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Displayed below are some selected recent viaLibri matches for books published in 1992

        Magisterio pontificio contemporaneo coleção de Enciclica y Documentos desde leon XIII a Juan Pablo II 2 volumenes

      Biblioteca de Autores Cristianos 1992 - [Attributes: Hard Cover]

      [Bookseller: Livro Ibero Americano Ltda]
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        KANDINSKY Aquarelles : Catalogue Raisonné. ---------- 1er et 2ème Volumes : 1900 - 1921 et 1922-1944

      Société Kandinsky & Editions Scala - Paris 1992 & 1994. 2 Volumes/2. -- TOMES 1 et 2 -- Comme Neuf – Reliure éditeur cartonnée sous jaquette illustrée . Format grand in-4°( 30 x 27,5 cm )( 7090 gr les 2 ). ------- 555 & 610 pages. ************ Addendum du catalogue des peintures : entrées de 1 à 34 Notices illustrées des aquarelles de 35 à 550 et un appendice des œuvres des peintures autrefois dans les musée russes ---- TOME 2 : Notices de 551 à 1368 illustrées. ************* --------- Texte en Français , Notices en Anglais [Attributes: First Edition; Hard Cover]

      [Bookseller: Okmhistoire]
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        LAST DAYS OF COLUMBUS AND HIS TESTAMENTS (LOS ULTIMOS DIAS DE CRISTOBAL COLON Y SUS TESTAMENTOS) (Fine Facsimile Edition of 16th C. Manuscript)

      Madrid: Testimonio. New;. 1992. Hardcover. <p>LAST DAYS OF COLUMBUS AND HIS TESTAMENTS. Prize in "Juan Pablos" Latin-American Graphics Art Competition. </p> <p>Collection of documents from the Library of the Royal Academy of History, the General Record Office in Simancas and the Indies Archive, dating from the time of his return from the last voyage in 1504, to his death two years later in Valladolid. </p><p>The facsimile is presented in a special file, with a presentation case. Study and transcription by Professor Demetrio Ramos of the Royal Academy of History. </p><p>Limited edition of 980 numbered certified copies</p> .

      [Bookseller: New Boston Fine and Rare Books]
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        BIRDS OF AUSTRALIA (VOL. 1) (AUTHENTIC FACSIMILE EDITION) Birds of Prey

      Hill House. New;. 1992. Hardcover. 0947352163 . 36 Plates. BRAND NEW! This is not a mere reproduction. This is an exact facsimile of an original held in the Libraries of the British Museum (Natural History) in London and Tring. It is not a reproduction, because no camera was used in transferring the images from the originals. The paper used is 130 gsm mat art paper. This facsimile carries faithfully every spot, mark or stain as the original. It also carries the original Museum Department of Zoology stamps, and librarian&#39;s annotations. The color printing is so accurate that, from behind glass, the naked eye would be unable to distinguish the original from the facsimile. This facsimile is exactly the same size as the original (Imperial Folio: 22" x 15"). It is cased-in and bound between 4 mm. The boards are covered in special Japanese Saifu cloth, gold stamped on the spine, and with the gold Crown Cipher of the British Museum (Natural History) on the front, and blind embossed on the inner margin of the front boards. The end-papers are of special wood-free heavy grade paper, printed in a generated repetitive pattern of the Museum&#39;s Library stamps. The publisher has not intruded into the authenticity of the book, leaving the publication data printed only on the very last page at the end of the book block. This book is individually numbered on the inside front board, hand wrapped in protective brown paper, and placed in its own crush-proof outer carton. The carton is then sealed, numbered and signed on the outside by the printer&#39;s quality control officer. ; Vol. 1 .

      [Bookseller: New Boston Fine and Rare Books]
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        L'Empereur Julien et la culture de son temps.

      - Institut d'Etudes Augustiniennes (Série Antiquité, 133), Paris, 1992, fort vol. gr. in-8, br., 752 p. Edition originale. Bel ex. non coupé. [Attributes: First Edition; Soft Cover]

      [Bookseller: Le Chemin des philosophes]
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        Das Hohe Lied von Salomo.,

      Zollikon, Kranich-Verlag, 1992 - 56 nn.S. Mit 10 ganzs. Radierungen von Hans Erni. = 45. Kranich-Pressendruck. - Giroud 87. Eines von wenigen Exemplaren hors commerce (Auflage 60 num. Exemplare) auf Vélin rives. Impressum von allen Beteiligten (Künstler, Kupfer- und Buchdrucker, Buchbinder und Verleger) sign. Sprache: de Gewicht in Gramm: 550 Fol., Lose Bogen in Pp.-Chemise mit zusätzlicher Orig.-Radierung auf dem Überzugspapier, in Orig.-Ln.-Kassette. [Attributes: Signed Copy]

      [Bookseller: Antiquariat Galerie Joy]
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        PERFECT AND IMPERFECT ENJOYMENTS: POEMS BY JOHN WILMOT EARL OF ROCHESTER

      LONDON THE FOLIO PRESS 1992 - EXCEPTIONALLY SCARCE, BEING ONE OF 500 COPIES OF WHICH A SPECIAL 50 WERE BOUND IN FULL VELLUM, THIS BEING NUMBER 2 OF 50. INTRODUCTION BY CHRISTOPHER HIBBERT. QUARTO, FULL VELLUM, SIGNED BY THE ILLUSTRATOR RICHARD SHIRLEY SMITH. WITH A SEPARATE PORTFOLIO OF 8 ILLUSTRATIONS INITIALLED AND NUMBERED BY SMITH. THE BOOK IS CONTAINED IN AN ATTRACTIVE HINGED CLOTH BOX WHICH ITSELF IS IN THE ORIGINAL PACKING BOX. THERE IS SOME SPOTTING TO THE FRONT BOARD OF THE BOX, BUT A NEAR FINE COPY OF A SCARCE BOOK. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Hawkridge Books]
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        CHANT DE NOTRE RHONE.

      - Genève, Cediar, 1992. En feuilles. Ouvrage orné de 19 lithographies originales en couleurs de Georges BORGEAUD. Couverture rempliée. Avec une SUITE des 10 grandes lithographies. Le tout dans un coffret en demi-peau bordeaux imitant la forme d'un livre. Un des 30 exemplaires sur Grand Vélin d'Arches, comprenant une suite des 10 lithographies (n° 59). (150 exemplaires au total).

      [Bookseller: Librairie de l'Univers]
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        The Theatrical Notebooks of Samuel Beckett: Vol. 1, Waiting for Godot; Vol. 2, Endgame; Vol. 3, Krapp&#146;s Last Tape (A Fine Set)

      Faber & Faber, 1992-93 - Offered as a set, the three volumes of Beckett&#146;s Theatrical Notebooks, issued by Faber in 1992/93: Vol. 1, Waiting for Godot; Vol. 2, Endgame; Vol. 3, Krapp&#146;s Last Tape &#150; scarce as a set, particularly in Fine condition. Handsome productions, all three volumes are first edition, first impressions in unclipped dustwrappers and the original publisher-issue plain cardboard slipcases. A lovely, Fine set in likewise Fine wrappers, the three volumes present immaculately and are certainly unread. The only minor point to note is a light bump to the top fore-corner of the lower board of Vol. 3, Krapp&#146;s Last Tape. Very heavy but extra postage will not be sought within the United Kingdom; overseas shipping will be charged at cost. All orders are sent very carefully wrapped in bubble wrap and sturdy cardboard. ISBNs: 0571145434; 0571145442; 0571145639. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bradhurst Fine Editions]
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        Handbook of the Birds of the World

      Buteo Books, 1992. Hardcover. New. SKU: MM-20019977; EAN: 9788487334108

      [Bookseller: Media Mall]
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        Handbook of the Birds of the World. Volumes from I-VI

      Lynx Edicions, Barcelona - Many Authors depending on volume. (I-VI volumes). Profusely Illustrated in colour and line drawings. // Diferentes autores dependiendo del volumen. (Tomos I- VI ) . Profusamente ilustrados en color y dibujos a mano. English / Inglés. Tomo I: Ostrich to Ducks. (1992). Contiene una extensa introducción a las Class Aves y trata de las 27 primeras familias. 50 dibujos a mano, 14 dibujos anatómicos, 382 fotografías a color, 568 mapas de distribución. Tomo II: New World Vultures to Guineafowl. (1994). 640 pág. 60 dibujos, 302 fotografías, 590 mapas de distribución. Tomo III: Hoatzin to oaks. (1996) 824 pág, 60 dibujos, 384 fotogr. 577 mapas distribución, 10.000 ref. bibliográficas. Tomo IV: Sangrouse to Cuckoos. 674 pág. 70 dibujos, 236 fotogr. 837 mapas de distribución, 13 figuras y tablas,+ 7000 ref. bibliográficas. Tomo V: Barn-owls to Hummingbirds. (1999) 760 pág. 76 dibujos, 406 fotogr. 758 mapas de distribución, 10 figuras y tablas, + 8000 referencias bibliográficas. Tomo VI: Mousebirds to Hornbills. (2001) 589 pág. 45 dibujos, 385 fotogr. 270 mapas de distribución 11 figuras y tablas. + 6000 ref. bibliográficas. . Debido al tamaño y volumen de todos los ejemplares consultar con vendedor gastos de envío. Size: 32 X 25 [Attributes: Hard Cover]

      [Bookseller: Reus, Paris, Londres]
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        Three Poems. Signed limited edition: 1-19 SIGNED.

      Santa Rosa: Black Sparrow, 1992. 1st ed. - 4to. Bound in cream colored paper over boards. 1-19 SIGNED by Bukowski (out of 103 copies published) and these 19 were issued in a plain white DJ (Krumhansl 131b). Fine in DJ. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Thomas Dorn, ABAA]
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        ALL THE PRETTY HORSES

      Knopf, NY 1992 - First edition, ltr prnt (23rd). Inscribed by McCarthy on the half-title page. "For Suzi All best Cormac McCarthy." Fine condition in a Fine dustjacket with an archival cover. Signed trade edition copies of McCarthy's novels are not plentiful; copies inscribed by him are even less common. Volume One of McCarthy's Border Trilogy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Revere Books, ABAA & IOBA]
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        The Stanbrook Abbey Press 1956-1990.

      (Lower Marston Whittington Press 1992) - Quarto. 227 pp. From an edition of 350 copies, this is one of thirty-five bound in full Oasis goatskin, with an extra portfolio of leaves and complete publications of the Stanbrook Abbey Press, and signed by the author and by the Abbess of Stanbrook. A complete bibliography, beautifully printed on cream paper, with numerous illustrations, and tipped-in leaves and prints from the original plates. The accompanying quarter leather portfolio contains thirty pieces of Press ephemera. Housed together in a morocco-backed cloth clamshell box, which shows a small scuff at spine foot. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bromer Booksellers, Inc., ABAA]
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        Sex

      London: Martin Secker & Warburg,, 1992. Quarto. Original metal boards, title stamped to front board, decoration die-stamped to back board, containing the CD unopened. With the original foil wrapper. Illustrated with photographs. Original foil wrapper unopened. First UK edition, first impression. Originally published in the US in the same year.

      [Bookseller: Peter Harrington]
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        Kant-Konkordanz. Zu den Werken Immanuel Kants (Bände I-IX der Ausgabe der Preußischen Akademie der Wissenschaften). Herausgegeben von Andreas Roser und Thomas Mohrs unter Mitarbeit von Frank R. Börncke./ Band I: Aal - Beschaffenheit./ Band II: Beschaffenheit - Erfindung./ Band III: Erfindung - gräßliche./ Band IV: Grau - Locke./ Band V: Logisch - Plato./ Band VI: Plautus - Substanz./ Band VII: Substrat - vorstellen./ Band VIII: Vorstellung - Zynisch, Register der Wortformen./ Band IX: Briefwechsel, Abändern - Kutsche./ Band X: Briefwechsel, Labyrinth - Zyklop, Eigennamen A - Z. - Aus: Alpha-Omega. Lexika. Indizes. Konkordanzen. Reihe D. Deutsche Autoren 1 - 10. Kant-Konkordanz in zehn Bänden.

      Hildesheim & Zürich Olms-Weidmann 1992 - 10 Bde. Komplett. 27,5 x 19,5 cm. Original graue Leineneinbände mit schwarzen Titel auf Rücken und Deckel (ohne OU). Kaum Gebrauchsspuren. Innen sehr sauber. Tadellose Exemplare. Neuwertig. 1.100 gr. Original graue Leineneinbände mit schwarzen Titel auf Rücken und Deckel (ohne OU). Kaum Gebrauchsspuren.

      [Bookseller: P. u. P. Hassold OHG]
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        Fever Pitch (Uncorrected Proof, signed)

      Victor Gollancz, London 1992 - UNCORRECTED PROOF, preceding the First Edition. SIGNED by the author on the title page. Near Fine in trade-size wrappers (softcover) with light soiling and rubbing overall. Hornby's first novel, an ode to obsessive love for a losing sports team. Adapted twice, first as a delightful 1997 British film starring Colin Firth and then as a more forgettable 2005 American remake starring Jimmy Fallon and Drew Barrymore. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Fever Pitch - A Fan's Life

      Victor Gollancz 1992 - The first edition of Hornby's ground-breaking football novel which follows the fortune of a young Arsenal fan falling in love with girls and football. First Edition. 8vo. 247pp. Near fine in Dustwrapper - very slight creasing to spine extremities else very good plus.

      [Bookseller: Sportspages]
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        Madonna - Sex. Erotische Phantasien.

      München, Heyne, 1992 - 4°, o. P. (124 S.), zahlr. teilw. farb. Abb., 1 Orig.-CD, Ringbuch mit Alu-Deckel, 1 CD, in einseitig geöffneter Originalhülle, Tadell. Photos von Steven Meisel. Aussergewöhnliche typographische Gestaltung der doch recht spiessigen Sado-Maso-Phantasien mit einem Schuss Homoerotik. Das Werk einer geschäftstüchtigen katholischen Tochter. Fast wie die Bibel - für jeden Geschmack ein kleiner Kick. 1200 gr.

      [Bookseller: antiquariat peter petrej]
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        Auf dem roten Sofa. Öltempera auf Leinwand.

      1992 1992 - 100 x 1300 cm, Tadellos Signiert und datiert. Valentin Lustig (*1955 ) aus Klausenburg in Siebenbürgen (Rumänien) stammender Künstler. Seit 1983 lebt Lustig in der Schweiz. Seine Kunst reicht von naiv bis surrealistisch-phantastisch, und enthält zahlreiche Anspielungen auf mythische und biblische Themen. Als Kind von Holocaustüberlebenden thematisiert Lustig auch das Schicksal des jüdischen Volkes. Doch dies kommt nicht explizit zum Ausdruck, da er sich einer individuellen und symbolischen bis ins Groteske reichenden Bildersprache bedient, die verschiedene Deutungen zulässt. [Wer Topor mag - mag auch Lustig]Austellungen:1994: Binz 39, Zürich; Galerie Pennarz (Alte Schule), Gundamsried; Pfaffenhofen(Deutschland)1996: Galerie Stubnitz Kontor, Zürich1997: Allmedia Productions, Zürich1998: Hewlett Gallery, College of Fine Arts, Carnegie Mellon University, Pittsburgh (USA)2003: The Frick Art & Historical Center, Pittsburgh, Pennsylvania2004: Institut Hongrois de Paris, Paris2004: Dorottya Gallery (Ernst Museum), Budapest2005: Lebewohlfabrik, Zürich2006/2007: Yeshiva University Museum, New York City2007: Cooperativo, Zürich2008: Galerie Hauptmann und Kampa, Zürich 5000 gr. [Attributes: Signed Copy]

      [Bookseller: antiquariat peter petrej]
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        Untitled "Pharmacist to the Stars" (SIGNED by Catherine Opie: Limited Ed. Photograph)

      S. S. Projects, CA. 1992 - This b&w photography is hand SIGNED and numbered by Catherine Opie (Cathy Opie); signed, titled and numbered on the back in an edition of 225; published by S. S. Projects, CA. 1992; photograph printed by ink-jet method; titled "Untitled" but sometimes referred to as "Pharmacist to the Stars"; Subject matter: a street scene with lots of street lights and a bill board that says: Savon Pharmacist to the Stars: paper size: 8-3/4 x 21-1/4in, image size:8 x 20-1/2in.; OF INTEREST: this image is in the permanent photograph collection of the Musuem of Modern Art in N.Y. City; there was a major exhibition of her work in 2006 at Gladstone Gallery N.Y.C.; she had a mid-career retrospective exhibition at the Guggenheim NYC in September 2008; on ArtNet Auctions Oct. 28, 2010 a copy went for $1,150; it is in EXCELLENT COND. [Attributes: First Edition; Signed Copy]

      [Bookseller: DR FINE ARTS]
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        FREDERICK SOMMER: THE CONSTELLATIONS THAT SURROUND US - THE CONJUNCTION OF GENERAL AESTHETICS AND POETIC LOGIC IN AN ARTIST&#39;S LIFE SURVEYED AND EDITED BY MICHAEL TOROSIAN - LIMITED EDITION WITH FOUR GELATIN-SILVER PRINTS

      (SOMMER, FREDERICK). Torosian, Michael & Frederick Sommer. FREDERICK SOMMER: THE CONSTELLATIONS THAT SURROUND US - THE CONJUNCTION OF GENERAL AESTHETICS AND POETIC LOGIC IN AN ARTIST&#39;S LIFE SURVEYED AND EDITED BY MICHAEL TOROSIAN - LIMITED EDITION WITH FOUR GELATIN-SILVER PRINTS. Toronto, CANADA: Lumiere Press, 1992. First Edition 1/200. 8vo. 1/4 Linen Over Boards. Photography Monograph. Fine/No Jacket - As Issued.. 36pp, 4 tipped-in b&w silver-gelatin prints. Designed by Michael Torosian. With a biography. In a protective clear acetate dustwrapper. Published in 1992 as the sixth installment of Toronto&#39;s Lumiere Press "Homage" series, this is an exquisitely produced monograph on the late American Surrealist photographer Frederick Sommer. Limited to two hundred copies, it was designed and printed by author/publisher Michael Torosian on Mohawk Superfine paper, bound in one-quarter oatmeal linen over grey paper boards with a printed spine label, and contains three small tipped-in gelatin-silver prints of images by Sommer as well as a tipped-in gelatin-silver portrait of the photographer by Edward Weston as the frontispiece. A pristine copy (cited on page 113 of "From Fair to Fine: 20th Century Photography Books That Matter") of this uncommon gem. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-921542-06-2 Inventory Number: 015155&

      [Bookseller: Arcana: Books on the Arts]
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        Faksimile - Très Belles Heures de Notre-Dame du Duc de Berry. Bibliothèque nationale, Paris, Nouv.acq.lat. 3093. (2 Bde.).

      Luzern, Faksimile-Vlg., 1992 - 4° (28 x 20 cm), 252 S., mit Pinsel- und Blattgold versehene Miniaturen; Kommentarbd.: 254 S., Rotes OLdr. goldgeprägt ( Kommentarbd. HLdr.) in Acrylglasschuber, Rücken minimal beschienen, sonst tadellos. Nr. 708 von 980 Exemplaren. Glanzvolle Bilderhandschrift des Herzogs von Berry . Eines der prachtvollsten Stundenbücher Die Bilderhandschrift "Très Belles Heures" markiert einen Höhepunkt mittelalterlicher Buchmalerei, geschaffen zu Beginn des 15. Jahrhunderts von den begnadetsten Künstlern jener Zeit. Auf 25 Miniaturseiten entfaltet sich die ganze Pracht der Buchmalerei, für die diese Handschrift berühmt ist. Nicht umsonst ist sie im Inventar des Herzogs von Berry als "sehr schönes Stundenbuch Unserer Lieben Frau in kunstvollen Lettern" beschrieben.Sowohl Text als auch Bild werden mit demselben erstaunlichen Aufwand ausgeschmückt. Verschwenderisches Gold und Farben von unerhörter Leuchtkraft werden für Szenen verwendet, die in kräftigen Bildern vom spätmittelalterlichen religiösen, aber auch profanen Leben erzählen.Jede der Miniaturseiten besteht aus drei Elementen. Einmal ist da die große, tafelbildartige Miniatur, dann eine prachtvolle Initiale und schließlich eine figürliche Szene am unteren Blattrand. Insgesamt entstand so ein geschlossener Eindruck von höchster gestalterischer Qualität.Monumentalwerk mit abenteuerlicher Geschichte Die Très Belles Heures de Notre-Dame bildeten in ihrer ursprünglichen Gestalt eine der monumentalsten Handschriftenkonzeptionen der Kunstgeschichte. Aufgrund ihrer Schönheit und luxuriösen, aufwendigen Ausstattung war das Werk schon im Mittelalter als Kunst- und Sammelobjekt geschätzt. Im Verlauf ihrer wechselvollen Geschichte wurde die Handschrift nämlich in drei Teile aufgeteilt.1412 schenkte der Herzog von Berry die gewaltige Bilderhandschrift seinem Schatzmeister Robinet d'Estampes. Dieser behielt das eigentliche Stundenbuch für sich. Die beiden anderen Teile des Werkes spezielle Gebete an einzelne Heilige und ein Meßbuch gingen an das Haus von Bayern-Holland.Später gelangte das Meßbuch nach Mailand, die Gebete kamen nach Turin. Die Turiner Gebete sind heute leider verloren: Sie fielen dem Brand der Bibliothek von 1904 zum Opfer, mit Ausnahme von vier Blättern, die sich heute im Musée du Louvre in Paris befinden (siehe Eintrag "Die Blätter im Louvre").Das eigentliche Stundenbuch, das Robinet behalten hatte, blieb bis ins 18. Jahrhundert in Familienbesitz. Im 19. Jahrhundert wurde es von Baron Alphonse de Rothschild erworben, dessen Nachkommen die Handschrift 1956 der Bibliothèque nationale in Paris überließen.Einzigartige Stellung in der Kunstgeschichte Nach langwierigen wissenschaftlichen Untersuchungen durch den Verfasser des Kommentarbandes konnte eine bisher unbekannte, erstaunliche Tatsache festgestellt werden: Offensichtlich waren alle an der Handschrift beteiligten Maler eigentlich Tafelmaler.Jede einzelne Miniatur ist ein Kunstwerk für sich, eine Facette der reichhaltigen Fülle der Buchmalerei, die sich nicht auf die Traditionen der Metropole Paris beschränkte, sondern auch Maler aus Flandern miteinbezog.Diese Zusammenarbeit verschiedener Meister macht die Handschrift besonders reizvoll. Beteiligt waren der Meister des Paraments mit seiner monumentalen Kunst, der "Heilig-Geist"-Meister mit seinen heftig bewegten Bildern und schließlich der Meister Johannes des Täufers mit seinen weichen Farbtönen. Dazu kommt noch die herausragende Kunst der Brüder Limburg, denen zwei Miniaturseiten zugeschrieben werden. Die Künstler waren frei von vorgegebenen Gestaltungsprinzipien mittelalterlicher Buchmalerwerkstätten und verfuhren weitgehend nach eigenen Vorstellungen. Aber dieses außerordentliche Werk der Pariser Buchmalerei um 1400 ist noch mehr: Es erwies sich als das wichtigste Zeugnis der weitgehend verlorengegangenen französischen Tafelmalerei dieser Epoche.Die einzigartige Gestaltung von Rahmung und Architektur wurde von den Malern dieses kunstgeschichtlich so wichtigen Werkes vermutlich [Attributes: Soft Cover]

      [Bookseller: antiquariat peter petrej]
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        The International Contest between Heenan & Sayers

      Victor Dubreuil, New York - VICTOR DUBREUIL'S TROMPE L'OEIL PAINTING OF A LITHOGRAPH Oil on canvas Canvas size: 31 1/2" x 41 1/2" Frame size: Frame size: 36 1/8" x 46 3/8" Signed l.r.: V. Dubreuil Provenance: Private collection Exhibitions: The Butler Institute of American Art, Youngstown, Ohio, The Artist at Ringside, 1992, exh. cat. p.72 (illus. in color on cover); The National Art Museum of Sport, Indianapolis, Indiana, June 1-August 2, 1992; Spanierman Gallery, LLC, New York, Tranquil America: A Century of Painting, 1840-1940, November 4, 2000-February 28, 2001 Literature: The Artist at Ringside exh. cat. (The Butler Institute of American Art, Youngstown, Ohio, 1992), p.72 (illus. in color on cover); Tranquil America: A Century of Painting, 1840-1940 (Spanierman Gallery, LLC, New York, 2000), pl.9, color illus. Victor Dubreuil's painting of The International Contest between Heenan & Sayers cleverly recreates the 1860 lithograph by the same name. It is a remarkable trompe l'oeil or "trick of the eye" and an exact replica of the print on canvas. The artist's intentions behind creating such an image are not readily apparent. The painting may be a reference to the class struggles prevalent during the latter half of the nineteenth century. Boxers were mainly from working class backgrounds and in America pugilism became a popular avenue for African-Americans eager to escape slavery. In contrast, the spectators were from the wealthier classes and it is known that among the crowd watching the Heenan and Sayers fight were Charles Dickens and William Thackeray. The painting may also be a comment upon Anglo-American relations during the second half of the nineteenth century, as the global power of imperial Britain was threatened by its colonial dominion. The heavyweight title fight between the English boxer Tom Sayers and his American counterpart John .C. Heenan was fought in 1860. It took place at Farnborough, England because pugilism was still officially outlawed in the United States. However, it was the first title fight to draw attention form both sides of the Atlantic. Heenan outweighed Sayers by 46 pounds and towered six inches above him. Up to this time America had not been regarded as a serious contender for the world title, but the discrepancy in the weights was expected to give Heenan a real chance. The fight was bloody from the beginning, in the sixth round, Sayers broke his right arm blocking a punch and in the eighth, Heenan broke his left hand. In the 37th round someone cut the ropes and the referee deserted. The fight continued for five more rounds until it ended in a draw. Among the most enigmatic of the American trompe l'oeil still-life painters of the late nineteenth century was Victor Dubreuil, born in New York City to French émigré parents. While Dubreuil's training is unknown, his name appears in Manhattan directories in 1886. Dubreuil had a satirical streak, frequently painting dollar bills to underscore America's preoccupation with wealth in the age of the robber barons. His works show a preoccupation with the plight of the working man through the policies of government.

      [Bookseller: Arader Galleries of Philadelphia, PA]
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        The Ice House

      MacMillan 1992 - Extremely scarce copy of first printing of this book with first state dust jacket; slightest of wear to book and dust jacket; page edges slightly faded; o/w NF/F; signed by author on title page [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Evergreen Books LLC]
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        THE ICE HOUSE

      MacMillan-Lon 1992 - First edition, Fine condition/ Fine dust jacket. Author's first, signed by the author. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Rushton H. Potts]
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        BOOK OF PRIVILEGES (LIBRO DE LOS PRIVILEGIOS) (Fine Facsimile Edition of 15th C. Manuscript)

      Madrid: Testimonio. New;. 1992. Hardcover. <p>BOOK OF PRIVILEGES. Awarded Spanish Ministry of Culture Prize for Best Publication. </p> <p>Facsimile reproduction of the Vergara Codex, 2 + 36 folios on paper and 4 folios on parchment, 30 x 21 cm, from the Indies Archive in Seville, containing the titles and privileges granted to Columbus by the Catholic Monarchs. The documents were put together by Columbus himself, thus allowing some insight into his personality. </p><p>The accompanying volume contains a transcription and notes by Professor Ciriaco Pérez Bustamante of Madrid Complutense University. </p><p>Limited edition of 980 numbered certified copies. </p> .

      [Bookseller: New Boston Fine and Rare Books]
 27.   Check availability:     Biblio     Link/Print  


        SANTA FE CAPITULATIONS (LA REALIDAD DE LAS CAPITULATCIONES DE SANTA FE Y EL CARACTER QUE TUVO LA EXPEDICION COLOMBINA) (Fine Facsimile Edition of 15th C. Manuscript)

      Madrid: Testimonio. New;. 1992. Hardcover. <p>SANTA FE CAPITULATION</p> <p>This collection of documents dating from the late 15th century includes capitulations, deeds, letters of accreditation and appointment, memorials and others papers from the archive collection of the Kingdom of Aragon in Barcelona, as well as the Simancas Record Office and the Indies Archive in Seville. </p><p>The facsimiles are presented in a special file in a presentation case. In the accompanying volume, Professor Demetrio Ramos of the Royal Spanish Academy of History analyses the diplomatic implications of the Discovery. </p><p>Limited edition of 980 numbered certified copies. </p> .

      [Bookseller: New Boston Fine and Rare Books]
 28.   Check availability:     Biblio     Link/Print  


        BULLS OF POPE ALEXANDER VI ON THE WORLD (BULAS DE ALEJANDRO VI) (Fine Facsimile Edition of 15th C. Manuscript)

      Madrid: Testimonio. New;. 1992. Hardcover. <p>BULLS OF POPE ALEXANDER VI ON THE NEW WORLD</p> <p>The five papal Bulls issued in 1493 at the request of the Catholic monarchs establishing the rights of Spain and Portugal with regard to the New World and the areas in which they might undertake new voyages of discovery. Three of the documents are in the Indies Archive in Seville, one is in the Simancas National Record Office and three in the Torre do Tombo National Record Office in Lisbon. </p><p>The accompanying volume contains a transcription and study by Professor Alfonso García Gallo de Diego. </p><p>Limited edition of 980 numbered certified copies. </p> .

      [Bookseller: New Boston Fine and Rare Books]
 29.   Check availability:     Biblio     Link/Print  


        Jones's Guide to Norway, and Salmon-fisher's Pocket Companion.

      - Kansas City, Missouri. Raden Press. 1992. Limited Edition. Number 21 of 50 copies. Signed by Michael D. Radencich, who Produced and Edited this edition. 12mo. (7 x 4). 239 pp. plus 53 pages which includes The Palingenesis of Frederic Tolfrey, Corinthian, Notes on Jones's Guide to Norway, and a Bibliography of the Writings of Frederick Tolfrey by J. David Zincavage. Color stone hand-colored lithographic frontispiece and hand-colored title-page with tissue guard. Eight hand-colored plates of Atlantic salmon flies rendered by Michael Radencich with tissue guards and pattern recipes. The color plates are beautiful beyond beautiful - the colors are rich, vibrant, the hand-coloring exact in excruciating detail. Text printed on Hammermill Offset Opaque natural vellum. Stone lithos produced with blue-gray litho stones. Paper for colored plates on Saunders Waterford 90lb. hot press watercolor. Hand-bound in dark green buckram by Shoshannah Wineberg, Silver Maple Bindery, Northampton, Massachusetts. Clear mylar dust jacket. Matching green buckram slip case. An exacting and fantastically beautiful facsimile of the 1848 first edition. Very scarce, as this edition has nearly disappeared from the marketplace. Book, dust jacket, and slip case as new.

      [Bookseller: Bruce Cave Fine Books, IOBA.]
 30.   Check availability:     AbeBooks     Link/Print  


        PERFECT AND IMPERFECT ENJOYMENTS Poems By John Wilmot Earl of Rochester

      Folio Press, 1992. - Limited edn (7 of 50) signed by illustrator. Tall 8vo. Original gilt lettered full vellum, in cloth-backed hinged slipcase (Fine/Fine). Pp. 109 (no other inscriptions), illus with coloured plates. [The limitation states that the 50 special copies vellum bound are accompanied with a separate portfolio of illustrations: this is not present.] [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Rothwell & Dunworth (ABA, ILAB)]
 31.   Check availability:     AbeBooks     Link/Print  


        Perfect & Imperfect Enjoyments: Poems By John Wilmot, Earl of Rochester

      The Folio Press, London 1992 - An edition of 500 copies, no 56, signed by the artist, colour plates printed by The Senecio Press by photolithography, quarter bound in Oasis morocco with Cockerell hand-marbled paper sides in a green cloth covered solander. 109pp including introduction by Christopher Hibbert, notes, glossary and index of first lines.

      [Bookseller: Jackdaw Books]
 32.   Check availability:     AbeBooks     Link/Print  


        Kippenberger - Kippenberger - Kippenberger

      K?ºnstlerbuch Galerie Bleich-Rossi, Graz . 1992 - Unpag., zahlr. ganzs. Abb., brosch., 15 x 10,5 cm. Eins von 1480 Exemplaren. Koch #118. [Attributes: First Edition; Soft Cover]

      [Bookseller: Galerie Buchholz OHG (Antiquariat)]
 33.   Check availability:     AbeBooks     Link/Print  


        The Prince and the Pauper. With an Introduction by Edward Wagenknecht and Illustrations by Clarke Hutton. [Linda Sandlin bookbinding].

      The Heritage Press New York (copyright 1964). Bookbinding by Linda Sandlin with her miniature binder&#146;s label on the inner back cover, reading: Sandlin&#146;s Books & Bindery Valparaiso IN[diana]. Ca. 1992. - Size of binding: 7 1/8&#148; x 10 1/4&#148;, 221pp., illustrated with full page color illustrations & black & white drawings by Clarke Hutton. A copy of the Heritage Press edition of "The Prince and the Pauper", in a handcrafted design binding by Linda Sandlin. Bound in full gray (goatskin) leather with onlays of various color leathers; the spine features a blue leather title label with silver-stamped title & red leather &#147;stitching&#148; around the label. Front cover features the Prince&#146;s crown in onlays of red & black & blue & tan leathers with metallic-surfaced leather details in gold & silver; Pauper&#146;s coat in brown & blue leather outline, with special &#147;patches&#148; on coat & stick in brown leathers. The back cover (shown in the scan along with the spine) features the Prince's robe in dark purple & tan leathers with details or highlights in blue, red, & (feathered) black & silver & gold metallic-surfaced leathers; with gold-surfaced sword & Pauper's hat in dark blue with details in green, tan, brown & specially produced "stitched patch" on hat. Gray leather turn-ins & inner hinges with cream-colored endpapers. Applied, multi-colored headbands & multi-colored, sprinkled top edge. White, watered-surface cloth wraparound chemise. Chemise shows crease along spine area, a few dust spots. Bookbinding in fine condition. Artist&#146;s descriptive statement: &#147;It was one of those things where I had an idea in my head and had to get it on a copy of that book before it drove me crazy. Unfortunately, the best copy I came across was this Heritage press volume. The headbands are onlayed, and the the patches on the coat and hat are reverse side leather. All the &#145;stitching&#146; on the patches and title slip are of red Nigerian goat strips which are tucked top and bottom to better simulate sewn threads, and to prevent peeling. The top edge is spattered to match the headbands. If you are familiar with the story you will remember that the two little boys (one a prince & one a pauper) trade places thus, the princely robe with the pauper hat, and the pauper coat with the prince&#146;s crown.&#148; (1993). This is one of Linda Sandlin's larger size handcrafted design bindings made around 1992. [Attributes: Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
 34.   Check availability:     IberLibro     Link/Print  


        ALBERTO PINTO

      Michael Aveline, 1992. Quarto. 301 pages. Lavishly illustrated in full gloss color with the majority of images full-page. Black cloth boards. Dust-jacket, slightly rubbed at head of the spine. A Fine copy, with no markings or signatures whatsoever. NB: AS THIS IS A VERY HEAVY BOOK AN EXTRA POSTAL CHARGE MAY BE MADE ESPECIALLY IF ORDERING FROM OUTSIDE THE UK. . Hard Cloth.

      [Bookseller: Worlds End Bookshop (ABA, PBFA, ILAB)]
 35.   Check availability:     Biblio     Link/Print  


        Two Novels THE GRAND PASSION And THE DOLEFUL DOMESTICITY

      Fantod Press 1992 - The Fantod Press. 1992. 1st separate edition. Stapled wrps. A set of two books, both titles being a limited edition of 500 copies, signed and numbered by the author on the colophon page. These copies signed but marked o/s by author. Packaged in a white envelop with titles and a sketch on the front upper left hand corner. Books are in fine condition, envelop slightly shelf-worn with a small hole on front of envelop. Toledano A107. [Attributes: First Edition; Signed Copy]

      [Bookseller: Parnassus Book Service, Inc]
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        UN COUP DE DES JAMAIS N'ABOLIRA LE HASARD and A THROW OF THE DICE NEVER WILL ABOLISH CHANCE

      Limited Editions Club, New York 1992 - Folio (13-1/2" x 17") bound in full black oasis goatskin leather stamped in 22-karat gold leaf on the spine in a clamshell box of heavy black linen. Laid in is a pamphlet containing an English translation of Mallarme's poem by Daisy Aldan. Illustrated with 11 lithographs by Ellsworth Kelly. Copy #174 of only 300 numbered copies SIGNED by the artist on the colophon page. A Century of Artists Books, p. 202. Monthly Letter laid in. Fine in a Near Fine clamshell box with sunning to the edge [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
 37.   Check availability:     AbeBooks     Link/Print  


        Il Codice Squarcialupi'

      'Giunti Editore', 'Firenze' 1992 - 'Cm 32 x 46 in astuccio, contenente il facsimile e un volume di testo. Edizione in facsimile tirata in 998 esemplare numerati a mano, con costola in pelle con impressioni in oro sono contenuti il facsimile e un volume di testo di 290 pagine, stampato su carta a mano e rilegato in carta di Fabriano. Il Codice Squarcialupi è la più ampia e raffinata tra le antologie manoscritte di musica italiana copiate a Firenze nei primi vent&#146;anni del Quattrocento. Autori degli oltre 300 brani che vi sono raccolti &#150; di cui quasi la metà è testimoniata in quest&#146;unica fonte &#150; sono quasi tutti i compositori più noti del Trecento, dalla prima generazione di metà secolo, fino a quelli ancora attivi nei primi decenni del Quattrocento. Il codice è miniato con dovizia d&#146;oro e di colori preziosi che lo rendono fra i documenti più splendidi della storia della miniatura italiana. Il codice fu un tempo in possesso del celebre organista fiorentino Antonio Squarcialupi (1417-1480). In seguito appartenne a Giuliano de&#146; Medici passando quindi alla Biblioteca Palatina; alla fine del XVIII secolo fu trasferito insieme ad altri volumi alla Biblioteca Medicea Laurenziana ove oggi è conservato. Nell&#146;edizione qui presentata il codice è accompagnato da un volume di studi di vari autori a cura di Franco A. Gallo. The Squarcialupi Codex Facsimile edition printed in 998 hand-numbered copies for the whole world. A box (size 320 x 460 mm)with leather-covered spine with gold tooling, contains the codex and a text volume of 290 pages printed on handmade paper and bound in Fabriano paper. The Squarcialupi Codex is the vastest and most refined of all manuscript anthologies of the Italian music copied in Florence during the first twenty years of the fifteenth century. The over 300 pieces it contains &#150; to almost half of which only this source bears witness &#150; are the work of nearly all the most renowned composers of the fourteenth century. In this edition the codex is accompanied by a volume with studies (translated into English) edited by Franco A. Gallo. '

      [Bookseller: La Tosca Srl]
 38.   Check availability:     IberLibro     Link/Print  


        Tom Cruise's 30th Birthday Basketball Party Scrapbook

      1992 - Three-ring photo binder. 70 pp., with over half the pages unused. Textured padded boards with gilt trim. Fine. A scrapbook of actor Tom Cruise's 30th birthday basketball party from 1992 that includes 18 photos of various celebrities, including Cruise and his former wife, Oscar-winner Nicole Kidman, along with four Signed cards by Cruise and one Autographed Note Signed by Kidman. Among those pictured are Dustin Hoffman, John Travolta, Kelly Preston, Paula Abdul, Rob Reiner, Billy Crystal, Mary Steenburgen, Emilio Estevez, Anne Archer, and Dreamworks CEO, Jeffrey Katzenberg. The collection was assembled by a personal assistant of Cruise and Kidman -- many of the notes are personal in nature (generally thanking her for help), and also includes two from Cruise's mother. In addition, the scrapbook contains invitations to several basketball tournaments, including the event photographed here; and an invitation for the cast and crew movie premiere of *Far and Away*, which co-starred Cruise and Kidman; and various other bits of ephemera related to the couple and their production companies. A nice collection of candid photos and notes from one of Hollywood's legendary couples. Further details available upon request. [Attributes: Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 39.   Check availability:     AbeBooks     Link/Print  


        All the Pretty Horses

      New York; Knopf; . 1992 - Proof copy. Edmund White's copy with a few notations by him together with letters from other booksellers regarding provenence. Fine in light brown wrappers. Signed by the author on a loosley inserted bookplate. Paperback. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: timkcbooks]
 40.   Check availability:     AbeBooks     Link/Print  


        ANDRE DERAIN : Catalogue Raisonné de l'Oeuvre Peint. ----------- Tome 1 : 1895 - 1914

      Schmit - Paris 1992. 1 Volume/1. -- TOME 1 seul -- Reliure éditeur cartonnée pleine toile ocre sous jaquette. Tranche de tête dorée. Format grand in-4°( 32 x 30,2 cm )( 3330 gr ) ------- XCI-287 pages , 442 Tableaux reproduits et répertoriés et 41 reproductions en couleurs . --------- Limité à 1000 ex numérotés. [Attributes: First Edition; Hard Cover]

      [Bookseller: Okmhistoire]
 41.   Check availability:     AbeBooks     Link/Print  


        Adorimini (Up and at 'Em!): A History of the 82nd Fighter Group in World War II

      82nd Fighter Group History Inc. 1st edition, Boise 1992 - SIGNED BY 51 P- 38 PILOTS FROM 95TH, 96TH, 97TH & HEADQUARTERS FIGHTER SQUADRONSOF THE 82ND FIGHTER GROUP, xii, 299 p., frontis, photos, appendices, 4to; VG/VG dust jacket, name/address label on front endpaper [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Barbarossa Books Ltd. (IOBA)]
 42.   Check availability:     AbeBooks     Link/Print  


        Joseph Beuys: Mail Art Catalogue (with 3 Rubber Stamp )

      Stamp Art Editions, CA. 1992 - Exibition catalogue of Joseph Beuys' mail art; plastic spiral spine; comes with 3 rubber stamp multiples attached to the front and back of softcovers (reproduced from the original ones done in 1972 show) show at Stamp Art Gallery in san Francisco (original produced ; size: 11x 8-3/4in; 14 pages; edition size unknown, it is not signed; "Gaglione writes that, "In 1972 I invited the German artist Joseph Beuys to send mail art to the Daddaland Post Card Show at the Mostly Flowers Gallery in San Francisco. This was the first Mail Art exhibition to show the works of Beuys." Twenty years later, from February 1-28, 1992, the Stamp Art Gallery exhibited Beuys' response in commemoration of the event."; in EXCELLENT COND. [Attributes: Soft Cover]

      [Bookseller: DR FINE ARTS]
 43.   Check availability:     AbeBooks     Link/Print  


        VISIONAIRE NO. 6: THE SEA (SUMMER 1992)

      Visionaire Publishing, New York 1992 - 12pp, 10 illustrations in color and b&w. Published in a numbered edition of one thousand five hundred copies, this is the sixth installment of everyone's favorite long-running fashion quarterly, Visionaire. The contributors to this elaborately designed issue on the theme of "The Sea" are editor Stephen Gan, Elaine Gan, Ruben Toledo, Adeline Andre, Pierre et Gilles, David McDonough, Juan Botas, Bernard Figueroa, Satoshi Saikusa, Karen Park, Stephane Sednaoui, Olivier, Guillemin, J.C, de Castelbajac, Edward Maxey, Guzman, Ted Muehling, Don Freeman, and Sybilla, who has designed a black anodized fish brooch especially for this. A most handsome individually numbered copy of the uncommon inaugural Summer 1992 issue. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. [Attributes: Hard Cover]

      [Bookseller: Arcana: Books on the Arts]
 44.   Check availability:     AbeBooks     Link/Print  


        Dream of Fair to Middling Women

      Dublin: The Black Cat Press,, 1992. Edited by Eoin O&#39;Brien and Edith Fournier. Foreword by Eoin O&#39;Brien. Octavo. Original blue and black marbled cloth, spine lettered in brown, publisher&#39;s device to the front board in blind. With the green cloth slipcase. A fine copy. Number 97 of 150 specially bound copies to mark the publication of the author&#39;s first novel which had lain unpublished for sixty years.

      [Bookseller: Peter Harrington]
 45.   Check availability:     Biblio     Link/Print  


        A. R. Penck - Prinzip 1970. Nachdruck eines vollständigen Skizzenbuchs von 1970 von AR. Penck. Vorzugsausgabe mit den 4 zusätzlichen Original Serigrafien ( nummeriert und signiert ). Vorwort von A.R. Penck und Christiane Bühling

      Berlin, Galerie Michael Schultz, 1992.. Großformat 22 x 30,5 cm. 150 einseitig bedruckte Blätter mit 147 farbigen Abbildungen aus dem Skizzenbuch von A R Penck und 4 Original Serigraphien. Illustrierter Orig.-Halbleinenband. Hardcover. Gebundene Ausgabe. Fester Einband. Einband leicht berieben. Sauberes, sehr gutes Exemplar mit den nummerierten und signierten Original Siebdrucken.. Eins von nur 100 nummerierten Exemplaren (GA 230) der Vorzugsausgabe mit 4 eingebundenen nummerierten und handschriftlich signierten STANDART Siebdrucke. Im Impressum nummeriert und von A.R. Penck handsigniert.

      [Bookseller: Versandantiquariat Elke Rehder]
 46.   Check availability:     ZVAB     Link/Print  

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