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Displayed below are some selected recent viaLibri matches for books published in 1977

        Torso of David.

      New York: Kennedy Graphics. Distributed graphics by Alan Wofsy Fine Arts. 1977 - Lithograph in black printed on Velin d'Arches paper. Edition of 100. Signed and numbered in pencil by the artist. Image: 17 3/4 x 10 3/4 inches. Sheet: 23 3/8 x 15 1/8 inches. Prescott, 63. [Attributes: Signed Copy]

      [Bookseller: Wittenborn Art Books]
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        I CLAUDIUS From The Autobiography Of Tiberius Claudius, Emperor Of The Romans.

      London: Paradine Press 1977 - Limited edition. One of 100 copies, this numbered 57 and SIGNED BY THE AUTHOR. Publisher’s purple morocco with raised bands and gilt titles to the spine. All edges gilt. Bookplate to the front free endpaper otherwise a fine copy in the original slipcase. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: LUCIUS BOOKS (ABA, ILAB, PBFA)]
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        Canti

      Torino: Fogola, 1977. Edizione originale di 300 es. numerati. ril, sovrac, custodia (hard cover, DJ, Slip-case). Ottimo (Fine). 4to. A cura di Leone Piccioni. Con cinque acqueforti originali di Nunzio Gulino, numerate, datate e firmate (cm 13x9; 23x14) La Grande Collana

      [Bookseller: Studio Bibliografico MArini]
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        Hand Colored Flowers

      New York: Printed by Mitchell Friedman, assisted by Jeremy Dine, 1977. Etching, soft-ground etching, aquatint, drypoint, engraving, and electric tools on one plumber's copper plate. Printed in black with hand painting in blue, two shades of pink, yellow, violet, and green watercolour after editioning. State i/iii. Edition of 50, No. 48/50, signed and dated in pencil lower right corner. In pristine condition. Image size: 35 5/8 x 23 ½ inches. An early masterpiece by Jim Dine, one of America's greatest artists. Jim Dine is regarded as one of the greatest artists of the twentieth century. In the late 1950's and early 1960's he gained public attention in New York with his Happenings and mixed media assemblages, but his real acclaim followed through his association with the Pop art movement. An innovative and versatile artist, Dine works in a multitude of mediums including painting, sculpture, photography, and printmaking. As a printmaker, he displays an uncommon love of the art form and a penchant for innovative printmaking techniques. He commonly combines etching, drypoint, mezzotint, lithography and woodcut to create complicated images, which resonate with a sense of drama and hidden meaning. He utilizes a myriad of unconventional hand and machine tools, which he uses on the plate and sometimes directly on the paper. As with this print, Dine often recycles his plates to create new or altered images that often display a ghost image of the first work. Dine's oeuvre focuses on isolated objects, which act as the stand-in of autobiography. Hearts, statues, robes, and flowers become metaphors for Dine's life experiences and his visual quest for the self. This important print is the first of three prints, Hand Colored Flowers (1977), Black and White Flowers (1977), and Red Ochre Flowers (1978), which Dine made from the same plate. In creating this print, Dine used a staggering array of different engraving techniques to create a heavily worked plate. In addition to soft-ground etching, hard-ground etching, aquatint, and drypoint, Dine used a mezzotint rocker as an engraving tool and to raise burr. The plate was cut down for the two later states and a die-grinder was used to change the shape of the vase and the details of the bouquets. According to D'Oench, the dense plate work and heavy inking is typical of the prints editioned with Mitchell and Friedman, Dine's primary American printer between 1975 and 1979. This haunting image is an important early print by Dine and a wonderful expression of his artistic genius. It is rarely seen on the market, making it a true collector's item. D'Oench and Feinberg, Jim Dine Prints 1977-1985 , p. 1-38, 61, no. 1, state i/iii; Carpenter, Jim Dine Prints 1985-2000: A Catalogue Raisonné , no. 31.

      [Bookseller: Donald Heald Rare Books]
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        Dorothea Tanning

      Parigi: XX Siècle, 1977. ril tela, sovrac (cloth, DJ). Ottimo (Fine). 4to. Numéro spécial de XX Siècle. Avec trois lithographies originales en couleurs spécialement exécutées par André Masson, Matta et Joan Mirò pour ce numéro consacré à Dorothea Tanning. Essais, lettres, poèmes et témoignages par Abadie, Bailly, Breton, Busselen, Cage, Cassou, Ernst, Hulten, Jelenski, Jouffroy, Lebel, De Mandiargues, Masson, Mirò, Penrose, Waldberg et Dorothea Tanning. 16 planches en couleurs et 100 reproductions en noir et blanc. Con 3 litografie originali a colori di André Masson, Matta e Joan Mirò a piena e doppia pagina, appositamente eseguite come omaggio alla Tanning e stampate da Mourlot (cm 31x24 - 31x45), ed un poema dedicato all'Artista di Mirò, stampato in litografia da Pierre Chave, Vence 1977 (cm 31x45)

      [Bookseller: Studio Bibliografico MArini]
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        Principles and Applications of Ferroelectrics and Related Materials.

      Clarendon Press Verlag, 1977.. 680 Seiten Hardcover. Ehemaliges Bibliotheksexemplar mit entsprechenden Merkmalen (Signatur und Stempel). Leichte bis mittlere Gebrauchsspuren. Text, soweit feststellbar, sauber. Insgesamt guter Zustand. 9780198512868

      [Bookseller: Antiquariat BOOKFARM]
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        SCREENPLAY FOR THE MOVIE "GREYSTROKE"

      no-publisher, August 4, 1977)., (No-place: - Early draft of Robert Towne's screenplay for the 1984 movie "Greystroke," which was based on Burroughs' novel, TARZAN OF THE APES. The film was directed by Hugh Hudson with Christopher Lambert starring as "Tarzan" (the name is never used in the film's dialogue) and Andie MacDowell as Jane; the cast also included Sir Ralph Richardson, who received an Academy Award nomination for "Best Supporting Actor." Unfortunately Towne, who was apparently frustrated at being passed over for director, used the pseudonym "P. H. Vazak" (the name of his dog) for the film and so his Oscar nomination for "Best Adapted Screenplay" was under that name. 170 pages, printed on rectos only, clasp bound with black card covers. Plain white label on front with handwritten "GREYSTROKE / Rob't Towne"; title handwritten on "spine" (left-side page edges). Covers a little loose but holding, otherwise very good.

      [Bookseller: Quill & Brush, member ABAA]
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        Autograph letter signed ("Cecil").

      N. p., [c. 1977]. - 4to. 1 p. Water mark "Croxley Script". To Francis Bacon, who travelled to Rome in 1977 to meet Balthus and to visit the gardens of the Villa Medici: "I trust you got my Post Card eventually. Your trip sounds absolutely marvellous! How wacky to get completely away, to devour new settings. It must have given you a complete kick. Need to get back where you belong, though. I have been hard at work with people helping me with their pieces. It is still hard work. Have you been seeing any films! I am induced [?] to watch boring hours [.]". - After a stroke in 1974, Beaton was paralyzed on the right side and wrote his letters with the left hand. - From the Estate of Charles Williamson and Tucker Fleming.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Daniel Martin

      Cape, London 1977 - Near fine in dust jacket with light edgewear. Inscribed and signed on the title-page by Fowles, "Perhaps my favorite novel." [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Clayton Fine Books]
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        Rage

      New York: NAL, 1977: First Edition, First Printing as stated on the copyright page. In Very Good condition, with light wear associated with use and age. Pages are toned, with a corner or two creased. Wraps show light rubbing, light edge wear and light creasing. An increasingly rare title; out of print.

      [Bookseller: Burnside Rare Books]
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        Le Chien Guingan et le Chat Calicot

      Mill Valley, CA: Sunflower Press, 1977. (16)ff. From an edition of 250 copies printed and signed by Carol Cunningham, this copy is in an original designer binding by Sonya Sheats. Evoking the fierce battle between the Gingham Dog and the Calico Cat, the artist envisioned "a tangle of lines tracing the tossing and tumbling" of the small beasts in the middle of the night," drawing sharp, angular, intersecting lines in red, blue, and gray enamel across the covers to map their struggle. This motion is set against a background of subtly textured and shaded natural dark parchment, which Sheats notes "has a soft, round, and whole presence." The binding structure is an homage to the influential German bookbinder Otto Dorfner, employing an open-joint style that he innovated. The spine is covered separately from the boards, which are then connected with four bands of pale blue water snakeskin. The ends of the bands are hidden under half-moon onlays of the same natural parchment. For contrast, the doublures are thin, bright white parchment. The book slides into a parchment-covered box etched with the title on one side in a modern, san-serif font. Elements of the design also hint at the influence of Brother Edgard Claes, including the sliding polycarbonate closure to the box which is painted with lustrous beige automotive paint. Sheats describes her work as part of the tradition of French fine bookbinding, mixing traditional techniques with modern materials. She apprenticed with Anne Vion in France and has studied with some of Europe's leading bookbinders. Illustrated throughout in bright primary colors by Marcie Collin, who also translated Eugene Field's popular children's poem "The Duel" into French for this miniature tome. Extremely fine, protected in a blue microsuede pouch. (2 1/4 by 2 1/2; 57x64mm).

      [Bookseller: Bromer Booksellers ]
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        A Monograph of the Paradiseidae, or Birds of Paradise

      Johnson Reprint and Theatrum Orbis Terrarum, 1977. Leather Bound. Used: Very Good. New York and Amsterdam: Johnson Reprint and Theatrum Orbis Terrarum, 1977. Facsimile reprint of the 1873 edition. Limited to 500 numbered copies, this is No. 212. The 36 color plates are by J. WOLF and J. SMIT. Hand-bound in quarter navy morocco and burgundy cloth by Zaehnsdorf of London. Double elephant folio (18

      [Bookseller: Buteo Books]
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        Lancelot

      New York: Farrar, Straus and Giroux,, 1977. Octavo. Original orange cloth, titles to spine gilt, orange top-stain. With the dust jacket. Spotting to edges, contents very lightly toned. An excellent copy in the lightly rubbed and creased jacket with nicks at the ends of the spine panel. First edition, first printing. Inscribed by the author on the front free endpaper "To Kenneth and Josephine [Hoxton] with all my best as always, Walker", with the ownership signature of the same couple on the front pastedown. Additionally signed by the author on the title page.

      [Bookseller: Peter Harrington]
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        Weidensdorfer, Claus. - Liegender weiblicher Akt.

      . Zeichnung / Kohlezeichnung, partiell gewischt und aquarelliert, 1977. Von Claus Weidensdorfer. 42,0 x 59,5 cm (Darstellung / Blatt) / 49,5 x 66,5 cm (Trägerkarton). Rechts oben in Bleistift signiert und datiert. - Papier leicht angeschmutzt. An den Ecken auf Trägerkarton montiert. Insgesamt guter Erhaltungszustand. Claus Weidensdorfer (*1931 Coswig, lebt und arbeitet in Dresden und Radebeul). Deutscher Maler und Grafiker. 1951-56 Studium an der Hochschule für Bildende Künste Dresden bei Erich Fraaß, Hans Theo Richter und Max Schwimmer. Danach Zeichenlehrer in Schwarzheide. Ab 1966 freiberuflich. 1975-89 Lehrauftrag an der Fachschule für Werbung und Gestaltung in Berlin-Schöneweide. Ab 1989 Lehre an der Hochschule für Bildende Künste in Dresden; Käthe-Kollwitz-Preis. 1992 Berufung zum Professor für Malerei und Grafik, Dekan für den Fachbereich Malerei, Grafik, Bildhauerei und andere bildnerische Medien. 2002 Kunstpreis Radebeul, 2005 Kunstpreis Dresden. Ausstellungen u.a. 1989 in der Galerie Oben in Chemnitz, 1990 im Museum der bildenden Künste Leipzig sowie 1995 im Leonhardi-Museum in Dresden..

      [Bookseller: Galerie Himmel]
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        PAROLES EN L'AIR.

      - Paris, Simoen, 1977, 15x23. Broché, couverture repliée imprimée. Édition originale ! Celui-ci est l'un des 35 exemplaires sur Bouffant (seul grand papier après 15 exemplaires sur Ivoire). Magnifique ouvrage et (forcément) rare sur grand papier ! [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie de l'Univers]
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        Decryptage Trois Gravures Originales de Max Papart.

      Vision Nouvelle, Paris Three signed, colored etchings; number 40 of 75 (of a total of 110); book signed by Michel Bohbot & Max Papart. 1977 - Size of portfolio: 13 1/2 inches x 16 in., three folded sheets of Arches paper with printed texts in French; illustrated with three, loosely inserted, colored etchings, deeply pressed on a thick paper, each numbered, and each signed by Max Papart. The colophon page is also numbered, and signed by Bohbot and Papart. Dark gray-green cloth covered portfolio with titling in white on the front cover; inner flaps. The colophon page shows some tanning and transfer of image from the colored plate. A very scarce item, most have been broken up for the plates. Titles of texts: Je sais ce qu'est la nuit (poem); Confidence (poem); Le labyrinthe (prose); Le vertige (prose). Partial colophon: Le present edition de"Decryptage" comprenant trois [3] gravures originales de Max Papart numerotes et signees par l'artiste a ete limitee a 110 exemplaires repartis comme suit: 75 exemplaires numerotes de 1 a 75 [this one is in this series] [-] Les poemes inedites de Michel Bohbot ont ete imprimes sur les presses de Fequet-Baudier, typographes, et les gravures tires dans l'atelier de l'artiste. [-] Exemplaire 40/75 [signed]: Michel Bohbot Max Papart. Weight: 3 lbs. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        Niels Bohr Collected Works Volume 4: The Periodic System (1920-1923)

      North-Holland Publishing Company, Amsterdam, New York, Oxford 1977 - 4to, IX, 766 pp, ex-library copy with minor markings, clean text, overall very good condition Size: 4to - over 9? - 12" tall [Attributes: First Edition; Soft Cover]

      [Bookseller: Secret Knowledge Books]
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        The Shining

      Garden City:Doubleday , 1977. - F/F. 1st edition, 1st printing. Basis for the 1980 Stanley Kubrick film starring Jack Nicholson and Shelley Duvall and the 1997 TV mini-series starring Steven Weber and Rebecca De Mornay. INSCRIBED and dated (April 17, 1977) by author on front fep. By far the earliest date I have seen on a copy of this book. Jacket has a small, faint stain at top of rear panel. An outstanding copy! We offer a LIFETIME GUARANTEE. See KHBOOKS for details. [Attributes: First Edition; Hard Cover]

      [Bookseller: Ken Hebenstreit, Bookseller]
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        SATAN'S TEARS

      Detroit: Land of Enchantment 1977 - First edition. Limited edition, deluxe issue copy #6/60 bound in full leather with gilt titles, folio size (10.5"x 13.5") With tipped in original watercolor drawing by Nino. A beautiful edition with many color and fold-out illustrations. FINE not issued in dust wrapper. Also laid in is a postcard from the publisher wherein he notes that actually only 40 copies were ever completed of the proposed 60 copy edition. An already tiny edition is considerably more limited than previously thought. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Nicholas J. Certo]
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        A Good Journey

      Berkeley: Turtle Island. 1977. Poems, with artwork by Native American artist Aaron Yava. This is the scarce hardcover issue, one of 100; although not called for, this copy is signed by the author. Fine, without dust jacket, as issued. An attractive edition, designed by Graham Mackintosh and printed by Mackintosh and Noel Young, who were largely responsible for the books of Black Sparrow Press and Capra Press. Uncommon. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Metabolism in Architecture

      Studio Vista, London 1977 - Black hardcover with silver titles on spine. Clean and bright. Contents tight. Previous owner's name on front e/p and a blue pen mark (less than 1 inch). Slight age discolouration of e/p, pre-title page and page edges. Dust jacket has not been price clipped and is very tidy. Size: 4to - over 9¾" - 12" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Arty Bees Books]
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        The Birds Of America, American Wildlife Series

      Volair Limited, Kent 1977 - beautifully printed and beautifully bound set of 10 volumes plus the more scarce 11th volume which contains the index and list of subscribers. The first 2 volumes are housed in a slipcase and includes "Selected Quadrupeds of North America" amd "Selected Birds of America". Volumes 3-10 are titled "American Wildlife Series". The bindings of the first 10 volumes is full brown morocco with elaborate gilt decoration to spines and covers. These 10 volumes also have all edge gilt. The 11th volume is bound in light brown cloth which is also gilt decorated but with some missing gilt. This was a limited edition. Overall, a beautifully produced work in fine condition. Due to size and weight of the set, shipping outside the USA will be additional cost and expensive. Images available on request. [Attributes: Hard Cover]

      [Bookseller: Carydale Books]
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        Vainchot poesias - Tschinch illustraziuns.

      Turich [Zürich], Adolf Hürlimann, 1977 - Gr.8°, 34 Bl., 5 Seriegrafien davon 2 mehrfarbig., Broschur mit losen Bogen u. Transp.-OU, Transp.-OU etwas gebräunt Text: dt./rom. Die farb. Seriengrafien sind vom Künstler signiert und nummeriert - Exempl. 139 von insg. 150 num. Exemplaren. Ausserdem im Impressum vom Autor, vom Künstler und vom Verleger signiert. Die deutsche Übertragung der Gedichte erfolgte durch Herbert Meier und dem Autor. 1200 gr. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: antiquariat peter petrej]
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        Berlin 1977. Original-Fotografie. Silbergelantine-Abzug. Bildformat: 23,4 x 33,9 cm. Rückseitig Copyright-Label sowie Datierung von Hand Fotografin in Bleistift. - Sehr leichte Benutzungsspur, nur im Bildglanz sichtbar. - VERÖFFENTLICHT in: Sibylle Bergemann. Verwunderte Wirklichkeit. Berlin, ex pose, 1992.

      . . ACHTUNG ! Vom 17.-25.10.14 ist leider keine Auslieferung möglich // PLEASE NOTE: From Oct. 17-25 is no delivery possible.

      [Bookseller: FOTO-ANTIQUARIAT FAHL GbR.]
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        Steppenwolf

      The Limited Editions Club, Westport 1977 - Quarter black morocco and grey cloth, gilt lettering on spine. Book is in mint condition. No glassine. In slipcase with minimal wear to corners. Illustrated with black & white woodcuts by Helmut Ackerman. No. 1455 from a limited edition of 1600 copies. Limited Editions Club letter laid-in. Comes with 'A suite of eight woodcuts to illustrate Steppenwolf by Herman Hesse'. The Print Club, New York, 1979. Cloth covered portfolio contains 8 woodcuts printed in two colors directly from the blocks on Tosho Japanese handmade paper. Limited edition of 200. Each print is numbered and signed by Ackerman. All prints are in mint condition.47x34 cm. Large and heavy item, may require extra postage for shipping. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Concept Books]
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        Le Chef-d'oeuvre inconnu, lithographies originales de Bension Enav

      Fernand Mourlot, Paris 1977 - Paris, Fernand Mourlot, 1977. 46 x 34 cm, in-folio, 71 pp. - 3 ff. n. ch., 35 lithographies originales, dont la couverture en couleurs, 15 à pleine page en noir, 2 à double page en couleurs, 15 dans le texte en noir et deux lettrines (le titre, le faux-titre et le feuillet suivant sont également lithograpghés), en feuilles sous couverture lithographiée en couleurs et rempliée, chemise de demi-maroquin noir à bandes couverte sur chaque plat d'un grande lithographie originale signée au premier plat et justifiée épreuve d'artiste au dernier plat, étui bordé (reliure d'édition réservée aux exemplaires de tête, signée D.-H. Mercher). Tirage à 200 exemplaires. Celui-ci l'un des 25 de tête sur Japon nacré, comportant une AQUARELLE originale au format de l'ouvrage, signée (n° XVI). L'exemplaire est en outre signé au colophon par Bension Enav et Fernand Mourlot (n° 55). On joint l'affiche de l'exposition à la Maison de Balzac du 21 février au 22 mars 1981 ("Balzac et un artiste de notre temps : Bension Enav"), ainsi que le beau prospectus de présentation de l'exposition. Très bel exemplaire. (MONOD, 767) (4,5 kg) [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Des livres autour (Julien Mannoni)]
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        B-CAR: THE STORY OF CHRIS BURDEN'S BICYCLE CAR

      CHOKE Publications, Los Angeles 1977 - 24pp, profusely illustrated in b&w. In a protective clear acetate dustwrapper. This is the charming little self-published document of Chris Burden's 1975 project to design and construct a one passenger automobile capable of traveling over one hundred miles per hour while achieving one hundred miles per gallon fuel efficiency. A most handsome copy of this uncommon item. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. [Attributes: First Edition; Soft Cover]

      [Bookseller: Arcana: Books on the Arts]
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        A History with Indexes of The Lone Hand The Australian Monthly

      J.B. Hobbs, Melbourne 1977 - pp 245. Illustrations. Limited edition no 61 of 200. Half leather binding. Some light staining to front board. Rare. Size: 4to [Attributes: Hard Cover]

      [Bookseller: Anah Dunsheath Rare Books ABA ANZAAB]
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        A Scanner Darkly

      New York: Doubleday and Company, 1977. First Edition, First Printing. In original dust jacket with proper price of $6.95 intact. In Near Fine condition. Hardcover shows very faint wear to extremities. The dust jacket shows sunning to spine, uneven sunning and toning to panels, and faint edge wear. A lovely copy overall.

      [Bookseller: Burnside Rare Books]
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        BUTTERFLY'S BALL AND GRASSHOPPER'S FEAST

      Boston: Anne & David Bromer, 1977. full green leather stamped in gilt. Miniature Books. miniature book (6 x 5 cm). full green leather stamped in gilt. (24) pages. Limited to 150 copies of which this is one of the 25 deluxe copies bound in full leather by Gray Parrot and containing a pocket in the back with extra prints of the woodcut illustrations (Bradbury, Bromer 1). Printed letterpress by Sarah Chamberlain at her Chamberlain Press who has signed and lettered this copy.

      [Bookseller: Oak Knoll Books/Oak Knoll Press]
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        Le stelle mi scrivono parole d'amore. Con due acqueforti di Luigi Veronesi.

      L. Maestri,, Milano 1977 - pp. 40, composto a mano in carattere Garamond e stampato su pregiata carta al tino Magnani, Luigi Veronesi (Milano 1908-1998), pittore, scenografo e artista poliedrico, fu un incontrastato maestro italiano dell'astrattismo. Jentsch, I libri d'artista italiani del Novecento, 604; Patani, Luigi Veronesi. Catalogo generale dell'opera grafica, 238 e 239. con due acqueforti originali numerate e firmate di Luigi Veronesi e tirate al torchio da Giorgio Upiglio. Brossura editoriale di Giovanni De Stefanis di Milano. Tiratura di 100 esemplari numerati + XX per i collaboratori (come il nostro).

      [Bookseller: Studio bibliografico LE MUSE]
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        Project Mkultra, the CIA's Program of Research in Behavioral Modification

      U.S. Government Printing Office 1977 - JOINT HEARING BEFORE THE SELECT COMMITTEE ON INTELLIGENCE AND THE SUBCOMMITTEE ON HEALTH AND SCIENTIFIC RESEARCH OF THE COMMITTEE ON HUMAN RESOURCES UNITED STATES SENATE NINETY-FIFTH CONGRESS FIRST SESSION, AUGUST 3, 1977. Printed for the use of the Select Committee on Intelligence and Committee on Human Resources. Green cover with black titles, 171pp. Moderate rubbing, scuffing and creasing to cover, spine and page edge extremities, 1/2" tear to front bottom right corner of cover, small pin hole to front cover, light foxing to top page edges, previous owners address stamp with hand written phone number on title page, a few page margins have small light pen check marks. [Attributes: First Edition; Soft Cover]

      [Bookseller: Footnote Books]
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        Jonathan Williams' Signature Book of The Jargon Society's 25th Anniversary Safari

      no publisher], [No place 1977 - Tall octavo. Original rice-paper wrappers in Japanese-style binding with an original collage by Emmanuel Navaretta reading "Jargon 25" measuring 4" x 5", pasted to the front cover with original unprinted mylar dustwrapper. Very good with rubbing at the edges of the wrappers and some bumping at one corner; the jacket is good with a three-inch tear, a few scattered nicks, and several small- to medium-sizes chips. The original signature book used by Williams on his peripatetic caravan of events and gatherings relating to the Jargon Society's 25th Anniversary celebration in 1976. The book is titled in red on the front wrap in Williams' hand and contains approximately 550 Signatures, along with additional quotations, notes, and drawing from various authors, artists, and friends related to Jargon. Among the most notable are Allen Ginsberg, Peter Orlovsky, Larry Fagin, Dick Higgins, John Ashbery, William Merwin, Michael Rumaker, John Russell, Irving Sandler, Armand Schwerner, Keith Smith, Peter Taylor, Joe Tilson, Eliot Weinberger, John Yau, Ray DiPalma, Ray Gosling, Mary Harris, Herbert Huncke, Simpson Kalisher, David Kermani, Ron King, Elizabeth Kray, Herbert Leibowitz, Joan & Nathan Lyons, Stuart Mills, Denny Moers, Emmanuel Navaretta, Geoffrey O'Brien, Basil Bunting, John Furnival (x2), Glen Baxter, Jackson Mac Low, Joe Brainard, Robert Kelly (full page), Guy Davenport, Tom Clark, Thomas A. Clark, William Corbett, Cynthia and Jorge Fick, Mary Fiore, Gene Frumkin, Clark Coolidge, Russell Banks, Donald Finkel, Richard Kostelanetz, Ross Feld, Stanley Crouch, Ronald Johnson, Ted Wilentz, Richard Elman, William Anthony, Stella Snead, Tim Dlugoz, Michael Lally, Victor Bockris, Joel Oppenheimer, Tom Meyer, Ted Greenwald, Walter Abish, Marvin Cohen, Richard Mock, Paul Metcalf, David Ignatow, A. Doyle Moore, Mel Edelstein, Eric Mottram, Walter Abish, Dobree Adams, Bruce Andrews, Asa Benveniste, Gus Blaisdell, Edward Lucie-Smith, Robert Bertholf, Simon Cutts, Jonis Agee, Guy Mendes, Alex Gildzen, Ray Kass (with a drawing), Jonathan Greene, John Menapace, Lyle Bonge, Larry Goodell, Bill Katz, Mark Goodman, Rochelle Kraut, Michael Morris (co-founder of The Image Bank), F. Whitney Jones, and hundreds more, most of whom have documented connections with both the arts community and the supporters who surrounded the idiosyncratic and important Jargon Society. A wonderful and unique item celebrating Williams' remarkable career and uniting the collective contributors of Jargon. [Attributes: Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 33.   Check availability:     AbeBooks     Link/Print  


        Bibliographie d'éditions originales et rares d'auteurs français des XVe, XVIe, XVIIe et XVIIIe siècles . --------- 5 volumes/ 5 ------ Réédition 1977

      Hermann - Paris 1977. 5 volumes/5. -- PARFAIT ETAT -- Reliures éditeur cartonnées pleines toiles sous rhodoïd . Formats grands et forts in-8°( 25,5 x 18,5 cm )( 9,360 kgs les 5 ) . ******** Reproduction en fac-similé des 10 tomes de l'édition de Paris , Marcel Plée , 1927-1933 ici fondue en 5 volumes avec pour particularité les annotations de Lucien Scheler , libraire antiquaire érudit , qui durant des années avait annoté son propre exemplaire . [Attributes: Hard Cover]

      [Bookseller: Okmhistoire]
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        Main Village, Winter.

      Robinhood, Me. 1977 - Gouache. Matted. 13.5 x 22 inches. Matted. Signed and dated. Provenance: Estate of the artist. Born in Cleveland, Ohio in 1919, Jason Schoener came from a family of distinguished American artists. He was the nephew of sculptor/painter William Zorach and his wife, painter Marguerite Zorach. Beginning in 1939, Schoener spent his summers at the Zorach family farm in Georgetown, Me., where he studied art with his Uncle William. After service in the Pacific during WWII, Schoener served as an instructor, department chairman, and dean at California College of Arts and Crafts in Oakland, CA. Schoener's other teaching assignments included Mills College in Oakland, California, and the Athens Technological Institute in Greece. Meanwhile, Schoener continued to use his Georgetown and then Robinhood homes Me. as a summer studio. Over the span of almost two decades, Schoener had several solo exhibitions at the Midtown Gallery on East 57th Street in New York City. His works are in many museum and private collections, including the Oakland Museum and the Whitney Museum in New York. He died in 1997. [Attributes: Signed Copy]

      [Bookseller: Wittenborn Art Books]
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        EYE-TO-EYE

      Texas City: Texas Portfolio, 1977. First edition, first prnt. Inscribed by Shihab on the title page. "For Dot Borden, You mesmerize me! May your whole life twirl and laugh! LOVE Naomi Shihab Montreal 1978." One in the publisher's chapbook series. Illustrated stapled wraps. No hardcover edition. Cover photo by William Stafford. Beginning extremity toning on wraps; otherwise a clean, nicely preserved copy in Very Good condition.. Inscribed & Dated by Author. First Edition. Chapbook. The images are of the book described and not stock photos.

      [Bookseller: Revere Books, ABAA & IOBA]
 36.   Check availability:     Biblio     Link/Print  


        BIBLE ET TERRE SAINTE, 1957-1977, 194 NUMEROS

      Maison de la Bonne Presse 1977 - RO40189240: 194 numéros d'env. 10-20 pages chacun, illustrés de très nombreuses photos en noir et blanc, dans et hors texte. Texte sur plusieurs colonnes. N° 1 en état d'usage. Quelques annotations et tampons sur les 1ers plats. Du n° 1, avril 1957, au n° 194, sept. 1977. Sommaire du n° 1, avril 1957: Du Sinaï à la crèche, Ou le mystère des contrastes, Pierre Bockel. Saint Jean-Baptiste, Maurice Poix. Cantique de Moïse. De la Mer Rouge au Sinaï, L'itinéraire de l'Exode, Fr. Jean-Luc. Le Temple, Charles Sahuguet. Terres Saintes, R. Leconte. Bible et mission, Albert Denis. Sommaire du n° 194, sept. 1977: Le forteresse de Lakish, M. du Buit. Les documents paléo-hébreux de Lakish. In-4 Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais Classification Dewey : 270-Histoire et géographie de l'Eglise [Attributes: Soft Cover]

      [Bookseller: le-livre]
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        L'ÊTRE PERDU. By Alain Delahaye

      [Paris]: Maeght Éditeur, [1977].. Large octavo. Loose signatures laid into printed wrappers. Fine in cloth chemise and slipcase. First edition. Illustrated with four color lithographs by Bazaine, each signed in pencil by him in the margin. This is one of forty numbered copies, signed by the author and artist, with an extra suite of the lithographs printed on Japon Nacré and signed by the artist, from a total edition of 620 copies printed on vélin d'Arches. Bazaine (1904-2001) enjoyed a considerable reputation for both his painting and his monumental works in stained glass. MONOD 3558.

      [Bookseller: William Reese Company - Literature ABAA-]
 38.   Check availability:     Biblio     Link/Print  


        Joan Miró Lithographs III.

      Paris: Maeght Éditeur. 1977 - 1964-1969. Contains six original lithographs. 216 pp. Preface by Joan Teixidor. Cramer, 230.

      [Bookseller: Wittenborn Art Books]
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        Pelargoniums of Southern Africa : 3 Volume set

      Purnell & Sons ; Juta ; National Botanic Gardens 1977 - 3 Volume set. volume 2 published in 1981 volume 3 published in 1988.the jackets are shelf rubbed and a little knocked. . Vol.1 is Signed by both authors. there are no other inscriptions in any of the books. all first editions. volume 2 published by Juta. volume 3 by National Botanic gardens. the binding is excellent. overall a very attractive set. [P.K.] [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Chapter 1]
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        Chiasmadon. Signed Limited Edition

      Vermont The Janus Press [for] Charles Seluzicki 1977. VG : in very good condition in card wraps Limited Edition [44/175] Card wraps 250mm x 200mm (10" x 8"). [12pp]. Releif print by Claire Van Vilet. Signed on the rear limitation page by Ted Hughes.

      [Bookseller: Barter Books]
 41.   Check availability:     TomFolio     Link/Print  

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