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Displayed below are some selected recent viaLibri matches for books published in 1972

        Freaky Friday, A Billion for Boris and Summer Switch

      New York: Harper and Row, , 1972-82. Octavo. Original laminated boards with dust jackets. Edward Gorey dust jacket art. A very good set. First editions, first impressions. The first and last title inscribed by the author on the front free endpaper to children's librarian Amy Kellman and family, "dear Amy, Sy, Jenny, and Sue, next time I am here the whole family will be here please! Much Love Mary (Rodgers) Nov. 4, 1983." and Summer Switch inscribed as follows, " For Amy and Sy and absent Jenny and Sue, with much love Mary (Rodgers), Nov. 3, 1983" Kellman sat on many committees for the coveted Newbery Award. Freaky Friday was the basis for two Walt Disney films, the 1976 version, which introduced Jodie Foster and the 2003 remake starring Lindsey Lohan.

      [Bookseller: Peter Harrington]
 1.   Check availability:     Biblio     Link/Print  


        Renaissance und Barock I. (Bd. 9)

      Athenaion Wiesbaden, 1972.. Seiten: 328 gebundene Ausgabe, Leinen. SEHR GUTER ZUSTAND,- GERINGE LAGERSPUREN, Schutzeinband rissig, BIBLIOTHEKSBAND: SIGNATUR AUF BUCHRÜCKEN, STEMPEL/

      [Bookseller: Antiquariat BOOKFARM]
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        An Maidon. Zum Schicksal der Religion

      Milano: M'Arte, 1972. Edizione originale di 149 es. numerati. ril tela, custodia eseguita da Giovanni De Stefanis di Milano (cloth, slip-case). Ottimo (Fine). Folio. Firma autografa dell'Autore (Signed by the Author). Un scritto filosofico ed una poesia, inediti in Italia, di Horkheimer con due acqueforti originali, numerate e firmate, di Giuseppe Guerreschi (cm 30x20). Riproduzione del manoscritto originale di An Maidon firmato dall'Autore. Scritti di Grytzko Mascioni e Enzo Paci. Note bio-bibliografiche. Traduzione di Ervinio Pocar. A philosophic essay and a poem, still unpublished in Italy, by Max Horkheimer, accompanied by two numbered and signed etchings by Giuseppe Guerreschi (cm 30x20). Reproduction of the manuscript with an original signature by the poet. Texts by Grytzko Mascioni and Enzo Paci Edizione composta in carattere Garamond da Ruggero Olivieri, Milano e stampata dalla Tipografia Stefanoni, Lecco su carta a mano della Filicarta di Brugherio. Incisioni tirate da Alberto Caprini, Roma. Lastre originali donate alla Calcografia Nazionale [Jentsch, 1993]

      [Bookseller: Studio Bibliografico MArini]
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        Others [Inscribed Association Copy]

      Borealis, Ottawa 1972 - The first book, a collection of poetry, by the Pulitzer Prize-winning author of The Stone Diaries. Inscribed by Shields to the Canadian poet and novelist Rosemary Aubert: "For Rosemary/ with thanks for a delightful evening/ Carol Shields." Spine faded, with a little tear to the spine base; near fine in wrappers. A nice literary association copy of an important first book. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Ken Lopez Bookseller, ABAA (Lopezbooks)]
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        Daphnis und Chloe. - Erste illustrierte Ausgabe.

      München., Graphikum Heinrich Mock, 1972.. Textbeigabe von Adolf Georg Bartels. Imp.-Folio (55x40cm). Grüne Originalleinenmappe mit weißgeprägtem Deckeltitel. Zeri Doppelblatt Titelei mit 1 signierten OriginalLithographie im Text sowie 6 signierte Orig.-Lithographien von Hanna Nagel auf Tafeln. - Alles völlig makellos und sehr schön erhalten. - Sämtliche Graphiken von Hanna Nagel numeriert und signiert.. Nr. 52 von 70 Exemplaren - Die Heidelberger Künstlerin hatte bereits 1945 für Hermann Meister Illustrationen zu der Geschichte von Longus geschaffen. Dieses Mappenwerk erschien zu ihrem 65. Geburtstag. #HK5200

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        Viaggio verso il nord

      Milano: Cerastico, 1972. Prima edizione di 100+X+20f.c. es. numerati. broch, custodia (broch, slip-case). Ottimo (Fine). Folio. 7 litografie originali a colori di Ceri Richards (da cm 24x30 a cm 44x31). Le lito sono firmate e numerate da Frances Richards, moglie dell'artista. Poesie e nota di Sanesi in italiano e in inglese. Traduzione di William Alexander Litografie tirate a Londra dalla Curwen Prints sotto la direzione dell'Artista. Carta a mano Filicarta con il marchio Cerastico in filigrana; composizione e stampa tipografica di Bruno Fusetti. Esemplare n. 52 [Sanesi, 1973]

      [Bookseller: Studio Bibliografico MArini]
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        The Wood Engravings of. (Introduction by J.M. Richards).

      London: Lion and Unicorn Press 1972 - Limited edition, no. 10 of 120 copies from a total edition of 500, folio, (xxii, 10) pp. 113 leaves containing over 400 illustrations, three of which are folding, brief owner's inscription to the rear free endpaper. Original hessian with reproductions of the artist's engravings to both boards, lacking the slipcase otherwise a fine copy. A major work printed at the Curwen Press, collecting all the known engravings Ravilious produced over 20 years up to his untimely death in 1942.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
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        Calder : Autobiographie / Traduction De Jean Davidson

      Paris : Maeght, 1972, Hardback, First EditionFine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 209 pages; Description: 209 p. , [6] leaves of plates : ill. (some col. ) ; 29 x 30 cm. Bibliography: p. [205]-209. Subjects; Sculptors--United States--Biography. 3 double-page original lithographs produced exclusively by Calder for this edition and not for the US edition.

      [Bookseller: MW Books Ltd.]
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        Alexandre CALDER. Assymétrie 1972.

      Galerie Maeght, Paris 1972 - Affiche en lithographie originale / Original poster lithography. Affiche imprimée sur papier Arches créée en 1972 par Alexander CALDER. Non numérotée et signée dans la planche. Planche : 81,5 x 58 cm. / 32.08 x 22.83 In. Etat neuf / As new. [Attributes: First Edition]

      [Bookseller: Frederic Dorbes - TOBEART]
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        Ugo Nespolo

      Milano: Prearo, 1972. Prima edizione (First Edition). ril (hard cover). Ottimo (Fine). 8vo. Completamente illustrato in nero e a colori. Con 3 serigrafie a colori firmate dall'artista a matita, di cui una da ritagliare ed assemblare con appositi fili colorati allegati in sacchetto di plastica (cm 27x20; 27x20; 27x40)

      [Bookseller: Studio Bibliografico MArini]
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        Formulation: Articulation (Volume one only)

      Harry N. Abrams, Inc., New York 1972 - SIGNED by Albers on front of contents booklet, limited edition, this no. 553 of 1000 copie. VOLUME 1 ONLY, consists of thirty-three color serigraphs in gray cloth chemise, all contained in a gray cloth slipcase, folio. Serigraphs are fine and beautiful, each having a tissue protector laid in. Chemise shows two small tears in cloth, one at top rear corner of spine and one on front bottom corner of spine, otherwise rear inner hinge cracked. Slipcase shows soil and rubbing, some tearing to cloth at corners. Please refer to photographs. Volume one only! THIS LARGE, HEAVY BOOK WILL REQUIRE ADDITIONAL SHIPPING FEES. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        STUDIES AND RESTORATIONS AT PERSEPOLIS AND OTHER SITES OF FARS.:

      Ismeo, 1972-1978, Rome - (Codice IS0860) Due volumi in 4º (34,5 cm) 416+107 pp. Scavi, studi e restauri in varie aree archeologiche della Persia. Testi in inglese. Grandi volumi illustrati con 271 tavole fuori testo di cui 6 a colori e decine di figure di cui 7 grandi e ripiegate fuori testo. IMPORTANTE // English text, 271 plates, 6 in colour, many drawings (7 folded). Original softcovers, fine conditions. Euro 700 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA ~ Tutti i libri subito disponibili. Descrizioni precise, consegna rapida con imballaggio solido. All books are in stock in fine conditions or described meticulously. Very safe packaging ~

      [Bookseller: Bergoglio Libri d'Epoca]
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        Sail; The Romance of the Clipper Ships

      Patrick Stephen Limited, London 1972 - Limited Edition, number 44. Volume one signed by Alan Villiers. 3 volumes in similar condition, each with blue cloth double slipcase in good condition with just a little shelfwear. Blue full goatskin boards with gilt lettering to spine. Boards are generally in very good order. No particular bumping or wear to corners or board edges. Spine is intact and bright. A.e.g. Blue silk endpages. B/w frontispiece. Slight smudging to preliminary page. Textblock is tight, bright and clean. Volume I: 153 pp. 2 maps. Coloured plates throughout. Volume II: 152 pp. Coloured plates throughout. Volume II: 102 pp. Coloured plates throughout. This is a particularly heavy item which would be uneconomic to ship overseas. UK orders only, please. When securely packed this item will weigh in the region of 7605g. (YBP Ref: 3319/47 20c) Size: Folio - over 12" - 15" tall [Attributes: Signed Copy; Hard Cover]

      [Bookseller: YattonBookShop]
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        The Stones of Summer (First Edition, Signed by both author and film director)

      New York: Bobbs-Merrill, 1972. First Edition. First Edition. INSCRIBED on the title page by the author: "Paula: two in one family, a record. Dow Mossman. Oct '03" and additionally INSCRIBED by the director of the film "Stone Reader" on the front endpaper: "For Paula - At Union Square in New York City--seeing this a gorgeous experience. Mark Moskowitz." Moskowitz' film is a documentary of his yearlong odyssey in finding Dow Mossman and trying to discover what had happened to him and his book. As noted in the film, the book was released, lauded as a masterpiece, and summarily forgotten. It has been scarce ever since, thus a copy signed by both the author and his resurrector is uncommon indeed. Light foxing to the boards and top page edges, else Near Fine in a Near Fine dust jacket.

      [Bookseller: Royal Books, Inc.]
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        I PALAZZI DI FIRENZE NELLA STORIA E NELL’ARTE.

      Firenze 1972 - 2 voll ril. in sky con cust., cm 30x24, pp compless. 886, oltre 650 tra ill. a colori e b/n. Ottimo esempl.

      [Bookseller: EDITORIALE UMBRA SAS]
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        Ben Shahn [Includes SIGNED Print]

      H. N. Abrams, 1972. First Edition. Hardcover. Near Fine in Very Good dust jacket/Very Good. 373 pp, 14" x 14 ¼", copy is in excellent condition with light bump on top edge, dust jacket protected by a mylar sleeve, includes pencil SIGNED print laid in, includes 345 illustrations with 154 colorplates, some of which are tipped-in. The print is a leaf from a book illustrated by Ben Shahn and is pencil signed by him on both sides of the leaf. One side of the print has the text "out that Yezer ha-Ra, the evil inclination, begins also with Yodh" and a figure, and the other side has some text and a glyph which was designed by Ben Shahn.

      [Bookseller: Red Sky Books]
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        United States - Vietnam Relations 1945-1967 (The Pentagon Papers)

      Washington, D.C. : U.S. Government Printing Office, 1972. Complete 12 volume set of the leaked docs dubbed The Pentagon Papers. Tan wraps. 4to. Printed for the use of the House Committee on Armed Services. All volumes in Near Fine to Very Good+ condition. Clean text. Some covers show sunning, causing the wraps to appear slightly pinker. Small stain on front cover of volume one. Small stain to fore edge of volume 8. Faint penciled name on front cover of vol. seven. Vol. eleven has creased cover. An attractive set in much nicer shape than usually found-- not ex-library! Very little wear.

      [Bookseller: Burnside Rare Books]
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        Welcome Eumenides

      New York: George Braziller. (1972). First. First edition, hardcover issue. With a note by Richard Howard. Some of the poems on the contents page are ticked off in pencil by the author, else fine in fine dustwrapper. From the library of the author, the National Book Award-nominated poet Eleanor Ross Taylor and her husband, the Pulitzer Prize-winning author Peter Taylor. The hardcover issue is uncommon. [With] Two typewritten poem manuscripts by Eleanor Ross Taylor: 1) "The Painted Bridge," one typed page, heavily hand-corrected; and 2) "The Going Away of Young People September 1, 1975," two pages typed on the rectos of different letter size printed forms (one addressed to Mrs. Peter Taylor), heavily hand-corrected (including deleting a significant part of the poem), and noted at the top "To New Yorker Sept. 12 '75." Both poems appeared in Captive Voices: New and Selected Poems, 1960-2008. Two nice, working manuscript poems. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        FUORI!. Fronte Unitario Omosessuale Rivoluzionario Italiano Nos. 1 - 32; missing Nos. 6, 9, 13, 14, 26, 29, and 30

      Societa Editorale FUORI! 1972 - 1982, Torino - Gay liberation paper from Turin, Italy. Text in Italian. Illustrated with photos, drawings. reprints. Articles on politics, art, culture, and news related to gay liberation movement in Italy and the world. F.U.O.R.I.! is the acronym for the Fronte Unitario Omosessuale Rivoluzionnario Italiano, or the Italian Revolutionary Homosexual United Front, which also means Come Out! This group was inspired by the writings of Massimo Consoli. It was co-founded by activist Mario Mieli. After Mieli's suicide, the organization changed its name to Circolo di Cultura Omosessuale Mario Mieli. This set is comprised of 25 issues spanning 10 years. The sizes and paper used changed often. The pagination and sizes are as follows:No. 1 - 10: 16 pp., 11 x 15 in folded to 8 x 11 in. No. 11-12: 40 pp., 9 x 12 in. No. 15: 40 pp., 9.5 x 12 in.No. 16-17: 52 pp., 9 x 12 in.No. 18: 16 pp., 12 x 17 in.No. 19-20: 36 pp., 12 x 17 in.No. 21/22: 76 pp., 8 x 12 in. No. 22-25: 48, 40, 38, and 40 pp., 9.5 x 14 in.No. 27, 28, 31, 32: 12 pp., 9 x 13 in. Overall good to very good condition. Some normal browing, water staining, and edge rumpling to a few larger individual issues.

      [Bookseller: Alta-Glamour Inc.]
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        Encyclopaedia Judaica (16 Volume Set)

      Encyclopaedia Judaica Jerusalem - Macmillan, Jerusalem, Israel, 1972, Hardcover, Book Condition: Fine Condition, Dust Jacket Condition: No Dust Jacket, First EditionThis is a phenomenal set that is virtually unused. Extremely big and heavy (approximately 100 pounds), and will most likely ship in 3 boxes. Size: Folio - over 12" - 15" tall. Pages are tight and clean. No significant flaws. Quantity Available: 1. Shipped Weight: over 6 pounds. Category: Religion & Theology; Inventory No: 105132.

      [Bookseller: Lotzabooks]
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        Augustus: A Novel

      New York: Viking Press, 1972. First Edition, First Printing. In Near Fine condition, in a price clipped dust jacket. Hardcover shows light sunning to spine cloth and edges of boards, light wear to spine cloth, mainly at edges. The dust jacket shows light crimping, light rubbing and light overall wear, as well as a partial hole punch and crease to the rear flap.

      [Bookseller: Burnside Rare Books]
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        Elephants Can Remember

      London: Crime Club 1972, 1st edition. (Hardcover) 256pp. Fine in fine dust jacket. Octavo. Original red cloth boards with gilt lettering on spine. Dustjacket not priced clipped. Inscription on front free endpaper. A nice clean and crisp textblock. Inscription from author reads " to Mrs. Bush. Agatha Christie Dec 1972". Mrs. Bush was a close friend of Christies, who helped around the house, and also went on holidays and short breaks with her..

      [Bookseller: Aquila Books]
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        Meta. Von K. G. Pontus Hulten.

      Berlin. Pröpyläen Verlag. 1972.. 4°. 363 S. Farbig illustrierter OLeinenkoffer. Koffer etwas angestaubt, sonst sehr gutes Exemplar.. Erste Deutsche Ausgabe. Das in der Gestaltung als Aktenkoffer schönste Katalogprojekt Pontus Hultens mit einer eingelegten Single-Schallplatte "Sounds belonging to Pontus Hulten's book on Jean Tinguely's work "Meta" von Toshi Ichiyangi. Die bis dahin umfangreichste Monographie zum Werk Tinguelys mit 508 s/w und 18 Farbabbildungen, 6 Klapptafeln und 20 eingebundenen, bedruckten Pergaminseiten. Ohne die üblicherweise eingebundene Original "Meta" Zeichnung [!!] Dafür beiliegend zwei Meta-Matic-Zeichnungen von 1967, eine datiert 4. August 67, handschriftlich signiert unten rechts von Jean Tinguely in rotem Filzstift, die weitere unten rechts von fremder Hand bezeichnet "mit Tinguely am 4.VIII.67". (Beide Zeichnungen mit Gebrauchspuren und Knitterungen am Papier, etwas gebräunt, jeweils auf der rechten Seite ein 3cm tiefer, sauber hinterlegter und geschlossener Einriss). [Vgl. Das gedruckte Museum von Pontus Hulten, 26].

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        The House Called Hadlows

      André Deutsch, London 1972 - 160 pages, illustrated dust jacket. There is a hint of offset tanning to both end pages, slight darkening of the top and front edges of the text block, fading of the top 3 mm of the boards where exposed to light, browning of the top edge and left-hand margin of the rear panel of the dust jacket, and of the exposed edges of the fold over flaps. There is also some insect damage to the edges of all fold over flaps. The head of the back strip section of the book has been bumped. . "It was Fandeagle who told them the story of Hadlows and who entrusted them with the task of returning to him the four lost elements of the Elixir of Life so that the house would be released from the curse of the Evil One. Their quest took them to the underworld, to the world of the gods of classical mythology, into the English past and through the seasons. -- front fold over blurb. Interestingly the Encyclopaedia of Fantasy shows no record of her. Size: 8vo - over 7¾" - 9¾" tall. Please refer to the accompanying picture Illustrator: Meg Rutherford -- dust Jacket. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; ISBN: 0233963669. ISBN/EAN: 9780233963662. Inventory No: 0211453. [Attributes: First Edition; Hard Cover]

      [Bookseller: Syber's Books]
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        Mao Tse-Tung invitation card

      New York: Multiples Inc. and Castelli Graphics,, 1972. Offset lithograph on gloss art card. Sheet size 17.5 x 35 cm. Excellent condition. Presented in a handmade white gold leaf frame with UV protected glass. Inscribed on the cover by the artist "For Marja, Andy W." Marja Bloem is an independent curator and author on contemporary art, and was curator at the Stedelijk Museum, Amsterdam from 1971-2005. She was the long term partner of Seth Siegelaub, who died in 2013. He also contributed to the history of contemporary art as a gallery owner, curator, collector, and researcher over many decades.

      [Bookseller: Peter Harrington]
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        Eat, Fast, Feast: A Tribal Cookbook by the True Light Beavers

      Garden City: Doubleday & Company, Inc., 1972. Creased at the bottom edge of the front cover, general wear, a very good copy in photo-illustrated wrappers.. First Edition. Octavo. A fabulous association copy, INSCRIBED by the True Light Beavers to Abbie and Anita Hoffman: "To A + A, / You inspired us / to do this, gave / us the title + helped / our heads all around. / Love / The True Light Beavers." A countercultural cookbook, featuring recipes, notes, stories, drawings, and photographs by the Woodstock-based commune and art collective the True Light Beavers.

      [Bookseller: Harper's Books, Inc. ]
 26.   Check availability:     ABAA     Link/Print  


        The French Chef Cookbook

      New York: Alfred A. Knopf,, 1972. Drawings and photographs by Paul Child. Octavo. Original red boards, spine lettered in black, patterned with whisks and and spoons in white and brown, dark grey endpapers, top edge blue. With the pictorial jacket. 14 photographic plates and drawings in the text. Boards a little rubbed, small stain to p. 202; an excellent copy in the bright jacket that has a small stain to foot of spine. First edition, eighth printing. Signed by Julia and Paul Child on the half-title: "Bon Appetit!

      [Bookseller: Peter Harrington]
 27.   Check availability:     Biblio     Link/Print  


        3 Grafiken auf 1 Blatt: vorderseitig: SCHILDKRÖTE UND SCHLANGE. MAHNMAL - rückseitig: NASHORNSAURIER. Holzschnitte aus dem Zyklus "Pablo Neruda - Aufenthalt auf Erden". Blindstempel "Aus dem Atelier HAP Grieshaber".

      Verlag Ph. Reclam, 1972,. 3 Farb-Holzschnitte von HAP GRIESHABER (1909 - 1981), doppelseitig bedruckt, gerahmt im Passepartout (beidseitig verglast, vorn u. hinten, so daß alle Motive erkennbar sind), Rahmengröße: 52,5 x 73 cm, Blattgröße 30,2 x 43 cm, vorn: Schildkröte und Schlange 25,5 x 21 cm. Mahnmal 29 x 20,7 cm, hinten: Nashornsaurier 28,8 x 41,8 cm, Blindstempel. Vgl. Fürst 72/53/54/55, 72/75, Zim. 1105/1106/1107. Tadellose Erhaltung..

      [Bookseller: Versandantiquariat Matthias Heimberger]
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        2 eigenh. Briefe mit U. sowie 2 eh. Postkarten mit U.

      Wien und Köln, 28. April 1972 bis 9. Februar 1976.. Zusammen 6 SS. Verschiedene Formate.. An den Galeristen Rudolf Springer in Berlin. - I. (o. Jahr): "[...] Ich habe in der letzten Zeit eine Fotomappe herausgegeben, über automatische Arbeiten, die ich extra für die Mappe machte. Wobei die Fotos als die Endprodukte aufzufassen sind. Ich will Ihnen eine solche Mappe in Kommission schicken. Vielleicht haben sie Verwendung dafür [...] Auch würde mich interessieren ob Sie eine Ausstellung von der Pariser surrealistischen Gruppe machen. [Andre] Breton erzählte mir, daß eine geplant gewesen wäre, aber wieder in Frage ist [...]" - Gelocht. - II. (28. IV. 1972): "[...] Traf Sie leider nicht auf der Akademie. Könnten Sie mir bitte sofort das Geld für die 11 Radierungen senden [...]" - III. (17. V. 1972): "[...] habe Ihren Scheck für die 2 Radierungen eingelöst [...]" Mit eigenh. Umschlag. - IV. (9. II. 1974): "[...] Würde Sie bitten mir die Liste der Graphiken zuschicken die sie seit 52 bei Ihnen haben. Wir haben sie damals aufgestellt, ebenso die Hefte die sie zum Verkauf übernommen haben. Vielleicht konnten Sie welche davon verkaufen? Wenn die Ausstellung auch ein Mißerfolg war so hoffen wir doch daß wir dadurch in Deutschland etwas bekannter wurden was später seine Früchte tragen wird [...]".

      [Bookseller: Kotte Autographs GmbH]
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        Visions of Cody

      New York: McGraw-Hill. (1972). First. First edition. Introduction by Allen Ginsberg. Fine in fine dustwrapper. Posthumously published novel written in 1951-52. A beautiful copy, and seldom found thus. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 30.   Check availability:     IOBABooks     Link/Print  


        Daphnis und Chloe. - Erste illustrierte Ausgabe.

      München., Graphikum Heinrich Mock, 1972. - HK5200 Textbeigabe von Adolf Georg Bartels. Imp.-Folio (55x40cm). Grüne Originalleinenmappe mit weißgeprägtem Deckeltitel. Zeri Doppelblatt Titelei mit 1 signierten OriginalLithographie im Text sowie 6 signierte Orig.-Lithographien von Hanna Nagel auf Tafeln. - Alles völlig makellos und sehr schön erhalten. - Sämtliche Graphiken von Hanna Nagel numeriert und signiert. Nr. 52 von 70 Exemplaren - Die Heidelberger Künstlerin hatte bereits 1945 für Hermann Meister Illustrationen zu der Geschichte von Longus geschaffen. Dieses Mappenwerk erschien zu ihrem 65. Geburtstag. 2100

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        Miro à l' Encre

      XXe Siècle, Paris 1972 - 200 pages ; lithographie en fontispice tirée par Jean Célestin sur les presses de Mourlot, la lithographie entre les pages 16 et 17 par René Le moigne [Attributes: Hard Cover]

      [Bookseller: Librairie Artcurial]
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        Die Rede des toten Christus vom Weltgebäude herab, dass kein Gott sei. Interpretiert durch 6 Orig.-Radierungen und 16 Federzeichnungen von Ernst Fuchs.

      Frft. / M. / Berlin / Wien, Ullstein (Propyläen) 1972.. Folio (57 x 39 cm) Orig.-Halbleinen.. Nr. 2 von 100 num. Exemplaren der Serie B, als zusätzliche Edition ohne die Beigaben der Serien A1 bis A5. Vom Künstler signiert!

      [Bookseller: Antiquariat K. Schöneborn]
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        HERBIER NATUREL DES VEGETAUX SUPERIEURS - 176 PLANCHES

      CHEZ L'AUTEUR 1972 - R300001221: 176 planches. Il est indiqué sur chaque planche, la famille, le nom scientifique, le nom français, la date et le lieu de récolte. In-Folio En feuillets. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais Classification Dewey : 580-Botanique [Attributes: Soft Cover]

      [Bookseller: le-livre]
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        Abstrakte Komposition. Oel und Relief auf Leinwand.

      1972.. Bildgrösse gerahmt 34,5x32 cm. Unten rechts signiert und datiert, Rückseitig datiert..

      [Bookseller: Biblion Antiquariat Leonidas Sakellaridi]
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        Mutter mit Kind. Teilentwurf zu einem Wandbild. Tusch und Aquarell unter Passepartout.

      1972 - 1972. Bildgrösse: 27x21 cm. Rückseitig signiert und bezeichnet "MERE ET ENFANT 1972". [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
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        A revealing and dramatic correspondence of 47 letters from Meyer Lansky on his struggle to gain Israeli citizenship following his deportation from Israel in 1972

      "A large archive of 48 Autograph Letters Signed, ""Meyer,"" 82 pp. total, [Miami], November 21, 1972 to February 10, 1981 to Joseph (Yoskeh) Sheiner, a member of the Israeli Security Agency and Prime Minister Ben Gurion's security director in the 1960s. It was Sheiner who accompanied Lansky on his infamous flight from Israel to Switzerland and South America. Unable to secure asylum, Lansky ultimately returned to Miami where he was promptly arrested by the F.B.I. on an outstanding 1971 bench warrant to appear in Federal Court in Miami. The archive also includes two ALsS from Thelma ""Teddy"" Sheer Lansky (1907-1997), both addressed to Sheiner, as well two other letters to Sheiner from family friends together with relevant news clippings and related ephemera. Some toning to a few examples with expected mailing folds, else in overall very good to fine condition.Lansky's letters to his Israeli confidant span the final chapter of Lansky's storied career???from his return to Miami in November 1972 to a year before his death in 1982. The letters reveal not only a cagey businessman who displayed keen insight into people's strengths and weaknesses, unafraid to angrily lash out at those who would cross him, but also a man with deep compassion and love for his family, friends, and the State of Israel. The first letter in the correspondence is written only weeks after Lansky's return to Miami following his quixotic struggle to obtain Israeli citizenship under the nation's law of return, allowing any Jew to settle in the country. However the Israeli government reserved the right to reject the applications of known criminals???an issue that was hotly disputed by Lansky. After several years of wrangling, Israel demanded that he leave the country. Lansky, with his travelling companion Sheiner (whom Lansky familiarly addressed by his Hebrew first name, Yoskeh), first flew to Switzerland where he was promptly denied entry. They then flew to South America, offering $1,000,000 to any nation who would grant him asylum. Paraguay, Bolivia, Argentina, Brazil and Panama all rejected his offer. Lansky landed in Miami on November 7 and was promptly arrested. Within nine hours, he was free on $225,000 bail. (NYT, Nov. 8, 1972, p. 49). Recalling the intense media and police attention he received on his arrival at Miami International Airport, he writes on November 21, ""I'm interested to know how you were treated back home after your eventful trip. My arrival brought out the band. I wonder if any police were left to guard the President?... What concerns me most now is you! How you will be treated for taking on this assignment from my lawyer to travel with me?"" Throughout 1973 Lansky provides updates on his trial in Miami.On August 9, he reported on his trial for tax evasion: ""???My most important matter I won??? I just wanted to win this frame up and I'm sure it will be same with the other one, most likely without a trial. They well k[n]ow that I'm innocent but they are afraid to let go now because it would be an admission of her guilt. I have to pay for it through the nose. I heard that my victory got very little attention in your press, my loss received much more attention???"" The following year, Lansky won an appeal for a contempt conviction, which he gleefully reported to Yoskeh on June 28, 1974: ""Fifteen minutes after our telephone conversation Dave Rosen called to tell me that my contempt conviction was removed???"" However, a week later, ""they gave me a subpoena jus[t] an hour ago all for the purpose of harassment???"" Despite his legal victories, Lansky had not forgotten how he had been treated by Israeli officials and attorneys, adding: ""Now with the exposure of Mitchell and Watergate would it not be a good time to expose Shapiro? We should quote his conversation with that lawyer from Haifa. Please send the name of the Haifa lawyer. I will try to do something from here to expose Shapiro and Berg [sic]???"" Shapiro was Justice Shapiro who heard one of Lansky's appeals. The latter person mentioned is most likely Dr. Yosef Burg, the Minister of Internal Affairs to whom numerous appeals were made on Lansky's behalf. The archive even includes a photocopy of Meyer's son Paul Lansky's October 9, 1972 letter to Burg highlighting the numerous financial contributions Meyer made to the State of Israel over the years and accusing the government of hypocrisy: ""Did Israel not accept assistance from people like my Dad about whom unfavorable comments had been made? When did they not accept such assistance?"" Lansky cast much of the blame on an inept attorney from Haifa: ""???he received plenty of money for doing nothing???"" (March 11, 1974) Indeed, despite his rejection by Israel, Lansky still wanted to assist the Jewish State. On December 20, 1972 he commented, ""I was much disheartened when I read the article in our newspapers about the $10000 reward for the Eichman[n] case. I wish I would have known about it I would raise the money myself before having to see the Israel[i] Government exposed in it at this time."" Following the Yom-Kippur War the following year, Lansky was very emotional. Writing on August 20, 1973, ""???Say what you may and blame whomever you want???you are a great people a heroic people. The World will never forget when History is written the Military Strategy this little Army has shown. Also the Military bravery of its men. We saw a picture on television of a group of prisoners with a Torah; that picture will never leave my mind. If only I could be with those boys. If it would be just to chear [sic] them up???."" Lansky also brings to bear his own expertise in banking to discuss recent revelations on a scandal in the Israeli Finance ministry, writing in December 1973: ""I was terribly saddened of Israel encumbering herself at this time. As I understand this Banker in the past made a lot of money for Israel. What is the real truth? Did they or (he the Banker) try to do well for Israel and failed or was there just a personal gain interest. I was never impressed with the financial planners of Israel. Their plans was [sic] fitting for a country without a border enemy. I saw a lot of faults; I wasn't in a position to comment, I would have been easily misunderstood. What occurred with the greatness of Israel occurred with other nations in the past. After you people gave your sweat and blood in came the material, monetary geniuses. Influenced your leaders with business thoughts they in return not wittingly lulled the people to sleep with better times around the corner. The result of the Yom-Kippur debacle. No doubt the suffering is great in Israel. I can see what is going on here, how much worse it is for you people. This worries me for the Jews future. With all this facing us let us go on the same as always with plenty of courage???"" Following the end of Lansky's legal troubles at the end of 1974, he renewed his efforts to obtain a visa to settle in Israel. Lansky had many advocates attempting to help in this effort, but their efforts all fell short. One individual, ""Raffy,"" had especially disappointed Lansky, and his name emerges in numerous letters, for example: ""I'm really disappointed in Raffy, not having the decency to send a note to me in all this time. I have been very generous with Raffy he visited me the morning of the day I was leaving. 'He said to me: I'm responsible for bringing you here I promise you I will continue to search [for] a way to bring you back.' I wonder if he ever gave it a second thought? From results never???"" Raffy did finally come around, and suggested a publicity campaign in Israel to put pressure on the Israeli government to admit Lansky: ""???I'm anxious to visit Israel but not on the strength of publicity. Publicity will not help my return. I also don't have a desire to create any friction in Israel. Israel has enough problems without me. I also don't intend to beg for permission to visit Israel. Regardless of what may be the outcome my second land is Israel, I would love to visit my friends again and next year in Jerusalem."" (February 17, 1975). Lansky was shy of publicity in general. Following his return from Israel, he granted one interview ""against my wishes and inner judgment."" The experience convinced him of the utility of writing his own memoir, but admitted ""I'm sure no one will want to publish it. The establishment will not like what I have to say about them."" Others had no qualms writing about Lansky. Commenting on the publication of Dennis Eisenberg's biography, Meyer Lansky: Mogul of the Mob, onSeptember 16, 1979, Lansky wrote to Sheiner ""My purpose of the letter is to enlighten you about the weasels book. It is all rehash of what you read before in Magazines, newspapers and what he may have collected in newspaper[']s morgues, he writes it as if it is a personal story. All this doesn't bother me; what does bother me why he had to inject your name that you were my body guard. The people I really met him through he doesn't mention, why? I don[']t understand. He states personal conversation with me, but he doesn't mention the gratuities he received from me and the good people I introduced him to."" Toward the end of his life, through the efforts of other advocates, who Lansky described as ""well meaning, but â?¦ naïve,"" there was renewed hope that he could at least visit Israel. When Israel finally granted a visa, it came with a condition from the Interior Affairs minister Yosef Burg that he post a bond of over $100,000 during his stay. Lansky was furious, lashing out on November 15, 1980: ""â?¦ I will not visit Israel under conditions. The only condition I would accept is: police protection from Burg's criminal mob. Fuck Burg and his restrictions. My well meaning lawyer can be naïve, but I am not. Time is running out for my desire to make trips both physically and financiallyâ?¦"" Lansky never returned to Israel. By 1981 he was resigned never to return. Citing his own ill health and that of his wife, Lansky concluded on February 10, 1981 ""My days of seeking to visit Israel are over, health is not on our side."" While the media often portrayed Lansky's bid for Israeli citizenship a simple ploy to escape justice, the correspondence reveals that he in fact had a deep love and admiration for the nation and its people. The few short years he spent there had an enormous effect on the reputed mobster. In all the correspondence paints Lansky, the center of countless conspiracy theories and mob legends, as a human being with strong opinions as well as a deep compassion for his friends and family. In nearly all of the letters, Lansky asks after friends back in Israel and updates Yoskeh on his own family's trials and tribulations. In all, this archive presents a nuanced and detailed portrait of a man who was so often portrayed so one-dimensionally in the press, allowing the reader a deeper understanding of this man. "

      [Bookseller: University Archives ]
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        Carmina Gadelica. Hymns and Incantations, with Illustrative Notes on Words, Rites, and Customs, Dying and Obsolete: Orally Collected in the Highlands and Island of Scotland and Translated Into English. SIX VOLUME SET, COMPLETE.

      Scottish Academic Press - Scotish Academic Press. Carmina Gadelica. Hymns and Incantations, with Illustrative Notes on Words, Rites, and Customs, Dying and Obsolete: Orally Collected in the Highlands and Island of Scotland and Translated Into English. SIX VOLUME SET, COMPLETE. Volume One 1972 , Volume Two 1976, Volume Three 1972, Volume Four 1978, Volume 5 1954 First, Volume Six 1971 First. Red cloth covered boards with gilt lettering, all dust jackets unclipped. A near fine set for a collector. Postage extra as very heavy - approx $100 by airmail to USA / Europe at time of listing. [Attributes: Hard Cover]

      [Bookseller: MacKellar Art & Books (JBS MacKellar)]
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        Amitai Isaac

      Isaac Amitai Artists Colony, Safad, 1972, 1972. Folio-size folder contains two drawings & seven of the eight color plates called for. (Again.absent one of the color plates but the eight plate may have been counted as the full-page illustration on the folder.). Two-page booklet laid-in. One of the color plates has a very slight crease to one edge. Hebrew text. V.Good.

      [Bookseller: Shamrock Books]
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        Typed Letter - Signed

      1972 - Typed letter personally signed by Lillian Gish on her personal letterhead dated January 16, 1972. The letter is addressed "Dear John Firca, Thank you for your most kind letter which I received upon my return from Austria and due to the fact that I was abroad unfortunately I was unable to see any of my dear friend, Mary Pickford's films. in regards to obtaining silent films, there is a company called Blackhawk which deals in these films. Enclosed is a brochure from my touring program on the art of film - 1900-1928 - which takes me to colleges and universities throughout the United States which I thought might be of interest to you. With every fond wish, In remembrance, Lillian Gish". Fine Condition. She was the archetypal silent film heroine -- the delicate damsel in distress, fainting on an ice floe, cowering before a brutal bounder, languishing in a garret. She has been called "the first lady of the silent screen," and film director D.W. Griffith extolled her "exquisite, ethereal beauty." She was Lillian Gish, the star of movies, television, radio, and the stage for nearly all of the 20th century. Gish was born in Springfield, Ohio in October of 1896. She and her sister grew up in the theater, performing in melodramas for $10 a week. Beginning at the age of five, she performed in New York and with a traveling road company. From that young age Gish loved the theater, calling it a "beautiful, kind, generous, unselfish world." Before she was ten she had danced with Sarah Bernhardt in New York, and in 1912 had her film debut in D.W. Griffith's AN UNSEEN ENEMY. In the years they worked together, Gish and Griffith formed one of film's famed collaborative teams. Sharing a passionate devotion to their work, they learned a great deal from each other. With her fragile, child-like beauty, Gish was the perfect Griffith heroine, starring in many of his most famous films. While working with Griffith, Gish would shoot a film in short intensive sessions. Of that time, Gish recalled, "We worked twelve hours a day, seven days a week, and we liked it because it was so interesting . We were all one family. We were after one thing: to get whatever that was up on the canvas perfect." Her earliest films (and her actor's education) were all done with Griffith. Among her more than two dozen films with him were THE BIRTH OF A NATION (1915), INTOLERANCE (1916), BROKEN BLOSSOMS (1919), WAY DOWN EAST (1919) and ORPHANS OF THE STORM (1922). Griffith's visionary work expanded the possibilities of the medium, and for Gish this was a perfect testing ground for her budding talents. His long films and spontaneous directing approach gave Gish the opportunity to experiment with diverse elements in her acting style. Many of her trademark wistful gestures and contemplative looks were first tested in front of Griffith's camera. By 1924, Gish had left Griffith for MGM, who had offered her an astounding $800,000 contract. At MGM she not only starred in, but made substantial contributions to, the production of LA BOHEME (1926), THE SCARLET LETTER (1926), and THE WIND (1928). In the 1930s problems with the studio prompted Gish to leave Hollywood and resume a career on the stage. Performing in only a handful of films throughout the 1930s and 1940s, Gish concentrated on theater and radio. In 1948 she made her television debut in THE LATE CHRISTOPHER BEAN, and continued to appear on television regularly for the rest of her life. Gish's complex and subtle style had been a revelation during the silent era, and though her popularity dwindled after the 1930s, her talent never did. Over the years she appeared in such fine films as DUEL IN THE SUN (1946), THE NIGHT OF THE HUNTER (1955), THE UNFORGIVEN (1960), and her final work, THE WHALES OF AUGUST (1987). Gish's ability to dazzle viewers with a complex range of emotions gave them insight into each character and a sense of intimacy. It was this intimacy that, over eighty-five years, brought her many characters to life. [Attributes: Signed Copy]

      [Bookseller: Legends In History]
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        SPECULUM HUMANAE SALVATIONIS * Limited Facsimile Edition * Codex Cremifanensis 243 Stift Kremsmünster (Kremsmunster, Austria) * Facsimile Edition: 1 volume * Commentary: 1 volume * Mint copy

      ADEVA Akademische Druck- u. Verlagsanstalt Graz/Austria, 1972. SPECULUM HUMANAE SALVATIONIS * The Speculum Humanae Salvationis is one of the most beautiful and oldest manuscripts of the "Mirror of the Human Salvation". It is a bilingual picture bible in the languages Latin and German, which contains an extensive overall view of the events fromt the Old as well as the New Testament including the Christian Salvation History. This Codex was created between 1325 and 1330 in the Lake Constance area. Today the manuscript is kept as Codex Cremifanensis 243 in the Benedictine Abbey Kremsmünster. * Title: Speculum Humanae Salvationis * Owner / Shelf mark: Codex Cremifanensis 243 Stift Kremsmünster (Kremsmunster, Austria) * Theme: Bible * Style: Gothic * Date: 1325-1330 * Origin: Austria * Format: 33.5 ? 25.5 cm * Extent: 124 pages * Language: Latin, German * Content: The manuscript contains a Latin preface, a "Jesse's root" and a "Biblia pauperum" * Illustrations: 192 miniatures in the approx. size 80 x 80 mm, alternately on blue or red ground * Facsimile Edition * Publisher / Year: Adeva (Akademische Druck- und Verlagsanstalt), Graz - 1972 * Volumes: Facsimile Edition: 1 volume * Commentary: 1 volume * Commentary: (German) by Neumüller, W. * Publisher's Price: 1980 * Binding: Leather, according to the original * Boxing: Solid slip case * Condition: Mint copy. We are specialized in Fine art facsimile editions and can offer more than 300 different editions. We ship worldwide. Please contact us in your mother tongue if you have any questions or wishes - we are happy to help and advice you!

      [Bookseller: Antiquariat Gebrüder Ziereis, Christian ]
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        Boccaccio Decamerone

      Galerie B?rjeson, 1972, Cloth, Book Condition: Perfect Condition, Limited Edition, Signed By the AuthorSize: 32cm x 45cm, The complete portfolio, comprising 10 drypoints printed in colors on Johannot wove paper, each signed in pencil and numbered 5/150, with title, text in Swedish, and numbered justification, published by Galerie B?rjeson, Malm?, printed by Ateliers Rigal, the full sheets, loose as issued, in perfect condition, with original embossed paper covered boards (in perfect condition), contained in red cloth covered clam-shell portfolio with gilt letterpress title (minor wear). Each sheet 32cm x 45cm. VERY SCARCE. Photos available upon request. 4kg, Livre

      [Bookseller: Louis Caron]
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