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Displayed below are some selected recent viaLibri matches for books published in 1972


      Santa Barbara: Capra Press 1972-79, 1972 Miller, Henry [Capre Press]. SMALL ARCHIVE OF 9 LETTERS FROM PUBLISHER NOEL YOUNG TO HENRY MILLER. A series of 7 [9] typed mainly single page letters mostly on Capra Press letterhead & club sized stationery from Noel Young, editor, to Henry Miller - each letter signed in ink "Noel" - most letters with Miller's initialed notes for various instructions for filing or further action. The letters have much to do with the physical production of Miller's book GREECE published by Capra. With 2 holograph notes on Capra note / memo sized stationery added. 9 item in total. Snippets: 1 - "12 Dec 72 - Dear Henry / No, I've made no arrangement with anyone regarding foreign rights. . . As far as the Greek books go, I'd be eager to publish the Seferis book. . . Of course we're not in the same league as ND but our market is growing with every title. . . I'm sure we could sell 3-5000 copies . . " 2 - "19 Feb 73 - Dear Henry / Here's a Xerox of the Greek Ms which I had typed. I read it with great pleasure and of course now I want to publish it. . . What do you want to call it? REFLECTIONS ON GREECE, GREEKS AND OTHER THINGS???. . . I'M SURE Aidan Ellis will buy this for the United Kingdom. . . With this, and Maurizius and Waters plus Mishima and Eighty, I think I'd like to put out a special HM mailer. . . " Noel adds a handwritten postscript on the side: " Did you like the Durrell Book?" 3 - "21 march 73 - Dear Henry / Ah, the Seferis photos arrived. I'll send them back as soon as I can sit down with them and decide. Wonder if a couple of Anne Poor's ink drawing from GREECE could be begged from Viking?. . . When we get to WATERS REGLITTERIZED I have a gem of a little watercolor you sent me years ago. It suggests a cluster of little boats bobbing in the harbor. I think I'd like to reproduce it in full color . . . 4 - "29 March 73 - Dear Henry / Galley proofs on GREECE will be coming to you in a few days. Meanwhile, the search is on for a good photo of the Hydra harbor. . . . I have a good cover idea. Would you happen to have a close-up photo of you from around 1940 from which I could blow up and extra[ct] only one eye? And into the eye I could put the Hydra harbor scene". With a holograph postscript: "Yes, I'll send you some deluxe copies for Mme Seferiades". 5 - "3 April 73 - Dear Henry / Here are the galley proofs of GREECE. You needn't make a chore of proof-reading at this point. (I'll send you page proofs later.). . . Meanwhile, I'm off to the library for a photo of Hydra Harbor. / This is going to be our best book yet. COLOSSUS has always been my favorite, and this is infected with many of the same elements. 6- "11 April 73 - Dear Henry / Here are the proofs of GREECE. Notice I've used two holograph pages shot with difficulty from the xeroxes. . . Plan to use the photo of Seferis in his garden as a frontispiece and the Bullock photo of you on the colophon page. / I found a dandy photo of the Hydra harbor which I'm inserting into the eye on the cover. . . 7 - "8 Jan 80 - Dear Henry / Yes, more copies of JOEY en route to you. And the staff is being pepped up to go beyond their usual tasks and get something going with the university book stores and junior colleges as you say. America's youth needs to be exposed to Henry Miller just as the last ge neration was. . . I plan to visit Paris and Germany this spring with dummies of the watercolor book. . . With Two handwritten notes on Noel Young's printed Capra Press note stationary with their mailing envelopes: 8 - N.d. [30 June 78] "Dear Henry - / Yes, I sent Rowohlt copies of SEXTET long ago. I'll be happy to send more if he wants them. / Write to the NOBEL INSTITUTE, OSLO NORWAY / I don't know to whom. / I love your piece on Perles, did I tell you? / See you soon, Noel" 9 - N.d. [20 April 79] "Dear Henry / Thanks for the beautiful silk screen print. It's full of brightness - Jelinda now likes her book / In haste with love / Noel" In fine condition. Provenance: PBA /The Personal Archive of Henry Miller Part I Fine Modern Literature Thursday, June 26, 1997.. Signed by Author. Original Autographed Letters & Documents.

      [Bookseller: TBCL The Book Collector's Library]
 1.   Check availability:     IOBABooks     Link/Print  


      [Haarlem, Holland]: [Limited Editions Club], [1972]. Original Art. Fine. Rene Ben Sussan. The complete publisher's archive of 16 ORIGINAL watercolors, some mildly erotic in theme, and 17 ORIGINAL line drawings by Rene Ben Sussan used for the book. The watercolors are 5" x 8" on 7-3/4" x 11-1/4" paper with the line drawings on smaller, various sized sheets. All are lettered in the upper corner in red ink with pencil annotations below the image. Housed in a paper folder from the publisher. Accompanied by an out-of-series copy of the book SIGNED by the artist that was bound upside down. Rene Ben Sussan was active from the 1920s to the 1960s and illustrated many books, including 8 for the Limited Editions Club alone.

      [Bookseller: Charles Agvent]
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        Erker-Treffen 1

      St. Gallen, Switzerland: Erker Galerie, 1972. Portfolio of 8 texts lithographically reproduced in the authors' own handwriting by Jean Cassou, Max Frisch, Martin Heidegger, Peter Huchel, Eugène Ionesco, Friedrich Georg Jünger, Halldór Laxness and Ezra Pound, with 8 original lithographs by Max Bill, Piero Dorazio, Bernhard Heiliger, Asger Jorn, Giuseppe Santomaso, Toni Stadler, Mark Tobey and Fritz Wotruba, each signed and numbered by the artist on BFK Rives. The portfolio itself is one of 200 numbered copies. Each lithograph is folded down the middle, typically with the text on the left and the image on the right, and loosely inserted into a slipcase. 39 x 28.5 cm. Fine.

      [Bookseller: Alan Wofsy Fine Arts]
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        Avec mes homages

      St. Gallen, Switzerland: Erker Galerie, 1972. Original lithograph by Max Bill (1908-1994) with facing text by Ezra Pound in his own lithographically reproduced handwriting. 39 x 57 cm. The image is one of 200 copies signed and numbered in pencil by Bill on BFK Rives. From Erker-Treffen 1.

      [Bookseller: Alan Wofsy Fine Arts]
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      In-4 p., cartelletta edit. contenente un fascicolo, pp. (20), interamente illustrato in b.n. nel t. Vi sono riprodotte xerografie originali di: Aldo Codoni, Gianni Colombo, Silvio Coppola, James Fallon, Alan Fletcher, Colin Forbes, Mervyn Kurlansky, Bruno Munari (presente con 8 immagini), Esta Nesbitt, Joel Schwartz, Pino Tovaglia. Ediz. di 1000 esempl. numerati fuori commercio. Ben conservato. Si unisce una xerografia originale di Munari (mm. 209x287), applicata su cartone, con firma autografa. E? una delle 8 riprodotte nel vol. (in Indice col n. 5) e così descritta: ?Texturizzazione di una immagine fotografica con chiaroscuri fino a trasformarla per la riproduzione al tratto, per stampe speciali. Su Rank Xerox 4000?.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Calder : Autobiographie / Traduction De Jean Davidson

      Paris : Maeght, 1972. 1st Edition. Description: 209 p. , [6] leaves of plates : ill. (some col. ) ; 29 x 30 cm. Bibliography: p. [205]-209. Subjects; Sculptors--United States--Biography. 3 double-page original lithographs produced exclusively by Calder for this edition and not for the US edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.

      [Bookseller: MW Books Ltd.]
 6.   Check availability:     Biblio     Link/Print  

        A Pictorial History of English Architecture (SIGNED LIMITED EDITION)

      John Murray Ltd, London, 1972.. 1st Edition. Hardcover. Fine/Very Good. Signed by Author(s) Signed Limited Edition, number 90 of 100 numbered and signed copies. 112pp. Quarto. Buckram-backed marbled paper boards. Decorated endpapers. Top edge gilt. Numerous photographs, mainly in colour, some full-page, by various photographers including Margaret Harker, Edwin Smith, A F Kersting, Michael Holford, et al. A fine copy in original unprinted tissue wrapper with a couple of tears at spine panel. In original decorated slipcase, in fine state.

      [Bookseller: Clearwater Books]
 7.   Check availability:     UKBookworld     Link/Print  

        A Republic, If You Can Keep It

      Earl Warren's first book-length work, its title based on Benjamin Franklin's epigrammatic reply (upon leaving the Constitutional Convention) whether we were to enjoy a republic or a monarchy--"a republic, if you can keep it". Presentation copy "For Robert Young Jr [?the biographer of Fatty Arbuckle] / with the best wishes of / Earl Warren"; a very good copy dustjacketed. Quadrangle Books, New York, 1972.

      [Bookseller:  Meyer Boswell Books, Inc.]
 8.   Check availability:     Direct From Bookseller     Link/Print  


      Friends of President Nixon Washington: Friends of President Nixon, (1972). First Edition. Hardcover. Near Fine, as issued without dustwrapper. Quarto, pictorial boards. Illustrated with many photographs, most in color. Inspirational extracts from Nixon's writings and speeches, published before the Watergate debacle. An uncommon Nixon book, especially when SIGNED by the former President, as this copy is on the contents page. Additionally SIGNED and INSCRIBED by Pat Nixon to Chiquita Williams "with our appreciation/and best wishes" and dated "Christmas 1975." Chiquita Williams was apparently on the Nixon's staff at their "Western White House" in San Clemente, California.

      [Bookseller: Charles Agvent, ABAA ]
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        Raphael Soyer

      Abrams NY: Abrams, 1972. First edition. Hardcover. Orig. beige cloth lettered in dark red. Fine in fine dust wrapper./No Dust Jacket. Soyer, Raphael. 349 pages. Folio, 39 x 31 cm. With an original drawing by Soyer on half title, 24 x 19 cm signed by Soyer, inscribed in Russian to Maria Solomon -- drawing in blue ink depicting male and female heads with the latter nude from the waist up. 290 illustrations including 77 in full color -- many plates tipped-in. Bibliography. Index. Fresh, clean copy.

      [Bookseller: Royoung bookseller, Inc. ]
 10.   Check availability:     ABAA     Link/Print  

        Time Between

      Entwhistle Books New York: Entwhistle Books. 1972. First. First edition. Quarto. Black cloth boards with gilt lettering without dustwrapper as issued. Corners a bit frayed, very good. A facsimile of the author's original manuscript. Copy number 103 of 500 copies Signed by Williams. Additionally Inscribed by Williams with a rather come hither sentiment: "For Martha, many feelings not yet expressed from Paul. Someday soon... NYC 4/73." A hippie journal from William, a music critic and the founder of Crawdaddy!, the first nationally published magazine of rock music criticism, and the literary executor of Philip D. Dick's estate. A much later paperback edition published in 2000 was subtitled: "A Hippie Journal, in the Commune & on the Road, December 1969-February 1970." Very scarce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 11.   Check availability:     ABAA     Link/Print  

        Sail. The Romance of the Clipper Ships. Pictured by J. Spurling. Storied by Basil Lubbock, Edited by F.A. Hook. With an Introduction by Alan Villiers.

      London: Patrick Stephens [ 1972 ].. Three volumes. No 19 of only 50 sets bound in full blue goatskin gilt, all edges gilt. Silk endpapers. Coloured plates throughout, folding map at end of volume 1. Pages: 153; 152; & 102. Each volume 12 x 10 inches and contained within individual double slipcases, these with blue leather title labels. One coloured plate in volume 1 partially detached on inner margin; some scuffing to slipcases. A fine set in excellent condition. Signed by Alan Villiers on the title of volume 1.

      [Bookseller: Bristow & Garland]
 12.   Check availability:     UKBookworld     Link/Print  

        On Turning Eighty

      Capra Press Santa Barbara: Capra Press. 1972. First. First edition, paperbound issue (published simultaneously with a hardbound issue of 200 copies). Light offsetting to one page, one small correction in the text in an unknown hand, else just about fine in wrappers. Inscribed by the author to his second wife, June Mansfield: "For June from Henry 10/31/72 My books are getting smaller and smaller now. Soon I will shut up completely!" A wonderful association. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 13.   Check availability:     ABAA     Link/Print  

        Naming and Necessity. [In: Semantics of Natural Language. Edited by Donald Davidson and Gilbert Harman].

      Dordrecht, (1972). The entire volume offered here. 8vo. Orig. full blue cloth w. gilt lettering to spine. Very minor wear to extremities. Orig. blue and white printed dust-jacket in excellent condition w. only very minor bumping to a few corners. Two single very small brown spots. Internally nice and clean, w. marginal annotations, in light pencil only, to parts of "Naming and Necessity" and w. an inlaid leaf w. cont. notes to the same. A crease to pasted down front endpaper. An excellent, nice and clean copy of this thick book, which is difficult to find in good condition. Pp. (251) - 355. [Entire volume: X, 769, (3) pp.]. The rare first printing of Kripke's seminal main work, which restructured philosophy of language. The work is based on three lectures from 1970, which constitute an attack on Fregean and Russellian theories of reference with respect to proper names. It was originally published, as it is here, in Davidson and Harman's "Semantics of Natural Language", and it only appeared in the second edition, which is the first separate edition, eight years later, in 1980. The first printing of this groundbreaking work is difficult to come by in good condition, and Kripke's works in general are rare. Many of them remain unpublished and are only known in privately circulated manuscripts. The American philosopher Saul A. Kripke (born 1940) is an exceedingly important logician and philosopher of language and one of the most powerful and influential thinkers of analytic and Anglo-American philosophy. He is considered the greatest living philosopher and perhaps the greatest since Wittgenstein. In 2001 he was awarded the Schock Prize in Logic and Philosophy, which is considered the philosopical equivalent of the Nobel Prize. His main work, "Naming and Necessity," is doubtlessly among the most influential books of philosophy published within the last 50 or hundred years. Before the publication of Kripke's "Naming and Necessity" analytic philosophy was moving in the direction of linguistic idealism, which propounded the theory that man is trapped in language and that language is not "tuned" to the world. Almost on his own, practically only aided by the publication of his "Naming and Necessity", Kripke changed this entire direction of philosophy and, according to most logicians, brought the philosophy of language back on track. In 1980, when the second edition of this most influential work appeared, "London Review of Books" write the following about the influence of the first edition: "When these lectures were first published eight years ago, they stood analytic philosophy on its ear. Everybody was either furious, or exhilarated, or thoroughly perplexed. No one was indifferent." And it is true, there can be no doubt about the impact that this book made on the world of philosophy of language and logic.Kripke's work leads an attack on descriptivist theories of proper names that brings it a status comparable to that of the main works of Wittgenstein, Russell and Frege. It is also these three giants of philosophy that he criticizes, attributing to each of them variants of descriptivist theories that he then rejects. These descriptivist theories have that in common that they claim that names of individuals and properties function like definite descriptions. They are either synonymous with descriptions, or they get their reference by being associated with a description or a bunch of descriptions that an object satisfies uniquely. Kripke disproves this theory, claiming that it goes against our modal intuitions. The validity of our modal intuitions, again, are proven by the hugely influential notion of "possible worlds", which is traditionally used to systematize the semantics of modal statements. As opposed to definite descriptions, names rigidly refer to their referents, and they do so in every possible world in which the referent exists. Kripke here also establishes his "causal theory" of reference, according to which names refer to their referents by being appropriately causally connected to them. Thus, Kripke provides numerous examples that renders descriptivism implausible as a theory of how names get their reference determined at the same time as he provides the solution through his causal theory of reference, stating firmly that the meaning of a name is simply the object that it refers to.This work provides several groundbreaking theories for the fields of philosophy of logic and language, which it has seminally come to change. The work almost single-handedly changed the fate that phiilosophy stood to fall with within the analytic tradition, -that it was nothing more than the analysis of language. As such, it now ranks as one of the most important works of 20th century philosophy. It is even, by some, regarded as one of the most important works of philosophy ever, and it is difficult to overestimate the importance of this seminal work

      [Bookseller: Lynge & Søn A/S]
 14.   Check availability:     Antikvariat     Link/Print  

        Watership Down.

      London: Rex Collings (1972).. First edition, 8vo, viii, 413, (1) pp. Pasted on to the fly leaf is a piece of paper with the Author's signature below a typed "Yours sincerely", clearly removed from a letter. Coloured folding map at the end. Cloth, d.w., not price clipped, one minor mark to the upper wrapper, joint ends with very slight rubbing, a fine bright copy.

      [Bookseller: Bow Windows Bookshop, ABA, ILAB]
 15.   Check availability:     UKBookworld     Link/Print  


      Faber and Faber London: Faber and Faber. (1972). First. First edition, hardcover issue. Fine in slightly age-toned, near fine dustwrapper with a tiny tear. Signed by the author. The hardcover issue is very uncommon. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 16.   Check availability:     ABAA     Link/Print  

        (Hamburg 1929 - 1995 ebda.). Geburtstagsstrauss für Philip. Radierung von 1972. Signiert und datiert. 27,6 x 20,5 cm.

      Frielinghaus 72,16.- Einer von 10 Probedrucken. In der Platte bezeichnet '6.5.72 1 Geburtstagsstrauss für Philip'.

      [Bookseller: Antiquariat Schramm]
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        Atlas van de foto's en schetsen. Hedendaagse Kunst-Utrecht 1-30 december 1972. Organisatie: Wouter Kotte.

      (20,5 x 14 cm); 8°; unpaginiert und 339 Abbildungen in Schwarzweiss. Orig.-Broschur. Beiliegend: ein loses Blatt (19,7 x 13,4 cm)"Werbeblatt der Hedendaagse Kunst-Utrecht für 2 Gerhard Richter Ausstellungen "expositie I: atlas van de foto's en schetsen, 2t/m 30 december 1972; expositie II: 48 portretten, 6 t/m 28 januari 1973." "Gerhard Richters Motivsammlung Atlas, die Fotografien, Skizzen und Zeitungsausschnitte umfasst, wurde im Laufe der Jahre verändert und kontinuierlich erweitert.In dieser ersten Ausstellung des Atlas wurden ca. 340 Blätter des Kompendiums gezeigt. Einige dieser Blätter wurden später vom Künstler wieder aus der Sammlung ausgeschlossen." "Künstlerbuch mit 144 Seiten und 339 Abbildungen, mit einem kurzen, unbetitelten Text von Wouter Kotte auf der Umschlagrückseite, ohne Paginierung, Broschur aus hellgrauem Karton, Offsetdruck in Schwarz.Das von Richter gestaltete Buch erschien anlässlich der Austellung seines Atlas in der Heedendagse Kunst in Utrecht, Niederlande im Jahr 1972.Unbekannte Anzahl von Exemplaren.Quelle:( -Broschur und Kopfschnitt mit kleineren Stockfleckchen.-[2 Warenabbildungen bei]

      [Bookseller: Heinrich Heine Antiquariat Lustenberger ]
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        Kagero (Dayfly)

      Haga Shoten Tokyo: Haga Shoten, 1972. First edition. Softcover. His fourth solo book, a collection of mostly black and white and some color photographs of women in various settings but most often in some form of rope bondage. A clean about near fine copy in white wrappers with some of the usual creasing to the spine in an about near fine photographically illustrated cardstock slipcase. Publisher card laid in.

      [Bookseller: Jeff Hirsch Books, ABAA ]
 19.   Check availability:     ABAA     Link/Print  


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