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Displayed below are some selected recent viaLibri matches for books published in 1987

        Auf der Suche nach Proust. A la recherche de Proust., Horst Bienek. Mit Lithogr. von Bienek, Druck der Fuchstaler Presse , 19

      Denklingen : Fuchstaler Presse, 1987 - 36 nn. S. mit 5 farb. OLithographien von Horst Bienek, Nr. 28 von 74 num. und sign. Ex. Sprache: de Gewicht in Gramm: 550 Fol. , Ppbd. mit Deckelprägung. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Galerie Joy]
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        Ein Platz fur Hot Dogs [Another Roadside Attraction]

      (Hamburg): Rowohlt. (1987). Galley sheets for the German edition of Another Roadside Attraction (A Place for Hot Dogs). Inscribed by Robbins, in German. 11-3/4" x 8-1/4" photocopied sheets, reproducing numerous copy editor's markings and printed on rectos only. Fine. Together with the first German edition, a paperback original, which has slight rubbing and is near fine in wrappers. Uncommon, possibly unique: publisher's seldom keep this "dead matter" after a book is finished, and even the authors usually don't get the dead matter from their foreign publications. First Edition. Softcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        The Broom of the System

      (New York): Penguin. (1987). First. First edition, wrappered issue. Just a touch of the usual darkening to the pages, still easily fine in wrappers. Signed by the author on the title page. A very nice copy of the author's first book. Although not marked in any way, this copy is from the distinguished modern first edition collection of Bruce Kahn. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Federal Practice Digest 4th, West's 568 Vols Complete thru 2010 supps

      2010. Federal Practice Digest 4th, West's (1987 to 2010). St. Paul: Thomson West. Vols. 1 to 114, in 568 books. Complete set, current through November 2010 pocket part supplements except volumes 1D, 1E, 11F & 12C with 2008 supplements. Ex-private law firm library with stamps and some with spine labels, very good condition. Publisher's Price USD 17,067. * Locate any federal case decided in the U.S. Supreme Court, Court of Appeals, district courts, Claims Court, bankruptcy courts, Court of Military Appeals, the Courts of Military Review, and other federal courts between 1987 and November 2010.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Le Livre de Marco Polo

      (Thomas, Alain. Artist). Le Livre de Marco Polo, publiÈ en franÁais moderne selong les travaux de M.g. Pauhtier sur les manuscrits de la BibliothËque Nationale d'aprËs le seul texte vÈritablement authentique rÈdigÈ sous la dictÈe de Marco Polo par Rusticien de Pise, revu ensuite par le cÈlËbre voyageur et donnÈ par lui ? Thibaud de CÈpoy ? Venise en 1307. Paris: Editions du Cadran 1987. For full description see: http://www.goldenlegend.com/list/THOMAS2.pdf

      [Bookseller: Golden Legend, Inc.]
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        Sylloge nummorum Graecorum. Deutschland. Sammlung v. Aulock. 4 Bände.

      West Milford, New Jersey, Sunrise Publications, 1987.. 4°. 4 Bll., 72 Tafeln; 3 Bll., Tafeln 73-159; 3 Bll., Tafeln 160-228; 3 Bll., Tafeln 229-304 Original-Leinen mit Goldprägung. Collection of Greek Coins from Asia Minor. - Reprint der Ausgabe Berlin 1957-1967. Vol. I: Pontus, Paphlagonien, Bithynien 1-1049. Vol. II: Karien 2334-2867. Vol. III: Pisidien 4894-5381, Lykaonien 5382-5407, Isaurien 5408-5412. Vol. IV: Nachträge I. Pontus 6674-6790, Armenia Minor 6791-6792, Paphlagonien 6793-6877, Bithynien 6878-7190. - Gut erhalten. - Very heavy set, no shipping to Switzerland!!.

      [Bookseller: Antiquariat Thomas Rezek]
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        Astern. Holzschnitt. 1919. Links unten im Stock monogr. u. dat.: W.L.19. Unten rechts in Bleistift signiert u. datiert, links bezeichnet: "Astern", Handdruck.

      - 35 : 25 auf 49,3 : 39 cm. Hagenlocher 362. - Handdruck auf Werkdruckpapier (Hagenlocher nennt Bütten). Es wurde keine Auflage gedruckt. - Sehr selten. - Kein Exemplar bei 'Mayer' (seit 1987) und im 'Almanach der Graphikpreise' (seit 1988). - Wenige kleine Randeinrisse, Papier gering wellig, sonst schönes, vollrandiges Exemplar.

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        I Want to Take Picture

      Nexus Press, Atlanta 1987 - FIRST EDITION of one of the seminal photobooks of the 1980's. SIGNED BY BURKE INSIDE ORIGINAL DRAWING OF HIS HAND. One of only 1000 copies printed of the first edition. "Bill Burke has become known for his large-format portraits shot on Polaroid Land film, which have the formality and feel of nineteenth-century photographs whilst remaining acutely modern in their sensibilities. In his best book, I Want to Take Picture, this technique is entirely appropriate, since it records his personal pilgrimage to southeast Asia, duplicating the enterprise of the old colonialist photographers but adding a contemporary twist. "Although the pictures have a nineteenth-century feel, the book is also a diary that records a twentieth-century experience. Burke not only uses his photographs, but also employs documents- reproductions of ephemera like money and bus tickets- and collages them with handwritten captions. The result is a kaleidoscopic impression of his journeys, taking the book out of the documentary realm and into that of the personal road trip. However, this particular sojourn does not merely connate the search for self that occupies so much of late twentieth-century American photography. It also represents a moving attempt to come to terms with some of the events that haunted his generation" (Parr/Badger, The Photobook). Roth 101. Atlanta: Nexus Press, 1987. Folio, photo-pictorial boards. A fine copy. Rare signed. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Manhattan Rare Book Company, ABAA, ILAB]
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        André Kertész: Diary of Light 1912-1985

      Aperture Foundation, Inc., in association with the International Center of Photography, New York 1987 - First (English) edition, first printing. Hardcover. White cloth-covered boards with facsimile signature stamped in silver on cover, and title stamped in silver on spine, with photographically illustrated dust jacket. Photographs by André Kertész. Foreword by Cornell Capa. Essay by Hal Hinson. Edited by Susan Harder and Hirojji Kubota. Includes a list of plates and a chronology. Designed by Katy Homans. 208 pp., with 152 tritone plates and 27 additional reference illustrations beautifully printed in Japan under the direction of Mrs. Takako Nakamura, Kyoto, on sala cotton paper manufactured by Tokushu Seishi, Shizuoka, Japan. 14-1/4 x 11-1/4 inches. This first edition was limited to 3000 copies. Published on the occasion of CONDITION: Fine in Near Fine dust jacket (several faint surface scratches on the rear of the cover, visible in raking light, and a small closed tear in the rear near the spine). A brilliant retrospective of Kertész's career. [Attributes: First Edition; Hard Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
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        Gedanken.

      Erker-Presse., St. Gallen 1987 - St. Gallen Erker-Presse. 1987/88 4°. (22) Blatt. Mit 6 Lithographien von Hans Hartung. Lose in Original-Leinenumschlag in Schuber (Chemise mit 3 kl. Flecken, Schuber minim angestaubt). Eins von 260 Exemplaren im Impressum vom Autor signiert. (Chemise mit 3 kl. Flecken, Schuber minim angestaubt). Lose in Original-Leinenumschlag in Schuber [Attributes: Signed Copy]

      [Bookseller: EOS Buchantiquariat Benz]
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        Baltasar and Blimunda.

      Jonathan Cape, London 1987 - First British edition of the Nobel Prize-winning author's first book to be translated into English. Octavo, original cloth. Signed and dated by Saramago. Fine in a fine dust jacket. The New York Times Book Review has said that Baltasar and Blimunda "[m]uch reverberates in memory after reading this enchanting novel, but most of all the love story which soars over the rest of the action like a flute above a heavy orchestra. Mr. Saramago, a writer of sharp intelligence, keeps this love story under strict control, free of pathos or sentimentality. It is of, and on, the earth." Indeed, "Saramago has produced a novel that is deeply imbedded in the history of his land yet moves in mystical realms. It is a romance and an adventure, a rumination on royalty and religion in 18th century Portugal and a bitterly ironic comment on the uses of power" (Walter Goodman, The New York Times). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        THE VERY HUNGRY CATERPILLAR

      - THE VERY HUNGRY CATERPILLAR SIGNED BY ERIC CARLE WITH AN ORIGINAL DRAWING OF THE CATERPILLAR BY ERIC CARLE Philomel Books, 1987 Later printing of THE VERY HUNGRY CATERPILLAR, copyright 1987. A stunning unread copy in FINE condition of one of Eric Carle's iconic titles. Beautiful fine condition book and dust jacket, lavishly illustrated with Eric Carle drawings. Includes an original signed drawing in pen and ink of "The Very Hungry Caterpillar". Crisp fine book with decorative cloth depicting the same image to the front of the boards as found on the dust jacket. The boards are crisp and clean with sharp corners and no edgewear. The binding is tight and square and snaps shut when opened. The beautiful decorative end papers are clean with no bookplates, no inscriptions and no bookstore stamps. The title page has a large signed adorable sketch in pen and ink of "The Caterpillar" and is signed by Eric Carle. The internal pages are clean, bright and flat with no writing, no stains, no handling marks, no bent pages and no foxing. A beautiful crisp clean childrens book appearing as unread (and unopened). The dust jacket has bright vibrant colors and is in fine condition. The jacket has no rips, no edgewear, no chips, no rubbing, no fading, no stains and no foxing. Stunning dust jacket. The jacket is NOT price clipped and has a stated price of $19.99. Please see detailed images. Perfect fine condition piece for the Eric Carle collector, which is not inscribed to anyone specific! The stunning points of this book/piece are: 1. Fine unread condition book 2. The art and signature are rendered in pen and ink 3. The drawing is of Eric Carle's most significant story and subject 4. The drawing is not inscribed to anyone in specific ADDITIONAL IMAGES AVAILABLE UPON REQUEST. Please see our Abe store for other rare children's books and original illustration art [Attributes: First Edition; Hard Cover]

      [Bookseller: Meier And Sons Rare Books]
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        The Songlines

      (London): London Limited Editions. (1987). A limited edition of Chatwin's best book -- a "novel of ideas," as the publisher puts it, of Australian aborigines, and of the questions about man that arise from the vast gulf that separates the culture of contemporary, Western civilized man from that of the wandering tribes of Australia, whose "dream tracks" or "songlines" delineate both a physical and a psychic geography. Number 104 of 150 numbered copies signed by the author. Mild top edge foxing; else fine in a near fine, original glassine dustwrapper. Scarce. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Matta. Entretiens Morphologiques. Notebook No 1, 1936-1944.

      - London: Sistan, 1987. First edition. 283,(1) pp.+ 1 loose sheet + 2 loose facsimile booklets in attached folders (Fac-similé du catalogue de l'Exposition Internationale du Surrélisme + Fac-similé du journal de l'exposition: Matta. Julien Levy Gallery: Debate in art circles). Richly illustrated with plates in colour and b/w (a few gatefolds), inserts and transparencies. All litographes are reproductions of the originals. Publisher's cloth with dustjacket. A fine copy. 33,5 x 28,5 cm.*Text in French and English.[#\91189] [Attributes: Hard Cover]

      [Bookseller: Antiquaria Bok & Bildantikvariat AB]
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        The Songlines

      London: Jonathan Cape,, 1987. Octavo. Original black boards, titles to spine gilt. With the dust jacket. Contents tanned. An excellent copy in the dust jacket. First edition, first impression. Inscribed by the author on the title page, "For Anne and Joseph, this impossible sequence of non-sequiturs! Bruce. Prague, 3 August '87". With corrections in the author's hand on pages 212, 213, and 279. The recipients were architectural historian and critic Joseph Rykwert and his wife Anne.

      [Bookseller: Peter Harrington]
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        Matta "Entretiens Morphologiques" Notebook N°1 - 1936-1944

      Sistan, Londres/Lugano 1987 - br. couv. rig toile ill. motif doré en creux jaq. sple. ill. coul. 28,7x33,5cm. 3040gr. 283pp. ill. n&b. coul. texte français/anglais + brochure agr. au format 24pp. ill. n&b. traduction italienne complet des 3 fac-sim insérés état neuf (y compris pages de gardes noires ajourées) sans etui première édition [Attributes: Hard Cover]

      [Bookseller: A Balzac A Rodin]
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        Inangaro A Polynesian Folktale Of Love Lost As Retold By Charlotte Johnson With A Foldout By Margaret Prentice; Inangaro: With Woodcuts by Sidney Chafetz; Inangaro: The Legend of the Coconut: Illustrated By David Macaulay Inangaro. The legend of the coconut: Illustrated by Eric May. [Suite of Four Books in a Specially Constructed Box]

      The Logan Elm Press, Columbus, Ohio. Suite number 51 of 70; signed by M. Charlotte Johnson, Robert Tauber, Margaret Prentice, Sidny Chafezt, Richard Brunell, david Macaulay, Ruth Leonard, Rod Johnson, Eric May. With inscription , and a note & paper sample from Robert Tauber. 1987 - [Partial Limitation Statement]: "[-] The sets of four books are contained in boxes designed by Greg Campbell and constructed at the Campbell-Logan Bindery, Inc. using Flax, Abaca, and Coir fiber paper made at the Logan Elm Press. [-] seventy boxed suites, this is copy number 51.' [added in pencil]: "[-] in a very special way your encouragement helped make this suite a reality.my deepest thanks. Rob Tauber." Four books in descending sizes, each illustrated, with a numbered and signed limitation statement, signed by the artists who illustrated each book, and others involved in the production. The four books are fitted into a specially constructed, drop-back box, that features gray, textured cloth, a printed title label mounted on the spine, and the end of a coconut shell, which has been cut, and fitted into a recessed section on the front cover. With a sample of the dark gray, textured paper, used in binding the Eric May book, with an initialed note from Robert Tauber, inserted in this copy: "[-] This copy is especially presented to you- RT Ps-I am attaching for your interest an extra swatch of the cover paper we made for the book at the very bottom of this box." Weight: 7 1/2 lbs. Postage is extra on this item. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        Ulysse gramophone, deux mots sur Joyce.

      Galilée 1987 - - Galilée, Paris 1987, 13,5x19cm, broché. - Edition originale dont il n'a pas été tiré de grands papiers. Envoi autographe signé de l'auteur à Joseph Joliet, ancien étudiant de Derrida qui devint un très proche ami du philosophe. Très attentif à l'écriture de Joliet, Derrida rédigea la préface de son roman: "L'enfant au chien assis" et le soutiendra dans ses périodes difficiles (cf. Derrida de Benoit Peeters). Dos très légèrement insolé, agréable exemplaire. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Autographed Letter Signed on a Vice Presidential correspondence card

      Camp David, Maryland, 1987. unbound. 2 pages (front and back), 4.25 x 6.5 inches, Camp David, Maryland, December 26, 1987. In this letter, Bush mentions his family and makes a cryptic reference to the oil business, in full: "Dear Knox - We had a great family Christmas - all 22 of us. I want to thank you for your Dec. 15th letter and the copy of your letter to Fred Bush. Yes, it is important that we not antagonize my friend Arch. Your letter says that and I agree strongly. Have a wonderful 1988. Soon we'll know!! Many thanks, George Bush." Fine.

      [Bookseller: Argosy Book Store ]
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        Blue Water, Yellow Balls.

      (Easthampton, MA) Warwick Press 1987 - Quarto. (4)pp., accordion-fold. One of twenty copies signed by Carol Blinn, who wrote, illustrated, and printed this book. A poem by Blinn is accompanied by a watercolor illustration that extends across the central page spread, depicting three yellow balls floating on a cerulean pool surrounded by evergreen trees. The image is an homage to David Hockney, who made a series of paintings of swimming pools using vibrant shades of acrylic paint. The title page is accented with blue and yellow watercolor, and on the page following the poem is a palette of the watercolors that Blinn used in her illustration. Created by Blinn in the summer of 1987, the book is an ode to the season, bringing alive the bright colors, heat, and slower pace. Bound in tan cloth with a watercolor label evoking the undulation of water. Housed in a matching box backed in light green morocco. Laid in is a portfolio of materials describing the artist's process of imagining, writing, and designing the book. These include diagrams depicting ideas for the book's binding and eleven drafts of the text, evolving from prose to poetry, showing the author's changes. A lovely, scarce book produced in a very small limitation. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bromer Booksellers, Inc., ABAA]
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        DAPHNE DU MAURIER'S CLASSICS OF THE MACABRE

      London: Victor Gollancz Ltd,. 1987. Octavo,. cloth, a.e.g.. A fine copy in cloth slipcase without dust jacket as issued. (#128458). First edition. Limited to 250 numbered copies signed by du Maurier and artist Michael Foreman. Collects six stories, "Don't Look Now," "The Apple Tree," "The Blue Lenses," The Birds," "The Alibi" and "Not After Midnight," with numerous full color illustrations by Michael Foreman. Sullivan (ed), The Penguin Encyclopedia of Horror and the Supernatural, p. 139.

      [Bookseller: L. W. Currey, Inc.]
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        The White Rose

      Newton, IA: Tamazunchale Press, 1987. 31pp. Truman Capote's essay describes his first meeting with French author Colette, during which she gave him a crystal paperweight and inspired him to start collecting the objects for himself. The book has been specially bound by Tom McEwan to reflect the world in miniature found in paperweights. In his artist's statement, McEwan explained that his intention was to create "a contemplative, enigmatic design, something which invites the viewer to interpret, examine and explore." Using goatskin, hand-dyed to evoke the "dazzling patterns frozen forever" in crystal, McEwan created swirls of blue, green, pink, and yellow that are transected by shafts of rippling gilt tooling, much as light shines through a paperweight. The design continues onto the doublures, and the flyleaves are hand-colored with acrylic ink to match. Images of statues emerge from within the patterns on the flyleaves, their forms highlighted by more shafts of light in the form of gilt tooling. The technique of incorporating image transfer into the binding is a signature of McEwan's design style. The page edges have been decorated with acrylic ink and rippling gold. The motif continues onto the buckram box, which is decorated with more hand-dyed goatskin arranged in an abstract pattern and surrounded by gilt-tooled rippling lines. Tom McEwan was elected a Fellow of Designer Bookbinders in 2014 and last year won first in three of the major categories in the Designer Bookbinders Annual Competition, including the Mansfield Medal for the Best Book. He studied fine bookbinding at Glasgow Metropolitan College under Jim Vallance and was the winner of National Library of Scotland's competition in 2008. (2 1/2 by 1 3/4; 63x44mm).

      [Bookseller: Bromer Booksellers]
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        Donauschwäbisches Archiv - Reihe III : Beiträge zur donauschwäbischen Heimat- und Volksforschung Bd. 36 - Die Entwicklung der Banater Hauptstadt Temeschburg

      München : Arbeitskreis für Donauschwäb. Heimat- u. Volksforschung 1987. 182 S. : 21 Ill. u. Kt. 21 cm, kartoniert - ehemaliges Büchereibuch mit den üblichen Stempeln auf Vor- und/oder Nachsatz, in Folie eingebunden, sonst sehr gut erhalten, ~ Paypalzahlungen bitte erst ab 5,- EUR! Vielen Dank!.

      [Bookseller: Torsten Friedrich (TF-Versandhandel)]
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        Cirene e i Libyi (Quaderni Di Archeologia Della Libia) (Italian Edition)

      L'Erma di Bretschneider. PAPERBACK. 8870626202 . New. 1987.

      [Bookseller: ISD]
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        Joel Sternfeld: American Prospects (First Hardcover Edition)

      Times Books, in association with The Museum of Fine Arts, Houston, New York 1987 - First edition, first printing. Hardcover. Fine light beige linen cloth with title stamped in silver on spine and blind-stamped on front cover, with photographically illustrated dust jacket. Photographs by Joel Sternfeld. Introduction by Andy Grundberg. Afterword by Anne W. Tucker. Designed by Elissa Ichiyasu. 128 pp., with 55 four-color plates finely printed on Jupiter 143 gsm dull-coated paper in Italy by Amilcare Pizzi, S.p.A., Milan. 10-1/4 x 12-1/4 inches. Published on the occasion of an exhibition at The Museum of Fine Arts, Houston. [Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), 260-261; cited in Andrew Roth, ed., The Open Book. (Göttingen, Germany: Hasselblad Center in association with Steidl Verlag, 2004), 338; cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006), 34-35.] CONDITION: Fine (light crease to rear endpaper), in Fine dust jacket. A near mint copy. [Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), and in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).] From Vince Aletti: ".American Prospects brought a new respect for color photography and a deeper understanding of American complexity." [Attributes: First Edition; Hard Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
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        American Prospects.

      Times Books, Houston 1987 - First Edition. Oblong quarto. Fine in a near fine dust jacket that shows a small closed tear. Signed by Sternfeld. A very sharp copy. Roth 101; Parr & Badger; The Photobook: A History Vol.II, Joel Sternfeld's work is considered a classic amongst photography, having permanently enhanced the face of color photography. "American Prospects is less a composed sequence than a series of deceptively classical compositions. But many of the pictures contain wild juxtapositions: firefighters extinguish a blaze while one of their number shops nonchalantly for pumpkins matching the flames; a basketball hoop stands sentry in a new suburban dead end; pretty flowers shimmer alongside a sports car in the same wild pink. The idealized semirural life is really a world of uncanny disquiet, perfectly suited to the still and mute image" (Aperture Magazine). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Libro di Devozione di Alberto di Brandeburgo

      Il Bulino 1987 Edizione in facsimile del manoscritto membranaceo, miniato da Nikolaus Glockendon nel 1534, conservato presso la Biblioteca Estense Universitaria di Modena, una realizzazione delle edizioni d?arte Il Bulino, in coedizione con M.Moleiro Editor S.A., Barcelona, e Faksimile Verlag Luzern Ed. di 999 esemplari numerati (n. 69). Saggi di Ernesto Milano, Daniele Bini, Leandro Ventura, Giancarlo Malacarne.,esemplare N.89 Ristampa anastatica In custodia, rilegato in pelle e custodito in cofanetto, allegato il commentario, pagine facsimile 128, commentario 157.

      [Bookseller: Libreria Alp-hà srl]
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        La Franc-Maçonnerie occultiste au XVIIIe siècle & l'Ordre des Elus Coens. Avec 4 schémas reconstitués du Tableau du Monde primitif et Tracés d'Invocation.

      - Av.-propos d'A. FAIVRE. La Table d'Emeraude, Paris, 1987, fort vol. gr. in-8, br., 576 p. Bon ex. non lu [Attributes: Soft Cover]

      [Bookseller: Le Chemin des philosophes]
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        Neuschwanstein

      Schellmann, Munich And New York 1987 - COLOR SCREENPRINT BY ANDY WARHOL. "This print was commissioned to commemorate the hundredth anniversary of the Bavarian Reinsurance Company in 1987. It is based on a photograph of Neuschwanstein Castle, a nineteenth-century palace built by King Ludwig of Bavaria in the foothills of the Alps. Today it is an extremely popular tourist attraction and is the most photographed building in Germany. It has also featured in many aspects of contemporary culture from the cover of British band's Blur's 'Country House' album to numerous computer games. Warhol's image combines a screenprinted photograph and hand-drawn lines which were also subsequently screenprinted. Through the colour combination, with the castle dramatically different from the landscape, Warhol creates a collaged effect - a characteristic of his work from the 1980s" (National Galleries of Scotland website). Color screenprint, 1987. Image size: 851x600 mm (33.5x23.63 in). Edition of 1200. With the artist's ink stamp, lower left. Printed by Rupert Jasen Smith, New York. Published by Schellmann, Munich and New York. See Feldman II.372. A spot of soiling at upper margin. A fine impression. [Attributes: Signed Copy]

      [Bookseller: Manhattan Rare Book Company, ABAA, ILAB]
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        Große Buchmalerei des Mittelalters - Glanz des Rittertums.,

      Stuttgart, Coron Verlag., 1987. - 10 Faksimile-Seiten, Begleitheft 24 Seiten. Limitierte Auflage von 1495. Diese Kassette trägt die Nummer 312 mit Bestellurkunde. Die Faksimile-Seiten bestehen jeweils aus 23 1/2 Karat Echtgold. Bestehend aus den Seiten: 1. Der Erzengel Michael, Apokalypse. 2. Der heilige Georg, Brevier des Herzogs von Bedford. 3. Kaiser Otto III., Evangeliar Ottos III. 4. König David, Psalter. 5. Alexander der Große, Alexanderroman. 6. Cäsar am Rubikon, Histoire ancienne jusqu'a Cesar. 7. Trisitan und Isolde, Roman de la Poire. 8. Kreuzritter vor Jerusalem, Descriptio Terrae Sanctae. 9. Hartmann von Aue, Große Heidelberger Liederhandschrift (Codes Manesse). 10. Maria von Burgund und Maximilian, Gebetbuch der Maria von Burgund. BR7F1 Sprache: de Gewicht in Gramm: 5000 Quart 4°, 25 - 35 cm, Bedruckte, Kassette mit rotem Leinen und Holz, Schuber, guter Zustand (1). [Attributes: Hard Cover]

      [Bookseller: Versandantiquariat Karl Heinz Schmitz]
 30.   Check availability:     IberLibro     Link/Print  


        Portrait of Truman Capote

      1987. Original pencil drawing of Capote on white paper. Barry Moser is known for his portraits, especially those of authors. These were usually done as wood engravings, but each portrait often began as a line drawing such as this. In 1987, the same year that this portrait was done, Moser illustrated the posthumous first edition of Capote's early story I Remember Grandpa. Image measures 6 1/2 by 4 inches and is tastefully matted. Fine.

      [Bookseller: Bromer Booksellers]
 31.   Check availability:     Biblio     Link/Print  


        Schrift 24. 9. 87. Leporello über 6 Falzungen (Unikat).

      Zürich, Selbstvlg., 1987 - Je Blatt 21 x 14 cm (ges. 112 cm lang), Deckel mit altem handgeschriebenem altem Dokument überzogen, Tadell. Werner Hartmann (1945 -1993), Maler, Grafiker, Skripturalist, 1965 an der Kunstakademie in Oslo, 1968 Eidgenöss. Kunststipendium, 1968 - 69 Besuch der Kunstakademie in Den Haag, zahlreiche Reisen, ab 1977 in Zürich, ab 1986 auf der Osterinsel. Diverse Ausstellungen, 1977 Kunsthaus Glarus, 1981 Beteiligung an der wichtigen Gruppenausstellung in New York «Word as image», 1990 Kunsthalle Winterthur etc. Hartmann beginnt in den 60igern m. grossformatigen tachistischen Ölmalereien. Aus den Farbflecken lösen sich allmählich hieroglyphenartige Schriftzeichen, zunächst noch lesbar, später immer mehr als Zeichen einer individuellen Bildsprache. Arbeitete oft mit alten Dokumenten oder Seiten aus Büchern, die er überarbeitet und so zu einem auratischen Objekt veränderte, in dem sich Vergangenheit und Gegenwart begegneten. 1200 gr.

      [Bookseller: antiquariat peter petrej]
 32.   Check availability:     AbeBooks     Link/Print  


        HENRI CREUZEVAULT (1905 - 1971).

      1987 - Paris, Les Editions de Montfort, 1987. Six volumes in-folio (282 X 370) brochés, couverture à rabats illustrée, étui carton. EDITION ORIGINALE au tirage limité à 950 exemplaires, celui-ci un des 750 numérotés sur papier blanc couché mat. CATALOGUE RAISONNE de l'oeuvre de de Henri Creuzevault totalisant 556 pages. Représentations de reliures, maquettes, en noir et en couleurs. BEL EXEMPLAIRE, en parfait état. FINE COPY. PICTURES AND MORE DETAILS ON REQUEST. [Attributes: First Edition; Soft Cover]

      [Bookseller: LIBRAIRIE ERIC CASTERAN]
 33.   Check availability:     AbeBooks     Link/Print  


        I Want To Take Picture [SIGNED]

      Nexus Press, Atlanta 1987 - First edition, first printing. Signed with drawing (of Burke's left hand with notations) in ink by Burke verso the front free endpaper. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs and text by Bill Burke. Unpaginated with numerous four-color and black and white plates, designed by Burke (who also made the duotone and halftone separations) while in residency at Nexus Press in 1987. 15 1/4 x 11 1/2 inches. This first edition was limited to 1000 hardbound copies. CONDITION: Near Fine (slight shelf wear, else Fine). Out of print. Extremely scarce. [Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), and in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).] Since the early 1980s, Bill Burke has photographed extensively in Southeast Asia, focusing primarily in Cambodia, Laos and Vietnam. Burke's haunting and layered examination of the landscape and people is informed by the collective political and social conscience galvanized by the United States' lengthy occupation and annihilation of these regions before, during, and after the Vietnam War. His lifelong desire to connect personally and viscerally to the people he meets sets his work in an altogether separate category from most artists who photograph outside their circumscribed "experience." Neither overtly political nor proscriptive, Burke's work instead recognizes the personal is indeed political. Gone are the cultural stereotypes we have long seen in images of Southeast Asia. Instead we are able to experience the intensity of the individual through Bill Burke's idiosyncratic and careful observation. He obliterates the notion that the "documentary photograph" is a vehicle for "truth" and compellingly shows the viewer that it is always a form of personal or political propaganda. 'I Want to Take Picture' (Nexus Press, 1987) is a combination artist book and 'travelogue.' It is considered by many to be one of the very best, disturbing and important books in the history of photography. From Bill Burke (1987): "Each day, I was thinking about practicality, is my pass in order, how do I get there, who do I meet that will get me through. The philosophical thoughts came later. When I realized that I had access to the camps and could see the Khmer Rouge, it was like being able to see the Devil. It seamed to be an incredible opportunity." From an interview with Bill Burke by Willis Hartshorn (New York City, June 1987): "Hartshorn: 'Do you find it problematic that in a politically savage environment your pictures are often ambiguous as to who's good and who's bad?' Burke: 'I have no problem with ambiguity. Again, all the information is filtered, everything I know about it is secondhand. I know what the refugees at the border say and what books say. I heard how bad the Khmer Rouge were, and then as I read more I found out the other people had been bad too. The people who were victims at one time were victimizing others at another time. There are two sides, the information is slanted, and it's good that people understand that. . . I would like things to be spelled out clearly so I wouldn't have to think about it. But that's not the way it is. I can't say this is this and that is that. There is no indisputable truth.'" Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
 34.   Check availability:     AbeBooks     Link/Print  


        Visual Poetry

      Verlag Galerie Horst Dietrich, Berlin 1987 - Signed and limited edition artist book, numbered 20 from an edition of 30 that were issued with an original, separately signed collage of the concrete poetry artist's work. (150 were in the edition issued without an original collage) Die cut pages, in the shape of a coffin or piano are softbound with black paper covers with blind stamped title. Unpaginated with no text, other than the images that are composed of collages of printed text. Book is in excellent, fine condition. Original collage is composed of many strips of pages from a book has been mounted by the artist in a non-archival mat that is yellowing at the edges and inside the window. The collage is signed and dated by the artist lightly in pencil beneath the center of the window of the mat. Both book and matted collage are wrapped in a thin black paper case that shows some wear consistent with age, but no tears or losses. [Attributes: Soft Cover]

      [Bookseller: Exquisite Corpse Booksellers]
 35.   Check availability:     AbeBooks     Link/Print  


        My Mother's Pearl Necklace

      New York: Albondocani Press. 1987. Manuscript copy and unbound sheets. Fine. The manuscript copy, which is printed on gray sheet and attached with a paperclip, has the stamp of Plante's literary agency on the title page and scattered corrections. The unbound sheets have scattered neat pencil notations along the margins of several pages. A previously unpublished Francoeur Family story distributed in a limited edition of 175 copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 36.   Check availability:     IOBABooks     Link/Print  


        Lee Friedlander [SIGNED]

      Seibu Museum of Art, Tokyo 1987 - Oblong Quarto. 129, [3]pp. Original photographic dust-jacket over black cloth. Gray endpapers. Free front endpaper signed by Lee Friedlander. This remarkable work was published on the occasion of the Lee Friedlander exhibition held in Japan under the auspices of the Seibu Museum of Art and the Asahi Shimbun. It includes a series of photographs entitled "Cherry Blossom Time in Japan" series (previously published only in a rare 1986 portfolio of 25 photogravures). The catalog contains essays by John Szarkowski, Takashi Tsujii and Koko Yamagishi. Captions in English, text in Japanese. Dust-jacket, binding and interior in very good condition. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
 37.   Check availability:     AbeBooks     Link/Print  


        Lee Friedlander (Seibu Museum of Art and the Asahi Shimbun)

      Tadashi Furukawa & Kosei Publishing Co., Ltd., Seibu Museum of Art, The Asahi Shimbun, Tokyo 1987 - First edition, first printing. Hardcover. Fine black silk cloth-covered boards with title blind-stamped on cover and stamped in gold on spine, with photographically illustrated dust jacket. Photographs by Lee Friedlander. Essays (in Japanese and English) by John Szarkowski, Takashi Tsujii and Koko Yamagishi. Includes a biography (in Japanese and English) compiled by Fuminori Yokoe. Designed by Kazuo Nitta. 132 pp., with 106 black and white plates beautifully printed on matt paper by Dainippon Printing Company, Tokyo. 10-11/16 x 11-9/16 inches. Out of print. Extremely scarce. One of the least known outstanding monographs of Friedlander's work. CONDITION: Fine in Fine dust jacket. A spectacular copy of this beautifully printed and rare Lee Friedlander retrospective published on the occasion of the Lee Friedlander exhibition held in Japan under the auspices of the Seibu Museum of Art and the Asahi Shimbun. Includes a portfolio from the photographer's "Cherry Blossom Time in Japan" series (previously published only in a rare 1986 portfolio of 25 photogravures) in addition to essays by John Szarkowski, Takashi Tsujii and Koko Yamagishi. [Attributes: First Edition; Hard Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
 38.   Check availability:     AbeBooks     Link/Print  


        TANKS ARE A MIGHTY FINE THING. The Subscriber's Edition.

      William Hoffer/Tanks,, Vancouver 1987 - Faludy, Kinsella, Smart, McWhirter, et al. TANKS ARE A MIGHTY FINE THING. The Subscriber's Edition. Vancouver: William Hoffer/Tanks, 1987, limited edition. [4to, Seven various coloured stiff wrappers] A fine complete set in the original custom blue linen slipcase with TANKS at the crown. Five books & Two handprinted portfolios. Variously paginated & Illustrated. The edition number 75 of 150 stated [although probably fewer than 85 copies were completed] each part & each original lithograph with the same number. Tanks 1.1 - Marius Kociejowski "The Machine Minders"; Tanks 1.2 - W.P. Kinsella "Five Stories" (Numbered & Signed), Tanks 1.3 - Norm Sibum "Eight Poems" (Numbered & Signed); Tanks 1.4 - Gyorgy Faludy "Corpses, Brats and Cricket Music" (Signed & Numbered with a signed handcoloured lithograph by Herbert Siebner); Tanks 1.5 - Elizabeth Smart "Autobiographies" (Numbered); Tanks 1.6 - Glenn Golouska's elegant typographic 'essay': El Lissitzky, "The Topography of Typography", handprinted at the Nightshade Press, and Tanks 1.7 - George McWhirter "The Voyeur and the Countess Wielopolska" (Signed) with two signed lithographs by Dianne Ostoich also handprinted at the Nightshade Press. Hoffer's most tenacious publishing venture. Woodsworth A51. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: TBCL The Book Collector's Library]
 39.   Check availability:     AbeBooks     Link/Print  


        Later Chinese Painting and Calligraphy: 1800?1950, 3 VOLS.

      Three volumes, 400+370+262 pages, large format, hardbound and slipcased, total weight about 13 kg !Western critics and historians of Chinese painting had long looked on the 19th and early 20th centuries as a sort of dead zone in the development of Chinese art, attributing the work of more modern Chinese masters to a burst of creativity inspired by the "eccentrics" of the 17th and 18th centuries. Maverick collector Robert H. Ellsworth revealed the error of this assumption when he acquired a number of brilliant 19th-century Chinese paintings in the 1960s. What he discerned was a period of enormous change and innovation, influenced both by a major shift in Chinese art toward calligraphy and seals (prompting more brutal, energetic brushwork) and by increasing exposure to the West; clearly, Ellsworth argues, these 19th-century paintings were the true precedents for modern Chinese art. This three-volume catalog is a singular exploration of this unjustly overlooked era and is a superb example of the bookbinder's art in its own right, originally priced at USD 850. It beautifully reproduces all 471 paintings Ellsworth donated to the Metropolitan Museum of Art as of 1987, along with hundreds of images of calligraphic scrolls and fans. The index volume contains commentaries and biographies of 300 artists and calligraphers, along with transliterations into Chinese script of every inscription and seal. The three volumes are bound in silk, with embossed gold stamping, petite Chinese calligraphic scrolls applied to the covers, and gilt-edged pages, all enclosed in a similarly decorated clamshell case in brown silk.FREE SHIPPING WORLDWIDE; a surcharge applies only for USA and Canada.==============================================================

      [Bookseller: DEMETRIUS SIATRAS]
 40.   Check availability:     Biblio     Link/Print  


        D is for Deadbeat

      Henry Holt, New York 1987 - First edition. Fine in fine dustwrapper. Inscribed by the author in the year of publication. See this book in 3D on our site. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 41.   Check availability:     AbeBooks     Link/Print  

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