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Displayed below are some selected recent viaLibri matches for books published in 1976


      Paris, Editions Galilée 1976 - Livre épuisé 25,5 x 16,7 cm, 176 pp., illustration de Dado. D'après une lettre de l'éditeur datée de 1978, dont nous joignons une reproduction, les éditions Galilée durent renoncer au tirage de luxe d'Alphabets accompagné d'une gravure de Dado, l'artiste n'ayant semble-t-il pas livré celle-ci près d'un an et demi après l'impression du livre. Les éditions Galilée proposèrent alors l'ouvrage sur beau papier sans gravure. Au début des années 80, peut-être vers 1984 alors que l'éditeur travaille à une nouvelle édition d'Alphabets avec des illustrations supplémentaires de Dado en couleurs, la gravure promise pour la première édition de luxe est livrée par Dado. Condition : Edition originale. L'un des 80 ex. num. du tirage de tête. Rare exemplaire complet de la gravure signée de Dado, numérotée 71/80 comme l'exemplaire que nous proposons. Couverture lég. brunie en marge. 750g. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Faustroll]
 1.   Check availability:     IberLibro     Link/Print  

        Poems for Toni Savage [Signed]

      Published by Janus Studio, 37 The Grove, Ilkley First edition 1976. Card wrapped publisher's original peach covers, brown vignette and stamping to upper panel, secured with two staples. 8" x 5" 16 pp. Limited edition No. 33 of 100 copies. SIGNED by the author Spike Milligan. In Fine condition. Member of the P.B.F.A.

      [Bookseller: Little Stour Books PBFA]
 2.   Check availability:     Biblio     Link/Print  

        The Biblical Etchings of Marvin Hayes: A Catalog to the Exhibition Held at FAR Gallery, November 22, 1976 [With] Early Draft of the Dickey Introduction

      Oxmoor House Inc., Birmingham, Alabama 1976 - First edition. Oblong octavo. Black blind stamped wrappers. Touch of sunning along the spine and a light bump to one corner, near fine. The FAR Gallery catalog for an exhibit of Marvin Hayes's etchings featuring 53 plates of scenes from the Bible. It includes a brief introduction written by poet James Dickey with an editorial note that he is working on the text for a full-length book; a book published the following year as *God's Images*. [With] it a TLS dated May 20, 1977 from Oxmoor House editor-in-chief, John Logue, to author, Peter Taylor soliciting his comments on Dickey's text for *God's Images* [with] 46 pages of Xerox copies of Dickey's typed manuscript introduction ("2nd draft"), the majority of the text with scattered differences from the final published version throughout. An interesting collaboration between a noted artist and writer further enhanced by its connection to a Taylor, a Pulitzer Prize-winning Southern author. [Attributes: Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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      [Peace Dale, RI: Fritz Eichenberg, 1976].. [2] preliminary leaves, plus twenty woodcuts, with bifolium interleaves bearing text on upper leaf, and colophon. Folio (44.7 x 38 cm). Loose sheets and bifolia laid into folding cloth clamshell box with printed label. Box a bit sunned and lightly rubbed, otherwise about fine. First edition. Illustrated with twenty original woodcuts, printed from the block, with full margins, by the author. A sequence of loose adaptations of fables from Aesop and others, updated (often wickedly) for contemporary relevance, each accompanied by a corresponding wood engraving. One of one hundred numbered portfolios, printed by Harold McGrath at the Gehenna Press, signed by the author/artist on the colophon, and with each of the wood engravings numbered, titled and signed by Eichenberg in the margin. As this was not a formal publication of the Gehenna Press, it is not included in the bibliography.

      [Bookseller: William Reese Company - Literature ABAA-]
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        DESERT NOTES. Reflections In The Eye Of A Raven. Signed.

      Sheed, Andrews & McMeel, Kansas City 1976 - Lopez, Barry. DESERT NOTES. Reflections In The Eye Of A Raven. Signed. Kansas City: Sheed, Andrews & McMeel, 1976. First Edition of Barry Lopez's first book Inscribed to author Larry McMurtry on the front free endpaper. 'For Larry/ With my very best wishes/ Barry.' Additionally, with Larry McMurtry's ownership signature above. 8vo. 89 pp. A near fine copy in beige cloth, (four miniscule staple holes to the front free endpaper), brown titles to the spine in a bright, fresh pictorial dustwrapper showing some light use and minimal rubbing. [29926] $3500 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        JOE DALLESANDRO: NUDE BLACK-AND-WHITE PHOTOGRAPH BY BRUCE OF LOS ANGELES - Rare Signed And Inscribed Vintage Original Silver-Gelatin Photographic Print - ONLY SIGNED COPY ONLINE

      Los Angeles, CA: Bruce Of Los Angeles - 1st Printing. Signed. 1 pages. Published in . Rare Joe Dallesandro collectible item. A vintage original silver-gelatin print of the young model/actor, as photographed by Bruce of Los Angeles. The print measures 8 X 10 inches and is encased in two protective sheets: A glassine photographic sleeve which is placed inside an oversize thick plastic cover. It shows Dallesandro at the peak of his beauty: Extremely handsome and sexily buffed, in a full-frontal pose. He is shown holding and looking pensively at his fully erect penis, from a revealing profile angle. The image anticipates by about three decades Peter Hujar's most celebrated and beautiful nude, "Bruce de Saint Croix, 1976". This is not a digital print or a later, contemporary print but was printed directly from the original negative during Bruce of LA's lifetime. It is very beautifully developed, with great clarity and subtle contrasts, on Double-Weight Fiber photographic paper, the paper Bruce of LA used in his last years. "Coupled with the fact that it is unstamped but retains its white borders, it dates back to Bruce's lifetime rather than the later Kensington Road-era. Because this is one of the more erotic poses from Bruce's single session with Joe Dallesandro, it is a rare print in this large size and format" (Reed Massengill). Joe Dallesandro remains the cult icon/figure of Warhol's ground-breaking underground films, whose aesthetics and style anticipate by almost fifty years the deliberately crude and gritty sex films that appear routinely online today. Before he was discovered and turned into his very own superstar by Warhol, Joe Dallesandro was the muse of the great male-nude photographers. But it was Bruce of Los Angeles who was the very first to photograph him, in exactly one session. Warhol avidly collected all of the so-called "physique magazines". After his Warhol breakthrough, Dallesandro was photographed by Duane Michals, Jack Mitchell, Francesco Scavullo, and Richard Avedon, among many other mainstream photographers. The Avedon prints are proudly displayed at the Metropolitan Museum of Art. This is the genuine article, a "must-have" collectible for Joe Dallesandro and male erotic art photography collectors. This is an original vintage silver-gelatin print, and it is very boldly and beautifully signed and inscribed in metallic-silver marker in front by the model/actor: "Dream on XXX Joe Dallesandro". The three X's stand for "love", of course, and is quite special as such. The recipient, Reed Massengill, is the leading authority on male erotic photography in America. According to Massengill, Dallesandro told him that he does not sign his "fully-erect" poses, making an exception in the case of a few of Massengill's print copies. This is the only such signed and inscribed copy of the print available online, is eminently suitable for framing, and is in especially fine condition: Clean, crisp, and bright, a museum-quality, collector's copy. A collection of Dallesandro memorabilia (publicity stills, magazine covers, film outtakes; not one of them is an original print or signed) available online commands more than a staggering $7500. A rare, one-of-a-kind signed copy thus. One of the iconic American model/actors of the 20th century. A fine collectible copy. (SEE ALSO OTHER JOE DALLESANDRO AND BRUCE OF LOS ANGELES TITLES IN OUR CATALOG) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Modern Rare]
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        The Missing Piece - 1st Edition/1st Printing

      Harper & Row, Publishers, New York 1976 - An attractive copy in Near Fine condition in alike, price-clipped dustjacket with small closed tears. This copy is signed by author Shel Silverstein on the half-title page. Minor rubbing to boards; "It was missing a piece. And it was not happy." So begins this fable of quest and fulfillment with its sparse line illustrations to supplement the text. Singing nonsense rhymes it travels far and wide searching for its missing piece. Sadly, when it finds its missing piece and can roll very fast it discovers that life at a fast pace does not have time for pleasurable things like talking with friends, entertaining a butterfly, and singing a happy song. In fact, when it was complete it could not sing at all, so it set the piece down gently and slowly rolled away First Edition; First Printing; Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Books Tell You Why - ABAA/ILAB]
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      (MEISELAS, SUSAN). Meiselas, Susan, Sylvia Wolf & Deirdre English. SUSAN MEISELAS: CARNIVAL STRIPPERS - DELUXE LIMITED SIGNED, SLIPCASED EDITION WITH A PHOTOGRAPHIC PRINT. Signed by the Photographer with a Signed Print. Gottingen, GERMANY & New York. 1976 (2003).: Steidl & The Whitney Museum of American Art, Second, Revised Edition 1/75 Deluxe. Oblong 4to. Cloth in Jacket, Slipcased. Photography Monograph. As New/As New. 163pp, profusely illustrated in b&w. "From 1972 to 1975, Susan Meiselas spent her summers photographing and interviewing women who performed striptease for small town carnivals in New England, Pennsylvania, and South Carolina. As she followed the girl shows from town to town, she portrayed the dancers on stage and off, photographing their public performances as well as their private lives. She also taped interviews with the dancers, their boyfriends, the show managers, and paying customers. Meiselas' frank description of the lives of these women brought a hidden world to public attention. Produced during the early years of the women's movement Carnival Strippers reflects the struggle for identity and self-esteem that characterized a complex era of change.". This is the beautifully produced new edition of Susan Meiselas' landmark first book from 1976 which now includes additional photographs along with an audio CD with a collage of voices from its many participants and a 1977 interview with the photographer. A pristine copy of the 2003 Deluxe edition (whose 1976 edition is cited on pages 312-313 of The Hasselblad Center's "The Open Book", page 50 of "From Fair to Fine: 20th Century Photography Books That Matter", and pages 238-239 of "The Book of 101 Books") limited to seventy-five numbered copies SIGNED by Susan Meiselas with an original 10 x 8" SIGNED AND NUMBERED gelatin silver print of "Shortie on The Bally" housed in the publisher's silver gilt embossed purple linen over boards slipcase, as issued. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 3-88243-954-8 Inventory Number: 019975&

      [Bookseller: Arcana: Books on the Arts]
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        Eclipse / Ted Hughes

      Knotting : Sceptre Press 1976 - Physical description: unpaginated, [8]p. ; 21cm. Subjects: Hughes, Ted (1930-1998) -- English poetry -- 20th century -- English literature. Notes: Limited ed. of 250 numbered copies of which the first 50 are signed. This copy is out of series. SIGNED and inscribed by Ted Hughes on title page. Nthear fine paperback copy, edges very slightly dust-dulled. Remains particularly well-preserved overall; tight, bright, clean and strong. 1 Kg. 8 pp. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: MW Books Ltd.]
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        [Working Manuscript of]: 20 Black Women: A Profile of Contemporary Black Maryland Women

      1976-77. A photocopied draft of the partial manuscript of 20 Black Women: A Profile of Contemporary Black Maryland Women by Frances N. Beckles. Contained here are early copies of the preface, introduction and seven profiles, along with copies of two letters sent to Colonel E. Hutchin, Jr, at the Maryland Department of Economic and Community Development. Loose sheets stapled at the corner with the preface, introduction, and two profiles together, the remaining five profiles separately stapled, plus two single sheets. Totaling 63pp. Near fine with light wear to edges of one sheet and stain to the rear of another. The seven profiles here include: Enolia Pettigen McMillan, the first female elected president of the NAACP, and Thelma Lucille Sayles Clifton, former Poet Laureate of Maryland, along with Dr. Nina Cole Rawlings, Grace Booker Hunt, Dr. Delores C. Hunt, Ellen Watkins Woodlawn, and Maria Ann Broom. An interesting archive of material of the working draft of this book and the difficult in its completion. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        SNIFFIN GLUE. Volumes 1 to 12.

      Mark Perry. London. 1976/77. First Editions. Quartos. Mimeograph stapled magazines. Original issues of numbers one to twelve, a complete run of the Fanzine (two supplements, or special issues, were published but are not present here). Complete with the original flexi-disc single Love Lies Limp, by Alternative TV on SG Records as issued with number 12. All issues are generally in very good condition, with some staple rust to a couple of volumes, two closed tears to the rear wrapper of volume two, and the odd finger mark to margins here and there. Housed in a purpose made chemise and black cloth slipcase with leather label to the spine, ruled and lettered in gilt. ---------- Sniffin' Glue, the first punk fanzine, was produced by Mark Perry in July 1976 a few days after seeing US punk band The Ramones for the first time at the Roundhouse in London. He took the title from a Ramones song 'Now I Wanna Sniff Some Glue'. The early days of the Punk movement largely failed to attract the attention of television or the mainstream press, and Sniffin' Glue remains a key source of photographs of, and information about, contributors to the scene. NME acclaimed "Sniffin' Glue" as "the nastiest, healthiest and funniest piece of press in the history of rock'n'roll habits" and it really became the true chronicle of the early days of British punk rock as well as pioneering the DIY punk ethic. Later, some called it the Bible of the punk movement. For the final issue Mark's sidekick Sniffin' Glue photographer, business affairs and later band manager Harry Murlowski recorded Love Lies Limp released as a flexi disc record, the first release from Mark Perry's band, Alternative TV. Fearing absorption into the mainstream music press, Perry ceased publication in 1977. In the last issues he encouraged his readers to follow him with their own punk fanzines.

      [Bookseller: Paul Foster Books]
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      Harper & Row 1976 - First edition, first prnt. Signed by Ford on the title page. Bottom edge spine cloth slightly pushed and board edges with beginning tonong.Near Fine condition in a Very Good dustjacket that has two small closed tears, minimal edgewear, mostly at the spine bottom edge fold, and shallow creasing on the rear panel upper edge. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Revere Books, ABAA & IOBA]
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        Doorways in the Sand

      Harper & Row, New York 1976 - First edition, with the correct edition statement and number line sequence. The slightest bit cocked, else fine in fine dustwrapper with a tiny tear. A fresh copy of this scarce novel that was nominated for both the Hugo and Nebula Awards. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Typed Letter - SIGNED

      1976 - One of the Original Seven Astronauts and the first U.S. astronaut to orbit the Earth in 1962. This is a wonderful typed letter signed on U.S. Senate letterhead dated November 4, 1976. The letter says in part: Dear Judy: Thank you for contacting my office to express your interest in becoming an astronaut. Perhaps I can provide a few useful pointers on furthering your career objectives. While in high school, physical and intellectual growth are essential. I suggest that you select courses that cover a wide variety of subjects and maintain a strong in mathematics, chemistry, and physics. I would also encourage you to pursue courses in English, history, and humanities. Continue your physical eduication, and interscholastic sports is one good way of maintaining good health. The Air Force and Marine Corps is one means of preparing for a career in air flight or astronautics. I would suggest that you. Sincerely, (signed) John Glenn United States Senator Fine Condition [Attributes: Signed Copy]

      [Bookseller: Legends In History]
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        THE QUAKER

      TRITON PRESS U.S.A. 1976 - The stunning Andrew Wyeth Metropolitan Exhibition in 1976 was one of the great successes in that gallery's history. After the close of the show it was agreed to issue a special Collotype of one painting, the image that had been most requested; THE QUAKER. Andrew Wyeth considered this to be one of his best temperas, and it certainly received the approval of critics and the public. Thomas Hoving, the Director of the Met, worked with Harry Lerner of Triton Press to bring about a faithful image of this never reproduced work, and Wyeth agreed to approve every stage. 'The final result has my complete approval' declared the artist at the end of the long process, and each print was then fitted into a scrupulously exact copy of the original frame. There is a discrete blind embossed Triton logo in the lower left corner of the print, which guarantees the absolute authenticity of the print. This particular example has been carefully stored in a low light environment, and it is magnificent. When a rare copy of this extraordinary issue comes to an auction house, in its original frame, it achieves a very high price indeed, much more than is being asked here. 'The Quaker' is an exceptional work, and a very exacting process has ensured all the subtlety of the original tempera is captured. THIS PRINT, IN THE SPECIAL FRAME, HAS ACHIEVED VERY LARGE SUMS AT AUCTION, THE HIGHEST FOUR TIMES THE PRICE OF THIS ONE. On the back of the picture is the ORIGINAL PRINTED DESCRIPTION about how this beautiful subtle print was achieved. Please ask about the cost of carriage of this considerable package. Costs will depend on destination of course.

      [Bookseller: THE BOOKSNIFFER]
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        The Spectator Bird

      Garden City, New York: Doubleday & Company. 1976. First. First trade edition. Fine in a price-clipped, near fine dustwrapper with small crease on rear panel, a tiny tear at the head of spine, and a crease along the front flap fold. Despite a litany of small defects an above average copy of this National Book Award winning novel. Inscribed by Stegner. From the Library of Bruce Kahn .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Ch'i Pai-Shih: The Versatile Genius. Chinese Paintings by Chi Pai Shih, 1976

      Fort Thomas, Ky.: Pine Studios, 1976 - 1st edition, 1st printing. Small folio, 31*23.5cm, 122 pages. As new condition with fine dustjacket and near fine slipcase. Introduction by C. C. Wang in English and Chinese. 50 leaves of color plates. [Attributes: First Edition; Hard Cover]

      [Bookseller: Chinese Art Books]
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        Report to the Secretary of the Army By the Special Commission on the United States Military Academy, regarding the Honor Code (with) Extensive Annotations By Col. "Red" Reeder, Letters and Notes

      West Point New York:: USMA,. 1976.. Staple-Bound. Very Good. A scathing and pithy commentary (also known as The Borman Report) on the state of affairs at West Point by Colonel Russell Potter "Red" Reeder, Jr. (1902 - 1998) United States Army officer, a highly decorated veteran of WWII and author - here reviews and comments on the Commission's investigation of the West Point system of Honor and its Code - nearly every page with his insertions, commentary and suggestions - at this time, the Point under scrutiny for reported abuses and scandals involving the cadets; Col. Reeder, for 20 years the respected Athletic Director of the USMA was concerned with and influential regarding changes needed in the Honor Code; this after several cheating incidents and 'scandals' concerning the cadets and incompetence on the part of the staff at the Point were publicly revealed; 91 pages, with handwritten marginal notations, underlining for emphasis in red and blue and references to other internal notes and incidents by him; Col. Reeder cites specific instances where the code and its application had been either abused or misinterpreted by less-than-caring Point administration, often resulting in unfair, foolishly judged and downright poor treatment of cadets; Throughout, Col. Reeder's approach is one of humanity and good sense and is especially potent, given that his entire life was spent within the U.S. Army under one aspect or another and his years of experience with the men and boys under his command gave him insight that would be difficult to surpass; At front is stapled-in a note on Reeder's letterhead, stating "...There will be moans abt. this report. Some at USMA think nothing is wrong. But in 30 years there have been two cadet honor dismissals, involving abt. 100 cadets each, plus one "Scandal" that was swept under the rug.. USMA should expect some outside changes because they were not cleaning up internally..."; laid-in are a carbon of a typed letter signed from Reeder to Col. Frank Borman, on the Special Commission, wherein Reeder tells of meeting with General of the Army Eisenhower who specifically had asked Col. Reeder about the cadet's adherence and loyalty to the Code and his concerns, Reeder noting that now more than ever is there need for paying attention to the good structure of the Academy since enrollment was nearly 4 times the size as when Eisenhower was a cadet; with a note to Col. William J. Taylor Jr. regarding the report and Taylor's grateful reply after reading it and Reeder's comments and recommendations; evidently, Reeder had sent the annotated report to several respected colleagues as well as the commission, since there are notes that Lt.Col. Dale Hruby as well as Brig. Gen. Harvey Fraser had been in communication, list in reviewing this document (their names both on the front cover as being forwarded the report); side-stapled; some edge tips wear, soiling to cover sheet and back cover, which is coming loose from the stapling; laid-in materials with light wear and contained in the original manila envelope titled in Reeder's hand (worn with tears); overall, in very good condition; a very interesting annotated report and group of correspondence, a unique archive of material concerning the USMA at West Point during a particularly troublesome time of upheaval and self- examination, especially as coming from the knowledgeable pen of the prominent Col. Reeder.

      [Bookseller: Antipodean Books, Maps & Prints]
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        Max Beckmann. Katalog der Gemälde. (The complete Paintings).

      Bern: Kornfeld. 1976 - Text in German.12.5 x 10 in.; clothbound in dust jackets; in new condition. Volume I: Katalog und Dokumentation, 612 pages, 835 black & white + 15 color plates; Volume II: Tafeln und Bibliographie, 312 pages, 321 black & white + 18 color plates. Max Beckmann's catalogue raisonné of paintings;Freitag 526.Mit Verzeichnis inkl. Register der von Beckmann gemalten Personen, Orte und Landschaften; Standort-Verzeichnis, Konkordanz, 113 Dokumentations-Abbildungen sowie 10 farbige Wiedergaben von Bildausschnitten in originaler Grösse aus den verschiedenen Schaffensperioden des Künstlers. - Bd. II: 814 Abb. aller heute nachweisbaren Gemälde auf über 300 Tafeln. Kritische Bibliographie 1905-1970, bearb. von Ingeborg Wiegand-Uhl (1943 Nummern) sowie Register zur Bibliographie. "

      [Bookseller: Wittenborn Art Books]
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        Max Beckmann. Katalog der Gemälde. Im Auftrag der Max Beckmann Gesellschaft hrsg. v. Hans Martin von Erffa, Träger Fritz Thyssen Stiftung. 2 Bände.

      Bern, Kornfeld, 1976,. 4to (31 x 24 cm). Mit zahlr., bisweilen farb. Abb. auf 321 numer. Taf. u. einigen Tafelseiten. XIX, 611; VI, 132 S. Blaue OLwd. m. silbergeprägt. Deckel- u. Rückentitel sowie illustr. Orig.-Schutzumschlag.. Schriften der Max Beckmann Gesellschaft III. - Band I: Katalog und Dokumentation. Bd. II: Tafeln und Bibliographie. - Geringfügige Lagerspuren. Kl. Tintenzeichen auf Vorsatz. Gute Bände.

      [Bookseller: Antiquariat Düwal]
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        Pages 1; The World of Books, Writers, and Writing

      Gale Research Company, Detroit 1976 - First edition, 1976. Quarto, hardcover, pp., illustrated, clean unmarked text, Near Fine copy, light rubbing to the tips of the covers. Editor Matthew J. Bruccoli's copy, signed by 14 of the contributors on the titlepage. Matthew Joseph Bruccoli (1931-2008) was the foremost F. Scott Fitzgerald scholar and bibliographer of his time. Additionally, he wrote on, and edited critical editions of Hemingway, Hammett, Cozzens, Thomas Wolfe, John O'Hara, and Vladimir Nabokov. He studied bibliography under the tutelage of Fredson Bowers and worked with Jacob Blanck on the Bibliography of American Literature. He was responsible for the republication and rediscovery of dozens of forgotten American novels, and went on to be the editor and publisher of the 400+ volume Dictionary of Literary Biography, and was the chief editor of the University of Pittsburgh Press bibliography series. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        Das Selbstbildnis - Zehn Wege zum Ich. H. J. Kallmann.

      München, Studio Bruckmann, 1976.. Folio. 2 Bll. und 10 signierte Offset-Lithographien von H. J. Kallmann lose in Orig.-Leinwandmappe.. Eins von 75 römisch num. Künstlerexemplaren, mit mehrzeiliger hs. Widmung des Künstlers und der Verfasserin im Impressum. - Sehr gutes Exemplar.

      [Bookseller: Antiquariat Manfred Nosbüsch]
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        Even Cowgirls Get the Blues

      Boston: Houghton Mifflin Company, 1976: First Edition, First Printing. Signed by the author on the half title page. In Very Good condition, in dust jacket, with the proper price of $10.95 intact. Name and address of previous owner on front paste down, partially obscured by the dust jacket flap. Cloth shows light wear and soiling. Light ding to top of upper board. The dust jacket shows rubbing, light creasing and small tears, as well as wear along the folds and some discoloration. A rare first printing, even more scarce signed.

      [Bookseller: Burnside Rare Books]
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        Even Cowgirls Get The Blues

      Boston: Houghton Mifflin, 1976. First edition, first printing. Hardcover. Hardcover. First edition, first printing. A fine book in a fine dust jacket. The wild and fantastical chronicle of big, big-thumbed Sissy Hankshaw's liberating hitchhiking journey from Manhattan to the Dakota badlands. Signed by the author. A bright white jacket this book with blue top stain. Signed by Robbins on the title page. Signed by the author.

      [Bookseller: Sawtooth Books]
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      Boston: Houghton Mifflin, 1976. First edition. Hardcover. A fine copy in a fine dust jacket (closed tear at top of front panel). Signed by Robbins in green ink on the half-title page. His second, and most famous book. Basis for the big screen film (1993). Tells the tale of Sissy Hankshaw, a woman born with a mutation (she would not call it a defect) giving her enormously large thumbs. This novel is a transgressive romp, covering topics from homosexuality and free love to drug use and political rebellion to animal rights and body odor and religions. Sissy makes the most of her thumbs by becoming a hitchhiker.

      [Bookseller: Ed Smith Books]
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        Even Cowgirls Get The Blues

      Houghton Mifflin Company, Boston 1976 - Even Cowgirls Get The Blues, Tom Robbins, 1976 Houghton Mifflin Company, Hardback First Edition. Signed By Author on half title page. Turquoise and white boards are clean, binding is tight, lettering on spine is very bright, corners are good. Dust jacket is near fine condition. An extremely clean copy of author's most popular work [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Rosewood Books]
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        Even Cowgirls Get the Blues

      Boston: Houghton Mifflin Company, 1976: First Edition, First Printing. In original dust jacket, with price of $10.95 intact. In Near Fine condition. Clean text. Sound binding. Gift inscription to previous owner on front free end paper. Faint sunning to edges of boards. Tail of spine lightly worn. The dust jacket shows light edge and surface wear. Bookseller sticker to front flap. A lovely copy.

      [Bookseller: Burnside Rare Books]
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        Rodolphe Bresdin. Volume I: Monographie en trois parties; Volume II: Catalogue raisonné de l'oeuvre gravé. (2 vol. set, incl. etching in vol. II).

      La Haye, Nijhoff, 1976. - 2 vols. Large 4to. 208;159 pp. With col. frontisp., or. etching by Dirk van Gelder (56/125, 1970) & over 300 b/w ills. Index. Hardcover. Or. grey cloth, in or. similar slipcase. Fine. [Attributes: Hard Cover]

      [Bookseller: Charbo's Antiquariaat]
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        Rodolphe Bresdin: Volume I - Monographie en Trois Parties Volume II - Catalogue raisonné de l'oeuvre gravé. LUXURY COPY in two volumes/MINT.

      La Haye/The Hague, Martinus Nijhoff, 1976 - La Haye/The Hague, Martinus Nijhoff, 1976. Cloth-covered boards in cloth-covered slipcase, 34 x 24,5 cms., 208 pp., b/w illustrations + 159 pp., colour frontispiece, b/w illustrations, biography, index. Catalogue raisonné of the graphic work. LUXURY COPY from an edition of 125 copies including an ETCHING stamped, numbered from an edition of 125, dated 1970. [Attributes: Hard Cover]

      [Bookseller: Luiscius Books]
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      Editions Du Chene, Paris 1976 - 208 + 160pp, profusely illustrated in duotone. Text in French. This is a beautifully illustrated two volume slipcased set on the work of the Rodolphe Bresdin. The first volume is a scholarly monograph on the iconoclastic 19th Century French proto-Symbolist engraver, lithographer, and etcher, and the second a full catalogue raisonné of his one hundred and fifty-three known graphic works - many of which had never been previously reproduced. A most handsome copy of this uncommon reference in the publisher's debossed raw linen slipcase. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Arcana: Books on the Arts]
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      (BRESDIN, RODOLPHE). Van Gelder, Dirk. RODOLPHE BRESDIN: MONOGRAPHIE EN TROIS PARTIES + CATALOGUE DE L'OEUVRE GRAVE - COMPLETE IN TWO VOLUMES. Paris: Editions Du Chene, 1976. First Edition. 4to. Cloth in Slipcase. Catalogue Raisonné. Fine/No Jackets - As Issued. 208 + 160pp, profusely illustrated in duotone. Text in French. This is a beautifully illustrated two volume slipcased set on the work of the Rodolphe Bresdin. The first volume is a scholarly monograph on the iconoclastic 19th Century French proto-Symbolist engraver, lithographer, and etcher, and the second a full catalogue raisonné of his one hundred and fifty-three known graphic works - many of which had never been previously reproduced. A most handsome copy of this uncommon reference in the publisher's debossed raw linen slipcase. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 2-85-108-113-6 Inventory Number: 015476&

      [Bookseller: Arcana: Books on the Arts]
 31.   Check availability:     Biblio     Link/Print  

        Rodolphe Bresdin: Volume I - Monographie en Trois Parties Volume II - Catalogue raisonné de l'oeuvre gravé.

      La Haye/The Hague, Martinus Nijhoff, 1976 - La Haye/The Hague, Martinus Nijhoff, 1976. Cloth-covered boards in cloth-covered slipcase, 34 x 24,5 cms., 208 pp., b/w illustrations + 159 pp., colour frontispiece, b/w illustrations, biography, index. Catalogue raisonné of the graphic work. [Attributes: Hard Cover]

      [Bookseller: Luiscius Books]
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        La vie de l'auto. Le Bi-Mensuel de l'automobile ancienne. (since 1983: "Le monde de l'automobil ancienne"). Years 1976 - 1984 (june). (= numeros 1-161 (without No. 3, 125, 128, 159) + 1984 No. 1-25 (without 12+14). Are together the first 9 years with 157 (of 161) issues (numbers) from 1976-1983 and the half of 1984 (Jan.-June) with 23 (of 25) issues.,

      1976-1984. 1976 - Each issue about 20 to 24 pp. with many photos. Size: 43 x 28,5 cm. *A French magazine on ancient cars. Appeared each 14 days (since 1984 weekly). Present are the first 8 years with the numbers 1-161 near complete and the first half year 1984 which appeared now weekly and in a bit smaller size. The old issues are rare. - Many articles on oldtimer, richly illustrated with b/w photos. All issues are well preserved in the original collecting file folders. / Ein französisches Magazin für Oldtimer bzw. historische Autos, je Ausgabe ca. 20-24 Seiten im Format 43x28,5 cm. Enthält zahlreiche Artikel und Informationen über (vorwiegend französische) Oldtimer sowie Anzeigen. Mit zahlreichen schwarz-weiß Fotos. Erschien alle 2 Wochen, ab 1984 wöchentlich. - Vorhanden sind die ersten 8 Jahrgänge (Nummern 1-161) nahezu komplett sowie die erste Hälfte des Jahres 1984. Eingesteckt in die originalen Sammelordner des Verlages, jedes Heft ist einzeln herausnehmbar. Alles in sehr guter Erhaltung. Die frühen Jahrgänge sind sehr selten am Markt zu finden. Sprache: fr Gewicht in Gramm: 20000 Collected in 9 collecting file folder. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Braun]
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        Amazing Gerald Ford assassination attempt archive including 7 original signed pieces documenting the historic event from an eyewitness account

      , November 17, 1976 Amateur photographer and history buff Terence J. Cox saw history in the making on September 22, 1975 in San Francisco and did what any aspiring photographer would do - point and shoot. The result of that historical day is contained in this archive. According to newspaper clippings, Cox was standing only a mere 10 feet away from the would-be assassin, Sara Jane Moore on Post Street across from the St. Francis Hotel. This attempt came 17 days after Charles Manson follower, Lynette "Squeaky" Fromme made an attempt on the President's life. Moore at one time immersed herself in counter-culture to become a political revolutionary. She was recruited by the FBI informant to help with the Patty Hearst kidnapping. After her radical friends found out she was an FBI spy, they turned their backs on her. Moore's attempt at assassinating the President was a way back into their good graces. After being arrested that day, Moore plead guilty to the assassination attempt and received a life sentence. She was up for parole in

      [Bookseller: University Archives]
 34.   Check availability:     Biblio     Link/Print  

        First on the Moon (SIGNED by Armstrong, w/ Aldrin Signature, PSA verified)

      Little, Brown, 9/14/14 SIGNED BY NEIL ARMSTRONG and includes ATTACHED PHOTO SIGNED BY BUZZ ALDRIN!. Both signatures authenticated by PSA/DNA and come with full Letters of Authenticity. A 2nd printing in excellent condition: clean text, nice-looking boards (one corner bumped), attractive price-intact dust jacket with some light wear and creasing on the flaps. Includes mylar for DJ and a 1976 news clipping referencing Armstrong's visit. Exceptionally scarce. Expedited and international shipping are welcome.

      [Bookseller: Bookcharmed]
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        [Small Archive]: Complete run of Unauthorized Editions of Thomas Pynchon (as noted in the Mead bibliography) plus two variants not noted in Mead: Mortality and Mercy in Vienna; Lowlands; The Secret Integration; Entropy; The Small Rain; A Journey into the Mind of Watts

      London / Troy Town / Westminster: Aloes Books / Tristero / Mould-warp. (1976-1982). First. First editions (but one, see below). Thirteen pamphlets. Stapled wrappers. All are fine or very nearly so. This represents the complete "C" Section: "Unauthorized Editions" of Clifford Mead's bibliography, Thomas Pynchon: A Bibliography of Primary and Secondary Materials, along with two variant issues not described therein. These copies are from the library of Pynchon's editor, Ray Roberts, with his book label on the inside cover of each volume. Roberts was an influential editor with Viking, Henry Holt, and then Little, Brown, and he worked closely with John Fowles, Martha Grimes, Thomas Pynchon, and Jacqueline Kennedy Onassis. He began editing Pynchon when the latter went to Little, Brown, starting with his book Slow Learner. Further details available upon request. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Black Destroyer

      1976. Book. Fine. No Binding. Fine (our Top grade) Original Art. 12 x 16 Inches. ORIGINAL ART, acrylics on art board. Cover art for AMAZING STORIES, January 1976, illustrating the Jack Williamson story appearing in t his issue. Iconography shows one woman coming through a transportation gateway while another watches. Image and board size: 12 x 16 inches. Fine..

      [Bookseller: Barry R. Levin Science Fiction & Fantasy]
 37.   Check availability:     IOBABooks     Link/Print  


      NY: Doubleday, (1976) - An extremely important stated First Edition copy of this modern classic. Near Fine copy in like dust jacket with a roughly one-inch triangular chip on rear panel and a couple of much smaller chips to the spine crown. This copy, inscribed and dated by Alex Haley on November 5, 1976 to Joyce Reed, who did the very first radio interview with the author in promotion of his book. To commemorate this, Joyce Reed has laid in her personalized typewritten card as follows: To remember should I live long enough / to need these memories; / I did the first radio interview with / Alex and Stan for KPFK. / It was a warm and rich time. / I miss that just now. / 2-14-92 (This written by her at the announcement of Haley's death.) The very meaningful inscription by Alex Haley on the front free endpaper reads as follows: November 5, 1976 / Joyce - The family / of Kunta Kinte wishes / the very warm best / to you and your / family - and especially / I do for your very / special help to Roots! / Sincerely, / Alex Haley Additionally laid into this copy are a number of various newspaper stories about the author's death. A singularly important First Edition copy and a valuable literary collectible. [Attributes: First Edition; Hard Cover]

      [Bookseller: Mystery Pier Books, Inc.,ABAA, ILAB, ABA]
 38.   Check availability:     AbeBooks     Link/Print  


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