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Displayed below are some selected recent viaLibri matches for books published in 1977

        New York project. Ten possibilities.

      New York, John Weber, 1977. - ?22,5:14,3 cm. 88 nn. Bl., fast durchgehend farbig illustr., dav. 1 doppelseitiges Foto mit der Ausstellungsansicht. OPergament in OLn.-Schuber. Original-Ausgabe. Eins von 10 num. und vom Künstler signierten und datierten Exemplaren. Druck auf hartem Bütten. Dieses Künstlerbuch entstand anläßlich der gleichnamigen Performance und Ausstellung, die Marco Gastini im Jahr 1977 in der New Yorker Galerie John Weber hatte. Basierend auf der Installation in der Galerie, die in diesem Buch abgebildet ist, stellt er 10 verschiedene Möglichkeiten der Anordnung von verschieden formatigen bespannten Keilrahmen dar. Sehr schöne konzeptuelle Publikation. [Attributes: Hard Cover]

      [Bookseller: M + R Fricke]
 1.   Check availability:     ZVAB     Link/Print  

        Tenero è il mostro. Luoghi e vita di Giacometti, Balthus, Sutherland, De Chirico, Shan, Maccari, Steinberg, Folon, Baj, Alechinsky, Janssen, Guarienti.

      Rizzoli, 1977. 4° picc.; pp. 337 non num. 5 su carta patinata pesante, con numerose illustraz. in nero nel testo e f.testo. Ril. t. pelle edit. con titoli al dorso, titoli e fregi in oro al piatto, sguardie in carta pesante vergellata. Esemplare della tiratura di testa limitata a XX esemplari con firma dell'autore al colophon, contenente in cartella in folio a parte sette litografie e acqueforti originali numerate e firmate a matita: Alechinsky, Maccari, Folon, Topor, Baj, Sutherland e Guarienti. Non comune edizione.(vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        Flashman's Lady. From the Flashman Papers 1842-1845. Edited and arranged by George MacDonald Fraser. SIGNED PRESENTATION COPY

      Barrie & Jenkins, 1977. 8vo., First Edition, with endpaper maps; red cloth, backstrip lettered in silver, a near fine copy in dustwrapper. A PRESENTATION COPY FROM THE AUTHOR WITH HIS HOLOGRAPH INSCRIPTION ON FRONT FREE ENDPAPER. With striking wrap-around dustwrapper artwork by Barbosa.

      [Bookseller: antiquarian bookshop Island Books]
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        Tertiary History of the Grand Canyon District (2 Volume set)

      Santa Barbara, CA: Peregrine Smith Books, 1977. Limited Edition. Octavo/Folio. Limited to 1500 copies. A facsimile of the original 1882 edition which was done under the direction of John Wesley Powell. The present set is number 1153. All 23 folded sheets are complete with both colors maps and views. Often one or more of the folded sheets which are beautifully reproduced are lacking. This remains the most important item on the Grand Canyon. Both volumes bound in half leather over beige cloth, housed within publisher's slipcases with short split to opening of slipcase for atlas volume.

      [Bookseller: Alcuin Books, ABAA-ILAB]
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      (West Burke), Vermont: Janus Press / Charles Seluzicki Bookseller, 1977. Near Fine. First edition. With a relief print by Claire Van Vliet. Small quarto. Blue paper wrappers printed in silver. A little sunning at the extremities, near fine. Of a total edition of 175 copies Signed by both Hughes and Van Vliet, this is copy XXIII (23) of 55 copies designated with Roman numerals and not for sale. Marked "Publisher's Presentation Copy" and Inscribed by the publisher to American poet W.D. Snodgrass: "For W.D. Snodgrass - You're next! Best wishes, Charles Seluzicki 6/1/77."

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        A colllection of slides taken by Nicholas Tresilian, a director of the APG. Taken at the RCA conference in 1976 and Documenta 6 at Kassal West Germany 1977.

      Self-published., London 1977 - Three boxes of colour slides taken by Nicholas Tresilian. One of APG events one of Documenta 6 and one of his own images labelled 'High Entropy Arrys', 'Thresholds', 'Occultations' and 'Death'. 376 slides in total, all in very good condition. Approx 30 are on the 1977 Royal College of Art seminar and presentation, featuring Steveni, L atham, Breakwell, Brisley, Tresilian and Coward etc. Approx 200 on Documenta 6 at Kassel: includes multiples images on Breakwell, Beuys, De Maria, Serra, Flanagan, 'Grey Men', Gerz, Dieter Rot, Anti-Documenta stunt, the Free International Universiity, Gilbert & George, Rinke, Nam June Paik , Richard Long, Marcel Broodthaers etc. Multiple shots of the outdoor sculptures and installations. Also multiples shots of Kassel and locality. The idea of Artist Placement stemmed from a group of UK artists, and was guided by John Latham and initiated by Barbara Steveni, who were experimenting with radical new forms of art. Directed by Steveni, the APG pioneered the concept of art in the social context. From the outset their notion of ‘placement’ acknowledged the marginalised position of the artist and sought to improve the situation. By enabling artists to engage actively in non-art environments, the APG shifted the function of art towards ‘decision-making’.Acting outside the conventional art gallery system, the APG attempted, through negotiation and agreement, to place artists within industry and government departments. The artist would become involved in the day-to-day work of the organisation and be paid a salary equal to that of other employees by the host organization, while being given the new role of maintaining sufficient autonomy to acting on an open brief. These placements resulted in a variety of artists’ reports, films, photographs, interviews, poetry and art installations. Artists of international repute, such as Keith Arnatt, Ian Breakwell, Stuart Brisley, George Levantis and David Hall, had important placements or early associations with the APG.Like many other British artists and groups working outside common frameworks, the APG had a high profile abroad, particularly in Germany. Recent years have seen an increasing recognition that the APG served as a catalyst for many artist-in-residence programmes and community schemes, both in Britain and abroad. However, the APG’s brief was always more about political, social, and long-term engagement than about parachuting artists into problem zones. Like British Pop, the APG initiated and developed an aspect of art practice long before many of its contemporaries.Today the organisation exists as Organisation and Imagination (O + I). The name APG was changed in 1989 in order to distinguish it from the art administration’s placement schemes, set up closely along the lines of the APG’s legacy, to the group, highly problematic. O + I describes itself as ‘an independent, international artist initiative, a network consultancy and research organisation’. Its board of directors, members and specialist advisors include leading artists, civil servants, politicians, scientists, and academics from various disciplines [Attributes: First Edition; Signed Copy]

      [Bookseller: Roe and Moore]
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      Doubleday 1977 - Doubleday, 1977. Hardcover. First edition. Book and dust jacket condition: near fine. Stated first edition. Signed by Stephen King on the title page. Signature in ink, "Stephen King," no inscription. With all 1st edition points: printers code R49 page 447, original 1st state dust jacket, unclipped jacket with price $8.95. Dust jacket original, clean and bright, minor softening to top and bottom of spine, no repairs, chips, tears, tape. Book: tight binding,clean pages, no writing or marks, no soiling or foxing. Clean straight boards. Minor push to lower spine. Outstanding copy of a fragile book. Signed in my presence by Stephen King at Folger Shakespeare Library following his reading "Three Kings" at Lutheran Church of the The Reformation, Washington D.C., April 4, 2008. Comes with James Spence signature authentication, event ticket for "Three Kings" event and event booklet for "Three Kings" event. Ships to United States only. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: White Ink Books]
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        The art of the bookbinder and gilder...translated into English by Richard MacIntyre Atkinson

      Leeds: Elmete Press, 1977. Edition limited to 490 copies (this, no. 185) and first edition in English; folio, pp. xiv, 126, [4]; 16 plates, typographical ornaments in green; contemporary full olive goatskin by Jennifer Turrentine, cross-hatched in blind, and with onlays of crimson, yellow, gray, and red squares and rectangles, gilt-lettered direct in black on spine, t.e.g.; fine. With a note from Turrentine to Greg Campbell laid in mentioning a clamshell box (which was never made). The original French edition, L'art du relieur [et] doreur de livres (Paris, 1772) was the second printed treatise on bookbinding in French. This work is part of the great Description des Arts et Metiers, which was in preparation from the 1690s and finally began to be published in sections by the Royal Academy of Sciences in 1761. The first separately printed French treatise on bookbinding was Gauffecourt's short (72 pages) Traité de la Relieure des Livres (La Motte, 1763) printed in an edition of only 25 copies, and which is known by only one copy at the Bibliotheque nationale.

      [Bookseller: Rulon-Miller Books]
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        NOW WE ARE SIX. With decorations by E. H. Shepard.

      London. Methuen Children's Books.1977. Number 151 of a limited edition of 300 copies, signed by Christopher Milne. Original full pictorial maroon morocco, gilt. All edges gilt. Contained in a paper-covered slipcase as issued. Loosely laid in is a printed slip, signed by the chairman, and Managing Director of Methuen Children's Books, and by the Chairman of Richard Clay (The Chaucer Press) Ltd, clarifying the confusion over the size of the edition, and stating that it is indeed limited to 300 copies. A fine copy.

      [Bookseller: David Miles Books]
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      New York: Random House, [1977]. First edition. Mild age tanning to edges of text block (common to this book), a fine copy in a fine dust jacket with a bit of rubbing to corner tips. (21718). Octavo, illustrated by the Hildebrandt brothers, cloth backed boards. The first book in the Shannara fantasy series. Fantasy series with a reluctant hero against the forces of evil set in a future world after a nuclear holocaust in civilization has developed along the lines of faery folk. Now a television series. Barron (ed), Fantasy and Horror 7-52.

      [Bookseller: John W. Knott, Jr., Bookseller, ABAA/ILA]
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        The Sword of Shannara

      first edition (stated) first printing (full Random House 1977 number line); no prior owner marks; minimal age tone to text pages, slight dust to top text block edge; tight bind; 1/4 cloth cover has little rub wear (short scratches to back panel, rubbing along spine edges of cloth), little dulling to titling; dj edge wear: short tear top front, few small nicks, little rubbing; flap price present; crease to front flap corner B18ambibeb

      [Bookseller: DrPanglossBooks]
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        X Motion Picture Magazine. Vol. 1, No.1 (Dec. 1977); Vol. 2, Issues 2 & 3 (February 1978); Vol. 2, Issues 4, 5 & 6 (May 1978). [All published].

      Published by contributors under the auspices of Colab. 1977-1978., New York. - Complete set of three issues of the arts and letters periodical X Motion Picture Magazine (later shortened to X). Published in connection with the artistsÕ group Colab, the magazine was an ad-hoc collective publishing venture featuring writings and projects by Diego Cortez, Terence Severine, Eric Mitchell, Kathy Acker, Michael McClard, Duncan Smith, Jacki Ochs, Mitch Corber, Alan Moore, James Nares, Jimmy de Sana, Betsy Sussler, Arturo Schwarz, Beth B, Tom Otterness and many others. The magazineÕs founders, Betsy Sussler, Eric Mitchell, and Michael McClard assembled the first issue by hand. Each artist financed and designed his or her own contribution, resulting in a heterogeneous array of layouts and typefaces. The magazineÕs themes include French New Wave cinema, the Baader-Meinhof group, and punk music. The cover of the first issue consists of three stills from GodardÕs 1976 film ÔIci et ailleursÕ, whilst the second cover features a found photograph of a man holding two swords in the shape of an X. The final cover references the Baader-Meinhof group, discussed in the issue, with the phrase Òed brigadeÓ scrawled on a brick wall. [Ref. Gwen Allen - ArtistsÕ Magazines. An alternative space for art, p. 311]. [Attributes: Soft Cover]

      [Bookseller: Tim Byers Art Books]
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        Portrait of T.S. Eliot.

      [No date c.1977] 450 x 560 mm in glazed wooden frame. Artist's Proof print captioned and signed in pencil by the artist. A note on the backing to the frame suggests that this was a limited edition print of 45 copies. The backing also has a label with Jacqueline Morreau's London address. A handsome image of the poet deep in thought somking a small cigar. "A US born figurative painter working on the representation of women from a feminist viewpoint, Jacqueline Morreau studied with Rico Lebrun in Los Angeles and completed a training in medical illustration before settling permanently in London in 1972. Technical skill and concern with depicting the human body have both remained central to her work, even when this commitment contravened feminism's 1970s rejection of oil painting as too traditional to be politically valid. Although Morreau's art is traditional in appearance, it is revolutionary in content. Morreau was one of the four artists who organized "Women's Images of Men" - an exhibition which opened at the Institute of Contemporary Arts and toured Britain in 1980-81 - and, in her paintings and drawings, she has continued to express what she has described as `the divided self'. Through metaphorical scenes, often derived from classical mythology, Morreau presents complex and often conflicting views of women which not only reclaim and represent familiar stories from a female perspective, but also act as allegories for the values of contemporary society... Just as Greek mythology is underpinned by strata of complex and ambiguous sexual messages, so are Morreau's paintings... Morreau is one of the few artists to produce work that is both didactic and open to wide interpretation. " Louisa Buck, The Sexual Imagination, ed Harriett Gilbert, London 1993

      [Bookseller: Henry Sotheran Ltd.]
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      Mandel/Sultan, Santa Cruz [1977] - 9 x 9 3/4 inches, unnumbered pages, cloth, First edition of this groundbreaking work that recontexualized the meaning of criminal, industrial, and scientific photographs drawn from a wide variety of archival sources. First Edition edition. Very good, slight foxing at the outer edge of some leaves. Very good, slight foxing at the outer edge of some leaves [Attributes: Hard Cover]

      [Bookseller: Dawson's Book Shop, ABAA, ILAB]
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      Edizioni Del Riccio. ITALIANO 0,18 Deliziosa raccolta culinaria della tradizione italiana in morbida brossura. Lievi aloni di umettatura alla copertina inferiore. Tagli con minima presenza di fioritura. Pagine poco ingliallite, con inserimento di simpatiche illustrazioni in nero. Pubblicazioni della collana, numero 3, 4, 6 e 7, relative alle uscite mensili dei mesi di agosto, settembre, novembre e dicembre dell'anno 1977. USATO

      [Bookseller: Biblioteca di Babele]
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        The Diary

      London: The Hogarth Press,, 1977–84. 5 volumes, octavo. Original purple boards, titles to spines gilt, map endpapers in Volumes II-V. With the illustrated dust jackets. An excellent set in the bright jackets with slightly faded spines. First editions, first impressions. This collection of Woolf's most personal writings is laboriously edited and beautifully designed.

      [Bookseller: Peter Harrington]
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        In Patagonia

      London: Jonathan Cape, 1977. First Edition. Hardcover. Very Good. First edition, first printing with first issue blue and white map endpapers. (Stated "First published 1977" on copyright page. Precedes all other editions, such as the American.) 204 p. Very Good in Near Fine dust jacket. Foxing to fore edge, small stain in margin of pg. 3, ding to back board top edge. Jacket spine panel sunned, a bit of creasing at edges, price intact. A nice copy.

      [Bookseller: Burnside Rare Books ]
 17.   Check availability:     ABAA     Link/Print  

        Essai sur la pensée réactionnaire

      - Fata Morgana, Montpellier 1977, 14,5x22,5cm, en feuilles. - Prima edizione, una delle 60 copie numerate su Arches, edizione deluxe. Libro illustrato una litografia originale di Pierre Alechinsky ha giustificato e firmato. Nizza copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 60 exemplaires numérotés sur Arches, tirage de tête. Ouvrage illustré d'un lithographie originale de Pierre Alechinsky qu'il a justifiée et signée. Bel exemplaire.  

      [Bookseller: Librairie Feu Follet]
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        The Shining

      A UK First Edition, First Printing (New English Library 1977 with the code 'R49' present on page 447). The print run for the US First Edition was 25,000 and, given the low print runs of the UK editions of 'Carrie' and 'The Stand', which consisted of just 500 and 1000 copies respectively, the UK First Edition of 'The Shining' is likely to be considerably rarer than that of the US. Small bump to top of spine; edges toned and lightly foxed; a little off-setting to front endpaper and front board slightly bowed at the bottom. Original and unclipped dust jacket has some rubbing, chipping and wear to the top with a stain to the inside, and is now protected in a high-quality archival cover. A good copy of a contemporary classic.

      [Bookseller: Fine Book Cellar, IOBA]
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        In Their Element. a selection of poems by

      Belfast: Published by Printed by Dorman & Sons Ltd, Belfast for the Arts Council of Northern Ireland, 1977. First edition. Small 4to. Silver printed wrappers. First edition. Small 4to. Signed by Seamus Heaney.

      [Bookseller: James Cummins Bookseller]
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        Cards as Weapons (First Edition)

      Darien House, New York 1977 - First Edition. Author, actor and huckster historian Ricky Jay's first book, a hilarious, photo illustrated treatise on the use of playing cards as weapons, with chapters on technique, practice, stunts and self-defense. The scarce cloth edition (a simultaneous softcover edition was also published).Fine in a Fine dust jacket. Jacket has a tiny nick at one corner, else pristine. A beautiful example of a book that is nearly always found with condition issues. [Attributes: First Edition; Hard Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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      SANSONI, 1977. ITALIANO 0,21 Brossura con copertina plastificata semilucida lievemente ingiallita ai margini. Adesivi di precedenti prezzature alla quarta. Minima usura alla testa del dorso. Pagine fruibili, chiare, con inserimento in illustrazioni in nero e di alcune tavole fuori testo sia a colori che non. Stampa in rilevo di bollo SIAE al frontespizio. Numero 79 della raccolta. USATO

      [Bookseller: Biblioteca di Babele]
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        Song Of Solomon

      Knopf, New York 1977 - First Edition/First Printing. Hardcover. Fine book in a Near Fine Dust Jacket, with a touch of even sunning to the spine and a slight wrinkle to the rear panel. Signed by the author on the title page. [Attributes: First Edition; Signed Copy]

      [Bookseller: MDS BOOKS]
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      Santa Barbara: Black Sparrow Press, 1977. First Edition. Limited Issue, one of 300 numbered copies signed by the author, this being copy no.14. Octavo (23.5cm); illustrated paper and vertically-ribbed purplish-brown cloth backstrip, with title label applied to spine; publisher's original acetate dustjacket; 307,[5]pp. Fine in a Near Fine, lightly rubbed dustjacket. Substantial collection of the author's poetry from the mid-1970's. Basis for Dominique Deruddere's 1987 film Crazy Love.

      [Bookseller: Captain Ahab's Rare Books]
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        Taos Pueblo

      Boston: New York Graphics Society, 1977. Limited Edition. Hardcover. Like New. Signed. Folio. Signed limited edition; Number 219 of 950 copies signed by Ansel Adams on the limitation page. Quarter bound tan leather over orange linen cloth, in publisher's orange linen slipcase. Near Fine, with several faint scratches to cloth and leather spine, else Fine. A facsimile edition of the rare 1930 edition, of which only 108 copies were originally privately printed for Ansel Adams. Extra postage will be required for international shipment, please contact us first for rates.

      [Bookseller: Burnside Rare Books ]
 25.   Check availability:     ABAA     Link/Print  

        Torso of David.

      New York: Kennedy Graphics, 1977. Distributed graphics by Alan Wofsy Fine Arts.(). Lithograph in black printed on Velin d'Arches paper. Edition of 100. Signed and numbered in pencil by the artist. Image: 17 3/4 x 10 3/4 inches. Sheet: 23 3/8 x 15 1/8 inches. Prescott, 63.

      [Bookseller: Wittenborn Art Books]
 26.   Check availability:     Bibliophile     Link/Print  

        Altenbourg, Gerhard. - "Unter dem Mirakel der Schlange".

      - Farblithografie / Kreidelithografie, in Hellblau & Schwarz, auf gelblichem CMFabriano-Italia-Bütten, 1977/1989. Von Gerhard Altenbourg. Auflage 20 Exemplare. 42,6 x 33,9 cm (Darstellung / Druckbild) / 67 x 49 cm (Blatt). Janda L 165 II 3. Unterhalb Trockenstempel des Künstlers. Links unten in Bleistift Signatur von Horst Arloth: "A. für G.A. 1989/94." - Aus einer Auswahl vom Künstler kurz vor seinem Tod 1989 für eine Mappenedition vorbereiteter Lithografien, deren Druck Arloth in Leipzig besorgte. - Diese Farbvariante wurde von Altenbourg vorbereitet, jedoch existiert kein signierter zweifarbiger Druck. - Tadelloser Zustand. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis. Sprache: Deutsch

      [Bookseller: GALERIE HIMMEL]
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        For Years

      Washington, D.C: Jawbone, 1977. First Edition. Like New. 12 pp. First edition, one of 200 copies (of which 26 copies were signed and numbered; this copy is signed though not of the numbered issue). Signed by Tim Dlugos on the title page. Very Good or better, with light soiling and light toning to wraps. Production wrinkle to title page slightly affecting signature. Errata slip laid in. An early and scarce work, signed by the poet.

      [Bookseller: Burnside Rare Books ]
 28.   Check availability:     ABAA     Link/Print  


      Alfred A. Knopf, New York 1977 - SIGNED by the author on the title page. A lovely copy with no fading to the spine of the dustwrapper which is usually found badly faded. Fine in a Fine dustwrapper [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Main Village, Winter.

      Robinhood, Me., 1977.(). Gouache. Matted. 13.5 x 22 inches. Matted. Signed and dated. Provenance: Estate of the artist. Born in Cleveland, Ohio in 1919, Jason Schoener came from a family of distinguished American artists. He was the nephew of sculptor/painter William Zorach and his wife, painter Marguerite Zorach. Beginning in 1939, Schoener spent his summers at the Zorach family farm in Georgetown, Me., where he studied art with his Uncle William. After service in the Pacific during WWII, Schoener served as an instructor, department chairman, and dean at California College of Arts and Crafts in Oakland, CA. Schoener's other teaching assignments included Mills College in Oakland, California, and the Athens Technological Institute in Greece. Meanwhile, Schoener continued to use his Georgetown and then Robinhood homes Me. as a summer studio. Over the span of almost two decades, Schoener had several solo exhibitions at the Midtown Gallery on East 57th Street in New York City. His works are in many museum and private collections, including the Oakland Museum and the Whitney Museum in New York. He died in 1997.

      [Bookseller: Wittenborn Art Books]
 30.   Check availability:     Bibliophile     Link/Print  

        Ellora Cave Temples.

      Gumba 1977 - First edition Folio, pp.317, 211 illustrations, slipcase. No. 915 of 1000 copies only. A beautifully illustrated large format book on Ellora, text in Japanese.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
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        El Azoth

      Gisa Ediciones, Madrid 1977 - Con diez ilustraciones en aguafuerte de Celedonio Perellón firmadas y grabados en madera en texto. Traducción y prólogo de Victor Zalbidea. Edición de 150 ejemplares numerados. Ejemplar en rama, encuadernación con estuche realizado por Jesús Cortés. 55 páginas y 10 ilustraciones. Papel Guarro. Muy buen estado. [Attributes: Hard Cover]

      [Bookseller: Librería Anticuaria García Prieto]
 32.   Check availability:     IberLibro     Link/Print  


      Nashville, TN: Broadman Press((1977)). The Presidential Edition, issued without dustwrapper in a gold box (lacking here) and bound in full gilt-decorated green cloth made to resemble leather. Illustrated with drawings and photographs. A limited edition of Carter's first autobiography, first published in 1975 in a trade edition in dustwrapper when Carter was campaigning for the Presidency. SIGNED by the author "Best Wishes,/Jimmy Carter 4-83" on the front free endpaper. Above Mr. Carter's inscription the book is also SIGNED by his mother: "With good wishes/to you & your family--/Sincerely/Lillian Carter. 1/23/78" and as such is quite uncommon. The President's full signature also appears on the title page, but this is printed in every copy. Also on the bottom half of the front free endpaper is the owner's name and address dated 1977 before Jimmy and Lillian Carter signed the book., Hardcover, Offsetting to final text page from newspaper clipping with a small area of sticky adhesion opposite on the recto of the rear free endpaper. Minor bump lower front corner. Near Fine

      [Bookseller: Charles Agvent, ABAA]
 33.   Check availability:     Bibliophile     Link/Print  

        [Rückentitel: Ausrufer / Kleidertrachten 1748 - 51]. [Reprint; 2 Bde., komplett].

      Scheuren-Forch, Emil Abderhalden, 1977/1978 2°, Tafelband: o. P. (Impressum, Titelbl., 1 Bl. Notizen, 30 Taf.); Stichmappe: 28 (von 30) Taf., 4 Taf. Erklärungen/Verse, Tafelb.; OLdr. m. Goldpräg. u. eingelegtem farb. Wappen, Stichmappe: lose Taf. in Kart.; beide Bde. in OHLdr./Lwd.-Schmuckschuber, In der Stichmappe fehlen die Tafeln der Ausrufbilder 11 und 12, sonst tadellos. EA dieser Ausgabe. (= Handdrucke bibliophiler Werke des 17. und 18. Jahrhunderts). Zweimal faksimiliert - im Tafelbd. gebunden. in der Stichmappe lose - sind: «Zürcherische Ausruff-Bilder [...]». «Fortsezung der Zürcherischen Ausruff-Bilder [...]. Zweite Abtheilung». «[...] Dritte und lezte Abtheilung» (Zürich. Selbstvlg. 1748 - 1751; zus. 156 Abb. a. Taf.). «Basslerische Ausruff-Bilder [...]» (Zürich. Selbstvlg. 1749; 52 Abb.). «Zürcherische Kleider-Trachten [...]» (Zürich. Selbstvlg. 1749; 52 Abb. a. Taf.); und: «Les crieurs de Zurich [...]» (Zürich. Selbstvlg. 1759) Ex. Nr. 118/280. In der Stichmappe finden sich zusätzlich 4 Tafeln: «Les crieurs de Zurich. Explications des Figures [...]» (Zürich. Selbstvlg. 1759; 3 Taf.) sowie «Zürcher Kleidertrachten im Jahr 1740. Mit Versen begleitet» (Zürich 1777). Versand D: 20,00 EUR Helvetica - Allgemein

      [Bookseller: Antiquariat Peter Petrej]
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      Privately Printed, England 1977 - Exceedingly rare work signed by both authors. Limited to 150 copies, this being number #63 with publisher's errata slip laid in. 130 pgs. Book as new. Laminated dj near fine w/sunned backstrip. Canon and Mrs. A.J. Beach lived and worked in the parish of Hound and Netley Abbey, on Southampton Water for 30 years. In 1964 he was made an onorary canon of Winchester Cathedral. On retirement in 1972 they came to Worcestershire near to the haunts of the Canon's childhood. In 1975-76 he looked after the parish of Wichenford during an interregnum of eleven months and they made many friends there. Both Canon and Mrs. Beach are graduates of Leeds University where they first met and have continued a partnership ever since, of which the Story of Wichenford is an expression. When the work was finished they discovered they had each written the same number of chapters. Cover dj photo of The Washburn Arms in Wichenford Church. Our books are cleaned and dust wrappers placed in new mylar whenever possible. Offered from a five star, full-time, professional bookseller. Your satisfaction is our #1 priority. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: HORSE BOOKS PLUS LLC]
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        The Silmarillion, 1982 Super Deluxe Limited Numbered Edition

      London: Allen & Unwin, 1977. Limited/Numbered. Full-Leather. Near Fine/No Jacket, as Issued. 8vo - over 7¾" - 9¾" tall. The Silmarillion by J.R.R. Tolkien. Originally published by Allen and Unwin in 1977, reserved and later bound in Red Leather and released in 1982. This is the Super Deluxe Limited Numbered Edition. "This is copy number 189 of the first one thousand copies off the press of the first edition of The Silmarillion by J.R.R. Tolkien, reserved for later publication in this collector's edition." A Near Fine example of the very hard to find Super Deluxe Limited Edition issued to coincide with the fifth anniversary of the first publication of The Silmarillion. Collected and edited by Christopher Tolkien after his fathers death. Original publishers full red leather binding, with raised bands, gilt stamping, and top edge gilded as issued. The book features red silk ribbon marker bound in, raised bands and gilt stamped Title, Author, and Publisher on the spine. The front boards features the JRRT Monogram gilt stamped in single gilt ruled box. Blind stamp of the heraldic device Tolkien designed to represent Luthien Tinuviel to the rear boards. On the first free endpaper, the Publisher's Limitation Plate, gives the Limitation number of 189 of 1000. The map of Beleriand and the Lands to the North appears as a fold-out map, and is printed in black and red, no tears or marks noted, very clean and bright. Noted points or error's: Page 330 line 4 shows no period after Feanor. Page 352 line 39 has an italicized "and" in 'Lord of Waters and King of the Sea'. Making this the First State of the First Impression, not surprising being one of the first 1000 printed. A striking example of a very hard to find book. Matches in size and style the 1987 Unwin Hyman Super Deluxe Limited Edition of the Hobbit. No foxing, no previous owners name or any other writing. The only fault to the book is a slight bit of fading to the red leather on the spine, no offsetting, no scratches or shelfwear to the bottom edge of the boards. The slipcase is the original publishers slipcase with the opening edged with matching red leather, also in Near Fine condition with light rubbing to the bottom edges and corners of the red cloth covering. Digital photo's available, inquire if interested. Other Tolkien books available, include both the UK and US editions, original cloth bindings, custom fine bindings, and Signed/Numbered/Limited Editions. Near Fine / No Jacket, as Issued.

      [Bookseller: The Tolkien Bookshelf]
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        Das Fruhe Plakat in Europa und den Usa. Ein Bestandskatalog. Band I: Grossbritannien Vereinigte Staaten Van Nordamerika; Band 2: Frankreich und Belgien; Band 3: Deutschland, Teil 1 + 2

      Gebr. Mann Verlag, Berlin 1977 - Quarto. Three volumes in 4. Volume I (1973) - Great Britain and the USA: lxviii, 226 pp. Volume II (1977) - France and Belgium: clv, 418 pp. Volume III (1980) - Germany; part I, 506 pp; part II, 363 plates. All volumes are Near Fine, in VG to Near Fine dustjackets, lacks slipcase for volume III; Vol I jacket has some chipping to crown, volume II jacket has closed tear to upper edge of front panel, volume III, parts I & II jackets are Near Fine. Text in German except for some limited English and French passages in volumes I & II. A monumental reference work on poster art, containing roughly 5000 illustrations, mostly in b/w with some full page color plates, as well as artist bibliographies and other information of import to the poster researcher. [Attributes: Hard Cover]

      [Bookseller: Carnegie Hill Books]
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        Forum (118 issues of Ray Palmer's Forum)

      Mundelein, IL: Palmer Publications, Inc, 1977. Paperback. An incomplete run. The issues which are present are as follows: January 1, 1966, Volume 1, Number 1 -February 1, 1966, Volume 1, Number 3, May 1, 1966, Volume 1, Number 9 - December 15, 1966, Volume 1, Number 24; January 1, 1967, Issue No. B-1 - December 1967, Volume 2, Number 39; January 1968, Volume 3, Number 40 - December 1968, Volume 3, Number 51; February 1969, Volume 4, Number 54 - December 1969, Volume 4, Number 63; January 1970, Volume 5, Number 64 - December 1970, Volume 5, Number 75; January 1971, Volume 6, Number 76 - December 1971, Volume 6, Number 87; January 1972, Volume 7, Number 88 - November 1972, Volume 7, Number 98; January 1973, Volume 8, Number 100 - March 1973, Volume 8, Number 102, June 1973, Volume 8, Number 105 - August 1973, Volume 8, Number 107; January 1974, Volume 9, Number 112 - March 1974, Volume 9, Number 114; March 1975, Volume 10, Number 126, June 1975, Volume 10, Number 129, July 1975, Volume 10, Number 130, September 1975, Volume 10, Number 132; Spring 1977, Volume 12, Number 143. Most are slim duodecimos. Several are slim octavos or quartos. Stapled printed wraps. Very good condition. Very sporadic dates and minor notations in pencil on the pages. From the publisher- "FORUM is for those who are willing to share their thoughts, experiences and conclusions with others, and at the same time subject them to the cross-examination of honest debate and analysis. No subject is taboo if presented in honor and decency. FORUM is your round table of expression; so 'Let us reason together.'"

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        The Secret Paris of the 30's. Translated from the French by Richard Miller.

      First American Edition. Quarto. 200 unnumbered pages with 150 black-and-white-photographs. Original Hardcover with original dustjacket in protective Mylar. Very good condition with only minor signs of external wear. Blindstamp of preowner on endpaper and titlepage. Signed and inscribed by Brassai on the titepage in New York on the 29th of May, 1977.

      [Bookseller: The Time Traveller's Bookshop]
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      Oakland: Archer Press, 1977.(). Folio. sheets loose as issued in paper chemise. With 5 lithograph broadside poems, printed from the original handwritten texts of the poets for publication: Clone 3.01 by Gregory Corso; The Rune by Allen Ginsberg; Politics Starts with the Barrel of a Gun by Michael McClure; The Tundra & the Waves by Anne Waldman; and For Clark Coolidge by Philip Whalen. Each 22 x17 ". "Archer Press" embossed in each broadside as issued; includes all original tissue-guards. Housed together in original portfolio (limitation and title on cover). One of 50 numbered portfolios for the public editions printed on French Rives BFK by Charles Gill and John Doane, in red, green, and black, signed by each of the five poets. First Edition.Provenance: Peter Howard, Serendipity Books, Berkeley.

      [Bookseller: Wittenborn Art Books]
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        The Shining

      New York: Doubleday. New York, Doubleday, 1977. First Edition. First Impression. Hardback. A nice copy. One of King's best-known works adapted by Kubrick, which King didn't quite appreciate. The near fine jacket has a small chip to the lower spine and some rubbing to the edges. The book is very good with some heavy rubbing to the lower board edges and some remnants of pencil markings to the FFEP. Cover art by Dave Christensen [6284, Hyraxia Books]. . Very Good. Hardback. 1st Edition. 1977.

      [Bookseller: Hyraxia]
 41.   Check availability:     Biblio     Link/Print  


      Megara Screenprinting Ltd; photography by Jennie Wilson 1977 - An original portfolio by Mikhail Baryshnikov. Limited to 250 signed copies, this is numbered 86 and it's from 1977. Housed in a large cloth portfolio front and back and with inside French flaps that show a little offsetting as can be seen, With 8 prints in various colors showing the dancer in the ballets listed on the title page; includes 1 portrait. They are silk screen mezzotint prints by Megara Screenprinting Ltd; photography by Jennie Wilson. The tissue guards are present, though a couple are creased or with some light wear. The prints themselves appear to be as issued 40 years ago. [Attributes: First Edition; Signed Copy]

      [Bookseller: Gaabooks]
 42.   Check availability:     AbeBooks     Link/Print  

        "Vali: The Witch of Positano" and "Dope: The London Drug Scene" Midnight Movies presented by New York Theatre Ensemble (Original Poster)

      New York: New York Theatre Ensemble, 1977. Original poster for a Midnight Movies series hosted by the New York Theatre Ensemble's "Artists Present Artists" series in September and October 1977, featuring two films directed by Sheldon and Diane Rochlin, "Vali: The Witch of Positano" (1965) and "Dope: The London Drug Scene" (1968). Diane Rochlin later changed her professional name to Flame Schon. Two very different films from the husband and wife diectorial team. Vali Myers stars as the titular character in "Vali: The With of Positano," an anti-clerical trance film about a modern-day witch living in a cave in Italy. Vali appears in a smaller role along with young drug victim Caroline Thomson in "Dope: The London Drug Scene," a sparse verité study of London's underground drug world, with music by Geno Foreman and footage of an early (Syd Barrett-era) Pink Floyd concert at UFO. Co-director Sheldon Rochlin was active in the New York theatre world, and directed the definitive documentary about The Living Theatre, "Signal Through the Flames" (1983). The Off Broadway New York Theatre Ensemble was a perfect environment for the small, but groundbreaking, underground works, and in retrospect makes for an interesting connection between cinema and theatre in Rochlin's work. 15.5 x 10 inches, black and white photocopy with silkscreened red ink applied. Small chip at the top margin, else Near Fine.

      [Bookseller: Royal Books, Inc.]
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      np: Self Published, 1977. Saddle-stapled wraps. Light shelfwear. Very good. 5.5 x 8.5" [32] pp. including color xerox covers pasted to inner pages. A b&w xerox printed mini comic. Rare.

      [Bookseller: Alta-Glamour Inc.]
 44.   Check availability:     Biblio     Link/Print  


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