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Displayed below are some selected recent viaLibri matches for books published in 1976

        Le livre de la chasse / Das Buch von der Jagd. Vollständige Faksimile-Ausgabe im Originalformat des Manuscrit français 616 der Bibliothèque Nationale. Kommentar: Marcel Thomas, François Avril u.a. Faksimile und Kommentarband.

      Graz, Akademische Druck-und Verlagsanstalt, 1976. 36 x 28 cm. 138 Blatt mit farbigen Miniaturen auf Spezialpapier. - Kommentar: XVIII, 58 Seiten. Faksimile in Wildledereinband, Kommentarband in Leinen, beide in Pappschubern. *(= Codices Selecti LIII). - Die am reichsten illuminierte Handschrift mit den Jagdanleitungen des Gaston Phoebus, Graf von Foix. Bedeutendes jagdhistorisches und volkskundliches Werk und eine der prächtigsten Schöpfungen der Pariser Buchmalerei am Anfang des 15. Jahrhunderts. - Provenienz: Bibliothek Karl Zeilinger (1944-2014), Spezialabteilung Waffen- und Bogenkunde. ISBN 9783201009324 Versand D: 5,00 EUR

      [Bookseller: Antiquariat Braun]
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        Carnival Strippers

      New York: Farrar, Straus & Giroux, 1976. First Edition. Paperback. Near Fine. First edition in oblong photographic wrappers of the artist's first book. The fragile binding of this book shows its colors here. The first couple of pages have come unglued from the binding. Short crease to top of front cover. Sold as-is. A well deserved Roth 101 selection.

      [Bookseller: Derringer Books, Member A.B.A.A.]
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        Le Morte D'Arthur. Printed by William Caxton 1485. Reproduced in Facsimile from the Copy in the Pierpoint Morgan Library, New York, with an Introduction by Paul Needham.

      London: The Scolar Press in Association With the Pierpont Morgan Library.. As New with no dust jacket. 1976. Limited Edition. Hardcover. LIMITED EDITION No. 330 of 500. FINE copy - Virtually AS NEW AND UNUSED/UNREAD. Hessian cloth binding, with tan leather label titled in black, to the spine. This facsimile of Caxton's edition of 1485 reproduces the only surviving unique COMPLETE copy in the Pierpont Morgan Library, New York. (A nearly complete copy is housed at the Rylands Library and a single leaf is at Lincoln Cathedral. ). Printed and bound by the Scolar Press, Ilkley, Yorkshire. Unpaginated. Introduction by Paul Needham. Then 'Notes' and the facsimile itself is preceded by a discussion of the watermarks in the Pierpont Morgan Library copy, which are reproduced by beta-radiography. ALSO INCLUDED IN THIS COPY is a small 2 leaf/4 page octavo pamphlet entitled 'The Successors of Caxton' - An Exhibition held in Guildhall Library 1976'. The book is now in a new protective clear - removable - bookfilm plastic cover. This book is overweight and very heavy at over 3.1 Kilos. International buyers please ask for a shipping estimate/options. See Images.; Thick 4to 11" - 13" tall .

      [Bookseller: Sue Lloyd-Davies Books]
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        The Cultural Contradictions of Capitalism.

      Basic Books, New York 1976 - First edition. Octavo, original cloth. Signed by Daniel Bell on the front free endpaper. Very good in a very good dust jacket. Daniel Bell was an American sociologist and professor emeritus at Harvard University, best known for his influential contributions to the study of post-industrialism. He has been described as "one of the leading American intellectuals of the postwar era" (Durham, 1986). For work like The Cultural Contradictions of Capitalism, Bell received honorary degrees from Harvard, the University of Chicago, and fourteen other universities in the United States, London, and Japan. He also received the 1992 Lifetime Achievement Award, the 1993 Talcott Parsons Prize, and the Tocqueville Award by the French government in 1995. Listed as one of the 100 most influential books since World War II by The Times Literary Supplement in London. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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      W.R. Royle and Son Ltd., London 1976 - The Bessie tulip, one of a series of Old English tulips, is white with purple edges and markings. This color lithograph accentuates the delicacy of this tulip's striking patterns. Rory McEwen (1932 - 1982) was an artist and musician born in Scotland. He studied at Eton and Trinity College in Cambridge and later settled in London. He began painting flowers when he was eight. He went on to become a musician and performer and a regular on the BBC's 'Tonight' eventually hosing 'Hallabaloo', a folk, blues and alternative music show. From 1964, McEwen shifted focus on his visual art career, developing his distinctive style. His work has been exhibited internationally and is in several museum collections, including the Tate in London. These wonderful Old English Tulip lithographs are rendered with scientific detail combined with a contemporary lightness and flair. Botanical. Color offset lithograph. Page measures 23" x 20". Signature in pencil on the lower left corner, numbered 32/500.

      [Bookseller: Argosy Book Store, ABAA, ILAB]
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        Goya. - [Radierung].

      1976 1976 - Radierung: Blattmaß: 53 x 39,5 cm. Bildmaß: 38,5 x 26 cm. Das Blatt ist rechts unter der Abbildung eigenhändig in Bleistift monogrammiert, datiert und nummeriert. Abzug 36 von 100 Exemplaren. In der Platte die gedruckte Datierung 27.09.76. Dargestellt ist ein Porträt nach Goyas Selbstporträt von 1795, das die Gesichtszüge Goyas und Janssens vereint. Darunter auf der rechten Bildhälfte die Zeichnung einer leicht bekleideten Frau. Daneben der gedruckte Text "Gegen die großen Vorzüge eines Anderen gibt es kein Rettungsmittel als die Liebe - doch wer ist so gebildet, dass er nicht seine Vorzüge gegen Andere manchmal auf eine grausame Weise geltend macht". Frielinghaus (1976) 117. - Das Blatt ist ganz leicht angerändert und hat leichte Knickspuren. Sonst gutes Exemplar. 202 Gramm. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Tautenhahn]
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        Communications in Partial Differential Equations.

      Philadelphia, Taylor & Francis, 1976-2000. - ISSN: 0360-5302. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild. Sprache: Deutsch Gewicht in Gramm: 60000 8°. Graue Bibliotheks-Leineneinbände.

      [Bookseller: Antiquariat Trageser]
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        Lexikon Wiener Gold- und Silberschmiede und ihre Punzen 1867-1922.

      Wien, Selbstvlg. 1976/77.. 2 Bde. 368, 374 S. Mit 43 Farbabb., 136 s/w-Abb., 2.599 Punzen, 441 Strichzeichnungen. OLn. mit Goldpräg. OU. In sehr gutem Zustand. Erste und einzige Ausgabe dieses Standardwerkes. Bd. 1: A-K - Bd. 2:. L-Z

      [Bookseller: Antiquariat Burgverlag]
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      San Marco dei Giustiniani, Genova 1976 - Prefazione: Vigorelli Giancarlo (1913 - 2005) - Caproni Giorgio (1912 - 1990) . Edizione: Edizione numerata n°43/75 . Pagine: 44 . Illustrazioni: Incisione originale e firmata di Giacomo Soffiantino (1929 . Formato: 8° . Rilegatura: Brossura originale con sovracoperta editoriale . Stato: Buono . Caratteristiche: Volume a tiratura limitata, stampato su carta Fabriano Roma, arricchito dall'incisione originale del maestro Soffiantino, torinese, tirata su torchio a mano di Giorgio Upiglio di Milano, firmata e numerata a matita dall'Artista. Fascetta editoriale

      [Bookseller: Libreria Scripta Manent]
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        The Man Who Fell to Earth (Original subway style poster for the 1976 film)

      New York: Cinema I and Cinema II, 1976. Original subway style poster for the premiere of the 1976 film. The style of the poster follows that of the one sheet, but with different dimensions for subway display. Bowie would appropriate the same iconic image for his 1977 album, "Low." One of the most important science fiction films of the 1970s. In his review for the New York Times, Richard Eder wrote: "When science fiction writing enlisted such authors as Ray Bradbury, the emphasis on space machines, time warps and little green men gave way to more philososhical and emotional approaches. It was man or Martian, not as physical but as metaphysical travelers. Space was filled with loss and melancholy as well as gadgets." Nicholas Roeg abandoned none of his avant-garde leanings for the film, but instead brought an experimental, impressionistic style to a larger audience by way of David Bowie, who lent his other-worldly persona to a literally other-worldly character. 29.5 x 43 inches, rolled, on archival linen. Near Fine.

      [Bookseller: Royal Books, Inc.]
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        The Red Books Of Humphry Repton

      London: Basilisk Press, 1976. First edition thus. Hardcover. Half crimson morocco and marbled boards. Fine in fine slipcases in compartmented publisher's box also fine. 44 x 34 cm & 30 x 22 cm [3 books]. Host of full-page plates (color lithographs) with moveable overslips presenting before and after plans. In addition, a plethora of tipped-in color plates, plans and drawings -- all plates in color are lithographic. The large volume presents Plans for Sherringham in Norfolk the Property of Abbot Upcher Esq., and the three other, smaller volumes in the set are Antony House, Cornwall; Attingham Park, Shropshire; and the fourth, is an Explanatory Volume by Edward Malins. The text of the three Repton proposals in his own hand, printed in facsimile. Limited edition, copy 405 of 515 printed by Cotswold Collotype Ltd, on specially made rag wove paper. Set bound by W.T. Morrell, and the hand marbled paper specially made for the set by Ingeborg Borjeson, Sweden. The leather supplied by J.W. Hewit & Sons Ltd, Edinburgh. Set designed by Peter Guy. Fresh, very clean set: with interior contents particularly bright.

      [Bookseller: Royoung bookseller, Inc.]
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        La Mama ETC Poster Archive, 1975-1976

      New York: La Mama ETC., 1976. Archive of four posters from productions hosted by La Mama Experimental Theatre Club, including "Fragments of a Trilogy" (Andrei Serban & Elizabeth Swados, 1975), "A Rat's Mass" (Adrienne Kennedy & Cecil Taylor, 1976), "Anaïs" (Tom O'Horgan, 1976), and "Quarry" (Meredith Monk, 1976). Founded in 1961 by African-American "Off-Off Broadway" pioneer Ellen Stewart, La Mama ETC became home for the underfunded and the underrepresented, giving theatre innovators, such as Sam Shepard, Philip Glass, and Tom O'Horgan, a space to develop their art. Stewart offered her space to numerous artists at different stages in their career, and La Mama ETC became the epicenter of creative culture from widely varied backgrounds. Represented are performances by legends and unknowns working together while promoted by Stewart and her company during the furiously productive 1975 and 1976 seasons. "Fragments of a Trilogy" paired Romanian immigrant Andrei Serban with composer Elizabeth Swados. Black Art Movement member Adrienne Kennedy's drama "A Rat's Mass" was staged by jazz musician Cecil Taylor. Composer Meredith Monk utilized the La Mama Annex space for her opera "Quarry." After productions of "Hair" and "Jesus Christ Superstar," Tom O'Horgan returned to the La Mama stage for "Anaïs: A Dance of Words Based on the Diaries of Anaïs Nin" conceived with Judson Dance Theater performer Victor Lipari. 14 x 22 inches to 22 x 32 inches, Very Good to Near Fine and rolled except "Quarry," which is folded with toned edges, minor soiling, and a small repaired tear at the verso.

      [Bookseller: Royal Books, Inc.]
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        Mauve Gloves & Madmen, Clutter & Vine And Other Stories, Sketches, and Essays

      New York: Farrar, Straus and Giroux, 1976. First edition. Octavo, original cloth. Inscribed by the author in the month of publication, "For Gene! With thanks for leading me through the MEDIA OUTER SPACES of Chicago! Tom Wolfe December 3, 1976." Fine in a fine dust jacket with a tiny closed tear. "No one is as good as Wolfe on the contradictions between cushy class and angry consciousness . . . There essays . . . offer a lively picture of the surface of our society' one wishes life were this interesting" (Jack Beatty, The Nation).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Fantabulous New York Rock Party, Manhattan Center in New York, May 30, 1976

      New York: Wayne County Defense Fund, 1976. Original poster advertising "The Fantabulous New York Rock Party" at the Manhattan Center in New York, May 30, 1976. An ironic moment in New York punk and art scene history, some of the earliest evidence that the movement created to mock celebrity status was beginning to see itself in terms of celebrity. Also interesting here is evidence of early sub-divisions of punk mainstays (e.g., Dee Dee Ramone of the Ramones, Jerry Nolan, Walter Lure, and Johnny Thunders of the New York Dolls), the presence of by-then-established Factory luminaries of the late 1960s (Holly Woodlawn), professional groupies (Sable Starr), and trans-gender representatives (Divine and the cast of "Women Behind Bars," Wayne County and the Back Street Boys). Mention is also made of door prizes consisting of memorabilia signed by a number of punk antecedents, including David Bowie, Aerosmith, and Kiss. A benefit organized to benefit the Wayne County's Defense Fund, and we're not talking about Wayne County, Michigan, but an inter-punk legal situation. At a performance in March 1976 at a Wayne County performance at CBGBs, "Handsome Dick" Manatoba of the Dictators was throwing homophobic taunts at trans-gender punkster Wayne County and County responded in kind by hitting Manitoba with a mike stand and breaking his collar bone. The case was eventually thrown out of court, and the rift between the New York punk scene and the Dictators became a chasm. 17.5 x 22 inches, rolled. Near Fine, with some creasing to the top corners and edges, and a single short closed tear.

      [Bookseller: Royal Books, Inc.]
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        A Purple Place for Dying (First American Edition in hardcover, inscribed in 1983)

      New York: J. B. Lippincott, 1976. First US Edition in hardcover. INSCRIBED by the author on the half-title page: "For Patrick Hyman / All good wishes / John D. MacDonald / 4 June 1983." Near Fine in a Near Fine dust jacket. Bookplate of noted collector Duke Collier on the front endpaper. A Travis McGee thriller.

      [Bookseller: Royal Books, Inc. ]
 15.   Check availability:     ABAA     Link/Print  

        Fellini's Casanova (Original oversize double weight photograph from the 1976 film)

      Rome: Produzioni Europee Associati (PEA), 1976. Vintage oversize double weight photograph of Donald Sutherland and Cicely Browne getting it on in high style in the 1976 film. Cattarinich did still photography work for many interesting and prominent directors in the 1970s and 1980s, including Pedro Almodovar, Joe D'Amato, Marco Ferreri, and Pier Paolo Pasolini, among others. Producer Dino De Laurentiis saw Robert Redford in the role of Casanova but Fellini refused to cast him. When De Laurentiis bowed out of the project and Fellini signed a new contract with producer Alberto Grimaldi, Sutherland was cast in the role, requiring that he shave his head and wear both prosthetic nose and chin. Fellini had to re-shoot parts of this movie, including the elaborate Venice carnival scene, when approximately seventy reels of film-including the first three weeks of shooting-were stolen at the Technicolor labs of Tiburtino, Rome, on August 27, 1975. Also stolen were portions of Pasolini's "Salo, or the 120 Days of Sodom" and Damiano Damiani's spaghetti Western, "A Genius, Two Partners, and a Dupe." 11.5 x 7.75 inches. Fine.

      [Bookseller: Royal Books, Inc.]
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        LA SEGNALETICA DELL’INCONSCIO. A cura di Eleonora e Walter Rossi.

      Roma, Edizione 2RC, Settembre 1976. In folio gr. (cm. 448 x 340), cartelletta edit. in cartonato (picc. spacchi al dorso) contenente 8 fogli a doppia pagina che racchiudono 6 bellissime acqueforti a colori del pittore veneziano Giuseppe Santomaso (1907-1990), tutte firmate dall?'artista con la data ?"?'76?". Ogni incisione è introdotta da un suo pensiero: 1° ?"uccello-ancora tentato dal mare / affonda in un impossibile cielo?" - 2° ?"prora o timone, / direzione incerta / per un sicuro / non tempo?" - 3° ?"lavagna spezzata / prima di raccogliere / l?'ultimo segno positivo?" - 4° ?"H come idrogeno / come gradino / per scendere / o per salire??" - 5° ?"seme nero / continente vago / per troppe avventure non vissute?" - 6° ?"doppio arco / oscura separazione / d?'improvvise speranze?". Pregevole edizione in tiratura di 80 esempl. in numeri arabi e 15 prove d?'artista in numeri romani. Il ns., 55, è molto ben conservato.

      [Bookseller: Libreria Malavasi sas]
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        A River Runs Through It and Other Stories

      Chicago:: University of Chicago Press,. Very Good in Very Good dust jacket. 1976. Hardcover. 0226500551 . The title story was made into the 1992 film. First edition with correct issue points: "Published 1976" statement with no number line on copyright page, ISBN on copyright page missing a digit but correct on rear flap of dust jacket, "Adways" typo on page 27, original $7.95 price on front flap of dust jacket. Foxing on edges and some faint foxing on a few interior pages, else very good in a very good (edge worn with a moderately sized chip in an upper corner of the front panel) dust jacket. ; 217 pages .

      [Bookseller: Grendel Books, ABAA/ILAB]
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        Star Wars: From the Adventures of Luke Skywalker

      New York: Del Rey / Science Fiction Book Club, 1976 - The rare first hardcover edition, with the code "S27" in the margin of page 183. A fine copy in a very fine dustwrapper. [Attributes: First Edition]

      [Bookseller: Carpe Librum]
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        Art and artefacts of the Pacific, Africa and the Americas: The James Hooper Collection

      Hutchinson [for Christie, Manson & Woods]. Hardcover. 0091250005 For your consideration is the title, "Art and Artefacts of the Pacific, Africa and the Americas: The James Hooper Collection," by Steven Hooper. Our book is in above average condition and is graded Good++ in a Good dust jacket. The dust jacket is moderately shelfworn and edgeworn with several closed edge-tears and with a small watermark to the lower edge of the front of the jacket, but is overall good and intact (jacket now fitted with a new, Brodart jacket protector). Jacket has not been price-clipped. The textblock edges are unblemished. The boards are very clean with just minor edgewear. Two tiny pen marks to front endpaper. Other endpapers and all text pages are bright and unmarked. The binding is excellent with a straight spine. The original slipcase is not included. This book will be stored and delivered in a secure storage box with foam padding. Published by Hutchinson Publishing, 1976; 487 pages; Hardcover binding. . Good.

      [Bookseller: Salish Sea Books]
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        Ying und Yang. Plastische Form. Original-Federzeichnung.

      1976 - 1976. Bildgrösse: 68x49 cm. Unten signiert und datiert "24.25.26. Sept 1976 Genova". In handgefertigem Eisenrahmen mit Glas. In handgefertigem Eisenrahmen mit Glas. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
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        Das wachsende Gedicht. Einundzwanzig Gedichte von Erwin Jaeckle mit neun Originalholzschnitten von Oskar Dalvit.

      Zürich, Arcade-Presse, 1976 4°, 43 S., 9 farb. Orig.-Holzschnitte, OHPgt. m. gold. Rückenpräg. in Schmuckschuber., Tadellos. (= Arcade-Presse. 14. Druck). Handschriftlich nummeriert. Ex. Nr. 97/160 Ex. Von E. Jaeckle im Impressum signiert. Die Holzschnitte auf Japan-Papier «Ginwashi». Oskar Dalvit (1911 - 1975). Maler. Grafiker und Buchillustrator. 1953-1965 Lehrer an der Volkshochschule. Tätig in Zürich und Amden. Nach einer Ausbildung zum Schriftenmaler und Grafiker bei Orell Füssli in Zürich entschloss sich Oskar Dalvit 1936 für die freischaffende Tätigkeit als Maler. Über die Vermittlung von Maria Marc (Witwe von Franz Marc) lernte er den Kunsthändler Karl Nierendorf kennen. der sein Werk 1947 unter Vertrag nahm. Eine Ausstellung in New York war bereits in Vorbereitung. als der Kunsthändler an einem Herzversagen starb. Dank der Vermittlung Nierendorfs öffneten sich Dalvit in den 50er Jahren viele Galerien und Museen. 1951 vertrat er die Schweiz an der Bienal de São Paulo. Brasilien. Durch die Freundschaft mit dem deutschen Maler Fritz Winter wurde er mit der Gruppe Zen 49 bekannt. deren Mitglieder wie Dalvit in der Münchner Galerie Otto Stangl ausstellten. Ab den 40er Jahren arbeitete er während der Sommermonate auch in Amden. wo bereits Otto Meyer-Amden - Dalvits wichtigstes Vorbild - entscheidende Schaffensjahre verbracht hatte. 1975 starb Dalvit unerwartet an einem Herzversagen. Werkwürdigung: Nach einem gezeichneten Frühwerk. in dem er Einflüsse Hans von Marées` und Otto Meyer-Amdens verarbeitet hatte. stellte sich Dalvit mit diesen Ölgemälden. die in starken. pastos aufgetragenen Farben gehalten sind. als Expressionist vor. Ernst Ludwig Kirchners in der Schweiz entstandenes Werk diente ihm als Anregung. Über die Beschäftigung mit Paul Klee und Wassily Kandinsky fand Dalvit dann in den 40er Jahren zu einer ungegenständlichen Gestaltungsweise. Der Weg zur Abstraktion bedeutete für ihn einen Prozess der Verinnerlichung. Die Qualität der Werke sollte ähnlich wie bei den Vertretern der lyrischen Abstraktion Jean Bazaine oder Alfred Manessier in ihrer «Gestimmtheit». ihrem atmosphärischen Wert liegen und damit gleichsam ein Äquivalent zur Musik bilden. So sehr Dalvit seine Bilder aus der Farbe konstituierte. so sehr spielte auch das grafische Moment in seinem Werk eine Rolle. In den 50er Jahren wurden seine druckgrafischen Blätter bekannt. ja geradezu populär. Sie haben Dalvits Namen mehr geschadet als genützt. lenkten sie doch in ihrer oft etwas gefälligen Wirkung vom tiefen Gehalt anderer Werke ab. in denen Dalvit versuchte. philosophische. soziale und religiöse Momente ins sinnlich Wahrnehmbare zu übersetzen. Werkhinweis: Aargauer Kunsthaus Aarau; Öffentliche Kunstsammlung Basel. Kupferstichkabinett; Kunstmuseum St. Gallen; Kunsthaus Glarus; Museum für Gestaltung Zürich; Zürich. Graphische Sammlung der ETH; New York. Solomon R. Guggenheim Museum; Amsterdam. Stedelijk Museum. (siehe KLS Künstlerlexikon der Schweiz.). Versand D: 20,00 EUR Illustr. Bücher - Originalgrafik Signierte Bücher

      [Bookseller: Antiquariat Peter Petrej]
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        Oeuvres. Complete in 5 volumes.

      - Ussel, Peralta, 1976-1978. 221, 185 (2), 156, 298 (4), 235 pp. Sewn. Illustrations. *librarysticker on dustjacket, spine and endpaper, librarystamp backside title page and last page, otherwise good condition* Volume 1: Trainoir. Le fil de la nuit. Les navires sont des meubles. Maïs. Ma tête a couper. Au crible de la nuit. Autres poèmes. Evocation par Alfred Campozet. Frontispice de Toyen, Volume 2: Le principe d'équivalence. Petite banlieue. La rivière AA. Une eau-forte de Robert Lagarde. Yvonne Mayoux, La batelière une lithographie de Adrien M. Dax, Volume 3: Fatrasies. Présentation Jean Brun. Une eau-forte et un dessin de Camacho. Trois graphismes de Adrien M. Dax, Volume 4: Traité des fourchettes avec des dessins de l'auteur. Une eau-forte de Charles le Bars. Un dessin de Robert Lagarde, Volume 5: La liberté une et divisible. Textes critiques et politiques. Ouverture de Jean-Paul Michel. Une eau-forte de Olivier de Bars. (.) tiré à 300 exemplaires soit 61 exemplaires sur vélin d'Arches (.) dont 51 numérotés de 1 à 51 et 10 hors commerce numérotés de A à J, et 239 exemplaires sur vélin blanc numérotés de 62 à 300. Exemplaire 275 [Attributes: Hard Cover]

      [Bookseller: Antiquariaat Isis]
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        [Original Handbill Advertising the Sex Pistols at the 100 Club, Oxford Street, London, May 11, 18 & 25, 1976]

      (London): np, [1976]. First Edition. Very Good. A4 handbill. Stencil-cut mimeograph printed recto only. Very good with some flattened creases and a small bit of loss to upper right corner. Mild soil here and there. Artwork by Jamie Reid, featuring an image of a kneeling Rotten/Lydon shouting into a mic. Beginning in 1976, The Sex Pistols took up Tuesday night residency at the 100 Club (a venue better known until then for jazz), gigs that would be pivotal for the band. As Jon Savage has written in his definitive ENGLAND'S DREAMING: "In the intimate setting of the 100 Club, the group could relax enough to take risks with their material and their performances. There they began to master their equipment, using the acoustics of the small club to experiment with overload, feedback and distortion. Electric amplification had provided much of the excitement of early Rock'n'Roll: pushing their equipment to the limit [...] the Sex Pistols twisted their limited repertoire into a noise as futuristic as their rhetoric" (177). It was also at these May 1976 100 Club dates that (accord- ing to SEX PISTOLS DAY BY DAY) Sid Vicious invented pogo-ing. The Tuesday night engagements advertised here included supporting bands Krakatoa (11th), Strange Days (18th), and Dogwatch (25th). While Reid's more commercial work for the Pistols appears with some regularity, early and ephemeral promotional items like this are decidedly more scarce. See Burgess & Parker SATELLITE p. 14 and Reid & Savage, UP THEY RISE p. 49.

      [Bookseller: Brian Cassidy, Bookseller]
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        Le feste torinesi dell’aprile 1842 descritte dal cavaliere Luigi Cibrario.

      CIBRARIO LUIGI - 8vo; brossura editoriale verdina stampata a due colori (nero e rosso) (lievi mancanze al dorso); pp. 123, (1 bianca) e 12 tavole litografiche fuori testo, di cui 10 a piena pagina, una su doppia pagina ("Veduta dell'anfiteatro del torneo") ed un ripiegata in antiporta ("Ballo a corte con travestimenti"), incise su disegni di Palagi, Sada, Leoni e Padrone. Lievi fioriture marginali, qualche fascicolo un po' lento, ma ottima copia genuina.PRIMA EDIZIONE di questa relazione sulle sontuose feste celebratesi a Torino in occasione delle nozze di Vittorio Emanuele con sua cugina Maria Adelaide d'Austria. Per l'evento Torino fu illuminata a festa, venne indetto un gran ballo mascherato a Palazzo Reale, si celebrarono giochi nautici sul Po e si tenne un carosello in piazza San Carlo.Agli allestimenti contribuì anche Palagio Pelagi, il quale, in particolare, trasformò il salone delle Guardie Svizzere in sala da ballo e partecipò all'allestimento dei giochi nautici sul Po (cfr. Mostra Pelagio Palagi, artista e collezionista, Bologna, aprile-settembre 1976 - Torino, novembre 1976-febbraio 1977, Bologna, 1976, p. 151).Il volume elenca poi tutti i cavalieri appartenenti ai diversi ordini (Costantino, San Lazzaro, Savoiardi, Piemontesi e Rodi) che formavano le varie quadriglie del torneo.A. Peyrot, Torino nei secoli, Torino, 1965, 467 e 454; Lozzi, 5388 (che riporta solo 11 tavv.); Catalogo unico, IT\ICCU\LO1\0316154 (riporta erroneamente 13 tavole). [Attributes: Hard Cover]

      [Bookseller: Libreria Alberto Govi di F. Govi Sas]
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        Tübke, Werner. - "Bauernjunge".

      - Lithografie / Kreidelithografie, in Türkis, auf Maschinenbütten, 1976. Von Werner Tübke. Auflage Exemplar Nr. 24/35. 22,5 x 16,0 cm (Darstellung) / 26,5 x 19,2 cm (Stein) / 50 x 37,5 cm (Blatt). Tübke-Schellenberger 41. Rechts unten in Bleistift signiert. Im Stein signiert und datiert. Eigenhändiger Titel und Auflagenbezeichnung. - Schönes originalrandiges Exemplar. Geringfügige Lagerspuren, durchgehend leicht knickspurig. Guter Erhaltungszustand. Werner Tübke (1929 Schönebeck/Elbe - 2004 Leipzig). Deutscher Maler, Zeichner und Grafiker, neben Bernhard Heisig und Wolfgang Mattheuer einer der bedeutendsten Künstler in der DDR, Vertreter der ersten Generation der Leipziger Schule. 1935-45 privater Zeichenunterricht bei Karl Friedrich in Magdeburg. Studierte 1948/49 Malerei an der Hochschule für Grafik und Buchkunst in Leipzig (HGB), 1950-52 Kunsterziehung und Psychologie an der Universität Greifswald. 1955-57 Assistent an der HGB. 1961/62 Studienaufenthalt in der Sowjetunion. Ab 1962 Oberassistent, ab 1964 Dozent an der HGB, 1972 Professor und 1973-76 Rektor. 1971 erste Italienreise. 1976-87 Arbeit am Panoramagemälde zum Deutschen Bauernkrieg in Bad Frankenhausen in Thüringen. 1977 documenta in Kassel. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Mayuyama, Seventy Years, Volume Two

      Tokyo, Japan: Mayuyama & Co., 1976. NOTE: This is not the complete set of two volumes from the series; it is Vol. II only. Published, printed and bound in Japan. A bilingual edition in English and Japanese, including the captions for the plates and illus.The volume bound in a light gray buckram, with crisp gilt-stamped lettering to the spine. Very gently bumped spine head and tail, and with sharp corners. 12.75 x 10.25 inches. Volume II with 339 numbered pages, and with xiv color plates and with 677 monochrome plates of Chinese, Korean, Japanese and other Asian arts. All plates and illustrations on a semi-glossy coated heavy-weight stock. An immensely clean volume, inside and out, and rather tight. No remainder marks. Either unread or very gently read. No dustjacket. A Near Fine copy. This is the best condition we have ever encountered for this volume. This book was issued to commemorate the 70th anniversary of the founding of the Mayuyama Asian arts and antiques shop by the founder, Matsutaro Mayuyama. The shop was first opened in Beijing in 1906 and then moved to Tokyo in 1916. The principal business of the shop is and always has been the collection and sale of old Chinese ceramic objects.. First Edition. Buckram. Near Fine. Folio - over 12" - 15" tall.

      [Bookseller: Marc Sena Carrel]
 27.   Check availability:     Biblio     Link/Print  

        Gruss an Louis Armstrong. Eine Grafik-Edition aus Anlass des 5-jährigen Todestages von Louis Armstrong.

      Hamburg. Merlin Verlag. 1976. 64 x 47 cm. OHalbleinen-Kassette. Makellos frisches Exemplar. Exemplar 41 von 222 Exemplaren [22 Exemplare erschienen römisch nummeriert ausserhalb der Folge] auf Rives a la Cuve Bütten. Enthalten sind 10 Arbeiten [Radierungen, Handoffsetdrucke in mehreren Farbschichten, Prägedrucke und Lithographien) von Horst Antes (Portrait Louis Armstrong), Uwe Bremer (Trompeter), Johannes Grützke (Steig´auf unsre Rücken, Louis!), Pit Morell (Mr. Armstrong was here), Peter Nagel (Stilleben für Louis Armstrong), Michael Mathias Prechtl (Grosser schwarzer Trompetervogel), Dieter Roth (Musikalisches Blättlein - vgl. Dobke: Roth-Druckgraphik 350), Albert Schindehütte (St. Louis Blues), Johannes Vennekamp (New Orleans Function), Arno Waldschmidt (Gruss an Louis Armstrong). Alle Blätter handschriftlich signiert und nummeriert. Ferner mit 10 in die Kassette eingelegten Schallplatten. (Louis Armstrong 4.7.1900 - 6.7.1971 - Verve: Sonderauflage für Merlin Verlag. ST 33 - 0666 735). Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Jazz / Jazz, Musik / Music, Original Grafik

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        TYPED LETTER Signed

      New York, New York, U.S.A. 1976 - TYPED LETTER personally signed "Donald Trump" in green ink. This is a two page letter on Trump Organization letterhead and is dated 30 July 1976. The letter measures 8.5" X 11.0" and has normal mailing folds and filing holes at page tops, otherwise it is in fine condition. This letter discusses work that the Trump Organization is performing on the 60th Street Railyard in Manhattan in 1976. New York City is surrounded by water - which makes it difficult for rail freight to get around the city. Although there are three sets of rail tunnels between New York City and New Jersey, they are used exclusively for passenger service and the nearest freight crossing of the Hudson is 140 miles north in Albany. During the heyday of rail transportation in the early 20th century, railroads got around this problem by transporting rail cars on ferries between the various port and industrial facilities around the five boroughs and New Jersey. One such transfer facility was the 60th Street Rail Yard on the Hudson River between West 72nd and 59th streets in Manhattan.With the rise of long-distance trucking after World War II and the move of most port activity to new containerized facilities in New Jersey, activity at rail transportation facilities in New York City began to decline. Accordingly, the 60th Street Rail Yard was abandoned in 1976 when Conrail was created from the remnants of the country's failed rail companies. In the late 90's Donald Trump overcame considerable community opposition to begin developing the barren 60th Street Rail Yard (the last large area of undeveloped real estate in Manhattan) into the Riverside South housing development. Part of the agreement with the city involved creation of a park along the Hudson river. In 2001, sections of the park with a bike path opened to the public and there have been progressive improvements to the park since. [Attributes: Signed Copy]

      [Bookseller: Legends In History]
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        Chemical Geology (Including Isotope Geoscience Section). Official Journal of the european Association for Geochemistry.

      Amsterdam u.a., Elsevier, 1976-1998. - ISSN: 0009-2541. Titel rückseitig gestempelt. Bei wenigen Bände einzelne Seiten lose. Sprache: Deutsch Gewicht in Gramm: 75000 Schwarze Halbleinen- und Leineneinbände. Bände 11 - 20 und 32 - 144 in 61 Bänden.

      [Bookseller: Antiquariat Trageser]
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        Niemeyer-Holstein, Otto. - "Boddenlandschaft im Winter".

      - Farbradierung / Reservage & Aquatinta, auf hellem Büttenpapier, 1976. Von Otto Niemeyer-Holstein. Auflage Exemplar Nr. 29/100. 36,0 x 25,5 cm (Darstellung / Platte) / 56 x 39 cm (Blatt). Schmidt-Sohler-Lau 137. Rechts unten in Bleistift signiert und datiert. Auflagenbezeichnung. - Tadellos. Sehr guter Zustand. Otto Niemeyer-Holstein (1896 Kiel - 1984 Lüttenort). Deutscher Maler und Grafiker. 1914-16 Kriegsfreiwilliger. 1919 Malkurse bei Arthur Segal in Ascona, später in Berlin. 1920 einige Monate in der Kunstakademie in Kassel. 1923 lernt er Paul Klee und Lyonel Feininger kennen. 1924 Gründungsmitglied der Künstlergruppe "Der große Bär" in Ascona. Lebt im 2. Weltkrieg zurückgezogen auf der Insel Usedom. 1953 gerät er zwischen die Fronten der Formalismusdebatte der DDR. 1954 Ausstellung in der Kunsthalle Mannheim, 1961 in der Nationalgalerie Berlin. Zahlreiche Auslandsreisen. 1964 zum Professor berufen. 1969 Mitglied der Akademie der Bildenden Künste Berlin. 1981 Ausstellung in der Kunsthalle Rostock. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 31.   Check availability:     ZVAB     Link/Print  

        Mattheuer, Wolfgang. - "Sonnenstraße".

      - Holzschnitt, auf China, 1976. Von Wolfgang Mattheuer. 47,3 x 36,9 cm (Darstellung / Druckstock) / 52 x 42 cm (Blatt). Koch 213. Gleisberg 175. Rechts unter der Darstellung in Bleistift signiert und datiert: "W. Mattheuer 76". - Papier etwas gebräunt. Blattrand knickspurig. Guter Zustand. Wolfgang Mattheuer (1927 Reichenbach/Voigtland - 2004 Leipzig). Einer der bedeutendsten Maler, Grafiker und Bildhauer des 20. Jahrhunderts der DDR und Hauptvertreter der Leipziger Schule. 1941-44 Lithografenlehre in der Firma Carl Werner. 1944-45 Einberufung, Verwundung und Kriegsgefangenschaft im Zweiten Weltkrieg. 1946-47 Besuch der Kunstgewerbeschule in Leipzig. 1947-51 Sudium an der Hochschule für Grafik und Buchkunst in Leipzig unter anderem bei Egon Pruggmayer, Walter Arnold und Elisabeth Voigt. 1951/52 als Grafiker in Berlin tätig. Mitglied des Verbandes Bildender Künstler Deutschlands. 1953-74 Lehrtätigkeit an der Hochschule für Grafik und Buchkunst in Leipzig, 1965-74 Professur. Danach freischaffend in Leipzig. 1968 Kunstpreis der Stadt Leipzig. 1973 Kunstpreis der DDR. 1975 Nationalpreis der DDR für Kunst und Literatur. 1985 wird Mattheuer zum Ehrenbürger der Stadt Reichenbach ernannt. 1993 Mitglied der Akademie der Künste Berlin-Brandenburg. Verleihung des Verdienstkreuzes I. Klasse zum Verdienstorden der Bundesrepublik Deutschland. 2003 Mitglied der Freien Akademie der Künste Hamburg. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 32.   Check availability:     ZVAB     Link/Print  

        LOW-FLYING AIRCRAFT (Pristine Signed Copy)

      Jonathan Cape, UK 1976 - Collection of nine superb short stories including the title story and "The Ultimate City" and "The Dead Astronaut". Back when Ballard's EMPIRE OF THE SUN was nominated for the Booker Award - was the favourite, in fact - most pundits saw the book's victory as a foregone conclusion. To this day people refer to "Empire" as the Booker winner. Sadly, it didn't win when, arguably, it should have won. Perhaps it isn't so surprising, after all, as the panels for most of these awards are composed of corpses, compost heaps, poseurs and the occasional automaton. C'est la vie. This is a pristine, unread copy boasting immaculate green boards, a spine as tight and perfect as as a lush during a glorious weekend of drunken stupor, clean, crisp and untouched pages so white that village idiots around the world run shrieking from their celestial purity, and a dustjacket whose perfection assaults those who view it boldy with taunts like "I'm fit, I'm fit, Josef Stalin was a git". AS NEW and SIGNED BY J.G. BALLARD IN FULL [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Fine Edition Books]
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        That Time / Damals. Englisch und Deutsch - Bibliothek Suhrkamp BS 494

      Frankfurt am Main, Suhrkamp Verlag, 1976. 1. Auflage 81 Seiten mit Frontispiz (Porträtfoto des Autors). Kl.-8°, gebundene Ausgabe, Hardcover/Pappeinband in Edelbüttenpappband mit Lederrückenschild, mit Schutzumschlag, dieser mit Rand- und Rückenbräune,mit mehrzeiliger datierter und signierter Widmung des Autors auf dem Titel, Deutsche Übertragung von Elmar Tophoven. Samuel Beckett (* 13. April 1906 in Dublin - + 22. Dezember 1989 in Paris) gilt als einer der bedeutendsten Schriftsteller des zwanzigsten Jahrhunderts und wurde 1969 mit dem Nobelpreis für Literatur ausgezeichnet. Versand D: 5,00 EUR

      [Bookseller: Bührnheims Literatursalon GmbH]
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        Das geheime Paris - Bilder der dreissiger Jahre. Aus dem Französischen von Rudolf Kimmig. + Autographen von Brassai!

      Frankfurt, Fischer Verlag, 1976. 4°, Leinen 190 Seiten. O-Leineneinband mit O-Schutzumschlag. Mit Widmung des Autors an seinen deutschen Übersetzer auf Titelseit: Pour Haddi Kimming, on ne peut plus amicalement. Brassai. Paris, le 8. Nov. 76. Zusätzlich noch eine Karte von Brassai an den Übersetzer: ... Cher Ami, Wir haben einen guten Abend verbracht mit Frau Schoeller etc. Mit besten Wünschen. Brassai. Le 25.12.76. - Zustand: Umschlag am Rücken u. Rand vergilbt u. Rücken am Kopf fehlt ein kleines Stück, ansonsten gut erhaltenes Exemplar. Versand D: 5,00 EUR Photographien, Signiertes Exemplar, Autographen

      [Bookseller: Antiquariat an der Uni München]
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      New York: Harper and Row, c. 1976. Book Club. Hardcover. Near Fine/very good. 6 x 8 1/2 in. 184 pp. Brown paper boards with red image of Charlotte on front. Signed by E. B. White on the ffep . This is a Book Club edition, printed in the mid 70's. E. B. White signed it for a girl who lived in his town of Brooklin, Maine in the mid 70's. Condition of the book is NEAR FINE ; some bumping to corners and spine ends, no wear, covers extremely clean. Binding tight and text spotless. DJ is VERY GOOD ; no price, extremely clean, some edge wear and chips with two small closed tears at spine head. In a new Mylar wrapper. Signed copies are very rare in any edition. Children's. RGR.

      [Bookseller: Andre Strong Bookseller]
 36.   Check availability:     Biblio     Link/Print  

        A RIVER RUNS THROUGH IT and Other Stories (Signed first edition)

      Chicago: The University of Chicago Press, 1976. First edition. Fine/Near Fine. A Fine copy of the book sharp, fresh and without wear. Signed by the author on the front end paper. In a Near Fine dust jacket that is sunned along the spine with some rubbing at the rear flap fold and minor wear at the spine ends. Norman Maclean's 1976 semi-autobiographical short story collection, including the titular piece along with "Logging and Pimping and 'Your pal, Jim'" and "USFS 1919: The Ranger, the Cook, and a Hole in the Sky." In 1977 the Pulitzer Prize committee suggested "A River Runs Through It" be awarded the prize for fiction, but they were overruled and no prize was awarded. The book was adapted into a 1992 Robert Redford film, starring Craig Scheffer and Brad Pitt and would receive three Academy Award nominations. Critic Alfred Kazin praised the book in a review for the Chicago Tribune: "There are passages here of physical rapture in the presence of unsullied primitive America that are as beautiful as anything in Thoreau and Hemingway.". Fine in Near Fine dust jacket.

      [Bookseller: Whitmore Rare Books]
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      Harper and Row c. 1976, New York - 6 x 8 1/2 in. 184 pp. Brown paper boards. Signed by E. B. White on the ffep . This is a Book Club edition, printed in the mid 70's. E. B. White signed it for a girl who lived in his town of Brooklin, Maine at that time. Condition of the book is NEAR FINE ; some bumping to corners and spine ends, no wear, covers extremely clean. Binding tight and text spotless. DJ is VERY GOOD+ ; no price, extremely clean, some mild edge wear. In a new Mylar wrapper. Signed copies are very rare in any edition. Children's. RGR. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Andre Strong Bookseller]
 38.   Check availability:     AbeBooks     Link/Print  

        David Adler: The Architect and His Work

      New York: M. Evans and Company, 1976. First Edition. Quarto, 227 pages, with 157 black and white photographs by Ezra Stoller and others showing the versatile residential work of David Adler (1882-1949), much of it on Chicago's North Shore. There is a photographic portrait frontispiece of Adler, a long essay on the architect and his work, a chronology, a listing of books that composed Adler's architectural library, a memorial address, and an index. This is a beautiful and fine copy, bound in deep blue cloth stamped with the title in gilt, in a minimally worn and shelf-rubbed dustjacket, not price-clipped but with a few narrow tears to the edges.

      [Bookseller: Barbara Farnsworth, Bookseller]
 39.   Check availability:     Biblio     Link/Print  


      New York: Harper and Row, c. 1976. Book Club. Hardcover. Near Fine/very good. 6 x 8 1/2 in. 184 pp. Brown paper boards. Signed by E. B. White on the ffep . This is a Book Club edition, printed in the mid 70's. E. B. White signed it for a girl who lived in his town of Brooklin, Maine in the mid 70's. Condition of the book is NEAR FINE ; some bumping to corners and spine ends, no wear, covers extremely clean. Binding tight and text spotless. DJ is VERY GOOD ; no price, extremely clean, some edge wear and chips with 4 small closed tears. Two have internal repairs done with archival tape. The one at the upper rear has creasing. In a new Mylar wrapper. Signed copies are very rare in any edition. Children's. RGR.

      [Bookseller: Andre Strong Bookseller]
 40.   Check availability:     Biblio     Link/Print  

        Roots (Uncorrected Proof, lengthily inscribed in 1988)

      Garden City: Doubleday, 1976. First Edition. Uncorrected Proof, preceding the First Edition. INSCRIBED by the author on the first leaf (the half title page): "For Jim Butler / With Brotherly Love from me and from all of the ROOTS family of Kunta Kinte! / Sincerely / Alex Haley / PS / And thanks [underlined] for all of your help with the filmed ROOTS / AH." About Very Good in plain beige printed wrappers as issued. Wrappers are creased at the corners, and the first few dozen leaves are creased at the bottom right corner from reading, with some occasional spotting on pages as well. A presentable example of a scarce edition, much more so with a meaningful inscription.

      [Bookseller: Royal Books, Inc.]
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        Prison of Ice - 1st Edition/1st Printing

      Philadelphia And New York: J. B. Lippincott Company. Very Good+ in Fine dust jacket. 1976. First Edition; First Printing; Signed by Author. Hardcover. 0397011822 . First edition/first printing in Very Good+ condition with soiling to the boards and foxing to the pages in a Fine dust-jacket, signed and dated by author Dean Koontz; U. N. Scientists have set sixty bombs to blow along a giant Arctic ice shelf. The falling ice chunks are to be melted for water to stop a murderous drought. Before the scientists can get safely to their camp away from the bombs, a tidal wave breaks the ice shelf away from the rest of the ice mass trapping the scientists on an icy prison with bombs set to detonate .

      [Bookseller: Books Tell You Why]
 42.   Check availability:     Biblio     Link/Print  

        Me, Alice. The Autobiography of Alice Cooper

      G P Putnam's Sons, New York 1976 - The outer covers are grubby but the pages are in a fine condition, they are all clean crisp and tight with no previous owners scribbles or inscriptions. There are no creases or bent corners. The cover is not price clipped plus there is a small sticker on the rear from where it was bought - Planet Wheels Import Comix £4.95. I can send additional photographs if you wish to see any detail before purchasing the book. [Attributes: Hard Cover]

      [Bookseller: Book Souk]
 43.   Check availability:     AbeBooks     Link/Print  


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