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Displayed below are some selected recent viaLibri matches for books published in 1980

        The Surgeon's Mate

      Collins, London. 1980 - Uncorrected advanced proof. 8vo. Pp, 315. Original light blue printed wraps. Top edge a little dusty and a small stain to fore-edge. A fragile binding that has come through exceptionally well. [Attributes: Soft Cover]

      [Bookseller: Leakey's Bookshop Ltd.]
 1.   Check availability:     AbeBooks     Link/Print  

        The Surgeon’s Mate.

      London: Collins 1980 - First edition, 8vo, 315, (1) pp. Cloth, d.w., not price clipped, with the Author’s name on the spine faded, a near fine copy.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
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        Hamburg 1929 - 1995). Zwischenspiel. Farbradierung von 1980. Signiert, datiert u. nummeriert 28/50. 43,5 x 32,5 cm.,

      1980 - Frielinghaus 116.- Unvollendete Platte und nicht in die Serie 'Caprice 2' aufgenommen. Die Auflage wurde 1992 gedruckt und vom Verlag St. Gertrude, Hamburg, herausgegeben. Gewicht in Gramm: 500

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        Riddley Walker

      London: Jonathan Cape,, 1980. Octavo. Original black boards, spine lettered in gilt, grey endpapers. With the dust jacket. Spine rolled; an excellent copy in the bright jacket that has a toned spine. First edition, first impression. Presentation copy, inscribed by the author on the the title page to the author John Baxter. Scarce inscribed.

      [Bookseller: Peter Harrington]
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      Neville Publishing, Santa Barbara, CA 1980 - Copy Z of 26 lettered and SIGNED copies bound in full black leather of a total edition of 326 of this chapter originally intended for O'Brien's prize- winning GOING AFTER CACCIATO but left out and first published here. It was incorporated in altered form in THE THINGS THEY CARRIED. Fine as issued, without dustwrapper [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Speaking Of Courage

      Neville Publishing, Santa Barbara, CA 1980 - 20 pages. First edition, first printing. One (D) of 26 lettered copies signed by O'Brien. Originally written as a chapter for Going After Cacciato. Fine leather book without dust jacket as issued. A beautiful copy! [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Fireproof Books]
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        Mind''s Eye

      Martin Secker & Warburg Ltd, 1980-02-25. Hardcover. VeryGood/vg. First Edition, tight binding, light creasing, rubbing, nicking and chipping to price-clipped Dust Jacket, \r\n.First Edition.Dust Jacket available.Jacket Condition: vg

      [Bookseller: kbooks]
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        Color 1941-1980

      Matrix, Providence, RI 1980 - First edition. Square folio. Very slight fading at the spine, just about fine in a near fine cloth slipcase with some fading at the extremities. Signed by the author. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Park City

      Albuquerque and New York: Artspace Press and Castelli Graphics in association with Aperture. (1980). First. First edition. Large square quarto. Fine in fine dustwrapper that is a trifle rubbed at the spine ends. A lovely copy of an uncommon and impressive volume, the second of a trilogy of cutting edge modern conceptual photography books by this artist. Parr and Badger, The Photobook Volume 2, p. 34. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      New York: Harmony Books, 1980 - INSCRIBED by Penn on the half title to photographer Irwin Block First edition. 4to. Illustrated with color photographs throughout. 94, [2] pp. Publisher's beige cloth, fine. In lightly worn dustjacket [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        I am the third".

      Color lithograph, 103 x 72 cms. Signed 'Pistoletto' and dated (1980) in the lower middle. Numbered (6/6) and annotated 'P.P.' in the lower left. SEE ILLUSTRATION. - Color lithograph, 103 x 72 cms. Signed 'Pistoletto' and dated (1980) in the lower middle. Numbered (6/6) and annotated 'P.P.' in the lower left. SEE ILLUSTRATION. [Attributes: Signed Copy]

      [Bookseller: Luiscius Books]
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        For a Song. Natalia d'Arbeloff. [Limited Edition, Handbound Artist's Book with Colored Etchings & Etched Text].

      (c) 1980 Natalie d'Arbeloff NdA Press 6 Cuff Villas London NW1 9AL England. "Number 12 of only 15 copies; with extra, dated inscription by NdA: [-]'s copy since 9th Oct. 1986. - [Colophon:] These poems were written in 1976-77. The etchings were done in 1978. This book was printed in 1980 by NdA on an etching press. The edition comprises: A unique copy including colour proofs, vellum-bound. 15 copies as follows: 1-5 Black ink on white Hondomura paper. Natural goatskin binding. 6-10 White ink on black paper. Black suede binding. 11-15 Black and brown ink on Barcham Green RWS White Wove. Natural goatskin binding. [this copy is from this series] Bindings, with embossed vellum panels, were designed by NdA and made by Rachel Ward-Sale (unique copy and copies No. 1 and No. 6) and by Robert Wallace-Hadrill. [In pencil under embossed NdA monogram:] This is copy No. 12 [-]. Size of binding: 6 3/8 in. x 6 6/8 in., containing 7 colored (brown & gray/black) etchings, with loose tissue guards, illustrating 7 poems, each with a separate, etched title leaf: these & the titlepage & colophon leaf are etched plates with white lettering on a black/gray surface. The image sizes vary slightly (approx. 3 in. x 4 in., or slightly larger), and are printed into the thick paper deeply, to produce embossed mirror images on the back of each illustration page. Embossed NdA mongram page, followed by etched colophon/copyright page. Titles of poems: [1] Now That We've Met; [2] You Know You Can Have Me; [3] In The Hierarchy Of Pleasure; [4] You Have The Power; [5] Listen, I Don't Want To Understand You; [6] Everything In My Life; [7] I Am The Paper Bound in full natural, tan goatskin with a darker tan/brown, embossed panel in the center of the front and back covers, which reproduce the sixth etched illustration (Everything In My Life); black suede paste-downs & purple/brown-surfaced paper endpapers. Preserved in a sturdy, drop-back clamshell box, measuring: 7 1/8 in. x 7 3/8 in. x 1 1/4 in. (thick); this box is covered in black cloth with the title visible as black lettering on a gray surface on the spine; interior of box is lined with a cream-colored suede. The box and book are in fine condition. This entirely etched & embossed book is one of Natalie d'Arbeloff's finest creations. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        Typed Letter, signed ("Robert Motherwell"), to Nancy McDonald of Spanish Refugee Aid Inc. of NY

      909 North Street, Greenwich, CT: 909 North Street, March 31, 1980. 4to. 2 pp. typed on letterhead. Fine, in brown cloth chemise . Lengthy typed letter with excellent content concerning Motherwell's uneasy negotiation of Spanish politics and art. In 1980 the Jaun March Foundation and the Catalan bank La Caixa organized the first exhibition of Motherwell's work in Spain. His series of works titled Elegies for the Spanish Republic, begun in 1949 and continued until his death in 1991, totaled more than 170 works and would strongly link the artist with anti-Francosim and the lost Spanish Republic. However, as this letter demonstrates, in person, Motherwell maintained a professional, neutral stance, and seemed to have trouble engaging the Spanish in any political conversation. Reading, in part: "I didn't realize at the time of the New York Times announcement that, though the Juan March Foundation originated the show, in Barcelona it was under the auspices of the largest savings bank in Catalonia, 'la Caixa,' at a small museum they have acquired. If I understand correctly, it is either Spanish or certainly Catalonian law that such a bank must spend 50% of it's annual profits on culture - The Jaun March Foundation, as far as I can tell, is almost an exact equivalent of the J.S. Guggenheim Foundation here - They seem extremely wealthy, honorable in intent, and highly efficient - I mean an almost IBM-corporate efficiency, shattering every cliché about 'mañana' (what is ironic is that the fabulously wealthy Juan March was the financial backer of Franco, and yet in my show are major 'Elegies to the Spanish Republic.'). My impression, for what it's worth, is that there's a kind of understanding that anything scholarly or artistic can be done as long as one stays away from partisan politics. For instance, Barcelona insisted that I be present and treated me beautifully, while the Juan March people [from Madrid] had implied that it wasn't necessary to go to Barcelona, and immediately descended on the scene. As you know, there are tremendous Separatist movements in Spain - Being a fish swimming in foreign waters, I asked various people who know the scene what to do, and the concensus [sic] is that it is a Spanish labyrinth that is *their* problem - Naturally my own interest is in the artistic community, which seems both aware and touched by any outside support. But my experience in Barcelona was (as in Germany, for example) that political discourse is conspicuous by its absence in any general conversation - Everything I have said is impressions - I found the Spanish, unlike Latin Hispanics, extremely reserved and discrete, almost like old-time New England Yankees. What lies underneath I really don't know - I realize I am a bit vague because I really don't *know* anything. I have been going on the artist in me, which senses tensions, pride and formality, eagerness and extreme vulnerability, and since I am not by nature an activist, I have reacted with thorough professionalism instinctively, which seems to be precisely correct - Naturally I find it both strange and irresistable [sic] to show my Hispanic sympathies under such auspices, but there are unexpected occasions: for instance, I've given a small 'Elegy to the Spanish Republic' to the University of Salamance (the oldest one in Spain), and they wish to honor me with a ceremony, which I presume the central government is aware of, and I personally somewhat dread, not being an exhibitionist but an exhibitor - In Barcelona, several young artists told me that, after hearing me speak and reading an interview with me, they were determined to leave for New York. In short, my whole experience is basically as an individual with other individuals, as it is here at home, for that matter. (I have stuck with the Guggenheim Foundation because it is the only Foundation that gives exclusively to individuals, *not* institutions.)"

      [Bookseller: James Cummins Bookseller]
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        Music for Chameleons

      Random House - Hard Cover. Signed by Author. Published in New York by Random House in 1980. First edition. Copyright page states "First Edition." Inscribed by Truman Capote on the front free end-paper: "for Harry and Bill and / all the happy folk at Sag / House--- / Truman / 12 October 1980." Book is fine except for very slight fading along top and bottom edges of boards and spine. DJ near fine, slight creasing on front flap, top corner of back flap folded, slight discoloration along top edges of flaps. In specially made cloth slipcase. DJ price reads "$10.95." We will provide a certificate of authenticity for this item. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
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        Robert Motherwell (with an original collage)

      Fundacion Juan March, Barcelona 1980 - Catalog of an exhibition of Robert Motherwell works which took place from February to April 1980 in the "Centre cultural de la Caixa de pensions" in Barcelona, text, translated into catalan by Montserrat Bayà, of an interview of the artist realized by Barbaralee Diamonstein in public at the New School for Social Research in New York in 1979, illustrated, in-4, unpaginated, with an original signed collage by Robert Motherwell on the verso of the back cover, size 14'5 x 16,5 cm; this collage, submitted to the Robert Motherwell Catalogue Raisonné Project / Dedalus Foundation Inc. has not been considered for inclusion: "It is the decision of the Project at this time that it does not intend to include the Work in the Supplement of the Catalogue Raisonné .The foregoing decision of the Project may change in the Project's sole discretion", very good condition (the collage is the last of the five enclosed images). [Attributes: Soft Cover]

      [Bookseller: alain marchet]
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        Informel Painting with Handwritten Poetry

      1980 - Gerti Bierenbroodspot, a famous Dutch painter and poetess, an icon of Amsterdam. Painting and poems in English (with a ''drop'' of French) written in her own hand for a very close and intimate friend. Made in mixed technique: the stains and colours are integral to informel art. The poems were created on: February 13-17, 1980, February 19, 1980 and February 20, 1980. Seal and signature by Bierenbroodspot too. Painted and written on both sides of the paper. Sometime (1980) sent by post, for it was folded, still visible. Gerti Birenbroodspot's works are present in many galleries and private collections, while her early works are included in the fundus of the Stedelijk Museum, Amsterdam, where she had also held exhibitions.

      [Bookseller: Vodopija Art j.d.o.o.]
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        The Orient Flight LZ 127–Graf Zeppelin. A Philatelic Handbook. [and] The Egypt Flight .

      Germany Philatelic Society, Inc. with support and cooperation of the Chicagoland Chapter no. 5 of the G.P.S. 1980 - 2 vols. Octavo. 1st in original laminated boards, titles to upper board and spine gilt; 2nd in original wrappers. No dust jackets issued. Spines lightly faded, first volume rubbed to foot of spine. First Edition, First Impression. With the authors' compliments slip signed by Len Deighton and Fred Blau laid into the first volume; the second inscribed by Blau "To Brian Lawson with my very best wishes Fred F Blau." [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        The Real War

      Warner 1980 - Shelf 1023 Clean and tight; signed on the publisher's plate affixed to half title page; inscribed by President Nixon to the Chief Watergate prosecutor James Neal of Nashville, TN; minor spine slant; page 197 has four inch diagonal crease at upper corner; one inch wide faded area across bottom edge of front cover; half inch lightly faded strip along outer edge of front cover; light rubbing to spine strip and corners; DJ has some wear to the surface, edges and corners including a half inch closed tear at top edge of front, half inch closed tear at top edge of spine strip, areas of rubbing to edges and corners, one eighth inch closed tear to bottom edge of rear, a bit of very light browning; Not a book club (BC)copy. Not ex library, not a remainder. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: BookManBookWoman Bookstore]
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      NY: Harper & Row, (1980) - Gorgeous obviously unread Very Fine First Edition of the late author's fourth Jim Chee mystery. A true collector's copy, this stunning example is inscribed, dated and signed on the title page by the author: For Frisk and Ira Beck / 11/29/1980 / Tony Hillerman [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Mystery Pier Books, Inc.,ABAA, ILAB, ABA]
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        DICCIONARIO RAFOLS DE ARTISTAS DE CATALUÑA , BALEARES Y VALENCIA . Desde la época romana hasta nuestros dias . ( 5 Vols ) .

      Edicions Catalanes 1980 - Barcelona 1980 . Encuad : guaflex estampada . 16 x 24cms. 1472pag. Tema : Diccionario , Arte , Pintura , Escultura , . Libros en muy buen estado . ( en la foto con plástico protector ) .

      [Bookseller: montgiber]
 20.   Check availability:     IberLibro     Link/Print  

        Scrittura attiva 12 processi artistici di scrittura - Unito a: Scrittura attiva processi artistici di scrittura - Zanichelli 1983 (Quaderni di design)

      Mercato del sale, Milano 1980 - 23,5 x 33,5 cm. 50 fogli sciolti di grafiche realizzate in fotolitografia in 100 esemplari numerati e firmati dagli artisti e 3 fogli di indice In-4, scatola in cartone telato (con applicata serigrafia figurata) contenente 50 grafiche realizzate in fotolitografia in 100 esemplari numerati e firmati dagli artisti fra cui: Munari - Pericoli - Tadini - Isgrò - Spatola, + 3 fogli (di Indice e testo illustrativo). Tali grafiche "in alcuni casi sono state ritoccate dagli artisti stessi (Scanavino, Sanesi, Marocco, Pozzati, Carrega, Finotti); in altri casi sono stati effettuati degli interventi di collage (De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto (OM), Niccolai, Izzo).". Esemplare 72/100, molto ben conservato. Ottimo stato di conservazione - Fine conditions scatola in cartone telato (con applicata serigrafia figurata) contenente 50 grafiche realizzate in fotolitografia [Attributes: Hard Cover]

      [Bookseller: Carlo Faita Studio Bibliografico]
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        La carte postale de Socrate à Freud et au-delà.

      Aubier |& Flammarion 1980 - - Aubier & Flammarion, Paris 1980, 14x22cm, broché. - Edition originale sur papier courant.Envoi autographe signé de l'auteur à un couple de proches amis Jos et Christine (Joliet).Joseph Joliet, ancien étudiant de Derrida devint un très proche ami du philosophe. Très attentif à l'écriture de Joliet, Derrida rédigera la préface de son roman: L'enfant au chien assis et le soutiendra dans ses périodes difficiles (cf. Derrida a Biography, par Benoit Peeters).Dos légèrement ridé sans gravité, une trace de pliure marginale en pied du premier plat, exemplaire complet de sa bande annonce qui comporte de petites déchirures. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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      Prairie Village: The Crabgrass Press, 1980. 27 loose broadsides measuring 9 x 12 inches inserted in a special plastic box which is inserted in a cardboard mailing box with. 4to. 27 loose broadsides measuring 9 x 12 inches inserted in a special plastic box which is inserted in a cardboard mailing box with. Limited to only 99 sets of which 75 were for sale. Numbered and signed by both Metzger and Zapf. The broadsides are printed in a variety of typefaces and on different papers. A very scarce example of the best of American private press work. Cardboard mailing box is toned. Book is as new condition. With spine label for box and printed note on how to care for plastic case loosely inserted.

      [Bookseller: Oak Knoll Books/Oak Knoll Press]
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        Notes on "Aaron’s Rod" and other notes on Lawrence from the Paris Notebooks

      Black Sparrow Press, Santa Barbara, 1980 - One of 250 copies signed by Miller, this copy unnumbered but marked "Author’s Copy". Title printed in orange, red and blue Fine copy in original glassene wrapper [Attributes: First Edition; Hard Cover]

      [Bookseller: Bertram Rota Ltd]
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        Flash Up - Street Photo Random Tokyo 1975-1979 [Complete with Dust Jacket, Obi, and Outer Acetate Cover]

      Byakuya Shobo 1980 - Kurata's photos of the Tokyo underworld, for which he won the prestigious Kimura Ihei award. This copy complete with dust jacket, obi, and outer acetate cover, making this a complete copy of the book. The acetate cover has a few small losses and is a bit shrynken with age as is usual for this title, and the obi a few wrinkles, as is normal for this book. Overall, this a good complete example of this work in good condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: AboveParBooks]
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        Flash Up

      Byakuya Shobo, Tokyo, Japan 1980 - First Edition. Softcover with obi. 4to. Near fine condition. Numerous b&w plates. Japanese and English text. 190 pages. Kurata's photos of the nightlife and street life of Tokyo in the 1970's including images of women of the night, hostess and snack bars, yakuza and bikie gangs. Lacking the clear acetate (plastic) jacket. A touch edgewear and two vertical creases to the inside flap of the obi. A touch of edgewear to the covers. Light warping to the covers. Internally a fine and bright copy. An excellent collection of very interesting photos in a book that was reprinted a couple of times and is now quite difficult to find in the first edition state. Language: eng [Attributes: First Edition; Soft Cover]

      [Bookseller: Bondi Books (ABAJ, ILAB)]
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        The Bosozoqu

      Dai-san Shokan 1980 - 1980 was not only the year that Kurata published his now well-known work Flash Up, for which he won Japan's prestigious Kimura Ihei award, but the year in which he contributed to this rare work about Japan's biker sub-culture, AKA the "Bosozoku". The book is filled with pictures of bike-gangsters, their bikes, their symbols, etc. The photographs are by Kurata (and three other lesser-known Japanese photographers), and certainly foreshadow his work in Flash Up. The book and original cover are in good condition, and this copy includes an extremely rare advertising sheet featuring upcoming titles from the same publisher, including "Ladies Bosozoqu", for which the publisher had been soliciting appropriate reader photos to include in same. [Attributes: First Edition; Soft Cover]

      [Bookseller: AboveParBooks]
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      Palaemon Press), (Winston-Salem, NC 1980 - folio. cloth, paper cover label. Text and broadsides loosely inserted in portolio in a cloth-backed marbled paper covered slipcase with paper spine label. Limited to 75 numbered sets, of which 55 are for sale. This copy bears the following presentation from the publisher "Many, many thanks, Richard, for your very special contribution - Stuart. 24. April. 80." The two contributing Richard's were Richard Eberhart and Richard Wilbur. Loosely inserted in the portfolio are: four page folder entitled, "RPW by Ann Carter Pollard," which contains a woodcut portrait of Warren signed and numbered by Pollard; ten poetry broadsides by A.R. Ammons, Fred Chappell, James Dickey, Richard Eberhart, George P. Garrett, John Hollander, Williams Meredith, Reynolds Price, Rosanna Warren, and Richard Wilbur (each broadside is numbered and signed by the poet); colophon broadside. Fading along spine. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Oak Knoll Books, ABAA, ILAB]
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        Exercicios de la Gineta al príncipe nuestro señor D. Baltasar Carlos

      Ediciones Turner, Madrid 1980 - Madrid, Closas-Orcoyen, S.L. 1980. Ediciones Turner. 4º m. apaisado. 14 h., 116 p. 3 h. Encuadernación de Vera en holandesa y bandas a la francesa en piel y estuche de tela, cabecera dorada. - Facsímil de la primera edición de Madrid de 1643. Con 30 grabados a toda plana en color, iluminados manualmente a la acuarela. Texto enmarcado. Ejemplar nº 62 de una edición numerada de 235 en papel verjurado blanco de Guarro Casas. [Attributes: Hard Cover]

      [Bookseller: Berrocal Libros Antiguos]
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        Raw Magazine. # 1-8. [Maus]

      New York, Raw Books and Raw Books & Graphics,, 1980-86. 8 vols. Folio. Original illustrated wrappers. Spiegelman's Two-Fisted Painters: Action Adventures booklet bound into vol 1 and Maus booklets bound into vols 2-7. Yoshiharu Tsuge's Red Flowers booklet also bound into vol. 7. Housed in a cloth clamshell box with titles blindstamped to cover and spine by The Chelsea Bindery. No. 6 with small loss to foot of spine and light creasing to edges, otherwise a lovely bright set. First editions, first printings. The first eight issues of Raw magazine (Volume 1.) Lacking the "Reagan Speaks for Himself" Vinyl Record from No. 4. 4500 copies were printed of the first publication, today the magazine is issued by Penguin Books and over 40,000 copies are published of each issue.

      [Bookseller: Peter Harrington]
 30.   Check availability:     Biblio     Link/Print  

        DER SPIEGEL Plakate. 131 Plakate der Jahre 1980 - 1983

      DER SPIEGEL Hamburg - Hamburg, SPIEGEL Vlg., 1980 ¿ 1983. Sammlung von 131 Plakaten für die Wochenzeitschrift DER SPIEGEL aus den Jahren 1980 bis 1983. Format: ca. 67 x 30 cm. - Die SPIEGEL Plakate der vorliegenden Sammlung zeigen die jeweilige Titelillustration des aktuellen SPIEGEL (in schwarz-weiß-rot gedruckt), und i.d.R. drei Schlagzeilen mit den wichtigsten Themen der Woche. Die Kombination aus SPIEGEL Titelbildern und Themenanrissen werfen intensive Schlaglichter auf die Themen der Zeit und sind spannende Zeitdokumente. ¿ Alle Plakate in sehr gutem Zustand (A-), frische Farben, keine Papierverluste. Geringe Mängel, wie z.B. winzige Einrisse oder Nadelstiche sind möglich. Alle Plakate sind gefaltet. - Die Titelbilder des SPIEGEL sind berühmt, vollends seit sie 2005 in Ausstellungen in Hamburg, Berlin, Frankfurt, Düsseldorf, München, Wien, Stuttgart, Basel und New York zum Publikumsmagneten wurden. Viele Titel-Illustrationen des Polit-Magazins wurden von den besten Künstlern der Zeit geschaffen. In der vorliegenden Plakatsammlung sind z.B. Illustrationen von Gottfried Helnwein, Michael M. Prechtl, Dieter Wiesmüller, Horst Haitzinger, Hans-Georg Rauch, Jean Solé, Ursula Arriens und anderen zu sehen. Auch die vielen zur Marke gewordenen SPIEGEL-Collagen schrieben Mediengeschichte. - Vgl. Schütt; Schwarzkopf (Hrsg.), Die SPIEGEL -Titelbilder 1947-1999. Hamburg, o.J. - Aust, Die Kunst des SPIEGEL. Hamburg 2004 - Didaktischer Arbeitskreis Lübeck (Hrsg.): Historische Anspielungen in Titelbildern des SPIEGEL (1967 - 1983). - Sehr selten! Die Sammlung wird nur geschlossen abgegeben. - Wenn Sie weitere Informationen oder Bilder wünschen, schicken Sie uns bitte eine Email.

      [Bookseller: Buchhandlung & Antiquariat Fischer]
 31.   Check availability:     IberLibro     Link/Print  


      Huntington Woods, Michigan: Phantasia Press, 1980 - Octavo, cloth. First edition. Limited to 725 copies of which this is one of 700 numbered copies signed by King and dated 6 July 1980 in his hand on the colophon leaf. King signed the sheets over a period of four days and July 6 is the second day he signed. King signed the limitation sheets over a space of four days and July 5 is the first day he signed. Filmed in 1984 starring David Keith and Drew Barrymore, with Martin Sheen, Art Carney, George C. Scott and others. Anatomy of Wonder (1981) 3-432. Barron (ed), Horror Literature 4-167. Survey of Modern Fantasy Literature II, pp. 553- 56. Tymn (ed), Horror Literature 4-131. A fine copy in fine dust jacket and paper slipcase. (#96364) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Firestarter - Signed Limited Edition

      Phantasia Press, Huntington Woods, MI, 1980. Hard Cover. Michael Whelan (illustrator). First Edition.  Signed Limited Edition.  This is number 610 of 725 copies.  Dated July 8th, 1980.  Signed By Stephen King,  Book Condition: Near Fine. Light dustiness on top and side of page edges.  Corners nice and sharp with flawless boards.  Dust Jacket Condition: Near Fine with minimal edgewear.  Matching paper slipcase is in Near Fine condition with slight surface indentations.  Stephen King's first signed Limited published.

      [Bookseller: Blue Sky Books]
 33.   Check availability:     Biblio     Link/Print  

        Firestarter ---by Stephen King / Signed, Limited Edition from PHANTASIA PRESS

      Huntington Woods, Michigan: Phantasia Press, 1980, 1st Edition, 1st Printing, the Signed, Slipcased Limited Edition - ----------hardcover, a Fine copy in a Fine dustjacket, in a Near Fine / Fine slipcase, signed by KING, one of 725 copies, any image directly beside this listing is the actual book and not a generic photo [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Leonard Shoup (Member of IOBA)]
 34.   Check availability:     AbeBooks     Link/Print  


      London: Faber and Faber, 1980. First editions, first prnts. Each volume is signed by Golding on the title page. CLOSE published in 1987 (ISBN:0571147798) and FIRE in 1989 (ISBN:0571152031). Laid-in RITES is a digital photo of Golding with a UK bookseller at a 1992 booksigning event. RITES has two small indentations on the front pastedown upper corner with two corresponding impressions on the dustjacket flap and a small rubbed spot on the topedge which has caused a tiny nick on the topedge of a few text pages; the book is in Near Fine condition in a Near Fine dustjacket with a Durafold mylar cover. CLOSE AND FIRE are in Fine condition in a Fine dustajcket with a Durafold mylar cover. RITES was the Booker winner in 1980. Golding's Sea Trilogy in its original publications.Signed by Author. First Edition. Hardcover. 8vo - over 7¾" - 9¾" tall. The images are of the book described and not stock photos.

      [Bookseller: Revere Books, ABAA & IOBA]
 35.   Check availability:     IOBABooks     Link/Print  

        Mura e. / To the Village

      Kyoto: Tankosha 1980 - Uncorrected page proofs. Small quarto. SIGNED by Kitai in Japanese and English. 12 unbound signatures laid loose into a photo-illustrated folder identical to the finished book. Several textual corrections in an unknown hand appear on a single page. An earlier edition in 1976 with some of these photographs was published as Special Issue number 10 of Asahi Camera Magazine. Fed up with urban life and the documentation of social unrest, Kitai ventured to rural Honshu to document a way of life that was quickly disappearing. Near fine example of the likely the only copy of these page proofs in existence. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Harper's Books, ABAA]
 36.   Check availability:     AbeBooks     Link/Print  


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