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Displayed below are some selected recent viaLibri matches for books published in 1972

        Stanley Kubrick's Clockwork Orange.

      Abelard-Schuman, New York 1972 - First edition of the book recreation of Stanley Kubrick's epic film adaptation of Anthony Burgess' dystopian masterpiece. Octavo, original wrappers. Signed by Anthony Burgess on the front free endpaper. In near fine condition. The cinematic adaptation of A Clockwork Orange was accidental. Screenplay writer Terry Southern gave Stanley Kubrick a copy of the novel, but, as he was developing a Napoleon Bonaparte–related project, Kubrick put it aside. Soon afterward, however, the Bonaparte project was cancelled and, sometime later, Kubrick happened upon the novel. It had an immediate impact. Of his enthusiasm for it, Kubrick said, "I was excited by everything about it: The plot, the ideas, the characters, and, of course, the language. The story functions, of course, on several levels: Political, sociological, philosophical, and, what's most important, on a dreamlike psychological-symbolic level". Kubrick wrote a screenplay faithful to the novel, saying, "I think whatever Burgess had to say about the story was said in the book, but I did invent a few useful narrative ideas and reshape some of the scenes." [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Das Wesen der Kunst als das sich ins-Werk-setzen der Wahrheit

      St. Gallen, Switzerland: Erker Galerie, 1972. Original lithograph by Giuseppe Santomaso (1907-1990) with facing text by Martin Heidegger (1889-1976) in his own lithographically reproduced handwriting. 39 x 57 cm. One of 200 copies signed and numbered by Santomaso on BFK Rives. From Erker-Treffen 1.

      [Bookseller: Alan Wofsy Fine Arts]
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        Watership Down - the true first printing

      Rex Collings, 1972. Hardcover. Very Good. A first edition, first printing published by Rex Collings in 1972. A very good+ book without inscriptions (map complete), in a very good unclipped wrapper with two internal tape repairs. Rubbing to the edges, one or two closed tears on the edges. A very presentable copy.

      [Bookseller: John Atkinson Books]
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        WOOD ENGRAVINGS OF ERIC RAVILIOUS [Introduction by J M Richards]

      Kensington: The Lion and Unicorn Press, Royal College of Art, 1972. First edition, LIMITED, number 80 of the second issue, which was limited to 500 copies. With 113 leaves displaying over 400 of Eric Ravilious' engravings, each leaf printed one side only, with fold-out index leaves. The title-page, front free-fly and colophon page also decorated with Ravilious engravings. Tall folio, in the original binding by Henry Brooks Ltd. of course gray cloth with a large woodcut block on the upper cover in black, the spine lettered in gilt, decorated endpapers. 19pp., 113 ff., 4 ff. index, 2ff. pp. A fine copy, the boards very slightly bowed and with trivial aging, internally very fine and as new. FIRST EDITION AND AN IMPORTANT CATALOGUE RAISONNÉ OF ENGRAVER ERIC RAVILIOUS AND ARGUABLY THE MOST IMPORTANT WORK OF THE PRESS. Six of the over 420 engravings here were reproduced from Ravilious' original blocks, the others (for which the blocks likely no longer existed) were painstakingly reproduced from other sources, all are in their original size and the collection comprises all of his engraved works which could be found and should be considered as complete as could be made possible. The print work was beautifully done by the Curwen Press on Grosvenor Chater's Basingwerk parchment. Ravilious engraved most of these illustrations for books and other publications. His first commission, in 1926, was to illustrate a novel for Jonathan Cape. He went on to produce work both for large companies such as the Lanston Corporation and the smaller, less commercial "Fine Presses", such as the Golden Cockerel, the Curwen Press and the Cresset Press. A handful of the engravings included here were never previously published. Ravilious' career was cut tragically short when, while working as a War Artist, the RAF patrol he was flying on failed to return. After four days of searching, he and the plane's four crewmen were declared lost in action.

      [Bookseller: Buddenbrooks, Inc.]
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        The Optimist's Daughter

      New York: Random House, 1972. Cloth. Fine. #64 OF 300 COPIES SIGNED BY EUDORA WELTY at the limitation. An immaculate copy to boot of this 1972 1st edition. Tight and Fine in its red-clay cloth. And in a very sharp, numbered copy (#64) of the publisher's card slipcase. Octavo, without dustjacket, as issued.

      [Bookseller: Appledore Books, ABAA]
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        Gedenkwaerdige gesantschappen der Oost-Indische Maetschappy in 't Vereendigde Nederland, aen de Kaisaren van Japan ...Amsterdam, Jacob Meurs, 1669. Folio. With engraved frontispiece, title-page printed in red and black with woodcut decoration, 1 folding map with travel routes in Japan, 20 double-page and 4 larger folding engraved plates, 71 half-page engravings in the text. Contemporary vellum.

      Cordier, Japonica, col. 383; Landwehr & V.d. Krogt, VOC 522. True first edition of Montanus's very detailed and thoroughly illustrated account of Japan, containing the first known printed images of the small island of Dejima, in Nagasaki harbour, the Japanese outpost of the VOC (Dutch East India Company), connected to the mainland by a bridge. The title-page notes that the book is based on the manuscripts and notes of the VOC delegations (to the Shogun), and that the illustrations were drawn in Japan. The folding map shows the sea route along the coast from Nagasaki to Osaka and the land route along the coast from Osaka to Yedo (Tokyo). The four folding views show profiles of the cities of Osaka, Miaco (Kyoto), Yedo and Kagoshima. Two views show erupting volcanoes and many show religious and other rituals, temples, torture and fighting, etc.The present first edition isn't mentioned by Tiele. As Isabella van Eeghen already pointed out in 1972, Tiele's entry 762 actually describes a reprint, published ca. 1681, some two years after Meurs's death. The quality of the plates of the reprint is generally rather poor in comparison with the present first edition. Some browning and a few faint waterstains, otherwise in very good condition. The binding also very well-preserved.

      [Bookseller: Antiquariaat FORUM BV]
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        Amphigorey (The Uncommon Signed/Limited Edition in Slipcase, Only 50 Copies Issued)

      New York: G.P. Putnam's Sons, 1972. Hardcover. Near Fine/Near Fine. The 1972 signed/limited edition, #32 OF 50 COPIES SIGNED BY EDWARD GOREY at the limitation. This edition calls for "an original ink and water colour drawing by the author", which this copy lacks. Still though, very scarce as such and a lovely copy to boot. Tight and Near Fine in its laminate boards. And in a crisp, price-intact, Near Fine dustjacket, with a tiny chip at the rear panel's top-edge and a miniscule closed tear to the front panel's lower-edge. Quarto, internally immaculate, with no writing or markings of any kind. Also includes a sturdy, VG example (light soiling to the title label and along the rear panel) of the publisher's printed slipcase, which has clearly protected the book and dustjacket very well.

      [Bookseller: Appledore Books, ABAA]
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        An Introduction To The Rime Of The Ancient Mariner (With The Scarce Publisher's Prospectus And Related Ephemera)

      The First UK printing published by Clover Hill Editions, London in 1972. The BOOK is in near Fine condition. This is number 98 of only 115 copies which are Numbered and Signed by David Jones. Bound in quarter vellum and green cloth and contained in a marbled slip case. There were also 215 copies bound in green cloth. The scarce Glassine WRAPPER is still present and is in Very Good condition being lightly creased in places and missing 3/4 of the spine portion. This publication was printed by Will and Sebastian Carter at the Rampant Lions Press and published as the seventh of the Clover Hill Editions. The title page carries a vignette of a fish with a verse from Psalm LX1X in the vulgate. The tissue guard is still present. Housed in the original marbled slipcase which is in near Fine condition. Accompanied by a compliments slip and invoice from Douglas Cleverdon for a sale of this title on publication. Also accompanied by a H/W letter from Douglas Cleverdon to the purchaser regarding the ordering of the book. The scarce four page Publisher's Prospectus is present and is in near Fine condition. 'Throughout his life, 'The Rime of the ancient Mariner' had held a profound significance for David Jones'. Scarce to find in this Signed edition with such attributes.

      [Bookseller: Ashtonrarebooks]
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        Erker-Treffen 1

      St. Gallen, Switzerland: Erker Galerie, 1972. Portfolio of 8 texts lithographically reproduced in the authors' own handwriting by Jean Cassou, Max Frisch, Martin Heidegger, Peter Huchel, Eugène Ionesco, Friedrich Georg Jünger, Halldór Laxness and Ezra Pound, with 8 original lithographs by Max Bill, Piero Dorazio, Bernhard Heiliger, Asger Jorn, Giuseppe Santomaso, Toni Stadler, Mark Tobey and Fritz Wotruba, each signed and numbered by the artist on BFK Rives. The portfolio itself is one of 200 numbered copies. Each lithograph is folded down the middle, typically with the text on the left and the image on the right, and loosely inserted into a slipcase. 39 x 28.5 cm. Fine.

      [Bookseller: Alan Wofsy Fine Arts]
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        Femmes / Hombres with Fifteen Etchings By Michael Ayrton

      Douglas Cleverdon for the Arcadia Press, London 1972 - Quarter green morocco over marbled boards, gilt title, t.e.g., housed in cloth slipcase. (16" x 11 1/2"). Limited number 53 of 85 copies. 67 pages (french text); illustrated with 15 full page etchings by Michael Ayrton. SIGNED by artist on limitation page. "Designed and printed by the Circle Press Guildford in Monotype Bembo 270. Etchings printed at Studio Prints London. Mould-made paper from Barcham Green Kent 1972". A clean, tight and bright copy. Size: Oblong Folio [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Books & Bidders, Antiquarian Booksellers]
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        Unter der blanken Hacke des Monds werde ich sterben..

      St. Gallen, Switzerland: Erker Galerie, 1972. Original lithograph by Mark Tobey (1890-1976) with facing text by Peter Huchel (1903-1981) in his own lithographically reproduced handwriting. 39 x 57 cm. One of 200 copies signed and numbered in pencil by Tobey on BFK Rives. From Erker-Treffen 1.

      [Bookseller: Alan Wofsy Fine Arts]
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        Lithographies I

      New York: Tudor Publishing Company, 1972. First Edition. Hardcover. Very Good. Limited edition; copy #1766 of 5000. Near Fine, with light toning and light foxing to cloth, light rubbing to title stamping on spine. In a Near Fine dust jacket with publisher's price intact, toning to spine, light soiling and light rubbing at extremities. Complete with 11 original lithographs, printed by Fernand Mourlot.

      [Bookseller: Burnside Rare Books]
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        THE GUNS OF AVALON

      Garden City: Doubleday & Company, Inc., 1972.. Octavo,cloth. First edition. Second book of the Amber series, the scarce sequel to NINE PRINCES IN AMBER (1970). Barron (ed), Fantasy Literature 4A-276. Schlobin, The Literature of Fantasy 1144. Survey of Modern Fantasy Literature I, pp. 29-35. Tymn (ed), Fantasy Literature, p. 182. Publisher's review slip laid in. A fine copy in fine dust jacket priced $5.95 on the front flap with no wear and no fading to spine panel. A perfect, lovely copy. (#156869)

      [Bookseller: L. W. Currey, Inc. ]
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        The Satanic Bible

      Seacaucus, NJ: University Books, [1972]. First Edition. Hardcover. Very Good. First hardcover edition, first printing. (Follows the 1969 Avon paperback original, new introduction.) 272pp. Bright red cloth with black lettering. Very Good+ with light fore edge foxing in Very Good dust jacket, price-clipped with a small closed tear in bottom of front panel, rubbing, slight crease to front panel, light wear to tips. Light foxing to verso of jacket with faint mottling from this to cloth. Newspaper clipping of LaVey's obit laid in. The Church of Satan's foundational text and an underground/counterculture classic in its rare first hardcover issue.

      [Bookseller: Burnside Rare Books]
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        Walt Disney's Now I Know comic. [ca. 1972-73]

      : , 1972-1973. Pluto and Minnie Reading Original hand-painted artwork for the Walt Disney's Now I Know comic. [ca. 1972-73]. Gouache on artist board. Image size: 10 3/8 x 9 1/4 inches. In fine condition. Matted, framed and glazed.

      [Bookseller: David Brass Rare Books, Inc.]
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        The Halloween Tree

      New York: Alfred A. Knopf, 1972. First edition. Hardcover. Very good +/very good +. Joseph Mugnaini. SIGNED. 145pp. Octavo [23.5 cm] in black cloth with spine title in silver gilt and red, with red cover device. Light rubbing and wear to jacket; boards are crisp and unworn; interior is clean and bright. Signed and inscribed by Bradbury on title page. A lovingly-crafted tale of Halloween by the Sci-Fi master, with striking B&W illustrations by Joseph Mugnani.

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        Henry Moore: Unpublished Drawings

      Bijutsu Shuppansha, Tokyo 1972 - Original binding, a little lifting to extremities, tiny bit of soiling. Contents in nice condition. Includes original copperplate engraving, signed by Moore, metal slipcase, outer metal frame/box, and original cardboard book-box (a little wear and tear to extremities, as usual, and a few small punctures). Number 86 of a limited edition of 90 copies specially bound. Text in Japanese. 15 p. + 212 reproduced plates of unpublished drawings by English artist Henry Moore. Due to the size and weight of this item, extra shipping charges may be applied. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Kagerou Bunko (ABAJ, ILAB)]
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        LES QUATRE SAISONS

      - Affiche originale imprimée en lithographie par Mourlot en 1972 Ref. "les affiches de Chagall" n°63 - Sorlier Format : 94 x 64 cm Tirage à 5.000 exemplaires avec le texte

      [Bookseller: dominique besson]
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        Août quatorze

      - Seuil, Paris 1972, 16x25cm, broché. - Prima edizione della traduzione francese, una delle 60 copie numerate su asta di Arches, solo carta di grandi dimensioni. buffer di stampa bibliofilo accanto alla pagina mezza titolo come un ex libris. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française, un des 60 exemplaires numérotés sur vergé d'Arches, seuls grands papiers. Tampon imprimé de bibliophile en regard de la page de faux-titre en guise d'ex-libris, agréable exemplaire.  

      [Bookseller: Librairie Feu Follet]
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        Joan Miró. Litógrafo I. Traducción al espanol por Joaquin Marco.

      Barcelona, Ediciones Poligrafa 1972. - Fol., 231 S., 2 Bl., 120 in Farbe abgebildete Arbeiten Miros, Orig.-Leinen, Orig.-Schutzumschlag, Schutzumschlag Vorderseite mit kleinem Einriss am oberen Rand, unbedruckte Rückseite mit kleinem Ausriss unten rechts, schönes Exemplar, Spanischsprachige Ausgabe, mit 5 eingebundenen Orig. Farblithografien, Schutzumschlag ebenfals Orig. LithografieDeutschsprachige Ausgabe, mit 11 eingebundenen Orig. Farblithografien, Schutzumschlag ebenfals Orig. Lithografie, [Attributes: Hard Cover]

      [Bookseller: Antiquariat Werner Steinbeiß]
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        Ralegh

      Los Angeles: Black Sparrow Press, 1972. First Edition. Paperback. Fine/Fine. First edition, #2 of only three presentation copies, INSCRIBED to Clayton (Eshleman) and Caryl on the 6th of May 1972. Special edition with original holographic poem written on inside front cover. Also signed again by Kelly at rear. Fine in oversized decorated card wrappers. Scarce. Signed by Author

      [Bookseller: Derringer Books, Member A.B.A.A.]
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        The incredible case of the Stack O¿White Murders; Deerslayers; Little People of America

      A compte d'auteur, Rochester 1972 - Ensemble des trois ouvrages de Les Krims présentés dans des boîtes. Réunion des trois livres en boîte de Leslie Krims : - The Incredible Case of the Stack O¿Wheats Murders. Buffalo, Les Krims, sd (1972), 2 feuilles de texte 51x12.7cm, pliées, la seconde portant la justification et la signature, et 10 photographies 12.7x14.4cm reproduites en fac-similé, le tout contenu dans une boîte 15X13.6cm avec étiquette illustrée d¿une photographie. Tirage total de 4000 ex. signés et justifiés. ¿The Little People Of America. Buffalo, Les Krims, 1971 ; une feuille de texte 51x12.7cm, pliée, portant la justification et la signature de Les Krims et 24 photographies 12.7x14.4cm reproduites en fac-similé, l¿ensemble contenu dans une boîte signée et datée dans le couvercle 15x13.6x1.4cm avec étiquette illustrée d¿une photographie. ¿the deerslayers Rochester, Les Krims, 1972 ; une feuille de texte 51x12.7cm, pliée, portant la justification et la signature de Les Krims et 23 photographies 12.7x14.4cm reproduites en fac-similé, l¿ensemble contenu dans une boîte 15x13.6x1.4cm avec étiquette illustrée d¿une photographie. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Chloé et Denis Ozanne]
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        Posters

      London: [Printed in Switzerland by Lichtdruck AG, Dielsdorf, Zurich for Sam Haskins, 67 Glebe Place], [1972]. Folio. 31 photographs. Deluxe gold-leaf over boards, title cartouche on front cover, white-lettered on leather spine. Frequently found in wrappers, the work is scarce in this deluxe hardcover limited edition. This was the first color book produced by Haskins. It is printed on one side using a thick stiff paper and a soft glue perfect binding so that the pages could be removed and used as posters. The book won a gold award at the New York One Show.

      [Bookseller: Riverrun Books & Manuscripts]
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        Handschriftlicher Briefwechsel mit Ferdinand Wessiak. 29 Briefe, 15 Karten, 1 Erzählung betitelt "Die Maus" 2 Wunschkarten mit 1 Holzschnitt und 1 Reproduktion, 1 Karte von Eva Kobinger.

      1942 - circa 1972. - Briefkorrespondenz meist gelocht. Der umfangreiche Briefwechsel mit Ferdinand Wessiak stammt hauptsächlich aus der Zeit 1942 - 1947 und ist insofern interessant, da es um die in Berlin lagernden Bilder geht, sowie die Alltagsprobleme die durch den Krieg verursacht wurden. Hans Kobinger 1892 - 1974 zählt zu den Künstlern Oberösterreichs rund um die Künstlergruppe 'März' zu der auch Vilma Eckl, Alfred Kubin, Klemens Brosch u. a. gehörten. Seine Arbeiten, ganz der Heimat verschrieben, erzielen durchaus beachtliche Preise auf dem internationalen Kunstmarkt. Ferdinand Wessiak lebte in der Kriegszeit in Berlin, später dann in Großgmain bei Salzburg. Er war der Vertraute von Johannes Ude, der im Widerstand zu NS-Regime stand und im KZ gefoltert wurde, zuletzt rettete ihn der Einmarsch der Alliierten. Der Briefwechsel gibt ein anschauliches Bild auch des geistigen Widerstandes und der Freundschaft. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Weinek]
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        Vanishing Cornwall - SIGNED and INSCRIBED by the Author

      Gollancz 1972 - A first edition, first printing published by Gollancz in 1972. A fine book in a near fine slightly browned wrapper which is unclipped. Signed and inscribed by the Author (To dear Cliff, with gratitude for bringing me out of my shell, and making the approach of those 70 years truly great fun/love from Daphne/March 1977 (and you had better watch out Jean!). Rare with such a long and intimate inscription. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: John Atkinson Books ABA ILAB PBFA]
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        Dictionnaire de théologie catholique contenant l'exposé des doctrines de la théologie catholique leurs preuves et leur historie. Tomi XV in 30 volumi. Unito Table analytique des tome I-IX (A-L), ); uniti Tables générales in due vol. legati in quattro A-Z Testo su due colonne.

      Letouzey da fine '800 a, 1972. 34 volumi in-4° di pp. oltre 22.000, tutti rilegati in tutta tela con titolo ai dorsi, mentre il fasc. relativo alla Table analitique tome I-IX (A-L) è di pp. 144 ed è in bross. edit. con mancanza al piatto ant. e dorso rifatto. Opera nel complesso in ottimo stato.

      [Bookseller: Libreria Gullà]
 26.   Check availability:     maremagnum.com     Link/Print  


        LA BELLA DI LODI

      EINAUDI, 1972. ITALIANO 0,32 Pagine in buonissimo stato di conservazione, leggermente ingiallito e con polvere il taglio superiore, coperta rigida con titoli bianchi e leggermente scolorita al dorso ed ai bordi e con traccia di umidità al bordo inferiore, sovraccoperta illustrata, ingiallita ai bordi ed al dorso e con lievi segni del tempo USATO

      [Bookseller: Biblioteca di Babele]
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        Forbidden Ecstasy

      Privately Printed, Tokyo 1972 - 4to, Unpaginated (ca 60pp). Brown paper in brown wraps with Black and White Photographs attached with occasional hand annotations. With 3 contact sheets and approximately 103 photographs. Fascinating one off scrap book produced by the director for the pink movie 'Forbidden Ecstasy', released by 'Million films' in 1972. Kobayashi studied Butoh in his earlier years, and was later referred to as the Akira Kurosawa of porn. The aesthetic is very composed and subtle, more implicit in it's sexuality, and with discreet power play and bondage undertones. 3 [Attributes: First Edition; Soft Cover]

      [Bookseller: november-books]
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        WATERSHIP DOWN

      Rex Collings 1972 - 1st 1972. Very good condition in a very good dustwrapper. A rabbit with extra-sensory perception - what rubbish, or so the chief rabbit of the warren thought. He ignored Fiver's warning of impending disaster; he was wrong. Brown cloth with gilt title to spine and vignette of two rabbits to bottom corner of front cover. Folding map to rear of book. Light vertical crease running the length of the spine (reading line). Tiny dint to base of spine just above the gilt 's' of 'Collings' (publisher). Light shelf wear to top & tail of spine. Boards clean. Spine slightly cocked. Foxing to endpapers. Text block and first few text pages browned. Otherwise, contents clean. Dustwrapper is slightly grubby with a few small edge-nicks. Includes a SIGNED letter in response to the previous owner who wrote to Richard Adams after reading the book. A real treasure! [S] [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Stella & Rose's Books, PBFA]
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        LES FRERES KARAMAZOV LES CARNETS DES FRERES KARAMAZOV NIETOTCHKA NIEZVANOV

      GALLIMARD, Paris 1972 - BIBLIOTHEQUE DE LA PLEIADE Francese Introduzione di Pierre Pascal, traduzione e note di H.Mongault, B.De Schloezer, L.Desormonts e S.Luneau, pagine ottimamente conservate, taglio superiore blu, coperta semirigida in similpelle verde con titoli d'oro al dorso, sovraccoperta ingiallita ai bordi, con velina ed anonimo cofanetto in cartoncino ingiallito dal tempo

      [Bookseller: Biblioteca di Babele]
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        Skizzenbuch.

      Zürich, Scheidegger. 1972 - 35x14,5 cm. (148) S. Mit vielen Skizzen und einigen schw./w. Fotos, aufgen. von Leonard Bezzola. OKstLdr. Nr. 1/1000 numerierten Exemplaren mit dem persönlichen Stempel von Bernhard Luginbühl. - Skizzenbuch aus den Jahren 1965-1969, u.a. für Projekte mit Jean Tinguely "Station culturelle no 1" und einer Grossplastik mit Tinguely für die Weltausstellung in Isaka 1970. - Mit einer Originalzeichnung und Widmung von Bernhard Luginbühl an den Schweizer Fotografen und Verleger Ernst Scheidegger. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
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        ARTE DECORATIVA E DESIGN

      LATERZA, BARI 1972 - BIBLIOTECA DI CULTURA MODERNA ITALIANO Prefazione di Giuliano Gresleri e Joseè Oubrerie, traduzione di Manuela Cocever e Nelly Mazzoccoli Rettmeyer, illustrazioni in nero nei testi e fuori testo, pagine in buonissimo stato di conservazione, coperta morbida leggermente ingiallita ai bordi, sovraccoperta leggermente ingiallita e con lievi segni di usura ai bordi

      [Bookseller: Biblioteca di Babele]
 32.   Check availability:     IberLibro     Link/Print  


        Photographic print 'Lawn Jockeys'

      1972. Signed. KERTÉSZ, André. Photographic print, “Three Lawn Jockeys” [New York: circa 1972]. Original silver gelatin print, measuring 8 by 10 inches. $2500.Photograph printed by Kertész's studio, signed, dated and captioned by him, apparently produced to promote the publication of Sixty Years of Photography.Kertész was “one of the first photographers to demonstrate the tremendous richness of the street… his work is known for its wit, composition, and sense of the unusual” (Blodgett, 96). This print of “Three Lawn Jockeys” is apparently unpublished. Studio stamp on verso. Captioned in pencil in Kertész's hand on the verso, “Aiken [South Carolina], Apr. 14— 1953.” Fine condition, boldly signed.

      [Bookseller: Bauman Rare Books]
 33.   Check availability:     Biblio     Link/Print  

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