Fantod Press, (N.p.), 1992. First separate editions. One of 500 sets of two books, each signed by Gorey. Both volumes fine, together in the original envelope which only shows minor soiling to upper flap. (Toledano A107). [Attributes: Signed Copy]

Orleans, Massachusetts: Gorey, Edward: The Betrayed Confidence. Orleans: Parnassus Imprints, 1992. Limited edition. Number 206 of 250 slipcased copies, with an additional loose plate illustrated by Gorey laid in. Black and white illustrated wrappers. Both the book and loose plate are numbered and SIGNED BY GOREY. Book is fine save a touch of soiling to the edge of a few pages. The slipcase and additional plate are fine. This work contains seven of Gorey's Dogear Wryde postcard series - Scenes de Ballet, Menaced Objects, Alms for Oblivion, Interpretive Series, Neglected Murderesses, Tragedies Topiaries, and Whatever Next?. RARE. [Attributes: Signed Copy]

Parnassus Imprints, Orleans, MA, 1992. First edition. One of 250 copies, signed by Gorey. An illustrated catalog of Gorey's postcard collections, with a previously unpublished print laid in, signed and numbered by Gorey. Fine in illustrated wrappers and the original slipcase. (Toledano A104a). [Attributes: First Edition; Signed Copy; Soft Cover]

Gorey, Edward: Two Novels: The Grand Passion & Doleful Domesticity. The Fantod Press, 1992. First limited edition of 500sets. #112/500 SIGNED by Gorey. Two novels with different colored covers. Together in a printed envelope. A107. Very rare set. The colors are fresh and bright. I have an extensive collection of Edward Gorey books, prints, cards, stuffed bats, and other items (buttons, a tote bag, etc.) I am in the process of selling off my collection and will be listing them subsequently. I began collecting in the late 1980s and 1990s. The majority of my items are signed and first editions and were purchased directly from Gotham Book Mart in New York City, which closed in 2007 after 87 years. If there is a specific item you are seeking, please contact me, I may have it. I am not a dealer or bookstore, just an avid fan of Edward Gorey. [Attributes: First Edition; Signed Copy]

THE BETRAYED CONFIDENCE - SIGNED LIMITED EDITION By Edward Gorey Parnassus Imprints, 1992 Softcover in slipcase. Signed limited edition of 250 boxed copies with an additional loose plate laid in, both of which are numbered and signed by the author/illustrator Edward Gorey. This is #136. Black and white illustrated paper covers and text pages are crisp and clean. Light soil to lower foredge. Extra plate is crisp and clean as well. Encased in a plain black slipcase which is in very nice condition. Always carefully wrapped and shipped in cardboard boxes to protect your purchase. Buy with confidence. Bookseller for 25 years.

Dogear Wryde Postcards. First edition, limited issue. Copy number 83 of a limited 250 copies signed by Edward Gorey. Publisher's printed wraps in black slip case, with previously unpublished signed print with matching number laid in. Fine in Fine slipcase. A beautiful, seemingly untouched copy. Toledano A104a. New York: Parnassus Imprints, 1992. First edition, limited issue. I have an extensive collection of Edward Gorey books, prints, cards, stuffed bats, and other items (buttons, a tote bag, etc.) I am in the process of selling off my collection and will be listing them subsequently. I began collecting in the late 1980s and 1990s. The majority of my items are signed and first editions and were purchased directly from Gotham Book Mart in New York City, which closed in 2007 after 87 years. If there is a specific item you are seeking, please contact me, I may have it. I am not a dealer or bookstore, just an avid fan of Edward Gorey. [Attributes: First Edition; Signed Copy]

Edizioni Ebe, 1992. Scheda in lavorazione. A breve verra' aggiornato il prezzo. Ci scusiamo per il disagio Opera incompleta. Quattro volumi composti rispettivamente da 143 pagine cadauno. Legatura in cartoncino rigido telato , con titolo in oro e copertina illustrata. Sovraccoperta illustrata con alette. Pagine in buonissimo stato, ricche di fotografie in nero, nel testo. Numero pagine 572. USATO

Marietti, GENOVA, 1992. Saggi e Ricerche ITALIANO Saggi e Ricerche. Dedica in prima pagina. Brossura in cartoncino in buone condizioni, ombrato. Pagine interne chiare, fioritura al taglio. Dorso e Legatura saldi. Numero pagine 228

New York Limited Editions Club, 1992. A Fine Copy, Signed by the Illustrator and Author CATLETT, Elizabeth, [illustrator]. WALKER, Margaret, [author]. [LIMITED EDITIONS CLUB]. For My People. New York: Limited Editions Club, 1992. Limited to 400 copies signed by Catlett and Walker on the colopon. This copy being number 257. Folio (21 3/4 x 18 1/2 inches; 550 x 464 mm). With six color lithographs by Catlett. The 400 copies of this edition were hand-set in Monotype Albertus and printed on 300gm Arches Cover. Original red linen-covered boards. Front board printed in black. Housed in the original black cloth folding case, with leather cover label. A fine copy. Printed on the 50th anniversary of Walker's first published work, "For My People," Catlett's lithographs illustrate Walker's poem, published in 1942, about African-American life in Chicago. Regarding Catlett's art, "Beautifully striking, singularly apt, these are pictures that, while avoiding the literal, empathically complement Margaret Walker's poem." (From the LEC newsletter, #567). LEC Bibliography. HBS 68131. $2,000 [Attributes: Signed Copy; Hard Cover]

Australia: PACIFIC BRIDGE PUBLISHING, 1992. Soft Cover Pictorial, in very good+ ondition, 177 pages includes CONTENTS, PREFACE, INTRODUCTION, a two page photo spread of Bobby and a LIST OF PLATES too numerous to count, measures approximately 19 a/4" x 13 ¼".The wraps of this elephant folio sized publication are smooth and glossy, both front and rear, printed on heavy stock. Only slight wear is noted at the points and ends of the spine, very slight color fading to the spine, but no soil and no bumps, creases or tears.The interior reveals green end papers front and rear. No previous owner names, notations, marks, creases or tears. Rarely seen on market. [Attributes: First Edition]

Marietti, 1992. Scheda in lavorazione. A breve verra' aggiornato il prezzo. Ci scusiamo per il disagio Saggi e Ricerche. Dedica in prima pagina. Brossura in cartoncino in buone condizioni, ombrato. Pagine interne chiare, fioritura al taglio. Dorso e Legatura saldi. Numero pagine 228 USATO

London: Condition: Very Good. Can't find what you're looking for? Shop by Price £2.99 £3.00 - £4.49 £4.50 - £6.99 £7.00 - £11.99 £12.00+ Shop pages Home page Payment Delivery Customer Service About the seller Need help? Send an eBay message Newsletter Add World of Books to your favourites and receive email newsletters about special promotions! General Interest Vice: Life and Death on the Streets of Miami Product Details: Category: Books ISBN: 0712647813 Title: Vice: Life and Death on the Streets of Miami The Cheap Fast Free Post Author: Buchanan, Edna Publisher: Cornerstone Year Published: 1992 Number of Pages: 352 Book Binding: Hardback Prizes: N/A Book Condition: VERYGOOD SKU: GOR002976264 Item description Please note, the image is for illustrative purposes only, actual book cover, binding and edition may vary. Payment Delivery Customer Service About Us Unfortunately we are currently unable to provide combined shipping rates. Please note we can ONLY accept payments through PayPal. The average shipping times for our orders are as follows: UK: 3-10 Working Days Europe: 5-18 Working Days North America: 5-30 Working Days Rest of World: 5-30 Working Days If ordering within the UK please allow the maximum 10 business days before contacting us with regards to delivery, once this has passed please get in touch with us so that we can help you. World of Books Ltd offer a 100% money back guarantee. We are committed to ensuring each customer is entirely satisfied with their puchase and our service. If you have any issues or concerns please contact our customer service team and they w … [Click Below for Full Description]

UNITED STATES: HARRY ABRAMS NEW YORK & THE WHITNEY MUSEUM. THIS BOOK IS IN EXCELLENT " LIKE NEW " CONDITION WITH VERY LIGHT SIGNS OF HANDLING. THERE IS VERY LIGHT MINOR FAINT SHORT SOFT RIPPLES ON THE LOWER BOTTOM PAGE MARGIN OF THE LAST 6 PAGES OF THE INDEX SECTION AT THE BACK OF THE BOOK. OTHERWISE THE BOOK IS IN EXCELLENT " LIKE NEW " CONDITION. THIS VERY RARE HARDCOVER ICONIC FIRST EDITION 1992 WHITNEY MUSUEM OF AMERICAN ART RETROSPECTIVE EXHIBITION COLLECTOR'S ART BOOK OF THE WORLD FAMOUS AMERICAN ARTIST JEAN MICHEL BASQUIAT ( 1960 - 1988 ), IS AN INCREDIBLY SPECIAL RARE OUT OF PRINT BOOK TO ADD TO YOUR LIBRARY COLLECTION. THIS ART BOOK WAS PRINTED IN 1992 IN HONG KONG BY HARRY ABRAMS, NEW YORK & THE WHITNEY MUSEUM OF AMERICAN ART TO ACCOMPANY THE RETROSPECTIVE EXHIBITION AT THE MUSEUM, JUST AFTER THE UNTIMELY DEATH OF THE ARTIST IN 1988. JEAN MICHEL BASQUIAT WAS BORN TO 2 HAITIAN IMMIGRANTS IN BROOKLYN NY IN 1960. HIS EARLY CREATIVE CAREER WAS AS THE STREET GRAFFITI ARTIST NICK NAMED " SAMO" IN THE LATE 1970'S ON NEW YORK CITY'S LOWER EAST SIDE. BY THE EARLY 1980'S WITH THE HELP OF HIS FRIEND ANDY WARHOL BASQUIAT BEGAN TO MAKE HIS EMOTIONALLY CHARGED AESTHETICALLY ARRESTING NEO EXPRESSIONIST PAINTINGS. IN 1992 THE WHITNEY MUSEUM OF ART DID A RETROSPECTIVE EXHIBITION OF THE LIFE WORKS OF THIS GREAT AMERICAN CONTEMPORARY ARTIST AND MASTER OF SOCIAL COMMENTARY. HIS WORK FOCUSED ON SUGGESTIVE DICHOTOMIES SUCH AS WEALTH VS POVERTY, INTEGRATION VS SEGREGATION, AND INNER VS OUTER EXPERIENCE OF THE HUMAN CONDITION. HE APPROPRIATED POETRY, DRAWING, PAINTING, & MARRIED TEXT AND … [Click Below for Full Description]

UNITED STATES: HARRY ABRAMS NEW YORK & THE WHITNEY MUSEUM. THIUS BOOK IS IN EXCELLENT VERY GOOD CONDITION CONSISTENT WITH AGE AND LIGHT SIGNS OF HANDLING AND USE TO THE COVERS. PLEASE SEE PHOTOS FOR CONDITION REFERENCE. THIS RARE FIRST EDITION 1992 WHITNEY MUSUEM OF AMERICAN ART RETROSPECTIVE EXHIBITION COLLECTOR'S ART BOOK OF THE WORLD FAMOUS AMERICAN ARTIST JEAN MICHEL BASQUIAT ( 1960 - 1988 ), IS AN INCREDIBLY SPECIAL RARE OUT OF PRINT BOOK TO ADD TO YOUR LIBRARY COLLECTION. THIS ART BOOK WAS PRINTED IN 1992 IN HONG KONG BY HARRY ABRAMS, NEW YORK & THE WHITNEY MUSEUM OF AMERICAN ART TO ACCOMPANY THE RETROSPECTIVE EXHIBITION AT THE MUSEUM, JUST AFTER THE UNTIMELY DEATH OF THE ARTIST IN 1988. JEAN MICHEL BASQUIAT WAS BORN TO 2 HAITIAN IMMIGRANTS IN BROOKLYN NY IN 1960. HIS EARLY CREATIVE CAREER WAS AS THE STREET GRAFFITI ARTIST NICK NAMED " SAMO" IN THE LATE 1970'S ON NEW YORK CITY'S LOWER EAST SIDE. BY THE EARLY 1980'S WITH THE HELP OF HIS FRIEND ANDY WARHOL BASQUIAT BEGAN TO MAKE HIS EMOTIONALLY CHARGED AESTHETICALLY ARRESTING NEO EXPRESSIONIST PAINTINGS. IN 1992 THE WHITNEY MUSEUM OF ART DID A RETROSPECTIVE EXHIBITION OF THE LIFE WORKS OF THIS GREAT AMERICAN CONTEMPORARY ARTIST AND MASTER OF SOCIAL COMMENTARY. HIS WORK FOCUSED ON SUGGESTIVE DICHOTOMIES SUCH AS WEALTH VS POVERTY, INTEGRATION VS SEGREGATION, AND INNER VS OUTER EXPERIENCE OF THE HUMAN CONDITION. HE APPROPRIATED POETRY, DRAWING, PAINTING, & MARRIED TEXT AND IMAGE WITH ABSTRACTION AND FIGURATION. BASQUIATS WORKS HAD STRONG SOCIAL COMMENTARY AND DEEPER TRUTHS ABOUT THE INDIVIDUAL AND THE POWER STRUCTURES OF R … [Click Below for Full Description]

Alfred A. Knopf, New York, 1992. 3 volumes. 8vo. 1st edition. Cities of the Plain and The Crossing SIGNED on tipped-in leaves. 'All the Pretty Horses' containing two d.j.'s with slight toning. One d.j. stamped with 'FINISH' to verso rear d.j. flap. Mild toning and rubbing to d.j.'s of additional volumes. VG/VG. THE SET: [Attributes: First Edition; Signed Copy; Hard Cover; In Dust Jacket]

[Medellín, Colombia: Privately printed], 1992. Quarto (230 x 198 mm). Original padded binding of brown faux leather, spine and front cover lettered in gilt, facsimile signature and fingerprint to front cover, pale blue speckled endpapers. With the original brown card case (embossed with the same cover facsimile). Box showing signs of handling and torn at one corner, spine with slight abrasions to head and small area of glue residue, foxing to top edge of book block extending onto head of margins (occasionally touching contents), otherwise a very good copy in the original box and with a card laid in (bearing the embossed facsimile signature and fingerprint of Escobar) Illustrated throughout with reproductions from photographs and cartoons (4 in colour). First and sole edition of a book shrouded in myth: accounts of its legendary rarity regularly circulate but according to Escobar biographer James Mollison 500 copies were printed, which Escobar sent out as presents to family and friends, "usually with a word of thanks" (The Memory of Pablo Escobar, 2007). "During his stay in La Catedral, an illustrator friend of Escobar's nicknamed 'Guezu' came up with the idea of putting together a book of all the cartoons dedicated to Escobar since he gained notoriety as a politician in 1982" (ibid.). In a 2005 interview with the newspaper El Tiempo de Bogotá, Eliana Cadavid Escobar, wife of Escobar's nephew Nicholas, stated that after Escobar's escape from La Catedral "the family burned almost all the books". Stories abound that as few as ten copies survived this conflagration; certainly n … [Click Below for Full Description]

Oostende: Distriart n.v. / Galerie Forum, 1992. Condition: Fine. 12 5/16 x 17 3/16" sheet, each printed by offset lithograph in two colors. All "shares" published in this innovative artists' periodical, which worked with one of the more pervasive forms of late capitalism as a way to distribute works of art - the share. Each sheets prints, on the left hand side, the work, framed as a stock certificate, and the right hand side features a sheet of small share tickets. Includes works by Jenny Holzer, Raymond Pettibon, Claes Oldenburg, Roland Topor, Liliane Vertessen, Ben Vautier, Roger Raveel, Enrico Baj, Mark Kostabi, Quik, Jan Carlier, Jacques Charlier, Antonio Segui, Philippe Thomas / Ready Mades belong to everyone, and A.R. Penck. A fine set, completely unfolded.

Pour connaisseurs... car peu d'exemplaires en vente dans le monde. CERAMIQUES DE PICASSO : 1992 MARYLIN Mc CULLY 2 volumes relies toile sous emboîtage BON ETAT : Après avoir minutieusement vérifié l'ouvrage, voici ce qu'il y a à en dire. Les ouvrages sont très très propres intérieurement. On notera que les titres sérigraphiés sur les dos de couverture sont en partie effacés. A la page 578 (voir photo), au niveau des fils de reliure, une petite irrégularité qui est peut-être d'origine. Enfin, j'ai aperçu une très légère empreinte de pouce sur une page et il y a sur la dernière pages de garde neutre 3 salissures sous forme de 3 traits (voir photo). Le boitier est frotté avec rayures. Si acheteur à moins de 350 km, je livrerai l'ouvrage moi-même. Si paiement par chèque (si virement pas de délai), envoi après encaissement définitif du chèque, délai de rejet passé soit 15 jours. 191.

1992. Excellent copy. Originally purchased from Trip Taylor Bookseller. The book was signed at an author event in the fall of 2008 in Boise, ID. See photos for additional details. Message me if you have any questions. All books come from one collector who is downsizing their collection. (More books will be listed every day... message us if you are looking for a specific book; we might have it!) Thanks for looking! [Attributes: First Edition; Signed Copy; In Dust Jacket]

New York: Knopf. The Border Trilogy, complete in 3 volumes. Each one a unique copy, and all published by Knopf. 'All The Pretty Horses' 1992, First Edition. Fine in a Fine dust jacket. Green topstain (no other first printing copies online or in auction records mention a topstain). Green 'A' on jacket flap. 'The Crossing' 1994. Uncorrected Proof in blue wraps. Fine. Publisher's promotional flyers stapled to the inside of the front wrap. 'Cities of the Plain' 1998. One of 1,000 copies signed by the author and 'prepared for friends of the author and publisher.' Fine in a Fine dust jacket. An exceptional set, complete in 3 volumes. All books in as new condition and each one a unique version from McCarthy's crowning achievement. Fine / Fine. [Attributes: First Edition]

When ordering from the US, parcels may be subject to import tax and duty charges, which the buyer is responsible to pay. This is copy #44 of an exceptional 300-copy Limited Editions Hardcover 1992 publication, in its original slipcase, of Ezra Pound's Cathay, Poems After Li Po, with 7 color woodcuts by Francesco Clemente, signed by the artist, in pencil, on the limitation page. This is a fine condition book in a fine condition slipcase, the blue linen cover (11.875" x 8.125") and slipcase unfaded and clean, with no stains, tears or creases. The debossed illustration to the front cover is flawless. The pages (34 numbered), handmade Japanese Ogawashi paper printed by Arthur Larson at Horton Tank Graphics, set in Monotype Lutetia by Julia Ferrari and Dan Carr at Golgonooza Letter Foundry, are uniformly clean and unfaded, as are the woodblocks, cut by Michael Berdan at Evans Editions. There are no stamps or other attachments. The only written notations are the artist's signature and the copy number. The binding is tight throughout. There are no page tears or creases. The accompanying photos are accurate reflections of the book conditions. TERMS OF PAYMENTUS bidders Media insured shipping included within the US. International Bidders International bidders should note that this would be sent priority or priority express, insured, with the full amount declared. Signed Yes Publisher Limited Editions Illustrator Francesco Clemente Language English Modified Item Yes Region North America Author Ezra Pound Binding Hardcover Country/Region of Manufacture United States Topic Poetry Year … [Click Below for Full Description]

New York: This is copy #44 of an exceptional 300-copy Limited Editions Hardcover 1992 publication, in its original slipcase, of Ezra Pound's Cathay, Poems After Li Po, with 7 color woodcuts by Francesco Clemente, signed by the artist, in pencil, on the limitation page. This is a fine condition book in a fine condition slipcase, the blue linen cover (11.875" x 8.125") and slipcase unfaded and clean, with no stains, tears or creases. The debossed illustration to the front cover is flawless. The pages (34 numbered), handmade Japanese Ogawashi paper printed by Arthur Larson at Horton Tank Graphics, set in Monotype Lutetia by Julia Ferrari and Dan Carr at Golgonooza Letter Foundry, are uniformly clean and unfaded, as are the woodblocks, cut by Michael Berdan at Evans Editions. There are no stamps or other attachments. The only written notations are the artist's signature and the copy number. The binding is tight throughout. There are no page tears or creases. This is copy #44 of an exceptional 300-copy Limited Editions Hardcover 1992 publication, in its original slipcase, of Ezra Pound's Cathay, Poems After Li Po, with 7 color woodcuts by Francesco Clemente, signed by the artist, in pencil, on the limitation page. This is a fine condition book in a fine condition slipcase, the blue linen cover (11.875" x 8.125") and slipcase unfaded and clean, with no stains, tears or creases. The debossed illustration to the front cover is flawless. The pages (34 numbered), handmade Japanese Ogawashi paper printed by Arthur Larson at Horton Tank Graphics, set in Monotype Lutetia by Julia Ferrar … [Click Below for Full Description]

Concord, NH: William B Ewert, 1992. First Edition. One of 40 deluxe copies (this being No. 25) SIGNED by the author. Fine in cloth binding, with lovely handmade paper covered boards and just about Fine tissue dust jacket as issued. First separate publication of this story, which originally appeared in the New Yorker. [Attributes: First Edition]

Lower Marston: Whittington Press, (1992). Leaf Book. 4to. quarter cloth, marbled paper over boards, slipcase. xvi, 225, (2) pages. Limited to 350 numbered copies signed by Butcher and Jamieson, this being one of 250 bound thus (Leaf Book - Chalmers 199). With a memoir of Dame Hildelith Cumming by the Abbess of Stanbrook, Joanna Jamieson OBE, and a foreword by John Dreyfus. Includes many tipped in original leaves from the Stanbrook Abbey Press and reproductions of other leaves, many from original blocks and type reprinted by The Whittington Press. The text gives a history of the press and the abbey, with special attention paid to the work of Dame Hildelith Cumming, the Press's chief printer from 1956 to her death in 1991. The bibliography, which makes up most of the work, describes the Stanbrook Abbey Press's published works from 1956-1991, giving a full interpretation of most of the works. Illustrated throughout with photographs, some in color. An exhaustive account of this charming private press. Difficult to find this title.

Whittington Press, Lower Marston, 1992. 4to. quarter cloth, marbled paper over boards, slipcase. xvi, 225, (2) pages. Limited to 350 numbered copies signed by Butcher and Jamieson, this being one of 250 bound thus (Leaf Book - Chalmers 199). With a memoir of Dame Hildelith Cumming by the Abbess of Stanbrook, Joanna Jamieson OBE, and a foreword by John Dreyfus. Includes many tipped in original leaves from the Stanbrook Abbey Press and reproductions of other leaves, many from original blocks and type reprinted by The Whittington Press. The text gives a history of the press and the abbey, with special attention paid to the work of Dame Hildelith Cumming, the Press's chief printer from 1956 to her death in 1991. The bibliography, which makes up most of the work, describes the Stanbrook Abbey Press's published works from 1956-1991, giving a full interpretation of most of the works. Illustrated throughout with photographs, some in color. An exhaustive account of this charming private press. Difficult to find this title. quarter cloth, marbled paper over boards, slipcase [Attributes: Signed Copy; Hard Cover]

42 pp rectos only. Legal Folio. Full Draft for "The Pez Dispenser" Episode in Jerry Seinfeld's Hand. The hand-written script by Seinfeld is for the beloved "Pez Dispenser" episode, in which Elaine ruins the piano concert of George's girlfriend by bursting into laughter when Jerry places a Pez dispenser in her lap. It is also the episode in which Kramer joins the polar bear club, creates a brand of cologne called "The Beach" and everyone participates in an intervention for a former softball team-mate who was traumatized by Kramer's suggestion during their final game. Although the writing of the episode is credited to both Jerry Seinfeld and Larry David, this is an early (first?) draft attempt by Seinfeld. It includes substantial amounts of dialogue that were omitted in subsequent drafts. There are also many revisions, crossing outs, insertions and the like - all typical of a working draft and all in Seinfled's hand. The episode aired on January 15, 1992. Seinfeld is routinely regarded as one of the best television series ever produced. During its first run it was awarded the Emmy for Outstanding Comendy series in 1993, it received the Golden Globe Award for Best TV-series (comedy) in 1994 and in 1995, in 1997 and 1998 it won the Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series. Since it finished production, TV Guide awarded it the greatest TV show of all time in both 2002 and 2013. Original Seinfeld material is scarce on the open market. Furthermore, we have not been able to locate any manuscript drafts such as this in either Seinfeld o … [Click Below for Full Description]

Mandrake Press Ltd & Holmes. Facsimile. VG++. Unread.See photographs / note minor damage to the base of the slipcase. The Equinox -- The Review of Scientific Illuminism Volume I Nos. I - X & Volume 3 No. I Limited Edition of 50 copies this being copy No. 3 Mandrake Press & Holmes, 1992 The only true facsimile of the First Edition The Equinox -- The Review of Scientific Illuminism is a series of publications in book form that serves as the official organ of the A∴A∴, a magical order founded by Aleister Crowley (although material is often of import to its sister organization, Ordo Templi Orientis). Begun in 1909, it mainly features articles about occultism and magick, while several issues also contain poetry, fiction, plays, artwork, and biographies. London: Mandrake Press & Holmes, 1992. DeLuxe Limited Edition. Bound in red leather, marbled boards, all edges gilt, ribbon markers and enclosed in a matching red leather and marble slipcase. Plates for this set were made from the London First Edition and is exactly as issued, including the foldout of the "Book of the Law", making this the only true facsimile of the First Edition. With all plates, color or otherwise, as per original printing. Eleven volumes bound as six. Small 4to. Contents of The Equinox Volume I Number 1 Editorial An Account of A∴ A∴ Liber Librae [The Book of the Balance] Liber Exercitiorum The Wizard Way. By Aleister Crowley The Magic Glasses. By Frank Harris The Chymical Jousting of Brother Perardua The Lonely Bride. By Victor B. Neuburg At the Fork of the Roads The Magician The Soldier and the Hunchback: ! A … [Click Below for Full Description]

THIS BOOK IS IN BRAND NEW CONDITION, WITH VERY LIGHT SIGNS OF HANDLING. THIS VERY RARE FIRST EDITION VINTAGE 1992 JEAN MICHEL BASQUIAT HARDCOVER JAPANESE MONOGRAPH COLLECTOR'S ART BOOK IS AN INCREDIBLY SPECIAL, UNIQUE, AND UNUSUAL BOOK TO ADD TO YOUR LIBRARY COLLECTION. THE SPECIAL HARDCOVER ART BOOK WAS PUBLISHED BY ART RANDOM KYOTO SHOIN INTERNATIONAL, PRINTED IN JAPAN IN 1992 IN A VERY SMALL LIMITED EDITION. THIS IS A RARE OPPORTUNITY FOR TRUE BASQUIAT FANS AND COLLECTORS AS THIS BOOK IS LONG OUT OF PRINT AND VERY SCARCE TO FIND. THE WORKS COLLECTED HEREIN ALL DATE FROM 1981 - 1985 A PERIOD OF SPECIFICALLY VIGOROUS AND CONCENTRATED PRODUCTION, EVEN WITH HIS SHORT CAREER. IT SHOULD BE NOTED THAT ALMOST ALL PLATES ARE OF PIECES PREVIOUSLY UNPUBLISHED PRESENTED HERE FOR THE FIRST TIME IN 1991 AT THE TIME OF THE PRODUCTION OF THIS BOOK. JEAN MICHEL BASQUIAT ( 1960 - 1988 ) WAS BORN TO 2 HAITIAN IMMIGRANTS IN BROOKLYN NEW YORK IN 1960. HIS EARLY CREATIVE CAREER WAS AS THE STREET GRAFFITI ARTIST NICK NAMED " SAMO " IN THE LATE 1970'S ON NEW YORK CITY'S LOWER EAST SIDE. BY THE EARLY 1980'S WITH THE HELP OF HIS FRIEND ANDY WARHOL, BASQUIAT BEGAN TO MAKE HIS EMOTIONALLY CHARGED AESTHETICALLY ARRESTING NEO EXPRESSIONIST PAINTINGS. IN 1992 THE WHITNEY MUSUEM OF AMERICAN ART DID A RETROSPECTIVE EXHIBITION OF THE LIFE WORKS OF THIS GREAT AMERICAN CONTEMPORARY ARTISTS AND MASTER OF SOCIAL COMMENTARY. HIS WORK FOCUSED ON SUGGESTIVE DICHOTOMIES SUCH AS WEALTH VS POVERTY, INTEGRATION VS SEGREGATION, AND INNER VS OUTER EXPERIENCE OF THE HUMAN CONDITION. HE APPROPRIATED POETRY, DRAWING, PA … [Click Below for Full Description]

Stone Harbor, NJ: Meadow Run Press, 1992. Hardcover. Fine/Fine. Peter Corbin. Limited edition of 500, signed by author on limitation page. Octavo (23 cm), pp. 57. Black cloth both blind- and gilt-stamped, with publisher's acetate jacket, and slipcase with paper label. Half a dozen illustrations by sporting artist Peter Corbin, plus frontispiece and slipcase label .Beautiful copy of this cult classic, which was published just before Middleton died unexpectedly at age 43. William Trego of Meadow Run Press printed high-quality fishing books for two decades, and Starlight was one of his early ones. Middleton, whose best-known work was a memoir of his Ozark childhood titled The Earth is Enough, was celebrated as one of America's finest angling writers, but his work transcended the genre into the realm of memoir and natural history. "[T]he Starlight Creek Angling Society was always in session, for the society was not a club really so much as it was another way the old men celebrated their good fortune, a fate that included hardscrabble poverty and the inexorable beauty of Starlight Creek--a bounty of wild water and wild trout they steadfastly refused to compromise..." (from the book). (Thacher 359).

Limited Editions Club, 1992. Book solidly fine with just a tiny touch of loss to gilt on top board lettering, probably resulting from imperfect application of the original gilt (i.e., not wear). Contents completely clean and fresh. Full black cloth matchng solander slipcase with a very small corner bump on the top right corner of the top board (ie. not visible on the shelf), does not affect contents, otherwise only minor shelf wear. Beautiful book. [Attributes: First Edition; Hard Cover; In Dust Jacket]

The Limited Editions Club, New York, 1992. Large quarto. 10.5 x 12.25 in. 121 pp. With etchings by Sean Scully, four full-page and four half-page. Printed at Wild Carrot Letterpress and hand-sewn & bound by Carol Joyce. Numbered 23 of 300 copies and signed by Sean Scully in pencil. With printed Limited Editions Club newsletter laid in, as well as the program for Sean Scully's 'Twenty Years' Exhibition. Fine in original black Nigerian oasis goatskin and publisher's fine matching black canapetta linen slipcase, titles in gilt. [Attributes: First Edition; Signed Copy; Hard Cover]

Very light wear to the leather. Internally gorgeous. Clean and bright. Handled with great care. The clam shell box has light wear. Sean Scully Joseph Conrad Heart of Darkness Signed Numbered Sean Scully Limited Edition of 300 Copies This is Number 3 With the Clam Shell Box New York: Limited Editions Club, 1992. Hardcover. With the Clam Shell Box. Large 10" x 12" quarto bound in full black goatskin leather with the spine and front cover stamped in 22 karat gold in a clam shell box covered with black Italian cotton. Etchings have been printed on an all cotton stock made by Cartiere Enrico Magnani, in Pescia, Italy. The text has been printed on an off white Lana Royale stock, made in France. The typographic designer was Dan Carr. This is Number 3 of only 300 numbered copies illustrated with four full page and four half page color etchings by Sean Scully and SIGNED by the artist on the colophon page. Very good plus in a very good clam shell box. Very light wear to the leather. Internally gorgeous. Clean and bright. Handled with great care. The clam shell box has light wear. SIGNED Sean Scully. [Attributes: Signed Copy]

New York: Limited Editions Club, 1992. Hardcover Octavo in slipcase. Hardcover. Very good. full black Nigerian goatskin leather, spine and front cover stamped in gold, 121 pp etchings by Sean Scully , in black linen covered clamshell box lined in plush gray cloth leather label with gilt lettering to box spine Number 53/300 signed by Scully on the colophon page LEC newsletter laid in very light sun fading to box spine and top edges.

Amer Society of Clinical Pathologists / ASCP Press Chicago, Illinois, U.S.A. 1992 First Edition 4to - over 9¾" - 12" tall Hardcover 423 pages. Index. Glossary. Printed upon glossy stock. "The clues in this volume are organized accoring to where in the skin they are positioned, the first being in the cornified layer and the last one in the subcutaneous fat. Each of the 100 chapters consists of four pages. On the first page appears a single photomicrograph that depicts a clue, but provides no further aid to identification of it. On the second page, the same photomicrograph that was used to picture the clue on page 1 is shown again but this time as one among a sequence of three photomicrographs taken at low, intermediate, and high magnifications of a representative section of the disease for which the clue has Sherlockian value." - from Preface. Openings to each end of backstrip taped in place. Somewhat above-average external wear. Contents clean and unmarked. Binding moderately loose but intact. A worthy working copy of this prized reference. Fair Versand D: 5,00 EUR Clues to Diagnosis in Dermatopathology Skin Diseases Histopathology Diagnosis Disorders

New York: Naomi Spector, 1992. Companion artist book to "Some Ryman Words" published in 1981. This, a continuation of titles of paintings, drawings and prints by Robert Ryman. Comes with original acetate envelope and navy blue outside envelope. Small tear to navy envelope. [Attributes: First Edition; Signed Copy]

Condition: Good. DESCRIPTION Condition : GOOD Language : Japanese. Release Date : 1992/01 Pages : 48 pages Size : 0.6 x 23.5 x 31.1 cm ISBN-10: 476368602X Welcome to my store! You are bidding on Japanese BOOKS This is an official product, not bootleg. If you are big fan, DON'T MISS THIS BIG CHANCE ! Payment Paypal ONLY Shipping &Handling I will ship anywhere in the world. Intl' Economy shipping - with SAL Tracking number SAL Registered Mail abolished Australia, Greenland, Denmark, Germany, Norway, Hungary, Finland, Poland. Australia, Greenland, Denmark, Germany, Norway, Hungary, Finland, Poland :(No tracking number) －takes about 2 to 4 weeks or more Intl' Standard shipping - with EMS with Tracking number －takes about 7 to 11 days or more Handling Time We'll ship within 1 - 3 business days after receiving payment. Thank you for your watching.

Arnoldo Mondadori Editore - Il Sabato, 1992. Scheda in lavorazione. A breve verra' aggiornato il prezzo. Ci scusiamo per il disagio Piccola brossura tascabile, modesti segni del tempo alla copertina illustrata, quali dissolvenza, mende da conservazione e da lettura, velature chiare, molto buono l'aspetto complessivo. N. pag. 188. USATO

I Libri dell'Altra Italia Avvenimenti - Libera Informazione Editrice, 1992. Scheda in lavorazione. A breve verra' aggiornato il prezzo. Ci scusiamo per il disagio Brossura commerciale, irrilevanti segni alla copertina illustrata, ottimo l'aspetto esterno, come nuovo l'interno. N. pag. 214. USATO

4to. 1 p. With original ink drawing. To his friend Pierre Berès: "Je suis surpris d'être sans nouvelles de vous depuis assez longtemps [...]". Balthus's drawing depicts the church of the small village of Moutonne (near Orgelet, Franche-Comté). In the foreground, the artist draws the "castle" of the same village - in fact, a massive stone building. The present letter was exhibited from July to September 1992 at the Balthus exhibition at the birthplace of Gustave Courbet.

Spring Green and Middleton, WI; London: 1985-1992. 27 Als. and cards and original photographs. Over 60 pages, mainly 4to; 5 postcards with Wisconsin views, one letter on a Christmas card, one other incomplete, 10 autograph envelopes (some return-addressed as Lana Peters), 12 photographs (annotated by her on versos), Tblisi, Spring Green and Middleton, WI) and London, 30 June 1985 to 4 February 1992, tears to one letter.The letters are to to her school-friend Yura Gerchikov in Stockholm, and to Yura's daughter Katya Wik about her life in Wisconsin and London with her daughter Olga Peters Evans (including family pictures) , her alienation from the USSR and her children there (Katya, who refused contact or to permit contact with her granddaughter, and Joseph, who joined the KGB), her fond hope that the Communist Party might disappear for ever, her Russian pension and her financial troubles, God, Disneyworld, friends in Europe, the photographs showing Svetlana and Olga together, their house in Spring Green and Olga's wedding.The only daughter of Soviet dictator Josef Stalin died in the US at the age of 85.Svetlana Alliluyeva, also known as Lana Peters, died of colon cancer at a care home in the state of Wisconsin.Her defection from the Soviet Union in 1967 was a propaganda coup for the US. She wrote four books, including two best-selling memoirs.

Distriart Art Share Nos. 1-16 [Complete] Raymond Pettibon. 12 5/16 x 17 3/16" sheet, each printed by offset lithograph in two colors. All "shares" published in this innovative artists' periodical, which worked with one of the more pervasive forms of late capitalism as a way to distribute works of art - the share. Each sheets prints, on the left hand side, the work, framed as a stock certificate, and the right hand side features a sheet of small share tickets. Includes works by Jenny Holzer, Raymond Pettibon, Claes Oldenburg, Roland Topor, Liliane Vertessen, Ben Vautier, Roger Raveel, Enrico Baj, Mark Kostabi, Quik, Jan Carlier, Jacques Charlier, Antonio Segui, Philippe Thomas / Ready Mades belong to everyone, and A.R. Penck. A fine set, comple [Thumbnails Below] Distriart Art Share Nos. 1-16 [Complete] Author: Pettibon, Raymond and Jenny Holzer, Publication: Oostende: Distriart n.v. / Galerie Forum, 1992 Condition: Fine. Description: 12 5/16 x 17 3/16" sheet, each printed by offset lithograph in two colors. All "shares" published in this innovative artists' periodical, which worked with one of the more pervasive forms of late capitalism as a way to distribute works of art - the share. Each sheets prints, on the left hand side, the work, framed as a stock certificate, and the right hand side features a sheet of small share tickets. Includes works by Jenny Holzer, Raymond Pettibon, Claes Oldenburg, Roland Topor, Liliane Vertessen, Ben Vautier, Roger Raveel, Enrico Baj, Mark Kostabi, Quik, Jan Carlier, Jacques Charlier, Antonio Segui, Philippe Thomas / Ready Mades belong to ev … [Click Below for Full Description]

Volcanic Eruptions, 1992. A collection of first editions and ephemera by Crispin Glover, from the collection of filmmaker Trent Harris. Included are Glover's first three avant-garde books, "Rat-Catching," "Oak Mott," and "Concrete Inspection," all of which were issued in limitations of 1000 copies, and are in this case each the best possible copy, numbered "-01," "0," and "0" respectively, and inscribed in the year of publication (with inscriptions that are colorful to say the least). Also included is a proof of Glover's first book, "Rat-Catching," one of reportedly only a handful of copies created by Glover for promotion, in a much larger format than the resulting book, with each page in a plastic protector, bound with silver clasp-rings. Last is an original poster for a 1979 signing event for Glover's first book. Harris directed a trio of short films between 1979 and 1985 now known as "The Beaver Trilogy," all featuring an eccentric character named "Groovin' Gary," a resident of Beaver, Utah, with whom the director was obsessed. "Gary" played himself in the first film ("The Beaver Kid," 1979), and was then represented by Sean Penn in the second film ("The Beaver Kid 2," 1981), and finally by Glover in the third installment ("The Orkly Kid," 1985). Glover has continued to make books and films, along with live performance art, all of which challenge conventions and boundaries. His work has its roots in the avant-grade, the early work of Werner Herzog and Frederick Wiseman, and the his ongoing interest in the lives of American outsiders and outsider culture. A remarkable col … [Click Below for Full Description]

Lower Marston, Risbury, Herefordshire: The Whittington Press, 1992. Edition limited to 135 copies, this one of 35 with an extra set of the engravings, this copy marked "press copy" on the colophon, and signed by Hanscomb; folio, 12 frenchfold leaves (the first blank), 8 copper engravings, each signed in pencil, each with an accompanying poem on the facing page; original gray paper wrappers, printed paper label on the upper cover, stab-sewn with blue cord; fine. Accompanied by a gray paper-covered board portfolio containing each of the above 8 engravings, in this (unique?) case each marked "A.P." and signed in pencil by the artist; book and portfolio together in the publisher's gray paper-covered board slipcase. A muted but beautiful book, like so many made at Whittington. [Attributes: Signed Copy]

Llandogo: The Old Stile Press, 1992. Condition: Fine - Signed. Number 146 of 150 copies, elephant folio size, 58 pp. Rigby Graham (1931-2015) was a landscape and topographical artist, book illustrator and muralist who worked within the British Romantic tradition. His work is distinguished by bold lines, a formalistic understanding of structure, and dramatic use of colour, alike to German expressionism. The text of this volume was conceived in hospital during an extended treatment for cancer, where he retreated into recollections of the past to escape the sterile detention of the infirmary; the overall structure of the book is built around that method of circumvention during a time of calamity. The feature of the book are the colour woodcuts, which include four double-page images composed with four to six blocks each; there are also five single-page images printed in three colours to give a glowing 'monochrome' effect. As Graham shares in his introduction: "Cuts would be the answer. Woodcuts. I had always like the stiff angularity of woodcuts. The wood was not only unyielding, it bit back with a ferocity more readily associated with a rabid dog. Perhaps it is because of our civilised pattern of living that we tend unthinkingly to look on many natural things as attractive and somehow imply, or suggest, 'gentle'. We imbue them at times with qualities they do not actually possess...." Here, then, is a travelogue of the mind, reflections on woodcuts and the images made using them, infused with the philosophical musings of a man whose body was recently "hacked at by surgeons" as … [Click Below for Full Description]

Berekely, California: Flying Fish Press 1992. Condition: Fine - appears unused; some sunning to the box which is imperceptible unless one notices that the fabric on the bottom of the box is slightly darker, else fine. 32mo - over 4 - 5" tall Signed by Author(s). Limited edition of 75 copies, this no. 28, each SIGNED BY THE BOOK ARTIST. This a fairly early sample of Julie Chen's amazing creativity, with letterpress printing and images by Ms. Chen on stiff paper pages folded in "flag book" form, so that one can either turn the "pages" in the traditional manner, or, if one simply extends the book outwards from both boards, the top tier of "flags" tend to fall to the right and the bottom tier to the left. Comes with an instruction booklet and ribbon ties, all in a custom box. Julie Chen started the Flying Fish Press in 1987; her works emphasize "three-dimensional and movable book structures and fine letterpress printing" (N.B., from the web site of the Press). DESCRIPTION: Volume measures approximately 4.25" by 3.75" when closed, when fully extended measures approximately 31", types Copperplate Gothic and Adobe Garamond, papers used include Fabriano Ingres Heavyweight and handmade sheets from the St.-Armand paper mill. The volume, ties and instruction book are enclosed in a custom box made by Sandy Tilcock covered in a light celadon fabric, paper labels on front and spine; limited edition of 75 copies, this no. 28, signed by Julie Chen. CONDITION: Fine - appears unused; some sunning to the box which is imperceptible unless one notices that the fabric on the bottom of the box is … [Click Below for Full Description]

New York: The Limited Editions Club Printed at Horton Tank Graphics, 1992. Condition: Volume is fine overall, the binding is clean and not sunned, with a strong, square text block, solid hinges, perfectly straight corners with no rubbing, the interior is clean and bright, and it is entirely free of prior owner markings; the colophon page has some shallow unintended creases at the gutter, else fine. Number 269, quarto, 41 pp., signed by Francesco Clemente. Ezra Weston Loomis Pound (1885-1972) was a major figure in the early modernist movement; his early poetry was devoted to the development of Imagism, a movement derived from classical Chinese and Japanese poetry, stressing clarity, precision and economy of language. Of this work, Cathay, Chinese critic Wai-lim Yip writes: "One can easily excommunicate Pound from the Forbidden City of Chinese studies, but it seems clear that in his dealings with Cathay, even when he is given only the barest details, he is able to get into the central concerns of the original author by what we may perhaps call a kind of clairvoyance" (N.B., above info from Wiki). DESCRIPTION: Fully bound in light blue-grey linen, embossed decoration on the front board, all text pages french fold, the seven colour woodcuts bound in throughout the text; type Monotype Lutetia, text printed on handmade Japanese Ogawashi paper, large quarto in size (almost 11.75" tall), pagination: (i-iv), (1)-34, blanks (35-36), colophon (37); limited edition of only 300 copies, this no. 269, signed by the artist. Monthly newsletter loosely laid in. Publisher's slipcase bound in … [Click Below for Full Description]

San Francisco: The Arion Press, 1992. Condition: Fine, prospectus also fine. Folio - over 12 - 15" tall. 63 p. Signed by Author and Artist. No. 196 of 200 for sale (plus 26 not for sale), signed by Ginsberg (with circled initials below). Written three years after the death of his mother, Ginsberg focused on a cryptic note left to him by her, the mother who had been hospitalized for mental illness for many years, and used that as his inspiration for the poem written in her honour. The volume contains, at Ginsberg's suggestion, two related poems that also relate to his mother. Bound into the volume, facing each other, are two lithographs by R.B. Kitaj, portraits of Allen and Naomi Ginsberg, picturing them both at about age 30; the lithograph of Naomi is signed in pencil by Kitaj. DESCRIPTION: Bound in two colours of imported Japanese cloth, black with tan fibers and greyed blueish green, black lettering on the front, binding design unusual with a flap enclosing the fore-edge that folds into the front cover; cream endpapers, fore- and bottom edges uncut, copy number and Allen Ginsberg's signatures on the half-title page in pencil, his signature with his initials below enclosed in a circle, lithographs bound in after the introduction and before the poems with a tissue guard between the two prints; large quarto size (approximately 12.25" tall), pagination: (1)-18 being the preliminary pages and the introduction, sectional title for the lithographs (19), the two lithographs (20 and 21), blank (22), sectional title for the poems (23), 24-62 being the three poems, colophon (63), Im … [Click Below for Full Description]

Feltrinelli Editore, 1992. Scheda in lavorazione. A breve verra' aggiornato il prezzo. Ci scusiamo per il disagio Brossura editoriale in cartoncino flessibile plastificato, con copertina illustrata. Pagine in buonissimo stato, leggermente brunite, come i tagli. Schede e statistiche a cura di Andrea Salerno. Numero pagine 300. USATO

(N.p, 1992. Quarto. Ten folded sheets of van Oostrum's marbled papers. This is a unique copy bound to display the papers in a simple and portable fashion. The papers exemplify a range of color schemes and techniques, including rippling, Spanish marbling, and peacocks. Bound in cloth-covered boards with title stamped to upper cover and spine. Some toning to sheets separating papers, else fine. Laid in is a marbled Christmas Card from which an ornament can be cut. [Attributes: Hard Cover]

New York: The Viking Press, 1992. First Edition. First edition. A uniquely decorated copy, fully marbled in purple, blue, yellow, and red by Kesey on covers as well as edges. Painted signature of Kesey on front free endpaper. According his son Zane, Ken began experimenting with marbling techniques in 1964 while traveling on the bus FURTHUR and dropping acid for the first time. Oil paint floating in a puddle entranced the Merry Pranksters and they began dipping objects into the mixture, creating instant objet d'art. Later in his life Kesey returned to this technique, psychedelically marbling, finishing, and signing around 15-20 books total. This is one of those scarce copies. Near Fine with paint slightly rubbed off corners. No jacket. A psychedelic lollipop swirl of original art from the acclaimed writer and countercultural icon. Near Fine.