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Displayed below are some selected recent viaLibri matches for books published in 1976

        Distortions

      Alfred A. Knopf, New York 1976 - First edition. Hardcover. First printing. Introduction by Hilton Kramer. A beautifully printed collection of Kertesz's long fascination with the nude as seen thru the prism of a mirror that caused distortions to occur. Includes 120 images. A fine and tight copy in a very near fine dust jacket with some very minute wear. A much nicer than usual copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jeff Hirsch Books, ABAA]
 1.   Check availability:     AbeBooks     Link/Print  


        A New York Rock Party

      New York: The Wayne County Legal Defense Fund. [1976]. Program. Measuring 5.5" x 8.5". Single sheet folded once to form four pages. Two light horizontal folds, likely from mailing, else fine. The lineup for a special fundraising performance by members of the punk scene and Warhol Superstars in honor of Wayne County, who was being sued by "Handsome Dick" Manatoba of the Dictators for a brawl during a recent performance at C.B.G.B.'s. County had hit Manatoba with a mike stand after he shouted a series of homophobic remarks during her performance. The fundraising event was hosted by Cherry Vanilla with performances by County, Holly Woodlawn, Dee Dee Ramone, Jack Curtis, Tuff Darts, Mink DeVille, Blondie, The Dolls, Suicide, and Divine, along with the Off-Broadway cast of Women Behind Bars. Scarce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 2.   Check availability:     IOBABooks     Link/Print  


        Lives of the Most Eminent Painters, Sculptors and Architects - 10 vols.

      New York: AMS Press, Inc., 1976. Reprinted from the London edition of 1912-14, "newly translated by Gaston Du C. De Vere with five hundred illustrations"--Plain turquoise cloth binding with aqua endpapers, no djs. All are nf but for a few bumped corners. Shipping this set will require extra charges.. Facsimile. Hard Cover.

      [Bookseller: Page One, Too; Antiquarian Books]
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        Eldridge Cleaver autographed draft for his speech titled "No Money"

      California, c. 1976. 5" x 7". "Single page of draft notes, recto and verso, written in preparation for his speech titled ""No Money,"" c. 1976, 5"" x 7"", boldly scripted in graphite entirely in the hand of Eldridge Cleaver. Near fine with a small newspaper clip showing a title of ""Eldridge Cleaver urges reform of banks, democratic system"" and accompanied by a near fine unused, but addressed envelope, with the printed return address of ""Cleaver for Congress …"", and embellished with a US flag, 9.5"" x 4"". Additionally accompanied by a small color photo depicting Cleaver in a casual setting sitting on a couch.A scarce page of notes scripted entirely in the hand of Eldridge Cleaver. Composed circa 1970s, with anti-communistic sentiments, this draft was mostly composed around the time Cleaver was returning from 7 years of self imposed exile as a fugitive as a result of jumping bail in 1968 when he was facing charges of attempted murder. His seven exiled years as a fugitive had Cleaver living in Algeria, Cuba and France, along with trips to North Vietnam, North Korea and the Soviet Union. Previously enamored with communist life and philosophy, Cleaver ultimately soured to it. Originally everywhere he went he was wined and dined by the Communists. However, while in these countries Cleaver began to see that they were not “workers paradises” as he had been led to believe. He saw the bone-crushing poverty. He saw that people had no freedom of speech whatsoever. They were, for all practical purposes, SLAVES. Those who dared to demonstrate for more money and better living conditions were mowed down. Cleaver became disillusioned with Marxist-Leninist-Socialism. Realizing that everything he had believed in and fought for was false, he suffered a nervous breakdown while in Paris and was on the brink of suicide. He got in touch with the FBI and said he wanted to come home and he was ready to stand trial and accept whatever judgment the law decided he owed society in order to reinstate himself and to erase his criminal past. These phenomenal handwritten notes were composed in preparation for his speech which he called ""No Money"", which questioned the fairness of our own government , our economic system, and placed a microscope on how our country takes care of everyone selectively, with racial bias. His fluid movement from embracing communism to his disenfranchisement is highlighted by his comment: ""I visited these communist and revolutionary countries to study their development plans (and) to examine how the people felt about the government and how the government treated the people … There were always two sides - the government's and the peoples. There was a rosy picture (from) the government and a picture of misery and dejection from the point of view of the people""From this starting point, his draft speech now reaches to his concern with what he sees as the economic reality within the United States, highlighting perhaps that our government is also not beyond reproach, and also turns a blind eye to those in need, and worse completely ignores the black community. His incredibly scripted notes are shown in full below:""No MoneyThey always tell us there's no money for us! Yet they're able to come up with money overnight, millions, for refugees, for covert CIA operations, for overt military action, for flood relief, to pay off Poland debts - but nothing for blacks. We must turn this situation around. We must use our political power to crack this economic nut. There's no reason why - except the list below - Kwame (illegible) said ""Seek ye first The Political Kingdom …"" This new class is so Petty, brutal, and oppressive that the people all over the world are rising up against Communism.""A fantastic, scarce, and highly revealing autographed page, by Eldridge Cleaver during a highly charged period of our recent history, and a perfect example of his famous quote, “If you are not a part of the solution, you are a part of the problem.” Accompanied by a great casual photo of himEldridge Cleaver was a leader of the Black Panthers who, because of his many crimes, was often in prison where he wrote “Soul on Ice”, a commentary on prison life and racism in America which became an international best-seller and was basically the “manifesto” of the Black Nationalist Movement in America and abroad. In “Soul on Ice” Cleaver described his metamorphosis from rapist and drug-dealer to Malcolm X apostle to Marxist revolutionary, who became, virtually overnight, one of the leading exponents of “black liberation” in America."

      [Bookseller: University Archives]
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        DESIGN MOTIFS ON MEXICAN INDIAN TEXTILES

      Graz 1976 - Two volumes. 504 pages, 198 pages of b/w drawings, 8 pages of color drawings, 67 smaller b/w drawings, 1 map, 1 photographs. Cloth covers, folio size (11" x 14 1/2"). These two spectacular volumes provide more information than any other publications on the individual motifs and decorative qualities of Mexican Indian textiles. The systematic survey of designs is a compilation of the different design elements of 35 ethnic groups in Mexico; the illustrations are splendid, and the text is scholarly yet eminently readable. The two volumes, in an edition limited to 200 copies, comprise the most important work published on Mexican Indian textile design motifs. [Attributes: Hard Cover]

      [Bookseller: Ethnographic Arts Publications]
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        Susan Meiselas: Carnival Strippers

      New York: Farrar, Straus, Giroux, 1976. Hardcover. SIGNED. First edition, first printing. Very Good minus hardcover with a moderately severe bump to the bottom edge of one board, a light bump at the same place to the other board, and a light bump to two tips, otherwise, near fine with only light evidence of handling, in a Good+ dust jacket with rubbing/chips at the extremities, a one-inch by half-inch chip at the crown, and a 3 inch tear/crease and a couple of small tear/creases to the back panel. Silver laminated cloth-bound hardcover with title debossed on front and spine. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. For three years in the early 1970s, Meiselas spent her summers photographing and interviewing women who performed striptease for small town carnivals in New England, Pennsylvania, and South Carolina. As she followed the shows from town to town, she portrayed the dancers on stage and off, photographing their public performances as well as their private lives, and in the process, brought a hidden world to public attention. Meiselas' first book, which led to her membership in the Magnum photo agency. Photographs, text, and transcripts of interviews with the subjects by Susan Meiselas. SIGNED BY MEISELAS on the half title and dated in 1999; no inscription. 150 pages; 73 full-page b&w illustrations; 10.5 x 9 inches. See: Roth, Book of 101 Books, p.238-239; Open Book, p.312-313; Auer, Book of 802 Photo Books, p.599; From Fair to Fine: 20th Century Photography Books That Matter, p.50.

      [Bookseller: A&D Books]
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        Indian Tribal Series; 40 Volumes and Four folders in slipcases holding ten coins each

      Indian tribal Series, Phoenix 1976 - Forty volumes. Blue paperbacks. Spines show a bit of sun-fading. Interiors are all very nice. Each volume numbered and signed by the particular tribal leader. Limited to 15,000 copies of which these are copy numbers #7889. The books and its companion pure silver Coin-medal are issued to commemorate the 100th Anniversary of the White Mountain Apache Reservation. There are also four separate coin holders in slipcases. (14" x 10") Each holding 10 coins (in plastic holders) for each of the tribes that were commemorated. With a total of 40 coins. The Papago People, The Apache People (Coyotero), The Sioux People, The Havasupai People, The Coushatta People, The Yakima People, The Modoc People, The Potawatomi People (Citizen Band), Oneida People, Quapaw People, The Chitimacha People, The Ponca People, The Paiute People, The Kalispel People, The Anishinabe of the Minnesota Chippewa,(Small stain top of front cover.) The Three Affiliated Tribes, The Creek People, The Chickasaw People, The Kaw People, The Comanche People, The Navajo People, The Cherokee People, The Florida Seminole People, The Walapai People, The Otoe-Missouria People, The Pawnee People, The Osage People,The Southern Ute People, The Eskimo People of Savoonga, The Kenaitze People, The Ottawa People, The Kickapoo People, The Crow People, The Narragansett People, The Hopi People, The Cocopah People, The Mescalero Apache, The People Called Wichita, The Seneca People, The Choctaw People. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Midway Book Store (ABAA)]
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        Punk [Complete]

      New York: Punk Publications, 1976. 4to, first two issues in folded tabloid format, and subsequent issues offset printed and saddle-stapled into cover wraps. Issues 1-8, 10-12, and 14-17 (Numbers 9 and 13 were not published), the D.O.A. filmbook, issued as Punk Special #1, along with a poster for the film, and the #0 issue which was published in the February, 1977 issue of High Times. A complete run of one of the influential punk and underground comics zine, which documented the early days of the New York first wave punk scene. Holmstrom, known for illustrating the cover of two Ramones records, was also later a car- toonist for Mad Magazine. The first issue struck a truculent tone early on with an infamous interview with Lou Reed in the first number partially drawn as a cartoon. Subsequent issues also included early cartoon work by Peter Bagge, Bobby London, and others, and excellent photography by Roberta Bayley. All issues near fine to fine, a remarkably well-preserved set.

      [Bookseller: Division Leap, ABAA]
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        Diccionario enciclopédico de la Masonería

      Editorial del Valle de México. 1976 - Masonería. Historia de la masonería. Diccionario enciclopédico Organizaciones y movimientos esotéricos, secretos o semisecretos. Enciclopedias. (061.236.6(031)) Editorial del Valle de México. México D.F. 1976. 22 cm. 5 v. Encuadernación en tapa dura de editorial estampada. 43G [Attributes: Hard Cover]

      [Bookseller: Alcaná Libros]
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        SLAPSTICK

      NY: Delacorte, 1976. First edition, first prnt. Limited issue of 250 numbered copies signed by Vonnegut on the limitation page. Copy #102. Blue full-cloth. All edges gilt. Issued without dustjacket. Slipcase with foil label. Slipcase with faint toning on two edges, minimal rubbing on label; the book is an unread copy in Fine condition.. Signed by Author. First Edition. Hardcovers. 8vo - over 7¾" - 9¾" tall.The images are of the book described and not stock photos.

      [Bookseller: Revere Books, ABAA & IOBA]
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        Correspondance manuscrite complète d'Henry Miller avec Béatrice Commengé

      - S.n, Pacific Palisades (CA) 1976-1978, 23 pages A4. - Manoscritto autografo firmato, scritto con pennarelli nero, rosso, verde, viola e blu stampati su carta riciclata, con molte aggiunte, correzioni e cancellazioni. 241 pagine, tra cui 238 lamellare e 3 non numerati, formati variabili, principalmente 4to e 8vo unilaterale a volte con annotazioni o collage sul retro, sotto la copertura di salmone con titolo e autografo al montaggio Alex Grall e camicia nera con tag titolo autografo firmato una seconda volta contreplat. Le lamiere forate con occhielli. manoscritto completo della prima versione del Barocco Amore, scritto tra il 18 dicembre 1969 e il 16 giugno 1970, e pubblicato nel mese di aprile 1971 presso René Julliard. Il libro, primo di una trilogia sentimentale che continuerà Ci sono un medico in casa? e L'Angevine, è come un diario. Il suo tema principale, l'amore, è uno dei soggetti preferiti dell'autore. Il narratore, che racconta la sua relazione passionale con una donna piange la morte di sua figlia, gioca con i codici del romanzo, in una lingua truculento e tagliente. Devo ricordarti che le opere di René Fallet, segnata da Rabelais, Molière o Marcel Aymé, ispirati dal loro stile ornato, il film di Michel Audiard, René Clair e Jean Girault? Questo manoscritto, proposto da René Fallet al montaggio Alex Grall, non può essere considerato come un semplice script. Questo è molto più di una creazione plastica che mescola giochi visivi, giochi di parole, collage e disegni (fiori, donne nude, teste grottesche), composto di colore su una moltitudine di carta riciclata. Infatti, Fallet ha raccolto molti fogli di carta intestata (ORTF o la radio belga e televisivi, del Partito comunista francese, edizioni DENOËL o Gallimard, Depeche TV, bicicletta specchio, la squadra, First National City Bank, Francese Corporation Mitologia Intercontinental hotel Düsseldorf ferroviaria nazionale società del Belgio, e altri Ministero degli affari sociali) che utilizza come supporto per il suo manoscritto, creando un effetto grafico e dinamico. Ha anche scritto sul retro di volantini pubblicitari (liquido piatto Paic, tessuti Kleenex), fotografie di stampa originali (Parigi-Roubaix il gruppo nel ciclismo amatoriale, tavolo Wesselmann amatoriali donne nude!), Fotografie di funzionamento film (Fahrenheit 451 di François Truffaut con Julie Christie e Oskar Werner), da copertine di libri (i milanesi uccisi il Sabato dalle Giorgio Scerbanenco, SAS Gérard de Villiers, pensano solo che Georges Wolinski), coperchi I dischi (Avvenga Beatles), di immagini da riviste erotiche o tavole da disegno notizie (Jean-Jacques Sempé). Si arricchisce tutti collages - "Lo studente francese legge molto Camus" - senza dimenticare di installare alcuni ritratti di se stesso, tra cui una fotografia originale con Georges Brassens e un ritratto notevole nudo! Le forme intere immagine volutamente gioiosa, la cultura popolare succosa e caustica a cavallo tra il 1960 e il 1970. Per Fallet, personaggio pittoresco dicendo "tendenza tergicristallo anarchica, da sinistra a destra", prende piacere nel deviare con archetipi humor della modernità (il pin-up, la casalinga, la coppia ideale, sport, ecc), in una mossa che ricorda alcuni movimenti artistici contemporanei ( Pop Art, New Realismo). Il manoscritto presenta varianti importanti con il testo completato. Da un punto di vista strutturale, da un lato, Fallet aver cambiato il taglio dei suoi cento sei capitoli, che vengono poi organizzate in tre parti nella versione pubblicata. Da un punto di vista narrativo, d'altra parte, poiché l'autore gioca con i nomi dei suoi personaggi, ciascuno dei quali è chiamato in vari modi: ad esempio, il marito della eroina talvolta chiamato Jean-Louis, Jean-Claude manoscritto diventano da allora in poi. Inoltre, Fallet riservato suoi margini al fine di registrare le sue correzioni, ma anche per numerare le linee e soprattutto indicare la data di scrittura di ogni passaggio: in modo che possiamo seguire tutti i giorni dal 18 dicembre 1969-16 giugno 1970 avanzata magistrale della sua scrittura. L'ultima foglia, non folioté, è costituito da un elenco di brani rivisto. Infine, il manoscritto rivela che l'ispirazione per questa storia di amore appassionato non è altro che Mette Ivers, illustratrice e lavoro con cui Fallet anche Sempé moglie, il cui nome deriva molto spesso nella parte posteriore delle pagine o nei margini . Stupendo manoscritto straordinariamente composto da René Fallet per creare un oggetto di plastica reale. - [FRENCH VERSION FOLLOWS] Superbe ensemble complet des 17 lettres autographes signées d'Henry Miller et adressées à l'écrivain Béatrice Commengé, auteur notamment de Henry Miller, ange, clown, voyou et traductrice de nombreuses

      [Bookseller: Librairie Le Feu Follet]
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        Noces

      1976. Monte-Carlo, Editions Arts et couleurs 1976. 2 coffrets in-Folio. Le premier coffret d'art "Plein Daim" sable d'or contenant 2 volumes en feuillets sous couvertures rempliées. 148 pages illustrées de 20 sérigraphies originales de Mireille Berrard, dont 4 doubles planches, 9 hors-texte et 7 dans le texte + 1 gouache originale pleine page signée et 1 suite en couleurs des illustrations hors-texte signées. Le second coffret d'art plein tissu moiré sable d'or contenant une décomposition des couleurs de l'une des gouaches pleine page. Tirage limité numéroté à seulement 250 exemplaires. Celui-ci, un des 26 exemplaires de bibliophile numérotés de 8 à 33 et portant le n°16, justificatif signé par l'artiste et le Directeur artistique Joseph Pardo. Une double page en couleurs livrée encadrée n'est pas présente. Complet du certificat d'authenticité signé. L'étui de daim est légèrement décoloré en bord et en dos.

      [Bookseller: Librairie Artgil]
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        Kissinger: The Secret Side of the Secretary of State

      Devin-Adair, 1976. 1st Edition. Hardcover. Near Fine/Very Good. Signed by Author(s). 1st Printing SIGNED on front endpaper, "Best Regards" Gary Allen. First Printing stated. No other marks or writings, pages bright and clean, binding sound. Dust jacket unclipped, light wear to spine ends and corners, light shelf wear. A Has slip enclosed around book, "This book Personally Autographed by the Author. American Opinion Bookstores."

      [Bookseller: Prestonshire Books]
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        Wyeth at Kuerners

      Boston: Houghton Mifflin Company, 1976. First edition. Illustrated by Andrew Wyeth. Oblong 4to. Olive buckram. Fine, in very good dust jacket. First edition. Illustrated by Andrew Wyeth. Oblong 4to. Inscribed on half-title to Lincoln Kirstein, "For Lincoln with love - / Betsy." Kirstein, who was on the board of MoMA, met Andrew Wyeth after the museum acquired CHRISTINA'S WORLD in 1948. Wyeth was still largely unknown at that time, and he quickly came to rely on Kirstein for support and honest criticism of his work. "Kirstein appointed himself Wyeth's friend, admirer, mentor, and stern critic - in essence a supersuccessor to NC. [...] Wyeth thinks that in the 1950s he needed Kirstein to push him toward more form in his work, more solidity" (Meryman, p.239, 243). Kirstein, who disdained most abstract art, was essential in providing Wyeth the confidence he needed to continue work in the face of hostile critics who derided his art as sentimental and unsophisticated. Wyeth was fond of quoting Kirstein's dismissive opinion of the critics, "Why do you want approval from those horses' asses?" (ibid, p. 390). Kirstein was a father-figure to two generations of Wyeth artists, and as Andrew's son Jamie developed his own artistic gifts, Kirstein began to transfer his attention to the younger Wyeth. "After posing for nineteen-year-old Jamie, Kirstein more or less shifted his allegiance from Andrew and became Jamie's friend and mentor. Kirstein told Betsy, 'You gave me the only son I ever had'" (ibid, p. 275). Meryman, Andrew Wyeth: A Secret Life (1998)

      [Bookseller: James Cummins Bookseller]
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        Interview With the Vampire

      Raven Books / Macdonald and Jane's Publishers Ltd. 1976 - Interview With The Vampire by Anne Rice. Signed and inscribed by Rice. First UK edition in dust jacket. Publisher: Raven Books, London, (1976). First edition with statement on the copyright page: First published in Great Britain in 1976. Signed and inscribed on the title-page: Stan- Best Wishes Anne Rice. Dust jacket is in fine condition. Jacket is not price clipped with a price of £3.95 net. Binding is in fine condition. Contents clean. 372 pages. Protected by Mylar. Inventory #15-395. Price: $500 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Discovery Bay Old Books]
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        An account of my hut.

      Pawlet, VT: The Banyan Press, 1976. 8vo (26.5 cm, 10.4"). [30] pp. One of the great classical Japanese essays: Kamo no Ch?mei's H?j?ki, translated into English by Donald Keene and here in an elegantly minimalist fine press limited edition from Claude Fredericks of the Banyan Press. Some describe the work as "the Walden Pond of medieval Japan." This is the => first book-form edition of the translation, following its original appearance in Keene's Anthology of Japanese Literature; three hundred copies were set by hand in Garamond and printed on Masa paper by Fredericks and David Beeken. Original hand-stitched wrappers resembling bamboo grain, with paper label on front wrapper, in paper overlay matching the endpapers; outer overlay with minor edge wear and with small annotation (possibly from publisher) on label. A lovely and uncommon production.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        Jacques Villon und Marcel Duchamp, Décembre 1950. Originalabzug, 40 x 31 cm.

      Nr. 1/3. Tirage en novembre 1976. Von Doisneau vorne voll signiert und von ihm auf der Rückseite betitelt, nummeriert und monogrammiert. Jacques Villon ist der ältere Bruder von Duchamp.

      [Bookseller: antiquariat peter petrej]
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        Couples: A Short Story

      Cambridge: Halty Ferguson. 1976. Of a total edition of 276 copies, this is copy number 16 of 250 numbered copies signed by the author. Fine in wrappers. This copy is also inscribed by Updike -- he has personalized the signature on the colophon in a different color ink -- and it includes a brief signed note by Updike on the prospectus, with a hand-addressed mailing envelope. By all appearances, Updike informed the collector of the existence of this edition by sending him a prospectus with a note saying "I thought you should be aware of this" and then the collector ordered the book and Updike personalized the signature for him. A mini-footnote to the relatively early years of Updike's being a highly collected author with numerous signed limited editions to his credit, with a glimpse of Updike's active involvement in helping a collector build his collection. First Edition. Softcover. Fine.

      [Bookseller: Ken Lopez Bookseller, ABAA ]
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        Theater Life)

      Moscow: The Ministry of Culture of the RSFSR, The All-Union Theatre Society, The RSFSR Writers Union. 1976 - Folio. Issues 3-24 of 24 bi-monthly issues. 22 issuesWith its first issue published in 1958, the magazine is a collection of critical reviews of the productions of Russian theaters, profiles of theater directors, actors and designers as well as analysis of the results of theatrical seasons. Compared with Teatr magazine that is traditionally connected with the study of the classical theater and the analysis of general trends, Teatralnaya Zhizn gravitates towards theater journalism, at times devoting whole issues or sections to new figures and trends. [Attributes: Soft Cover]

      [Bookseller: Wittenborn Art Books]
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        The Winchester Malory: A Facsimile

      London: Early English Text Society, 1976. First edition. Hardcover. Fine. Large, thick 4to. First edition. Gilt-lettered cloth boards. Facsimile of the 473-leaf manuscript. Cloth lightly rubbed, else this is a fine copy. Except for the introduction by Ker, the book is comprised entirely of photographs of the celebrated manuscript. The introduction discusses not only the paper and writing, but also the history of the manuscript, 'discovered' in 1934. It was known for at least 100 years prior to that date as a copy of the Morte d'Arthur, but dismissed as a defective copy of the text used by Caxton. In 1934 it was shown that the Winchester manuscript is a separate text from Caxton's, differing in many details. This full photographic reproduction is in black and white, but two plates are printed in red as well, to show the unusual scribal technique of using red ink for certain names and phrases. Uncommon in the first edition. Gaines A25.

      [Bookseller: Thorn Books]
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        Valenti Angelo. Author. Illustrator. Printer

      San Francisco: Book Club of California, 1976. red cloth spine with printed paper label, orange boards decoratively stamped in blue, with prospectus laid in. Fine. Folio. Profusely illustrated One of 400 copies printed by Andrew Hoyem, hand colored, inscribed and signed by Angelo “this copy is hand-colored by the artist for David Myrick.” With an autograph bill on Valenti Angelo’s letterhead, in envelope, laid in. With prospectus Valenti Angelo’s fiftieth anniversary as a printer is celebrated in this publication. With a bibliography[BCC #154].

      [Bookseller: Randall House Rare Books]
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        Star Wars: From the Adventures of Luke Skywalker

      New York: Del Rey / Science Fiction Book Club, 1976 - The rare first hardcover edition, with the code "S27" in the margin of page 183. A near fine copy in a very good dustwrapper. [Attributes: First Edition]

      [Bookseller: Carpe Librum]
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        Incisione a colori, su carta, mm. 540x270 la figura, mm. 700x500 il foglio. Firmata, numerata (59/99) e datata (1976) a matita dall'artista sul margine bianco basso. Timbretto a secco delle Edizioni FL di Roma nell'angolo inferiore sinistro del foglio. Si tratta di una composizione astratta a tre colori.

      1976.

      [Bookseller: Libreria Antiquaria Gozzini]
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        Les mémoires d'un fasciste

      First edition, one of 100 numbered copies on alfa mousse, the only large paper copies after 50 Japon.A very good copy with edges preserved. Jean-Jacques Pauvert Paris 1976 14,5x23,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        New Poems

      New Directions, New York 1976 - First collected edition of Eugenio Montale's poems of the early 1970s, translated into English and introduced by Ghan Singh, published in the wake of Montale's Nobel Prize for Literature in 1975. This edition also includes an essay by critic F.R. Leavis on Xenia, Montale's cycle of poems devoted to his late wife, included here: "For them you were only a myopic / insect lost in the babble / of high society. How ingenuous / of those clever people not to know / it was they who were your laughingstock, / that you could see them even in the dark, / and unmask them with your infallible flair / and your bat's radar." A near-fine copy, boldly signed by Eugenio Montale on the half-title. Octavo, original brown cloth lettered in black, original unclipped pictorial dust jacket. Lightest toning to jacket edges. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Honey & Wax Booksellers, ABAA]
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        A Travel Book

      Arion Press, San Francisco 1976 - Very faint rubbing to boards, otherwise fine in the original orange plexi box and with the prospectus laid in. Signed by Hoyem - one of 200 copies, the 4th book by the press. Size: Quarto (4to). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Travel & Places; Art & Design. Inventory No: 044482. [Attributes: First Edition; Hard Cover]

      [Bookseller: Pazzo Books (ABAA-ILAB)]
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        Noces

      - Monte-Carlo, Editions Arts et couleurs 1976. 2 coffrets in-Folio. Le premier coffret d'art "Plein Daim" sable d'or contenant 2 volumes en feuillets sous couvertures rempliées. 148 pages illustrées de 20 sérigraphies originales de Mireille Berrard, dont 4 doubles planches, 9 hors-texte et 7 dans le texte + 1 gouache originale pleine page signée et 1 suite en couleurs des illustrations hors-texte signées. Le second coffret d'art plein tissu moiré sable d'or contenant une décomposition des couleurs de l'une des gouaches pleine page.Tirage limité numéroté à seulement 250 exemplaires.Celui-ci, un des 26 exemplaires de bibliophile numérotés de 8 à 33 et portant le n°16, justificatif signé par l'artiste et le Directeur artistique Joseph Pardo.Une double page en couleurs livrée encadrée n'est pas présente. Complet du certificat d'authenticité signé. L'étui de daim est légèrement décoloré en bord et en dos. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: LIBRAIRIE GIL-ARTGIL SARL]
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        Helmut Newton: White Women

      New York: Stonehill, 1976. Hardcover. SIGNED. First American edition, first printing. Near Fine cloth-bound hardcover with light soiling along the bottom edges of the boards and light rubbing to one tip in a Near Fine dust jacket with a touch of rubbing at the crown and tips and a touch of shelf wear. A very nice copy. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Newton's first book of "erotic pictures and everyday portraits." Photographs and text by Helmut Newton; introduction by Philippe Garner; designed by Bea Feitler. SIGNED BY NEWTON on the title page; no inscription. 124 pages; 67 full-page color plates; 9.25 x 12.25 inches. Caption list. See: Daiter, From Fair to Fine 2, p.93.

      [Bookseller: A&D Books]
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        Entrer dans la lumière. Avec trois estampes originales, le texte autographe signé du poème par l'auteur sur un feuillet.

      Dijon, éditions Brandes, 12 mars 1976. - 13 x 17 cm, 18 p. + 2 p. avec e.f., 3 e.f. + ms autog. 1 p. En ff., couv. imprimée à rabats. Edition originale, tirage limité à 70 exemplaires numérotés, un des 20 ex. de tête sur vélin d'Arches avec une eau-forte de J.-B. Lysland tirée par lui sur actes notariés du XVIIIème siècle (avant 50 sur vergé). Celui-ci, enrichi de 3 e.f. signées supplémentaires (pli à l'une) et du texte manuscrit autographe du poème signé et daté par l'auteur. L'exemplaire est signé au colophon. [Attributes: First Edition; Signed Copy]

      [Bookseller: SOLSTICES RARE BOOKS]
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        A collection of his first editions in superb condition.

      London & New York: various publishers, 1898–1976 - 22 works in 50 volumes, octavo format, various sizes. All in the original cloth (except The People's Rights, in original wrappers). With the dust jackets where issued (except The River War). Generally in exceptional condition. Photgraphic plates and maps throughout. An exceptional collection of all the main texts in the Churchill corpus, in superb condition throughout, including one of only two known copies of Lord Randolph Churchill (1906) in the dust jacket, and one of only three such copies of Liberalism and the Social Problem (1909, one of these being substantially damaged). Further rarities include the case-bound issue of India (1930), in the extremely uncommon dust jacket, a copy of his 1910 pamphlet The People's Rights, in the original wrappers, and genuinely fine copies of most titles, from his first published book, The Story of the Malakand Field Force (1898), to My Early Life (1930), his first book of sustained biography, in the dust jacket, together with superlative examples of his works from the Wilderness Years. There are also excellent jacketed sets of his great voluminous titles, notably The World Crisis (1923–31) and Marlborough (1933–8). In almost all instances the given copy is the best we have handled. These copies were originally collected by Mark Weber (d. 2016), who during more than 30 years trading as the Churchill Book Specialist kept back for his own private collection the best available copy of each Churchill title. The result is a once-in-a-generation collecting opportunity. An individual catalogue description for each book is available on request. a) The Story of the Malakand Field Force. London, New York & Bombay: Longmans, Green, and Co., 1898. First edition, home issue, sole printing, first state. Original cloth, a superlative copy: "Truly fine copies are extreme rarities, and even those with routine wear and tear are difficult to find" (Langworth). Cohen A1.1.a. b) The River War. London, New York and Bombay: Longmans, Green & Co., 1899. First edition, first impression, second state. 2 vols., original cloth, a remarkably tight and fresh copy: "the heavy pages put a lot of strain on the binding, and many copies are found with hinge or gutter breaks" (Langworth). From the library of Scotttish peer and soldier John Stewart-Murray, 7th Duke of Atholl (1840–1917), whose son served in the Sudan. Cohen A2.1.b. c) Savrola. New York: Longmans, Green, and Co., 1900. First edition in book form, first printing, of Churchill's only novel. Original cloth, an excellent copy. Cohen A3.1.a. d) Savrola. London: Longmans, Green, and Co., 1900. First UK edition in book form (printed from the American plates), first impression, first state. Original cloth, a very attractive copy of a book increasingly hard to find in collectable condition. Cohen A3.2.a. e) London to Ladysmith via Pretoria. London: Longmans, Green and Co, 1900. First edition, first impression. Original cloth, small spot to front board, but an excellent copy. "A splendid book both aesthetically and from a literary standpoint, the Ladysmith is one of the most sought-after titles in the canon" (Langworth). Cohen A4.1.a. f) Ian Hamilton's March. London: Longmans, Green, and Co, 1900. First edition, first impression, first issue of the sequel to Ladysmith. Original cloth, an exceptionally bright copy, entirely unfaded. "A very good copy is a scarcity and a fine one is truly rare" (Langworth). Cohen A8.1.a. g) Lord Randolph Churchill. London: Macmillan and Co. Limited, 1906. First edition, sole impression, first-issue binding. 2 vols., original cloth, one of only two copies known in the original dust jackets. An exceptionally fine copy of a book "rarely found in pristine condition" (Langworth). After The River War, this is the earliest Churchill title for which dust jackets are recorded. With a fine copy of the first US edition, sole printing (no jackets known). Cohen A17.1–2. h) My African Journey. London: Hodder and Stoughton, 1908. First edition, first i [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Roots

      Doubleday & Company, Inc, New York, 1976 First edition, first printingOctavo. Original black cloth-backed pink boards, titles to spine gilt on a pink ground. With the dust jacket.An excellent copy in the dust jacket. With the author's signed presentation inscription to the front free endpaper, "November 12, 1976 Irving and Jean Stone, my friends, my colleagues - the family of Kunta Kinte wishes the very warm best to you and your family - Sincerely, Alex Haley P.O. Bo 3338 Beverly Hills CA 90212". The recipients were Haley's fellow best-selling novelist and is wife.[192]

      [Bookseller: Blakeney Griffin Booksellers Ltd]
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        The Barsetshire Novels: The Warden, Barchester Towers, Doctor Thorne, Framley Parsonage, The Small House at Allington, and The Last Chronicle of Barset.

      London: The Folio Society, 1976-1980.. SMARTLY BOUND FIRST EDITION THUS. Six volumes, octavo. Handsomely bound in recent tan half calf over marbled boards, gilt titles of red and black morocco squares to spines. Each volume illustrated by Peter Reddick and with an introduction by Julian Symons. Internally fine in a smart modern binding.

      [Bookseller: Adrian Harrington Rare Books]
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        The Collected Essays of Sir Winston Churchill, complete in four volumes

      London: Library of Imperial History, 1976. First edition. Hardcover. This exceptional set of ChurchillÂ’s Collected Essays is among the best-preserved examples of the vellum bindings we have seen. This four-volume set is a compilation of most of Churchill's major forewords and periodical contributions, some of which can be otherwise found only in the original periodical publications. The essays are sorted by subject and each of the volumes has a theme - Churchill and War, Churchill and Politics, Churchill and People, and Churchill at Large. In addition to being bibliographically important, The Collected Essays are aesthetically appealing. The production quality is impressive. There were two publisher binding options for The Collected Essays - both sumptuous and one positively extravagant. The lesser of the two was bound in quarter blue morocco and is lovely, but does not match the other 34 volumes of The Collected Works. The more elaborate binding option was full natural calfskin vellum with individual green slipcases, matching the 34 volumes of the preceding Centenary Edition of Churchill's book-length works. The bindings feature Churchill's coat of arms stamped in gilt. The text is printed on special 500-year archival paper and decorated with marbled endpapers, all edges gilt, head and foot bands, and silk ribbon markers. Each volume is protected in a dark green leather slipcase with the Churchill coat of arms embossed in gilt on the front cover. Either binding of The Collected Essays is scarce, but this more elaborate binding is rarely seen alone, as it is essential to completing a uniform full set of The Collected Works. The vellum bindings were meant to tone and age naturally, but often yellow both considerably and unevenly. This is only the second time we have been able to offer a set this compellingly bright and clean. The bindings are pristine with unusually bright vellum showing no appreciable signs of toning or handling, perfectly square and tight with sharp corners and no visible wear. Shelf presentation is magnificent, the spines sparklingly bright and clean. Condition of the set appears flawless. The contents are likewise immaculate, crisp and apparently unread, with satin ribbon markers apparently still in the original position placed by the publisher. We find no previous ownership marks. The gilt page edges are vividly bright with no discernible flaws noted. The green leather slipcases of this edition are likewise exceptionally clean, with only a few trivial scuffs and bumps to extremities. An exceptional example of an important work, with both compelling contents and striking shelf presence. Bibliographic reference: Cohen A286, Woods/ICS A146(b), Langworth p.355.

      [Bookseller: Churchill Book Collector]
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        Bruce Lee Between Wing Chun and Jeet Kune Do

      Self-published, Seattle, Washington, U.S.A. 1976 - First printing. 96 pp., photos, octavo format softcover. Internally Fine, firm binding, no owner's name. There are some tape marks and small scuffs to the front cover, otherwise just light extremity wear. This copy is signed by instructor Ed Hart, one of Bruce Lee's original students who is featured in many of the photos in the book. Mr. Hart provided many of the photos in the book. Rare book. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Inno Dubelaar Books]
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        STELARC: OBSOLETE BODY SUSPENSIONS WITH A GROUP OF TWENTY-SIX POSTCARDS SELF-PUBLISHED BY THE ARTIST

      (STELARC). Stelarc. STELARC: OBSOLETE BODY SUSPENSIONS WITH A GROUP OF TWENTY-SIX POSTCARDS SELF-PUBLISHED BY THE ARTIST. Presentation Copy from the Artist. Davis, CA + Various. 1976-1984.: JP Publications + Self-Published, First Edition. 4to + Oblong 12mo. Pictorial Wrappers + Postcards. Artist Monograph + Multiples. Fine. Twenty-six 4 1/8 x 5 7/8" cardstock postcards printed offset b&w, recto and verso.This is a collection of noted Cypriot-born, Australian-based artist Stelarc's photographically illustrated, self-published postcards documenting his public performances - primarily in Japan and Australia - between 1976 and 1984. A brand new, most handsome group of these uncommon artist's multiples issued for the following performances: "Event for Stretched Skin (May 16th, 1976 - Tokyo)", "Event for Penetration / Extrapolation (August 14th, 1976 - Mexico City)", "Event for Stretched Skin No. 4 (August 8th, 1977 - Munich)", "Event for Lateral Suspension (March 12th, 1978 - Tokyo)", "Event for Propped Body (May 14th, 1978 - Tokyo)", "Event for Inclined Suspension (January 7th, 1979 - Tokyo)", "Event for Support Structure (July 9-15th, 1979 - Tokyo)", "Event for Amplified Tension (August 6th, 1979 - Tokyo)", "Pull Out / Pull Up Event for Self-Suspension (March 12nd, 1980 - Tokyo)", "Sitting / Swaying Event for Rock Suspension (May 11th, 1980 - Tokyo)", "Event for Obsolete Body (August 13th, 1980 - Melbourne)", "Up / Down: Event for Shaft Suspension (August 17th, 1980 - Melbourne)", "Tilted / Twisting Event for Cone Configuration (December 30th - Tokyo)", "The Third Hand. The Third Hand (May 8th, 1981 - Tokyo)", "Seaside Suspension: Event for Wind and Waves (May 30th, 1981 - Jogashima)", "Sculpture Space Suspension (August 16th, 1981 - Mexico City)", "Deca-Dance (November 15th, 1981 - Tokyo)", "Curves / Event for Three Hands (December 28th, 1981 - Tokyo)", "Event for Clone Suspension (February 27th, 1982 - Tokyo)", "Event for Clone Suspension (February 27th, 1982 - Tokyo)", "Handswriting - Evolution (May 22nd, 1982 - Tokyo)", "Moving Modifying Suspension for Obsolete Body (July 17th, 1982 - Los Angeles)", "Event for Amplified Hands (May 22nd, 1982 - Hosei)", "Event for Amplified Hands No. 2 (October 15th, 1982 - Sydney)", "Prepared Tree Suspension Event for Obsolete Body No. 6 (October 10th, 1982 - Canberra)", and "Telechiric Transmission / Event for 4 Hands (January 29th, 1984 - Tokyo)" . A brand new, pristine set of twenty-six unmailed cards housed in a vintage Japanese-manufactured zippered plastic pouch with Stelarc's Yokohama address label hand-written by the artist for the recipent accompanied by a paperbound copy of "Stelarc: Obsolete Body Suspensions" from 1984 - the first comprehensive monograph on the artist. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-910703-00-0 Inventory Number: 025589

      [Bookseller: Arcana: Books on the Arts]
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        Correspondance manuscrite complète d'Henry Miller avec Béatrice Commengé

      S.n 1976 - - S.n, Pacific Palisades (CA) 1976-1978, 23 pages A4. - Superbe ensemble complet des 17 lettres autographes signées d'Henry Miller et adressées à l'écrivain Béatrice Commengé, auteur notamment de Henry Miller, ange, clown, voyou et traductrice de nombreuses œuvres d'Anaïs Nin. On joint une enveloppe autographe adressée par Henry Miller à Béatrice Commengé et une lettre autographe signée d'Anaïs Nin à Béatrice Commengé. En 1976, Béatrice Commengé, alors jeune étudiante en lettres, entreprend la rédaction d'une thèse consacrée à Anaïs Nin et Henry Miller. Depuis son village périgourdin, elle écrit à l'une et à l'autre. Nin, très souffrante, regrette de ne pouvoir l'aider. Miller, par contre, se laisse d'abord séduire à l'idée d'échanger avec une habitante de Domme, village dont il avait autrefois célébré la beauté dans Le Colosse de Maroussi. Très rapidement, impressionné par la perspicacité et le style de l'étudiante, il engage avec elle une correspondance qu'ils entretiendront jusqu'à ce que, deux ans avant sa mort, la vue d'Henry Miller se dégrade définitivement et l'empêche de lire et d'écrire. À cette époque, Miller, âgé de quatre-vingt-cinq ans, vit presque reclus à Pacific Palisades en Californie, rejetant l'american way of life et ses illusions, redoutant les trop fréquentes sollicitations. Mais le vieil écrivain est très vite charmé par le regard que porte Commengé sur son œuvre : « You are a gem ! One of the very few ''fanas'' to understand me. Merci ! Merci mille fois ! », écrit-il dès la seconde lettre. Une véritable amitié épistolaire se noue alors entre le vieil écrivain et la jeune muse : « I think of you as some sort of terrestrial angel » ; « what a delight to get a letter from you » ; « Keep writing me, please ! » Dans des lettres passionnées rédigées dans tous les sens, où l'anglais se mèle au français, les mots sont soulignés, les parenthèses et les exclamations abondent et les post-scriptum sont ajoutés dans les marges, Miller se penche sur ses souvenirs et sur son œuvre. Refusant une correspondance purement universitaire, « To be honest with you, I don't think either A.N. or I, who are naturally very truthful persons, really succeeded with truth as it is conventionally thought of. We are both confirmed «fabulators». » Miller recommande à la jeune femme ses nouvelles lectures et ses vieux amis, « [Lawrence] Durrel is the friend to talk to about me, [.] he knows me inside out » ; [he] is wonderful when you get to know him. éblouissant même » ; « that great master of the french language - Joseph Delteil » ; « Delteil is almost a saint. But a lively one. » ; « Alf[red Perlès] is the clown, the buffoon, who made me laugh every day ». Puis il la félicite d'abandonner son projet didactique au profit d'un « imaginary book about me » et engage une correspondance bien plus intime. Il lui confie ainsi ses étonnements : « Did you read about the french prostitutes protesting and demonstrating in Paris against my receving [the legion of honor] ? They say I did not treat them well in my books. And I thougth I had ! ! ». Il partage ses gouts littéraires : « I prefer the Welsh. They are the last of the poets ». Il met également en garde la future traductrice d'Anais Nin, contre la dualité de son ancienne maîtresse: « She is or was a complete enigma, absolutely dual. [.] Actually, I suppose there is always this dichotomy between the person and the writer », lui confiant ses secrets : « she is slowly dyin (of cancer) she refuses to admit it. (This is entre nous !) » et révélant ses nouveaux amours : « I am in love with a very beautiful chinese actress [.]. I seem to go from one to another, never totally defeated, never wholly satisfied. But this is near ''eternal'' love as I've never been. » En effet, malgré son grand âge, l'auteur de Sexus n'a rien perdu de sa passion pour le beau sexe et celui de sa correspondante n'échappe pas à ce Don Juan : « On est curieux - êtes-vous belle etc., je crois que oui. En tout cas je vous pr [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Max Beckmann Katalog der Gemälde - Band 1: Katalog und Dokumentation - Band 2: Tafeln und Bibliographie

      Bern, Kornfeld und Cie, 1976 - 2 Bände, Leinen mit Schutzumschlag, Band 1: Schutzumschlag knickspurig und eingerissen / mit Klebeband fixiert, innen aber sehr gut / Band 2: Schutzumschlag berieben mit Randläsuren, Schnittkante minimal fleckig, sonst sehr gut--- 6800 Gramm. [Attributes: Hard Cover]

      [Bookseller: Leserstrahl (Preise inkl. MwSt.)]
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