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Displayed below are some selected recent viaLibri matches for books published in 1976

        De la sainte famille au droit à la paresse EDITION ORIGINALE Tirage de tête ENVOI AUTOGRAPHE

      Paris: Le point cardinal, 1976. Fine. Le point cardinal, Paris 1976, 23,5x17cm, broché. - Original, one of 75 numbered copies on Japan Edition, leading copy. Our copy is complete, frontispiece of the original etching by W. Lam he signed in colored pencil. Signature of the justification of the draw. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 75 exemplaires numérotés sur Japon, tirage de tête. Notre exemplaire est bien complet, en frontispice, de l'eau-forte originale de Wifredo Lam qu'il a signée au crayon de couleur. Signature de l'auteur à la justification du tirage. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        William Blake's Laocoà n. A Last Testament. With Related Works: On Homers' Poetry and On Virgil, The Ghost of Abel.

      1976 - 4to. (300 x 218 mm). Quarter dark brown morocco over linen covered boards; pp. 62, illustrated throughout with collotype plates; neat ink signature to the front pastedown, otherwise a near fine copy. One of a toal edition of 438 copies. This copy one of 380, numbered 2. [Attributes: Hard Cover]

      [Bookseller: Henry Sotheran Ltd]
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        IL GRUPPO ENNE. LA SITUAZIONE DEI GRUPPI IN EUROPA NEGLI ANNI 60.

      BULZONI 1976 CM. 24X29, PP. 383 CON MOLTISSIME ILLUSTRAZIONI, LEGATO IN CARTONE FORTE CON SOVRACCOPERTA IN ACETATO. LO STUDIO PIU' DOCUMENTATO E APPROFONDITO SUI GRUPPI QUALI: ZERO, TI, UNO, SESSANTATRE E SUGLI ARTISTI QUALI: FONTANA, MUNARI, DORAZIO, MAINO, LO SAVIO, CASTELLANI, ALVIANI, BIASI. IL VOLUME E' CONSERVATO MOLTO BENE ANCHE SE TRADISCE QUA E LA' UNA PASSATA ESPOSIZIONE ALL'UMIDITA' COMPLETAMENTE RIASSORBITA (ALONE AL TAGLIO SUP. E ALLE ULTIME PAGINE UN POCO ONDULATE). NONOSTANTE QUESTI DIFETTI DAVVERO INSIGNIFICANTI PROPONIAMO IL VOLUME A UN PREZZO MOLTO INTERESSANTE. DAL 2010 SONO ARRIVATE AL MERCATO (ASTE E SITI LIBRARI SPECIALIZZATE) TRE COPIE DEL VOLUME E TUTTE OLTRE AGLI 800,00 EURO.

      [Bookseller: Libreria Cossavella sas]
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        HELMUT NEWTON: WOMEN (AKA WHITE WOMEN) - SIGNED PRESENTATION COPY FROM THE PHOTOGRAPHER

      Stonehill Publishing Company, New York 1976 - 128pp, 55 illustrations in color and b&w. Designed by Bea Feitler. Published in 1976, "White Women" was the very first survey in book form of Helmut Newton's decadence-laden images originally primarily created as editorial work for French, British and American "Vogue", "Vogue Homme", "Oui", "Playboy", and "Stern". Amongst the immediately recognizable subjects here are Charlotte Rampling, Veruschka Lehndorff, Elsa Peretti, Loulou de la Falaise, Karl Lagerfeld, Paloma Picasso, David Hockney, Annie Duperey, June Newton, and the photographer himself. A bright, most handsome example (cited on page 93 of "From Fair to Fine 2") of the uncommon withdrawn true first hardbound American first edition entitled "Women" - rather than the more familiar "White Women" - additionally bearing the BOLDLY SIGNED PRESENTATION "For . / Helmut Newton" in black ink across the title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Arcana: Books on the Arts]
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        Cahiers Céline : collection complète EDITION ORIGINALE

      Paris: Gallimard, 1976. Fine. Gallimard, Paris 1976-1988, 14x20,5cm, 8 volumes brochés. - Edition which it was not derived great paper (except for # 7) for each of the volumes. Our complete set consists of: 1 Cahiers Céline Céline and literary news from 1932 to 1957. 2 notebooks Céline Céline and literary news 1957-1961 Cahiers Céline 3 Semmelweis and other medical writings Cahiers Céline 4: Letters and early writings Africa 1916-1917 Cahiers Céline 5: Letters to friends Cahiers Céline 6: Letters Albert Paraz 1947-1957 Cahiers 7 Céline Céline, News Papers 1933-1961 Céline 8: Progress monitoring of works for the stage and screen. Iconography. Rare complete set. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale dont il n'a pas été tiré de grands papiers (sauf pour le N°7) pour chacun des volumes. Notre série complète se compose ainsi : Cahiers Céline 1 : Céline et l'actualité littéraire 1932-1957. Cahiers Céline 2 : Céline et l'actualité littéraire 1957-1961 Cahiers Céline 3 : Semmelweis et autres écrits médicaux Cahiers Céline 4 : Lettres et premiers écrits d'Afrique 1916-1917 Cahiers Céline 5 : Lettres à des amies Cahiers Céline 6 : Lettres à Albert Paraz 1947-1957 Cahiers Céline 7 : Céline et l'actualité 1933-1961 Cahiers Céline 8 : Progrès suivi de Oeuvres pour la scène et l'écran. Iconographie. Rare ensemble complet.

      [Bookseller: Librairie Le Feu Follet]
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        Next to Nothing

      Kathmandu: Sharada Printing Press,, 1976. Octavo (pp. 28). Original wrappers stitched as issued, design on front cover by Maya, Kufic design on back cover by the author. Title page decoration by Sidney Hushour, tipped-in photographic frontispiece by Dana Young, 2 illustrations by Patra Vogt and Lee Baarslag. An excellent copy of a fragile publication. First and limited edition, number "1C" of 500 copies. Presentation copy from the author, inscribed on the front free endpaper: "For Lawrence, So here it is, best, Paul 15/iv/77 - Tangier". It is possible that "Lawrence" is Lawrence Delbert Stewart, author of Paul Bowles: The Illumination of North Africa (1974).

      [Bookseller: Peter Harrington]
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        PADDY PORK'S HOLIDAY

      GOODALL, JOHN. GOODALL,JOHN. PADDY PORK'S HOLIDAY: MANUSCRIPT. Offered here is the original book of watercolor drawings for Goodall's picture book Paddy Pork's Holiday, published in 1976 by Macmillan in London and Atheneum in New York. It is bright and in Fine condition with almost the complete story (it does not have the publisher's title and first drawing). The pen and watercolor drawings by Goodall are laid into a folder. There are thirteen two-sided drawings measuring 10 1/2 by 5 inches, each with a flap that changes the scene. There are two two-sided drawings measuring 7 by 5 inches which do not have flaps. Done with vivid colors and set in pre - industrial England, this is the story about a lovely little pig named Paddy Pork who has many misadventures when he ventures out on a holiday. When he goes for a swim, a dog steals his clothing. He sees a scarecrow in a nearby field and "borrows" its tuxedo. Because of his fancy garb when he ventures into town he is mistaken for Herr Grunt a concert pianist. He is taken on stage but just before he is meant to perform, he manages to escape and runs home, happy to be with his family again. There is no text and none is needed because the pictures with the moveable flaps, tell the story. Sold with a first edition of the book.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Computer Power and Human Reason. From Judgement to Calculation.

      San Francisco, W.H. Freeman and Company, 1976.. First Edition. 16 x 24 cm. XII, 300 pages. Original Hardcover with original dustjacket in protective Mylar. From the library of historian and political scientist Howard Zinn. With the author's dedication to Zinn and both, Weizenbaum and Zinn's signatures on the front free endpaper. Very good+ condition with only minor rubbing on the dustjacket and slight discolorations of the endpaper.. Contains among others: Where the Power of the Computer Comes From; Science and the Compulsive Programmer; Against the Imperialism of Instrumental Reason a.o.

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        William Eggleston's Guide

      New York: The Museum of Modern Art, 1976. A spot of foxing to one plate, else close to fine in leatherette boards with the photographer's famous image of a tricycle mounted to the front cover.. First Edition. Square quarto. SIGNED by Eggleston: "Love + Kisses / Bill Eggleston / Dec. 1977." Essay by John Szarkowski. Eggleston's first book and the first MoMA monograph to feature color photography, published in conjunction with the exhibition Photographs by William Eggleston, May 25 - August 1, 1976. Arguably the most influential book of color photography in the history of the medium. (Parr / Badger, v1, 265; Roth 238-239; Open Book 308-309; Auer 598).

      [Bookseller: Harper's Books, Inc.]
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        Mayuyama, Seventy Years, Volume Two

      Tokyo, Japan: Mayuyama & Co., 1976. NOTE: This is not the complete set of two volumes from the series; it is Vol. II only. Published, printed and bound in Japan. A bilingual edition in English and Japanese, including the captions for the plates and illus.The volume bound in a light gray buckram, with crisp gilt-stamped lettering to the spine. Very gently bumped spine head and tail, and with sharp corners. 12.75 x 10.25 inches. Volume II with 339 numbered pages, and with xiv color plates and with 677 monochrome plates of Chinese, Korean, Japanese and other Asian arts. All plates and illustrations on a semi-glossy coated heavy-weight stock. An immensely clean volume, inside and out, and rather tight. No remainder marks. Either unread or very gently read. No dustjacket. A Near Fine copy. This is the best condition we have ever encountered for this volume. This book was issued to commemorate the 70th anniversary of the founding of the Mayuyama Asian arts and antiques shop by the founder, Matsutaro Mayuyama. The shop was first opened in Beijing in 1906 and then moved to Tokyo in 1916. The principal business of the shop is and always has been the collection and sale of old Chinese ceramic objects.. First Edition. Buckram. Near Fine. Folio - over 12" - 15" tall.

      [Bookseller: Marc Sena Carrel]
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        HELMUT NEWTON: WOMEN (AKA WHITE WOMEN) - SIGNED PRESENTATION COPY FROM THE PHOTOGRAPHER

      (NEWTON, HELMUT). Newton, Helmut & Philippe Garner. HELMUT NEWTON: WOMEN (AKA WHITE WOMEN) - SIGNED PRESENTATION COPY FROM THE PHOTOGRAPHER. Signed Presentation Copy from the Photographer. New York: Stonehill Publishing Company, 1976. First Edition. 4to. Cloth in Pictorial Dust Jacket. Photography Monograph. Near Fine/Near Fine. 128pp, 55 illustrations in color and b&w. Designed by Bea Feitler. Published in 1976, "White Women" was the very first survey in book form of Helmut Newton's decadence-laden images originally primarily created as editorial work for French, British and American "Vogue", "Vogue Homme", "Oui", "Playboy", and "Stern". Amongst the immediately recognizable subjects here are Charlotte Rampling, Veruschka Lehndorff, Elsa Peretti, Loulou de la Falaise, Karl Lagerfeld, Paloma Picasso, David Hockney, Annie Duperey, June Newton, and the photographer himself. A bright, most handsome example (cited on page 93 of "From Fair to Fine 2") of the uncommon withdrawn true first hardbound American first edition entitled "Women" - rather than the more familiar "White Women" - additionally bearing the BOLDLY SIGNED PRESENTATION "For ... / Helmut Newton" in black ink across the title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-88373-053-7 Inventory Number: 024336

      [Bookseller: Arcana: Books on the Arts]
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        The Thomas Berryman Number

      Boston: Little, Brown and Company. (1976). First. First edition. Fine in fine dustwrapper. Author's Edgar Award-winning first book. A beautiful copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Watership Down

      Harmondsworth: Penguin Books & Kestrel Books,, 1976. Illustrated by John Lawrence. Octavo (230 × 152 mm). Original dark green crushed morocco by Sangorski & Sutcliffe, raised bands forming compartments to spine, titles direct to second and third gilt, fleurons to first and fifth and rabbit motifs to fourth and sixth gilt, rabbit vignette to front board in gilt, edges and turn-ins gilt, green and yellow endbands, marbled endpapers. In the marbled slipcase as issued. Original watercolour by the artist to the first blank, colour frontispiece, numerous illustrations to the text in colour and black and white, folding colour map tipped-in at rear. A superb copy. Number 223 of 250 specially bound and signed copies of the first illustrated edition of Adams's first novel, this copy with a fine original watercolour by John Lawrence to the first blank initialled by him in the bottom right-hand corner, with his full signature on the frontispiece. This extremely popular animal story was initially turned down by all major publishing houses. When finally issued by Rex Collings in 1972, sales exceeded 100,000 in the first year and Adams was awarded both the Carnegie Medal and the Guardian Award for children's fiction.

      [Bookseller: Peter Harrington]
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        The Lost Science of John "Longitude" Harrison SIGNED LIMITED EDITION

      Ashford, Kent: Brant Wright Associates Limited, 1976. Hardback 190mm x 255mm tall (7.5" x 10" approx). 159pp with a b/w portrait frontispiece plate and 144 text figures. Accession number stamped to verso of title-leaf, but is otherwise very good, in the original terracotta-coloured cloth/gilt spine title. The unclipped illustrated dust-wrapper has some minor rubs and is lightly sunned to the front panel, but is otherwise sound. The Limited, Numbered and Signed First Edition, this being No. 425. Signed, Limited Edition. First Edition. Cloth. Very Good/Good. 4to.

      [Bookseller: Christopher Baron]
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        Frauenhefte - Die schwarze Botin - Heft 1, 1976 - Heft 32/33, 1986/87 - 33 Ausgaben / 31 Hefte - komplett

      Eigenverlag / Marina Auder Verlag, Berlin. Jedes Heft ca. 40 S. Mit zahlreichen s/w-Abbildungen, Bilder von Max Ernst, Giorgio de Chirico, Gabriele Goettle, Greta Knudson, u.a. Textbeiträge (Erstdrucke) von Susan Sontag, Elfriede Jelinek, Elfriede Gerstl, Friederike Mayröcker, Ernst Jandl, Heidi Pataki, Herta Müller, Julia Kristera, Neda Bei, Ginka Steinwachs, Liesl Ujvary, Meret Oppenheim, Elisabeth Knölniger, Gisela Elsner, Christa Reinig, Gisela von Wysocki, Unica Zürn u.v.a.m. 30 Hefte, komplett, alle jemals erschienenen Ausgaben; Einbände kaum bestoßen, sauber, Schnitte sauber, Seiten sauber, guter Zustand. ("Die schwarze Botin" war eine feministische Zeitschrift. Mit ihrem Ansatz radikaler Gesellschaftskritik wird sie häufig anarcha-feminsrtischen Strömungen im deutschsprachigen Raum zugerechnet. Sie erschien von 1976 bis 1987 in West-Berlin in insgesamt 33 Nummern ( in 31 Heften), 1976 erreichte die Auflage 3000 Exemplare; Herausgeberinnen waren zunächst Brigitte Classen und Gabriele Goettle, von 1983 bis 1987 Branka Wehowski, Brigitte Classen mit Marina Auder als Verlegerin. Zusätzlich wurden Redaktionen in Wien (Elfriede Jelinek) und Paris (Marie-Simone Rollin) eingerichtet.) über 2000 gr. Broschiert 4°. Gut

      [Bookseller: Verlag IL Kunst, Literatur & Antiquariat]
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        Will You Please be Quiet, Please?: The stories of Raymond Carver

      New York: McGraw-Hill Book Company, 1976. First Edition. Hardcover. Very Good. Signed. First Edition, First Printing. Signed by Raymond Carver on the title page, inscribed to a previous owner. In Near Fine condition, in a Very Good+ dust jacket with price intact. Light lean to spine, light wear at spine ends. Small, faint scuff to bottom edge of page block. The dust jacket shows light rubbing and light edge wear, with a few short, closed tears. A very sharp copy, signed by the author.

      [Bookseller: Burnside Rare Books]
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        ACTION! COMPLETE RUN! 14/2/1976 TO 12/11/77

      IPC 1976 - Here is a scarce and complete run of this highly controversial and collectable comic, devised by the freelance writer Pat Mills in 1975. It was intended to compete with Warlord, reflecting changing times and being more contemporary and realistic. The stories were based on popular films, books, and comic heroes of the period, for example Hook Jaw and Jaws. It became the centre of a campaign by Mary Whitehouse as its content was considered too violent. It was dubbed "The Sevenpenny Nightmare". Distributors like W H Smith threatened to boycott this & other IPC magazines, and so because of this it was withdrawn on 16/10/76, and the 23/10/76 issue was pulped, only a couple of the 30 printed known to be in existence! It reappeared the following month, cover date 4/12/76 with its content toned down and continued until 12/11/77, when it merged with "Battle", which became Battle Action until 1982. It was highly influential, and a direct forerunner of "2000 AD". This is a superb collection of all 85 issues, in splendid condition, all the more unusual with the cheap paper used! More amazingly, issue 2 has a perfect Free Gift!! The Iron-on Transfer of Hook Jaw!! A remarkable opportunity to buy a little piece of comic history! [Attributes: First Edition; Soft Cover]

      [Bookseller: Green Meadow Books]
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        The Cat's Quizzer

      New York: Beginner Books, Random House,, 1976. Tall quarto. Original pictorial laminate boards, patterned endpapers. Mild rubbing to ends of spine and corners, an excellent copy. First edition, first printing.

      [Bookseller: Peter Harrington]
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        LEE FRIEDLANDER: THE AMERICAN MONUMENT - BOXED SPECIAL EDITION WITH A SIGNED SILVER GELATIN PRINT

      (FRIEDLANDER, LEE). Friedlander, Lee & Leslie George Katz. With a brief text by Walt Whitman. LEE FRIEDLANDER: THE AMERICAN MONUMENT - BOXED SPECIAL EDITION WITH A SIGNED SILVER GELATIN PRINT. With an Original Signed and Numbered Photograph. New York: Eakins Press Foundation, 1976. First Edition 1/150 Deluxe. Oblong Folio. Cloth with Leather Spine. Photography Monograph. As New/No Jacket - As Issued. np (78pp), 213 b&w gravure illustrations. "The American Monument" is Lee Friedlander's groundbreaking portfolio of striking images of statues and memorials taken across the United States during the early seventies. Uniquely bound in cloth over boards with sumptuous printing by The Meriden Gravure Company from half-tone negatives made by Richard Benson, it certainly ranks among the great American photography books of the Twentieth Century. A brand new, pristine example of the exceedingly uncommon "Special Edition" of this impressive tome (cited on pages 310-311 of The Hasselblad Center's "The Open Book", page 28 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", page 35 of "From Fair to Fine", and pages 236-237 of "The Book of 101 Books") limited to one hundred and fifty copies bound in red cloth with a gilt-embossed leather spine NUMBERED (60/150) in ink on the rear colophon accompanied by an 11 x 14" silver gelatin print of an image that is not reproduced in the book NUMBERED (60/150) AND SIGNED by Lee Friedlander in ink on the recto that has been laid into in an archival display mat affixed to the inside of the rear board, as issued. These are housed in the publisher's vintage unprinted blue cardboard presentation box. A Fine condition copy of Lee Friedlander's "Fourteen American Monuments" catalogue published by the Eakins Press Foundation has been additionally laid in. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. 0-87130-045-1 Inventory Number: 022825

      [Bookseller: Arcana: Books on the Arts]
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        Interview with the Vampire

      - New York: Alfred A. Knopf, 1976. "FIRST EDITION". 8vo. Very small red ink mark on bottom edge of text affecting only the last few leaves--not a remainder mark, more like a careless pen in someone's hand that made contact with the text block. Despite this, still a near-fine copy. [Attributes: First Edition]

      [Bookseller: Darren Winston, Bookseller, SNEAB]
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        Interview With The Vampire

      New York, Alfred A. Knopf. 1976., 1976. FIRST EDITION. 8vo., pp. 372. Near Fine in Fine dustwrapper, some soft folds to flaps but without any of the usual heavy creasing. A very attractive copy.

      [Bookseller: Adrian Harrington Rare Books]
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        Pablo Picasso Oeuvres [Catalogue Raisonne]

      Paris: Cahiers d'Art, 1976. First edition. Hardcover. 33 x 26 cm. Vols. 1-32, 33 volumes in total (Vol. 2 in two parts) lacking last two volumes, 32 and 33. Zervos's magisterial, standard catalogue raisonne of Picasso's works. Plethora of photographic reproductions of Picasso's oeuvre. Volumes 1-23 uniformly bound in beige basket weave cloth with brown cloth spine labels. Volumes 24-31 in original printed wrappers and glassine, with all glassine in pristine condition save one with small nick. Interior contents very clean and fresh; cloth bound volumes and those in printed wrappers in fine condition.

      [Bookseller: Royoung bookseller, Inc.]
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        William Blake's Laocoon, A Last Testament

      London: The Trianon Press, 1976. No. 80 of 380 numbered copies, of an edition of 438 copies. Illustrated. 1 vols. Folio. Original beige cloth, brown morocco spine. Fine. No. 80 of 380 numbered copies, of an edition of 438 copies. Illustrated. 1 vols. Folio. Bentley, Blake Books Supplement, p. 81

      [Bookseller: James Cummins Bookseller ]
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        [Archive]: Kerista Commune

      San Francisco. 1960s-2000s. A collection of 62 pamphlets, journals, periodicals, and other related ephemera from the Kerista Commune produced between 1976 and 2006. All items are about fine with only modest age toning to the tabloid periodicals as typically found. An interesting collection of a material from an experiment utopian community that managed to melded progressive ideas about race and gender equality with libertarian socialism while confronting the accepted societal norms that defined monogamy. A detailed list is available upon request. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        JUNKY [Junkie]

      London and New York: Penguin Books 1976 - Unrevised / Uncorrected proof copy. Inscribed presentation copy. Publisher's printed card covers. A very good copy, the covers toned at the edges, the contents clean throughout. Laid in is a typed letter from Dick Seaver (editorial director of Penguin Books), dated 23 November 1976 sending the proof which the publisher "received this morning" to Victor Bockris for review. The letter also explains that the title was changed to Junky [from Junkie] at Burroughs’ request. The first complete and unexpurgated edition, with a new introduction by Ginsberg for this edition, recounting his key role in the original paperback original publication. Rare in proof form, and possibly unique with contemporary presentation inscriptions from both Burroughs and Ginsberg. Inscribed on the front endpaper in blue ink "Allen Ginsberg / for Victor Bokris / Dec 14, 1976 / E.12st NYC / Al". Inscribed in blue ink on the title page by William Burroughs "For Victor / Merry Christmas / William S. Burroughs / Class of '76". Bockris was an author, biographer and associate of Burroughs and Warhol. He worked at the Factory for Warhol publishing pieces in Interview Magazine. He is best known as a biographer having written about The Velvet Underground, Andy Warhol, Keith Richards, William Burroughs, Terry Southern, Blondie and Patti Smith. Notable publications include BEAT PUNKS which explores the relationship between artistic bohemians of the 1950s (the Beats) and the 1970s (the Punks); and UP-TIGHT, The Velvet Underground Story which he co-authored with Gerard Malanga. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: LUCIUS BOOKS (ABA, ILAB, PBFA)]
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        MAYUYAMA, SEVENTY YEARS. [An Illustrated Anthology of The Finest 2000 Pieces They Acquired & Sold During The Period 1906-1976].

      A SUPERB RESOURCE FOR THE BEST OF MAYUYAMA [Kyoto 1976] - , Mayuyama. Grey cloth, very good, 2 volume set,complete, large size format 25.5 x 32.5 cm., 34 color, 2123b.w. photos, English & Japanese captions, text, bibliographypreface in English & Japanese. EXCEPTIONALLY S C A R C E ! Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        THE HEIBONSHA SURVEY OF JAPANESE ART. The Complete 31 Volume Set.

      A MAJOR REFERENCE RESOURCE ON ALL JAPANESE ART SUBJECTS New York 1976- - 80, Weatherhill. Blue marbled cloth, very nice31 vol. set, profusely illustrated in color & b.w., about150-190pp. per vol., with index volume, bright, clean set,all in original dust jackets & protectors. COMPLETE ! RARE Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        Watership Down

      Harmondsworth: Penguin Books & Kestrel Books,, 1976. Illustrated by John Lawrence. Octavo (230 × 152 mm). Original dark green crushed morocco by Sangorski & Sutcliffe, spine lettered in gilt, compartments with raised bands and gilt motifs, rabbit vignette to front board in gilt, edges and turn-ins gilt, marbled endpapers. With the marbled slipcase. Numerous illustrations in colour and black and white; a coloured folding map tipped-in at the rear. Ownership signature to first blank. A superb copy. Number 71 of 250 specially bound and signed copies of the first illustrated edition of Adams' first novel. This extremely popular animal story was initially turned down by all major publishing houses. When finally issued by Rex Collings in 1972, sales exceeded 100,000 in the first year and Adams was awarded both the Carnegie Medal and the Guardian Award for children's fiction.

      [Bookseller: Peter Harrington]
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        Original Tattoo Flash Art. 1976

      Original art on thick cardstock poster board. Measuring 18.25" x 14.25". Faint stain in the lower left-hand margin, else near fine. Signed: "Drawn by Spike 1976." Colorful and attractive flash art (if a bit crude in spots) with nine images plus the artist's cartouche. The central image is of a lingerie-clad vixen astride a Confederate Flag-draped skull framed in a garland of cannabis leaves. Other images include fierce and colorful birds, a skull impaled on a barbed cross, a white stallion, the Keep on Truckin' man, etc. Anecdotally from the Virginia Beach, Virginia-area, but no evidence beyond the signature of the most excellent Spike. Flash art from an era when body art wasn't a required rite of passage into adolescence. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        A Piece of My Heart

      New York: Harper & Row, Publishers,, 1976. Octavo. Original brown cloth-backed boards, titles to spine in bronze, top edge stained brown. With the dust jacket. A fine copy in the superb dust jacket. First Edition, First Printing.

      [Bookseller: Peter Harrington]
 30.   Check availability:     Biblio     Link/Print  


        [Punk Flyers]: Archive of Material for the First West Coast Punk Band "Crime"

      San Francisco. 1976. A small archive of three printing plates, three maquettes, three posters, and a 7" record sleeve made for the San Francisco punk band, Crime. All items are near fine with some modest chips, tears, and some waviness.Beginning in 1976, Crime, made up of "Johnny Strike" (vocals, guitar), Frankie Fix (vocals, guitar), Ron "The Ripper" Greco (bass; ex-Flamin' Groovies), and Chris Cat (drums), who was rapidly replaced by Ricky Tractor (Ricky Williams)," released the "first single by a U.S. punk act from the West Coast." It was a self-funded 45 with the tracks "Hot Wire My Heart" and "Baby You're So Repulsive," the sleeve for which is present here. Strike said of the record, "we saw it as the first 'something'. What, we weren't quite sure. We knew it was unique, especially when some hippie KSAN DJ said on the air that it was the worst record that he'd ever heard." A notorious group of musicians, in the loosest sense, who were known for their loud, raucous shows and "damn the man" attitude, Crime was said to have made "more enemies than fans" by the end of their short lived career. Fred Beldin, music critic for Resonance 49 Magazine, liken the band to "a stumbling drunk Chuck Berry fronting the Velvet Underground after an all-night binge." After forming they quickly decided to "cultivate their image" so they enlisted the help of photographer, James Stark, who created the band's logo and was responsible for numerous photo shoots used for flyers and album covers. "In 1976 he [Stark] met up with some people who were starting a rock n' roll band and needed some photographs, thus began a relationship with the band Crime" and punk. The "Hot Wire My Heart" 7" record featured a Stark photograph which was also used for a 1977 show at Mabuhay Gardens with Punk, both are in this archive along with the maquette or mock-ups for the flyer. Beldin said of the band's appearance, "four cold, cadaverous men clad in regulation police uniforms wearing dead, drugged sneers on their faces." Another print, a 22" x 24" black and white poster featuring the band dressed as 1920s gangsters surrounded by bags of money, is featured here along with the original printing plate for a Mabuhay show. Another plate declares Crime is "San Francisco's first rock n' roll banned," and shows the band members behind a chain link fence. The third printing plate is from 1978 by Bad Dream Image for a show at the Keystone Berk and shows stencil images of police beating someone.A New York Rocker magazine critic noted after a 1978 live show "Crime play loud. So loud that the plate glass window at the opposite end of the club shakes, tables tremble and people hang onto their drinks." Between 1976 and 1982 Crime managed to book shows at the legendary San Francisco venue of Mabuhay Gardens and even played at San Quentin Penitentiary playing "in full police regalia to the puzzled inmates." Their infamy was short lived and they remained a "local phenomenon, stubbornly staying in the face of a scene that considered them rude and primitive even by punk standards." Their attitudes cost them fans and only managed to anger fellow musicians, after they "shunned the label punk" and they eventually disbanded in 1982. A unique collection of early punk ephemera from a band who helped shape the San Francisco sound and West Coast punk. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 31.   Check availability:     IOBABooks     Link/Print  


        52 Pickup 76

      Toronto: Dreadnaught, 1976. Limited Edition. One of 100 numbered and signed copies, this is copy #83. 16 x 13 cm. The paper for the handmade box was made from blue jeans, with a design by Andrew James Smith. This collection Contains 52 broadsides, many of which are folding, plus a Title-page, Colophon, Afterword and Specification Sheet. In 1976, the Dreadnaught Press produced one broadside a week, this a collection of all 52 broadsides produced that year. Includes works by Robert MacDonald, Jan Bartley, MT Kelly, Judith Fitzgerald, Timothy Shay, Ed Jewinski, Cecilie Jones, Susan Musgrave, Greg Gatenby, Pier Georgio DiCicco, Karsten Kossmann, Judi Hurst, Ludwig Zeller, Fraser Sutherland, Ian Young, Tim Inkster, Gwendolyn MacEwen, Daniel Johnson, David Berry, Tom Wayman, Hans Jewinski, John Oughton, Joe Rosenblatt, Artie Gold, John Robert Colombo, Margaret Atwood, Irving Layton, Dorothy Livesay, Robin Skelton, Pat Lane, J. D.Carpenter, Jan Kemp, Victor Coleman, Alden Nowlan, David Day, Ralph Gustafson, Robert Finch, Andrew Suknaski, George Faludy, Eugene McNamara, C.H.Gervais, Gail Fox, Fred Cogswell, Gwen Hauser, Len Gasparini, David Brooks, Lorraine Vernon, Albert Frank Moritz, James Reaney, Jeni Couzyn and Steve McCaffery. . First Edition. Softcover. Fine. 16mo.

      [Bookseller: Karol Krysik Books, IOBA]
 32.   Check availability:     Biblio     Link/Print  


        Stability of Polyatomic Molecules in Degenerate Electronic States. I - Orbital Degeneracy" in Proceedings of the Royal Society of London A 161, 1937, pp. 220-235

      FIRST EDITION, FIRST ISSUE OF ONE OF THE MOST FASCINATING PHENOMENA IN MODERN PHYSICS AND CHEMISTRY", THE JAHN AND TELLER EFFECT (Bersuker, The Jahn-Teller Effect). In a sophisticated application of group theory to quantum mechanics, Jahn and Teller here prove "that orbital nonlinear spatially degenerate molecules CANNOT be stable" (Wikipedia). This paper puts forth the groundbreaking prediction that "a nonlinear molecule which is in a degenerate state will seek to change its structure in order to remove as much of the degeneracy as possible;" put another way, "if the lowest energy level of a molecule is degenerate… it will distort spontaneously so as to remove the degeneracy and make one energy level more stable (Seip, The Jahn-Teller Effect, 1976, 1; Weinstein's World of Chemistry). "While the basic theorem, first published in 1937, had to await experimental verification for 15 years, the intervening years have seen rapid development, initially in the theoretical arena, followed increasingly by experimental work on molecules and crystals" (Köppel, The Jahn-Teller Effect: Fundamentals and Implications for Physics and Chemistry). Broadly speaking, the Jahn-Teller effect provides "a general approach to understanding the properties of molecules and crystals and their origins" (Bersuker, The Jahn-Teller Effect, Introduction). More specifically, the effect provides an exceptionally useful tool in the study of crystal and molecular configurations. "The Jahn-Teller effect is one of the most fascinating phenomena in modern physics and chemistry. It emerged in 1934 in a discussion between two famous physicists [Jahn and Teller] and grew into a general tool for understanding [as well as] an approach to solving molecular and crystal problems, which is applicable to any polyatomic problem. "The first formulation of the effect as instability of molecular configurations in electronically degenerate states proved to be the beginning of a whole trend which rationalizes the origin of all possible instabilities of high-symmetry configurations, and the peculiar nuclear dynamics resulting from these instabilities as well as the origins of all structural symmetry breakings in molecular systems and condensed matter" (Köppel). The next significant resurgence of interest in the Jahn-Teller effect is related to the late 1980s and is still continuing. It was triggered by one of the most important Nobel Prize discoveries in physics of our times inspired by the Jahn-Teller effect: the high-temperature superconductivity." (Bersuker). "The Jahn-Teller effect continues to be a paradigm for structural instabilities and dynamical processes in molecules and in the condensed phase… Among the many important developments in the field… cooperative phenomena in crystals, the general importance of pseudo-Jahn-Teller couplings for symmetry-lowering phenomena in molecular systems, nonadiabatic processes at conical intersections of potential energy surfaces and extensions of the basic theory in relation to the discovery of fullerenes and other icosahedral systems" (Köppel). The effect remains so relevant that The International Symposium on the Jahn-Teller Effects is held bi-annually at differing locations around the world. ALSO INCLUDED: Douglas Hartree's "A Method for the Numerical Or Mechanical Solution of Certain Types of Partial Differential Equations and Time-Lag in a Control System", parts I and II (pp. 353-366 and pp. 460-476). CONDITION & DETAILS: London: Taylor and Francis. Complete volume. 8vo. 8.5 by 5.5 inches (213 x 138mm). [4], vi, [598], 4. Ex-libris with two stamps on the title page and no exterior markings whatsoever. Sixteen plates and many in-text illustrations throughout. Handsomely rebound in brown cloth over aged marbled paper boards, gilt-lettered at the spine and gilt-ruled on the boards. Tightly and very solidly bound. New endpapers. Bright and clean throughout. Near fine condition in every way.

      [Bookseller: Atticus Rare Books]
 33.   Check availability:     Biblio     Link/Print  


        52 Pickup 76

      Toronto: Dreadnaught, 1976. Limited Edition. One of 100 numbered and signed copies, this is copy #83. 16 x 13 cm. The paper for the handmade box was made from blue jeans, with a design by Andrew James Smith. This collection Contains 52 broadsides, many of which are folding, plus a Title-page, Colophon, Afterword and Specification Sheet. In 1976, the Dreadnaught Press produced one broadside a week, this a collection of all 52 broadsides produced that year. Includes works by Robert MacDonald, Jan Bartley, MT Kelly, Judith Fitzgerald, Timothy Shay, Ed Jewinski, Cecilie Jones, Susan Musgrave, Greg Gatenby, Pier Georgio DiCicco, Karsten Kossmann, Judi Hurst, Ludwig Zeller, Fraser Sutherland, Ian Young, Tim Inkster, Gwendolyn MacEwen, Daniel Johnson, David Berry, Tom Wayman, Hans Jewinski, John Oughton, Joe Rosenblatt, Artie Gold, John Robert Colombo, Margaret Atwood, Irving Layton, Dorothy Livesay, Robin Skelton, Pat Lane, J. D.Carpenter, Jan Kemp, Victor Coleman, Alden Nowlan, David Day, Ralph Gustafson, Robert Finch, Andrew Suknaski, George Faludy, Eugene McNamara, C.H.Gervais, Gail Fox, Fred Cogswell, Gwen Hauser, Len Gasparini, David Brooks, Lorraine Vernon, Albert Frank Moritz, James Reaney, Jeni Couzyn and Steve McCaffery. . First Edition. Softcover. Fine. 16mo.

      [Bookseller: Karol Krysik Books, IOBA]
 34.   Check availability:     IOBABooks     Link/Print  


        Archive of thousands of pages in Hebrew, English and French relating to lawsuits filed against Air France after the 1976 hijacking of flight 139 to Entebbe

      Israel & United States, 1976 - 1989. Various. "Included in this vast archive are photocopies of 36 airline tickets for Air France flight 139, Tel-Aviv to Paris (including Mrs. Bloch's ticket), copies of lawsuits, newspaper articles, affidavits, and letters (originals and photocopies). Also included are documents relating to the 1972 Lod Airport massacre which involved terrorists who had arrived at the Tel-Aviv airport via Air France. Condition is mostly fine. The collection is worthy of further research.On June 27, 1976, Air France flight 139 left from Tel-Aviv for Paris with a stopover in Athens. Soon after takeoff from Athens, four terrorists commandeered the flight, diverting it to Libya for refueling. They flew to Entebbe Airport in Uganda where, on June 28th, Ugnadan President Idi Amin welcomed them. A list of demands was received on June 29th, calling for the release of 53 convicted terrorists held in Israel and other countries. The hijackers released some of the passengers who did not appear to be Israeli or Jewish and threatened to kill the rest if their demands were not met by July 1st. As a delaying tactic, Israel agreed to negotiate. In the early morning hours of July 4, 1976, an Israeli force of up to 200 soldiers landing at Entebbe, and rescued most of the hostages. The terrorists were killed as were three hostages and one Israeli soldier, the leader of the rescue force, Lt. Col, Yonatan Netanyahu. An elderly British passenger, Mrs. Dora Bloch, had been sent to a hospital before the raid; her body was later found. "

      [Bookseller: University Archives]
 35.   Check availability:     Biblio     Link/Print  


        THE AMERICAN MONUMENT. Limited Edition. [In Roth 101 Books, Seminal Photographic Books of the 20th Century].

      Eakins, New York 1976 - SIGNED BY LEE FRIEDLANDER ON FFEP without personalization. A Fine hardback First Edition LIMITED EDITION OF 2000 COPIES bound in teal cloth covered boards with black lettering spine and front cover. Though not called for this copy is Signed. No Dust Jacket as issued. The reproductions of the photographs were printed at The Meriden Gravure Company from half-tone negatives made by Richard Benson. The cover and typography were designed by Lance Hidy. The text, set in Monotype Bell, was printed letterpress by Michael and Winifred Bixler. The album was bound by Robert Burlen & Sons. oblong. 12 x 17 ins. Includes original shipping box. Roth--"Book of 101 Books, Seminal Photographic books." pp. 236-237. See also Roth "The Open Book" "Parr & Badger Photobook.Vol. II" [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: By The Book, LC ABAA-ILAB]
 36.   Check availability:     AbeBooks     Link/Print  


        Les Ateliers de Chagall.

      Paris: Mourlot, 1976 One of 250 numbered copies, with a color lithograph signed and numbered in pencil. Printed and published by Mourlot, in Paris. Portfolio loose in Arches wove paper, complete and well preserved in the original gray linen publisher box. It contains one color lithograph signed and numbered in pencil N. 48/250, 2 lithographs in color, one lithograph in black, all hors-texte, 3 lithographs printed in gray in text, 2 woodcuts, and numerous color lithographic plates after Chagall by Charles Sorlier, beautifully printed in bright colors, many of which in full page. Ref: Mourlot 899-902, Cramer 101.

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
 37.   Check availability:     Biblio     Link/Print  


        [Punk Flyers]: Archive of Material for the First West Coast Punk Band "Crime"

      San Francisco. 1976. A small archive of three printing plates, three maquettes, three posters, and a 7" record sleeve made for the San Francisco punk band, Crime. All items are near fine with some modest chips, tears, and some waviness.Beginning in 1976, Crime, made up of "Johnny Strike" (vocals, guitar), Frankie Fix (vocals, guitar), Ron "The Ripper" Greco (bass; ex-Flamin' Groovies), and Chris Cat (drums), who was rapidly replaced by Ricky Tractor (Ricky Williams)," released the "first single by a U.S. punk act from the West Coast." It was a self-funded 45 with the tracks "Hot Wire My Heart" and "Baby You're So Repulsive," the sleeve for which is present here. Strike said of the record, "we saw it as the first 'something'. What, we weren't quite sure. We knew it was unique, especially when some hippie KSAN DJ said on the air that it was the worst record that he'd ever heard." A notorious group of musicians, in the loosest sense, who were known for their loud, raucous shows and "damn the man" attitude, Crime was said to have made "more enemies than fans" by the end of their short lived career. Fred Beldin, music critic for Resonance 49 Magazine, liken the band to "a stumbling drunk Chuck Berry fronting the Velvet Underground after an all-night binge." After forming they quickly decided to "cultivate their image" so they enlisted the help of photographer, James Stark, who created the band's logo and was responsible for numerous photo shoots used for flyers and album covers. "In 1976 he [Stark] met up with some people who were starting a rock n' roll band and needed some photographs, thus began a relationship with the band Crime" and punk. The "Hot Wire My Heart" 7" record featured a Stark photograph which was also used for a 1977 show at Mabuhay Gardens with Punk, both are in this archive along with the maquette or mock-ups for the flyer. Beldin said of the band's appearance, "four cold, cadaverous men clad in regulation police uniforms wearing dead, drugged sneers on their faces." Another print, a 22" x 24" black and white poster featuring the band dressed as 1920s gangsters surrounded by bags of money, is featured here along with the original printing plate for a Mabuhay show. Another plate declares Crime is "San Francisco's first rock n' roll banned," and shows the band members behind a chain link fence. The third printing plate is from 1978 by Bad Dream Image for a show at the Keystone Berk and shows stencil images of police beating someone.A New York Rocker magazine critic noted after a 1978 live show "Crime play loud. So loud that the plate glass window at the opposite end of the club shakes, tables tremble and people hang onto their drinks." Between 1976 and 1982 Crime managed to book shows at the legendary San Francisco venue of Mabuhay Gardens and even played at San Quentin Penitentiary playing "in full police regalia to the puzzled inmates." Their infamy was short lived and they remained a "local phenomenon, stubbornly staying in the face of a scene that considered them rude and primitive even by punk standards." Their attitudes cost them fans and only managed to anger fellow musicians, after they "shunned the label punk" and they eventually disbanded in 1982. A unique collection of early punk ephemera from a band who helped shape the San Francisco sound and West Coast punk. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 38.   Check availability:     Biblio     Link/Print  


        L'ARGENT DE POCHE (SMALL CHANGE) - INSCRIBED BY TRUFFAUT

      Paris: Flammarion, 1976. First French Edition. New. First Printing. A Near Fine copy in pictorial wrappers, with some minor laminate peel starting at the edges and a single, tiny soiled spot at the top edge. This copy has been inscribed by Truffaut on the half-title page: "Par Rupert, Amilié, François." The volume is a photoplay edition of Truffaut's 1976 film "Small Change," and is richly illustrated with black and white stills from the movie. A brillian little film depicting the realistic/surrealistic world that children inhabit through a series of interconnected sequences. An uncommon item with any sort of inscription.

      [Bookseller: Captain Ahab's Rare Books]
 39.   Check availability:     Biblio     Link/Print  


        Little Women or Meg, Jo, Beth, and Amy (Collector's edition)

      The Easton Press. First USA edition-first printing of this Collector's edition. Hardcover. Near fine/No Dj cover as issued. Near fine condition.The Easton Press,1976.First USA edition-first printing of this Collector's edition.Bound in Genuine Leather.Tan leather(gilt illustrations on the front cover,gilt lettering and illustrations to the spine,small nick on the edges of the cover and spine) in near fine condition, no Dj cover as issued.The Easton Press collection of The 100 Greatest Books Ever Written.Illustrated with colour plates, b/w drawings.Nice and clean pages as new with gilt edges on the outer edges,two small marks on the outer edges of the pages.Nice and clean book.Illustrations by Henry C. Pitz.Introduction by Edward Weeks.442pp.A collectable book.Heavy book(approx 1.4 Kg).

      [Bookseller: Alpha 2 Omega Books]
 40.   Check availability:     Biblio     Link/Print  


        PADDY PORK'S HOLIDAY

      - GOODALL,JOHN. PADDY PORK'S HOLIDAY: MANUSCRIPT. Offered here is the original book of watercolor drawings for Goodall's picture book Paddy Pork's Holiday, published in 1976 by Macmillan in London and Atheneum in New York. It is bright and in Fine condition with almost the complete story (it does not have the publisher's title and first drawing). The pen and watercolor drawings by Goodall are laid into a folder. There are thirteen two-sided drawings measuring 10 1/2 by 5 inches, each with a flap that changes the scene. There are two two-sided drawings measuring 7 by 5 inches which do not have flaps. Done with vivid colors and set in pre - industrial England, this is the story about a lovely little pig named Paddy Pork who has many misadventures when he ventures out on a holiday. When he goes for a swim, a dog steals his clothing. He sees a scarecrow in a nearby field and "borrows" its tuxedo. Because of his fancy garb when he ventures into town he is mistaken for Herr Grunt a concert pianist. He is taken on stage but just before he is meant to perform, he manages to escape and runs home, happy to be with his family again. There is no text and none is needed because the pictures with the moveable flaps, tell the story. Sold with a first edition of the book. [Attributes: First Edition]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
 41.   Check availability:     AbeBooks     Link/Print  


        La pêche à la baleine.

      Kochi, Editions Soguène, 1976. - 20,5 x 24 cm, 59p. Edition tirée à 50 exemplaires sur BFK Rives. Illustré de 14 eaux-fortes originales (toutes signées) de Thierry Bourquin. Edition bilingue. Texte en français calligraphié par l'artiste et typo japonaise pour la traduction et la postface de Fuminari Hirata. Le premier ouvrage de Thierry Bourquin. Minimes taches à l'étui, sinon en excellenet condition. en feuilles, sous couverture imprimée rempliée, chemise de toile grège titrée au dos et estampée sur le premier plat, sous étui.

      [Bookseller: Le Cabinet d'Amateur]
 42.   Check availability:     AbeBooks     Link/Print  


        Pablo Picasso Oeuvres [Catalogue Raisonne]

      Cahiers d'Art, Paris 1976 - 33 x 26 cm. Vols. 1-32, 33 volumes in total (Vol. 2 in two parts) lacking last two volumes, 32 and 33. Zervos's magisterial, standard catalogue raisonne of Picasso's works. Plethora of photographic reproductions of Picasso's oeuvre. Volumes 1-23 uniformly bound in beige basket weave cloth with brown cloth spine labels. Volumes 24-31 in original printed wrappers and glassine, with all glassine in pristine condition save one with small nick. Interior contents very clean and fresh; cloth bound volumes and those in printed wrappers in fine condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
 43.   Check availability:     AbeBooks     Link/Print  


        Historia de España

      Espasa-Calpe.Madrid. 28 cm. 64 vols. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. 28 cm. 64 volúmenes. Volúmenes correspondientes a distintas ediciones 1976 - 2002. Historia de España Menéndez Pidal / dirigida por José María Jover Zamora. Menéndez Pidal, Ramón. FALTA el TOMO XLIII (La España de las autonomías). Contenido de la obra: 1. España primitiva: Vol. I. La Prehistoria. Vol. II. La Protohistoria. Vol. III. La Historia prerromana. ; 2. España romana: Vol. I. La conquista y la explotación económica. Vol. II. La sociedad, el derecho y la cultura. ; 3. España visigoda ; 4. España musulmana (711 - 1031). La conquista, el Emirato, el Califato. ; 5. España musulmana (711 - 1031). Instituciones, sociedad, cultura. ; 6. Los comienzos de la reconquista (711 - 1038). ; 7. La España cristiana de los siglos VIII al XI: Vol. I. El reino astur - leones (722 a 1037). Sociedad, economía, gobierno, cultura y vida. Vol. II. Los núcleos pirenaicos (718 - 1035). Navarra, Aragón, Cataluña. ; 8. La España musulmana de los siglos XI al XV: Vol. I. Los reinos de taifas. Vol. II. El retroceso territorial de Al - Ándalus. Almorávides y almohades. Vol. III. El reino Nazari de Granada. Tomo I. Vol. IV. El reino Nazari de Granada. Tomo II. ; 9. La reconquista y el proceso de diferenciación política. ; 10. Los reinos cristianos en los siglos XI y XII: Vol. I. Economías, sociedades, instituciones. Vol. II. Economías, sociedades, instituciones. ; 11. La cultura del románico. Siglos X al XIII. Letras, religiosidad, artes, ciencia y vida. ; 12. La Baja Edad Media peninsular. Siglos XIII al XV. La poblacion, la economía, la sociedad. ; 13. La expansion peninsular y mediterránea (c. 212 - c. 1350): Vol. I. La Corona de Castilla. Vol. II. El reino de Navarra. La corona de Aragon. Portugal. ; 14. La crisis de la Reconquista (c. 1350 - c. 1410). ; 15. Los Trastamaras de Castilla y Aragon en el siglo XV. ; 16. La época del gotico en la cultura espanola (c. 1220 - c. 1480). ; 17. La España de los Reyes Catolicos: Vol. I. Las bases del reinado, la guerra de Sucesion, la guerra de Granada. Vol. II. La Edificacion del Estado y la politica exterior. ; 18. La época de los descubrimientos y las conquistas. ; 19. El siglo XVI. Economía, sociedad, instituciones. ; 20. La España de Carlos V. ; El hombre, la politica espanola, la politica europea. ; 21. La cultura del Renacimiento (1480 - 1580). ; 22. España en tiempo de Felipe II: Vol. I. 1556 - 1568. Vol. II. 1568 - 1598. Vol. III. En la estela imperial (1527 - 1565). Vol. IV. Auge y declive de un reino (1566 - 1598). ; 23. La crisis del siglo XVII. La poblacion, la economía, la sociedad. 24. La España de Felipe III. La politica interior y los problemas internacionales. ; 25. La España de Felipe IV. El gobierno de la Monarquia, la crisis de 1640 y el fracaso de la hegemonia europea. ; 26. El siglo del Quijote (1580 - 1680): Vol. I. Religion, Filosofia, Ciencia. Vol. II. Las letras, las artes. ; 27. La formacion de las sociedades iberoamericanas (1568 - 1700). ; 28. La transicion del siglo XVII al XVIII. Entre la decadencia y la reconstruccion. ; 29. La época de los primeros Borbones: Vol. I. La nueva Monarquia y su posicion en Europa (1700 - 1759). Vol. II. La cultura española entre el Barroco y la Ilustracion (1860 - 1759). ; 30. Las bases políticas, económicas y sociales de un régimen en transformación (1759 - 1834). ; 31. La época de la Ilustración: Vol. I. El estado y la cultura. Vol. II. Las Indias y la política exterior. ; 32. La España de Fernando VII: Vol. I. La guerra de la Independencia y los orígenes del régimen constitucional. Vol. II. La posición europea y la emancipación americana. ; 33. Los fundamentos de la España liberal (1834 - 1900). ; La sociedad, la economía y las formas de vida. ; 34. La era isabelina y el sexenio democrático (1834 - 1874). ; 35. La época del Romanticismo (1808 - 1874): Vol. I. Orígenes, religión, filosofía, ciencia. Vol. II. Las letras. Las artes. La vida cotidiana. ; 36. La época de la Restauración (1875 - 1902): Vol. I. Estado, política e islas de ultramar. Vol. II. Civilización y cultura. ; 37. Los comienzos del siglo XX: La población, la economía, la sociedad. 1898 - 1931. ; 38. La España de Alfonso XIII: El Estado y la política (1902 - 1931): Vol. I. De los comienzos del reinado a los problemas de posguerra (1902 - 1922). Vol. II. Del plano inclinado hacia la Dictadura al final de la Monarquia (1922 - 1931). ; 39. La edad de plata de la cultura espanola (1898 - 1936): Vol. I. Identidad, Pensamiento y vida. Hispanidad. Vol. II. Letras, Ciencia. Arte. Sociedad y culturas. ; 40. Republica y Guerra Civil Espanola. ; 41. La época de Franco (1939 - 1975): Vol. I. Politica, Ejercito, Iglesia, Economía y Administracion. Vol. II. Sociedad, Vida y Cultura. ; 42. La transicion a la democracia y la España de Juan Carlos I . Algunos tomos (pocos) con la sobrecubierta deslucida. (=601131=) Ver imagen

      [Bookseller: Libreria Alcaná]
 44.   Check availability:     maremagnum.com     Link/Print  


        zweitschrift. Nr. 1-10 (alles Erschienene).

      (Hannover, Zweitschrift 1976-1982).. 4° und Quer 4°, 8°. Illustr. OBr. (= zweitschrift 1-10).. Vollständige Folge der bedeutenden Avantgardezeitschrift in der Tradition von Kurt Schwitters und Raoul Hausmann, von den späteren Designtheoretikern auch als Fluxusforum betrieben, nahe der Kestnergesellschaft. - Mit dem seltensten Heft Nr. 8 m.u.(z.i.e.k)², 96 S. 4 Bl. zahlr. Abbildungen, 1 Schallplatte Stereo 45 U., auf Betreiben von Oswald Wiener entstanden, jedoch ohne seinen versprochenen Beitrag. Mit der Schallplatte, auf der Valie Export und Monsti (d.i. Ingrid) Wiener, einstmals Studienkolleginnen, die Caprifischer und den Bananasong zum besten geben (Auskopplung von 'wahre Freundschaft', 1978 mit Michael Schwabe. Broken Music 133; Schraenen 104). Das Heft bringt faksimilierte Beiträge von Dieter Roth, Ernst Caramelle, Gerhard Rühm, Nam June Paik, Peter Weibel, Sten Hanson, Martin Kippenberger, Peter Pakesch u.a. An der Herausgabe waren Paul Komor und Harald Welzer beteiligt. - Insgesamt gutes Exemplar mit leichten Lager-, bzw. Gebrauchsspuren (Rücken von Heft 3 unten eingerissen), die Hefte 2 (Neue Musik: Brecht, Cage, Kaprow, La Monte Young, Valie Export, Peter Weibel, Dorothy Iannone u.a), 3 (Architektur + Stadt: Christo, Bernd und Hilla Becher, Jan Voss, Oskar Pastior u.a.), und 10 (mit Aufkleber 'gleichsam' (mit Martin Kippenberger, Heidi Paris, Platte Rolf-Peter Baacke - mit seinem Schallplatten-Dummy Luxus / TON NOT. NOT TON) sind vollständig nicht häufig. Mehrfach Beiträge von Robert Filliou, Timm Ulrichs, Andre Thomkins u.a. Literarische Beiträge vom Bielefelder Symposium (Jörg Drews, Helmut Heissenbüttel, Ernst Jandl, Reinhard Priessnitz, langes Interview mit Oswald Wiener u.a.). Heft 6 mit dem Errata-Zettel.

      [Bookseller: Georg Fritsch Antiquariat]
 45.   Check availability:     ZVAB     Link/Print  

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