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Displayed below are some selected recent viaLibri matches for books published in 1980

        In a humorous letter, Ansel Adams tells the wife of the CEO of Paul Masson Vineyards, whom he addresses as Frau Meyer, that his wife, Frau Adams, will not be with him when he visits them in April ? he has signed his name with added strokes above the words ?Dried Herring Doktor Adams?

      Typed Letter Signed ?Ansel Adams? with some added strokes; he typed ?Dried Herring Doktor Adams? beneath his signature, 1p, 8.5? x 11?. Carmel, California, March 24, 1980. To Wunderbar Meyerhof, Ltd., San Francisco. Attn Sue Meyer, ?Reservation Clerk / Manager / Proprietor / der Cooken.? On Adams? red & black letterhead. Fine condition.In full, ?Dear Frau Meyer, Extreme thanks for your communication of recent date. May I complement you on the typography of your stationery. UNIQUE! Your generous disposition of dates suggests the bliss of Valhalla and the bunious [sic] of Siegfried?s Journey to the Rhind [sic, Rhine]. It is most accurate except for one entry that needs to be changed because Frau Adams will be in the Southwestern area of Amerika on April 26th ±. She expresses deep regret at this unfortunate conflict of experiences. The only special arrangements I can think of is that we will have the opportunity to take the Executive Staff of your estee

      [Bookseller: University Archives]
 1.   Check availability:     Biblio     Link/Print  


        Popism: the Warhol 60's [Signed by Warhol]

      NY: Harcourt Brace, 1980. Hardcover. Very good. First Edition. 300pp+ index. Very good hardback in a jacket that shows almost none the sunning to the spine that is usually endemic to this title. Boldly signed in marker by Warhol on the front free endpaper.

      [Bookseller: Kenneth Mallory Bookseller. ABAA]
 2.   Check availability:     Biblio     Link/Print  


        Hände[zum Weihnachtsfest u. Jahreswechsel / Druckerei C. Adler GmbH]

      [s.n.] 1980 Hamburg. [16]S. 24 cm Zustand:Ränder etwas bestossen, sonst einwandfrei,.

      [Bookseller: Gebrauchtbuchhandlung Giesecke]
 3.   Check availability:     ZVAB     Link/Print  


        Photo Mail From Okinawa: No. 4

      Tokyo: Paroru-sha 1980 - First Editions. Stapled quarto. The last of four volumes of Kitajima's Photo Mail from Okinawa, published to coincide with his shows at the Camp Gallery, founded by Daido Moriyama after the dissolution of Workshop, and predating Kitajima's work in book form. This gritty magazine, published in black and white on glossy paper, shows the evolution of Japanese photography out of the Provoke era. While Kitajima retains some of Provoke's hallmarks, his emphasis is more on people and less on abstraction. Kitajima's images of a seedy Okinawa evoke a Punk or even Hip Hop sensibility, and form the genesis of the New York work for which he is best known. Near fine in stapled photo-illustrated wrappers. [Attributes: Soft Cover]

      [Bookseller: Harper's Books, ABAA]
 4.   Check availability:     AbeBooks     Link/Print  


        Image Shop Camp Vol. 1 Or Last!

      Tokyo: Camp, (1980). A beautiful, fine copy in photo-illustrated stapled wrappers with just a hint of creasing to the rear cover. Increasingly uncommon.. First Edition. Folio. First and only edition of this groundbreaking magazine of the Japanese photo group and gallery Camp, founded by Moriyama and Kitajima, and featuring an innovative blend of post-Provoke images combined with unique graphic design and typography.

      [Bookseller: Harper's Books, Inc.]
 5.   Check availability:     Biblio     Link/Print  


        Sixty Five

      Boston, MA:: Anne and David Bromer,, 1980. Broadside, Framed. Like New. FIRST DELUXE EDITION, LIMITED to 126 copies, this is one of 26 lettered copies printed on genuine vellum by Richard Bigus with Uncial type and signed by Everson on the recto. Broadside, printed on vellum, matted and framed. Frame measures 24 x 21 inches. Opening for the broadside measures 15 5/8 x 12 1/2 inches. 2 illuminated initials in gold, blue, and red by Maureen Carey, botanical decorative border on the left margin in black, gilt, and yellow, printed in black ink on the recto, the verso features a calligraphic colophon rather than the printed colophon on the paper copies; text clean, unmarked. Matted and framed under glass. Near Fine. The design is based on a fifteenth-century medieval manuscript with traditional oak-leaf pattern. A contemplative poem by William Everson explores the psychological aspects of aging; perhaps I should keep this superbly crafted specimen for myself! 24 copies Worldcat (does not distinguish the vellum and paper copies). Please inquire for shipping costs or any questions you may have.

      [Bookseller: John Howell for Books]
 6.   Check availability:     IOBABooks     Link/Print  


        Wind Instruments

      Coracle Press 1980 - Artist's multiple. Numbered 15/30, unsigned (as issued). Corrugated cardboard mailing box (480 x 335 x 50 mm); inside is an oak box (470 x 323 x 40 mm), with cord binding, containing seven self-assembly wood, paper and wire sculptures and an accompanying loose leaf folded folio, which contains eight photographs of the wind instruments constructed by the artist. The book serves as both a guide for the viewer (he/she must complete the work by constructing the individual pieces), and an artist's book in itself, as each photograph of the minimalist wire constructions is beautifully printed on each page. Wind Instruments is thus both a participatory work of art, and a document of its durational construction. This work by British sculptor Richard Wilson with Coracle Press came after Wilson¿s exhibition 11 Pieces (1976) at the Coracle Press Gallery - his first solo show. As an installation artist and sculptor whose practice is rooted in architecture, volume, site-specificity and illusionary space, this artist's book/multiple is evidence of these concerns: a temporary sculptural work, conceived as a series of collapsible structures, amounting to a mini self-contained exhibition in its own right. The work challenges notions of stress, balance and form, as the 'instruments' retain their shape in spite of their material fragility. Condition: cord has shrunk (as is the case in all copies we have seen), wear to cardboard mailing box; as usual the wooden box has a slight curve from age, but contents near fine (one minor tear to the most vulnerable tissue piece). We have seen 4 copies of this important sculptural multiple and the contents of this one (complete) are in the best condition we have seen. Overall VG+ [Attributes: Hard Cover]

      [Bookseller: William Allen Word & Image]
 7.   Check availability:     AbeBooks     Link/Print  


        Howl. and other Poems

      San Francisco: City Lights Books, 1980. Later printing. Paperback. Paperback. Later printing. A paperback original and originally published in 1956. A very good copy with some toning and soiling to the front and rear covers. Price of $2.00 on the rear cover. A 30th printing printed in 1980. This edition is signed on the title page by Ginsberg who has drawn a sunflower around the "o" in Howl and addde the initials "AH." Dated in 1993. Signed by the author.

      [Bookseller: Sawtooth Books]
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        ORIGINAL WATER COLOUR ARTWORK FROM TILLY'S RESCUE.

      London, Heinemann, 1980.Image size 129 x 157 mm, 5 x 6 1 / 5 inches, Tilly, a small dressed Dutch doll, is speaking to a large Teddy Bear who is holding a couple of branches of a fir tree, enormous cabbages as backgouind. In large cream mount. A Fine example from a rare book. The story is written and illustrated by Jaques, and is the second about brave doll Tilly. MORE IMAGES ATTACHED TO THIS LISTING.

      [Bookseller: Roger Middleton P.B.F.A.]
 9.   Check availability:     maremagnum.com     Link/Print  


        Flowers

      New York: Harmony Books, (1980). Fine in a fine jacket.. First Edition. Square quarto. SIGNED by Penn. Close-ups of flowers; lovely book.

      [Bookseller: Harper's Books, Inc.]
 10.   Check availability:     Biblio     Link/Print  


        KARL MARX Y SUS CONSECUENCIAS ¿UN ERROR?.

      Ed. Algar., Madrid, 1980 - Tapa blanda, buen estado de conservacion. Indice: "EL DIOS QUE NO EXISTIA". "KARL MARX". Tamaño: 24 x 16 cm., 184 pag. POLITICA MARXISMO

      [Bookseller: libreria anticuaria jerez]
 11.   Check availability:     AbeBooks     Link/Print  


        [Archive of Seven Original Color Cartoon Drawings]

      [New York], 1980. Near fine. Pen, pencil and colored ink on paper. Various sizes. Occasional marginal creases, "Kink Shop" has had one panel replaced. Overall near fine. Includes three example of "Detective Noodles," three of "Bosko," and on of "One Day at the Kink Shop. At the time he helped launch PUNK in 1975, John Holmstrom was studying cartooning under Will Eisner and Harvey Kurtzman at the School of Visual Art and Holmstrom's background helped define the look and feel of PUNK from the start. The first issue, with Holmstrom's indelible Lou Reed cover, set the pace. As Jon Savage described: "Its cover story was an interview with Lou Reed about his current record METAL MACHINE MUSIC, but, instead of a photo, there was a wickedly accurate cartoon of Reed as metal man: the feature inside was not typeset but told in fumetti. 'I wanted to see something new in comics,' says Holmstrom, 'it fitted the music. Johnny Ramone would always wear cartoon logo T-shirts.' In issue number one of PUNK, the surrounding artwork is as important as important as Reed's insults [...] When the interviewers follow Reed down the block, there they are in cartoons. The effect was both immediate and distanced, a formal innovation on par with MAD magazine" (ENGLAND'S DREAMING p. 132). This fumetti technique (which Holmstrom almost certainly picked up from Kutzman's HELP! magazine) would be utilized throughout PUNK'S tenure and was one of its signatures. Indeed, the comic served in no small part as the blueprint for the visual vocabulary of the magazine. And in addition to Holmstrom, the periodical was a valuable forum for underground comix as well, publishing R. Crumb and Bobby London. Working alone and in various collaborative combinations (with associate editor Bruce Carleton, contributing editor Ken Weiner, and "den mother" Pat Ragan), Holmstrom's cartoons graced the majority of the magazine's covers, and various strips were a PUNK staple. By late 1979, however, PUNK Magazine had slipped into "hiatus" for financial reasons. So Holmstrom, Ragan, Carleton, and Weiner tried to come up with comic strip ideas they might be able to sell "to keep us solvent." The original strips here offered are in part the result of these efforts. Three examples are from Holmstrom's most recognizable creation, "Bosko," who appeared in various periodicals throughout the early 80's, including the Village Voice, the East Village Eye, High Times, and elsewhere. Another three are from the "Detective Noodles" series, a satire of the hard-boiled private detective (one of which appeared in STOP #3). The final example, "One Day At The Kink Shop," appears to be a one-off. Aside from the one strip, we have been unable to determine if any others have appeared in print. Nonetheless, a vivid selection of original comic art from the end of the first decade of punk, from one of its cornerstone artists and key figures.

      [Bookseller: Brian Cassidy, Bookseller]
 12.   Check availability:     Biblio     Link/Print  


        Straight Hearts' Delight Love Poems and Selected Letters, 1947-1980

      Gay Sunshine Pr. Very Good with no dust jacket. 1980. First. Paperback. 9780917342653 . Signed by Ginsberg and Orlovsky to psychiatrist and noted LSD researcher Dr. Oscar Janiger. Janiger was Ginsberg friend and therapist. It is listed by Ginsberg as "Oscar Janiger's copy." Inscription reads: "For Dr. Oscar Janiger. May I ask a question: How many years should I keep taking lithium? Thank you for your kind attention over the years, it was a big help." ; 8.82 X 5.98 X 0.87 inches; Signed by All Authors .

      [Bookseller: Books On The Boulevard]
 13.   Check availability:     Biblio     Link/Print  


        English Puritan Tradition, The (Christian Classics)

      Broadman Press, Nashville, TN, 1980. Hardcover. Very Good Condition/No Dust Jacket. One of a Limited Edition of 2000. Very few library markings, and those few are very nonintrusive. Size: 8mo - over 7 3/4" - 9 3/4" tall. 415 pp. Pages are tight and clean. All edges gilt - bright, rich condition. Ex-library with minimal markings. Cover is bumped and rubbed, with some shelfwear. Quantity Available: 1. Shipped Weight: 1-2 pounds. Category: Religion & Theology; Christian::Church History; ISBN: 080546543X. ISBN/EAN: 9780805465433. Inventory No: 105752. .

      [Bookseller: Lotzabooks]
 14.   Check availability:     Biblio     Link/Print  


        Orientalischer Fürst, dessen Schleppe von einem Knaben getragen wird.

      . Feder in Braun, braun und grau laviert, auf Bütten mit Fragment eines Wasserzeichens: bekröntes Lilienwappen, 19,1:14,2 cm. Papier insgesamt etwas vergilbt und fleckig, wovon der gute Gesamteindruck des Blattes allerdings kaum beeinträchtigt wird. Literatur: W. Sumowski, Beiträge zur Kenntnis der Lastmann-Zeichnungen, Abb. 10, in: Pantheon XXXVIII, Jan./Febr./März 1980, D. 61. Vergleichsliteratur: H. Robels, Niederländische Zeichnungen vom 15. bis 19. Jahrhundert im Wallraf-Richartz-Museum Köln. Köln, 1983, Nr. 290 mit Abb.; Kat.: Dutch, Flemish and German Old Master Drawings. Christie's Amsterdam, 25.11.1991, Kat. Nr. 72; Michiel C. Plomp, The Dutch Drawings in the Teyler Museum. Bd. II. Artists born between 1575 and 1630. Haarlem/Ghent/Doornspijk 1997, Nr. 554 mit Abb.; Ausst. Katalog: Aus Rembrandts Kreis. Die Zeichnungen des Braunschweiger Kupferstichkabinetts. Braunschweig 2006, Nr. 49 mit Abb., S. 174.. Möglicherweise handelt es sich bei unserer Zeichnung um eine Vorstudie zu dem de Wet zugeschriebenen Gemälde King greeting an old Man, 48,7:64,3 cm, das in der Auktion von Bonhams, London, 8.11.2005, als Nr. 107, Abb. S. 19 angeboten wurde. Der Historienmaler de Wet befand sich vermutlich zwischen 1630 und 1632 als Schüler in Rembrandts Werkstatt. 1644 wurde er Mitglied der Haarlemer Lukasgilde. Zahlreiche Namensvarianten werden de Wet zugeordnet (Johann Düwett; Jan de Wet; Johan de Wett; Johann de Wette). Er war auch Schüler von J.A. Berckheyde (1610-1693) und P. Potter (1625-1654). Sein Sohn Jacob de Wet (1640-1697) und J.Ph. Lemke (1631-1711) waren seine Schüler. Ein Skizzenbuch Jacob Willemsz. de Wets aus dem Jahr 1636 befindet sich in Haarlem (Gemeentarchief, MS Hs 230).

      [Bookseller: Galerie Joseph Fach GmbH]
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        Photo Mail From Okinawa: Play Map of GT. Street, No. 3

      Tokyo: Paroru-sha, 1980. Near fine in stapled photo-illustrated wrappers.. First Editions. Stapled quarto. The third of four volumes of Kitajima's Photo Mail from Okinawa, published to coincide with his shows at the Camp Gallery, founded by Daido Moriyama after the dissolution of Workshop, and predating Kitajima's work in book form. This gritty magazine, published in black and white on glossy paper, shows the evolution of Japanese photography out of the Provoke era. While Kitajima retains some of Provoke's hallmarks, his emphasis is more on people and less on abstraction. Kitajima's images of a seedy Okinawa evoke a Punk or even Hip Hop sensibility, and form the genesis of the New York work for which he is best known.

      [Bookseller: Harper's Books, Inc.]
 16.   Check availability:     Biblio     Link/Print  


        Japanese Naval Vessels Illustrated, 1869-1945.

      1-3. Illustrated. Reprint. Tokyo, Bestsellers Publishing Company, 1980-82. Oblong 8vo. (2),+ 431,+ (1); (2),+ 471,+ (1); (2),+ 358,+ (2) pp. A small paper cut in upper margin through the last pages of part three. Publ. dec. cloth in publ. printed slip cases. Three volumes. Vol. 1: Battleships & Battle Cruisers. Vol. 2: Cruisers, Corvettes & Sloops. Vol. 3: Aircraft Carriers, Seaplane Tenders & Torpedo Boat & Submarine Tenders

      [Bookseller: Centralantikvariatet]
 17.   Check availability:     Antikvariat     Link/Print  


        HAP Grieshaber - Hellas II. Vorzugsausgabe. Texte von Margarete Hannsmann und Iannis Negrepondis. Mappenwerk mit 3 nummerierten Original Farb-Holzschnitten (Auflage 290 Exemplare) auf Velin, Blattmaß 40,7 x 53 cm, von HAP Grieshaber signiert im Büttenumschlag / 1 Buch "HAP Grieshaber Hellas" mit 1 eingebundenen gefalteten Original Farbholzschnitt

      München, Bruckmann, 1980.. Kassettenformat 42,5 x 55,5 cm. Beiliegendes Buch im Format 21,5 x 24,5 cm, 62 S. mit zahlreichen farbigen Abbildungen und 1 eingebundener gefalteter Orig.-Farbholzschnitt von HAP Grieshaber. Illustrierte Orig.-Leinenkassette. Büttenumschlag mit den 3 Originalfarbholzschnitten und dem beiliegenden Buch mit dem gefalteten Originalholzschnitt (illustrierter Orig.-Pappband). Originalfarbholzschnitte in sehr gutem Zustand. Frisches und sauberes, sehr gutes Exemplar.. Eins von nur 290 nummerierten und von HAP Grieshaber handschriftlich signierten Exemplaren der Vorzugsausgabe mit den 3 Original-Farbholzschnitten: Athene Parthenos / Poseidon / Zeus. WVZ Fürst 80/4 bis 80/6.

      [Bookseller: Versandantiquariat Elke Rehder]
 18.   Check availability:     ZVAB     Link/Print  


        THE CROWNING OF NATURE: The Doctrine of the Chief Medicine Explained in Sixty Seven Hierogliphicks

      Glasgow, 1980. Cloth bound in very good condition; Discoloration to edges of paste-downs from glue used in binding, as is common in this series, Glit spine titles slightly darkened. Edited with a Commentary by Adam McLean; Limited edition of 250 copies signed, dated and numbered by Adam McLean; Magnum Opus Hermetic Sourceworks No. 3; Hand-Bound in simulated brown leather with gilt spine title; Printed on heavy blue paper stock; 137 pages; 67 hand-colored illustrations, not all of the printing was issued colored A detailed description of the alchemical process through a series of 67 illustrations.

      [Bookseller: By The Way Books]
 19.   Check availability:     Biblio     Link/Print  


        Image Shop Camp Vol. 1 Or Last!

      Tokyo: Camp, (1980). A beautiful, fine copy in photo-illustrated stapled wrappers with just a hint of creasing to the rear cover. Increasingly uncommon.. First Edition. Folio. First and only edition of this groundbreaking magazine of the Japanese photo group and gallery Camp, founded by Moriyama and Kitajima, and featuring an innovative blend of post-Provoke images combined with unique graphic design and typography.

      [Bookseller: Harper's Books, Inc. ]
 20.   Check availability:     ABAA     Link/Print  


        Zoology of the Voyage of the H.M.S. Beagle. Facsimile edition

      Wellington, NZ: Nova Pacifica, 1980. Darwin, Charles (1809-82), ed. The zoology of the voyage of H. M. S. Beagle during the years 1832-1836. Facsimile reprint. 3 vols., 4to. Variously paginated. 111 plates (incl. color). Wellington, New Zealand: Nova Pacifica, 1980. 319 x 250 mm. Original quarter morocco, cloth boards. Fine. No. 147 of 750 copies.

      [Bookseller: Jeremy Norman's Historyofscience.com]
 21.   Check availability:     Biblio     Link/Print  


        JAMES LEE BYARS (THE WHITE BOOK) - LIMITED EDITION WITH AN ARTWORK LAID IN

      Los Angeles: Foundation for Art Resources, Inc. (FAR), 1980. (BYARS, JAMES LEE). Byars, James Lee, James Butler, Harald Szeeman, Dr. Reiner Speck & Morgan Thomas. JAMES LEE BYARS (THE WHITE BOOK) - LIMITED EDITION WITH AN ARTWORK LAID IN. Los Angeles: Foundation for Art Resources, Inc. (FAR), 1980. First Edition 1/500. Large Square 4to. Wrappers. Artist's Book with Multiple. Fine. np, 17 b&w illustrations. Text in English. This truly unusual James Lee Byars item was produced in an edition of five hundred copies in 1980 by the Los Angeles non-profit Arts organization Foundation for Art Resources, Inc. The publication's primary funding came from an NEA grant that was written in such a way that prevented the actual sale of the book itself! This untitled publication is referred to as "The White Book", and was conceived with the artist's collaboration as an expanded version of the 1978 Kunsthalle Bern exhibition catalogue that was a full documentation of Byars' public performance pieces from 1963 through 1975. Laid in to the book is the unique multiple artwork "The Exhibition of Perfect", which disperses in a rather surprising way when the book is opened. Approximately three hundred of these were sent hors commerce to Museums, Art Libraries, Non-Profit Arts organizations and friends and supporters of FAR. It was never made commercially available - one had to receive this as a gift at the time of publication. The remaining copies languished with the publisher, never having been assembled with the artwork or distributed, and have ultimately disappeared. A bright white, near pristine copy of this exceedingly uncommom and desirable Byars gem. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 019653&

      [Bookseller: Arcana: Books on the Arts]
 22.   Check availability:     Biblio     Link/Print  


        ORBIS TYPOGRAPHICUS, THOUGHTS, WORDS AND PHRASES ON THE ARTS AND SCIENCES. EXPERIMENTAL TYPOGRAPHY DESIGNED BY HERMANN ZAPF. COMPOSED AND PRINTED BY HAND BY PHILIP METZGER

      The Crabgrass Press, Prairie Village 1980 - 4to. 27 loose broadsides measuring 9 x 12 inches inserted in a special plastic box which is inserted in a cardboard mailing box with. Limited to only 99 sets of which 75 were for sale. Numbered and signed by both Metzger and Zapf. The broadsides are printed in a variety of typefaces and on different papers. A very scarce example of the best of American private press work. Cardboard mailing box is toned. Book is as new condition. With spine label for box and printed note on how to care for plastic case loosely inserted. 27 loose broadsides measuring 9 x 12 inches inserted in a special plastic box which is inserted in a cardboard mailing box with

      [Bookseller: Oak Knoll Books, ABAA, ILAB]
 23.   Check availability:     AbeBooks     Link/Print  


        Dogg's Hamlet, Cahoot's Macbeth

      London Faber & Faber Ltd 1980. VG: in very good condition with price clipped dust jacket in clear protective sleeve First hardback edition Black hardback cloth cover 210mm x 130mm (8" x 5"). 80pp.

      [Bookseller: Barter Books]
 24.   Check availability:     TomFolio     Link/Print  


        CORONADO'S CHILDREN TALES OF LOST MINES & BURIED TREASURES OF THE SOUTHWEST

      Dallas: Neiman-Marcus, 1980. Dallas: Neiman-Marcus, 1980.. Folio (33 x 26cm). Quarter morocco and Mexican bark paper over boards. Folding map, illustrations and in-text map. Printed in red and black, with gilt decorative initials. Bookplate on front pastedown, otherwise fine in faintly marked slipcase. First fine press edition. One of three hundred copies printed at the Arion Press on handmade Italian Fabriano Roma, bound by the Schuberth Bindery. This imposing edition of Dobie's most interesting text for general readers was commissioned by Neiman-Marcus for sale via their catalogue and through their retail outlets. Consequently, a considerable portion of the edition saw distribution outside the usual constituency for such undertakings.

      [Bookseller: William Reese Company - Literature ABAA-]
 25.   Check availability:     ABAA     Link/Print  


        MAPPINGS

      (Vikram Seth) (1980), (Saratoga, CA) - Black printed wraps. Seth's scarce first book, self-published and issued in an edition of only 150 copies, all SIGNED by the author. [Attributes: First Edition; Soft Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
 26.   Check availability:     AbeBooks     Link/Print  


        Luther, Manfred. - Cogito ergo sum. - "Kreis I - Gold auf Anthrazit".

      . Farbsiebdruck / Farbserigrafie, in zwei Farben, um 1980. Von Manfred Luther. Auflage Exemplar Nr. 21/27. 60,5 x 51,0 cm (Darstellung / Blatt). Verso in Faserstift eigenhändig bezeichnet und signiert: "Cogito, ergo sum. Descartes / Alles Vergängliche ist nur ein Gleichnis. Faust/Goethe / 21/27 / MLuther" - Ohne Mängel. Sehr guter Erhaltungszustand. Manfred Luther (1925 Dresden - 2004 Dresden). Deutscher Grafiker, namhafter Vertreter der Konkreten Kunst in der DDR. 1952-55 Arbeit als Konstrukteur. Ab 1955 freischaffender Maler und Grafiker. 1956-62 Zeichenunterricht bei diversen Künstlern und erste konkrete Zeichnungen. 1962-66 Studium bei Ernst Hassebrauk. 1968 24 Tuschblätter "Konkrete Zeichnungen", aus denen bis 1976 die Siebdruck-Serie "schwarz-weiß-grau" und die Folge "paraphrasen" (1970) entwickelt werden. 1979-83 Farbsiebdruck-Serie "Farbiger Epilog". Ab 1980 Serie "Cogito ergo sum" in Mischtechniken und Siebdruck.; 2127.

      [Bookseller: Galerie Himmel]
 27.   Check availability:     ZVAB     Link/Print  


        Luther, Manfred. - Cogito ergo sum. - "Kreis II - Silber auf Hellgrau".

      . Farbsiebdruck / Farbserigrafie, in zwei Farben, 1980. Von Manfred Luther. Auflage Exemplar Nr. 11/25. 60,5 x 51,0 cm (Darstellung / Blatt). Verso in Faserstift eigenhändig bezeichnet und signiert: "Cogito, ergo sum. / Staub zu Staub. / 11/25 / MLuther". - Ohne Mängel. Sehr guter Erhaltungszustand. Manfred Luther (1925 Dresden - 2004 Dresden). Deutscher Grafiker, namhafter Vertreter der Konkreten Kunst in der DDR. 1952-55 Arbeit als Konstrukteur. Ab 1955 freischaffender Maler und Grafiker. 1956-62 Zeichenunterricht bei diversen Künstlern und erste konkrete Zeichnungen. 1962-66 Studium bei Ernst Hassebrauk. 1968 24 Tuschblätter "Konkrete Zeichnungen", aus denen bis 1976 die Siebdruck-Serie "schwarz-weiß-grau" und die Folge "paraphrasen" (1970) entwickelt werden. 1979-83 Farbsiebdruck-Serie "Farbiger Epilog". Ab 1980 Serie "Cogito ergo sum" in Mischtechniken und Siebdruck.; 1125.

      [Bookseller: Galerie Himmel]
 28.   Check availability:     ZVAB     Link/Print  


        African Hunting Reprint Series. Vollständig in 12 Bänden.

      Bulawayo, Books of Zimbabwe, 1980-1989. Band 1 und 2: Cumming, Gordon: A Hunter's Life in South Africa. Volume I and II. Band 3:Finaughty, William: The Recollections of an Elephant Hunter 1864-1875. Band 4: Baldwin, Charles: African Hunting and Adventure. Band 5: Selous, F. C.: A Hunder's Wanderings in Africa. Band 6: Neumann, Arthur: Elephant Hunting in East Equatorial Africa. Band 7: Hodson, Arnold: Trekking the great Thirst. Band 8: Stigand, C. H.: Hunting the Elephant in Africa. Band 9: Cornwallis Harris, William: The wild sports of southern Africa. Band 10: Lyell, Denis: The african Elephant and its Hunters. Band 11: Sutherland, James: The Adventures of an Elephant Hunter. Band 12: Letcher, Owen: The Bonds of Africa. Alle Bücher in Ledereinband mit goldgeprägtem Rücken und in tadellosem Zustand.

      [Bookseller: JSM-Auktionen]
 29.   Check availability:     ZVAB     Link/Print  


        Contes et Légendes de L'Islet

      Édition La Berlue, L'Islet 1980 - in-4, n.p., de 16 ff. doubles et 10 planches à l'eau-forte, hors-texte, sous boîtier de Pierre Ouvrard. Édition originale à 50 exemplaires, sur papier Saint-Gilles avec filigrane de l'éditeur, eaux-fortes, numerotées, titrées et signées par l'artiste. Une petite ceinture fléchée de Noella de Blois maintient ensemble les cahiers. Titres des eaux-fortes : Le Cheval noir, Le Rochet Panet, Le Beau danseur, La Grande oie blanche, Les Feux-follets, et Les Lutins. Etat de neuf, 33x26cm (1400gr)

      [Bookseller: Bertrand Tremblay]
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        The Art of Emily Carr (Signed By Shadbolt)

      Clarke Irwin / Douglas & McIntyre, Toronto & Vancouver 1980 - Promoted as the Special Collector's Edition, this is a gorgeous and extremely well made production. The book, 14" x 12", was designed by Reinhard Derreth; printed by Herzig Somerville on Carlyle Japan Antique paper; marbled endpapers; bound by Anstey Graphics in quarter calf leather and sailcloth; and encased in a black walnut box (17" x 15"), designed by Grace Studios, who also modelled and cast the cameo (argillite-like) of Carr that is set into the lid of the box. This edition is limited to 250 copies, of which this is number 167, signed by the author (Shadbolt) on the limitation page. 177 reproductions of Emily Carr's work, both in colour and B/W are tipped-in; 223 pages including reference notes and bibliography. In addition, in a separate portfolio, there are six loose charcoal drawings (16" x 14") done by Emily Carr between 1929 and 1931, reproduced on Stonehenge paper in the Sinetone process by Herzig Somerville, also in an edition of 250 copies, of which this is number 167 and signed by Doris Shadbolt. The brass ring that encircles the Carr cameo is tarnished and there are a few tiny specks on the cover of the portfolio (perhaps being a reaction of the paper being in contact with the inside of the wood box). The trade edition of this book was first published in 1979 and the first printing of 30,000 copies was entirely sold out by the end of 1979. This copy also has photocopies of three typed letters from the publisher promoting this edition to book stores and collectors and advising them of the troubles and added costs encountered along the way. It was originally offered to subscribers in 1979 at $1,000, but due to increased material costs the suggested retail price became $1,500 after 1 June 1980. Large and heavy item and may require additional shipping charges. [Attributes: First Edition; Hard Cover]

      [Bookseller: Purpora Books]
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        Telefon Buch

      Dudweiler, AQ-Verlag, Dudweiler, 1980. artists book, Unpaginiert, m.Abb., Ill., Okart., 24,5 x 18,5 cm. very good condition w/creased corner on back cover otherwise fine.

      [Bookseller: Perfect Book]
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        Someone Like You

      Penguin Books, Middlesex 1980 - Signed and dated by Roald Dahl to the first page. Ffep missing. Covers a little worn and creased, particularly the rear corners. Page margins a little browned but otherwise contents clean and condition good.  269pp. [Attributes: Soft Cover]

      [Bookseller: St Marys Books & Prints]
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        THINGS MADE BY INUIT

      Quebec, Canada: Le Federation Des Cooperatives Du Nouveau, 1980. Quebec, Canada: Le Federation Des Cooperatives Du Nouveau. 1980. First Edition; First Printing. Softcover. 3791300563 . Very Good in wrappers. Small stain to front panel. Paperclipped to FEP is a letter from Gallery Phillip giving history of Iyaitok's exhibitions. From Spirit Wrestler Gallery website: “Iyaituk works in a variety of materials—soapstone, serpentine, marble, wood, caribou antler, alabaster, and copper—often recording personal experiences in abstract sculptural forms. He has been the subject of numerous articles, and his work has been featured in many exhibitions, both nationally and and internationally. ” ; Signed and inscribed by Matiusi Iyaitok. ; Square Small 4to 9" - 11" tall; Signed by Artist .

      [Bookseller: Rare Book Cellar]
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        Heisig, Bernhard. - "Der Drucker Arloth".

      . Lithografie / Kreide- & Pinsellithografie, 1980. Von Bernhard Heisig. 41,0 x 32,0 cm (Darstellung) / 47,5 x 36 cm (Blatt). Außerhalb der Darstellung rechts unten signiert und links unten betitelt. - Porträt des bekannten Leipziger Steindruckers Horst Arloth. Arloth wurde 1925 in Niedergrunstedt bei Weimar geboren. Im Anschluss an seine Ausbildung zum Steindrucker übernahm er 1950 die Lithografische Werkstatt der Hochschule in Weimar. Nach deren Schließung wechselte er 1954 an die Hochschule für Grafik und Buchkunst Leipzig (HGB), wo er bis 1989 äußerst erfolgreich in der Lehre tätig war. Neben den Arbeiten von Bernhard Heisig druckte er auch die lithografischen Werke von Werner Tübke, Gerhard Altenbourg, Willi Sitte, Wolfgang Peuker, Arno Rink, Rolf Münzner, Dietrich Burger und Irmgard Horlbeck-Kappler. - Rechts oben triangulärer Einriß mit kleinem Löchlein. An den Ecken kleine Druckstellen. Blattrand leicht angeschmutzt und leicht knickspurig. Mäßiger Zustand. Bernhard Heisig (1925 Breslau - 2011 Strohdehne). Deutscher Maler und Grafiker. Einer der wichtigsten Repräsentanten der DDR-Kunst. Bildet mit Werner Tübke und Wolfgang Mattheuer die berühmte Trias der Leipziger Schule. Ab 1954-68 Dozent an der Hochschule für Grafik und Buchkunst in Leipzig. Dort 1961 zum Professor ernannt und als Rektor gewählt. Von 1956-59 Vorsitzender des Verbandes Bildender Künstler (VBK) im Bezirk Leipzig. 1976 Rückkehr an die Hochschule. Zu seinen Schülern gehören u.a. Arno Rink und Neo Rauch..

      [Bookseller: Galerie Himmel]
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        [Archive of Seven Original Color Cartoon Drawings]

      [New York], 1980. Near fine. Pen, pencil and colored ink on paper. Various sizes. Occasional marginal creases, "Kink Shop" has had one panel replaced. Overall near fine. Includes three example of "Detective Noodles," three of "Bosko," and on of "One Day at the Kink Shop. At the time he helped launch PUNK in 1975, John Holmstrom was studying cartooning under Will Eisner and Harvey Kurtzman at the School of Visual Art and Holmstrom's background helped define the look and feel of PUNK from the start. The first issue, with Holmstrom's indelible Lou Reed cover, set the pace. As Jon Savage described: "Its cover story was an interview with Lou Reed about his current record METAL MACHINE MUSIC, but, instead of a photo, there was a wickedly accurate cartoon of Reed as metal man: the feature inside was not typeset but told in fumetti. 'I wanted to see something new in comics,' says Holmstrom, 'it fitted the music. Johnny Ramone would always wear cartoon logo T-shirts.' In issue number one of PUNK, the surrounding artwork is as important as important as Reed's insults [...] When the interviewers follow Reed down the block, there they are in cartoons. The effect was both immediate and distanced, a formal innovation on par with MAD magazine" (ENGLAND'S DREAMING p. 132). This fumetti technique (which Holmstrom almost certainly picked up from Kutzman's HELP! magazine) would be utilized throughout PUNK'S tenure and was one of its signatures. Indeed, the comic served in no small part as the blueprint for the visual vocabulary of the magazine. And in addition to Holmstrom, the periodical was a valuable forum for underground comix as well, publishing R. Crumb and Bobby London. Working alone and in various collaborative combinations (with associate editor Bruce Carleton, contributing editor Ken Weiner, and "den mother" Pat Ragan), Holmstrom's cartoons graced the majority of the magazine's covers, and various strips were a PUNK staple. By late 1979, however, PUNK Magazine had slipped into "hiatus" for financial reasons. So Holmstrom, Ragan, Carleton, and Weiner tried to come up with comic strip ideas they might be able to sell "to keep us solvent." The original strips here offered are in part the result of these efforts. Three examples are from Holmstrom's most recognizable creation, "Bosko," who appeared in various periodicals throughout the early 80's, including the Village Voice, the East Village Eye, High Times, and elsewhere. Another three are from the "Detective Noodles" series, a satire of the hard-boiled private detective (one of which appeared in STOP #3). The final example, "One Day At The Kink Shop," appears to be a one-off. Aside from the one strip, we have been unable to determine if any others have appeared in print. Nonetheless, a vivid selection of original comic art from the end of the first decade of punk, from one of its cornerstone artists and key figures.

      [Bookseller: Brian Cassidy, Bookseller]
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        Werkmeister, Wolfgang. - "Fjordlandschaft III".

      . Radierung / Aquatinta, 1980. Von Wolfgang Werkmeister. Auflage Exemplare 180 . 33,0 x 46,8 cm (Darstellung / Platte) / 50,5 x 67 cm (Blatt). Werkmeister II 273. Rechts unterhalb der Platte in Bleistift signiert und datiert sowie Prägestempel "Druck Werkmeister", links betitelt. Verso in Bleistift bezeichnet "Auflage 180". - Insgesamt sehr guter Zustand. Wolfgang Werkmeister (*1941 Berlin, lebt und arbeitet in Hamburg). Deutscher Grafiker, bedeutender Vertreter der zeitgenössischen Radierkunst. 1960-64 Besuch der Akademie der Bildenden Künste Stuttgart, Fachklasse für freie Grafik und Illustration bei Gunther Böhmer. 1965 Besuch der Fachhochschule für Gestaltung Hamburg bei W. M. Busch und S. Oelke. 1966-68 tätig als Pressezeichner. 1972/73 Dozent an der Fachhochschule für Gestaltung, Hamburg. Zahlreiche Auslanfsaufenthalte und Stipendien in Marokko, USA, auf den Kanarischen Inseln, etc. 2001 Kunstpreis der Stadt Baden-Baden. Zentrales Ausdrucksmittel ist die Radierung, genauer die Aquatinta, in der er Landschaft als Hauptmotiv regelrecht zelebriert und in technisch ebenso aufwändigen wie raffinierten Blättern druckgrafisch umsetzt. Stilistisch siedelt sein Werk zwischen einem geschickt eingesetzten Fotorealismus und der lakonischen Bildsprache eines Ansel Adams.; 180.

      [Bookseller: Galerie Himmel]
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        CARLOS NADAL (CONTIENE PINTURA ORIGINAL)

      . Zustand: Como Nuevo Einband: Encuadernacion de tapa dura Dedicatoria autografa del autor 1 Edicion. Avingnon. 1980. 212 pag. 27x25,5. Gran Obra de Nadal(dificil en comercio) con dibujo original firmado y dedicado por el Magnifico Pintor(foto). Ref 8.1 Biblioteca A.

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        SWOD SAKONOW. Das Zivilrecht der Sowjetunion (Russischer Zivilkodex), 11 Bände, unvollständig. [= The Civil Law of the Sowjet Union, 11 Volumes, incomplete. CCCP. USSR.],

      Moskau : Staatsdruckerei, 1980 - 1989. - 11 Gesetzesordner, insgesamt ca. 6.600 S. Große Sammlung an Gesetzestexten des sowjetischen Zivilrechts, abgelegt in 11 Ordnern, jeweils mit goldgeprägter Aufschrift und blindgeprägtem Hoheitszeichen der UdSSR. Aufgrund fehlender Vergleichstitel können keine konkreten Angaben zu Vollständigkeit und redaktionellem Stand dieser Sammlung gemacht werden. Band 2 ist jedoch unvollständig, dort fehlen Seite 1 bis 616. Die Gesetze stammen aus ehemaligem Bibliotheksbestand. Hefter außen berieben und etwas angestaubt. Seiten unterschiedlich nachgedunkelt, an wenigen Stellen mit Flecken oder kleinen Einrissen. Guter bis brauchbarer Gesamtzustand. Mehr Bilder auf Anfrage. // Civil laws of the USSR. The collection comes in 11 folders. Because of the Russian language and the lack of a comparsion-title, we were not able to check copleteness and the full contents. Page 1 - 616 of Volume are missing. From library-stock. Folders with light shelf wear. Pages clean, several parts are browned, only few pages with stains or light creasing. Still in good condition. More pictures on demand. mbx jqx Sprache: ru Gewicht in Gramm: 23860

      [Bookseller: Antiq. Bookfarm/ Sebastian Seckfort]
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        "Ansicht des Moselthales oberhalb Trier, im Vordergrunde die Reste des römischen Amphitheaters."

      . Lithographie, auf cremefarbenem Velin. Darstellungsgröße 34,2:44,7 cm, Blattgröße 55,2:60,5 cm. Literatur: Aus Nagler 2; E. Zahn: Joh. Anton Ramboux in Trier, Trier 1980, Nr. 19, Abb. S. 50; Ausst. Katalog: D. Ahrens: Johann Anton Ramboux, Ansichten von Trier, Trier 1991, Nr. 4, Abb. 58.. Blatt 3 - eines der beiden Hauptblätter - aus der berühmten Folge "Malerische Ansichten der merkwürdigsten Alterthümer und vorzüglicher Naturanlagen im Moselthale bey Trier", 1824-1827 veröffentlicht, erschienen mit dem Begleittext des Trierer Gelehrten und Bibliothekars Joh.H. Wyttenbach. Obwohl die Folge insgesamt in acht Heften mit je 4 Blättern erscheinen sollte, wurde sie wegen Mangels an Interesse nach dem vierten Heft eingestellt. Da die vier Hefte nicht einmal in öffentlichen Sammlungen komplett vorliegen, gehören sie heute zu den großen Raritäten, die die deutsche Romantik auf dem Gebiet der Graphik hervorgebracht hat. "Dieses Blatt gehört zu den schönsten romantischen Ansichten einer landschaftlichen Situation und wurde von Ramboux auch nur wegen dieses malerischen Gehaltes gezeichnet, wohl kaum wegen eines Alterthums'." (zit: aus: Zahn 1991, S. 48). J.L. David (1748-1825), dessen Schüler Johann Anton Ramboux in Paris 1808 bis Mitte 1812 war, stellte dem jungen Deutschen ein berühmt gewordenes Zeugnis aus, das die Wertschätzung, die Ramboux bei dem französischen Maler genoß, deutlich offenbart: "[...] ich muß zugeben, daß in der großen Zahl von Schülern, die ich ausgebildet habe, niemand in irgendeiner Zeit mehr Talent als der junge Ramboux gezeigt hat; und ich fürchte nicht, daß diesen schmeichelhaften Aussagen über ihn und seine Anlagen widersprochen wird; er ist geboren, um in dieser Kunst dem Lande, das ihn hervorgebracht hat, Ehre zu bringen." (zit: aus: Ausst. Katalog: H. Robels: Johann Anton Ramboux. Maler und Konservator 1790-1866, Köln 1966, S. 10).

      [Bookseller: Galerie Joseph Fach GmbH]
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