London: Collins, 1986. 223, 23 col photos + b/w photos, line drawings. Hardback. Fine copy in pristine unclipped dust-wrapper with no colour loss to spine ("Collins" printed at foot of d/w spine and £20 on d/w flap). " Reprint.

Les Bibliophiles de, Paris, 1986. In-4, en feuilles, couverture imprimée (emboîtage de l'éditeur).9 eaux-fortes originales d'Erik Desmazières, dont 2 à pleine page et 7 in-texte (dont 4 sur double page). Tirage unique limité à 180 exemplaires numérotés (n°41) sur vélin de Rives, signés par l'artiste.

Wien, Verlag der Österreichischen Akademie der Wissenschaften, 1986-2000. - 488, 504, 491, 460, 432, 428, 499, 496, 510 S. (27 S.) Buchrücken gebräunt, Einbände mitunter etw. fleckig, leichter Kellergeruch Em2 Sprache: Deutsch Gewicht in Gramm: 10000

Wien, Verlag der Österreichischen Akademie der Wissenschaften, 1986-2000. 488, 504, 491, 460, 432, 428, 499, 496, 510 S. (27 S.) Gr.-8°, Softcover/Paperback Buchrücken gebräunt, Einbände mitunter etw. fleckig, leichter Kellergeruch Em2 Versand D: 5,00 EUR Literaturgeschichte, Wiener Moderne, Arthur Schnitzler, Psychoanalyse

Tokyo: Shogakukan, 1986. Illustrated laminated boards in dust jacket, with wrap-around paper-title band anc clear plastic protective sleeve. Very good.. 4to. 180 pp. Introduction, photos, notes. Illustrated from 140 photographs in black-and-white, sepiatone and color, plus 53 small detail and contextual photos. Introduction in English, text and notes in Japanese. Timeline. A photographic collection covering the history of Japanese nude photography from 1914 to 1980, with sections on the pioneer Nojima Yasuko; pictorial and Modernist trends from the pictorialist and Shinko Shashin movements; fantasy and abstraction in avant-garde photographs; the work of Nakayama Iwata and Harry K. Shigeta; the postwar period in retrospect; object and eros (the 1960s); and from mass media to 'my own photo's - the progress made in the 70s and 80s as many taboos were lifted and photography entered the world of mainstream culture. The book concludes with Nobuyoshi Araki. Please note: Oversized volume: this book will require additional shipping for destinations outside the US. Please write for details; we will ship at cost.

Ed. Circulo de Lectores. Español, Castellano . 46 vol. Barcelona. 1986-1989. Enc. editorial. Ref.C13-D. [Attributes: Hard Cover]

Easthampton: Cheloniidae Press, 1986. Limited Edition. Quarter Leather. Fine. Alan James Robinson. Deluxe Edition, signed and numbered by Robinson on the rear colophon, xii/xv. Fine in the issued quarter leather slipcase, a touch of fading at the head and foot to the green-dyed leather. A collection of 12 hand-watercolored etchings and two wood engravings by Robinson, accompanied by Stephen Bodio's Introduction. Includes an additional portfolio of fourteen signed and numbered prints and a signed original watercolor.

Canada: [The Commission]. Paperback. 0660121727 966 pages. Bibliography. Lists of Documents, Primary and Secondary Sources. List of cases cited. "Includes 822 opinions on individual cases." - from page iv. "Between 1971 and 1986, public statements by outside interveners concerning alleged war criminals residing in Canada have spread increasingly large and grossly exaggerated figures as to their estimated number. Even leaving aside the figure of 6,000 ventured in 1986 by Mr. Simon Wiesenthal, and before a detailed examination of each of the cases appearing on the Commission's Master List, this list already shows no less than a 400 per cent over-estimate by the proponents of those figures." - from page 249. In one instance, government resources were used to investigate the allegation that a certain individual was the infamous Dr. Mengele. The Commission determined this individual had different coloured eyes than the doctor and stood 6'-3", whereas Dr. Mengele was only 5'-8" in height. Average wear. Binding intact. Reading creases to spine. Unmarked but for light pencil tick marks in bibliography. Numerous page corners were folded. Prior owner was a smoker. A sound working copy. . Good. 1986. First Edition.

Commission of Inquiry on War Criminals. 966 pages. Bibliography. Lists of Documents, Primary and Secondary Sources. List of cases cited. "Includes 822 opinions on individual cases." - from page iv. "Between 1971 and 1986, public statements by outside interveners concerning alleged war criminals residing in Canada have spread increasingly large and grossly exaggerated figures as to their estimated number. Even leaving aside the figure of 6,000 ventured in 1986 by Mr. Simon Wiesenthal, and before a detailed examination of each of the cases appearing on the Commission's Master List, this list already shows no less than a 400 per cent over-estimate by the proponents of those figures." - from page 249. In one instance, government resources were used to investigate the allegation that a certain individual was the infamous Dr. Mengele. The Commission determined this individual had different coloured eyes than the doctor and stood 6'-3", whereas Dr. Mengele was only 5'-8" in height. Average wear. Binding intact. Reading creases to spine. Unmarked but for light pencil tick marks in bibliography. Numerous page corners were folded. Prior owner was a smoker. A sound working copy.

Volk u. Welt, (1986)., Berlin. 135 (1) S. [Attributes: Soft Cover]

Faber and Faber, 1986. First British (and true first) Edition (first printing). The second novel by the Nobel Prize-winning author of THE REMAINS OF THE DAY, the story of an ageing Japanese painter who looks back over his life and assesses a career that coincided with the rise of Japanese militarism. This is the "first issue" (printed by Butler & Tanner). Winner of the Whitbread Book of the Year Award and shortlisted for the Booker Prize. Fine/Fine. . 1st Edition. Hardcover. Fine/Fine.

Cape. The sixth novel by the author of THE BLIND ASSASSIN and ORYX AND CRAKE, the acclaimed story of a monolithic theocracy set in the near future -- where the Book of Genesis is taken absolutely at its word, creating bizarre consequences for women. Winner of the Governor General's Award in Canada and shortlisted for the Booker Prize in Britain. Basis for the popular television series. Condition Book is near fine and DW is very good. Some light wrinkling / rubbing at the top of the spine. Not price clipped and no previous owners ink. overall VERY GOOD+ . Near Fine. Hardcover. 1st Edition. 1986.

Pantheon, New York, 1986. First edition. Hardcover. First printing. A long prose poem that serves as an ode to the city that Terkel lived in for nearly all of his long life. Illustrated with numerous black and white photographs from some of the cities most renowned photographers: Stephen Deutch, Archie Lieberman, Marc PoKempner, Arthur Shay, and Richard Younker. A fine copy in a fine dust jacket. Signed by Studs Terkel, Art Shay and Stephen Deutch on the half title page. Very scarce to be signed thus. [Attributes: First Edition; Signed Copy; Hard Cover; In Dust Jacket]

1986. in-4, 374 pages, 378 illustrations en noir et blanc et 35 illustrations en couleurs, cartes. Bibliographie, index. Reliure toile, jaquette, très bel exemplaire. [M.C.: Afrique noire, art africain / african art, Cameroun].

Black Sparrow Press, Santa Rosa, 1986. Pocket size, 8pp. A near fine hardback copy in clear protective dust jacket.. Number 145 of 226 copies signed by Bukowski.

David R. Godine, Boston, 1986. First Edition. Hardcover. Blue cloth with gilt lettering on spine. Lean to spine, head and tail creased. Extremities rubbed. Dust jacket rubbed and soiled with small tears. Signed by Author. [Attributes: First Edition; Hard Cover; In Dust Jacket]

TORINO: EDIZIONI SEAT, 1986. tavole. OTTIMO. 39,5 55. Collana di Opere d' Arte USATO

CUENTO DE EL MAGO DE OZ, EL - 1986, Dir: Tonogawa Naishô, Hiroshi Saitô, Cast: DIBUJOS ANIMADOS, , , Nac. film: JAPON, Company: , Designer: , , Nac. poster: ESPAÑA, Measures (Cm. and Inches) : -70X100-Cm.-27X41-INCHES-1 SH., , Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

Basel, Frankfurt am Main : Helbing und Lichtenhahn, 1986. 710 S. Softcover Apartband in GUTEM Zustand. Ehemaliges Bibliotheksexemplar mit Stempel und Signatur. Buch mit Lager- und leichten Gebrauchsspuren. Innen gepflegt. 9783317015332 Versand D: 5,00 EUR

Hudson Hill, New York, 1986. Catalogo Ragionato con un saggio di Klaus Kertess in collaborazione con The Museum of Contemporary Art di Los Angeles , testo inglese, rilegato, tela, sovracoperta, formato 23x31, pagine 240, illustrato in nero e colori , ottimo esemplare - 14269

Feltrinelli. Catalogo della mostra ''Dal fiume al mare. Esplorazioni lungo la via Emilia'', Reggio Emilia, Sale Comunali Esposizioni, 1 febbraio 9 marzo 1986; Bologna, Palazzo dei Congressi, 31 gennaio 1986; Ferrara, Chiostri di San Romano, marzo - aprile 1986. A cura di Giulio Bizzarri e Eleonora Bronzoni. Testo di Luigi Ghirri. Uno scritto di Corrado Costa. Fotografie di Olivo Barbieri, Gabriele Basilico, Vincenzo Castella, Giovanni Chiaramonte, Vittore Fossati, Luigi Ghirri, Guido Guidi, Mimmo Jodice, Klaus Kinold, Claude Nori, Cuchi White, Manfred Willmann. 4to. pp. 144. . Molto buono (Very Good). Breve sottolineatura a pennarello su una sola pagina (Short underline with marker on a single page). Prima edizione (First Edition). .

Crown, Usa 1986 - This Edition Is For The True Collectors Of First Editions Spine Is Tight & Crisp. Boards Are Flat & True; The Corners Are Square W/O Bumps. Very, Very Minor Wear Marks On Edges. Pages Are Clear, Clean, Unmarked And Bright White. No Marks. No Underlining. No Wrinkles Or Creases. Not A Remainder. Not Ex-Lib. Not Bce 1st Printing Language: eng [Attributes: First Edition; Hard Cover]

ISTITUTO GEOGRAFICO DE AGOSTINI, 1986. ITALIANO 0,94 Legatura editoriale in cartoncino rigido, con titolo al dorso. Sovraccoperta illustrata in entrambi i piatti, con alette. Pagine in buonissimo stato, con leggere bruniture, ricche di fotografie ed illustrazioni a colori e in nero, nel testo e fuori. Traduzione di Libero Sossio. USATO

ISTITUTO GEOGRAFICO DE AGOSTINI, 1986. ITALIANO 0,94 Legatura editoriale in cartoncino rigido, con titolo al dorso. Sovraccoperta illustrata in entrambi i piatti, con alette. Pagine in buonissimo stato, con leggere bruniture, ricche di fotografie ed illustrazioni a colori e in nero, nel testo e fuori. Traduzione di Libero Sossio. USATO

SPES. Riproduzione anastatica del testo originale con l'aggiunta delle postille e varianti dell'autore reperite in un esemplare del museo Horne, testo originale e traduzione italiana, comprendente le appendici. Testo Italiano e Inglese. Firenze, 1986; 4 voll., pp. 1470, ill. e tavv. b/n e col. english italiano cartonato

Emigre Graphics, New York 1986 - 16 pp. Tabloid-format art magazine featuring shigh-contrast b/w political art by Rigo, deconstructing the comics medium. A sequential narrative is just discernible, vibrating in a zone where the hand seems to meet the pixel. Tabloid-format magazine. Light edgewear. Very good [Attributes: Soft Cover]

New York: Emigre Graphics, 1986. Tabloid-format magazine. Light edgewear. Very good. 16 pp. Tabloid-format art magazine featuring shigh-contrast b/w political art by Rigo, deconstructing the comics medium. A sequential narrative is just discernible, vibrating in a zone where the hand seems to meet the pixel.

British Horological Institute 1986 - [xxii + 280 pages + 35 pages of appendices], portrait, 6 plates, limited edition of 350 copies, 1986. This is a facsimile reprint of Earnshaw¿s appeal to the Board of Longitude for a reward for his inventions, first published in 1808, with a new introduction by John Griffiths. A fine copy, leather spine/marbled boards complete with the original film wrapper. [Attributes: Hard Cover]

Wirtschaftsverlag Langen-Müller/Herbig, München, 1986. Martin entwickelt in meist salopp schnoddriger Sprache eine eigenwillige Kapitalismustheorie Das Wort Kapitalismus ist für ihn Etikettenschwindel. In Wirklichkeit sei der Kapitalismus >Debitismus<: ein Wirtschaftssystem, in dem alle Produktion vorfinanziert ist und in dem verschuldete Privateigentümer ständig versuchen, andere zum Schuldenmachen zu überreden (Schneeballsystem). Am Anfang war die Schuld!!! Für jeden der versucht das heutige Wirtschafts- und Gesellschaftssytem zu verstehen eine unbedingte Pflichtlektüre. In manchen Punkt kann man wie immer geteilter Meinung sein aber Martin sorgt mit seinem Buch für einen anderen Blickwinkel - fern der gängen Lehrmeinung in Sachen Volkswirtschaft. Es steht jenseits jeder naiven Vorstellung einer sozialen Marktwirtschaft und der falschen "Antworten" des Kommunismus.

London: Hutchinson, 1986. Signed first trade edition (not the more common signed limited edition) of Amis's Booker Prize-winning novel. 8vo: [10],294pp. Publisher's caramel cloth, spine stamped in gilt, dust jacket illustrated by Alastair Taylor and priced £9.95. Signed on title page with no inscription. Very Fine, clean, unmarked, and probably unread, in Fine jacket with none of the usual fading to red lettering on spine panel. ¶ In the early Eighties, in one of the "most striking resurgences in English literary history, Kingsley Amis fought through his professional and personal torment [his marriage to fellow writer Elizabeth Jane Howard was dissolving, and critics continually fretted that his satirical skills had devolved into curmudgeonly misanthropy] and published his most critically acclaimed novel, The Old Devils. Significantly, the book is dedicated to his first wife, Hilary (Hilly), whom Amis had married in 1948 and who was at the time married to Alastair Boyd, Lord Kilmarnock. When Amis's marriage to Howard collapsed, the Kilmarnocks took him in, a surprising arrangement that Amis comically referred to as something out of an Iris Murdoch novel. In [his memoir] Experience, Martin Amis discusses the significance of his mother's return to his father's life, arguing that it alone accounts for the conciliatory and elegiac tone of The Old Devils: 'You [brought] him back to life and love. That's the best way of looking at it, Mum. He got Stanley [and the Women] out of the way and then he wrote Devils. . . . He could never have written them without you, because you remind … [Click Below for Full Description]

Bayreuth, Bear Press, 1986. 2 w. Bll., 89 S., 1 w. Bl. Mit 12 Radierungen (davon 1 als Frontispiz) von Wilhelm M. Busch. Siebter Druck der Bear Press Wolfgang Benda. - Spindler 73.7. - Nachwort von Ulrich Schödlbauer. - Eines von 25 Exemplaren der Vorzugsausgabe (GA 100), mmit einer zusätzlichen, beigelegten signierten Radierung. - Druckvermerk vom Künstler signiert. - Handeinband: WERner Kießig, Berlin. - Von der Offizin Poeschel, Eschwege, in Waldbaumschen Schriften auf Camber-Sand-Bütten gedruckt. Die Ätzradierungen wurden in Rötel in den Text eingedruckt.- Verlagsfrisches Exemplar. Sprache: Deutsch Gewicht in Gramm: 1550 Gr.-8° (28,5 x 19,5 cm), Kalblederband mit Blindprägung und Kopfschnittvergoldung, mit Pergaminumschlag, im Shuber mit marmoriertem Bezugspapier.

Random House, NY 1986 - Corrected version. 1ST EDITION. [Attributes: First Edition; Hard Cover]

Random House, NY, 1986. 1st edition. Hardcover. Fine/Fine. Corrected version. 1ST EDITION.

Taylor, 1986., 1986. 1st ed. Presentation copy of the Deluxe edition. Not numbered. 248p. Photos. Cover embossed with the Confederate shield. Endorsed by both the Company of Military Historians & American Society of Arms Collectors. Leather bound in buff cloth covered slip case. SIGNED & inscribed to Ted Gewirz. Gewirz was on the review board for the Company of Military Historians. As New Copy. Signed by Author. 1st. Hardcover. As New. Book.

Sun & Moon Pr, Los Angeles, CA, 1986. Inscribed and signed by Paul. The third and final volume of the New York Trilogy. Fine in just about fine dust jacket. [Attributes: First Edition; Signed Copy; Hard Cover; In Dust Jacket]

Virginia: author, 1986. Comb bound, 1986, 1987, 1989. Three book set. Two are signed by the author. Card Magic and Mentalism dealing with binary numbers, unique stacks and the bracelet code (aka gray code). Uncommon, and out of print.

sin ed., sin ciudad 1986 - Tela Catálogo con cubiertas de tela con 10 fotografías de Javier Vallhonrat no encuadernadas, en carpeta de cartón

New edition of wich no leading copies exists.Binding to bradel in full red fabric of the editor, smooth back, complete copy of its rodhoïd and its trailer.Signed autograph of the author Jean-Paul Grand President of the House for all.Nice copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Seuil Paris 1986 14,5x21,5cm reliure de l'éditeur

- Seuil, Paris 1986, 14,5x21,5cm, reliure de l'éditeur. - Nuova edizione per la quale non è stato redatto grandi giornali. Associazione a bradel in pieno tessuto rosso del redattore, liscio indietro, copia completa della sua rodhoïd e di un rimorchio. Firmato autografo dell'autore Jean-Paul Grand Presidente della Camera per tutti. Nizza copia. - [FRENCH VERSION FOLLOWS] Nouvelle édition pour laquelle il n'a pas été tiré de grands papiers. Reliure à la bradel en pleine toile rouge de l'éditeur, dos lisse, exemplaire complet de son rodhoïd ainsi que de sa bande annonce. Envoi autographe signé de Léopold Sédar Senghor à Jean-Paul Grand président de la Maison pour tous. Agréable exemplaire.  

New York: Henry Holt and Company, 1986. First Edition, First Printing. 8vo., 243 pp., VG/VG; DJ, spine white with black lettering, pictorial front cover; mild wear to DJ, age-toning to covers (lettering legible), publisher's sticker towards bottom of back cover, price uncut "$14.95" to front flap, DJ protected by mylar; light gray paper boards, silver lettering to spine; mild wear to boards, age-toning to tail of spine, bumping to top right corner of front board, slight cocking to spine and boards, binding tight; interior clean; INSCRIBED by Grafton on title page; full number line 1-10 to copyright page; LP consignment; shelved Case 6, Dupont. Full-priced Rockville.

Maurice Garnier, 1986. Deux forts volumes In 4 . Pleine toile avec jaquette en couleurs et emboîtage. Volume 1: 1943-1961 548 p. Volume 2: 1962-1981: 695 p. Etat neuf. [Attributes: Hard Cover; In Dust Jacket]

Shinkyo Shuppansha, Tokyo 1986 - Text in English and Japanese. Book is in great shape, clean and sharp all around, as new. Folding cloth slipcover is also in great shape, clean and sharp all around, essentially as new. Overseas shipping would be much more due to size. [Attributes: Hard Cover]

Shinkyo Shuppansha In Collaboration with Endowment for Biblical Research Boston, Tokyo 1986 - Folio, 144 pp. 48 full page color plates. Bibliography, biography. a mint publisher's cloth covered portfolio with Japanese calligraphy on the front panel. The box and contents are housed in a pctorial and printed cardboard outer box . Yellow Cloth with black lettering on front cover and spine [Attributes: Hard Cover]

Shinkyo Shuppansha, Tokyo 1986 - A hardback book in fine condition, dated 1986, First Edition. Book comes with an outer hardback slipcase and a further illustrated card slipcase, both of which are also in fine condition. Text of the book is in both English and Japanese. [Attributes: First Edition; Hard Cover]

Used [Publisher: Shinkyo Shuppansha] 1986

Tokyo: Shinkyo Shuppansha. New/No Jacket as Issued. 1986. First Edition.. Hard Cover. NEW copy in New wrap around boards in protective publisher's box. Large or heavy book and may require extra postage. No amazon international order on this title. Size: Folio .

Edizioni Scolastiche Bruno Mondadori, CLES, 1986. I Classici della Narrativa. La Bottega del Romanzo ITALIANO Collana diretta da Daniela Bertocchi. Volume a cura di Gabriella Ravizza Cormio. Brossura editoriale con bandelle illustrata a colori con titolo al piatto e al dorso, copertina morbida patinata con lievi segni di uso e punta superiore della quarta tagliata, tagli ingialliti con tracce di fioritura al taglio di testa, pagine ben conservate Numero Pagine 376

Sotheby's Publications, 1986. sehr guter Zustand, der obere Randbereich ist jedoch minimal verblichen (ohne Schutzumschlag). Synopsis: The Art of Breguet is the most complete document on the work of Abraham-Louis Breguet (1747-1823) by George Daniels, himself a master watchmaker in the Breguet tradition. His book is the definitive illustrated story of the father of modern horlogery and his work, and a popular source of inspiration for the watchmakers of today.

Chronik-Verlag, Gütersloh 1986 - 1986-1999. 89 Bände; etwa 21.000 Seiten. OLnbde., illustrierte Schutzumschläge, 29,5 x 23 cm. 89 (von 100) Bänden des immer Jahrgangsweise herausgegebenen Titels. Es fehlen die Jahrgänge 1916, 1931, 1941, 1942, 1950, 1956, 1959, 1965, 1989, 1996 und 1999. - Mit zahlreichen Schlagzeilen, Einzelartikeln und Abbildungen aus den Bereichen Politik, Wirtschaft, Wissenschaft und Technik, Kultur, Sport, Alltag und Gesellschaft. In den Anhängen mit Statistiken, Übersichten, Nekrologe und Register. - Beiliegend fünf Nachfolgebände für die Jahre nach 2000 in der gleichen Aufmachung: "Chronik 2000", "Chronik 2001", Chronik 2002", "Chronik 2003" und "Chronik 2004" (Chronik-Verlag 2001-2005). - Schutzumschläge etwas angerändert und teils minimal fleckig. Schutzumschläge der Bände "1938" und "1988" randrissig. Sonst und insgesamt gute Exemplare. 40002 Gramm. [Attributes: Hard Cover]

4 (33 x 22,5 cm), 14 Bll. typografische Texte von Neumann und Fotos von Oltmanns im Offsetdruck, 2 Serigraphien auf Transparentpapier und eine Serigraphie auf Karton, Orig.-Karton mit Fadenheftung an Holzstäbchen. Erste Ausgabe.- Eines von 90 Exemplaren.- Henkel/Russ B 119.- Beiliegt eigenhändige, eng beschriebene (22 Zeilen) Postkarte von Neumann an Johann Matthiesen (?), Rolandseck ".....als ich im Bahnhof Rolandseck war, habe ich ziemlich klar gedacht, daß ungefähr ein Bild des Malers R(oland). Frenzel dort sein müßte....dessen Bilder und dessen Existenz uns HIER in Leipzig vor Dummheit und so weiter bewahrt...", dat. 26.12.1986.- Kanten leicht berieben.