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Displayed below are some selected recent viaLibri matches for books published in 1974

        Il secondo tragico libro di Fantozzi

      MILANO: RIZZOLI EDITORE, 1974. IED. Rilegato. BUONO. 14 22. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        2 Themen in drei Farbvarianten.

      (Ascona, Centro del Bel Libro 1974). - Gr.-Folio. 8 Bll. Mit 6 sign. Orig.-Farblinolschnitten unter Passepartouts. Lose in Orig.-Leinenkassette. Eines von 75 Ex. (Nr. 42) (Ges.aufl. 100 Ex.). - Die Originallinolschnitte, die vom Künstler eigens für diese Kassette geschaffen wurden, sind alle einzeln signiert und numeriert. Die Blätter wurden von Alfred Judex, Zürich, von Hand auf Japanpapier abgezogen. Gesamtherstellung: Josef Stemmle, Centro del Bel Libro, Ascona. - Mit einleitendem Text, ebenfalls unter Passepartout, von Walter Labhart. - Tadellos sauber. Lang de

      [Bookseller: Buch + Kunst + hommagerie Sabine Koitka]
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        Where the Wild Things Are

      Harper & Row 1974 - DJ 4" tear front, 1/2" tear front, 1" tear along spine, not price clipped but bottom front flap clipped, mylar, pictorial boards, black spine, black lettering, rear top corner bumped, binding very good, pages clean & bright. Reprinted in with new engravings made from the original art. ; 9.25" x 10.25" [Attributes: Hard Cover]

      [Bookseller: Crossroads Books]
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        La tête d'obsidienne *

      Gallimard, (Paris) 15.2.1974. - Broché, couverture imprimée à rabats. Non coupé. Reproductions en noir. Sur l'art, et plus particulièrement Picasso. Édition originale. L'un des 80 exemplaires de tête numérotés sur vergé, avant 310 vélin.

      [Bookseller: OH 7e CIEL]
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        Switch Bitch

      Alfred A. Knopf, New York 1974 - Orange / red cloth boards with gilt title to spine and RD initials to front cover. SIGNED by Dahl with no inscription in bold black felt tip. Book very clean and tight with no names, inscriptions, remainder or library marks. Edge uncut as issued. Unclipped ($5.95) dust jacket similarly in Very Good + state with only slightest edgewear. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bounteous Ltd]
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        Uomini nudi

      Paris, , 1974 - Acquaforte originale da ''The Santa Claus Suite''. Cm 35x47 (Foglio cm 51x67). . . . . Tiratura 175 + 10 H.C. . [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        The Fugitive Poems.

      California: Xiccarph Edition,, 1974-7. [The Titans in Tartarus; A Song from Hell; The Potions of Dreams; The Fanes of Dawns; Seer of the Cycles; The Burden of the Suns.] 7 volumes, quarto. Original paper wrappers in various colours, printed titles to front in various colours. Housed together in original quarter morocco tray case, as issued. A fine set. First editions, first printing, "Xiccarph Manuscript Edition" number 18 of 51 deluxe sets with a leaf of original manuscript for subscribers only. Ordinary editions of the six poems were published simultaneously, numbering 235, 215, 217, 222, 236, and 215 copies respectively. This set is complete with a memo from the publisher to subscribers explaining the edition limitations, along with a title page for the manuscript edition, further notes from the publisher, and a signed leaf from the original manuscript of A Dream of Oblivion, all housed in an additional paper portfolio. Upon Smith's death, bookseller Roy A. Squires was appointed his executor on the west coast and published a number of editions of Smith's poems. This set was printed for author Frank M. Halpern, as indicated by the title page.

      [Bookseller: Peter Harrington]
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        Max Ernst Oeuvre-Katalog. Werke 1906-1963. Vol I-VI. I: Das Graphischer Werk II: 1906-1925 III: 1925-1929, IV: 1929-1938, V: 1938-1953, VI: 1954-1963 + Collagen: Inventar und Widerspruch. In all 7 vols. Foreword and Glossary in English, German and French.

      Menil Foundation, Houston Texas/ Du Mont, Schauberg Köln 1974-1998, all 1st ed. Large 4°, profusely illustrated with reproductions in b/w, orig. boards in fine dustjackets. One of 1500 copies with 1 orig. colour lithograph in vol. 1 and 1 orig. colour lithograph in the Collage volume, both signed in the stone. (The last volume: Band [7] Max Ernst Oeuvre-Katalog. Werke 1964-1969, published in 2007).

      [Bookseller: Andersens Antikvariat]
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        Studi sulla tradizione epica rapsodica

      ROMA: Edizioni dell' Ateneo, 1974. IED. Brossurato. BUONO. 14,5 22,5. Filologia e critica USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        Lucrezio La vita, il poema e i testi esemplari

      EDIZIONI ACCADEMIA, 1974. ITALIANO 0,42 Brossura editoriale in cartoncino semi rigido, con copertina illustrata. Pagine in buono stato, con bruniture, come ai tagli. Ricco di tavole illustrate in nero, fuori testo, con didascalie. Volume n. IV ( 4 ) della collana. USATO

      [Bookseller: Biblioteca di Babele]
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        Views in South America from Original Drawings, Made in Brazil, the River Plata, the Parana, &c, &c., With Notes

      Livraria Kosmos Editora 1974 - 5 p. of text in portfolio. Includes matching red book with descriptions of views. Accompanying book is viii, 118 p. 2 b&w portraits and 26 unbound colour plates, plus one map. Reprint limited to 350 copies of which this is 59. Book: 8vo. Unbound text and plates in red leather and paper slipcase with gold and blank impressing. A little wear to case. Originally published by Thomas McLean, London, 1852. Introductory text in Portuguese with enclosed book in English. Ouseley was a British diplomat in South America who became renowned as an artist. His romantic views portray solitary pines, ruined chapels, grottos on the shore, rickety bridges over waterfalls, and cemeteries. [Attributes: Hard Cover]

      [Bookseller: Attic Books (ABAC, ILAB)]
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        Il nipote di Rameau - Jacques il fatalista.

      MILANO: GARZANTI, 1974. IED. Brossurato. BUONO. 11 18. I Grandi Libri USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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      New York : Doubleday, 1974. Book. Fine. Hardcover. A First Edition, First Printing. Fine and appears to be unread in a nearly fine unclipped dust jacket. Just the lightest of wear to the jacket spine ends, and an eighth inch closed tear at the top of the front panel.The spine and rear panel are just slightly tanned. The code of P6 in the gutter of page 199, and a jacket price of $5.95. .

      [Bookseller: James Graham, Bookseller]
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        Jacob Lawrence

      Whitney Museum Of American Art, New York 1974 - INSCRIBED AND SIGNED BY JACOB LAWRENCE IN 1994. 68pg. exhibition catalog for a major retrospective of the fine African American painter Jacob Lawrence. Includes essay + 34 repros. of his work including 6 in color + chron. & biblio. Portrait of the artist on the back cover. Very minute wear to the covers. Near fine. [Attributes: First Edition; Soft Cover]

      [Bookseller: Ira Joel Haber - Cinemage Books]
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        A Wonderful Time An intimate portrait of the good life

      New York: Harper & Row, 1974. Stated First edition. Hardcover. Near fine/near fine. 190pp. Folio. Dark blue cloth over boards, gilt on spine and on book front. Signed by the photographer/author on the front free endpaper: "For Dave, thanks, Slim Aarons" in black ink. A stated First Edition. Contents include sections on Introduction, Vermont, Boston, Newport, The Bedroom Communities of New York, New York, Bermuda, Baltimore/Washington/Virginia, Palm Beach, The Bahamas, New Orleans, Gross Pointe, Jamaica, Chicago, The Southwest, Aspen and Vail, San Francisco, Beverly Hills, Southern California, Acapulco, and Acknowlegments. Book is straight, is price clipped, unmarked, and jacket has a plastic protector. Upper edge of dustjacket is ever so slightly frayed, and dustjacket verso has slight foxing. Inside white pages show slight tanning to edges. As the photo of the book verso shows, there is a small area of cloth that has become "loose" when viewed at a particular angle. The photo shows it best.

      [Bookseller: Christopher Morrow. Bookseller]
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      SANSONI, 1974. ITALIANO 0,54 N.XIX della collana, pagine brunite ai bordi causa tempo, alcune più brunite di altre, brossura editoriale morbida, ingiallita, con piccole macchie, aloni e tracce di umidità al dorso, segni di usura ai bordi USATO

      [Bookseller: Biblioteca di Babele]
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      NAPOLI: Loffredo, 1974. BROSSURA. BUONO. 17 24. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        Amerikanischer Tisch.

      Farbradierung signiert und nummeriert 1974 - Ex. LXVI, Aufl. LXXXV, 43 x 54,5 cm Cramer 158 Blatt 5 aus der Mappe "nature morte", die in einer Auflage von 65 + LXXXV erschienen ist. ** Photos auf Wunsch im JPG-Format erhältlich.**

      [Bookseller: Kunsthandlung Goyert]
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        Historische beschryving der stadt Amsterdam.Amsterdam, Jacob Meurs, 1663. Folio. With engraved title-page, coat of arms and 72 double-page engravinged plates. Contemporary motted calf, gold-tooled spine, rebacked with original backstrip laid down.

      Alden & Landis 663/47; I.H. van Eeghen, “Illustraties v. d. 17de Eeuwse Beschrijvingen ...,” in: Jaarboek Amstelodamum LXVI (1974), pp. 96-116, at pp. 100-101 & 104; Nijhoff & V. Hattum 75. First and only edition of an important and magnificently illustrated history and description of Amsterdam, written by the celebrated Dutch historian Olfert Dapper (1635/6-1689). The plates include maps of the city showing its growth from 1400 to the expansion that was still in progress at the time of publication, a city view, and views of nearly all important buildings in and around the city. The text covers politics, religious strife, trade in America and the East Indies, and is largely built around the buildings depicted. The frontispiece emphasizes the city's international nature by including figures representing the Americas, Africa and the Middle East. It was the first great account of Amsterdam since Pontanus's (Latin 1611, Dutch 1614). When Pontanus wrote, near the beginning of the Twelve-Year Truce with Spain, Amsterdam was just emerging as the Netherlands' leading city, whereas Dapper shows the city at the height of its glory.Binding rubbed along the extremities, and rebacked, as noted above. Some marginal waterstains, some marginal annotations in ink, plate with "Amsterdam van het Y aan te sien" reinforced with tape, and some minor spots. Nonetheless a good copy.

      [Bookseller: Antiquariaat FORUM BV]
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        Flow My Tears, The Policeman Said

      Doubleday & Company, Inc, Garden City, New York 1974 - 231 pp. Price of $6.95 on front flap of dust jacket. A Hugo and Nebula nominee, winner of the John W. Campbell award. A very attractive copy of this important novel from one of science fiction's greatest writers. Remainder spray to bottom of textblock, some residue from spray on reverse of jacket, jacket has few hints of wear to the extremities. [Attributes: First Edition; Hard Cover]

      [Bookseller: Evening Star Books, ABAA/ILAB]
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      Amsterdam, Thomas Rap, (1974). 30 x 21 cm. Rood halfmarokijn in perspex cassette (Boekbinderij J. Kloosterman en Kousbroek C.V.). 52 p. Gedrukt in een oplage van 120 genummerde en gesigneerde exemplaren. 2e druk (de handelsuitgave verscheen drie maanden eerder). Deukje aan weerszijden van de rug.l Dit exemplaar is door Hermans genummerd 'h.c. Rap H/A-J'. Blijkbaar werden er voor medewerkers van de uitgeverij tien extra exemplaren vervaardigd. Mét de perspex cassette! JS 325.

      [Bookseller: Antiquariaat Fokas Holthuis]
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        Due donne distese su un letto

      Roma, Il Nuovo Torcoliere, 1974 - Acquaforte originale in nero. L'opera faceva parte della cartella Il Trittico, comprendente opere di Guccione, Guttuso e Morlotti. cm 49x59 (Foglio cm 56x76). . . Ottimo (Fine). . Tiratura: 150 + X. . [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Corpus juris civilis, in quinque partes distinctum... Tertia editio prioribus auctior & emendatior.

      4 Teile in 2 Bänden. Folio. Titel in Rot u. Schwarz, [10] Bl., 120 Sp., 1974 Sp. Titel in Rot u. Schwarz, [7] Bl., 880 Sp. Titel, [5] Bl., 552 Sp. Titel, [1] Bl., Sp. 553-674, [48] S. mit wdh. Titelvignetten in Holzschnitt (Druckermarke). Braune Wildledereinbände des 19. Jahrhunderts mit jeweils 2 goldgepr. Rückensch. Stintzing-L. I, 208. Vgl. Graesse III, 502. - Vollständige große Ausgabe der berühmten Bearbeitung des Corpus juris civilis. - Werk und Wirken dieses bedeutenden französischen Rechtsgelehrten markieren in der europäischen Rechtsgeschichte den Beginn einer neuen Epoche. Gothofredus' Werk gleicht an Bedeutung dem von Accursius am Ende der Glossatorenzeit und dem von Mommsen im Zeitalter der Pandektistik. Alle drei genannten Gelehrten haben am Corpus iuris civilis gearbeitet, welches bis in das 19. Jahrhundert Rückgrat und alles überragende Autorität der europäischen Rechtskultur war. - "Die Bedeutung Godefroys (1549-1622) für die Rechtswissenschaft beruht in erster Linie auf seiner Herausgabe des Corpus juris civilis. Sie umfaßte erstmals alle Bücher des Justinianischen Gesetzgebungswerkes und war von G. mit einem Kommentar versehen, der vor allem in der Praxis großes Ansehen genoß. In unzählig vielen Auflagen wurde das Werk seit seinem ersten Erscheinen 1583 (in Lyon) bis in das 18. Jh. hinein immer wieder nachgedruckt... Es kennzeichnet G. nicht als genialen Juristen, aber als einen philologisch geschulten Gelehrten, dessen emsiger Fleiß das von den vergangenen Generationen überkommene humanistische Wissen sorgfältig gesammelt und für das Verständnis des röm. Rechts fruchtbar gemacht hat. Stintzing sieht in G. einen Epigonen, aber auch zugleich einen großen Polyhistoriker" (H. Liermann in NDB VI, 656 f.). - Exlibris eines franz. Juristen, stellenweise im w. Rand mit kl. Wurmspuren, gutes Exemplar.

      [Bookseller: Antiquariat Haufe & Lutz]
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        Lettere di una novizia

      MILANO: BOMPIANI, 1974. IED. Brossurato. BUONO. 12 20,5. I delfini USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        Impact Art Video Art 74.

      1974 1974 - 4°. OPb. unp. Ausstellungskatalog (Ringorder, ring binder)Musée des arts décoratifs, Lausanne. Texts by René Berger, Jole De Sanna. Includes project descriptions and images from artists in exhibition including Allan Kaprow, Denis Oppenheim, Vito Acconci, Vincenzo Agnetti, Gianni Colombo, Eric Andersen, Eleanor Antin, Mike Barnard, David Green, Rene Bauermeister, Christian Boltanski, Trisha Brown, Paolo Pier Calzolari, Groupe Cap, Center of Art andCommunication Third World Editions, Giuseppe Chiari, Andrea Daninos, Douglas Davis, Tom Dean, Dimitri Devyatkine, Antonio Dias, Nusa & Sreco Dragan, Don Druick, Bill & Louise Etra, Valie Export, Luciano Fabro, Herve Fischer, Fred Forest, Simone Forti, Jochen Gerz, Luciano Giaccari, Paul Goede, Dan Graham, Group of the Thirteen, Group of the Thirteen - Center of Art and Communication, William Gwin, Warner Jepson, Bruce W. Hale, Ron Hayes, Davi Det Hompson , Peter Hutchinson, Taka Iimura, Norio Imai, Sanja Ivekovic, Willard Rosenquist, William Roarty, Joan Jonas, Maurizio Nannucci, Ku-Lim Kim, Jannis Kounellis, Shigeko Kubota, Duck Jun Kwak, Suzy Lake, Richard Landry, Barbara & Michael Leisgen, Jacques Lennep, Les Levine, Jacques Lizene, Niels Lomholt, Urs Lüthi, Renato Maestri, Andy Mann, Dalibor Marinis, Mario Merz, Gerald Minkoff, Missing Link, Antonio Muntadas, Muriel Oleson, Jean Otth, Nam June Paik, Charlemagne Palestine, Luca Patella, Romano Peli, Norman Perryman, Emile Ellberger, Alberto Pirelli, Yvonne Rainer, Don Hallok, Martha Rosler, Eric Salzman, Sarkis, Helmut Schweizer, Allen Sekula, William Smith, Francoise Sullivan, Skip Sweeney, Tape, Francesc Torres, Angels Ribe, Janos Urban, Steina and Woody Vasulka, Bill Vazan, Bill Viola, Wolf Vostell, Peter Weibel, and Frank Gillette. [Attributes: Hard Cover]

      [Bookseller: Kunstkiosk im Helmhaus]
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        Lily and Rose I.

      San Francisco, Calif.: Editions Press, 1974.(). Color etching, signed in pencil by the artist. 52 x 84 cm. From Baudelaire, Charles. Les Fleurs du Mal Portfolio.

      [Bookseller: Wittenborn Art Books]
 26.   Check availability:     Bibliophile     Link/Print  


      New York: Kodansha International LTD, 1974. First U.S. Edition. Octavo in handsome black cloth boards, with dust jacket, VG/VG: light shelfwear, light touch of age-toning, light touches of foxing to edges of text block; DJ is price-clipped, previous seller's price sticker affixed to bottom of front inside flap. ISBN 0870112325. SIGNED BY KENZABURO OE in Japanese and transliterated English--"Oe Kenzaburo"--on title page. Binding strong, text clean. Dust jacket protected by mylar sleeve. A collectible first U.S. edition in very good condition, signed by the author. [DJ spine has black background and red and orange text. Consignment. Shelved in Case #2. Dupont.

      [Bookseller: Second Story Books]
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        Historie der boecaniers, of vrybuyters van America. Amsterdam, Nicolaas ten Hoorn, 1700. 3 parts (paginated as 2) in 1 volume. 4to. With an engraved, illustrated title-page, letterpress title-page with woodcut publisher's device, a folding engraved map of South and Central America, and 7 engraved illustration plates (1 folding). Eighteenth-century half vellum, later marbled sides.

      Alden & Landis 700/11; JCB IV, p. 317; Muller, America 580; Sabin 23469; Cf. H. de la Fontaine Verwey, “The ship's surgeon Exquemelin and his book on the buccaneers”, in: Quaerendo IV (1974), pp. 109-131. Second (expanded) Dutch edition of retired pirate Alexandre Exquemelin's famous and much imitated eye-witness account of pirate life in the Caribbean in the late 17th-century: "the prime, and indeed almost the only comprehensive source of information for pirate activities in the seventeenth century" (Howgego). It comprises three parts (on the island Hispaniola, pirate life, and the capture of Panama City) plus an appendix giving an account of the journey made by buccaneer captain Montauban in 1695. Binding rubbed. Good copy of popular account of piracy by an insider.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        A Wonderful Time An intimate portrait of the good life

      New York: Harper & Row, 1974. Stated First edition. Hardcover. Near fine/near fine. 190pp. Folio. Dark blue cloth over boards, gilt on spine and on book front. Signed by the photographer/author on the front free endpaper: "For Dave, thanks, Slim Aarons" in black ink. A stated First Edition. Contents include sections on Introduction, Vermont, Boston, Newport, The Bedroom Communities of New York, New York, Bermuda, Baltimore/Washington/Virginia, Palm Beach, The Bahamas, New Orleans, Gross Pointe, Jamaica, Chicago, The Southwest, Aspen and Vail, San Francisco, Beverly Hills, Southern California, Acapulco, and Acknowlegments. Book is straight, is price clipped, unmarked, and jacket has a plastic protector. Upper edge of dustjacket is ever so slightly frayed, and dustjacket verso has slight foxing. Inside white pages show slight tanning to edges. As the photo of the book verso shows, there is a small area of cloth that has become "loose" when viewed at a particular angle. The photo shows it best.

      [Bookseller: Christopher Morrow. Bookseller]
 29.   Check availability:     IOBABooks     Link/Print  


      Garden City, NY: Doubleday & Company, Inc., 1974. First edition. A fine copy (no remainder spray) in a nearly fine dust jacket with some mild rubbing mainly to corner tips and spine ends. (16472). Octavo. cloth. 1974 Nebula and 1975 Hugo nominee. Winner of the 1975 John W. Campbell Award. "One day in 1988, the nation's top TV star wakes up to find himself unknown. No one has heard of him, there is no record of birth, he has no identification to show the omnipresent police. In Flow My tears, the Policeman Said. (Doubleday, $6.95), Philip K. Dick has written a proficient tale of an America taken over by data banks and bureaucrats. College students and professors have been ruthlessly separated from society, as a former advocate of law-and-order once proposed. In this dark future, all blacks are sterilized after the birth of their first child. By the time the hero finds himself an unperson, blacks are an endangered species, treated much as the whooping crane is today. But the sociological comment is only background; the real problem is whether JasonTaverner is the victim of a plot or a skid-row bum who dreams that he is a TV star. A recommended slide toward solipsism." - E.H. in Psychology Today, June, 1974. Anatomy of Wonder (2004) II-329. Survey of Science Fiction Literature II, pp. 797-801.

      [Bookseller: John W. Knott, Jr., Bookseller, ABAA/ILA]
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      Mount Horeb, Wisconsin: Perishable Press (Walter Hamady), 1974. Original handmade paper covers. 28.5 x 16 cm. 28 page surfaces, 16 printed. Edition of 150 copies. Fine. Two Decades of Hamady and the Perishable Press Limited, no. 65 Walter Hamady (born 1940) is an American artist, book designer, papermaker, poet and teacher. He is especially known for his innovative efforts in letterpress printing, bookbinding, and papermaking exemplified in the productions of The Perishable Press Limited and the Shadwell Papermill, founded by Hamady in the mid-1960s. In 1966 Hamady joined the faculty of the University of Wisconsin, Madison where he would teach papermaking, letterpress printing, and bookbinding for more than three decades.

      [Bookseller: Alan Wofsy Fine Arts]
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        Ravenna. Hauptstadt des spätantiken Abendlandes. Kommentar, 1. Teil.; Mit 174 Abbildungen auf 53 Tafeln./ Kommentar, 2. Teil.; Mit 61 Figuren im Text und 221 Abbildungen auf 76 Tafeln./ Kommentar, 3. Teil.; Geschichte, Topographie, Kunst und Kultur. Indices zum Gesamtwerk./ Band I: Geschichte und Monumente.; Mit 2 Farbtafeln, 224 Abbildungen auf Tafeln und 48 Abbildungen im Anhang./ Band II: Plananhang, Kommentar./ Band III: Frühchristliche Bauten und Mosaiken von Ravenna.; 405 Tafeln nach unveröffentlichen Aufnahmen von Franz Bartl unter Mitarbeit von Julie Boehringer.

      Wiesbaden Franz Steiner 1974 - 3 Bände in 6 komplett. 31 x 22,5 cm. Original rote Leineneinbände mit Rvg., Bibliotheksschild auf Vorderdeckel u. gelbes Bibliotheksklebeband auf Rücken. Teils leicht berieb. u. verblasst. Innen mit den übl. Bibliotheksstempeln u. Einträgen, teils durchgestrichen, sonst sehr saubere Exemplare. Friedrich Wilhelm Deichmann (* 17. Dezember 1909 in Jena; † 13. September 1993 in Mentana) war ein deutscher Christlicher Archäologe und byzantinistischer Kunsthistoriker. Er ist insbesondere mit der Erforschung der Stadt Ravenna verbunden. Friedrich Wilhelm Deichmann wurde 1934 an der Universität Halle bei Paul Frankl mit einer Dissertation zum Thema Versuch einer Darstellung der Grundrisstypen des Kirchenbaues in frühchristlicher und byzantinischer Zeit im Morgenlande auf kunstgeographischer Grundlage promoviert. Es folgten fast 60 Jahre intensiver Forschungstätigkeit, die lange mit der Abteilung Rom des Deutschen Archäologischen Instituts (DAI) verbunden war. Zunächst war er 1935/36 Inhaber des Reisestipendiums des Deutschen Archäologischen Instituts. 1937 begann er in Rom seine Tätigkeit als wissenschaftlicher Referent für Christliche Archäologie. Mit Arnold Tschira begann Deichmann 1940 mit den Ausgrabungen am Helenamausoleum (Tor Pignattara, Rom). Es waren die ersten vom Institut durchgeführten Ausgrabungen seit 1913. 1942 folgte eine weitere Ausgrabung mit Michael Stettler am Tempel der Minerva Medica. Seit 1943 vertrat er zusätzlich zu seinen anderen Pflichten den zur Wehrmacht einberufenen Ernst Homann-Wedeking in der Fotothek des Instituts. 1944 war er an der Verlagerung der Bibliothek und der Fotothek sowie weiterer Unterlagen in das Salzbergwerk von Alt-Aussee bei Salzburg beteiligt. Für die Hilfe dankte er als Sprecher einer Delegation des Instituts Papst Pius XII. für dessen Unterstützung bei der Sicherung des Instituts. Gegen Ende des Zweiten Weltkrieges und in der Nachkriegszeit hütete er das zu der Zeit enteignete Institut. 1954 wurde er Honorarprofessor an der Universität Bonn und 1956 Wissenschaftlicher Oberrat, später Wissenschaftlicher Direktor bei der Abteilung Rom des DAI und nebenamtlich Professor an der Facoltà Valdese di Teologia in Rom. Nach der Pensionierung im Jahr 1974 blieb Deichmann weiter in Rom und widmete sich, bis zu seinem Tod auch mit dem Römischen Institut des DAI verbunden, intensiv der wissenschaftlichen Arbeit. Deichmann befasste sich vor allem mit den Hinterlassenschaften der drei spätantiken römischen Hauptstädte: Rom, Konstantinopel und vor allem Ravenna. Daneben forschte er insbesondere auch in Nubien. Über Ravenna verfasste er sein wichtigstes Werk, Ravenna. Hauptstadt des spätantiken Abendlandes. In diesem Werk dokumentierte er Topografie, Kirchengeschichte, Kulturgeschichte, Wirtschaftsgeschichte, Architektur, Bauplastik, Skulptur, Mosaikkunst, Ikonographie und Alltagskultur. Er gehörte zu den herausragenden Gelehrten, die den Charakter ihres Faches in ihrer Zeit prägten (Bernard Andreae). Mit Hans-Georg Beck und Herbert Hunger gab Deichmann von 1964 bis 1980 die Byzantinische Zeitschrift heraus. 1969 wurde er korrespondierendes Mitglied der Bayerischen Akademie der Wissenschaften und war Mitglied der Pontificia Accademia Romana di Archeologia. 1974 wurde ihm das Große Verdienstkreuz der Bundesrepublik Deutschland verliehen. Er erhielt 1984 die Ehrenbürgerschaft von Ravenna. An seinem Todestag wurde er Ehrendoktor der Universität Bologna.; Quelle Wikipedia. Original rote Leineneinbände mit Rvg., Bibliotheksschild auf Vorderdeckel u. gelbes Bibliotheksklebeband auf Rücken. Teils leicht berieb. u. verblasst.

      [Bookseller: P. u. P. Hassold OHG]
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      LE MONNIER, 1974. ITALIANO 0,36 Annualità completa composta da due volumi, fasc.1/2 e 3/4, con brossure editoriali morbide, illustrate, ingiallite ai dorsi e leggermente ai bordi e con usura da scaffalatura, pagine brunite attorno ai testi da fattore tempo, alcune più brunite di altre, in italiano con parti di testo in latino e greco USATO

      [Bookseller: Biblioteca di Babele]
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        Épreuves corrigées "Dans l'eau changeante des résonances"

      - s.l. 1974, 16,2x25cm, 7 pages. - La prova Corretto Henri Michaux del suo testo nelle mutevoli risonanze d'acqua, - [FRENCH VERSION FOLLOWS] Epreuves corrigées par Henri Michaux de son texte « Dans l'eau changeante des résonances », publié dans le numéro 22 des Cahiers du Chemin, daté d'octobre 1974. 7 pages avec des corrections autographes au stylo à bille et au crayon. Tampon de l'imprimerie Floch sur le premier feuillet. Michaux écrit « Dans l'eau changeante des résonances » à la fin de sa vie, et complète ses réflexions sur la musique ainsi évoquées dans « Premières impressions » (1949) et « Un certain phénomène qu'on appelle musique » (1958). Dans cette ode à la sanza, modeste instrument d'origine congolaise, il explore les possibilités d'une musique vibrante, qui investit l'espace et offre sa « texture » aux sens émerveillés de l'auditeur. Vouant une haine sans égale à la musique « de compétition, de composition » occidentale, il retrouve dans les simples sons de cet instrument rudimentaire une pureté solitaire, dynamique, qui le réconcilie avec le genre entier, qu'il avait laissé aux foules et aux « gens simples ». L'épreuve corrigée donne à voir les dernières modifications apportées par l'auteur : scansion du texte par de nouvelles virgules, remplacement de certains mots, ajout de majuscules à chaque insertion de poèmes dans le corps du texte - les poèmes agissant comme des descriptions sonores de son expérience musicale. Précieux témoignage génétique de la pensée de Michaux sur la musique.

      [Bookseller: Librairie Feu Follet]
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        Journal. [Alternate title: LAICA Journal.] Los Angeles Institute of Contemporary Art. Numbers 1-48, June 1974&1987.Complete

      Los Angeles Institute of Contemporary Art, 1974-1987 Complete run, mostly in fine condition, of one of the liveliest and most interesting art periodicals of the 1970s and 1980s. "The Los Angeles Institute of Contemporary Art is a new concept designed to be a catalyst for the support and recognition of contemporary art in Southern California. [...] An exhibition program reflecting many concepts of high artistic achievement uses visiting curators from all sectors of the community and open, depoliticized selection processes. This bimonthly journal is being published to focus on the critical issues facing contemporary art"& editorial statement in the first of 48 issues. Most copies fine to very fine. Library stamp on front cover of no. 2. Some wear on cover of no. 5. Rear cover of no. 6 and final 3 leaves damaged at leading edge by staple closure, and top half of final leaf clipped (ad). Front cover of no 11 lightly worn, with a few stains on rear cover. Some inevitable browning to nos. 12-28, which were published on newsprint. No. 14 more than usually tanned. No. 16 has a cover by John Baldessari: the phrase "I suppose so" rubber-stamped in red; light wear. No. 17 has a cover by Bruce Nauman. No. 19 is a joint issue with Art-rite no. 19, with a cover by Chris Burden. The cover of no. 21 is by JoAnn Callis. No. 22 is John Baldessari's copy, with some wear and rippling from damp on rear cover and about half the pages. No. 23 has a cover by Ed Ruscha. Some staining on covers of no. 27. Original price label on the first page of no. 28. No. 34 contains a Craig Printing & Graphics color postcard. No. 35 contains a color Valentine postcard by Alexis Smith; worn covers. No. 43 (Winter 1986, with vivid black-and-red Crucifixion cover) was misnumbered 42 by the publisher. The four scans are for issues 1) John Baldessari; 6) Wallace Berman; 19) Chris Burden; and 45) Kevin Riordan. **Free domestic shipping with direct order.

      [Bookseller: Laurence McGilvery]
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      Kingston-upon-Thames: Coombe Springs, 1963 to 1974. Complete run of 44 individual issues, volume 1, no. 1, June, 1963 to Volume 11, No. 4, March, 1974; articles by J.G. Bennett (25), A.G.E. Blake (11), H. Bortoft (7), Dr. M. Feldenkrais, Marjorie von Harten, A.M. Hodgson (9), Edward Matchett (7), Ken Pledge (3), O.L. Reiser, Ida Rolf, and many others; Indexes to each issue except the first are laid-in; Each issue range from about 85 to 110 pages. Generally excellent condition, largely unread, some wear to the spine edges on the isseus of the first volume.

      [Bookseller: By The Way Books]
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        The complete drawings of Albrecht Dürer. 6 volumes set.

      New York, Abaris Book, 1974 - 31 x 23 cm. Ca. 3000 pp. Orig. cloth bindings in slipcases. *Standard work on Dürers drawings. - Complete set incl. Supplement I. - Vol.I: 1471-1499. Vol.II: 1500-1509. Vol.III: 1510-1519. Vol.IV: 1520-1528. Vol.V: Human Proportions. Vol.VI: Architectural Studies & Index. - Well preserved in overall fine condition. Sprache: Englisch Gewicht in Gramm: 15000

      [Bookseller: Antiquariat Braun]
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        Lord Rochesters Monkey being the Life of John Wilmot Second Earl of Rochester

      First edition. 4to., original brown cloth, dust jacket. London, Bodley Head.

      [Bookseller: Maggs Bros. Ltd.]
 38.   Check availability:     Direct From Seller     Link/Print  

        Die römischen Mumienmasken aus Ägypten. Deutsches Archäologisches Institut

      Wiesbaden, Franz Steiner Verlag GmbH, 1974 - 199 Seiten/Bildtafeln 140 Seiten. (z. T. farb.), Kt.; 28 cm. Kaum Lagerspuren. Tadelloses Exemplar. Sprache: Deutsch Gewicht in Gramm: 783 [Attributes: Soft Cover]

      [Bookseller: Antiquariat-Plate]
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        Prospettive di filosofia del diritto

      C. Giappichelli Editore, TORINO 1974 - Corsi universitari ITALIANO Brossura in cartoncino flessibile, con sovraccoperta in plastica trasparente. Pagine in buono stato, con numerose scritte e sottolineature a matita. [Attributes: Soft Cover]

      [Bookseller: Biblioteca di Babele]
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      ISTITUTO DI STORIA DELL'ARTE, Torre del Greco 1974 - BIBLIOTECA DI CULTURA MODERNA ITALIANO Firma dell' copyright, brossura editoriale morbida, beige con titoli neri, con lieve segno di piegatura al piatto anteriore e con minime tracce di usura, pagine lievemente ingiallite da fattore tempo, con due tavole in nero fuori testo

      [Bookseller: Biblioteca di Babele]
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        Manifesto 55 X 44 cm. dell'Esposizione alla Galerie Yvon Lambert in Paris Oct 1974

      Galerie Yvon Lambert, 1974. Exhibition Poster

      [Bookseller: Prometeo Libri]
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      G.B.PETRINI, 1974. ITALIANO 1,04 Collana diretta da Giovanni Getto, a cura di Enzo Noé Girardi, timbro proprietà all'occhiello e timbro Saggio al frontespizio, pagine brunite ai bordi causa tempo, illustrazioni in nero fuori testo, brossura editoriale morbida, con alette e segni di usura ai bordi ed agli angoli, piccolo strappetto al piede USATO

      [Bookseller: Biblioteca di Babele]
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