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Displayed below are some selected recent viaLibri matches for books published in 1974
SULA NEW YORK NY ALFRED A KNOPF CO PUB 1974. - F/NF. AUTHOR'S SCARCE SECOND BOOK D.J. HAS A TRACE OF RUB AT THE FRONT FORE-EDGE CORNERS AND A CLOSED ONE INCH TEAR AT THE TOP FORE-EDGE CORNER OF THE REAR FLAP, AND IS NOT PRICE-CLIPPED (PRICE ON D.J. IS $5.95). AN EXCELLENT CLEAN, BRIGHT AND UNFADED COPY WITH NO MARKS OF ANY KIND TO THE BINDING OR TEXT. FIRST EDITION. [Attributes: First Edition; Hard Cover] [Bookseller: JOHN LUTSCHAK BOOKS] 
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Sula New York: Alfred A. Knopf,, 1974. Octavo. Original orange cloth, titles to spine and upper board gilt, green top-stain. With the dust jacket. Ownership signature to front free endpaper. Boards a little bowed. A very good copy in the rubbed and creased jacket with a few short closed tears. First edition, first printing. Signed by the author on the title page. [Bookseller: Peter Harrington]
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Sula (First Edition) Alfred A. Knopf, New York 1974 - First Edition. The Nobel laureate's second book. Jacket design by Wendell Minor. Spine ends lightly bumped, else Near Fine in a Near Fine dust jacket. A lovely copy. [Attributes: First Edition; Hard Cover] [Bookseller: Royal Books, Inc., ABAA]
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Schweizer Berg. Acryl auf Pavatex. 1974 1974 - 51 x 60 cm, Tadellos Aus der Sammlung Ernst Scheideggers. Links unten vom künsterl signiert und datiert. Kreienbühl, Jürg (geb.1932 in Basel, gest 1.11. 2007), Maler und Zeichner. Lithografie und Radierung. Lebt in Basel und Paris. Jürg Kreienbühl besucht die Schulen in Basel, verlässt allerdings das Gymnasium (mathematisch-naturwissenschaftliche Abteilung) vor der Matur. Nach einem Vorkurs für Grafik an der Allgemeinen Gewerbeschule 1950?51 absolviert er 1951?54 eine Lehre als Flachmaler, verzichtet jedoch auf die finanzielle Sicherheit eines Brotberufes und beginnt nach dem Lehrabschluss sofort als freier Künstler zu arbeiten. Mit einem Stipendium der Stadt Basel geht er 1956 nach Paris, wo er sich, nachdem auch das Geld eines weiteren Stipendiums aufgebraucht ist, während vieler Jahren unter schwierigsten Bedingungen durchschlägt. Menschen, die von der Gesellschaft ausgestossen worden sind oder von sich aus zu ihr auf Distanz bleiben, sind seine Nachbarn und werden zu Freunden oder seinen Modellen. Dank des Bistrowirtes Antoine Visconti, mit dem er einen Vertrag abschliesst, kann er seine ersten Bilder verkaufen. In den 60er Jahren folgen Ausstellungen auch in der Schweiz, der Durchbruch gelingt mit der Ausstellung 1973 im Aargauer Kunsthaus Aarau. Eine breitere Anerkennung findet sein Werk, das durch seinen prätentionslosen Realismus auffällt, durch die Bearbeitung von Themen, mit denen der Künstler auf Verfall und Untergang hinwWerkwürdigung:Im Werk von Jürg Kreienbühl verbinden sich Themen des Memento mori mit einem Zweifel an den Entscheidungen der Elite. Betroffen von der Unausweichlichkeit der Existenz, malt er zuerst Friedhofsbilder, dann die am Rande des Nichts stehenden Bewohner der Banlieue von Paris. Später wendet er sich aufgegebenen Unternehmungen vergangener Epochen und Generationen zu. Er baut dabei auf die Sprengkraft der sachlichen Schilderung und verzichtet auf Sensationshascherei oder Nobilitierung des Dargestellten. Selbst ein Blick auf Paris lässt hinter der Oberfläche einer trockenen und sachlichen Darstellung einen bohrenden Zweifel erahnen. Ebenso versteht Kreienbühl seinen Malstil als Protest gegen eine Avantgarde, die in seinen Augen dem Erfolg zuliebe ihre Ideale aufgegeben hat. Durch diese Haltung schlüpft er zunehmend in die Rolle eines Chronisten von Welten, die dem Untergang geweiht sind: Die Fabrik für Heiligenfiguren, in der Bilder des Ewigen zerbrochen am Boden liegen (1975), zum Verschrotten bestimmte Schiffe (1978) oder die Verdrängung ganzer Quartiere durch die Stadterweiterung von Paris werden zu Themen, die er vielfach in grossen Serien bearbeitet. Wie viele seiner Zeitgenossen wandte er sich einer figurativen Kunst zu, die alle Zweifel an der Darstellbarkeit der sichtbaren Welt radikal beiseite schiebt und ganz auf die Mittel des Realismus vertraut. Kunsthistorisches Interesse verdient sein Werk, weil er, von ganz anderen Voraussetzungen ausgehend, zu ähnlichen Ergebnissen kommt wie der in den 70er Jahren sich auch in Europa ausbreitende Fotorealismus. Parallelen ergeben sich auch mit dem ganz anders motivierten Blick von Künstlern wie beispielsweise Edward Kienholz.Die bedeutendste Wirkung erzielte er bisher durch sein Engagement für das naturhistorische Museum des Jardin des Plantes in Paris. Kreienbühl fand mit der grossen Serie über dieses Museum (1982?88) zum Thema der Naturgeschichte zurück, das ihn bereits als Gymnasiasten zu selbständigen wissenschaftlichen Arbeiten angeregt hatte. Nur eine tiefe innere Krise hatte den angehenden Wissenschaftler damals auf die Bahn der Malerei gewissen. 1998 NZZ, Zurich, and SIK, Zurich / Lausanne. 3100 gr. [Attributes: Signed Copy] [Bookseller: antiquariat peter petrej]
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Biographia Britannica : or, the Lives of the Most Eminent Persons who have flourished in Great Britain and Ireland, from the Earliest Ages, to the Present Times : Collected from the best Authorities, printed and Manuscript, and Digested in the Manner of Mr. Bayles' s Historical and Critical Dictionary. The Second Edition, with Corrections, Enlargements, and the Addition of New Lives by Andrew Kippis with the Assistance of other Gentlemen (1778-1793)., (= Anglistica & Americana. A Series of Reprints Selected by Bernhard Fabian, Edgar Mertner, Karl Schneider and Marvin Spevack , 69 ). Hildesheim - New York : Georg Olms Verlag, 1974 ( reprographischer ND der Ausg. London 1778-1793 ). - zus. XXVIII, [86], 3481 S. Fresh copy with a bibliographial note by Bernhard Fabian. Sehr frische Exemplare mit einer bibliographischen Notiz von Bernhard Fabian. Sprache: en Gewicht in Gramm: 6800 4°, original cloth : braunes OLn. mit goldgeprägtem R-Schild und DT, hellgrauer Kopfschnitt [Attributes: Hard Cover] [Bookseller: Antiquariat Michael Solder]
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Typed Poem and Autograph Note Signed to Alan Helms Four line Typed Poem, "The Poem That Self-Destructs," below which is a note to author and model Alan Helms: "Allen [sic], Thanks for inviting me to your party. I wrote the above -- a seedling -- while at the party and felt you should have it. The girl is actual -- tall, blond hair, black trousers, white shirt. The moment of Poetry is important. Never spoke to her. Take care. Best, Gerard." The poem, needless to say, is about the face of a beautiful girl. Dated in Boston in 1974. A couple of small coffee stains have very slightly smeared a couple of letters, else near fine. Alan Helms was a handsome model who turned into an academic and wrote an autobiography of his ascendance in the New York gay scene. . [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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Untitled [New York: Privately published, 1974]. Near fine condition.. Collection of 20 8 1/2 x 10 3/4 inch loose prints, produced in an edition of 20, of which this number 6; all numbered and signed by Whitman. Most images depict what appear to be sliced oranges laid on the glass of a photocopier. Different fruits are paired with different settings on the photocopier, creating wildly saturated and colorful images. Whitman, represented by Pace, has had a long and distinguished career as an artist. He was an active figure in the New York avant garde, creating and staging Happenings alongside Allen Kaprow, Lucas Samaras, and Claes Oldenburg. [Bookseller: Harper's Books, Inc.]
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Atlas Okeanov. Soviet War Department Marine Atlases. 1974 - 1980 1974 - Three elephant folio volumes produced by the USSR War Department [Ministerstvo oborony Sovetskogo Soyuza], with volumes on the Pacific (1974) [Tikhiy okean], the Atlantic (1977) [Atlanticheskogo i Indiyskogo okeanov] and the Arctic Ocean (1980) [Arkticheskiy sever led okeana]. The Arctic Ocean was a front line in the Cold War following the second world war due to its strategic location between the United States and the USSR. The Soviets established a program of drifting stations and research stations, (30 operated from 1958 to 1975) which collected data important today to further the understanding of climate change in the Arctic. The Russian Northern Fleet also operated nuclear vessels in the Arctic, dumping spent nuclear fuel there. Interesting volumes for the highly detailed data collected. Volumes measure 14 x 18 inches wide. Black gilt stamped cloth with gilt titles at spines. Cream dj with titles in blue at front covers and spines. [Attributes: Hard Cover] [Bookseller: Antipodean Books, Maps & Prints, ABAA]
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The Second Winthrop Rockefeller Distinguished Lecture "Can We Stave off World Disaster by Feeding the Hungry - Until We Tame the Population Monster?" [No place - New York?]: (Rockefeller Foundation). 1974. First. Edition unknown. Unbound mimeographed sheets. Title page, 61,[2 bibliography] leaves, all printed rectos only. Evidence of old staple in upper left corner (staple now lacking), else about fine. Signed twice by Norman E. Borlaug: once on the title page, and again at the conclusion of the text. The 95-year old Borlaug is an agronomist, was one of the founders and leaders of the "Green Revolution" that greatly increased wheat yields in India, Pakistan, and Mexico, essentially ensuring food self-sufficiency, as well as the winner of the Nobel Peace Prize, the Presidential Medal of Freedom and the Congressional Gold Medal. OCLC locates no copies. . [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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Ohne Titel. Aquarell. 1965. In der Darstellung mit blauem Pinsel signiert und datiert. . 54 : 38 cm. Auf Velin.. Schönes, grossformatiges Aquarell aus der letzten Schaffensphase des Künstlers. - Provenienz: Sammlung Erna und Curt Burgauer, Küsnacht. - Vergleiche: Baumann, Hans, Emanuel Jacob, Teufen, Niggli 1974. [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
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Christian Boltanski: Inventaire des objets appartenant à un habitant d'Oxford précédé d'un avant propos et suivi de quelques réponses à ma proposition. Verzeichnis der Objekte, die einen Einwohner Oxford's gehören eingeleited durch ein Vorwort und gefolgt von einigen Antworten auf meinen Vorschlag. Inventory of the objects belonging to an inhabitant of Oxford introduced by a preface and followed by some answers to my proposal. MINT COPY/SIGNED. Munster, Westfälischer Kunstverein, no date (1973/1974?). Stiff black wrappers (softcover) with letterpress-title in white, 20,8 x 15 cms. (80) pp. throughout illustrated in duotone. Copy from a signed, limited and numbered edition. This copy being numbered '15'. - Munster, Westfälischer Kunstverein, no date (1973/1974?). Stiff black wrappers (softcover) with letterpress-title in white, 20,8 x 15 cms. (80) pp. throughout illustrated in duotone. Copy from a signed, limited and numbered edition. This copy being numbered '15'. [Attributes: Signed Copy; Soft Cover] [Bookseller: Luiscius Books]
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Les morts pour rire. Deads in fun. Die sich zum Spass Umbringen. AQ, Dudweiler, 1974. True first edition. - Artist book. 32p. (14 b/w illustrations). Softbound. 20.9 x 14.8 cm. Three-language French-English-German text by C.B. True first edition of 150 copies + 20 numbered and signed copies. One of the 150. Condition: Thin white vertical white crease along the back cover joint. Overall VG+/fine. Reference: J. Flay: C. Boltanski, Catalogue of the books, printed matter, ephemera, König 1992, n° 40, pp. 112-115. R. Calle: Christian Boltanski, Livres d'artiste 1969-2007, Paris, 2008, pp. 40-41. VG+/Fine. [Attributes: First Edition; Soft Cover] [Bookseller: ARCHIVES]
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Idioeidetischer Letterfrack (Künstlerbuch). Pari & Dispari in Verbindung mit Francesco Conz, Reggio Emilia, 1974 - Reggio Emilia, Pari & Dispari in Verbindung mit Francesco Conz 1974. 2°. Leinenkassette mit 11 Bogen, Faltblatt und Libretto (31 Blatt), OKt. Eines XV numerierten und signierten Künstlerexemplaren (gesamt 160 + 15) mit den elf Transferlösedrucken (Lettraset), dem Plakat mit Anwendungsbeispielen von Attersee, Günter Brus, Giuseppe Desiato, Hermann Nitsch, Arnulf Rainer, Dieter Roth, Gerhard Rühm und Oswald Wiener. Die Künstlerexemplare enthielten keine weiteren Originale. Graue Leinenkassette mit weißer Schrift. Das beiliegende 'Libretto', das auch einzeln erschienen war, hat hier schwarze Deckel und ist gleichfalls als Künstlerexemplar numeriert und signiert. Steiger hat sich eine zeitlang dieser Herstellungstechnik gewidmet, dem auch das seinen Biometrischen Texten entnommene Signet für seinen Buchdienst Fesch entstammt (genannt Siegel). Die aus seinen Knöchelchenzeichnungen hervorgegangenen Figuren des jüngsten der mittelbar Beteiligten, hier auf Pergamin, jeweils in einem numerierten Bogen, mochten mit Letraset übertragen werden. Der in der Geisteswelt von Wystan H. Auden, Konrad Bayer und Dieter Roth aufgewachsene Dichter war ein später Exekutor von Ideen der Wiener Gruppe und des Wiener Aktionismus, nicht ohne Fluxusneigung, ehe er Künstler geworden ist. - Sehr schönes Exemplar. Sprache: deu [Attributes: First Edition; Signed Copy] [Bookseller: Georg Fritsch Antiquariat]
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Epistola in lode di Verona OFFICINA BODONI 1974 Epistola ristampata nel testo originale latino nella traduzione italiana di G.B. Pighi. Officina Bodoni, Verona, 1974. In 8vo, carattere Dante corpo 12 e 13 tondo e corsivo, titolo nel frontespizio in rosso. Tiratura 170 esemplari numerati su carta a mano Magnani. Rilegatura: dorso in pergamena e quadranti in carta Roma blu con disegno antico in bianco, astuccio editoriale in tela. Esemplare n.18 ben conservato.Catalogo Mardesteig 189. 58 1 [Bookseller: Libreria Alp-hà srl]
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Portraitphotographie mit eigenh. Widmung und U. O. O., 24. Oktober 1974.. 280:355 mm.. Ausdruckstarkes Brustbild Grieshabers im Halbprofil, dem Kunsthistoriker Franz Winzinger (1910-1983) "Von der Achalm ein malgre frut [ ]" gewidmet. Photographie: Paul Swiridoff, Schwäbisch-Hall. [Bookseller: Kotte Autographs GmbH]
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Studien zur altägyptischen Kultur Band 1 (1974) - Band 20 (1993) + Indexband der Bände 1- 10 (Hrsg. v. H. Altenmüller) ; Beihefte 1+ 1 ( d.i. Akten des vierten internationalen Ägyptologen Kongresses München 1985 Hrsg. v. S. Schoske), Hamburg, Helmut Buske Verlag, 1974-1993. - je ca. 350 S. mit sehr zahlreichen Tafeln, Abbildungen, Karten etc. Durchgehende Serie des gesuchten Periodikums in sehr gutem Erhalt. Mit dem praktischen Indexband und zwei Aktenbänden des Agyptologen-Kongesses München 1985. Frisches wohlerhaltenes Exemplar. Sprache: de Gewicht in Gramm: 20000 4° Bände 1-10 bedruckte OriginalKarton ab Band 11 gebundene Originalpappbände. [Bookseller: Antiquariat Michael Solder]
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Sacrifice of Isaac New York: Kennedy Graphics, 1974. Distributed graphics by Alan Wofsy Fine Arts. Drypoint, etching, and engraving on copper in black printed on Velin d'Arches paper. Edition of 100. Signed and numbered in pencil by the artist. Image: 13 5/8 x 10 5/8 inches. Sheet: 22 1/4 x 15 inches. Prescott, 60. [Bookseller: Alan Wofsy Fine Arts]
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10 (4 eigenh. und 6 ms.) Briefe mit U. sowie eine Portraitphotographie mit eh. Widmung und U. Paris, Santa Monica, und New York, 1951 bis 1974. - Zusammen 12¼ SS. auf 14 Bll. Verschiedene Formate. Die Photographie i. F. 201:125 mm. Mit einer Beilage (s. u.). Freundschaftliche Korrespondenz mit dem Filmregisseur und -produzenten George Cukor (1899-1983), u. a. über Colettes Novelle "Gigi", die von ihr für die Bühne bearbeitet wurde: "This is not what I consider a final draft of Gigi, by any means, for there is plenty of work to be done on it. But I do feel it is at a stage where I should proceed according to the ideas of the director. My own concept of the play is that the whole thing should be in the mood of a rather naughty Valentine and that it must definitely have a girl in the title role who can emerge as a star. (Mind you, I do think that the part will give any actress plenty of scope and opportunity.) Another idea I have is this - - If it were a possibility that Bethel Leslie could play Gigi, it might also be a possibility that Helen Hayes would play Aunt Alicia. I know that Helen has been considering to do a play with Bethel, should the right one come along. So this might be it [.]" (a. d. Br. v. 3. IV. 1951). - Tatsächlich sollte "Gigi" dann jedoch mit der damals noch unbekannten Audrey Hepburn in der Hauptrolle besetzt werden und ebnete dieser dann ihren Weg zum Debüt auf der Leinwand. - Die Photographie mit einem hübschen Schultersück in S/W; beiliegend ein ms. Briefdurchschlag an Jerry Bressler von der Columbia Pictures Corp. (2½ SS. auf 3 Bll.): "Love to my twin brother from | Anita". - Aus der Sammlung Charles Williamson und Tucker Fleming. [Attributes: Soft Cover] [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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WATERGATE ARCHIVE. A COLLECTION OF OVER 60 SIGNED DOCUMENTS AND PHOTOGRAPHS CONTAINING THE AUTOGRAPHS OF NEARLY EVERY MAJOR FIGURE IN THE WATERGATE SCANDAL. 0, Leather, Book Condition: Very Good Condition, Signed By the AuthorWATERGATE ARCHIVE. A COLLECTION OF OVER 60 SIGNED DOCUMENTS AND PHOTOGRAPHS CONTAINING THE AUTOGRAPHS OF NEARLY EVERY MAJOR FIGURE IN THE WATERGATE SCANDAL. Together approximately 70 pages, various sizes, housed in a leather ring binder. NIXON. T.L.S., 9 August 1974. 1p., 8vo, White House stationery. A souvenir copy of Nixon's terse letter of resignation (with his original signature): "I hereby resign the office of President of the United States." -- 58 AUTOGRAPHED CARDS signed by famous participants in the Watergate affair, some with inscriptions. Signatures include: HENRY A. KISSINGER, H. R. HALDEMAN, JOHN D. EHRLICHMAN, ALEXANDER HAIG, JOHN N. MITCHELL, BOB WOODWARD, CARL BERNSTEIN, ROBERT H. BORK, CHARLES COLSON,, Watergate burglars E. Howard Hunt, James W. McCord, G. Gordon Liddy, Bernard Barker (inscribed: "Let us hope you will never have to endure the tragedy facing those Cubans, your age, who have lost their home land & freedom."), Frank Sturgis, White House "Plumber" Egil Krogh, Jr. (signed at Allenwood Prison Camp), Senators Sam Ervin and Howard Baker, Supreme Court Justices William J. Brennan, Jr., Potter Stewart, and Byron R. White, Judge John J. Sirica, plus 36 others. -- RODINO, Peter W. Photograph inscribed and signed ("best wishes, Peter W. Rodino"), n.d. 1p. (8 x 10in.). -- WEICKER, Lowell P. Photograph signed ("Lowell Weicker, Jr."), n.d. [ca. 1973]. 1p. (8 x 10in.). Weicker stands with six of the seven members of the Irvin Senate Special Investigative Committee. -- DASH, Samuel. Photograph signed ("Samuel Dash"), n.d. [ca. 1973]. 1p.(8 x 10in.). A photo of Dash listening to testimony during a session of the Senate Special Investigative Committee. -- 13 Photographs related to the Wartergate -- FOURTEEN COPIES OF THE HOUSE JUDICIARY COMMITTEE'S PAMPHLET, The Impeachment Inquiry: Its Meaning (Washington: 1974), each signed by a member of the Committee (Peter Rodino, Paul Sarbanes, and 12 others). A FINE, WIDE-RANGING COLLECTION OF AUTOGRAPHS FROM PARTICIPANTS IN EACH PHASE OF THE AFFAIR, from the initial break-in at Democratic National Committee headquarters in the Watergate complex, to Woodward and Bernstein's investigations in the Washington Post, to the explosive Senate hearings under Sam Ervin, the House impeachment hearings, Nixon's attempts to cover-up the affair and stonewall the investigations, finally leading to his resignation and the criminal trial and conviction of several of his key aides. PHOTOS AVAILABLE UPON REQUEST, Autographe [Bookseller: Louis Caron]
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Zen and the Art of Motorcycle Maintenance: An Inquiry into Values - SIGNED William Morrow & Co, New York, 1974, Hardcover, Book Condition: Near Fine, Dust Jacket Condition: Near Fine, A First Edition, First Printing, Signed By AuthorNear fine in a near fine unclipped dust jacket. Signed by the author on the front end paper. Top corner of front endpaper with evidence of erasure, front hinge a bit loose. jacket with a one inch closed tear in the middle of the front panel, difficult to see. Rear panel lightly soiled, light edge wear elsewhere, Book [Bookseller: James Graham, Bookseller]
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Switch Bitch NY: Alfred A. Knopf, Inc., 1974. First printing of the Knopf hardcover edition. x, 214pp. Red cloth, gilt spine and front cover lettering, cream endpapers, brown top-stain, deckled fore-edge. Dust jacket price 5.95. Signed by Dahl to title page. Book and dust jacket are in fine, exceptionally bright condition [couple of light creases to inner dust jacket flaps]. No remainder markings. "From the publication of 'James and the Giant Peach' and 'Charlie and the Chocolate Factory' in the 1960s to his death in 1990, Roald Dahl became the most successful children's author in the world. Nearly twenty years later, a fresh generation of children seek out his work with instinctive fanaticism. His creations endure - through Hollywood movies, theatre adaptations and musical works, but still most potently of all through the pure magic of his writing upon the page." . Signed by Author. First Edition. Hard Cover. Fine in Fine Dust Jacket/Fine. Illus. by Dust Jacket Illustration By Charles Shields; Typography and Binding Design By Earl Tidwell. 8vo - over 7¾" - 9¾" tall. [Bookseller: John Marston's Book Shop]
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Dova Milano: Edizioni Galleria Arte Borgogna, 1974. Prima edizione di 500 es. numerati. ril pelle, custodia (leather binding, slip-case). Molto buono (Very Good). Folio (cm 41x43). Dedica e firma autografe dell'Artista datata 18-9-1974 (Inscribed and signed by the Artist, dated 18-9-1974). Curriculum. Scritti di D. Porzio, F. Russoli, J. Pierre, M. De Micheli, M. Valsecchi, A. Gatto, P. Fiori, G. Ballo, E. Crispolti, E. Tadini, A. P. de Mandiargues, R. Carrieri. Mostre personali. Mostre Collettive. Bibliografia. Con circa 100 tavole a colori a piena pagina protette da velina e numerose illustrazioni e foto in nero La legatura in piena pelle è stata eseguita da Mario Rigoldi di Monza. Sul piatto anteriore una riproduzione in oro di un'opera di Dova Custodia leggermente sciupata (Lightly worn slip-case) [Bookseller: Studio Bibliografico MArini]
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Holiday London: Hutchinson,, 1974. Octavo. Original blue boards, titles to spine in silver. With the dust jacket. Extremities faintly rubbed, light scattered spotting to edges of text block and endpapers. An excellent copy in a jacket with two short closed tears and some minor chipping and toning. First edition, first impression. Presentation copy inscribed by the author on the title page, "To Ron Chandler, with my thanks and best wishes. Stanley Middleton. 1974". The joint winner of the Booker Prize for 1974 and one of the very scarcest of all Booker Prize titles. Rare in first impression, and even more so inscribed. [Bookseller: Peter Harrington]
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L'Oeuvre Complet De Maurice Utrillo en 5 volumes (catalogue raisonné Paul Pétridès 1974 - Editeur Petrides - perfect state as new, 5 volumes set published between 1959 and 1974 on Arches vellum paper - Photos on request - edtion limited of 1000 copies Editeur Petrides - perfect state as new, 5 volumes set published between 1959 and 1974 on Arches vellum paper - Photos on request - edition limited of 1000 copies [Attributes: First Edition; Hard Cover] [Bookseller: Place des Arts - Paris]
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Porträt eines Juden. 1974. Gouache auf Karton. Oben links in Bleistift signiert und datiert: „Shapiro 1974". - 35 : 24 cm (Passep.-Ausschnitt). – Gerahmt. [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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Zehn Kleine Meckerlein (Haarlem: Carlinapers, 1974). Tall, narrow octavo. (20)pp. One of forty copies. A reprint of the original 1943 edition, which was also published in a limited edition of forty copies. In this poignant satirical variation on the "Ten Little Indians" nursery rhyme, originating from a German concentration camp during the Holocaust, the "Meckerlein" or "nuisances" are those who oppose the Nazis. They disappear one by one, only to be reunited in the end inside the Oranienburg concentration camp. The pages are printed with bold typography that is oriented horizontally across the page spread. Fine in stiff green wrappers with a tonal pattern and a printed paper label. [Bookseller: Bromer Booksellers]
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John le Carré Trilogy First Editions Signed Tinker Tailor Soldier Spy The Honourable Schoolboy Smiley's People UK: Hodder & Stoughton, 1974. 1st Edition 1st Printing. Hardcover. Near Fine/Near Fine. John le Carré Trilogy First Editions Signed Tinker Tailor Soldier Spy The Honourable Schoolboy Smiley's People. Published by Hodder & Stoughton, 1974, 1977, 1979. No inscriptions, none of the usual fading to spines. No price clipped dust jackets. All near fine or better copies. SIGNED by John le Carré to bookplates on each fep. An excellent set. [Bookseller: Brought to Book Ltd]
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Galley Proofs for "Something Nothing"; Hone Tuwhare's fourth collection of poetry. Caveman Press (1974), Dunedin - Corrected galley proofs for Hone Tuwhare's fourth book of poetry, "Something Nothing". This title was published in Dunedin by the Caveman Press in 1974. Loose long galley leaves, dimensions: 152 x 456 mm. The leaves are printed on one side only. The leaves are held loosely within cloth boards with ties and a printed paper label on the front board. The manuscript corrections consist of the removal of the comma from "Something, Nothing" at each occurence, and changes to the page numbering. There are also a few handwritten notes (presumably made by the Caveman Press publisher Trevor Reeves) on the first leaf. The proofs do not have the contents page or the copyright page, but there is a note that the contents page is to be made in the same style as that used in "Sapwood and Milk". The illustrations by Robin White, which appear in the final published book, are not included. There are a few stains to the first few leaves, and some rubbing and wear to the corners of some leaves. "Something Nothing" has some of Tuwhare's best poems, including "Ron Mason", written after the death of RAK Mason. Several poems from "Something Nothing" were used in later anthologies of Tuwhare's poems: "Selected Poems" (1980) had seven poems from Something Nothing (along with 20 from No Ordinary Sun, 5 from Come Rain Hail, 5 from Sapwood and Milk, and 2 from Making a Fist of It.) In "Year of the Dog, Poems New and Selected"(1982), 12 of the 32 poems were from Something Nothing. In "Was Wirklicher ist als Sterben" (1985), 5 of the 33 poems were from Something Nothing. ; Folio [Attributes: First Edition; Hard Cover] [Bookseller: Renaissance Books]
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Steam Press Portfolio 2 London: Steam Press,, 1974. Loose title leaf, limitation leaf, and 6 folding broadside poems (3 of which with textured jackets) illustrated, designed and printed by Ralph Steadman. Housed within a navy blue cloth folding case. ` A few trivial faint marks and a small corner crease to title leaf, tiny nicks to some corners, an excellent set. First edition, number 18 of only 50 numbered copies, with each broadside numbered and signed by Steadman, and all the poems signed by their respective authors, except Plath's for obvious reasons. A stylish, serious, and valuable production. [Bookseller: Peter Harrington]
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A Wonderful Time: An Intimate Portrait of the Good Life. Harper & Row, New York 1974 - First edition of the photographer's most well-known work which covered the global social circuit in a style that remains without peer to this day. Folio, original blue cloth. Signed by Slim Aarons on the title page. An excellent copy in a very good dust jacket. Since its publication in 1974, A Wonderful Time has been serving as a source of inspiration for art designers and advertising gurus. His pictures appeared on the pages of Harper's Bazaar, Life, Vanity Fair and Holiday. "Attractive people doing attractive things in attractive places" was Aarons's mantra. [Attributes: First Edition; Signed Copy; Hard Cover] [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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L'anatomia della bellezza Milano: Cerastico, 1974. Prima edizione di 130 + XXV es. numerati. Quartini sciolti in camicia e custodia in mezza tela (loose as issued in original half cloth chemise and slip-case). Ottimo (Fine). Folio (cm 43,5x46). 12 acquaforti originali a colori numerate e firmate a matita di Concetto Pozzati (cm 37x38,5) acompagnate da testi inediti di William Hogarth a cura di Roberto Sanesi I testi inediti pubblicati in questo volume erano rimasti inediti (anche nell'originale) e furono ritrovati nel risvolto di una cartella di stampe di scarso valore acquistata da un piccolo libraio. E. W. Myers in Portobello Road a Londra. Incisioni tirate da Giorgio Upiglio con la diretta assistenza dell'Artista. Carta a mano della Filicarta con impressione del marchio dell'Editore in filigrana. Composizione in caratteri Bodoni e stampa tipografica di Ferruccio Lucini. Es. 86 [Bookseller: Studio Bibliografico MArini]
31. Check availability: Biblio
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Grafikblatt. Arbeitslose 1931. o. O., o. Vlg., 1931/1974 - (49 x 35 cm), Graphikblatt vom Künstler signiert und betitelt. Neuauflage (100 + 10) der Berliner Galerie Kunze, 1974. (Gerd Arntz - Kritische Grafiek en Beeldstatistiek, Den Haag , Gemeentemuseum 1976). 1200 gr. [Attributes: Signed Copy] [Bookseller: antiquariat peter petrej]
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Photographie originale] Portrait photographique de David Hockney par Jean-Michel Folon, ca 1974 1974 - 25,2 x 19,2 cm. Tirage argentique d'époque. Cliché probablement pris pendant le vernissage de l'exposition personnelle de David Hockney au musée des Arts décoratifs à Paris en 1974. Très rare tampon de Jean-Michel Folon au verso. Beau portrait. Tirage rare et en bel état. [Bookseller: Des livres autour (Julien Mannoni)]
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La maratona di Clarissa Boswell (in diciassette tappe) Milano: Edizione a cura dell'Artista, 1974. Prima edizione di 77 esemplari firmati. Quartini sciolti in custodia in tela (loose as issued in original cloth portfolio). Ottimo (Fine). 4to (cm 39,5x30,5). 16 litografie originali a colori di Sergio Dangelo. Allegata all'edizione una busta con un foglio di "Riferimenti e aneddoti piccanti", una fotografia di Dangelo con Clarissa e Richie stampata su cartoncino argentato di Eugenio Cassina, un foglio di spiegazione, un quartino con un testo di Franco Cavallone Custodia disegnata da Jean Michel e realizzata dalla Legatoria Bonetto. Tasca con bottone color kaki applicata alla copertina. Pagine litografiche eseguite sui torchi de "Il Torchio di Porta Romana". Edizione firmata al colophon dall'Artista [Bookseller: Studio Bibliografico MArini]
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Ms. Brief m. e. U. Paris, 2. V. 1974. - 4to. 1/2 Seite An einen Herrn, der ihm anläßlich der bevorstehenden Wahl zur Präsidentschaft, bei der Mitterrand kandidierte, brieflich seine Solidarität bekundet hatte, ". Je vous remercie également des conseils et indications que vous pris la peine de me faire parvenir. Dans toute la mesure du possible, j 'en tiendrai compte d' ici la fin de la campagne électorale.". - Mitterrand verlor die Präsidentschaftswahl nur knapp gegen Valéry Giscard d' Estaing. [Bookseller: Kotte Autographs GmbH]
35. Check availability: IberLibro
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Occhi antichi Siae - Edizioni d'Arte "Nuovo Sud, 1974. Prima edizione di 70 es. numerati e firmati. ril tela (cloth). Ottimo (Fine). Folio (cm 50x35). Poesie di Antonio Cremona e 3 acqueforti originali, numerate e firmate su foglio e su lastra, di Luigi Toccacieli (cm 24,5x24,5). La raccolta "Occhi antichi", pubblicata per la prima volta dalle Edizioni Salvatore Sciascia nel 1957 (n. 29 della collana I quaderni di Galleria a cura di Leonardo Sciascia), è riprodotta con alcune varianti all'interno dei testi. Edizione firmata dall'Artista Edizione stampata su carta Miliani Fabriano. Incisioni tirate su carta Pardo dall'Artista. Lastre biffate dopo la stampa. Realizzazione tipografica della Scuola Salesiana del Libro di Catania-Barriera. Esemplare 55/70 [Bookseller: Studio Bibliografico MArini]
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Maria tu sais. Trente-cinq poèmes d'amour. 4 Lithographies en couleur d'André Masson. - Edité par Adolf Hürlimann. Zürich, A.Hürlimann 1974. 4° (32,8 : 25,5 cm). 2 w.Bl., (4), 35, (4) S., 3 w.Bl. und 4 Farblithographien nach Filz- u. Farbstiftzeichnungen von André Masson auf Tafeln. Lose Lagen in Orig.-Umschlag und Schuber. Erste Ausgabe. - Eines von 113 numerierten Exemplaren auf Vélin de Rives, im Druckvermerk vom Künstler, Dichter und Verleger signiert. Mit dem beiliegenden Errata-Blatt. Die Lithographien nach farbigen Filz- und Farbstift-Zeichungen wurden bei Wolfensberger in Zürich gedruckt. - Unberührtes Exemplar. [Attributes: First Edition; Signed Copy; Hard Cover] [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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Inni di Goethe. Gesang der geister uber den wassern. Grenzen der menschheit. Das gottliche Verona: Editiones Dominicae di Franco Riva, 1974. Edizione originale di 80 + 10 es. numerati. fogli sciolti in custodia (loose as issued in original portfolio). Ottimo (Fine). Folio. Con 3 acqueforti firmate di Mirek (14,5x15,5). Traduzione italiana di Franco Riva Testi composti e stampati a mano in torchio da Franco Riva [Tamborini, 1997] [Bookseller: Studio Bibliografico MArini]
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Engel der Geschichte. XIX. und XX. Sonderdruck. Mit 11 (3 doppelblattgr.) sign. Orig.-Holzschnitten von HAP Grieshaber, 4 sign. Orig.-Graphiken von J. Reichert sowie 1 Orig.-Farblithographie von R. Szymanski und 1 Orig.-Farblithographie von H. Antes (als Umschläge) sowie 1 Tafel nach einer Fotografie von J. Malina, Hannover, Brusberg, 1974 - Fürst 74/1 (73/2-11); Lutze (Antes) 747. - 1 von 120 num. Exemplaren der Vorzugsausgabe. - Weitere 100 Exemplare der VA waren als Geschenksendung für die DDR bestimmt, ferner erschienen 180 nicht num. Exemplare. Mit Gedichten und Prosa von R. Ausländer, HAP Grieshaber, M. Hannsmann, V. Braun u. a. Sprache: de Gewicht in Gramm: 550 [Attributes: Soft Cover] [Bookseller: Antiquariat Galerie Joy]
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Carte sotto stampa Reggio Emilia: Prandi, 1974. Edizione originale di 135 es. numerati e firmati. ril tela, cofanetto. Perfetto (Mint). 4to. Volume di 19 frammenti di acquaforti di varie epoche di cui 9 non firmate (da cm 6,5x6,5 fino a cm 13,5x9) inserite nel testo e 10 (da cm 16,5x6 fino a cm 20,5x14) in suite numerate e firmate dall'Artista. Testo di Leonardo Castellani Carta delle Cartierte Magnani di Pescia. Edizione firmata dall'Artista [Biblioteca Panizzi] [Bookseller: Studio Bibliografico MArini]
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Aufsätze zur Linguistik und Poetik. Herausgegeben und eingeleitet von Wolfgang Raible. Sammlung dialog. [ signed by the author ] Wilhelm Fink Verlag 1974 - 1 vol. in-8 br., Nymphenburger Verlagshandlung, 1974, 289 pp. Exceptionnel exemplaire dédicacé par Roman Jakobson à "René Thom, le créateur de la topologie du langage, hommage de Roman Jakobson". Honoré par la Médaille Fields en 1958, le mathématicien français René Thom (1923 - 2002) est le célèbre fondateur de la théorie des catastrophes. Langue: Allemand [Attributes: Signed Copy; Soft Cover] [Bookseller: Librairie du Cardinal]
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