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Displayed below are some selected recent viaLibri matches for books published in 1972


      London: New English Library. 1972. Uncorrected Proof Copy of this unpublished book. Original green printed card covers, in the dustwrapper. An excellent fine copy, without inscriptions or stamps. Illustrated throughout. Complete with the near fine lightly creased dustwrapper with the publisher's stamp reading 'Publication 20 APR 1972' to the underside. The dustwrapper illustration is by Tony Lamb, the image repeated without colour as an illustration in the book. The book, had it made publication, would almost certainly have been issued with a laminated hardcover or as a paperback original so the dustwrapper seen here is most likely the proof artwork for the upper and lower covers (a theory further supported by the very thin and completely blank flaps). Loosely laid in is the publisher's slip with the signature in red ink of Mark Howell, underneath which Peter Haining has signed and inscribed, 'The compiler of this little opportunist book which was never published!' Rare. We are aware of only two other copies, both lacking the dustwrapper / cover artwork; one copy in the Raymond Danowski Poetry Library at Emory University, the other sold at auction in 2006 (front cover detached). Provenance: Mark Howell, editor New English Library; then to Peter Haining, editorial director New English Library. The best John Lennon book never published! Compiled from interviews given by Lennon over 1970 and 1971, the book was due to be published by New English Library in April 1972 but was pulled at the last minute. There are several theories for this, the strongest being that the publication might jeopardise John's already troublesome application for his US Green Card, a fight that started following his deportation in February 1972 up until being granted permanent residency in July 1976. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
 1.   Check availability:     Biblio     Link/Print  

        THE LIBERAL AND RADICAL YEAR BOOK / THE LIBERAL YEAR BOOK [A run of 41 uniformly-bound facsimile volumes]

      Brighton, UK: The Harvster Press. Each volume bound in green buckram with gilt titles. 1972 to 1974. hb. 8vo, A few volumes are lightly scuffed & some have a former owner's bookplate on the front endpaper; else each in vg condition. . First published in 1887, ten years after the establishment in England of a national Liberal Party, this is an invaluable and comprehensive historical, statistical, and political publication. The volumes cover the years from 1887 to 1889, 1905 to 1932, and 1934 to 1939. Each volume was reproduced from the best original copy available, although the publishers (Harvester Press) observe in a prefatory note to the 1887 edition that "the original, in the British Museum, [had] been tightly re-bound and this has affected the reproduction of the inner margin of some few pages. Extensive inquiries have failed to locate an alternative copy for reprinting...." Each volume typically includes complete information on the organization of the Liberal Party, composition of both Houses of Parliament, the various government departments, a summary of legislation passed the previous year, a riding-by-riding account of the previous general election, or by-elections, including candidates and vote counts, and an enormous amount of financial and budgetary data. As this is a very heavy set, we ask that you consult with us prior to placing an order, as to the options and costs to ship. .

      [Bookseller: GREENFIELD BOOKS]
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        Goodbye to Berlin.

      Harmondworth, Penguin, 1972.. Penguin Modern Classics. 204 pp, age related tanned pages, Paperback Seiten alters- und papierbedingt gebräunt, Einband mit leichten Gebrauchsspuren, antiquarisch mäßig gut erhaltenes Exemplar, fair copy, K1837.

      [Bookseller: Antiquariat Buchhandel Daniel Viertel Ei]
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        The Clock Winder

      NY: Knopf. 1972. Her fourth book, which many consider her scarcest. Signed by the author. Label removal shadow on front board, else very near fine in a very near fine dust jacket with the slightest smudging on the rear panel. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Station Approach

      Adam Collection Ltd,, 1972. Colour offset lithograph on heavy wove paper. Image size: 41 x 51 cm. Sheet size: 52.4 x 61 cm. Excellent condition. Presented in a lime wax frame with UV protective glass. Edition of 850. Signed in pencil lower right by L. S. Lowry. Fine Art Trade Guild blindstamp lower left. Print after an oil painting on board of the Exchange Station, Manchester, since demolished and now the site of the Greater Manchester Exhibition Centre (GMEX).

      [Bookseller: Peter Harrington]
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        Pirosmanachvili 1914

      1972. PICASSO, Pablo. Pirosmanachvili 1914. By Iliazd. 36 pp. Illustrated with a signed dry-point etching by Picasso. Small folio, 322 x 230 mm, bound in original vellum, with yellow dust-wrapper and preserved in publisher's beige cloth chemise and slipcase. Paris: Iliazd, 1972. |~||~||~||~| First Edition thus. One of 78 copies printed on Japon ancien paper, signed in red pencil on the colophon by Iliazd and with the original etching signed by Picasso. The etching is a figure study of Russian artist Pirosmanachvili at his easel painting, an homage to Douanier Rousseau (Goeppert). The dry-point etching was printed by the Atelier Lacourière Frélaut. The story behind this Iliazd book is touching: Iliazd returned to his homeland in 1912 and met the painter Niko Pirosmanachvili (1862-1918). Iliazd was alarmed by the difficult economic straits that the painter was in and wrote a manifesto to promote his art; it was published in a local paper in 1914. "In the summer of 1971, Iliazd decided to reprint the article… he convinced his friend Picasso to create this frontispiece of the Georgian painter. The printing was completed and signed by December 1972, four months before Picasso's death" (Johnson, p. 165). Baer 2020. Bloch 2015. Goeppert 154. Artists' Books in the Modern Era 1870-2000, 94.

      [Bookseller: Ursus Rare Books]
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        THE GODFATHER PAPERS And Other Confessions The Author’s (Master) Hand Corrected Galley Proof

      Later Published by G. P. Putnam?'s Sons. 1972. 94 long (25 x 7.5 inches) pages including some duplicates and re-numbered pages. Folded over three times. Annotations throughout in the author?'s hand (in two colours of ink) and the printer (primarily red pencil). good condition with some closed tears and chipping with finger marks and creasing as would be expected. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        La Ballade du Soldat

      1972. ERNST, Max. La Ballade du Soldat. By G. Ribemont-Desaignes. Illustrated with 34 original colour lithographs (20 full page), by Max Ernst. Folio, 398 x 290 mm, loose as issued in the wrappers and cloth slipcase. Paris: Pierre Chave, 1972. |~||~||~||~||~||~||~| First Edition, one of 199 copies printed on Arches paper, signed by the artist and the author on the justification page. Max Ernst's illustration to the Ballade du Soldat is an intriguing and delicate body of works that confronts the theme of war and its effects on the human psyche. The artist tackles this complex subject through the approbation of common symbols to confront the issues of obedience to authority and humanity's struggle for power. A fine copy. Spies/Leppien, Max Ernst: Das Graphische Werk 218/D/I-XXXVIII.

      [Bookseller: Ursus Rare Books]
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        Poesies Antillaises

      1972. MATISSE, Henri. Poesies Antillaises. By John-Antoine Nau. 90 ff. Illustrated with 28 full-page portrait lithographs and a further 27 hors-texte ornaments by Matisse. Folio, loose as issued in the publisher's wrappers and cardboard slipcase. Paris: Mourlot, 1972. |~||~||~||~||~| Matisse conceived of this work as an homage to his close friend John-Antoine Nau, and as he had done with Charles d'Orleans and Ronsard, he personally selected the poems that moved him most. As Matisse and the poet shared a common love for Martinique, Matisse worked from Martiniquan models as well as Malagashan models for the illustrations. Matisse prepared the illustrations for this book in 1946 and a contract to publish the edition was drawn up with Mourlot in 1947. Matisse worked on and off on the production maquette for Poesies Antillaises from 1950 to 1953. However, due in large measure to the artist's ill health at the end of his life, publication was delayed until almost twenty years after his death. One of 200 ordinary copies. A superb copy of this magnificent book which is similar in feel to Florilège, published by Skira in 1948. Duthuit 37. Manet to Hockney, No. 129.

      [Bookseller: Ursus Rare Books]
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        Hidatsa Medicine Man

      New York: Kennedy Graphics, 1972. Distributed graphics by Alan Wofsy Fine Arts. Lithograph in black on BFK Rives paper. Native American series. 81 x 50 cm. Edition of 160. Hand signed and numbered by the artist. Fern and O'Sullivan, 610.

      [Bookseller: Alan Wofsy Fine Arts]
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        alfred scharl Stilleben mit Äpfeln am Fenster Öl auf Leinwand, signiert, datiert 1972

      Alfred Scharl 1912 – 1984, expressives, farbintensives gemälde von alfred scharl öl auf leinwand signiert datiert bildgröße 80 mal 50, auf spannrahmen, gerahmt mit schlichtem schwarzen rahmen (der hat einige altersbedingte bestoßungen), signatur vorne links unten sowie rückseitig und datiert 1972 [Attributes: First Edition; Signed Copy]

      [Bookseller: mip]
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        Tante Martine

      Original, one of 35 numbered copies on Holland Publishing, printing head. Very nice copy. Gallimard Paris 1972 15x22cm broché

      [Bookseller: Librairie Le Feu Follet]
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      Original, one of 70 numbered copies on Arches, only large paper edition. Autograph signatures of authors enriched a small drawing of Jacques Prévert. Our copy is complete out of the box canvas chocolate illustrated the first dish a collage of Jacques Prévert. Rare and beautiful specimen. Guy Authier Paris 1972 16,5x24,5cm en feuilles sous chemise et boîte

      [Bookseller: Librairie Le Feu Follet]
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      Original edition to 342 numbered copies printed on Arches, ours one of 50 copies not for sale. Signed autograph of the author Ludovic (January). Back slightly insolated without gravity. Les éditions de minuit Paris 1972 14,5x19,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        BURROUGHS 23

      San Francisco: Dana Dana Dana Limited Editions. 2011. Artist?'s first stage proof. Charles Gatewood?'s hand-made mock-up of the Burroughs 23 Limited Edition. Hand stitched photographic canvas upper cover with an original ?"Burroughs?" typewriter advertisement to the rear cover, unique to this artist?'s mock-up. The pagination and images differ slightly to that of the published book. Signed by Charles Gatewood and marked ?"first proof?" in black ink to the title page. The photographs, many of which are published here for the first time, were shot by Charles Gatewood in London, in 1972, and New York in 1975. As well as William Burroughs, the book includes photographs of Brion Gysin, and Led Zeppelin?'s Jimmy Page. The published edition was limited to only 23 copies.

      [Bookseller: Lucius Books]
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      SIGNED and INSCRIBED by the author in very small, neat blue fountain pen ink on the title page: 'To Janet and Stuart Clarke with every good wish. Stanley Middleton.' ***First impression of the true first edition. ***Near fine in brown cloth-covered boards with gilt titles to spine. Grey front and rear endpapers. No inscriptions (other than the author's). Very slight small bump to tail of spine. Tiny hint of a bump to lower outer corner of front board and tiny light bump to top outer corner of rear board. A tiny very light and unobtrusive splash mark to bottom edge of text-block not affecting interior pages. Slight off-setting to endpapers. Pages clean and bright. Very slight foxing to 1mm edge of fore edge of rear endpaper and the merest hint of foxing to less than 1mm edge of last text page, not affecting the interior of those pages at all. Spine tight. Gilt titles bright. ***In a very good colour illustrated dustwrapper which has not been price-clipped, showing original publisher's price of £1.95 net. Dustwrapper has a short 2cm closed tear and small crease to top edge of front panel and a small 1/2 cm closed tear to top edge of front panel at head of spine. Edges very slightly rubbed. Head of spine very slightly nicked and creased. Back panel of dustwrapper very slightly yellowed (being white background). Front panel and spine of dustwrapper bright. No fading. ***224 pages. 204mm x 136mm. ***'Old age is a notoriously difficult subject for the novelist to tackle, but one curiously appropriate to Stanley Middleton's sensitive, unsentimental, direct approach. Set, like all his widely praised novels, in a Midlands town, Cold Gradations is a study of James Mansfield, who has spent most of his life in a grammar-schoolroom, and is now lonely in retirement, conscious, after a serious heart-attack of his body's degeneration, half convinced of his uselessness, but trying to live vicariously, through the career of his highly successful, brilliant and loved son, David, a business tycoon who has forgotten his father's ideals. And yet Mansfield is constantly drawn into the lives of others in ways he sometimes resents, which fail to give him much comfort, but which, because of his lifetime's training, he cannot ignore. ***There is the marriage of David which is on the brink of breaking up, to Mansfield's regret rather than that of the estranged husband and wife. He is out of touch with them, yet manages to establish some rapport with their schoolgirl daughter. ***There are his 'neighbours', the Hapgoods, into whose tragic lives he is unwillingly drawn, though his intervention seems sadly without permanent effect. ***When we take our leave of Mansfield, he is still a sad figure, with a low regard for his own worth. Yet people turn to him with their troubles and seem to derive some comfort from his solid, academic attitude. He may feel old and useless, but in some strange way he is still necessary, still involving himself.' (Quote from inside front jacket blurb). ***'Mr Middleton tells his tale with a driving and subtle authority. His portrait of English provincial life, with its delicately graded snobberies, is masterly; it is in the honorable, even-tempered tradition of J. B. Priestley rather than that of the 'young angries' who swarmed out of this part of England in the 1950s. 'Brazen Prison' is a good and solid piece of close observation [Bruce Williamson in the Irish Times - review quote about 'Brazen Prison' by Stanley Middleton from back of jacket blurb]. ***A very scarce first impression of the true first edition in its original dustwrapper - in very nice collectable condition from this Booker Prize-winning author, especially rare to find signed and inscribed. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Orlando Booksellers]
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        6 gravures originales.

      . Locarno, Francois Lafranca, 1972. 43 : 35,5 cm. 6 Originalradierungen, jeweils in Bleistift signiert u. numeriert u. 1 Bl. Justification sowie 7 Büttenpapiere als Schutzblätter. In Orig.-Kartonmappe mit grosser Signatur des Künstlers in Tuschpinsel.. Portfolio in 40 numerierten Exemplaren (+ 6 e.a.) auf der Handpresse gedruckt. Handgeschöpftes Papier mit Wasserzeichen und Trockenstempel des Verlegers, Druck und Verlag von Francois Lafranca, Locarno. - Imprimees sur presse a bras a 40 exemplaires plus 6 epreuves d'artiste. Fabrication du apier a la cuve, impression et edition par Francois Lafranca, Locarno.

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
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        Otto Tschumi bei Kornfeld und Klipstein.

      Bern, Selbstverlag 1972 (Druck: Stämpfli & Cie AG, Bern).. 4°. 27 n. numm. Bll. Mit zahlr., tls. farb. Abb. auf Tafelseiten. Farb. illustr. OKart. Einbd. lediglich m. geringf. Stellspuren, im Text gegilbt, aber tadellos.. 'Dieser Katalog erschien anlässlich der Ausstellung von Ölbildern, Tempera, Pastellen, Zeichnungen und Graphikblättern von Otto Tschumi vom 28. Jänner 1972 bis 11. März 1972 bei Kornfeld und Klipstein, Bern, Laupenstrasse 49'. - Otto Tschumi (1904-1985) gilt als einer der bedeutendsten Vertreter des Surrealismus in der Schweiz. 1921-25 nahm er an Kursen bei Ernst Linck an der Gewerbeschule Bern teil und bildete sich dann autodidaktisch weiter. 1936-40 lebte er in Paris, wo er Kontakt zu Max Ernst, Alberto Giacometti, Hans Arp, Sophie Taeuber-Arp und den Surrealisten hatte. - Auf fliegendem Vorsatz mit eigenh., abstrakter Tierzeichnung des Künstlers. Mit feinem, blauem Filzstift ausgeführte, mit groben Strichen hingeworfene Zeichnung (Schwein oder Kuh?). Unterhalb mit unkenntlicher Signatur.

      [Bookseller: Antiquariat Löcker]
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        weiblicher akt mit sonne ölgemälde auf leinwand handsigniert

      - weiblicher akt mit sonne, ölgemälde auf leinwand, signiert auf keilrahmen, bildgröße 50 mal 60 cm, signiert mit pippart, wohl in den 60er jahren entstanden, pippart studierte in Berlin an der berliner akademie und stellte regelmäßig bei der berliner kunstausstellung aus, gründete 1972 die malergruppe AC 72. er dozierte an der berliner kunsthochschule, war Professor an der HdK Berlin. vor 1960 benutzte er bei arbeiten oft das pseudonym tilo hermann. Er gründete die Galerie Das Bild, die später von seinem Sohn Tilo Pippart fortgeführt wurde. Infos: Internet [Attributes: First Edition; Signed Copy]

      [Bookseller: mip]
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        Conradi Gesneri - Historia Plantarum: I - VIII; Gesamtausgabe: 1 u. 2 (10 Bde. compl.) .

      Dietikon-Zürich, Urs Graf, 1972-87. Gr.-2° (46 x 33 cm), je ca. 100 S., unzählige farb. Abb. teilw. Falttafelen. Jeder Bd. mit Kommentar, Anhang u. Anmerkungen; Gesamtausgabe: Gr.-2° (46 x 33 cm), je ca. 100 S., 16 faks. Taf. und. 838 verkleinerte mehrfarb. Abb., HPrgt. m. OU. in Schuber, OU minimale läsuren, tadell. Preis in CHF: 2500. Handschriftlich nummeriertes Exemplar, Nr. 160/590 Expl. (ab Band VI nur 490 Ex.) Hrg. v. Heinrich Zoller Martin Steinmann und Karl Schmid. Kommentar von Heinrich Zoller, Basel; Transkription und Übersetzung von Dr. Martin Steinmann, Basel; (Die Faksimiles sind auf ein 110 Gramm schweres Büttenpapier der Papierfabrik Zerkall gedruckt. Sie wurden einzeln auf ihre originale Form gestanzt und eingeklebt. Der Text ist in 12 Punkt Poliphilus gesetzt).- Historia Plantarum, auch Conradi Gesneri Historia plantarum genannt, ist der Titel einer umfangreichen botanischen Enzyklopädie, an der der Schweizer Naturforscher und Arzt Conrad Gesner (1516-1565) während seines letzten Lebensjahrzehnt von 1555 bis 1565 arbeitete. Noch ehe Gesner das Werk vollenden konnte, starb er 1565 an der Pest. Zu diesem Zeitpunkt hatte Gesner über 1500 Pflanzenzeichnungen zusammengetragen, die er zu einem sehr großen Teil selbst angefertigt hatte. An Umfang und wissenschaftlicher Tragweite übertraf die Historia Plantarum vergleichbare Veröffentlichungen des 16. Jahrhunderts. Das Manuskript geriet nach dem Tode Gesners jedoch in Vergessenheit und wurde erstmals 1750 publiziert.[1] Die besondere Bedeutung der Historia Plantarum liegt in den ungewöhnlich sorgfältigen Darstellungen. Conrad Gesner verfügte über ein überdurchschnittliches Zeichentalent und war anders als vergleichbare Autoren von Kräuterbüchern des 16. Jahrhunderts nicht darauf angewiesen, professionelle Künstler zu engagieren. Gesner konzentrierte sich in seinen Zeichnungen auf eine detaillierte Darstellung des Habitus einzelner Pflanzen, bei denen einzelne, besonders charakteristische Teile mitunter stark vergrößert waren. Die Zeichnungen sind ergänzt um ausführliche Randnotizen und wissenschaftliche Anmerkungen. Dabei wird auf die spezifische Wuchsform der einzelnen Pflanze eingegangen, Fundorte beschrieben und auf morphologische Details hingewiesen.Der botanischen Nachlass von Conrad Gesner (1516-1565) liegt in der Universitätsbibliothek Erlangen die das Original für die Reproduktion zur Verfügung stellte.

      [Bookseller: Antiquariat Peter Petrej]
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        [Large broadside]: Grass Roots Black Community Newspaper Legal Lynching in Britain Tony Soares Another Victim Prosecuted for 1 Being Black 2 Being Conscious

      London: Grass Roots Black Community Newspaper. [circa 1972]. Large broadside. Approximately 17.5" x 24.25". White paperstock printed in black with an image of Soares with a noose around his neck hanging from a tree labeled "Old Bailey." Slight age-toning, else very near fine. Shrinkwrapped onto cardstock. According to the text, Soares was indicted for "inciting black people to defend themselves against brutality, injustice, and Racism" and further "alleged to have edited a Black community newspaper called GRASSROOTS which reprinted an article on self-defense - from an American source legally available in Britain today." Soares was one of the first proponents of Black Power in Britain, and was of special interest to Special Branch starting in the late 1960s. They arrested him in 1972 for writing the article mentioned above. OCLC locates no copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Marvin K. Mooney Will You Please Go Now.

      New York: Random House, 1972 - Octavo. Original glossy pictorial boards, pictorial endpapers. With the dust jacket. An excellent copy in dust jacket with spine titles slightly off centre, minor crease to top front edge. A very attractive copy. First edition, first printing. Younger & Hirsch 126

      [Bookseller: Peter Harrington. ABA member]
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        The Stones of Summer: A Yoeman's Notes 1942 - 1969

      New York and Indianapolis: Bobbs-Merrill. (1972). First. First edition. A tiny bit of spotting on the spine and to the top edge, still just about fine in moderately rubbed, very good plus dustwrapper with a faint stain on the front panel, and a couple of very tiny nicks at the crown. Advance Review Copy with slip laid in. A well-reviewed, sprawling novel that dropped from view with barely a ripple, only to be revived when documentary filmmaker Mark Moskowitz began a quest to track down the author, resulting in his award-winning 2002 film Stone Reader. Very scarce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Marvin K. Mooney Will You Please Go Now!

      Random House, Westminster, Maryland, U.S.A. 1972 - Published in New York by Random House in 1972. A Bright and Early Book #13. First Edition. Book near fine, slight spotting along edges on inside covers, slight fading on spine. DJ very good, some spotting, pieces of tape on front, remains of price sticker at top front corner, tear at top of front reinforced by tape. DJ flap price reads "$2.50." [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        Marvin K. Mooney Will You Please Go Now

      New York: Random House,, 1972. Octavo. Original glossy pictorial boards, pictorial endpapers. With the dust jacket. An excellent copy in dust jacket with spine titles slightly off centre, minor crease to top front edge. A very attractive copy. First edition, first printing.

      [Bookseller: Peter Harrington]
 25.   Check availability:     Biblio     Link/Print  

        Studies in Biology

      - London - Edward Arnold, 1972 Book. Very Good. Hardcover. First edition. Studies in Biology is a series of booklets sponsored by the Institute of Biology dealing with subjects specially selected bya panel of editors in particular for use in schools, colleges and universities. Illustrated in black and white with photographs and diagrams integrated with text. Forty volumes of a one hundred volume set (published individually)All volumes except six are first editions, those six are second edition. In original unclipped dustwrappers. Of the volumes here there is: No. 5 Plant Taxonomy; No. 9 The Electron Microscope in Biology; No. 10 Translocations in Plants; No. 11 Muscle; No. 18 Population Dymanics; No. 37 Photosynthesis; No. 38 The Biology of Pollution; No. 54 The Biology of Plant Phrenolics; No. 56 The Biology of Slime Mould; No. 57 Dormancy and the Survival of Plants; No. 58 Ecology of Plants in the Tropics; No. 59 The Optical Microscope in Biology; No. 61 Biology of Eucalypts; No. 62 Marine Zooplankton; No. 63 Homeostasis; No. 64 Diseases in Crops; No. 65 Plant Tissue Culture; No. 66 Lichens as Pollution Monitors;No. 68 Phytochrome and Plant Growth; No. 69 Genetics and Adaptation; No. 70 Populations Cytogenetics; No. 72 The Dynamics of Competition and Predation; No. 74 Decomposition; No. 75 Viviparity; No. 77 Ecology and Archaeology; No. 79 The Biology of Weeds; No. 80 Colonization of Industrial Wasteland; No. 82 An Introduction to Animal Tissue Culture; No. 83 The Genetic Code; No. 84 Lysosomes; No. 86 Plants and Temperature; No. 87 Evolution in Modern Biology; No. 88 The Biology of Mucor and its Allies; No. 89 Life in Sandy Shores; No. 91 Boreal Ecology; No. 92 Nitrogen Fixation; No. 93 Haemoglobin; No. 95 Structure and Function of Viruses; No. 96 Plant Growth Analysis; No. 98 Plant Physiological Ecology. Condition: In cloth bindings with unclipped dustwrappers. Externally, generally in a lovely condition with only minor shelfwear, the odd volume has marks and slight stains to boards. Dustwrapper generally in excellent condition, titles rubbed to spine to come volumes, slight edgewear and occasional marks and stains, slight marginal fading to the odd volume and loss to spine of one volume. Internally, firmly bound. Generally bright and clean throughout with only very odd slight mark and odd slight tidemarks to text block edges. Overall: VERY GOOD INDEED in VERY GOOD dustwrappers.

      [Bookseller: Rooke Books]
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        Dendritic Cells Handbook of Experimental Pharmacology

      Springer. Hardcover. New. Hardcover. 353 pages. Dimensions: 9.5in. x 6.4in. x 0.7in.The understanding of the role of dendritic cells (DCs) in immune responses has come a long way since Steinmann and colleagues described these cells in 1972. - tensive research during the intervening period has provided a good understanding of the complexity of the DC system and its pivotal role in immunity. It is also now clearer how different subsets of DCs interact and regulate each other and how DC populations affect the function of other cells of the immune system. The improved understanding of their role in immune response has led to the idea that modulation of DC functions by, for example, pharmacological agents could be used as a pot- tial therapeutic approach in some pathological conditions. The actual applicability and therapeutic potential of all these approaches is yet to be fully demonstrated but nonetheless, animal models of human diseases are proving to be very helpful in the evaluation of manipulated DCs as a new treatment in diseases like cancer, auto- munity or asthma. DCs are integral to the initiation and regulation of immune response (Banchereau et al. 2000). The outcome of antigen presentation by DCs is determined by their maturation status, which can be induced by their interaction with danger signals. To recognise a wide array of pathogen-associated molecular patterns (PAMP), DCs express a number of pattern recognition receptors (PRR) such as Toll-like rec- tors (TLRs) and C-type lectin receptors (CLR) that recognise structural components of pathogens and discriminate between self and non-self molecules. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN, Momence,IL, Commerce,GA.

      [Bookseller: BuySomeBooks]
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      London: Faber and Faber. (1972). First. First edition, hardcover issue. Fine in slightly age-toned, near fine dustwrapper with a tiny tear. Signed by the author. The hardcover issue is very uncommon. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 28.   Check availability:     IOBABooks     Link/Print  

        Tiré à Part de 6 héliogravures dont une épreuve au bromure.

      Chez L'Artiste 1972 - In-folio ( 480 X 370 mm ), en feuilles, sous chemise et étui de l'éditeur. Tiré à Part de 6 héliogravures rehaussé d'une épreuve au bromure exécutée dans son atelier d'Arles avec une postface de Michel TOURNIER. Tirage limité et unique à 200 exemplaires numérotés. Celui-ci, bien complet de l'épreuve numérotée et signée par l'artiste. Bel exemplaire. Litterature Edition-originale photographie beaux-arts Curiosa érotisme [Attributes: Signed Copy]

      [Bookseller: Tiré à Part]
 29.   Check availability:     AbeBooks     Link/Print  

        JAN VAN GOYEN 1596-1656.

      Brügge 1972 - 4 voll ril. in tela con sovr., cm 31x24, pp 1721, ca. 4934 tavv a colori e ill. b/n.

      [Bookseller: EDITORIALE UMBRA SAS]
 30.   Check availability:     AbeBooks     Link/Print  

        Conradi Gesneri Historia Plantarum. Faksimileausgabe. Bände 1 und 2 (von 8).

      Dietikon-Zürich, Urs Graf (1972/73).. Gr.-Folio. 106; 96 S. Mit 50 montierten faks. Tafeln sowie Textabb. Orig.-Halbpergamentbde. mit OU, in Pappschuber.,. Faksimileausgabe. - Erste Folge enthaltend siebenundzwanzig Aquarelle aus dem botanischen Nachlass von Conrad Gessner (1516 -1565) in der Universitätsbibliothek Erlangen. - Zweite Folge enthaltend dreiundzwanzig Aquarelle aus dem botanischen Nachlaß von Conrad Gessner (1516-1565) in der Universitätsbibliothek Erlangen. - Beide Bände mit persönlichem Beiblatt als Gabe zum 75-jährigen Jubiläum des Besitzers vom Gärtnermeisterverband. - Bd. 1: Eines von 550 Ex. (Nr. 24). - Bd. 2: Eines von 590 Ex. (Nr. 28). Bankverbindung in Deutschland vorhanden.

      [Bookseller: Buch + Kunst + hommagerie Sabine Koitka]
 31.   Check availability:     ZVAB     Link/Print  

        formulation : articulation. Serigraphie. 1972.

      . 25 : 25 cm auf starkem, weissen Papier 30 : 30 cm. Untere rechte Ecke mit dem Blindstempel: A.. Neujahrsgabe von Ernst Beyeler in 380 nummerierten Exemplaren abgezogen im Dezember 1972. Lose in der Original-Präsentationsmappe, dort nummeriert: 181 und Max Frey zugeeignet. - S. 3 der Mappe mit typogr. Text von Albers zu diesem Siebdruck: "es zeigt eine sehr seltene farbinstrumentation, die ich weder historisch noch ethnographisch plazieren kann. Ein unstoffliches blau konversiert mit einem ebenso ungeläufigen grün. Es klingt mir wie ein farbtrio gespielt von nur zwei farbnachbarn." - In makelloser Erhaltung.

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
 32.   Check availability:     ZVAB     Link/Print  


      New York: Random House, [1972].. Gilt cloth. Fine in dust jacket with faint mark on lower panel. First edition, trade issue. Inscribed and signed by the author on the front free endsheet. POLK A19:1b.

      [Bookseller: William Reese Company - Literature ABAA-]
 33.   Check availability:     Biblio     Link/Print  


      NY: Knopf, 1972 First edition, first prnt. Inscribed by Updike on the front free endpage. "For ---- with best wishes and yuletide greetings, John Updike." Next to his inscription, Updike has drawn an aprx 2 x 2 inch merry Santa face with "Ho Ho" in a word balloon and two holly leaves. Board cloth with beginning extremity toning, small rub bottom edge of the rear board and one page with a corner crease; dustjacket with corners and spine ends touched and very light rubbing on the rear panel. Very Good+ condition in a Very Good+ dustjacket with an archival cover.Inscribed with Drawing by Author. Hardcover. 8vo - over 7¾" - 9¾" tall. The images are of the book described and not stock photos.

      [Bookseller: Revere Books, ABAA & IOBA]
 34.   Check availability:     IOBABooks     Link/Print  

        Le plus beau mur de mon royaume

      Georges Visat, Paris 1972 - Le plus beau mur de mon royaume Color etching and aquatint with the imprint pressure on wove paper. Image: 42.3 x 32.6 cm. Paper: 66.7 x 51.8 cm. Edition Georges Visat, Paris, 1972. Edition of 100. Numbered 10/100 and signed in black pencil in the lower margin. A very few flat creases and tiny pale foxing stains in the margins. Fine. Reference: Spies/Leppien, A 37B [Attributes: First Edition; Signed Copy]

      [Bookseller: ARCHIVES]
 35.   Check availability:     IberLibro     Link/Print  

        The Rocksburg Railroad Murders

      Saturday Review Press, New York 1972 - The first edition, published by The Saturday Review Press/ E.P. Dutton in 1972. Our initiation to the inimitable Mario Balzic. This is a fine copy of the book but for the shadow of a price sticker to the pastedown. Dust jacket fine. Inscribed by Constantine ' Best wishes from someone almost in the same league as those gorgeous women who evoke your gratitude. K. C. Constantine ' [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: The Reluctant Bookseller]
 36.   Check availability:     AbeBooks     Link/Print  


      New York: Saturday Review Press, [1972]. - First edition. Author's first book. Residue from label on front pastedown sheet, else fine in fine, first state dust jacket with the $5.95 price mark and advertisements on the rear cover. When a senseless murder occurs at the railroad station, and there are no witnesses, Chief of Police, Mario Balzic, must rely on his wits and knowledge of psychology to direct him to the likely killer. [Attributes: First Edition; Hard Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB]
 37.   Check availability:     AbeBooks     Link/Print  

        Marges de la philosophie

      Paris: Éditions de Minuit,, 1972. Octavo. Original cream card wrappers printed black and blue. With the original glassine. Very mild toning to spine panel and edges of glassine. An exceptionally bright copy. First edition, first impression. Presentation copy inscribed by the author to French philosopher, writer and translator Roger Munier (1923?-2010) on the front free endpaper, "Pour Roger Munier, fidèlement, J. Derrida". Munier's many translations include Octavio Paz, Roberto Juarroz and Heidegger, with whom he forged a lasting friendship when he stayed in the Black Forest to perfect his German in 1949. Munier later introduced Heidegger to René Char. His obituary in Le Monde described him as a passionate writer and thinker and a mystic, whose favourite mode of expression was the "fragment". His main influence, apart from Heidegger, was Meister Eckhart. Derrida and Munier both contributed to L'Endurance de la Pensée (1968), a book of collected writings on Jean Beaufret. In 1967 Derrida sent Munier a copy of his recently published De la grammatologie. After having read it Munier sent him a warm congratulatory letter discussing Heidegger and positivism.

      [Bookseller: Peter Harrington]
 38.   Check availability:     Biblio     Link/Print  

        The Best and the Brightest: A 1972 and a 2001 Signed Editions!

      Halberstam, David J. (April 10, 1934 ?" April 23, 2007). The Best and the Brightest. New York: Random House (1972). Later printing. Blue cloth with gilt lettering to spine. 688 pages. Bibliography. Index. Inscribed by the author in 2001. Dust jacket has small chips and tears at edges. Contents clean and tight. Along with: The Best and the Brightest (2001) first Modern Library printing. signature by David Halberstam on the title page (2001) unread, pristine, collector condition. Washington and the Kennedy/Johnson era a brilliant, in-depth portraits of the men who came to power in the Kennedy administration: Robert McNamara, McGeorge Bundy, Dean Rusk, George Ball, William Westmoreland and Maxwell Taylor. As seen through the lens of the Pulitzer Prize-winning journalist of his time.1960s, US Foreign Policy, JFK, LBJ, Robert McNamera, McGeorge Bundy, Dean Rusk, William Westmoreland. Both editions signed at the same time. A rare combination set both in Fine condition.

      [Bookseller: Calix Books]
 39.   Check availability:     Biblio     Link/Print  

        Love and Napalm Export U S A [Atrocity Exhibition]

      New York: Grove Press, Inc.,, 1972. Preface by William S. Burroughs. Octavo. Original black cloth, titles to spine in red and orange. With the dust jacket. An excellent copy in the dust jacket. First US edition. Originally published in 1969 in the UK. Inscribed by the author on the title page "To Dan, J. G. Ballard".

      [Bookseller: Peter Harrington]
 40.   Check availability:     Biblio     Link/Print  

        Goon Show One Night Special Reunion, The

      April 30, 1972. The Last of the Goon ShowsSpecially Written by Spike Milligan for the 50th Anniversary of the BBC Three Goons in the FountainEach One Seeking FameSellers, Milligan, and SecombeWhich One Will the Fountain Blame[GOON SHOW]. SELLERS, Peter. MILLIGAN, Spike. SECOMBE, Harry. The Goon Show One Night Special Reunion. A Collection of Goony Ephemera. London: Camden Theater, April 30, 1972."These autographs from The Goons and a number of guest artists were signed for me in my presence at the recording of 'The Last of The Goon Shows' at The Camden Theatre London on Sunday 30th April 1972 at which I was one of the BBC Studio Managers. [Signed] Michael W. Cowles 1st December 2013."Thus introduced, this collection includes an original ticket to the show, printed on orange card; the Daily Mail's original story published the following day on May 1, 1972; promotional flyer, typed on yellow paper; the original BBC Radio 4 Program, signed by Peter Sellers, Spike Milligan, Harry Seacombe, writer Eric Sykes, performers Max Geldray, Ray Ellington, Graham Stark, film star Michael Caine and two other indecipherable signatures; and, significantly, a copy of the show's thirty-one page script with rehearsal and recording schedule on blue paper, marked up in red and black ink (by Michael W. Cowles). The collection beautifully housed in a fleece-lined, full black morocco clamshell case, spine lettered in gilt."The Goon Show was a radio comedy show broadcast by the BBC. It changed the face of British comedy and influenced later comedy including Monty Python, Eddie Izzard and many more. It was broadcast in the the UK between May 1951 and January 1960. The dignified 'stiff upper lip' attitude still prevailed in the post WWII age, but many who lived through the war were more inclined to question the rules and authorities that controlled their lives. Onto this scene burst The Goons with a quick fire, irreverent brand of humour that mocked those in establishment and offered a different farcical view of the world. What made The Goon Show different was its attitude. The comedy was edgier than it contemporaries and it used mad characters, satire and ground breaking sound effects in a surreal way unlike anything had done before. "The Last Goon Show of All, broadcast on 5 October 1972, was a special edition of the famous BBC Radio show The Goon Show, commissioned as part of the celebrations of the 50th anniversary of the BBC. It was simulcast on radio and television, and later released as an audio recording on long-playing record. This in turn has been re-issued in other formats such as compact disc. A video of the television broadcast was also released on VHS and later on DVD, although with some omissions. In early October 2007, 35 years after the original broadcast, a full unedited version was broadcast on BBC 7, the digital radio channel dedicated to re-runs of classic shows." (Wikipedia)."Spike Milligan was the creative force and main writer of The Goon Show, however he was often assisted by a co-writers such as Larry Stephens or Eric Sykes. Occasionally if Milligan was unable to writer the show, others would script entire show. There were originally four main cast members: Spike Milligan, Peter Sellers, Harry Secombe and Michael Bentine. Spike Milligan would later be considered by many to be "The grandfather of modern British comedy" due to his work on The Goon Show and subsequent comedies. Peter Sellers would go on to become a world famous comic actor, best known for playing Inspector Clouseau in the Pink Panther movies. Harry Secombe remained a well loved singer and entertainer throughout his career. Michael Bentine left the group after only a few series and before the show reached it's peak of success" (Goon Show website).

      [Bookseller: David Brass Rare Books, Inc. ]
 41.   Check availability:     ABAA     Link/Print  


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