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Displayed below are some selected recent viaLibri matches for books published in 1977

        Jeder Deutsche hat das Recht ... Die deutsche Rechtsprechung im Klassenkampf gegen linksgerichtete Literatur. Denkschrift der Vereinigung linksgerichteter Verleger [ORIGINAL]

      Von großer Seltenheit. Trotz des Alters sehr gut erhalten. - "Interessantes kulturpolitisches Pamphlet gegen die Verfolgung linksgerichteter Autoren, Publikationen, Zeitschriften etc. mit aufschlussreichen Gerichtsdokumenten .. Wirkungsvoller Umschlag von Heartfield." (Dok.-Bibl.) Exemplar der Dokumentations-Bibliothek, dort verzeichnet im Katalog VI unter der Nr. 191, zusammen mit zwei weiteren Pamphleten der Zeit. Die Bibliothek wurde am 11. Juni 1977 in Bern versteigert, dies ist damit auch der letzte Nachweis für ein Exemplar dieser ungemein seltenen Originalausgabe ansonsten gibt es lediglich einen modernen Nachdruck aus dem Jahr 1988, mit Nachwort von W. Schütte. Der schöne und damit gleichfalls sehr rare Umschlag stammt von John Heartfield, er zeigt einen Stapel linker zeitgenössischer Literatur (darunter ein Werk von G. Grosz sowie einen Band der satirischen Arbeiterzeitung 'Der Knüppel'), die von dem Dolch der Zensur durchbohrt werden. EINBAND: OBrosch. mit Umschlagillustration von J. Heartfield . LITERATUR: Dok.-Bibl. VI 191. - Nicht bei Siepmann und im Katalog Blickfang. - Ebenso nicht bei Herzfelde und in den Heartfield-Katalogen von M. Pinkus und der Dt. Akademie der Künste zu Berlin. Gewicht: 93 g. First edition, very rare. Orig. wrappers, with the very rare cover illustration by John Heartfield.

      [Bookseller: Buchengelchen]
 1.   Check availability:     booklooker.de     Link/Print  


        Junky [Junkie]

      Penguin Books (1977), (New York) - 158 pages. 4-1/4 by 7 inches. 'The first complete and unexpurgated edition, originally published as 'Junkie' under the pen name William Lee' -- from the title page. Introduction by Allen Ginsberg. First edition (first printing). A fine copy in wrappers (paperback). Signed on the title page by both Ginsberg and Burroughs. With a review slip laid in along with an invitation to the publication party at Gotham Book Mart. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Eureka Books, ABAA]
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        THISTLES AND THORNS Abraham and Sarah at Bethel

      The University of Nebraska at Omaha: Abattoir Editions, 1977. First edition. Hardcover. Orig. white textured cloth, red printed front cover and spine label. Fine. Moser, Barry. 100 pages. 26.5 x 18 cm. Limited edition, copy 71 of 250 copies signed by Paul Smyth and Barry Moser, hand-set Bembo type and the artists original woodblocks on Gutenberg Laid paper. 13 wood engravings by Moser each signed in pencil. Text printed in red and black. Hand-made paper dust wrapper nicked at extremities, and small hole (half centimeter) at back cover.

      [Bookseller: Royoung bookseller, Inc.]
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        Die Goldene Bulle. König Wenzels Handschrift. Codex Vindobonensis 338 der Österreichischen Nationalbibliothek in Wien. Faksimileband und Kommentarband von Armin Wolf.

      Graz, Akademische Druck- und Verlagsanstalt, 1977 - Folio (43,5 x 30 cm). 78 Blatt (Faksimile) und 53 Seiten, 21 Tafeln (Kommentar). Orig.-Lederband und Leinen, zus. in Schuber mit Lederrücken. *Vollständiges Faksimile im Originalformat des Codex Vindobonensis 338 d. Österreichischen Nationalbibliothek (Codices selecti phototypice impressi). Hochwertige Faksimileausgabe, erschien 500 Exemplaren: Faksimileband in hochwertigem Echtleder, die Tafeln auf pergamentähnlichem Papier und die Farbabbildungen goldgehöht (1978 erschien auch eine Billigausgabe in geringerer Qualität, mit einer Auswahl der Tafeln in größerer Auflage). Die Goldene Bulle, eines der schönsten mittelalterlichen Bilderhandschriften (1356 auf Hoftagen in Nürnberg und Metz) war eine Gesetzessammlung. Ihren Namen erhielt sie von den Goldenen Siegeln, die sechs der sieben Ausfertigungen besaßen. Die Goldene Bulle bildete einen zentralen Baustein der Reichsverfassung und war bis zum Ende des Alten Reichs 1806 gültig. - Tadelloses Exemplar (wie neu) ISBN 9783201010252 Sprache: Deutsch Gewicht in Gramm: 5000

      [Bookseller: Antiquariat Braun]
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        Summoned by Bells.

      London John Murray 1977 - Deluxe edition, number 14 of 100 specially bound copies signed by the author, original delivery note loosely inserted, publisher's blue morocco gilt, fading to spine otherwise a fine copy with original slip-case inset with a gilt bell on blue morocco mirroring that on the front cover. 'Safe were those evenings of the pre-war world When firelight shone on green linoleum; I heard the church bells hollowing out the sky, And turned to Archibald, my safe old bear,.' [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Shapero Rare Books]
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        L'oeuvre gravé de Jean Frélaut 1926-1935. - 1936-1941. - 1942-1946 - 1947-1954

      La bibliothèque des arts 1977 - - La bibliothèque des arts, Paris 1977-1999, 26x33,5cm, 4 volumes en reliures de l'éditeur sous étuis souples. - Edition originale. Reliures de l'éditeur en pleine toile bleue, exemplaires complets de leurs jaquettes illustrées et de leurs étuis en cartonnage souple (hormis pour le dernier volume). Petites déchirures et accrocs sans gravité sur les étuis en cartonnage souple, quelques déchirures aussi sans gravité sur les jaquettes. Très riche iconographie. Bel ensemble complet en quatre volumes. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition. Binders of the publisher in full blue canvas, complete copies of their illustrated covers and their cases in flexible cardboard (except for the last volume). Small rips and snags without gravity on the cases in flexible cardboard, some tears also without gravity on the jackets. Very rich iconography. Beautiful complete set in four volumes. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        L'oeuvre gravé de Jean Frélaut 1926-1935. - 1936-1941. - 1942-1946 - 1947-1954

      First edition.Binders of the publisher in full blue canvas, complete copies of their illustrated covers and their cases in flexible cardboard (except for the last volume).Small rips and snags without gravity on the cases in flexible cardboard, some tears also without gravity on the jackets.Very rich iconography.Beautiful complete set in four volumes. La bibliothèque des arts Paris 1977-1999 26x33,5cm 4 volumes en reliures de l'éditeur sous étuis souples

      [Bookseller: Librairie Le Feu Follet]
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        The Texas Arts Journal, Number One: The Manuscript Edition

      Dallas: Texas Arts Journal, 1977. First Edition. Trade Paperback Trade Paperback. Near Fine. 109 pages. 8-3/8 by 10-7/8 inches. Contains Updike's libretto for a Grimm-inspired children's opera, The Fisherman and His Wife. Limited to 22 copies, with a page of the original typescript signed by Updike laid-in to a folder labeled with limitation details. The opera premiered at the Opera Company of Boston in 1970, with score by Gunther Schuller. First edition (first printing). Small snag to cover edge, thus a near fine copy; labeled folder and signed typescript page fine (page 28). A photocopied letter from Updike laid-in explains: 'I talked Knopf into letting me make it a children's book in format like other opera plots...But when I settled to the task it appeared to me I should spare bookbuyer[s] and booksellers one more volume to deal with.' Enclosed in publisher's slipcase with paper label stating edition details.

      [Bookseller: Eureka Books, ABAA]
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        Manuscript poem: "El Moribundo: Palabras" Circa 1950

      One page, written in blue ink on a sheet of unwatermarked paper. Some edge wear, small old tape repairs. A rare example from the hand of the 1977 Nobel laureate, published in his 1953 collection Nacimiento Ultima. Provenance: Given by Aleixandre to the Nicaraguan poet Ernesto Mejía-Sanchez (1923-1985).

      [Bookseller: Thomas A. Goldwasser Rare Books]
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        In Patagonia

      Jonathan Cape, UK 1977 - An uncorrected UK proof ( Advanced Reader's Copy ). This is a solid copy without previous ownership inscriptions. The covers are sound and unfaded, showing light rubbing along the edges. There is a crease to the upper leading edge corner of the back cover. The background colour on the spine is faded. The spine is creased. The pages and closed page edges are clean, if very slightly dulled. The binding is solid - no cracked hinges or loose pages. Given the fragility of proof copies - particularly of this vintage - this is in nice condition. Paypal accepted. [Attributes: First Edition; Soft Cover]

      [Bookseller: Cheltenham Rare Books]
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        Romeo and Juliet, Vestris, Swan Lake, Creation of the World, Daphnis and Chloe, Don Quixote

      Copy #27 of 250 numbered copies - SIGNED & dated "London ´77" by Baryshnikov on the title page. Features 6 silk screen mezzotint prints one for each of the Ballets noted in the title. (10" X 8" images printed on 17" X 15" sheets), photographs by Jennie Walton. Published by Megara Screenprinting, London, first edition 1977. All prints, covers and pages are fine. Housed in a black portfolio with silver stamped titles & black satin ribbon ties. (18" X 16"). In excellent condition. A notably uncommon production highlighting the charm & grace of the dancer in his prime. RARE! sold at bargain price.

      [Bookseller: Tamino Autographs]
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        LE VIEIL HOMME ET L'OFFICIER

      GALLIMARD, Paris 1977 - DU MONDE ENTIER Francese Traduzione dal rumeno al francese a cura di Alain Guillermou, brossura editoriale bianca, con titoli rossi e neri, leggermente ingiallita e con sottile fioritura, lievi segni di usura al dorso, pagine in buonissimo stato di conservazione, fioritura ai tagli

      [Bookseller: Biblioteca di Babele]
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        The Necronomicon.

      New York: Schlangekraft, 1977 - Quarto. Original black morocco, spine lettered in silver, front cover lettered and decorated in silver, black endpapers, black silk page marker, edges silver. With the glassine jacket. A fine copy in the slightly chipped jacket. Illustrations in text throughout. First and signed limited edition, first printing, number 63 of 666 copies signed by the publisher and complete with the rare jacket. The Necronomicon first appeared in H. P. Lovecraft's 1924 story "The Hound" and has been referenced in works ranging from the supernatural fiction of August Derleth to Sam Raimi's Evil Dead film series. Although this edition capitalises on Lovecraft's creation, it has little connection to the Lovecraftian mythos of the Necronomicon and instead focuses on its purported links to Sumerian mythology. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        A River Runs Through It and other Stories.

      First Edition. Octavo. XIV, 217 pages. Original Hardcover with original dustjacket in protective Mylar. Very good+ condition with only minor signs of external wear. The dustjacket unclipped. Blindstamp of preowner to endpaper and titlepage. True first edition with all the necessary signs (mixed up printrun and ISBN as well as "adways" (instead of "always") on page 27 of the publication. Wonderfully signed and inscribed association copy by Norman MacLean: "To Anne, and to Studs Terkel with love - Norman MacLean - University of Chicago, April 17, 1977".

      [Bookseller: The Time Traveller's Bookshop]
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        The Illustrations for:] India Love Poems.

      Printed at the Senecio Press for Paradine and PL Editions 1977 - 18 superb colourprinted lithographic plates by John Piper printed on Arches Velin pure rag paper, ff. 18, folio, the sheets loose and within brown paper wrapper stiffened with card, fine. A full set of Piper's lithographs for this attractive book - accompanying texts translated by Tambimuttu. These are from the original printing, at the Senecio Press in Charlbury (the text pages were printed at the Rampant Lions Press), and have been excellently preserved. Piper writes of his work for 'India Love Poems': 'The illustrations, to use musical analogies, are variations, rhapsodies or inventions on sculpture and paintings in Indian temples of the Golden Age, from the VIth century to the XIIIth. They are not intended to be representational of the form or colour of the works themselves but are affected by the spirit and purpose of them, and often by particular poses'.

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        New York project. Ten possibilities.

      New York, John Weber, 1977. - ?22,5:14,3 cm. 88 nn. Bl., fast durchgehend farbig illustr., dav. 1 doppelseitiges Foto mit der Ausstellungsansicht. OPergament in OLn.-Schuber. Original-Ausgabe. Eins von 10 num. und vom Künstler signierten und datierten Exemplaren. Druck auf hartem Bütten. Dieses Künstlerbuch entstand anläßlich der gleichnamigen Performance und Ausstellung, die Marco Gastini im Jahr 1977 in der New Yorker Galerie John Weber hatte. Basierend auf der Installation in der Galerie, die in diesem Buch abgebildet ist, stellt er 10 verschiedene Möglichkeiten der Anordnung von verschieden formatigen bespannten Keilrahmen dar. Sehr schöne konzeptuelle Publikation. [Attributes: Hard Cover]

      [Bookseller: M + R Fricke]
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        Tenero è il mostro. Luoghi e vita di Giacometti, Balthus, Sutherland, De Chirico, Shan, Maccari, Steinberg, Folon, Baj, Alechinsky, Janssen, Guarienti.

      Rizzoli, 1977. 4° picc.; pp. 337 non num. 5 su carta patinata pesante, con numerose illustraz. in nero nel testo e f.testo. Ril. t. pelle edit. con titoli al dorso, titoli e fregi in oro al piatto, sguardie in carta pesante vergellata. Esemplare della tiratura di testa limitata a XX esemplari con firma dell'autore al colophon, contenente in cartella in folio a parte sette litografie e acqueforti originali numerate e firmate a matita: Alechinsky, Maccari, Folon, Topor, Baj, Sutherland e Guarienti. Non comune edizione.(vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        Die Kunst des Orgelbauers

      Orgelbau-Fachverlag,Lauffen am Neckar 1977 - Band I-Textband und Band II-Abbildungen. In Leinen gebundene Ausgaben. Schnitt mit altersbedingten Lagerspuren.Sonst tadellos.Band II.Mit 137 Tafeln. Komplett. Das dazugehörende Lineal liegt bei.Band I- 575 Seiten. Komplett. [Attributes: Hard Cover]

      [Bookseller: Wolfgang Zettel]
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        Flashman's Lady. From the Flashman Papers 1842-1845. Edited and arranged by George MacDonald Fraser. SIGNED PRESENTATION COPY

      Barrie & Jenkins, 1977. 8vo., First Edition, with endpaper maps; red cloth, backstrip lettered in silver, a near fine copy in dustwrapper. A PRESENTATION COPY FROM THE AUTHOR WITH HIS HOLOGRAPH INSCRIPTION ON FRONT FREE ENDPAPER. With striking wrap-around dustwrapper artwork by Barbosa.

      [Bookseller: antiquarian bookshop Island Books]
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        High-Rise

      Henry Holt & Co 1977 - First Edition, First Printing (Full Number Line). Not price-clipped ($6.95 price intact). Published by Holt Rinehart Winston, 1975. Octavo. Maroon cloth over orange boards with bright gold stamped spine lettering. Book is like new; clean, tight, sharp corners, bright spine lettering. Dust jacket is like new with only the lightest shelf wear. No writing, highlighting, underlining, dog ears, etc. No rips or tears. Pages and boards crisp and straight. Spine un-broken with no spine lean. Book in un-read condition. A very nice collectible copy of this classic Ballard dystopian satire. 204 pages. ISBN: 0-03-020651-0. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. [Attributes: First Edition; Hard Cover]

      [Bookseller: Southampton Books]
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        Tertiary History of the Grand Canyon District (2 Volume set)

      Peregrine Smith Books, Santa Barbara, CA 1977 - Octavo/Folio. Limited to 1500 copies. A facsimile of the original 1882 edition which was done under the direction of John Wesley Powell. The present set is number 1153. All 23 folded sheets are complete with both colors maps and views. Often one or more of the folded sheets which are beautifully reproduced are lacking. This remains the most important item on the Grand Canyon. Both volumes bound in half leather over beige cloth, housed within publisher's slipcases with short split to opening of slipcase for atlas volume. [Attributes: First Edition]

      [Bookseller: Alcuin Books, ABAA]
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        Chiasmadon

      (West Burke), Vermont: Janus Press / Charles Seluzicki Bookseller, 1977. Near Fine. First edition. With a relief print by Claire Van Vliet. Small quarto. Blue paper wrappers printed in silver. A little sunning at the extremities, near fine. Of a total edition of 175 copies Signed by both Hughes and Van Vliet, this is copy XXIII (23) of 55 copies designated with Roman numerals and not for sale. Marked "Publisher's Presentation Copy" and Inscribed by the publisher to American poet W.D. Snodgrass: "For W.D. Snodgrass - You're next! Best wishes, Charles Seluzicki 6/1/77."

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        A colllection of slides taken by Nicholas Tresilian, a director of the APG. Taken at the RCA conference in 1976 and Documenta 6 at Kassal West Germany 1977.

      Self-published., London 1977 - Three boxes of colour slides taken by Nicholas Tresilian. One of APG events one of Documenta 6 and one of his own images labelled 'High Entropy Arrys', 'Thresholds', 'Occultations' and 'Death'. 376 slides in total, all in very good condition. Approx 30 are on the 1977 Royal College of Art seminar and presentation, featuring Steveni, L atham, Breakwell, Brisley, Tresilian and Coward etc. Approx 200 on Documenta 6 at Kassel: includes multiples images on Breakwell, Beuys, De Maria, Serra, Flanagan, 'Grey Men', Gerz, Dieter Rot, Anti-Documenta stunt, the Free International Universiity, Gilbert & George, Rinke, Nam June Paik , Richard Long, Marcel Broodthaers etc. Multiple shots of the outdoor sculptures and installations. Also multiples shots of Kassel and locality. The idea of Artist Placement stemmed from a group of UK artists, and was guided by John Latham and initiated by Barbara Steveni, who were experimenting with radical new forms of art. Directed by Steveni, the APG pioneered the concept of art in the social context. From the outset their notion of ‘placement’ acknowledged the marginalised position of the artist and sought to improve the situation. By enabling artists to engage actively in non-art environments, the APG shifted the function of art towards ‘decision-making’.Acting outside the conventional art gallery system, the APG attempted, through negotiation and agreement, to place artists within industry and government departments. The artist would become involved in the day-to-day work of the organisation and be paid a salary equal to that of other employees by the host organization, while being given the new role of maintaining sufficient autonomy to acting on an open brief. These placements resulted in a variety of artists’ reports, films, photographs, interviews, poetry and art installations. Artists of international repute, such as Keith Arnatt, Ian Breakwell, Stuart Brisley, George Levantis and David Hall, had important placements or early associations with the APG.Like many other British artists and groups working outside common frameworks, the APG had a high profile abroad, particularly in Germany. Recent years have seen an increasing recognition that the APG served as a catalyst for many artist-in-residence programmes and community schemes, both in Britain and abroad. However, the APG’s brief was always more about political, social, and long-term engagement than about parachuting artists into problem zones. Like British Pop, the APG initiated and developed an aspect of art practice long before many of its contemporaries.Today the organisation exists as Organisation and Imagination (O + I). The name APG was changed in 1989 in order to distinguish it from the art administration’s placement schemes, set up closely along the lines of the APG’s legacy, to the group, highly problematic. O + I describes itself as ‘an independent, international artist initiative, a network consultancy and research organisation’. Its board of directors, members and specialist advisors include leading artists, civil servants, politicians, scientists, and academics from various disciplines [Attributes: First Edition; Signed Copy]

      [Bookseller: Roe and Moore]
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        The Shining (SIGNED 1st WITH JSA CERTIFICATION)

      Doubleday 1977 - Doubleday, 1977. Hardcover. First edition. Book and dust jacket condition: near fine. Stated first edition. Signed by Stephen King on the title page. Signature in ink, "Stephen King," no inscription. With all 1st edition points: printers code R49 page 447, original 1st state dust jacket, unclipped jacket with price $8.95. Dust jacket original, clean and bright, minor softening to top and bottom of spine, no repairs, chips, tears, tape. Book: tight binding,clean pages, no writing or marks, no soiling or foxing. Clean straight boards. Minor push to lower spine. Outstanding copy of a fragile book. Signed in my presence by Stephen King at Folger Shakespeare Library following his reading "Three Kings" at Lutheran Church of the The Reformation, Washington D.C., April 4, 2008. Comes with James Spence signature authentication, event ticket for "Three Kings" event and event booklet for "Three Kings" event. Ships to United States only. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: White Ink Books]
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        The art of the bookbinder and gilder...translated into English by Richard MacIntyre Atkinson

      Leeds: Elmete Press, 1977. Edition limited to 490 copies (this, no. 185) and first edition in English; folio, pp. xiv, 126, [4]; 16 plates, typographical ornaments in green; contemporary full olive goatskin by Jennifer Turrentine, cross-hatched in blind, and with onlays of crimson, yellow, gray, and red squares and rectangles, gilt-lettered direct in black on spine, t.e.g.; fine. With a note from Turrentine to Greg Campbell laid in mentioning a clamshell box (which was never made). The original French edition, L'art du relieur [et] doreur de livres (Paris, 1772) was the second printed treatise on bookbinding in French. This work is part of the great Description des Arts et Metiers, which was in preparation from the 1690s and finally began to be published in sections by the Royal Academy of Sciences in 1761. The first separately printed French treatise on bookbinding was Gauffecourt's short (72 pages) Traité de la Relieure des Livres (La Motte, 1763) printed in an edition of only 25 copies, and which is known by only one copy at the Bibliotheque nationale.

      [Bookseller: Rulon-Miller Books]
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        NOW WE ARE SIX. With decorations by E. H. Shepard.

      London. Methuen Children's Books.1977. Number 151 of a limited edition of 300 copies, signed by Christopher Milne. Original full pictorial maroon morocco, gilt. All edges gilt. Contained in a paper-covered slipcase as issued. Loosely laid in is a printed slip, signed by the chairman, and Managing Director of Methuen Children's Books, and by the Chairman of Richard Clay (The Chaucer Press) Ltd, clarifying the confusion over the size of the edition, and stating that it is indeed limited to 300 copies. A fine copy.

      [Bookseller: David Miles Books]
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        THE SWORD OF SHANNARA

      Random House [1977], New York - Octavo, illustrated by the Hildebrandt brothers, cloth backed boards. The first book in the Shannara fantasy series. Fantasy series with a reluctant hero against the forces of evil set in a future world after a nuclear holocaust in civilization has developed along the lines of faery folk. Now a television series. Barron (ed), Fantasy and Horror 7-52. Mild age tanning to edges of text block (common to this book), a fine copy in a fine dust jacket with a bit of rubbing to corner tips. (21718) [Attributes: First Edition; Hard Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
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        The Sword of Shannara

      first edition (stated) first printing (full Random House 1977 number line); no prior owner marks; minimal age tone to text pages, slight dust to top text block edge; tight bind; 1/4 cloth cover has little rub wear (short scratches to back panel, rubbing along spine edges of cloth), little dulling to titling; dj edge wear: short tear top front, few small nicks, little rubbing; flap price present; crease to front flap corner B18ambibeb

      [Bookseller: DrPanglossBooks]
 28.   Check availability:     Biblio     Link/Print  


        X Motion Picture Magazine. Vol. 1, No.1 (Dec. 1977); Vol. 2, Issues 2 & 3 (February 1978); Vol. 2, Issues 4, 5 & 6 (May 1978). [All published].

      Published by contributors under the auspices of Colab. 1977-1978., New York. - Complete set of three issues of the arts and letters periodical X Motion Picture Magazine (later shortened to X). Published in connection with the artistsÕ group Colab, the magazine was an ad-hoc collective publishing venture featuring writings and projects by Diego Cortez, Terence Severine, Eric Mitchell, Kathy Acker, Michael McClard, Duncan Smith, Jacki Ochs, Mitch Corber, Alan Moore, James Nares, Jimmy de Sana, Betsy Sussler, Arturo Schwarz, Beth B, Tom Otterness and many others. The magazineÕs founders, Betsy Sussler, Eric Mitchell, and Michael McClard assembled the first issue by hand. Each artist financed and designed his or her own contribution, resulting in a heterogeneous array of layouts and typefaces. The magazineÕs themes include French New Wave cinema, the Baader-Meinhof group, and punk music. The cover of the first issue consists of three stills from GodardÕs 1976 film ÔIci et ailleursÕ, whilst the second cover features a found photograph of a man holding two swords in the shape of an X. The final cover references the Baader-Meinhof group, discussed in the issue, with the phrase Òed brigadeÓ scrawled on a brick wall. [Ref. Gwen Allen - ArtistsÕ Magazines. An alternative space for art, p. 311]. [Attributes: Soft Cover]

      [Bookseller: Tim Byers Art Books]
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        Portrait of T.S. Eliot.

      [No date c.1977] 450 x 560 mm in glazed wooden frame. Artist's Proof print captioned and signed in pencil by the artist. A note on the backing to the frame suggests that this was a limited edition print of 45 copies. The backing also has a label with Jacqueline Morreau's London address. A handsome image of the poet deep in thought somking a small cigar. "A US born figurative painter working on the representation of women from a feminist viewpoint, Jacqueline Morreau studied with Rico Lebrun in Los Angeles and completed a training in medical illustration before settling permanently in London in 1972. Technical skill and concern with depicting the human body have both remained central to her work, even when this commitment contravened feminism's 1970s rejection of oil painting as too traditional to be politically valid. Although Morreau's art is traditional in appearance, it is revolutionary in content. Morreau was one of the four artists who organized "Women's Images of Men" - an exhibition which opened at the Institute of Contemporary Arts and toured Britain in 1980-81 - and, in her paintings and drawings, she has continued to express what she has described as `the divided self'. Through metaphorical scenes, often derived from classical mythology, Morreau presents complex and often conflicting views of women which not only reclaim and represent familiar stories from a female perspective, but also act as allegories for the values of contemporary society... Just as Greek mythology is underpinned by strata of complex and ambiguous sexual messages, so are Morreau's paintings... Morreau is one of the few artists to produce work that is both didactic and open to wide interpretation. " Louisa Buck, The Sexual Imagination, ed Harriett Gilbert, London 1993

      [Bookseller: Henry Sotheran Ltd.]
 30.   Check availability:     Direct From Seller     Link/Print  


        Evidence

      Mandel/Sultan, Santa Cruz [1977] - 9 x 9 3/4 inches, unnumbered pages, cloth, First edition of this groundbreaking work that recontexualized the meaning of criminal, industrial, and scientific photographs drawn from a wide variety of archival sources. First Edition edition. Very good, slight foxing at the outer edge of some leaves. Very good, slight foxing at the outer edge of some leaves [Attributes: Hard Cover]

      [Bookseller: Dawson's Book Shop, ABAA, ILAB]
 31.   Check availability:     AbeBooks     Link/Print  


        LE RICETTE DELLA MIA CUCINA FIORENTINA E TOSCANA

      Edizioni Del Riccio. ITALIANO 0,18 Deliziosa raccolta culinaria della tradizione italiana in morbida brossura. Lievi aloni di umettatura alla copertina inferiore. Tagli con minima presenza di fioritura. Pagine poco ingliallite, con inserimento di simpatiche illustrazioni in nero. Pubblicazioni della collana, numero 3, 4, 6 e 7, relative alle uscite mensili dei mesi di agosto, settembre, novembre e dicembre dell'anno 1977. USATO

      [Bookseller: Biblioteca di Babele]
 32.   Check availability:     maremagnum.com     Link/Print  


        The Diary

      London: The Hogarth Press,, 1977–84. 5 volumes, octavo. Original purple boards, titles to spines gilt, map endpapers in Volumes II-V. With the illustrated dust jackets. An excellent set in the bright jackets with slightly faded spines. First editions, first impressions. This collection of Woolf's most personal writings is laboriously edited and beautifully designed.

      [Bookseller: Peter Harrington]
 33.   Check availability:     Biblio     Link/Print  


        In Patagonia

      London: Jonathan Cape, 1977. First Edition. Hardcover. Very Good. First edition, first printing with first issue blue and white map endpapers. (Stated "First published 1977" on copyright page. Precedes all other editions, such as the American.) 204 p. Very Good in Near Fine dust jacket. Foxing to fore edge, small stain in margin of pg. 3, ding to back board top edge. Jacket spine panel sunned, a bit of creasing at edges, price intact. A nice copy.

      [Bookseller: Burnside Rare Books ]
 34.   Check availability:     ABAA     Link/Print  


        Essai sur la pensée réactionnaire

      - Fata Morgana, Montpellier 1977, 14,5x22,5cm, en feuilles. - Prima edizione, una delle 60 copie numerate su Arches, edizione deluxe. Libro illustrato una litografia originale di Pierre Alechinsky ha giustificato e firmato. Nizza copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 60 exemplaires numérotés sur Arches, tirage de tête. Ouvrage illustré d'un lithographie originale de Pierre Alechinsky qu'il a justifiée et signée. Bel exemplaire.  

      [Bookseller: Librairie Feu Follet]
 35.   Check availability:     maremagnum.com     Link/Print  


        The Shining

      A UK First Edition, First Printing (New English Library 1977 with the code 'R49' present on page 447). The print run for the US First Edition was 25,000 and, given the low print runs of the UK editions of 'Carrie' and 'The Stand', which consisted of just 500 and 1000 copies respectively, the UK First Edition of 'The Shining' is likely to be considerably rarer than that of the US. Small bump to top of spine; edges toned and lightly foxed; a little off-setting to front endpaper and front board slightly bowed at the bottom. Original and unclipped dust jacket has some rubbing, chipping and wear to the top with a stain to the inside, and is now protected in a high-quality archival cover. A good copy of a contemporary classic.

      [Bookseller: Fine Book Cellar, IOBA]
 36.   Check availability:     Biblio     Link/Print  


        In Their Element. a selection of poems by

      Belfast: Published by Printed by Dorman & Sons Ltd, Belfast for the Arts Council of Northern Ireland, 1977. First edition. Small 4to. Silver printed wrappers. First edition. Small 4to. Signed by Seamus Heaney.

      [Bookseller: James Cummins Bookseller]
 37.   Check availability:     Biblio     Link/Print  


        Cards as Weapons (First Edition)

      Darien House, New York 1977 - First Edition. Author, actor and huckster historian Ricky Jay's first book, a hilarious, photo illustrated treatise on the use of playing cards as weapons, with chapters on technique, practice, stunts and self-defense. The scarce cloth edition (a simultaneous softcover edition was also published).Fine in a Fine dust jacket. Jacket has a tiny nick at one corner, else pristine. A beautiful example of a book that is nearly always found with condition issues. [Attributes: First Edition; Hard Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 38.   Check availability:     AbeBooks     Link/Print  


        MONTARE A CAVALLO MANUALE DI EQUITAZIONE NATURALE

      SANSONI, 1977. ITALIANO 0,21 Brossura con copertina plastificata semilucida lievemente ingiallita ai margini. Adesivi di precedenti prezzature alla quarta. Minima usura alla testa del dorso. Pagine fruibili, chiare, con inserimento in illustrazioni in nero e di alcune tavole fuori testo sia a colori che non. Stampa in rilevo di bollo SIAE al frontespizio. Numero 79 della raccolta. USATO

      [Bookseller: Biblioteca di Babele]
 39.   Check availability:     maremagnum.com     Link/Print  


        Song Of Solomon

      Knopf, New York 1977 - First Edition/First Printing. Hardcover. Fine book in a Near Fine Dust Jacket, with a touch of even sunning to the spine and a slight wrinkle to the rear panel. Signed by the author on the title page. [Attributes: First Edition; Signed Copy]

      [Bookseller: MDS BOOKS]
 40.   Check availability:     AbeBooks     Link/Print  


        LOVE IS A DOG FROM HELL: POEMS 1974-1977 - LIMITED EDITION, SIGNED

      Santa Barbara: Black Sparrow Press, 1977. First Edition. Limited Issue, one of 300 numbered copies signed by the author, this being copy no.14. Octavo (23.5cm); illustrated paper and vertically-ribbed purplish-brown cloth backstrip, with title label applied to spine; publisher's original acetate dustjacket; 307,[5]pp. Fine in a Near Fine, lightly rubbed dustjacket. Substantial collection of the author's poetry from the mid-1970's. Basis for Dominique Deruddere's 1987 film Crazy Love.

      [Bookseller: Captain Ahab's Rare Books]
 41.   Check availability:     Biblio     Link/Print  


        Taos Pueblo

      Boston: New York Graphics Society, 1977. Limited Edition. Hardcover. Like New. Signed. Folio. Signed limited edition; Number 219 of 950 copies signed by Ansel Adams on the limitation page. Quarter bound tan leather over orange linen cloth, in publisher's orange linen slipcase. Near Fine, with several faint scratches to cloth and leather spine, else Fine. A facsimile edition of the rare 1930 edition, of which only 108 copies were originally privately printed for Ansel Adams. Extra postage will be required for international shipment, please contact us first for rates.

      [Bookseller: Burnside Rare Books ]
 42.   Check availability:     ABAA     Link/Print  

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