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Displayed below are some selected recent viaLibri matches for books published in 1976

        Apocalipsis .

      1976. Ed. Arte y Bibliofilia. 1976 - . . . 1 Vol. . 41 pp. + 12 grabados. Gran Folio. Tela Editorial. . Grabados al aguafuerte. Buen estado general.

      [Bookseller: Librería Anticuaria Astarloa]
 1.   Check availability:     IberLibro     Link/Print  


        THE BLUE HAMMER (Author's Proof Copy, Annotated)

      Alfred A . Knopf, New York 1976 - Octavo. Uncorrected proof copy in printed yellow wrappers. The author's own copy with more than 60 holograph corrections to the text, in pencil. Page references for all of these corrections are given in pencil on the front cover by Macdonald. Laid in are two pages of typed corrections (signed "B") to text with quirky little remarks to Macdonald prepared by fellow mystery writer, William Campbell Gault, who is the dedicatee of the book and here a proof reader. Gault refers to page 30, paragraph 279: "If you mean Jack Daniel's as a good Tennessee whisky, and that's the famous one, it is not a bourbon (have a letter from the vice-prez of Jack Daniel's explaining why). This is the only place you refer to it as a bourbon. (This is known as carping)." And the final two paragraphs by Gault: "And so it ends, very good book. Hard to proof read as I got too involved in the story. Very good book.And now, on the manufacturing end, this is a clever suggestion: You insist they put an energy cell in the spine of the book, energising (energizing?) both a small bulb and a miniature recording. As the reader turns to the dedication page, the light will illuminate the page (a pale blue light) and a dim and distant trumpet flare will sound as the reader views my name. Remember now, a trumpet flare -ta-Ra, ta-Ra. Be sure it is not taps." The present copy shows an excellent example of two exceptional writers collaborating on the final touches of a successful and popular novel. A fine copy housed in a custom leather backed clamshell box. NOTE: William Campbell Gault is author of Don't Cry For Me (Edgar Award winner), End of a Call Girl, Dead Hero and many others. [Attributes: First Edition; Soft Cover]

      [Bookseller: Charles Parkhurst Rare Books, Inc. ABAA]
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        1976 Robert Rauschenberg Albright-Knox Gallery Poster

      1976 - "Albright-Knox Gallery" by Robert Rauschenberg, Unsigned Offset Lithograph printed in 1976. The overall is size of the Offset Lithograph is 45.5 x 29.5 inches. The condition of this piece has been graded as B: Very Good Condition, with signs of handling or age. Here is some supplemental information about the Offset Lithograph: Original exhibition poster for a retrospective of Rauschenberg's works organized by NCFA, Washington DC, with mutual sponsorship of N.E.A. a Federal Agency, Museum of Modern Art N.Y.C., San Francisco Museum of Art, Albright-Knox Art Gallery, Buffalo, NY, and Art Institute of Chicago. Copyrighted 1976 by Telamon Editions Limited. Referenced in Rauschenberg's Posters book, Number 6. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
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        Autograph musical manuscripts signed "G. Menotti" of two solo songs from the composer's cantata Landscapes and Remembrances. [Piano-vocal score]. Ca. 1976

      Landscapes and Remembrances, a cantata for soloists, chorus, and orchestra to texts by Menotti, was first performed at Uihlein Hall in Milwaukee on May 14, 1976, with Judith Blegen (soprano), Ani Yervanian (contralto), Vahan Khanzadian (tenor), Gary Kendall (baritone), and the Milwaukee Symphony and Bel Canto Chorus, James Keeley, conducting. "The nine-part Landscapes and Remembrances is a set of musical impressions drawn from the composer's life, ranging from his arrival in America as a teenager to his discovery of South Carolina, where he founded the Spoleto USA Festival in 1977... The structure of Landscapes consists of alternating choruses and orchestral songs, although several of the choral sections make use of solo voices as well. The titles in general reflect the geography of remembrance at the root of each... " "The Abandoned Mansion," the first song in Landscapes, is "a brooding piece in E-flat minor... infused with the past. Its constantly arcing melodic lines are supported by persistent tremolo figures that give way only briefly in the middle of the song to sustained chords--a section of quasi-recitative. The key to the song lies in these words: 'A visitor to the South is an intruder into the reigns of ghosts'." "Farewell at a Train Station in Vermont," the final song, is "concerned with love, but this time with the bitterness of parting. 'In everyone's life', Menotti has commented, 'there is a farewell never forgotten, the pain of which never heals', a sentiment he had previously expressed in his libretto for Barber's opera Vanessa. It is evident that this section of Landscapes is... rooted in actuality... Over a solemn adagio figure, the solo voice sets the stage for this short scena: 'The train is late. It rains as it must when lovers part forever. Without a word we pace the empty platform, measuring our protracted agony with uncharted steps'." John Ardoin: The Stages of Menotti, pp. 129-131. Menotti's autograph musical manuscripts are very rare to the market.. Folio (ca. 313 x 237 mm). Unbound. "The abandoned mansion (South Carolina) for contralto." 1f. (title), 5, [i] (blank) pp. "Farewell at a train station in Vermont (for tenor)." 8 pp. Notated in pencil on 12-stave printed music paper with "G Schirmer Royal Brand No. 54... " printed at lower margin. Small check mark in blue pencil to upper corner of each page of "The abandoned mansion." First measure of "Farewell" with a bass drum cue. Minor erasures throughout. Slightly worn; small rust stains from a paper clip to upper margin of outer pages, slightly affecting one letter of a tempo marking.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
 4.   Check availability:     Biblio     Link/Print  


        Watership Down.

      Harmondsworth: Penguin Books & Kestrel Books,, 1976. Illustrated by John Lawrence. Octavo (230 × 152 mm). Original dark green crushed morocco by Sangorski & Sutcliffe, raised bands forming compartments to spine, titles direct to second and third gilt, fleurons to first and fifth and rabbit motifs to fourth and sixth gilt, rabbit vignette to front board in gilt, edges and turn-ins gilt, green and yellow endbands, marbled endpapers. In the marbled slipcase as issued. Original watercolour by the artist to the first blank, colour frontispiece, numerous illustrations to the text in colour and black and white, folding colour map tipped-in at rear. Spine sunned; an excellent copy. Number 175 of 250 specially bound and signed copies of the first illustrated edition of Adams's first novel, this copy with a fine original watercolour by John Lawrence to the first blank initialled by him in the bottom right-hand corner, with his full signature on the frontispiece. This extremely popular animal story was initially turned down by all major publishing houses. When finally issued by Rex Collings in 1972, sales exceeded 100,000 in the first year and Adams was awarded both the Carnegie Medal and the Guardian Award for children's fiction.

      [Bookseller: Peter Harrington]
 5.   Check availability:     Biblio     Link/Print  


        Gedichte. Herausgegeben von Karlheinz Barck. Mit Originalgraphiken von Hermann Naumann.

      Leipzig, Reclam jun. Verlag, 1976 - 174(1) Seiten, blindgeprägter grüner Original-Kalbleder-Handeinband mit blindgeprägtem Deckel und Rückentitel in Pappschuber, 4°. Vorliegend 1 von 125 Exemplaren der im Reclam Verlag erschienenden Vorzugsausgabe mit 10 signierten Original-Radierungen (davon 1 separat) und 8 signierten Original-Punzenstichen. Zusätzlich im Impressum vom Künstler signiert. Zweisprachiger Text in Französisch-Deutsch. Schönes Exemplar. Sehr selten. Minimale Bereibungen am Einband. Die Gesamtauflage diesesr Ausgabe betrug 200 Exemplare, wovon 125 durch den Reclam Verlag Leipzig und 75 durch den Claassen Verlag Düsseldorf vertrieben wurden. One of 125 copies with 18 handsigned originally graphics. Good copy. Very rare. Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: First Edition; Signed Copy]

      [Bookseller: Uta-Janine Störmer]
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        Valenti Angelo Author Illustrator Printer

      Folio. San Francisco: Book Club of California, 1976. Folio, 99 pages. Richly illuminated and illustrated throughout, with 43 specimen leaves. Original quarter red cloth and boards, dust-jacket, mint as issued. Limited to 400 copies printed at the Arion Press and signed by Angelo. This is “a special copy hand colored by the artist” so inscribed by Angelo. Original prospectus inserted.

      [Bookseller: John Windle Antiquarian Bookseller]
 7.   Check availability:     Biblio     Link/Print  


        Autograph musical manuscripts signed "G. Menotti" of two solo songs from the composer's cantata Landscapes and Remembrances. [Piano-vocal score]. Ca. 1976

      Landscapes and Remembrances, a cantata for soloists, chorus, and orchestra to texts by Menotti, was first performed at Uihlein Hall in Milwaukee on May 14, 1976, with Judith Blegen (soprano), Ani Yervanian (contralto), Vahan Khanzadian (tenor), Gary Kendall (baritone), and the Milwaukee Symphony and Bel Canto Chorus, James Keeley, conducting. "The nine-part Landscapes and Remembrances is a set of musical impressions drawn from the composer's life, ranging from his arrival in America as a teenager to his discovery of South Carolina, where he founded the Spoleto USA Festival in 1977... The structure of Landscapes consists of alternating choruses and orchestral songs, although several of the choral sections make use of solo voices as well. The titles in general reflect the geography of remembrance at the root of each... " "The Abandoned Mansion," the first song in Landscapes, is "a brooding piece in E-flat minor... infused with the past. Its constantly arcing melodic lines are supported by persistent tremolo figures that give way only briefly in the middle of the song to sustained chords--a section of quasi-recitative. The key to the song lies in these words: 'A visitor to the South is an intruder into the reigns of ghosts'." "Farewell at a Train Station in Vermont," the final song, is "concerned with love, but this time with the bitterness of parting. 'In everyone's life', Menotti has commented, 'there is a farewell never forgotten, the pain of which never heals', a sentiment he had previously expressed in his libretto for Barber's opera Vanessa. It is evident that this section of Landscapes is... rooted in actuality... Over a solemn adagio figure, the solo voice sets the stage for this short scena: 'The train is late. It rains as it must when lovers part forever. Without a word we pace the empty platform, measuring our protracted agony with uncharted steps'." John Ardoin: The Stages of Menotti, pp. 129-131. Menotti's autograph musical manuscripts are very rare to the market.. Folio (ca. 313 x 237 mm). Unbound. "The abandoned mansion (South Carolina) for contralto." 1f. (title), 5, [i] (blank) pp. "Farewell at a train station in Vermont (for tenor)." 8 pp. Notated in pencil on 12-stave printed music paper with "G Schirmer Royal Brand No. 54... " printed at lower margin. Small check mark in blue pencil to upper corner of each page of "The abandoned mansion." First measure of "Farewell" with a bass drum cue. Minor erasures throughout. Slightly worn; small rust stains from a paper clip to upper margin of outer pages, slightly affecting one letter of a tempo marking.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        V Tre. [No.10 ]. FLUXUS maciuNAS V TRE FLUXUS laudatio ScriPTa pro GEoRge. Fluxus. May 2, 1976. Edited by Robert Watts and Serge Seagull and Fluxus Editorial Council for Fluxus.

      (New York). Fluxus Editorial Council. 1976. First edition. 48,5 x 44,5 cm. 4 S. Faltbogen. Zweifach gefaltet mit minimalen Gebrauchspuren. Noch sehr gutes Exemplar. Diese George Maciunas zugedachte zehnte Nummer der Fluxus-Zeitung enthält Beiträge in Text und Bild unter anderem von Ay-O, Henry Flynt, Dick Higgins, Alice Hutchins, Alison Knowles, Larry Miller, Yasunao Tone, Wolf Vostell, Robert Watts, George Brecht, Joseph Beuys, Geoffrey Hendricks, Larry Miller, Peter Moore, Nam June Paik, Takako Saito, Mieko Shiomi, Daniel Spoerri etc. [Vgl. Fluxus Codex, S.100; Fluxus etc. The Gilbert and Lila Silverman Collection, Nr. 603]. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Amerika / America, Fluxus / Fluxus, Kunst, Zeitschriften / Journals, Periodika

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
 9.   Check availability:     buchfreund.de     Link/Print  


        Rare collection of four letters (including 3 ALsS!) of George Bush as CIA Director, Vice President, President, and former President, each to publisher Helen Copley, housed in a red, white, and blue custom made clamshell case

      

      [Bookseller: University Archives]
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        The basic laws of human stupidity. Autografato

      Galeati 1976 Carlo Maria Cipolla: The basic laws of human stupidity. The Mad Millers Bologna Italy. 1976 Stampato presso le Grafiche Galeati di Imola. Tiratura numerata (ns n° 199) per gli amici come regalo natalizio Con invio autografo dell'autore. Cipolla si divertì ad "approfondire" il tema della stupidità umana formulando la famosa teoria della stupidità, enunciata nel suo libello intitolato The Basic Laws of Human Stupidity (stampato per la prima volta nel 1976 come regalo di Natale per gli amici) poi pubblicato in italiano nel 1988 come Allegro ma non troppo (Il Mulino, 1988) e tradotto in almeno 13 lingue. Questo volume riunisce, insieme al saggio sulla teoria della stupidità, un altro breve trattato umoristico dal titolo "Il ruolo delle spezie (e del pepe nero in particolare) nello sviluppo economico del Medioevo" stampato dalla stessa casa editrice nel 1973, sempre in inglese e sempre come regalo natalizio. La prima vera edizione inglese arriva soltanto nel 2011.

      [Bookseller: Studio Bibliografico Sutter di Sutter Da]
 11.   Check availability:     maremagnum.com     Link/Print  


        THE AMERICAN ADVENTURE THE BICENTENNIAL MESSAGES OF GERALD R FORD JULY 1976

      n.p., [1976]. First Edition. Hardcover. Fine and quite scarce in hardcover, especially signed. Thin octavo (5-3/4" x 9") in gilt--lettered blue cloth; 29 pages. A collection of 8 short Bicentennial speeches by the President, illustrated with photographs. Attractively INSCRIBED and SIGNED by the President to a member of his Cabinet on the page with the Presidential Seal: "To ----, an appreciation/and with best wishes/Gerald Ford.

      [Bookseller: Charles Agvent]
 12.   Check availability:     Biblio     Link/Print  


        La Sainte Jeunesse. Interpretata da quattro linoleum a colori di Carla Tolomeo.

      Cerastico 1976 In folio; pp. non num. 10 a fogli sciolti, su carta a mano Filicarta filigranata con barbe, carattere Garamond; con i quattro linoleum a colori num. e firmati a matita dall'Artista. Cartella - astuccio editoriale di Mario Rigoldi con titoli in oro al dorso e soggetto floreale al piatto, edizione limitata a 75 esemplari con numerazione araba oltre a XV a num. romana come questo nostro.(vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
 13.   Check availability:     maremagnum.com     Link/Print  


        Autograph musical manuscripts signed "G. Menotti" of two solo songs from the composer's cantata Landscapes and Remembrances. [Piano-vocal score]. Ca. 1976.

      - Landscapes and Remembrances, a cantata for soloists, chorus, and orchestra to texts by Menotti, was first performed at Uihlein Hall in Milwaukee on May 14, 1976, with Judith Blegen (soprano), Ani Yervanian (contralto), Vahan Khanzadian (tenor), Gary Kendall (baritone), and the Milwaukee Symphony and Bel Canto Chorus, James Keeley, conducting."The nine-part Landscapes and Remembrances is a set of musical impressions drawn from the composer's life, ranging from his arrival in America as a teenager to his discovery of South Carolina, where he founded the Spoleto USA Festival in 1977. The structure of Landscapes consists of alternating choruses and orchestral songs, although several of the choral sections make use of solo voices as well. The titles in general reflect the geography of remembrance at the root of each. "The Abandoned Mansion," the first song in Landscapes, is "a brooding piece in E-flat minor. infused with the past. Its constantly arcing melodic lines are supported by persistent tremolo figures that give way only briefly in the middle of the song to sustained chords--a section of quasi-recitative. The key to the song lies in these words: 'A visitor to the South is an intruder into the reigns of ghosts'."Farewell at a Train Station in Vermont," the final song, is "concerned with love, but this time with the bitterness of parting. 'In everyone's life', Menotti has commented, 'there is a farewell never forgotten, the pain of which never heals', a sentiment he had previously expressed in his libretto for Barber's opera Vanessa. It is evident that this section of Landscapes is. rooted in actuality. Over a solemn adagio figure, the solo voice sets the stage for this short scena: 'The train is late. It rains as it must when lovers part forever. Without a word we pace the empty platform, measuring our protracted agony with uncharted steps'." John Ardoin: The Stages of Menotti, pp. 129- 131.Menotti's autograph musical manuscripts are very rare to the market. Folio (ca. 313 x 237 mm). Unbound. "The abandoned mansion (South Carolina) for contralto." 1f. (title), 5, [i] (blank) pp. "Farewell at a train station in Vermont (for tenor)." 8 pp. Notated in pencil on 12-stave printed music paper with "G Schirmer Royal Brand No. 54. " printed at lower margin.Small check mark in blue pencil to upper corner of each page of "The abandoned mansion." First measure of "Farewell" with a bass drum cue. Minor erasures throughout. Slightly worn; small rust stains from a paper clip to upper margin of outer pages, slightly affecting one letter of a tempo marking.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
 14.   Check availability:     AbeBooks     Link/Print  


        JAPANESE PRINTS & DRAWINGS FROM THE VEVER COLLECTION.

      [London 1976, Sotheby. Brown cloth, small folio, 24 x 34 cm.. top gilt, 3 vol. set, 69 color, 901 b.w., 1034p., as new, in. the original cloth slipcase, pristine, many folding plates.. LIMITED NUMBERED EDITION OF 2000 COPIES. S C A R C E. A LIMITED NUMBERED EDITION OF 2000 COPIES This is a fabulous set covering the great Vever collection and expertly catalogued by Hillier. Each of the 973 individual items are carefully described & identified, dated, with provenance mentioned. This major contribution to Japanese print and painting bibliography is a valuable and essential reference for any collector or student of this Japanese art form. * The discovery and subsequent sale of the hitherto unknown collection of the prominent Parisian jeweler and early protagonist of Japonisme caused a sensation. The collection was begun in the 1880's and continued through 1920. Many of the superb prints are so rare that they have never been pub- lished. * The works are arranged chronologically, and those in series are placed in the proper order. A very useful source. * This is a very large and heavy set. Appropriate extra packing, insurance and shipping charges will apply. * Color scans are available by e-mail. Images displayed may not always be the exact photo of the copy in stock for sale at any given time. If you want to see the exact image of the book or edition in stock today, please request this by email. . Photos of most of our books are posted to our .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
 15.   Check availability:     Biblio     Link/Print  


        Gesammelte Werke Band 1 / Collected Works Volume 1 (Inscribed) 2 Bilderbucher / 2 Picture Books (Inscribed Copy)

      Stuttgart, London and Reykjavik: Edition Hansjorg Mayer, 1976. First edition. Spiral_bound. Very Good. Volume 1 of the collected artist books of Dieter Roth. Decorated clamshell cardboard box containing two distinct "children's books" and a separate one page sheet with title and printing information. From an edition of one thousand copies. The first book is entitled Kinderbuch and consists of 28 pp of color screenprints and die-cuts. Fine condition in plastic spiral binding. The second book, Bilderbuch, is 23 pp, housed in a two-ring binder and contains color acetate and white paper, die cut. A near fine copy. The box itself shows some heavy wear with splits at corners and some creases as if a weight was placed on it at some point. This copy benefits, however, from the fact that it has been INSCRIBED by Roth to fellow RISD artist/photographer Mary Kocol. The inscription is dated May 1986 in Providence which was the time and place of a Dieter Roth retrospective exhibit at The Rhode Island School of Design. Dieter spent a year at RISD in the mid-1960's as a visiting artist. Although he signed many books in his lifetime, books inscribed by Dieter are not common, and copies inscribed to fellow artists are even more desirable. Listed in Aaron's and Roth's In Numbers - Serial Publications by Artists Since 1955.

      [Bookseller: Derringer Books, Member A.B.A.A.]
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        Mosaik 1976 bis 1997 22 jahrgänge Abenteuer von Hannes Hegen

      Junge Welt Verlag Berlin 1976 - 1976,1997. je 20 seiten. Leineneinband ,Kunstleder. gebunden nur leichte gebrauchsspuren, ".die Digedags von Hannes Hegen waren von 1955 bis 1975 die Helden der Comiczeitschrift Mosaik, die in der DDR erschien. Dig, Dag und Digedag durchqueren Raum und Zeit und erleben aufregende Abenteuer etwa im Orient, in Amerika oder im Weltraum.Kennen Sie Ritter Runkel? Wer diese Frage nicht beantworten kann, ist mit hoher Wahrscheinlichkeit ein Altbundesrepublikaner. Ritter Runkel von Rübenstein, der von 1964 bis 1969 die Welt zwischen Venedig und dem Persischen Golf unsicher machte, ist nach den legendären Digedags die wohl bekannteste Figur aus dem Comic-Magazin MOSAIK von Hannes Hegen: Er stammt aus Franken und ist eine Mischung aus Dreistigkeit und Dummheit, dabei aber so liebenswert, dass er im Gedächtnis vieler Menschen der ehemaligen DDR voll verankert ist. In einer 1995 durchgeführten Umfrage kannten 90 Prozent der Ostdeutschen diesen Rittersmann von Schrot und Korn(Henry Böhm), dar- unter auch viele Personen, die das MOSAIK nie selbst gelesen hatten. Das erste MOSAIK von Hannes Hegen erschien am 23. Dezember 1955. Es war sozusagen ein Weihnachtsgeschenk an die jungen DDR- Comicfans, ein Trost für die fast unerreichbaren, begehrten West-Comics in dem gleichen Jahr, das die Spaltung der jeweils einseitig souverän gewordenen Deutschländer mit der Integration der beiden deutschen Staaten in die antagonistischen Blöcke auf unabsehbare Zeit zementiert hatte. So war das MOSAIK ein Kind des Kalten Krieges, das sich allerdings von den Agitationsformeln der ideologischen Konfrontation so weit wie möglich fern zu halten suchte, indem es seine Abenteuer in entlegene Jahrhunderte verlegte und dabei die Grenzen von Raum und Zeit sprengte. 1/1976 1 230 Das Geheimnis der Grotte Adria-Serie 2/1976 2 231 Die Türkenschlacht Adria-Serie 3/1976 3 232 Das Mühlenschiff Adria-Serie 4/1976 4 233 Die gestohlene Muskete Adria-Serie 5/1976 5 234 Der Kampf um den Wald Adria-Serie 6/1976 6 235 Besuch beim Pascha Adria-Serie 7/1976 7 236 Vom Geier geholt Adria-Serie 8/1976 8 237 Der Zaubertrank Adria-Serie 9/1976 9 238 Das Wettrennen Adria-Serie 10/1976 10 239 Feuer im Schiff Adria-Serie 11/1976 11 240 Der Nichtsnutz Adria-Serie 12/1976 12 241 Der fliegende Braten Adria-Serie 1/1977 13 242 Das Mädchen mit dem Hund Adria-Serie 2/1977 14 243 Die Nacht des Schreckens Adria-Serie 3/1977 15 244 Der Untergang des Kastells Adria-Serie 4/1977 16 245 Die große Wende Adria-Serie 5/1977 17 246 Piraten greifen an Adria-Serie 6/1977 18 247 Nach Venedig! Adria-Serie 7/1977 19 248 Schöne Aussichten Adria-Serie 8/1977 20 249 In Ränke verstrickt Adria-Serie 9/1977 21 250 Die italienische Komödie Adria-Serie 10/1977 22 251 Die heimliche Trauung Adria-Serie 11/1977 23 252 Der neue Doge Adria-Serie 12/1977 24 253 Der Vorhang fällt Adria-Serie 1/1978 25 254 Der Wunderdoktor Anno 1704/05 2/1978 26 255 Der falsche Erzherzog Anno 1704/05 3/1978 27 256 Das Vogelschießen Anno 1704/05 4/1978 28 257 Die Reise nach Wien Anno 1704/05 5/1978 29 258 Im Gasthaus zum Wilden Mann Anno 1704/05 6/1978 30 259 Der Festungsbaumeister Anno 1704/05 7/1978 31 260 Der große Fang Anno 1704/05 8/1978 32 261 Allerlei Überraschungen Anno 1704/05 9/1978 33 262 Der geraubte Prinz Anno 1704/05 10/1978 34 263 Der neue Oberst Anno 1704/05 11/1978 35 264 Das verschwundene Regiment Anno 1704/05 12/1978 36 265 Das Höhlenwunder Anno 1704/05 1/1979 37 266 Maskenball in Wien Anno 1704/05 2/1979 38 267 Im Vergnügungspark Anno 1704/05 3/1979 39 268 Nachrichten aus Ungarn Anno 1704/05 4/1979 40 269 Offener Aufruhr Anno 1704/05 5/1979 41 270 Das Ende des Regiments Anno 1704/05 6/1979 42 271 Auf der Spur von Califax Anno 1704/05 7/1979 43 272 Vor dem Kriegsgericht Anno 1704/05 8/1979 44 273 Der geheimnisvolle Patient . 10000 Gramm. [Attributes: Hard Cover]

      [Bookseller: Lausitzer Buchversand]
 17.   Check availability:     ZVAB     Link/Print  


        Le Livre de la Chasse.

      Club du Livre - Philippe Lebaud, 1976. - Deux volumes in-folio : le premier est le fac-similé du manuscrit comprenant 138 feuillets. Le second de XXI et 58 pages: introduction et commentaires de Marcel Thomas, François Avril, Duc de Brissac puis Traduction en français moderne par Robert et André Bossuat. Parfait état intérieur pour les deux volumes. Plein daim fauve pour le premier volume et demi-daim pour le second, chacun dans son étui bordé de daim. En parfait état. Collection du Musée du Livre - Manuscrit français 616 de la Bibliothèque nationale . Paris. Grand chasseur, le seigneur médiéval était aussi grand amateur d'ouvrages de vénerie et de fauconnerie. En Angleterre, en Italie, en Allemagne, comme en France, les livres de ce type abondent, souvent traduits et retraduits d'une langue dans l'autre, représentés chacun par de nombreux manuscrits parfois admirablement illustrés. L'un des plus célèbres, voire le plus célèbre, est assurément le Livre de Chasse de Gaston Phébus, comte de Foix, dont la vie mouvementée et la complexe personnalité ont été si bien évoquées dans les Chroniques de Froissart. Ce traité de vénerie est écrit de mai 1387 à 1389 par le comte de Foix Gaston III (1331-1391), dit Gaston Phébus. Ce grand seigneur poète, habile politique et bon administrateur, ami et protecteur des lettres et des arts, vit entouré d'une cour fastueuse. C'est aussi un homme violent, responsable de la mort de son fils unique. Rompu aux exercices les plus brutaux, il est grand chasseur. C'est avec expérience et passion que Gaston Phoébus, alors âgé de cinquante-sept ans, rédige ce traité personnel et original, dans un excellent français ponctué de quelques caractères normands-picards, alors que sa langue maternelle est la langue d'oc parlée à la fin du XIVe siècle dans le comté de Foix. Il y passe en revue tous les aspects de la chasse médiévale, animaux à chasser, chiens, pages, valets et veneurs, pièges. BNF. [Attributes: Soft Cover]

      [Bookseller: Librairie BERTRAN]
 18.   Check availability:     IberLibro     Link/Print  


        Kansas and the West: Bicentennial Essays in Honor of Nyle H. Miller (Nyle Miller's Copy presented to Him By the Editors) [with] Nyle Miller, His Book: Remembrances and Wishes from His Friends, December 29, 1976 (two volumes)

      Topeka, KS: Kansas State Historical Society, 1976 226 pages. Presentation copy bound in full red leather with red speckles on edges of text block. Gilt stamped title and Nyle H. Miller on top cover and the Kansas state flower, the sunflower, on the spine. This copy is inscribed personally to Nyle Miller by each of the five editors. Laid in is a program for Nyle H. Miller Day (Nov. 12, 1976), and a few clippings. Covers show a little light rubbing, though the volume is otherwise Fine. Included with Mr. Miller's personal copy is a second volume titled "Nyle Miller, His Book: Remembrances and wishes form his Friends, December 29, 1976." This cloth bound volume includes about 50 inscriptions and remembrances from friends and associate at the Kansas State Historical Society, on the last day of his formal employment. . Inscribed By the Editors and Others. First Edition. Hard Cover. Near Fine/No Jacket. 8vo.

      [Bookseller: Lloyd Zimmer, Books and Maps]
 19.   Check availability:     Biblio     Link/Print  


        The Last Waltz (Original poster for the 1976 performance)

      San Francisco: Bill Graham Productions, 1976. Original poster advertising the final performance by The Band at Bill Graham's Winterland in San Francisco on Thanksgiving Day, November 25, 1976. Not to be confused with the resulting film of the same name directed by Martin Scorsese. By the mid-1970s, after a furious number of performances with The Band, Robbie Robertson had become road-shy and wanted to cap the great quintet's career with a grand finale in the place where they had begun. What began as a simple idea turned into a complex and expensive venture, as well as something of an interpersonal emotional tempest. But the performance, and the film that came from it, ironically immortalized The Band in ways that no one--probably not even Scorsese--ever expected. Poster designed by Bob Cato and Michael Manoogian, using elements from the work French surrealist Georges Hugnet. 20.5 x 28.5 inches. Rolled, on archival linen. Fine.

      [Bookseller: Royal Books, Inc.]
 20.   Check availability:     Biblio     Link/Print  


        Robert Rauschenberg (SIGNED COPY)

      Smithsonian Institution, Washington DC 1976 - Softcover. 216 pages, illustrated in color and B&W. Catalogue for a five city museum exhibition from October 30, 1976 through January 15, 1978. Includes "Acknowledgments" by Walter Hopps and "Rauschenberg's Development" by Lawrence Alloway, plus Chronology, Lenders, Catalogue of Works, Selected Bibliography and Index of Titles for Catalogue of Works. SIGNED BY RAUSCHENBERG across front end papers in black marker. This 1976 exhibition was his first major retrospective since the early 60s. None [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Monroe Street Books]
 21.   Check availability:     AbeBooks     Link/Print  


        La bouteille à la mer. 1972-1976. -

      Plon 1976 -, Paris - 1 volume. Fort in-8 456 pp. Couverture rose. Non coupé. A toutes marges. Intérieur parfait. A l'état de neuf. EDITION ORIGINALE de ce volume formant le tome X du Journal de Julien Green. Un des 28 exemplaires de tête numérotés sur Madagascar des papeteries Navarre, et parmi ceux-ci, un des 10 réservés à l'auteur (n° J.G.M.19) Enrichie d'un envoi autographe signé de l'auteur à Eric Jourdan. [Attributes: Soft Cover]

      [Bookseller: Librairie KOEGUI]
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        Georgia O'Keeffe

      New York: Viking. First edition signed limited. Hardcover. Fine. SIGNED LIMITED FIRST EDITION, number 84 of 175 copies (plus 25 copies reserved for the artist); signed by O'Keeffe and complete with the extra suite of 16 plates. Beautifully illustrated with 108 color plates (plus additional suite) of O'Keeffe's paintings with commentary by O'Keeffe. A magnificent production- the quintessential O'Keeffe collection. New York: Viking, 1976. Large folio (approximately 12x16 inches), black cloth housed in matching black cloth clamshell box; extra suite loose in paper folding chemise with photograph of O'Keeffe on the cover. A little uniform toning to introductory text, clamshell box a little dusty, otherwise fine.

      [Bookseller: The Manhattan Rare Book Company]
 23.   Check availability:     Biblio     Link/Print  


        Plinius Secundus, Gaius: Naturkunde. Lateinisch - deutsch. Herausgegeben und übersetzt von Roderich König und Gerhard Winkler. Sammlung Tusculum. Komplette Ausgabe. Sammlung Tuscukum. Buch I: Vorrede, Inhaltsverzeichnis des Gesamtwerkes, Fragmente, Zeugnisse; Buch 2: Kosmologie; Buch III/IV: Geographie: Europa; Buch V: Geographie: Afrika und Asien; Buch VI: Geographie: Asien; Buch VII: Anthropologie; Buch VIII: Zoologie: Landtiere; Buch IX: Zoologie: Wassertiere; Buch X: Zoologie: Vögel; Buch XI: Zoologie: Insekten, vergleichende Anatomie; Buch XII/XIII: Botanik: Bäume; Buch XIV/XV: Botanik: Fruchtbäume; Buch XVI: Botanik: Waldbäume; XVII: Botanik: Nutzbäume; Buch XVIII: Botanik: Ackerbau; Buch XIX: Botanik: Gartenpflanzen; Buch XX: Medizin und Pharmakologie: Heilmittel aus den Gartengewächsen; Buch XXI/XXII: Medizin und Pharmakologie: Heilmittel aus dem Pflanzenreich; Buch XXIII: Medizin und Pharmakologie: Heilmittel aus Kulturpflanzen; Buch XXIV: Medizin und Pharmakologie: Heilmittel aus wild wachsenden Pflanzen; Buch XXV: Medizin und Pharmakologie: Heilmittel aus wild wachsenden Pflanzen; Buch XXVI/XXVII: Medizin und Pharmakologie: Heilmittel aus dem Pflanzenreich; Buch XXVIII: Medizin und Pharmakologie: Heilmittel aus dem Tierreich; Buch XXIX/XXX: Medizin und Pharmakologie: Heilmittel aus dem Tiereich; Buch XXXI: Medizin und Phramakologie: Heilmittel aus dem Wasser; Buch XXXII: Medizin und Pharmakologie: Heilmittel aus dem Wasser; Buch XXXIII: Metallurgie; Buch XXXIV: Metallurgie; Buch XXXV: Farben, Malerei, Plastik; Buch XXXVI: Die Steine; Buch XXXVII: Steine: Edelsteine, Gemmen, Bernstein; Naturkunde Gesamtregister.

      Düsseldorf/Zürich, Artemis & Winkler, Verschiedene Auflagen 1976-2004,. Vollständige Gesamtausgabe, 37 Bände + Gesamtregister in 32 Bänden, 12900 Seiten Kl.8°, Pappeinband mit Schutzumschlag. Sehr guter Zustand, ungelesen. Buch VIII, IX, XII, XIII im Heimeran Verlag erschienen, Buch X, XXVI-XXVIII, XXXIII ohne Schutzumschlag. 9783050054988 Versand D: 5,50 EUR

      [Bookseller: Antiquariat Heubeck]
 24.   Check availability:     buchfreund.de     Link/Print  


        The Cultural Contradictions of Capitalism.

      New York: Basic Books, 1976. First edition. Octavo, original cloth. Signed by Daniel Bell on the front free endpaper. Very good in a very good dust jacket. Daniel Bell was an American sociologist and professor emeritus at Harvard University, best known for his influential contributions to the study of post-industrialism. He has been described as "one of the leading American intellectuals of the postwar era" (Durham, 1986). For work like The Cultural Contradictions of Capitalism, Bell received honorary degrees from Harvard, the University of Chicago, and fourteen other universities in the United States, London, and Japan. He also received the 1992 Lifetime Achievement Award, the 1993 Talcott Parsons Prize, and the Tocqueville Award by the French government in 1995. Listed as one of the 100 most influential books since World War II by The Times Literary Supplement in London.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 25.   Check availability:     Biblio     Link/Print  


        Der Mensch und sein Werk. Gesammelte Schriften. Herausgegeben von Rachel Rosenzweig und Edith Rosenzweig-Scheinmann unter Mitwirkung von Bernhard Casper. Complete 4 parts in 6 volumes.

      - Haag, Nijhoff, 1976-1984. (XXXII) 602, (VI) 603-1333, (XXXVIII) 516, (XXII) 884, (XXII) 263, (XXXII) 361 pp. Cloth. Portrait. Bibliography. Illustrations. *uppersides textblocks very slightly foxed, good condition* Volume 1.1: Briefe und Tagebücher 1900-1918, Volume 1.2: Briefe und Tagebücher 1918-1929, Volume 2: Der Stern der Erlösung. 4. Auflage im Jahre der Schöpfung 5736 mit einer Einführung von Reinhold Mayer, Volume 3: Zweistromland. Kleinere Schriften zu Glauben und Denken. Herausgegeben von Reinhold und Annemarie Mayer, Volume 4.1: Sprachdenken im Übersetzen. Hymen und Gedichte des Jehudi Halevi. Der sechzig Hymnen und Gedichte dritte Auflage. Herausgegeben von Rafael N. Rosenzweig, Volume 4.2.: Sprachdenken im Übersetzen. Arbeitspapiere zur Verdeutschung der Schrift. Generalregister. Herausgegeben von Rachel Bat-Adam [Attributes: Hard Cover]

      [Bookseller: Antiquariaat Isis]
 26.   Check availability:     ZVAB     Link/Print  


        William Eggleston's Guide.

      New York: The Museum of Modern Art,, 1976. Essay by John Szarkowski. Small quarto. Original black morocco-grained boards, titles to spine and front board gilt, colour photograph inlay to front board, black endpapers. With 48 colour photographs by the artist. Small crease to lower left-hand corner of photograph inlay, minor foxing to top edge. An excellent copy. First edition, first printing. Published in conjunction with Eggleston's landmark exhibition at the MoMA in 1976, the first solo exhibition of colour photography held at a major Western art institution.

      [Bookseller: Peter Harrington]
 27.   Check availability:     Biblio     Link/Print  


        Der Ausgestoßene. Dt. von E. Tophoven.

      Hamburg Raamin-Presse 1976 - 4°. 35 S. Mit 11 Orig.-Holzstichen von R. Quadflieg. Original-Pappband mit Blindprägung. Raamin-Presse, Druck 7. - Spindler 71/7. - Ex. 13/20 (gesamt 170 numerierte Exemplare). Im Druckvermerk von der Künstlerin eigenh. signiert. Es liegen 2 eigenh. signierte Orig.-Holzstiche bei (aus dem Buch wiederholte Motive). - Einband unwesentlich berieben, sonst gutes, sauberes Exemplar. Gewicht (Gramm): 1000 [Attributes: Signed Copy]

      [Bookseller: Müller & Gräff e.K.]
 28.   Check availability:     ZVAB     Link/Print  


        Araki, Nobuyoshi. Japan Journey .

      Asahi Sonorama, Tokyo. 1976. - 8°. OKart. mit OU 170(1) S. Papier min. gebräunt, insgesamt sehr schönes Expl. [Attributes: Hard Cover]

      [Bookseller: Kunstkiosk im Helmhaus]
 29.   Check availability:     AbeBooks     Link/Print  


        Odyssee. Die Heimkehr. Gesaenge XIII - XXIV. Mit den Holzschnitten von Gerhard Marcks.

      Starnberg, Josef Keller, 1976. ca. 240 nn. S.Mit 118 (5 wiederh.) Holzschn. von G. Marcks. Handgeb. dunkelblauer Maroquinbd. mit vergold. RTitel und grosser vergold. Vign. auf den Deckeln in Pappschuber mit Lederkanten (J. Kohnert, Berlin), Kopfgoldschnitt. Lammek H. 489.1-113. - Tiessen 7. - Erste Ausgabe mit den Illustrationen von G. Marcks. Nr. 126 von 300 Ex. Druckvermerk vom Künstler sign. Auf Bütten mit den Namenszug von Gerhard Marcks als Wasserzeichen, einer Sonderanfertigung der Hahnemühle. Versandkostenfreie Lieferung

      [Bookseller: Antiquariat Galerie Joy]
 30.   Check availability:     buchfreund.de     Link/Print  


        Annual Report 1975-1976

      Sydney 1976 - 20,5 x 33 cm 60 Seiten 350 gr. [Attributes: Soft Cover]

      [Bookseller: Schueling Buchkurier]
 31.   Check availability:     ZVAB     Link/Print  


        Facsimiles of the Red Books for Anthony House, Cornwall; Attingham Park, Shropshire; and Sheringham Hall, Norfolk; with An Explanatory Volume by Edward Malins.

      London: Basilisk Press, 1976. Bound by Zaehnsdorf. No.10 of 500 numbered sets. 4 volumes, 3 being facsimiles and the fourth being an explanatory volume. Profusely illustrated excellently produced colour facsimiles of watercolour drawings and manuscript with overlay slips and flaps printed in collotype and letterpress and photographs by Eric de Mare. One folio volume, the rest being oblong 4to. This set has been specially bound for the owner by Zaehnsdorf in very handsome full red morocco with gilt lettering on the spine and upper cover, the explanatory volume is in the original half calf with beige cloth sides. A superb set. These three particular Red Books of Repton's designs were chosen because they mark important periods in his career and had a particular influence on English landscape gardening. The handwritten and illustrated volumes were made by Repton to show his clients the proposed improvements to their properties. He also used them to explain his theories on landscape gardening which he later expanded in his three printed books. Many of the watercolour drawing shave overlays showing first the site as it was and then, after opening the flap, how it would appear after Repton's improvements. The photographs in the explanatory volume take this a stage further by showing how they appear today. This specially bound set belonged to one of the initial subscribers to the project, the noted collector Hugh Fattorini. His bookplate is in each volume.

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
 32.   Check availability:     Biblio     Link/Print  


        THE AMERICAN MONUMENT Afterword by Leslie George Katz.

      NY: The Eakins Press Foundation, 1976. First ed. Friedlander, lee. Folio, 213 b&w photos on unnumbered leaves. Cloth titled in black and gilt. The publisher's binding resembles a personal photographic album, with the leaves gathered on screw posts. A fine, as new copy. Friedlander documents the statues in the square; the Confederate Veteran, various war memorials, Newsboy in MacArthur Park, etc. Only, Friedlander sees the modern urban world encroaching. Edition limited to 2000 copies. This copy additionally SIGNED by the photographer on the blank front free endpaper.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
 33.   Check availability:     Biblio     Link/Print  


        The Collected Essays

      London: Library of Imperial History,, 1976. 4 volumes, octavo. Original blue quarter rexine, gilt lettered spines, gilt arms of Churchill on front cover, top edges gilt, marbled endpapers, blue silk page-markers. An excellent set. First editions, first impressions, 3,000 sets were printed .

      [Bookseller: Peter Harrington]
 34.   Check availability:     Biblio     Link/Print  


        The Story of the Augusta National Golf Club.

      Garden City, NY: Doubleday and Company, 1976. First edition. Octavo, original cloth. Signed by Clifford Roberts on the half title page. Fine in a near fine dust jacket with the lightest of rubbing. Books signed by Roberts are uncommon. Presents the story of the golf course; the Masters Tournament created in 1934; and information about those who created, nurtured and played it through the years, such as Bob Jones and Dwight David Eisenhower. Illustrated throughout.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 35.   Check availability:     Biblio     Link/Print  


        Old North Church: THE ORIGINAL DRAWING, pencil on board, for this famous 1976 lithograph (Stuckey 366)

      n.p. 1976 - 1 vols. Image size 16 x 11-3/4 inches. Original Wengenroth Pencil Drawing of Old North Church. A bold rendering of the church front interior, probably done in 1976, the year before the distinguished artist's death. Originally squared for reproduction, these lines have been largely erased. On verso is a preliminary study in reverse, and that of another image, evidently the offset from a tracing. Stuckey, The Lithographs of Stow Wengenroth, 366 1 vols. Image size 16 x 11-3/4 inches

      [Bookseller: James Cummins Bookseller, ABAA]
 36.   Check availability:     AbeBooks     Link/Print  


        Geldgeber der Macht : wie Hitler, Lenin, Mao Tse-tung, Mussolini, Stalin, Tito ihren Aufstieg zur Macht finanzierten.

      Düsseldorf, Wien : Econ-Verlag, 1976. 1. Aufl. 260 S. : Ill. ; 22 cm gebundene Ausgabe leicht gebräunt, Schnitt fleckig, OSU mit Randläsuren ISBN: 3430132428 Versand D: 2,00 EUR Parteienfinanzierung ; Wirtschaftliche Macht ; Mao, Tse-tung ; Mussolini, Benito ; Stalin, Josef Wissarionowitsch ; Tito, Josip Broz ; Hitler, Adolf ; Lenin, Wladimir Iljitsch, a Geschichte, Kulturgeschichte, Volkskunde, a Wirtschaftswissenschaften

      [Bookseller: Bücherhof]
 37.   Check availability:     buchfreund.de     Link/Print  


        Lembi tagliati . . ricomposti

      GL Editore, , 1976. Ottimo (Fine). Cartella di 3 opere a collage di Galliano Mazzon moltiplicate artigianalmente nell'Officina d'Arte Grafica A. Lucini e C. (cm 40x40). Con un testo di Luigi Cavallo. cm 40x40. pp. 8. Ottimo (Fine). Prima ed. di 90 es. numerati e firmati dall'Artist. Mazzon (Camisano Vicentino 1896 - Milano 1978) emigrò con la famiglia a San Paolo del Brasile nel 1897 rimanendovi fino al 1916, quando rientrò in Italia per arruolarsi volontario in guerra. Dopo gli studi all'Accademia di Brera dove conseguì il diploma, cominciò a frequentare l'ambiente artistico milanese e dopo la seconda guerra mondiale entrò a far parte del Movimento Arte Concreta (MAC, 1948) partecipando ad importanti esposizioni. Nel 1953 abbandonò il gruppo e dopo una grave crisi depressiva partecipò, nel 1967, alla mostra storica degli astrattisti italiani ''Arte Moderna in Italia 1915-1935'' invitato da Ragghianti (Firenze, Palazzo Strozzi). Nel 1969 il Comune di Milano gli ha dedicato una grande mostra antologica alla Civica Galleria d'Arte Contemporanea.

      [Bookseller: Studio Bibliografico MArini]
 38.   Check availability:     Biblio     Link/Print  


        Interview With the Vampire

      Alfred A. Knopf Inc. (New York) 1976 - Near fine. Dust Jacket Condition: very good with slight creases on front flap and half-inch scratch on back cover top--remarkable for a vulnerable foil presentation. A landmark novel in American publishing as the primary title in a revival of vampire themes. [Attributes: First Edition; Hard Cover]

      [Bookseller: A Wyatt Book Inc.]
 39.   Check availability:     AbeBooks     Link/Print  


        Interview with the Vampire

      New York: Alfred A.Knopf,, 1976. Octavo, Original grey bords with black cloth spine, titles to spine gilt, A/R blindstamped to upper panel, top edge red. With the dust jacket. Spine rolled, light rubbing to extremities, in the price clipped dust jacket with light wear to extremities. A very good copy. First edition, first printing. Signed by author Judith Krantz and inscribed by Anne Rice on the front free endpaper, "For John Phillips, Anne Rice 1993.

      [Bookseller: Peter Harrington]
 40.   Check availability:     Biblio     Link/Print  


        Rodolphe Bresdin. Volume I - Monographie en trois parties. Volume II - Catalogue raisonné l'oeuvre gravé

      Martinus Nijhoff, Den Haag 1976 - Cloth, 34 cm, 208 / 159 pp. Ills.: zwart/wit illustraties. Cond.: zeer goed / very good ISBN: 9024719178. [Attributes: Hard Cover]

      [Bookseller: Bij tij en ontij ...]
 41.   Check availability:     AbeBooks     Link/Print  


        Apocalipsis

      - Ediciones Arte y Bibliofilia, Madrid 1976. Colección: Tiempo para la alegría. Gran Folio. Carpeta en tela editorial. Introducción de José Hierro, con una colección de 12 aguafuertes originales directamente realizados sobre la plancha por Jose Viera. Edición de 225 ejemplares numerados. Ejemplar de esta edición: 101. Papel celofán protector de la carpeta. Obra gráfica. Como nuevo La librería ofrece por tiempo limitado un descuento del 10%. El precio original de este ejemplar era de 890 EUR.

      [Bookseller: Libros Ambigú]
 42.   Check availability:     IberLibro     Link/Print  


        24 Blätter mit 168 farbigen Orig.-Tuschzeichnungen zu "Color Line".

      - 4°. Lose. Die Originalvorlagen zur gleichnamigen Publikation "Color Lines. Blätter aus dem Skizzenbuch / Leaves from the sketchbook 1976/77", erschien 1978 bei Pablo Stähli in Zürich. - Der heute in Basel lebende Karl Gerstner (*1930) zählt weit über die Grenzen seiner Schweizer Heimat hinaus, zu den wichtigsten Vertretern der Konkreten Kunst und zugleich zu den führenden Typographen und Designern. In seinen "Color Lines", der Übertragung des Albers'schen Konzepts der Farbflächenreihung auf die lineare Reduktion, sieht der Künstler auch seine Bewunderung für die muslimische Kunst mit ihren geometrischen Ornamenten verdeutlicht. - Auf Millimeterpapier (DIN A4), jede Zeichnung 6:6cm, jeweils 5-8 auf einem Blatt. Viele mit Annotation des Künstlers in Bleistift. - Tadellos sauber. - Dabei: das gedruckte Werk "Color Lines, Blätter aus dem Skizzenbuch."Zürich, Edition Stähli 1978. 4°. 35 nn.Bll. - Eines von 500 Ex. (Nr. 113), im Impressum von Karl Gerstner signiert. Lang de

      [Bookseller: Buch + Kunst + hommagerie Sabine Koitka]
 43.   Check availability:     ZVAB     Link/Print  

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