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Displayed below are some selected recent viaLibri matches for books published in 1973

        Avant-Garde Russe Moscou 1973. Mai - Juin 1973.

      Paris, Selbstverlag, 1973.. 4°. o. Pag. [41 Bll.] OBrosch. m. OSch.. In franz. Sprache. - Bestossen, OSch. etw. berieben, kl. Läsuren, leichte Gbrsp. - Mit Werken von Maxime Arhangelsk, Vladimir Yankilevski, Kabakov, Eric Boulatov und Oscar Rabin. Mit zum Teil farbigen Abbildungen der Werke.

      [Bookseller: Antiquariat Weinek]
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        RUBAIYAT OF OMAR KHAYYAM. Rendered Into English by Edward Fitzgerald According to his First Edition. Limited Edition. Binding by Sangorski and Sutcliffe

      London: Printed by Lewis Rouse Jones, 1973. London:: Printed by Lewis Rouse Jones,, 1973. Fine. SIGNED BY SUSAN ALLIX ON COLOPHON PAGE without personalization. A Fine hardback LIMITED EDITION OF 75 COPIES. THIS COPY IS No. 59. With 27 color etchings by Susan Allix. Full tan morocco binding by Sangorski and Sutcliffe. Gilt lettering spine, gilt design front cover. Typography by Lewis Rouse Jones. A tour de force of design and illustration. Sm. 4to.

      [Bookseller: By The Book, LC ABAA-ILAB]
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        Crash

      1973 - 1973 Jonathan Cape hardcover first edition. Dustjacket a little faded over the spine and some wear to edges of jacket otherwise very good conditon throughout. Loosely inserted is a publisher's slip stating that this is a review copy. Posted promptly by UK seller. [Attributes: First Edition; Hard Cover]

      [Bookseller: Lacey Books Ltd]
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        Operation Trojan Horse: an exhaustive study of unidentified flying objects - revealing their source and the forces that control them

      Abacus, 1973-01-01. Abacus, 1973-01-01. First THUS. Paperback. Very Good. Signed. United Kingdom: Abacus, 1973: First Edition Thus, first printing in this form. Signed by the author, John A. Keel, on the first page. Inscribed to previous owner. In Very Good condition, with clean text, age toned pages. Wraps show light wear, light surface creases, light soiling and the spine shows light reading creases. A nice copy overall. Rare signed.

      [Bookseller: Odd Duck Books]
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        Eigenh. Portraitpostkarte mit U. ("OK").

      O. O., 10. XII. 1973.. 1 S. Qu.-8vo.. An einen namentlich nicht genannten Adressaten: "Das war eine freudige Überraschung, aus Deinem Brief sehe ich daß es auch Dir Freude und Spass gemacht hat. Jetzt musst Du aber auch auf Dich schauen, fesch beinander sein und Dein Asthma ganz verlieren. Wenn Du spät abends schreibst, wickel Dich in die warme, federleichte finnische Kaschmirdecke ein und schreib ein barsches Buch gegen die dumme Welt, mit vielen Episoden im 2. Weltkrieg, wovon die heutige Jugend keine Ahnung hat, und die alten haben vergessen, wie töricht sie handelten [...]". - Mit einer vertikalen Knickspur und kl. Randläsuren.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        THE PRINCESS BRIDE S. Morgenstern's Classic Tale of True Love and High Adventure

      New York: Harcourt Brace Jovanovich, 1973. New York: Harcourt Brace Jovanovich. 1973. First Edition; First Printing. Hardcover. 0151730857 . Very Good in a Very Good dust jacket. Owner name to front pastedown. Stated First Edition. ; 8.11 X 5.43 X 0.87 inches; 308 pages .

      [Bookseller: Rare Book Cellar]
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        Complete Talmud Bavli - Shass Meoroth Gadol - 20 vols. - Hebrew/Aramaic Nahardea

      Meoroth 1973 - Complete Babylonian Talmud set. 20 volumes. Extra-large size. All volumes have the previous owner's name on first page but are in near-perfect state except for one (tractate Gittin) which has a damaged cover-binding (see pictures) and pencil annotations in the first chapter. Tractate Shabbath has also some pencil annotations. L'entièreté du Talmud Babylonien en 20 volumes. Très grand format. Tous les volumes portent le nom de son ancien propriétaire en première page mais sont dans un état quasi-neuf, à l'exception du Traité Guittin dont la couverture est détachée (voir photo) et qui porte des annotations au crayon au 1er chapitre. Le traité de Chabbat a également qques annotations au crayon. [Attributes: Hard Cover]

      [Bookseller: Sifrey Sajet]
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        Altenbourg, Gerhard. - "Ariadne".

      . Farbholzschnitt, auf Arches-Bütten, 1973. Von Gerhard Altenbourg. Auflage Exemplar Nr. 30/90. 42,0 x 70,0 cm (Darstellung / Druckstock) / 57 x 77 cm (Blatt). Janda H 170/13. Außerhalb der Darstellung rechts unten in grauer Tusche datiert, mittig signiert und darunter mit Prägestempel "Altenbourg", links mit eigenhändiger Auflagenbezeichnung versehen und betitelt. Links unten am Blattrand Wasserzeichen "ARCHES". - Blattrand leicht knickspurig. Verso Reste einer ehemaligen Montierung und geringfügige Papierschädigung. Insgesamt guter Erhaltungszustand. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlrnamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis.; 3090.

      [Bookseller: Kunsthandlung Koenitz]
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        Reminiscing with Sissle and Blake

      New York: The Viking Press, 1973. New York: The Viking Press,, 1973. Quarto. Original pink cloth-backed silver boards, title in silver to the spine. With the dust jacket. Profusely illustrated in black and white. Very good in slightly rubbed jacket with a few minor chips and splits. First edition. Inscribed on the half-title; "To Dr. George Liberman, thank you for keeping me alive for 28 years, from Eubie Blake, May 8th 1973." Eubie went on to live for another 10 years. Lively recollections of the great Vaudeville Dixie Duo, composers of Shuffle Along, the first Broadway musical show by and about African-Americans.

      [Bookseller: Peter Harrington]
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        Janssen, Horst. Missverständnisse.

      Christians Verlag, Hamburg. 1973.. 8°. OKart. unp.. Leporello mit 24 farbigen Abbildungen von Zeichnungen und übermalten Postkarten von Fra Angelico, Leonardo, Michelangelo u. a.Originalumschlag von Horst Janssen monogrammiert und datiert. Für die Vorzugausgabe schuf Janssen drei Radierungen, die nebeneinander auf ein Blatt gedruckt wurden, welches dreifach gefaltet auf die Innenseite des vorderen Einbanddeckels montiert wurde. Die Radierungen mit dem Titel Artischocke als Miß Verständnis, Selbst zu Mißverständnissen und Phönix (alle vom 30.3.73) sind signiert und datiert. Auflage 90, dieses 40. Schönes Expl. in OKart. Schuber

      [Bookseller: Kunstkiosk im Helmhaus]
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        Jayant Madhvani (1st edition, Signed and dedicated by Robert Becker to Peter Hall)

      Folio Society, 1973. Folio Society, 1973. First Edition. Hardcover. Fine Condition. Signed by Author. ~~SIGNED & dedicated to Peter Hall by editor Robert Becker~~Fine 1st ed 1973 Privately Printed / Folio Society hardback in slipcase, illustrated with photos. Fly-leaf has intriguing gift inscription to Peter Hall from editor Robert Becker - 'To Peter Hall from Robert Becker Thankyou so much for Operation Jumbo 747 from Robert Becker April 16 '77'. Preface by Idi Amin, an extraordinary tribute volume to this leading Ugandan figure. Light rub to slipcase only. Sent Airmail at no extra cost; Worldwide Shipping IMMEDIATE 1ST CLASS/AIRMAIL DISPATCH Quantity Available: 1. Category: Biography & Autobiography; Signed by Author. Inventory No: 040334..

      [Bookseller: 84 Charing Cross Road Books]
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        Cinque litografie.

      Il Bisonte 1973 In folio massimo, serie di cinque litografie a colori numerate e firmate a matita: "Ti aspetto", "Oltre l'insostenibile", "Complicazioni", "Il rifugio", "La prigioniera". Tiratura di complessivi 85 esempl. num. e firmati (75 num. araba oltre a X num. romana); conservate in cartella editoriale t.tela con titoli al piatto. Bella edizione del noto scultore milanese (1913-1999) che fu assistente di Manzù a Brera.(vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        Manuscript]: In This Corner: 40 Boxing Titleholders Tell Their Own Stories. [Published title]: In This Corner: Forty World Champions Tell Their Stories

      Simon & Schuster, New York 1973 - Bound manuscript. Introduction by Muhammad Ali. Quarto. Unpaginated. Typed carbon copies on pink and yellow carbon paper. Contemporary full cloth stamped in gilt with the title and author and: "Original Manuscript. March 16, 1973. To Sally. With Love." Dampstain mostly visible only on the front fly, a single word also on the front fly, else very good or better. Inscribed on the title page at a later date: "To Joe McMahon from Muhammad Ali 6-4-89." The carbon manuscript displays corrections in type and some penciled corrections, including the addition of Sugar Ray Robinson to the contents and a typed-in addition of Jose Torres. A cursory comparison to the printed book reveals a multitude of changes from this manuscript version. Interviews with Jack Dempsey, Mickey Walker, Pete Herman, Gunboat Smith, Fidel LaBarba, Tommy Loughran, Jack Sharkey, Rocky Graziano, Jake LaMotta, Carmen Basilio, Joe Louis, Willie Pep, Henry Armstrong, Sugar Ray Robinson, Jose Torres, Emile Griffith, Floyd Patterson, Archie Moore, and several others. The recipient of the book was Sally Drell, whom the author referred to in the acknowledgments: "And finally my thanks to Sally Drell, for coming into my life. and for bringing with her the title for this book." Joe McMahon is presumably a collector who sought out Ali at a later date. Regarded by many to be among the best books on boxing, this is a unique copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Hans HARTUNG. L-45-1973. Lithographie originale.

      - Lithographie originale (rouleau encreur), en noir indigo, sur vélin de BFK Rives. Signée, justifiée HC et titrée au crayon par l'artiste / Handsigned. Année : 1973 / Tirage : 75 + (EA et HC) / Planche : 1050 x 760 mm / Illustration : 811 x 704 mm / Editeur : Erker Presse, San Gallen / Galerie de France, Paris / Imprimeur : Erker Presse, San Gallen / Référence : Cat. Raisonné RMM (Rainer Michael Mason) N°446. Parfait état / As new. [Attributes: Hard Cover]

      [Bookseller: Frederic Dorbes - TOBEART]
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        The Berkeley University

      7. August 1973.. 7. August 1973.. Orig.-Buntstiftzeichnung. 43 x 34, 5 cm. In gutem Zustand. Vom Künstler eh. signiert, dat. u. bezeichnet.

      [Bookseller: Antiquariat Burgverlag]
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        Johann Heinrich Füssli 1741-1825. 2 Bde.

      - Zürich, Berichthaus / München, Prestel 1973. 4°. 740; 613 S. mit zahlr. teils farb. Abb. Orig.-Leinen mit farbig illustr. Schutzumschlag in Schuber. Freitag 3210. - Umfangreiche, wissenschaftlich bearbeitete Monographie mit dem Werkverzeichnis des kompletten Oeuvre. Verzeichnet 1826 Werke, chronologisch nach Dekaden geordnet. Mit 1382 Abb., davon 10 farbig. Anhang mit Katalog der verlorenen Werke, ausführlichen Anmerkungen zum Text, Literaturverzeichnis, Füsslis Katalog der Milton-Galerie, Verzeichnis der Sammlungen und Register. - (Oeuvrekataloge Schweizer Künstler, Bd. I/1-I/2). - Neuwertig erhalten. [Attributes: Hard Cover]

      [Bookseller: Zähringer]
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        Johann Heinrich Füssli 1741-1825 ( 2 Bde., compl.). Bd. I: Text und Oeuvrekatalog; Bd. II: Abbildungen..

      Zürich, Berichthaus, 1973. 4°, 740 S.; 613 S. mit 1826 meist s/w. Abb., OLwd. m. OU in Schuber., Min gebrauchspurig, sonst tadell. Preis in CHF: 572. (= Oeuvrekataloge Schweizer Künstler. Schweizerisches Institut für Kunstwissenschaft, Zürich. Band I/1 und I/2) - Werkverzeichnis mit 1826 Nummern und im Anhang ein Verzeichnis mit 384 Nummern verlorener Werke.

      [Bookseller: Antiquariat Peter Petrej]
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        COMPUTER METHODS IN APPLIED MECHANICS AND ENGINEERING, 97 Volumes/Jahrgänge: 2 (1973) - 98 (1992). With Special Edition-Issue, 20th Anniversary (1992). Journal/Zeitschrift. ISSN: 0045-7825.

      Amsterdam : North-Holland Publishing Company, 1973 - 1992.. 97 Jahrgänge in 79 Bänden und mehreren Einzelheften. Bibliothekseinband. 97 Volumes!!! 97 Jahrgänge!! Fest eingebunden. Der Titel stammt aus einer aufgelösten Spezialbibliothek für Luft- und Raumfahrt und ist mit entsprechenden Kennzeichnungen versehen. In der Zählung dieser Zeitschrift sind Jahrgangsnummern und Kalenderjahre nicht deckungsgleich. Folgende Jahrgänge sind nicht mit eingebunden (beiliegende Einzelhefte): 30 (1981), 97 (1992) und 64 (1987). Folgende Ausgabe fehlt dort: 3/1982 (S. 245 ff.). Mit Sonderheft zum 20jährigem Bestehen des Blattes (1992), ebenfalls in Originalbroschur. Einbände leicht berieben, etwas angestaubt und teils auch verformt. Seiten sauber. Bindungen fest. Noch im guten Zustand. Mehr Fotos und Angaben zu den Versandtkosten schicken wir Ihnen gern auf Anfrage. Bitte beachten Sie unser reichhaltiges Angebot an antiquarischen Zeitschriften. // From library-stock. The following volumes are not bound in hard-covers: 30 (1981), 97 (1992), 64 (1987) and 20th Anniversary-Special Edition. One issue is missing: 3/1982 (pp. 245ff.). Covers with light shelf wear. Few covers are deformed. Pages clean. Still in good condition. More pictures on demand. Please ask for shipping-fees. zqx mbx jqx

      [Bookseller: Antiquariat BOOKFARM]
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        La Clau Del Foc.

      1973 - Barcelona, Polígrafa, 1973. Folio mayor, 90 págs. 16 litografías en color de Antoni Tàpies. Poemas seleccionados por Gimferrer (Llull, Eiximenis, Muntaner, March, Verdaguer, Carner, Riba, Foix, Brossa?). Edición de 551 ejemplares, éste de los 25 numerados I-XXV, firmados por Tapies en el colofón. Encuadernación editorial en lona litografiada, con un bolsillo en el plano posterior y un remiendo en el anterior Gimferrer, Tàpies, Llull, Eiximenis, Muntaner, March, Verdaguer, Carner, Riba, Foix, Brossa

      [Bookseller: ArteyGrafía. com / Elena Gallego]
 19.   Check availability:     IberLibro     Link/Print  


        Photographs: Multiple Exposures with the Figure

      Cobden, IL: Anna Press 1973 - Limited Edition. Small quarto. Number 13 of 100 numbered copies SIGNED by the photographer, with an original gelatin silver print, similarly signed and numbered, mounted on board and laid in as issued. Little-known but important book of figurative abstractions. Swedlund was a fixture at the Chicago Institute of Design in the 1960s. Fine in white boards with no musty smell (a problem endemic to the deluxe edition of this volume).

      [Bookseller: Harper's Books, ABAA]
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        Handbuch der Quellen und Literatur der neueren europäischen Privatrechtsgeschichte. Veröffentlichung des Max-Planck-Instituts für Europäische Rechtsgeschichte.

      München, C. H. Beck'sche Verlagsbuchhandlung, 1973-88.. Bde. I-III (in 8). Gr.-8vo. Originale blaue Verlagsleinenbände. (tlw. mit St.a.T.).. Unverzichtbares Standardwert. Bde. I und III,1 beim Verlag vergriffen. - "Die neuere Geschichte des Privatrechts weist in den Ländern des europäischen Kontinents weitgehend gemeinsame Züge auf. Gemeinsame Grundlage ist die mittelalterliche Wissenschaft vom römischen und kanonischen Recht. Das Naturrecht der Aufklärung schuf in Kodifikation und System eine neue Gestalt. Bei der Lösung der Probleme der Industriegesellschaft bediente sich jede Nation der Erfahrungen der anderen, so daß eine Reihe, neuer, in sich verwandter Institutionen entstand. Das Ergebnis der Entwicklung ist eine Gruppe verwandter Rechtssysteme, die die Rechtsvergleichung als 'Civil Law' bezeichnet. Ist es danach angezeigt, die neuere Privatrechtsgeschichte als europäische Rechtsgeschichte zu betreiben, so muß der erste Schritt eine vergleichende Darstellung der Quellen sein, in denen sich die Rechtsentwicklung der neueren Zeit niedergeschlagen hat. Diese Aufgabe sucht das 'Handbuch der Quellen und Literatur der neueren europäischen Privatrechtsgeschichte' zu lösen" (C. H. Beck-Verlagsprospekt). I. Mittelalter (1100-1500): Die gelehrten Rechte und die Gesetzgebung. 1973. XXIV, 911 S. II. Neuere Zeit (1500-1800): Das Zeitalter des Gemeinen Rechts. Teilband 1: Wissenschaft. 1977. XXVII, 1033 S.; Teilband 2: Gesetzgebung und Rechtsprechung. 1976. XXIX, 1445 S. III. Das 19. Jahrhundert. Teilband 1: Gesetzgebung zum Allgemeinen Privatrecht, Einführung. Süd- und Westeuropa (Abschnitte 1 bis 7). 1982. XXVI, 1401 S.; Teilband 2: Gesetzgebung zum Allgemeinen Privatrecht und zum Verfahrensrecht, Allgemeines Privatrecht (Mitteleuropa - Abschnitte 8 bis 14), Länderberichte (England, Rußland - Abschnitte 15, 16), Verfahrensrecht. 1982. XXVIII, (1403-) 2840 S.; Teilband 3: Gesetzgebung zu den privatrechtlichen Sondergebieten. 1986. XXV, (2841-) 4312 S.; Teilband 4: Die nordischen Länder. 1987. XXII, 681 S.; Teilband 5: Südosteuropa. 1988. XXII, 566 S.

      [Bookseller: Antiquariat + Verlag Klaus Breinlich]
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        View of a Town

      Holt: J. H. Mainstone Print Publications, 1973. Holt: J. H. Mainstone Print Publications,, 1973. Colour offset lithograph on heavy wove paper. Image size: 43 x 54.5 cm. Sheet size: 60.3 x 70 cm. Excellent condition. Presented in an ash lime waxed frame. Edition of 850. Signed in pencil lower right by Lowry. Fine Art Trade Guild blindstamp lower left.

      [Bookseller: Peter Harrington]
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        Die große Veränderung. Mit 10 sign. Orig.-Farbserigraphien sowie Vignetten und Buchausstattung von O. Alt.

      München, Bruckmann 1973.. OLwd. mit mont. Deckelvignette und illustr. OU, in schwarzer OLwd.-Kassette. 43 : 39 cm. - 1 von 10 röm. numerierten Archiv-Exemplaren, die Graphiken jeweils vom Künstler signiert (GA 800). - Farbenfrohe Illustrationen zu dem Gedicht Mondlandung von W. H. Auden. Mit einer Übersetzung von H. Zand und englisch-deutschem Text. - Kanten etw. berieben. Insgesamt schönes Exemplar. - 1 of 10 Roman numbered archive copies, each print signed by artist. With 10 signed orig. silkscreens in colors as well as vignettes and book decoration by O. Alt. Orig. cloth with mounted vignette and illustrated orig. wrappers, in black orig. cloth case. With translation by H. Zand and text in German and English. - Edges somewhat rubbed. Else good copy..

      [Bookseller: Ketterer Kunst GmbH vorm. F. Dörling Gmb]
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        Minnie and Moskowitz. Los Angeles, Black Sparrow Press 1973.

      . 116 S. mit 12 S. Filmstills, illustr. OHln.. Erste Ausgabe.- Eines von 50 (geamt 250) numerierten und von Cassavetes signierten Exemplaren der besonderen Vorzugsausgabe, bei der auch die Schauspieler Jane und Lady Rowlands, Katherine Cassavetes, Val Avery und Seymoour Cassel signiert haben.- Schönes Exemplar.

      [Bookseller: Antiquariat Eckert & Kaun]
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        The Level Crossing

      London: Patrick Seale Prints Ltd., 1973. London: Patrick Seale Prints Ltd.,, 1973. Colour offset lithograph on wove paper. Sheet size: 60 x 70 cm. Excellent condition. Presented in a contemporary wooden frame. Edition of 750. Signed in pencil lower right by Lowry. Reproduced from an original oil painting executed in 1946

      [Bookseller: Peter Harrington]
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        STORIA DELLA MAIOLICA DI FIRENZE E DEL CONTADO Secoli XIV e XVI.

      Firenze,: Sansoni, 1973.. Firenze,: Sansoni,, 1973.. In-4, 2 volumi (1 di tavole), tela editoriale, custodia, pp. 505, con una ricchissima documentazione iconografica di oltre 600 illustrazioni a colori e in bianco e nero in 365 tavole. Importante opera per la conoscenza della storia della maiolica fiorentina. In ottimo stato (fine copy).

      [Bookseller: Bottega delle occasioni]
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        SELECTED POEMS: 1957-1967

      New York: Harper & Row (1973). New York: Harper & Row (1973). 1st edition, uncorrected galley proof, blue binding tape (as issued). The proof copy Harper & Row provided to the author, with his many corrections and annotations, including his editorial markings for the printer. Signed on the cover "Checked / T. H." by Hughes in blue ink. Truly unique, one of a kind.

      [Bookseller: Jett W. Whitehead Rare Books (ABAA)]
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        Die Zwille.

      Stuttgart, Klett-Cotta, 1973.. ISBN 3129045902. 329 S. Dunkelblauer Orig.-Lederband mit goldgeprägtem Rückentitel und goldgeprägtem Monogramm Jüngers auf dem Vorderdeckel. Kopffarbschnitt. Sehr gutes Exemplar.. Erstausgabe lt. WG 123. Eins von 200 nummerierten Exemplaren der Vorzugsausgabe, die Ernst Jünger im Druckvermerk handschriftlich signiert hat.

      [Bookseller: Versandantiquariat Elke Rehder]
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        13 Fois Elle et Moi. 1973. Folge von 13 Holzschnitten und 2 Druckvermerke in Dunkelgrün bzw. Dunkelblau sowie 2 Titelholzschnitte auf Portfolio und Schuber.

      . (Zürich, Ernst Scheidegger 1973). In Orig.-Chemise aus Strohpapier mit schwarzem Halblederrücken und Stohpapier-Schuber. 50,3 : 32,5 cm.. Mason 82, 1-16 (=17). - Eines von 91 Exemplaren. Jeweils auf einem gefalteten, cremefarbenen, transparenten Japanpapier (48 : 61 cm) gedruckt. 14 Blätter vom Künstler in Kugelschreiber signiert und numeriert. Gedruckt bei Wolfensberger, Zürich. - Tadellos. - Einzelne Holzschnitte dieser Folge auch separat verfügbar, je CHF 500.-

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
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        Sans titre (Saint-Gall), 1973. Holzschnitt in Schwarz. Unten rechts in Bleistift monogrammiert und numeriert.

      . 45 : 32 auf 67 : 51 cm.. Mason 108 b. - Eines von 200 numerierten Exemplaren auf Japan (japon Torinoko). - Drucker: Wolfensberger, Zürich. Herausgeber: Schweizerischer Kunstverein.

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
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        Crash

      London: Jonathan Cape, 1973. London: Jonathan Cape. PUBLISHING DETAILS: First edition of Ballard's cult novel, published by Jonathan Cape of London in 1973. 224 pages. Size; 20 x 13 cms (8" x 5"). Weight; 340g (12 ounces). CONDITION: I would rate the book and dustjacket as very good. The book is a library rebind in green simulated leather, with clean, sound covers (see photo). The binding remains tight and secure throughout. The text is mostly clean and bright but there are marks to a few pages. There are library stamps to the copyright and last pages but no labels. There is a new front endpaper. The original dustjacket is entire and clean but with tape residue marks to the inside and on the turn-in flaps and just slightly faded to the spine. It is now protected in a clear, removable sleeve. All in all, a tidy copy of this rare and much sought after first edition that looks very well in its original dustjacket, greatly reduced to allow for the rebinding. THE NOVEL: Crash is a story about symphorophilia or car-crash sexual fetishism: its protagonists become sexually aroused by staging and participating in real car-crashes. The story is told through the eyes of narrator James Ballard, named after the author himself, but it centers on the sinister figure of Dr. Robert Vaughan, a "former TV-scientist, turned nightmare angel of the expressways". Ballard meets Vaughan after being involved in a car accident himself near London Airport. Gathering around Vaughan is a group of alienated people, all of them former crash-victims, who follow him in his pursuit to re-enact the crashes of celebrities, and experience what the narrator calls "a new sexuality, born from a perverse technology". Vaughan's ultimate fantasy is to die in a head-on collision with movie star Elizabeth Taylor. It was a highly controversial novel: famously one publisher's reader returned the verdict "This author is beyond psychiatric help. Do Not Publish!" The novel was made into a movie of the same name in 1996 by David Cronenberg. An earlier, apparently unauthorized adaptation called Nightmare Angel was filmed in 1986 by Susan Emerling and Zoe Beloff. (Source: Wikipedia) . Very Good. Hardcover. 1st Edition. 1973. 20x13 Cms (8" x 5").

      [Bookseller: artful books]
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        Sir Maximus Mouse

      , 1973. 1973. The Cheese Tycoon At Home in the Cheddar BankOriginal Art From "The Butterfly Ball"ALDRIDGE, Alan. Sir Maximus Mouse. Original Art, Plate No. 19 from The Butterfly Ball and the Grasshopper's Feast. N.p., 1973. 25 x 19 1/4 inches (64 x 49 cm) matted and glassed in frame; oval image 18 x 12 1/2 inches (46 x 31.5 cm). An original airbrushed acrylic painting illustrating a character from artist Alan Aldridge's modern children's classic, The Butterfly Ball and The Grasshopper's Feast, with verses by William Plomer and nature notes by Richard Fitter, originally published in London by Jonathan Cape, 1973. It is one of twenty-eight illustrations created for the book.Accompanied by a first edition copy of the book.That huge new block, in EC4,Of the Cheddar Bank they built last JuneHas a secret fat, on the fourteenth floor,For Sir Maximus Mouse, the Cheese Tycoon.There he sits in his cozy roomWith a ticker-tape, in view of St. Paul'sTo watch how the market rises and falls.His whiskers twitch at the hint of a broom,His whiskers droop at the hint of a slump in hisHundred-and-twenty super-companies.As a cat will watch a mouse, he staresAt the ups and downs of shocks and shares,A prince among mice and millionaires."Knock, knock," says the grandfather clock,"Money's not all, money's not all -He has quite forgotten the Butterfly Ball!"Alan Aldridge (b. 1943) is an English artist, graphic designer and illustrator. Aldridge first worked as an illustrator at The Sunday Times Magazine. After executing some freelance book covers, he became the art director for Penguin Books. In 1968 he established his own graphic-design firm, INK, which created imagery for the Beatles and their Apple Corps. He was responsible for a great many album covers during the 1960s and 1970s, influencing the graphic style of the period. His work was characterized by flowing, cartoon-like designs with soft airbrushing. He is possibly best known for the children's illustrated book, The Butterfly Ball and the Grasshopper Feast, a series of illustrations of anthropomorphic insects and other creatures, which he created in collaboration with William Plomer. It was based on William Roscoe's poem of the same name but was motivated by John Tenniel's assertion to Lewis Carroll it was impossible to draw a wasp in a wig. Aldridge also created the artwork for Elton John's Captain Fantastic and the Brown Dirt Cowboy (1975).

      [Bookseller: David Brass Rare Books, Inc.]
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        ORIGINAL MANUSCRIPT "ARGOS" with corrected typescript and covering letter

      . An eight page working draft for an anthropomorphic children's story. Written on both sides of four foolscap leaves of exercise paper (approx. 4000 words), with copious deletions, additions and corrections. With an initial typescript of the same story on six foolscap pages with corrections by the author in pen throughout. Also a typed letter to Selina Hastings, donating the manuscripts to the Royal Literary Society, and explaining a little about the writing of the story. Argos plays a peripheral part in Homer's Odyssey. He was Odysseus's faithful dog, who waited, neglected, for his master's return, and is the first to recognise the disguised Odysseus. Having done so, he dies. "In the old days he used to be taken out by the young men when they went hunting wild goats, or deer, or hares, but now that his master was gone he was lying neglected on the heaps of mule and cow dung that lay in front of the stable doors till the men should come and draw it away to manure the great close; and he was full of fleas. As soon as he saw Odysseus standing there, he dropped his ears and wagged his tail, but he could not get close up to his master... Argos passed into the darkness of death, now that he had seen his master once more after twenty years" - The Odyssey (Book 17) "most people don't know about Odysseus's dog [Argos] in "The Odyssey", and how he recognised his master when he turned up in disguise after being away for twenty years" explains Adams in his covering letter with this manuscript story. Adams had been asked by The Guardian to write a new short story for an anthology of stories by winners of The Guardian Children's Fiction Award (which Adams won in 1973 with Watership Down). In his story Adams develops the character of Argos, toward the end of his life, reminiscing to a passing cat, his version of Odysseus's departure and his adventures with Telemachus, Odysseus's son, ending with Argos's disbelief and excitement as he picks up the scent of his returning master. Throughout the holograph manuscript there are corrections, mainly stylistic changes, often making the turn of phrase more contemporary or colloquial, but also adding and deleting phrases in the general reworking of the story. As a whole the manuscript demonstrates the staged construction of a children's story in Adams's distinctive style, made famous by his other works for children such as Watership Down.

      [Bookseller: Jonkers Rare Books]
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        No Beast So Fierce. A Novel

      New York: W. W. Norton & Company, 1973. New York: W. W. Norton & Company,, 1973. Octavo. Original grey cloth, titles to spine in red and black. With the dust jacket. Ownership inscription to front free endpaper. An excellent copy in the price-clipped jacket that is very slightly rubbed at the extremities. First edition, first printing of the first published novel by the then prison inmate who would go on to have a successful career as a novelist and screenwriter.

      [Bookseller: Peter Harrington]
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        International Ship Structures Congress. Hamburg - 2 Bände : 1973 , 10 - 14 September . - // Congress Program - Opening Adresses - Photographs - Committees of the 5th I.S.S.C - List of Paericipants of the Congress - Plenary Session - Statutes of the I.S.S.C. - Presentation of the I.S.S.C. Technical Committee Reports - Technical Symbols - Discussions of Committee Reports - Environmental Conditions - Wave Loads, Hydrodynamics - Wave Loads, Statistical Approach - Stress Distribution in Hull Structures - Local Structural Response - Plastic and Limit Analysis - Vibration - Slamming and Impact - Numerical Methods - Design Procedure - Fatigue and brittle Fracture - Material other than Steel

      Hamburg, Schiffbautechnische Gesellschaft , Germanischer Lloyd,. Leinenband. Sehr gute Exemplare aus dem Vorbesitz einer bekannten Bremer Schiffbaupersönlichkeit W5

      [Bookseller: Versandhandel Rosemarie Wassmann]
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        THROWING A BALL ONCE TO GET THREE MELODIES AND FIFTEEN CHORDS - SIGNED BY JOHN BALDESSARI

      The Art Gallery of the University of California, Irvine, Irvine, CA 1973 - np (28pp), 15 b&w illustrations. In a protective clear acetate dustwrapper. Published in conjunction with a 1973 University of California, Irvine exhibition, this artist's book contains fifteen photographic images of noted Conceptual artist John Baldessari in the process of chucking a projectile that have been superimposed with colored musical staves to create three melodies and fifteen chords, as promised. A most handsome example of this uncommon item BOLDLY SIGNED "John Baldessari" in black ink across the bottom of the title page. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. [Attributes: Soft Cover]

      [Bookseller: Arcana: Books on the Arts]
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        Vorlesungen über Rechtsphilosophie 1818 - 1831. Komplett vorliegend in 4 Bänden (die Kommentarbände sind nicht mehr erschienen). Band 1: Der objektive Geist aus der Heidelberger Enzyklopädie 1817 mit Hegels Vorlesungsnotizen 1818 - 1819. / Naturrecht und Staatswissenschaft nach der Vorlesungsnachschrift von C.G. Homeyer 1818 - 1819. / Zeitgenössische Rezensionen der "Rechtsphilosophie". // Band 2: Die "Rechtsphilosophie" von 1820 mit Hegels Vorlesungsnotizen 1821 - 1825. // Band 3: Philosophie des Rechts nach der Vorlesungsnachschrift von H.G. Hotho 1822 - 1823. // Band 4: Philosophie des Rechts nach der Vorlesungsnachschrift K.G. v. Griesheims 1824 - 1825. / Der objektive Geist aus der Berliner Enzyklopädie (1827 und 1830). // Philosophie des Rechts nach der Vorlesungsnachschrift von D.F. Strauß 1831 mit Hegels Vorlesungsnotizen.

      frommann - Holzboog, 1973 - 1974. ISBN 3772803539.. 8°. 21 x 15 cm. Vier uniforme blaue Originalleinenbände mit blaugedruckten Deckel- und Rückentiteln auf weißen montierten Schildern. Die Buchschnitte etwas angeschmutzt. 603 S. und 1 Tafel S.176 / 816 Ss. mit 2 Doppelblatttafeln S. 20 und 198 / 841 Seiten mit einer doppelblattgroßen Tafel S. 288 / 925 (+2) Seiten mit 3 Blatt Tafeln S. 678 und 924. Gutes Exemplar.. #Philo

      [Bookseller: Antiquariat Carl Wegner]
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        frau grau. moritat von raoul tranchirer, mit vier holzstichen von roswitha quadflieg.

      [Hamburg], Raamin-Presse, 1973.. 16 nn. S. Gr.-4°, Broschur mit handgeb. OUmschlag (Christian Zwang, Hamburg).. Quadflieg 1. Spindler 71.1. - 1. Druck der Raamin-Presse. Handsatz und Druck von Roswitha Quadflieg. Eines von 170 num. Exemplaren. Druckvermerk von der Künstlerin sign.

      [Bookseller: Antiquariat Galerie Joy]
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        A Bagagem Do Viajante: Cronicas

      Lisboa:: Ed. Futura, 1973. Lisboa: Ed. Futura 1973. First Edition of this early collection of essays by the future Nobel Prize- winning author. Octavo. Good in wrappers, as issued. Inscribed and dated by the author. Uncommon.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB ]
 39.   Check availability:     ABAA     Link/Print  


        The Botany and Chemistry of Hallucinogens

      Springfield, IL: Charles C. Thomas,, 1973. Springfield, IL: Charles C. Thomas,, 1973. With a Foreword by Heinrich Klüver. Octavo. Original purple cloth, titles to spine and upper board gilt. With the dust jacket. Illustrations and diagrams throughout. Lightly rubbed at extremities, minor crease to upper board, a little spotting to edges of text block and endpapers. An excellent copy in the lightly rubbed and dulled jacket with some marks and spots and toned spine panel. First edition, first printing of the definitive work on hallucinogens by Albert Hofmann, the biochemist who was the person first to synthesize and ingest LSD, and Richard Schultes, the founder of ethnobotany and a leading expert on the use of hallucinogens by indigenous peoples.

      [Bookseller: Peter Harrington]
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        Un Voyage en Mer du Nord

      Brussels: Hossmann (in association with Petersburg Press, London) 1973 - This book portrays two voyages on the North Sea, one with photographs of an oil painting showing a square rigged vessel returning to port and the other with a photograph of a modern day sloop running before the wind under spinnaker and mainsail. It was made by Broodthaers in conjunction with a 16mm film of still images similar to those in the book and bearing the same title. In the press release accompanying the book and film, Broodthaers explained the combined work in this way: "A book suggesting image as function. A book suggesting the text as function. More than a theory, the subject of this proposition reflects a simple image of the frustration that rules the social condition of today. . . . Perhaps I should add that the subject shines." His explanation in the book itself is more understandable: ?It is up to the attentive reader to find out what devilish motive inspired this book?s publication.? The oil painting of the square rigger was purchased by Broodthaers at a Paris flea market and it made several appearances in his work. The photograph of the modern sloop was taken by Broodthaers himself. In the book and in the film details of the oil painting are examined closely by the camera moving towards the painting and then withdrawing, but always in sharp focus. This mixing of media, viz., film, printing, painting, and still photography, became an underlying basis for Rosalind Krauss? eponymous book "A Voyage on the North Sea: Art in the Age of the Post-Medium Condition," where she argued that art in the 1970s was made without regard to the constraints of a particular medium. This copy of the book is from the Brussels edition by Hossmann in association with the Petersburg Press in London, and is part of an edition that does not include the 16mm film. The text is in French. Two other editions were published: one in English at the Petersburg Press in London and one in German at the Verlag DuMont Schaberg in Cologne. [Attributes: Soft Cover]

      [Bookseller: Boreas Fine Art]
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        Breakfast of Champions or Goodbye Blue Monday. With drawings by the author.

      [New York:] Delacorte Press/ Seymour Lawrence, 1973 - Octavo. Original orange cloth, titles to spine and front board in blue and gilt, black endpapers, top edge yellow. With the dust jacket. Contents faintly toned. A remarkably fresh copy in a jacket with a few spots to top edge of rear flap. Illustrated throughout by the author. First edition, first printing.

      [Bookseller: Peter Harrington. ABA member]
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        The Ristigouche And Its Salmon Fishing. With A Chapter on Angling Literature.

      - Goshen, Connecticut. The Angler's and Shooter's Press. 1973. Limited Edition. Book number 55 of 240 copies published and for sale. Folio. (12 ¾ x 10). 304 pp. plus List of Subscribers. Initialed by the editors on the limitation page. Illustrated color frontispiece showing 13 salmon flies drawn by Charles De Feo, signed; the large Jock Scott (size 12/0) was hand colored by Mr. De Feo. The color print of Camp Harmony signed by the artist, Ogden M. Pleissner. Foldout map of Camp Harmony. The original engraved title page is printed in red and black. Foreword by Arnold Gingrich. A Notice of Dean Sage by Dewitt Sage. A bibliography of important salmon fishing titles by Colonel Henry Siegel. The text was printed by The Meriden Gravure Company on Rives Mold Made paper. A magnificent facsimile printing of the rare and expensive first edition published in 1888. The book is hand-bound in full brown leather with gilt titles and raised bands on the spine and a gilt Osprey with a fish in its talons on the front cover. When Colonel Siegel first offered the book for sale, the purchaser had a choice of leather bindings in four colors. Books bound in brown leather sold out early on. Handmade marbled end papers. Top edge gilt. Ribbon marker. A few light rubs to the front cover, a minor separation at the top of the front joint, otherwise a handsome, beautiful book. Near fine.

      [Bookseller: Bruce Cave Fine Books, IOBA.]
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        Werkverzeichnis der Druckgraphik 1951-1973.

      Rottendorf, Edition Galerie am Grasholz, (1973).. Quer-Kl.-4° (21,8 : 26 cm). 144 SS. mit 2 Portr. und 258 Abb. Grau Orig.-Lwd. mit illustr. Orig.-Umschl., 1 Titelbl. und 4 hs. bezeichn., num. und sign. Orig.-Radierungen (Blattformat 25 : 19,4 cm bzw. Bildformat ca. 17,8 : 12 cm bis 20,5 : 14,3 cm) lose in grau Orig.-Lwd. Mappe.. Nr. 18/50 Expln. der Luxusausgabe C mit vier vom Künstler eigenhändig hergestellten, im Rand handschriftl. bezeichneten, numerierten und signierten Orig.-Radierungen in Mappe ("Vogelmensch" - "Denkmal eines Naturwissenschaftlers" - "Die Katze hat ihren guten Tag" - "Am Eingang vorbei"). - Beiliegt: Preisliste der lieferbaren Radierungen (Stand November 1973). - Schutzumschlag mit minimalen Mängeln. Sonst gutes Exemplar.

      [Bookseller: Antiquariat Lutz-Peter Kreussel]
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