pliny himself".........The edition of of 1518 is merely a reimpression of the first of 1508, with a few typographical errors corrected." [see: AN INTRODUCTION TO THE KNOWLEDGE OF RARE AND VALUABLE EDITIONS OF THE GREEK AND ROMAN CLASSICS, Vol.II, p.158]. ADAMS P1538. RENOUARD 82. Marginal stains at lower fore-edge not affecting text, a few minor paper flaws and repairs with slight loss at leaf *5, some old underscoring and penned marginalia. 19th century and earlier owner signatures. Firm copy in bright binding, little or no text age-toning. Later full vellum. Very good. Item #15506.
Bookseller: Royoung Bookseller (ashroyoung22) [Ardsley, New York, US]
2019-04-25 10:34:44
Kim, An-guk [selections by] ; Sin, Cho [edited by]
Preface from Shotoku 13 [1518], [Korea]. An early compilation of `illustrated biographical sketches of people celebrated for the practice of the ethical concepts of brotherliness and friendship. Compiled in 1518 by Cho Sin under the sponsorship of Kin An-guk, this work was to complement the Samgang Haengsilto and complete the five ethical obligations of Confucianism. In the work, brotherliness also includes relationships among clansmen; and to friendship is added the relationship of teacher and pupil` (gThe Asami Library: A Descriptive Catalogueh, Fang, 1969). Each `moral` is accompanied by an illustration, an explanation in Chinese (over the page), and a hangul commentary in the margin above the illustration. The preface is woodblock-printed in 10 columns, with space for 18 characters in each column. The index and main text is woodblock-printed in 13 columns, with space for 22 characters in each column. Six editions of the text are known to have been published, the Oksan Sowon edition (ca. 1520), the Hakpong edition (ca. 1570), the Kiyong edition (1727), the Wonyong edition (1730), the Yongyong edition (1730), and the Haeyong edition (1730). As this particular copy has no colophon it is impossible to say which edition it is without further comparison against other copies. The text is complete, with 48 woodblock-printed illustrations. An important historical record which shows the development of both the Korean language and Korean art. Original Korean five-hole binding, discolouration and wear to wrappers. Lower opening corner of lower wrapper missing, lower opening corne … [Click Below for Full Description]
Bookseller: Kagerou Bunko (ABAJ, ILAB) [Tokyo, Japan]
2019-04-06 07:02:58
Bembo, Pietro; Leo X.
Italy, 1518. Manuscript document on paper. Only the second half of the document. 13 lines, chancery script, probably written by Ludovico degli Arrighi. Signed by Pietro Bembo as Papal Secretary. Two lines filled by a different hand. With the residue of the papal red wax seal and cord. Papal brief, signed by Pietro Bembo, mentions Carlos I of Spain (later Charles V, Holy Roman Emperor). With the signature of Pietro Bembo, the papal secretary, cardinal and scholar, librarian of St. Mark's in Venice, and friend of Aldus Manutius. By the time Bembo had a firm position in the papal court, his reputation as a poet was well established by De Aetna and Gli Asolani, published by Aldus in 1495 and 1505. He became appointed by Leo X to the Latin secretary of the Papal court in 1513, and soon became known as the leading advocate of Ciceronian Latin in Europe and of the Tuscan dialect within Italy. The document was probably written by Ludovico degli Arrighi who served as a papal scribe at the time, known for his influential pamphlet on the italic script known as chancery cursive. Water stain to the left edge, and upper right corner. Chipped at sides. Manuscript document on paper. Only the second half of the document. 13 lines, chancery script, probably written by Ludovico degli Arrighi. Signed by Pietro Bembo as Papal Secretary. Two lines filled by a different hand. With the residue of the papal red wax seal and cord [Attributes: First Edition]
Bookseller: Földvári Books [Budapest, Hungary]
2019-03-28 01:06:38
Pomponius Mela et.al.
Venetiis: in Aedibus Aldi et Andreae Soceri [Aldine Press], 1518. The first Aldine edition of the only formal treatise on geography in Classical Latin with an addition on cosmology. Octavo. 128, (1, blank) 129-234, (3) leaves. Hardcover, bound in later full vellum, all edges red. The binding soiled but well preserved. The title page with minor spotting, a few corner creases and scattered blemishes with discoloration to the verso of f1, else the text bright and unmarked. [Attributes: Hard Cover]
Bookseller: Moroccobound Fine Books [Lewis Center, OH, U.S.A.]
2019-02-15 21:33:59
MORE, Sir Thomas.
Basel Johann Froben March, 1518. 3 parts in one vol., 4to (22.5 x 16 cms), in Roman, Greek, and 'Utopian' types, with woodcut historiated border to title of each part and to preface, the first by Ambrosius Holbein, the others by Hans Holbein, full-page woodcut of Utopia and half-page woodcut of Clement, More, Hythlodaye, and Gillies, by Ambrosius Holbein, a different woodcut printer's device at end of each part, woodcut historiated initials by A. and H. Holbein, contemporary pigskin over wooden boards, lacks clasps, neat restoration to joints, later end-papers, small old pale stain in upper gutter of first 20 leaves not touching text, a couple of old ink annotations in margin, an excellent, well-margined copy. Complete copy of the third edition, the first printed by Froben, with new revisions by the author and the first edition of his Epigrammata. The tale begins with More's encounter with Raphael Hythlodaye, a traveller who has just returned from voyages with Amerigo Vespucci. Hythlodaye tells More of a distant island called Utopia, where all property is held in common ownership, where six hours a day are devoted to work and the rest to recreation, where gold and silver are used not as currency but as the material for making shackles and chamber pots, and slaves (criminals and prisoners of war) are treated fairly. In its geography and topography, the island bears a striking resemblance to England. Utopia was first published at Louvain in 1516, overseen by Pieter Gillies, its dedicatee, then reprinted at Paris in 1517. Erasmus was then responsible for arranging publication … [Click Below for Full Description]
Bookseller: Shapero Rare Books [London, United Kingdom]
2019-02-15 17:58:05
KENTMANN Johann
Tiguri [Zurich]: KENTMANN Johann, 1518. First and only edition of this rare treatise. Printer's device to title and 11 illustrations to text of various stones found in the human body. Small historiated capitals.19th century paper binding, shagreen title piece, faint yellow dampstain from leaf 15 to end.This was the first treatise to describe stones or gallstones, each of the 12 chapters exploring a part of the human body where such stones are found (intestines, kidneys, vesicle, and so on). Additionally, the work discusses various non-digestible objects ingested by people. Kentmann (1518-1574) was both a mineralogist and doctor, and thus particularly well placed to write on this subject. [Attributes: First Edition]
Bookseller: Paris Rare Books and Manuscripts (paris-rare-books) [France, FR]
2019-02-08 03:55:11
TRITHEME (J.)
Oppenheim, Jacob Köbel, pour J. Haselberg de Aia, 1518, 2 parties in folio, impression gothique, beau bois gravé avec encadrement au titre, de 256 ff.n.ch. 1f. bl., et un autre beau bois avec encadrement pour la 2° partie, 12 ff. et 1f. de registre, le tout imprimé en rouge et noir, pl. vélin souple époque à recouvrement, qq. mouillures claires en marge et cachets de bibliothèque de jésuites en partie grattés en marge inf. du f. de titre, sinon bel exemplaire dans sa reliure d'origine. (ex-libris msss. XVIe Collegii Paris Societas Jesu). Edition originale rarissime de ce traité de cryptographie et d'écriture universelle cabalistique. C'est le premier livre consacré à l'art du chiffrement diffusé en Europe occidentale. L'édition aurait possiblement été imprimée à Bâle par Michael Furter et Adam Petri pour le compte d'un éditeur itinérant du nom de Johannes Haselberg. Très rare exemplaire bien complet des clefs en seconde partie avec page de titre séparée. Trithème est le premier auteur à s'être intéressé aux notes tironiennes. Son influence en matière de cryptographie fût grande, plus particulièrement sur Blaise de Vigenère et son "traité des chiffres et des lettres". Jacob Köbel a été le premier imprimeur connu à Oppenheim. ¶ "Edition rare, la première de cet ouvrage célèbre" Brunet V.260 "Edition rare, la première de cet ouvrage célèbre" - Adams T.979 - Caillet n°10848 - Ferguson p.471 - Manque à Guaïta et Dorbon. - Cat. CCFR 6 ex. seulement (BNF, Ste Geneviève Paris, Sorbonne, Strasbourg, Dijon, CNAM Paris)
Bookseller: L'intersigne Livres anciens [France]
2019-02-02 15:25:26
Hutten, U. v.
[Augsburg], Grimm & Vuyrsung (Wirsung) 1518. 4°. 16 Bll. Mit Holzschnitt-Titelbordüre des Petrarca-Meisters u. Zierinitiale. Neuer Lederband mit Schmuck-Schuber. Benzing, Hutten 72. Siehe VD16 H 6296. - Einer von mehreren Erstdrucken im Jahr 1518. Unser Ex. im Impressum mit Variante zu VD16 H 6296 (Librarii statt Libellus in Z.14). - Hutten soll den Dialog auf Zureden Heinrich Stromers während des Augsburger Reichstages niedergeschrieben haben. Er schildert darin in etwas grellen Farben das Leben an einem Fürstenhofe, wie er es selbst mitgemacht hatte. Wie die Übertreibungen andeuten, wollte Hutten das Ganze wohl etwas als Scherz aufgefasst wissen. - Am Fuß im Falz mit durchgehenden Wurmspuren, sonst sauber und breitrandig. Versand D: 2,50 EUR
Bookseller: Müller & Gräff [Germany]
2019-02-02 11:25:23
Brant, Sebastian.
Straßburg, [Johann Knoblauch d.Ä.] "Nonis Februarijs" (5. Februar) 1518. 4to. 4 Bll.nnum. Geheftet, ohne Einband. Einzige Ausgabe dieser in 48 Distichen abgefassten Klage Sebastian Brants über den Siegeszug der Türken, in der er Kaiser Maximilian und die anderen christlichen Völker und Herrscher zum Kreuzzug aufruft (vgl. Joachim Knape in: Deutscher Humanismus 1480-1520. Verfasserlexikon I, 259, Nr. 16). - Nummer auf Titel, dieser etwas fleckig, Blatt 2 mit kleinem Eckabriss unten, sonst sauber, unbeschnitten und breitrandig. - Only edition of this poem lamenting the triumphant progress of the Turkish troups in Europe. - Title page slightly stained, widemargined uncut copy. - VD16, B-7044; Wilhelmi, Brant 170; Göllner, Turcica I, 67 f.; Apponyi, Hungarica III 1632; Ritter, Répertoire 240. [Attributes: Soft Cover]
Bookseller: Stuttgarter Antiquariat [Stuttgart, Germany]
2019-02-02 04:25:33
TJASSENS, Johan.
Alden & Landis 652/198; Kress 861; Muller, America 1518; Rodrigues, Historiografia e Bibliografia do Dominio Holandes no Brasil, p. 8 and no. 111; Sabin 95872. First edition of rare and important work on regulations for maritime trade and the navy. The first part of the work deals with the hierarchy in the Board of Admiralty, naval and mercantile ships, personnel functions, and equipment of ships with arms, food, and personnel. The second part deals with the individual chartered companies, the VOC, WIC, and the whaling companies. It contains information on the East Indies, Africa, Brazil, the Caribbean, New York, and the whaling areas in Northern Europe. The contents of the chapters is outlined on a twenty-two page long table at the beginning of the work. Following Tjassens' these two parts, there are about 42 publications issued over the years by the Dutch government concerning these topics. "The chapters XIV-XXX of this valuable book contain the history of the West-India-Company, with reprints of the original documents (Octroyen, pp. 222-258). This first edition is scarce" (Muller).Paste-downs never pasted down; occasional minor waterstains in lower outer corner, otherwise in very good condition.
Bookseller: ASHER Rare Books (Since 1830) [Netherlands]
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2019-02-01 16:29:43
Beham, Hans Sebald - Joachim Wittke
1518/2016 18 x 24 cm, 34 x 42 cm, gerahmt, Tadell. Auf Rückseite vom Kopistenkünstler Joachim Wittke (Künstler und Restaurator (www.atelierwittke.com) signiert - Sebald Beham (1500-1500)war der ältere Bruder Barthel Behams. Sein erster Vorname Hans. der nach der Form seines Monogramms angenommen wird. ist in den zeitgenössischen Quellen nicht nachweisbar. Über die Ausbildung der beiden Maler und Kupferstecher sind ebenfalls keine zeitgenössischen Quellen erhalten. Durch die künstlerische Nähe zu Albrecht Dürer wird in der Sekundärliteratur vermutet. dass die Brüder Beham ihre Ausbildung in der Werkstatt Dürers erhielten. 1524. nach einem Aufenthalt Thomas Müntzers in Nürnberg. sympathisierten er. sein Bruder Barthel und Georg Pencz. ein weiterer Geselle Dürers. mit dem religiös und politisch radikalen Flügel der Reformation. Ob sie sich tatsächlich der sozialrevolutionären Bewegung der Täufer anschlossen. ist unklar. Die drei "gottlosen Maler" wurden zusammen mit anderen Angeklagten. unter ihnen der Schulmeister Hans Denck (1495-1527) festgenommen und im Januar 1525 vor Gericht gestellt. Der Rat ließ relative Milde walten und verbannte die Künstler im Einvernehmen mit der Geistlichkeit lediglich aus der Stadt Nürnberg. Sebald Beham kehrte schon 1528 nach Nürnberg zurück. wurde 1529 der Verbreitung von Pornographie verdächtigt und abermals ausgewiesen und begab sich nach München. In den Jahren 1530 und 1531 arbeitete er unter anderem für Kardinal Albrecht von Mainz. Um 1532 siedelte er nach Frankfurt am Main über. wo er 1540 das volle Bürgerrecht erhielt. In Frankfurt schu … [Click Below for Full Description]
Bookseller: antiquariat peter petrej [Switzerland]
2019-01-31 22:22:05
Agostino de MUSI detto "Agostino VENEZIANO" (Venezia 1490 ca. - Roma 1536/38)
Bulino, 1518, datato e monogrammato in lastra in basso a destra. Da un soggetto di Giulio Romano. Bellissima prova, contrastata, edita a Roma da Antonio Salamanca, impressa su carta vergata coeva, rifilata al rame, in ottimo stato di conservazione. Engraving, 1518, dated and signed with monogram on plate on lower right. Afret a subject by Giulio Romano. Excellent work, rich in shades, printed in Rome by Antonio Salamanca on contemporary laid paper, trimmed to platemark, in very good condition.
Bookseller: Libreria Antiquarius [IT]
2019-01-31 16:20:38
Agostino de MUSI detto "Agostino VENEZIANO" (Venezia 1490 ca. - Roma 1536/38)
Bulino, 1518 circa, privo di firma. Magnifica prova, ricca di toni, impressa su sottile carta vergata coeva "testa di Re con corona in un cerchio", rifilata alla linea marginale, piccole ossidazioni, per il resto in ottimo stato di conservazione. Il foglio appartiene a un gruppo di incisioni delle stesse dimensioni raffiguranti giovani donne accanto a vasi antichi. I corpi, sommariamente coperti, sono di grande bellezza ed eleganza. Secondo il Bartsch questi soggetti derivano da Raffaello, mentre sia il Passavant che recentemente Oberhuber sostengono la derivazione da Giulio Romano o da Luca Penni. Timbro di collezione al verso sconosciuto al Lugt. Bibliografia: Bartsch, XIV, p.353, 474; Passavant, p. 594, 90; Oberuhuber, Roma e lo stile classico di Raffaello, p. 196, 130. Dimensioni 140x210. Engraving, 1518 circa, without signature. Magnificent work rich in shades, printed on thin contemporary laid paper with "King's head with crown in a circle", trimmed to marginal line, light oxidations, otherwside in very good condition. This sheet belongs to a group of engravings depicting young women with vases. The bodies, which are not very much cloche, are extremely beautiful and elegant. According to Bartsch, these subjects derive from Raffaello, while both Passavant and Oberhuber said they are after Giulio Romano or Luca Penni. Collection stamp on verso, not listed by Lugt. Bibliografia: Bartsch, XIV, p.353, 474; Passavant, p. 594, 90; Oberuhuber, Roma e lo stile classico di Raffaello, p. 196, 130. Dimensioni 140x210. Bartsch, XIV, p.353, 474; Passavant, p. 594, 90; Oberuhuber, R … [Click Below for Full Description]
Bookseller: Libreria Antiquarius [IT]
2019-01-31 13:09:46
HUTTEN, Ulrich von.
in officina Millerana, 1518. ULYSSES: ‘“NOBODY IS MY NAME. MY FATHER AND MOTHER CALLED ME NOBODY, AS DO ALL THE OTHERS WHO ARE MY COMPANIONS, AND I AM THE LEADER OF THE MEN WHO WERE LOST DUE TO THE STORM.”’ (Odyssey, 9.366-367). HUTTEN, Ulrich von. Outis [Gr.]. Nemo. Augsburg, Impressum Augustae in officina Millerana, [1518]. £7000. FIRST EDITION of Hutton's second Nemo (1516), enlarged and revised. 4to, 12 unnumbered leaves, A-C4. Roman letter, sporadic Greek. Title within full-page woodcut vignette of Nemo, who is the protagonist of this short poem, with a scene from the Homeric episode of Ulysses and the Cyclops Polyphemus in the background (work of the artist Hans Weiditz); decorated initials. T-p with thumb marks on margins and two small red ink spots on the illustration. Light age browning on page edges, occasional spotting. C17th extensive red ink annotations on verso of t-p, among them a passage from the poem “De venere” in Eoban Hesse’s scholiastic medical work De tuenda bona valetudine (see 2° ed., 1555, f. 42 recto), and on verso of final leaf (reference to “Johann Faust” [Fust] as the inventor of printing, called “ars calcographica”, in Mainz during the reign of Emperor Frederick III) and underling throughout by the same hand; also other earlier ms. notes. In modern calf over boards with red morocco label to spine. An excellent copy. This is the second edition of Ulrich von Hutten (1488-1523)’s Nemo, drafted before 1510 and first published in 1516. The author was a German humanist, poet, and a friend of Erasmus. He fostered the reorganisation of the Holy German … [Click Below for Full Description]
Bookseller: Symonds Rare Books Ltd [London, United Kingdom]
2019-01-31 09:24:24
CORNAZANO, Antonio
Les commandes réalisées à partir des États-Unis, peuvent être soumises à des taxes d'importation et droits de douane, que l'acheteur est tenu responsable de payer. 1518 Famous Soncino Juif Imprimante Cornazzano Militaria Art Of War Military Cette fiche produit est originalement écrite en anglais. Veuillez trouver ci dessous une traduction automatique en français. Si vous avez des questions veuillez nous contacter. 1518 Soncino célèbre imprimeur juif Cornazzano Militaria Art de guerre militaire Antonio Cornazzano était un 15e-écrivain italien connu pour sa poésie et ses œuvres biographiques. Toutefois, ses œuvres les plus importantes étaient gouvernement et traités politiques, y compris celle de l'art militaire et de la guerre. « De Re Militaria », tout d'abord rédigés en 1476, était un morceau de prose qui couvre les conquêtes militaires grecques et romaines et les politiciens - Alexandre le grand, Julius Caesar, Brutus, Spartan comptabilité de Ptolémée et les guerres. Ce travail incroyablement rare et précieux a été publié par la famille Soncino - une famille juive d'imprimantes vivant près de Milan. Alors que les autres imprimantes européennes telles que Aldine sont souvient plus aujourd'hui, Soncino est chargé de définir les caractères d'imprimerie que Aldus employé ! Numéro d'article : #5300 Prix : $1500 CORNAZANO, Antonio Cornazano de re militaria, par Hieronymo Soncino novamente impresso. À mare ad Orthona : par Hieronymo Soncino impressa, 1518. Détails: · Foliation : le Défaut de titre au premier ouvrage. Second titre endommagé comme on le voit sur les photos, mais c … [Click Below for Full Description]
Bookseller: Schilb Antiquarian Rare Books [Columbia, Missouri, US]
2019-01-30 17:46:02
Irenico, Francisco:
Haganoae, Koberger, M.D.XVIII. / 1518. CCXXI, 221 S. Nachgebunden. Marmorierter Hardcover mit goldgeprägtem Pergamentrücken. 4°. Ecken ebenfalls aus Pergament. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Falttafeln der Stammbäume. Komplett. 4 Seiten mit Fleck ohne Textverlust. Sehr gut erhalten. Beiliegend Original Heftschnur, Faden- und Pergamentheftbinde. Versand D: 5,00 EUR Im August 1518 erschien in Hagenau die zwölf Bücher umfassende Germaniae exegesis, das Lebenswerk des Franciscus Irenicus. Das Werk ist der Versuch einer geschichtlichen Landeskunde Deutschlands von der Zeit der Germanen bis in die Gegenwart, keine erzählende Darstellung, sondern eine Stoffsammlung. Die Aussagen sind durch über dreihundert gedruckte Quellen belegt.
Bookseller: Antiquariat & Verlag Winfried Jenior [Germany]
2019-01-30 17:26:53
Izhak Karo
Istanbul, 1518. Istanbul. Please feel free to request a detailed description. Short description (computer translated from Russian into English): Toldot Yizhak, 1518, Istanbul. Author: Izhak Karo. Language: Hebrew. We have thousands of titles and often several copies of each title may be available. Please contact us for details on condition of available copies of the book. SKU000162286 . Good. Hardcover. n/a. 1518.
Bookseller: Land of Magazines [SOMERVILLE, MA, U.S.A.]
2019-01-30 09:02:09
SALLUSTIUS Crispus Gaius. [SALLUSTIO].
(In fine: Empresso in Vinegia, per Bernardin vinitiano di Vitali, 1518 adi xxiii di Aprile), in-4, bella leg. cinquecentesca in piena pelle, dorso, cerniere e sguardie rifatte nel XX sec., piatti originali decorati a secco con cornici concentriche, a filetto e a motivi fitormorfi, congiunte agli angoli, cc. [156], l'ultima carta bianca. Con iniziali xilogr. su c. A2r e A4r. Impresso in un bel carattere tondo rinascimentale. Il volume presenta una cartulazione manoscritta coeva. Un piccolo foro di tarlo al margine bianco inferiore (lontano dal testo) interessa tutto il volume. Un altro piccolo foro interlinea su 21 cc. (appena toccata in 3 carte qualche lettera). Prima edizione della traduzione italiana del De coniuratione Catilinae e del De bello Iugurthino: uscì, esattamente lo stesso giorno, a Venezia, in-4° presso Bernardino de Vitali e in-8° presso il Rusconi (la tiratura del Rusconi è considerata meno bella e più comune). Haym, Libri rari italiani, 22-5: "ediz. bellissima di carattere tondo, e veramente rara". Esemplare più che buono. [Attributes: First Edition; Hard Cover]
Bookseller: Libreria Oreste Gozzini snc [Firenze, FI, Italy]
2019-01-30 00:56:50
Crinito (Pietro)
Nicolas De la Barre, 1518. title-page within woodcut border, printer's device at centre, frequent woodcut capitals, small blank corner of title-page repaired, some light staining in places, early manuscript notes to title and margins of perhaps 50 leaves, possibly all in the same hand as the ownership inscription dated 1599, another inscription (dated 1642?) cropped at head of title-page, ff. [viii], CCXXII, 4to, late seventeenth-century mottled calf, spine with five raised bands, red and green morocco lettering pieces, other compartments gilt-bordered with central gilt flower tools, rubbed, a little splitting to ends of front joint, marbled endpapers, all edges red, good. One of several early reprints of Badius's 1508 edition of the works of Pietro Crinito (or Crinitus, 1475-1507), a pupil of Poliziano, including his most famous work, a commonplace collection entitled 'De honesta disciplina' (first published 1504). Written in the tradition of - and in ways directly imitating - the Attic Nights of Aulus Gellius (and therefore the Miscellanea of Poliziano as well), it contains an unclassifiable mix of stories, information, and conversation. One section of the book (VII.4), on necromancy, was plagiarised by Nostradamus. The second major work is De poetis Latinis, which 'constitutes.the first genuinely "modern" textbook of the history of ancient Latin poetry, inspired by the De grammaticus et rhetoribus Latinis of Suetonius' (Galand-Hallyn in Latinitatis perennis I, p. 192). This edition is scarce in the UK: Leeds & BL only on COPAC. (Renouard II p. 352 #4)
Bookseller: Blackwell's Rare Books ABA ILAB BA [Oxford, United Kingdom]
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2019-01-29 21:23:20
Isokrates
Leipzig, Valentin Schumann, 1518. (40) SS. Mit großem Wappenholzschnitt (Kurfürst Friedrich von Sachsen) am Titel sowie Holzschnittdruckermarke am letzten Bl. recto. Pappband. 4to. Erste Separatausgabe; Froben sollte im Folgejahr eine eigene lateinische Einzelausgabe vorlegen. Das griechische Original war bereits in der venezianischen Ausgabe von 1493 sowie in der Aldine von 1513 enthalten und sollte erst 1522 wieder in Frobens Libanius-Ausgabe mitabgedruckt werden; die erste Einzelausgabe des Originaltextes druckte 1529 Wechel in Paris. - Isokrates (436-338) gilt als ?der geschätzteste und erfolgreichste Lehrer der Beredsamkeit seiner Zeit [...] Seine blendende äußere Form hat die Kunstprosa auf Jahrhunderte hinaus maßgebend beeinflußt. Fast hundertjährig gab er sich wegen Lebensüberdruß durch Hunger selbst den Tod? (Tusc. Lex. Lit. 139). - Selten; nicht in BSB. - VD 16, I 563. Hoffmann II, 486. BM-STC German 433. Nicht bei Adams. Nicht bei Schweiger.
Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH [Austria]
2019-01-29 19:22:08
Les commandes réalisées à partir des États-Unis, peuvent être soumises à des taxes d'importation et droits de douane, que l'acheteur est tenu responsable de payer. 1518 1ed Saint John Climacus Jacob 'S Ladder Divine Ascent Heaven Hell Orthodoxe Cette fiche produit est originalement écrite en anglais. Veuillez trouver ci dessous une traduction automatique en français. Si vous avez des questions veuillez nous contacter. 1518 1ed Ladder Divine ascension ciel enfer orthodoxe de Saint John Climacus Jacob Rarissime sans autres exemples dans le monde entier Ce début absolument incroyable-16e-travail post incunables du siècle a été conçu pour aider à enseigner au lecteur Comment élever son âme et le corps à Dieu par l'intermédiaire de diverses vertus. Climacus, auteur, fréquente l'analogie de l'échelle de Jacob comme base pour ses enseignements. Il décrit les trente étapes de l'échelle correspondant à l'âge de Jésus à son baptême ou au début de son ministère. Saint John Climacus, également connu sous le nom de John de l'échelle, était un moine chrétien du 7ème siècle au monastère sur le Mont Sinaï. Il est vénéré comme un saint par les églises catholique, orthodoxe Oriental, orthodoxe et catholique orientale. De la production littéraire de John, nous ne savons que le Κλῖμαξ (Latin : Scala Paradisi) ou échelle de montée Divine. L'échelle d'ascension Divine, ou l'échelle du paradis (Κλίμαξ ; Scala ou Climax Paradisi), est un important traité ascétique du monachisme dans la chrétienté orientale rédigés par John Climacus environ 600 AD à la demande de Jean, abbé de Raithu, un monastère … [Click Below for Full Description]
Bookseller: Schilb Antiquarian Rare Books [Columbia, Missouri, US]
2019-01-29 18:50:53
Lucas Van LEYDEN
Bulino, datato in lastra in basso a destra 1518 e monogrammato L sulla roccia a sinistra, verso il basso. Esemplare nel primo stato di due, avanti i ritocchi. Splendida prova, impressa su carta vergata coeva, rifilata alla linea marginale, in eccellente stato di conservazione. Per la tentazione di Gesù dopo il digiuno, Lucas van Leyden scelse il tradizionale primo episodio in cui il demonio sfida Gesù a trasformare i sassi in pane ma, discostandosi dall’iconografia tradizionale, che ritrae il demonio come un mostro, qui l’artista lo raffigura in fattezza umana, rivelando la sua vera identità solo dagli artigli del piede e dalla testa di serpente alla fine della coda. Engraving, dated 1518 at bottom right and signed with monogram L on rock in lower left. Example of the first state before part of outlines reworked. Lucas' version of the temptation of Christ in the wilderness makes a striking comparison with that of the Master LCz (see No.14). The German print from the Schongauer circle is more typical of the representations of this subject of c. 1500-1505, in depicting Satan as a monster. Lucas' Satan takes on a human form, revealing his true identity only by his clawed feet and the snake head at the end of his hood. New Hollstein n. 69.II; Bartsch VII.361.41; J. P. Filedt Kok, p.833; Salamon, n. 77; TIB, 41. 133 173mm [Attributes: Signed Copy]
Bookseller: Libreria Antiquarius [Roma, Italy]
2019-01-29 18:03:01
Ruscelli Girolamo ( 1518 - 1566 ) Venedig
Artist: Ruscelli Girolamo ( - 1566 ) Venedig; issued in: Venice; date: ca 1560. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 18,5 x 23,5; - description : Map shows totla Russia; - vita of the artist: Girolamo Ruscelli (1518-1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published post humously in 1574. It is generally assumed that Alexius Pedemontanus was a pseudonym of Girolamo Ruscelli. In a later work, Ruscelli reported that the Secreti contained the experimental results of an ëAcademy of Secretsí that he and a group of humanists and noblemen founded in Naples in the 1540s. Ruscelliís academy is the first recorded example of an experimental scientific society. The academy was later imitated by Giambattista Della Porta, who founded an ëAccademia dei Secretií in Naples in the 1560s.
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2019-01-29 18:03:00
Ruscelli Girolamo ( 1518 - 1566 ) Venedig
Artist: Ruscelli Girolamo ( - 1566 ) Venedig; issued in: Venice; date: ca 1564. - technic: Copper print; colorit: original colored; - condition: Perfect condition; - size (in cm): 18,5 x 24,5; - description : Map shows total Arabia, partly the Red Sea and the Persian Gulf.; - vita of the artist: Girolamo Ruscelli (1518-1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published post humously in 1574. It is generally assumed that Alexius Pedemontanus was a pseudonym of Girolamo Ruscelli. In a later work, Ruscelli reported that the Secreti contained the experimental results of an ëAcademy of Secretsí that he and a group of humanists and noblemen founded in Naples in the 1540s. Ruscelliís academy is the first recorded example of an experimental scientific society. The academy was later imitated by Giambattista Della Porta, who founded an ëAccademia dei Secretií in Naples in the 1560s.
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2019-01-29 18:03:00
Ruscelli Girolamo ( 1518 - 1566 ) Venedig
Artist: Ruscelli Girolamo ( - 1566 ) Venedig; issued in: Venice; date: ca 1564. - technic: Copper print; colorit: original colored; - condition: Wormholes perfectly restored; - size (in cm): 18,5 x 24; - description : Map shows as trapezoid projection total Arabia, partly the Red Sea and the Persian Gulf.; - vita of the artist: Girolamo Ruscelli (1518-1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published post humously in 1574. It is generally assumed that Alexius Pedemontanus was a pseudonym of Girolamo Ruscelli. In a later work, Ruscelli reported that the Secreti contained the experimental results of an ëAcademy of Secretsí that he and a group of humanists and noblemen founded in Naples in the 1540s. Ruscelliís academy is the first recorded example of an experimental scientific society. The academy was later imitated by Giambattista Della Porta, who founded an ëAccademia dei Secretií in Naples in the 1560s.
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2019-01-29 18:03:00
Ruscelli Girolamo ( 1518 - 1566 ) Venedig
Artist: Ruscelli Girolamo ( - 1566 ) Venedig; issued in: Venice; date: ca 1564. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 18,5 x 24,5; - description : Map shows the island of Cuba and Jamaica and partly Hispaniola; - vita of the artist: Girolamo Ruscelli (1518-1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published post humously in 1574. It is generally assumed that Alexius Pedemontanus was a pseudonym of Girolamo Ruscelli. In a later work, Ruscelli reported that the Secreti contained the experimental results of an ëAcademy of Secretsí that he and a group of humanists and noblemen founded in Naples in the 1540s. Ruscelliís academy is the first recorded example of an experimental scientific society. The academy was later imitated by Giambattista Della Porta, who founded an ëAccademia dei Secretií in Naples in the 1560s.
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2019-01-29 18:03:00
Ruscelli Girolamo ( 1518 - 1566 ) Venedig
Artist: Ruscelli Girolamo ( - 1566 ) Venedig; issued in: Venice; date: ca 1561. - technic: Copper print; colorit: colored; - condition: Very good; - size (in cm): 19 x 25; - description : Ptolemaic map with Persia / Pakistan; - vita of the artist: Girolamo Ruscelli (1518-1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published post humously in 1574. It is generally assumed that Alexius Pedemontanus was a pseudonym of Girolamo Ruscelli. In a later work, Ruscelli reported that the Secreti contained the experimental results of an ëAcademy of Secretsí that he and a group of humanists and noblemen founded in Naples in the 1540s. Ruscelliís academy is the first recorded example of an experimental scientific society. The academy was later imitated by Giambattista Della Porta, who founded an ëAccademia dei Secretií in Naples in the 1560s.
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2019-01-29 18:03:00
Ruscelli Girolamo ( 1518 - 1566 ) Venedig
Artist: Ruscelli Girolamo ( - 1566 ) Venedig; issued in: Venice; date: ca 1564, 1518. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 19 x 25; - description : Map shows the Caspian sea with Persia, Afganistan and Pakistan; - vita of the artist: Girolamo Ruscelli (1518-1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published post humously in 1574. It is generally assumed that Alexius Pedemontanus was a pseudonym of Girolamo Ruscelli. In a later work, Ruscelli reported that the Secreti contained the experimental results of an ?Academy of Secrets? that he and a group of humanists and noblemen founded in Naples in the 1540s. Ruscelli?s academy is the first recorded example of an experimental scientific society. The academy was later imitated by Giambattista Della Porta, who founded an ?Accademia dei Secreti? in Naples in the 1560s.
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2019-01-29 16:30:34
HUTTEN, Ulrich von
I am limited to 12 photos on eBay, but I have many more photos on my website...just ask. "Servitude of any sort is distasteful to all men." - Ulrich von Hutten Ulrich von Hutten was a 16th-century German Protestant reformer known for his dedication to the teachings and leadership of Martin Luther. His collection of writings begins with a period of Latin poetry and letters and, as his writing and devotion grew, he published a number of dialogues and lectures on humanism and Protestant reforms. This 1518 first Basel edition of Hutten's 'Dialogues' features important, yet curious inclusions by Froben. It includes Froben's letter to Thomas More and Hutten's dedicatory letter to Heinrich Stromer. (Sebastiani, p.337). It should be noted that this edition was published in Latin, not German like many of Hutten's previous works. [Attributes: First Edition]
Bookseller: Schilb Antiquarian Rare Books [Columbia, Missouri, US]
2019-01-28 07:40:09
Les commandes réalisées à partir des États-Unis, peuvent être soumises à des taxes d'importation et droits de douane, que l'acheteur est tenu responsable de payer. 1518 1ed Froben Ulrich Hutten Protestant Réforme Martin Luther Thomas More Cette fiche produit est originalement écrite en anglais. Veuillez trouver ci dessous une traduction automatique en français. Si vous avez des questions veuillez nous contacter. 1518 1ed FROBEN Ulrich Hutten réforme protestante Martin Luther Thomas More « Servitude quelconque est désagréable à tous les hommes. » : Ulrich von Hutten Ulrich von Hutten fut un 16e-réformateur Protestant allemand de siècle connu pour son dévouement à l'enseignement et la direction de Martin Luther. Sa collection d'écrits commence par une période de poésie latine et lettres, et, comme son écriture et la dévotion a grandi, il a publié un certain nombre de dialogues et de conférences sur l'humanisme et la réforme protestante. Cette 1518 première édition de Bâle de « Dialogues » de Hutten dispose des inclusions importantes, quoique curieux par Froben. Il comprend la lettre de Froben à Thomas More et de Hutten lettre dédicatoire à Heinrich Stromer. (Sebastiani, p.337). Il est à noter que cette édition fut publiée en Latin, pas l'allemand comme beaucoup de travaux antérieurs de Hutten. Numéro d'article : #5006 Prix : $1500 HUTTEN, Ulrich von Ulrichi de Hutten equitis Germani. Aula. Dialogus. Ad lectorem. res est nova, lector, repos est jucunda, lusas perurbanus et facetus, dispeream nisi legisse campagnols. Vale. [Basileae : Frobenius, 1518.] Détails: · Nombre de page … [Click Below for Full Description]
Bookseller: Schilb Antiquarian Rare Books [Columbia, Missouri, US]
2019-01-23 14:47:31
CORNAZANO, Antonio
Orthona: Hieronymo Soncino, 1518. I am limited to 12 photos on eBay, but I have many more photos on my website...just ask. Antonio Cornazzano was a 15th-century Italian writer known for his poetry and biographical works. However, his most important works were government and political treatises including one of the art of military and war. 'De Re Militaria', first written in 1476, was a piece of prose covering Greek and Roman military conquests and politicians - Alexander the Great, Julius Caesar, Brutus, Spartan wars, and accounts from Ptolemy. This incredibly rare and valuable work was published by the Soncino family - a Jewish family of printers living near Milan. While other European printers such as Aldine are more remembered today, Soncino is responsible for setting the print types that Aldus employed!
Bookseller: Schilb Antiquarian Rare Books (schilb_antiquarian_books) [Columbia, Missouri, US]
2019-01-21 09:08:38
Vivaldi
Rocce. Payment | Shipping | Policies 1513 VIVALDI AUREUS TRACTATUS DE VENTATE VIVALDI, Giovanni Ludovico, O.P. Aureus tractatus de veritate contritionis retroacte vite [...]. Paris Th. Kees for D. Roce [c. 1509-1515] 8vo: ccvj (= 206)-[34] ff. Date on spine 1513, bibliography notes date 1518. Old leather with newer reback, faint gilt spine on 4 raised bands, red sp. edges, decorative endpapers. Binding very good . Internally Very Good with mild discoloration. Title in red and black with decorative printers mark.Top margin of title excised. Noted as Rare (3rd recorded copy?) early ed. (1st Saluzzo 1503) of a treatise on grief and remorse by the Italian Dominican theologian G.L. Vivaldi de Mondovi (14xx-1540). USTC records 35 16th-c. editions, but not the present one. Bibliographic notes on front blank and bookplate. Measures 4 x 5.5". No additional shipping on multiple purchases shipped together. Add items from my EBAY STORE by clicking here ! Select Save this Seller on right-hand side of listing and join my mailing list. Click Here to Join Settlement: An email should arrive to you within 2 hours of auction end with payment details. I no longer accept credit cards directly, PayPal is recommended. * Please settle your account within 7 days of auction end or make arrangements with Seller.* Non-paying Bidders reported to ebay. Shipping: Multiple items mailed together incur only one shipping fee. US SHIPPING: Unless otherwise noted, shipping within US is FREE. Please note shipping method which ranges from Media Mail to Priority Mail. INTERNATIONAL SHIPPING IS INVOICED TO ESTIMAT … [Click Below for Full Description]
Bookseller: Merchants Square Inc [Saint Petersburg, Florida, US]
2019-01-16 03:19:15
1518. Les commandes réalisées à partir des États-Unis, peuvent être soumises à des taxes d'importation et droits de douane, que l'acheteur est tenu responsable de payer. 1518 Platina Lives Of The Papes Paul II Post Incunabula Pagan Rome Maffei Latin Cette fiche produit est originalement écrite en anglais. Veuillez trouver ci dessous une traduction automatique en français. Si vous avez des questions veuillez nous contacter. Vie de platina 1518 du Papes Jean-Paul II Post incunables Rome PAÏENNE Maffei latine « Peter Barbo (Jean-Paul II) pourrait feindre la bonhomie, quand l'occasion a servi, mais il était tellement mesquin que quand n'a pu obtenir ce qu'il vise en priant, suppliant et en demandant, il rejoindrait les larmes pour les rendre plus tôt cru. Par conséquent, Pape Pius a poursuivi pour l'appellent « la pieuse Marie. » -Platina, vit. Originalement imprimé en 1479, Bartolomeo Sacchi Vie des papes, a été un des premiers ouvrages publié sur l'histoire des papes de l'église catholique. Cependant, Sacchi (plus communément appelé Platina) a saisi l'occasion pour offrir une discussion approfondie sur l'histoire de Rome et de la vie païenne qui était fort répandue dans toute l'histoire romaine, ainsi que faire des attaques poignants sur le pape Paul II. Il est rapidement devenu l'ouvrage de référence standard sur histoire papale. Cette impression de post incunable 1518 comprend un certain nombre de titres de Platina Vie, Contra Amores, et Falso et vero bono ainsi qu'un texte de Raffaelo Maffei, De vita quatuor Maximi Pontifici (Vie des quatre plus grands Papes) Numéro d'arti … [Click Below for Full Description]
Bookseller: Schilb Antiquarian Rare Books [Columbia, Missouri, US]
2019-01-12 14:06:36
Pomponius Mela
Venice: Aldus, 1518. First Edition. 1st Aldine edition (in Latin) of Mela's A Description of the World, the major Roman work on geography with an addition on cosmology. Later full vellum, red morocco labels gilttitled. A near fine with some staining to leaves, complete copy, scarce in this condition but only in this condition. Near fine.
Bookseller: Biblioctopus [USA]
2019-01-12 03:32:25
Pomponius Mela
Venice: Aldus, 1518. First Edition. Hardcover. Near fine. 1st Aldine edition (in Latin) of Mela's A Description of the World, the major Roman work on geography with an addition on cosmology. Later full vellum, red morocco labels gilttitled. A near fine with some staining to leaves, complete copy, scarce in this condition but only in this condition.
Bookseller: Biblioctopus [U.S.A.]
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2018-12-26 07:20:37
TOLOMEI, Claudio (1492-1555)
Gabriel Giolito de Ferrari, 1518. In pergamena dipinta per Luigi Silva [Legato con:] PLATO(427-ca. 347 a.C.)-RUSCELLI, Girolamo ed. (1518-1566)-ERIZZO, Sebastiano tr. (1525-1585). Il dialogo di Platone, intitolato il Timeo, overo della natura del mondo. Tradotto di lingua greca in italiano da m. Sebastiano Erizzo, gentil'huomo venetiano. Et dal medesimo di molte utili annotationi illustrato, et nuovamente mandato in luce da Girolamo Ruscelli. Venezia, [Orfeo Dalla Carta] per Comin da Trino, 1558. Due opere in un volume in 4to (mm. 205x143). I: Pp. [4], 97, [3]. Segnatura: A-N4. Marca editoriale al frontespizio e a c. N4v. Frontalini, capilettera e fregi xilografici. Sul frontespizio firma di possesso e timbro nobiliare di Luigi Silva (il timbro è ripetuto anche al verso di c. A2); II: cc. [4], 41, [1]. Segnatura: *4 A-L4 K2. Marca editoriale al frontespizio e a c. L2r. Capilettera e piccoli fregi xilografici. Segnatura manoscritta al margine superiore del risguardo anteriore: "J:I:i0:". Piccolo foro nel margine bianco di c. A2, segni di tarlo nel margine inferiore di circa dieci carte nella seconda opera ben lontano dal testo, piccola mancanza all'angolo esterno di carta D2 senza danno al testo, lievi aloni marginali, nel complesso ottima copia genuina. Pregevole ed inusuale legatura settecentesca, verosimilmente di produzione veneziana, in pergamena dipinta, i piatti presentano al centro un riquadro di carta marmorizzata circondato da strisce di pergamena ornate con fregi geometrici e vegetali dipinti ad acquerello verde, nero e marrone, il dorso, anch'esso in pergamena di … [Click Below for Full Description]
Bookseller: Libreria Govi Alberto [IT]
2018-12-23 17:28:38
Aesop
Basel, Froben, 1518 Kl.8°, 262 S., 1 Bl., mit Holzschnitt-Titelbordüre u. Druckermarke am Schluss.; 126 S., 1 Bl., mit 4 (wiederh.) Holzschnitt-Titelbordüren. u. 4 (2 verschied.) Druckermarken., Unter Verwendung alter, blindgeprägter Deckelbezüge sauber restaurierter Lederband mit 4 Schliessbändern., Das erste Titelblatt im Unterrand angestückt, etw. gebräunt u. teils mit kl. Feuchträndern, die letzten Bl. mit kl. Einriss im Oberrand; flieg. Vorsatz fehlt hinten. VD 16 A 415 - IA. 101.002 - Hieronymus. GG 19 - Schweiger I. 13. - Erste Froben-Ausgabe des Aesop und einigen kleineren klassischen Texten. "vier davon zweisprachig. alle für den fortgeschrittenen Griechischunterricht gedacht." (Hieronymus). - Die beigedruckten Texte jeweils mit eigenem Titelblatt. jedoch durchgehend paginiert. "Für den griechischen Text hat Froben eine neue Kursive. nach dem Vorbild derjenigen des Aldus Manutius. verwendet"(ebd.). - Provenienz: Exlibris Janet and C. R. Ashbee sowie Exlibris Edmund Mc Clure auf Spiegel. Versand D: 20,00 EUR Alte Drucke - bis 1550 Altphilologie - Griechen
Bookseller: antiquariat peter petrej [Switzerland]
2018-12-22 07:29:03
CORNAZZANO, Antonio (ca. 1430-1483/4)
Niccolò Zoppino, 1518. In 8vo (mm. 150x95). Cc. [47]. Segnatura: A-F8. Manca la carta bianca F8. Frontespizio stampato in rosso e in nero entro cornice architettonica incisa in legno. Marca editoriale e colophon a c. F6v. Con 18 vignette xilografiche nel testo, alcune delle quali ripetute, ed inoltre un'iniziale su fondo in apertura del Dialogo de un philosopho che contrasta con il pedochio, che comincia con frontespizio proprio alla c. F2r. Fori di tarlo restaurati ai margini delle prime tre carte che comportano una minima perdita di poche lettere, altri piccoli fori di tarlo restaurati al margine inferiore delle ultime tre carte questa volta ben distanti dal testo, aloni e lievi fioriture. Legatura di recente esecuzione in pelle marron scuro, sulla quale sono stati applicati dei piatti antichi recanti un fleuron centrale e quattro fregi angolari impressi in oro entro una cornice dorata, dorso a due nervi con fregi a secco, tagli rossi. Al contropiatto anteriore nota di possesso manoscritta "Ex libris Balihassaris Zamboni" ed ex-libris a stampa "Ex libris Lanfranchi Rizzardi". PROBABILE TERZA EDIZIONE, ma prima a contenere il Dialogo tra el senso e la rasone tratto da Seneca e il Dialogo de un philosopho che contrasta con il pedochio. Benché stampata per almeno quindici volte fra il 1518 (data della princeps pubblicata a Venezia da Francesco Bindoni e Maffeo Pasini) ed il 1558, tutte le edizioni antiche erano già piuttosto rare nel 1812, quando Renouard decise di ripubblicare l'operetta a Parigi, prendendo il testo proprio dall'edizione zoppiniana del 1525. I tre proverbi … [Click Below for Full Description]
Bookseller: Libreria Govi Alberto [IT]
2018-12-07 20:37:40
Ruscelli Girolamo ( 1518 - 1566 ) Venedig
Artist: Ruscelli Girolamo ( - 1566 ) Venedig; issued in: Venice; date: ca 1564. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 18,5 x 25,5; - description : Map shows total Great Britain; - vita of the artist: Girolamo Ruscelli (1518-1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published post humously in 1574. It is generally assumed that Alexius Pedemontanus was a pseudonym of Girolamo Ruscelli. In a later work, Ruscelli reported that the Secreti contained the experimental results of an ëAcademy of Secretsí that he and a group of humanists and noblemen founded in Naples in the 1540s. Ruscelliís academy is the first recorded example of an experimental scientific society. The academy was later imitated by Giambattista Della Porta, who founded an ëAccademia dei Secretií in Naples in the 1560s.
Bookseller: Antique Sommer& Sapunaru KG [München, Germany]
2018-12-06 14:18:50
PLINIUS SECUNDUS Gaius
Aldus device on title page and verso of final page. 30 lines per page, 3-line initial spaces, all with guide letters. Roman, italic and Greek letter. 8vo (154 x 108mm). [56], 525, [3]pp (****3-4 blank). Eighteenth-century calf over pasteboards, covers panelled in gilt with double fillet, spine with five raised bands with gilt tooling and direct lettering of title in second compartment (rebacked, corners chipped, edges slightly worn and bumped). Venice, in aedibus Aldi et Andreae Asulani Soceri, June,
Bookseller: Maggs Bros. Ltd. [U.K.]
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