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Displayed below are some selected recent viaLibri matches for books published in 1972

        Srimad Bhagavatam First Canto "Creation" Part 1 Chapters 1-7

      Bhaktivedanta Book Trust, New York 1972 - SIGNED - Octavo. Navy blue cloth boards and spine with bright, shiny gilt lettering on both the spine and the front board. Fair amount of bumping at the head and tail of the spine. Corners are sharp. Very faint trace of rubbing to the tips of the lower corners. Signed and inscribed by the author, and founder of the Krishna Consciousness Faith, on the front endpaper in black pen: "To ----- / A Leader in the Western World / with Wisdom and Love / his Divine Grace / A. C. Bhaktivedanta." The free front endpaper and free rear endpaper have ghost images from contact with the inside flaps. Textblock is straight and tight; pages are clean, white and crisp but there is a single small spot on the lower part of the outside edge of the textblock (pictured) . Illustrated with three lovely sections of full color artwork. Dust jacket is bright and clean with a nearly unnoticable trace of rubbing at the extremities. We've included some photographs, but further customized photos will be funished upon request. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: THE PRINTED GARDEN, ABA, MPIBA]
 1.   Check availability:     AbeBooks     Link/Print  


        Der Brockhaus in 15 (Fünfzehn) Bänden Andy Warhol | neuwertig (im Schuber)

      - Der Brockhaus in Fünfzehn 15 Bänden2. durchgesehene & aktualisierte Ausgabe - Sonderausgabe Umschlaggestaltung mit Bildmotiven von Andy WarholF.A. Brockhaus, Leipzig Mannheim, 2001Limitierte Warhol-Ausgabe des Brockhaus in 15 Bänden. Diese Künstlerausgabe war aufgrund der kleinen Auflage sehr schnell nach Erscheinen beim Verlag ausverkauft. 15 der populärsten Motive Andy Warhols wurden für die Einbände sehr aufwendig reproduziert & erlangen dadurch ihre besondere Leuchtkraft. Leinenrücken, Silberprägung & silbernes Rückenschild sowie schwarzer Kopfschnitt. Format ca. 17,5 x 24,6 cm. Rund 140.000 Stichwörter, ca. 7.200 Seiten mit über 15.000 Abbildungen, Grafiken & Karten vierfarbig gedruckt.Die Rückenillustrationen: &bull Band 1: Motiv aus der Serie Mao 1972 &bull Band 2: Motiv aus der Serie Cow 1971 &bull Band 3: Motiv aus der Serie Beethoven 1987 &bull Band 4: Motiv aus der Serie 4 1982 &bull Band 5: Motiv aus der Serie Self Portrait C. 1982 &bull Band 6: Motiv aus der Serie Neuschwanstein 1987 &bull Band 7: Motiv aus der Serie Reigning Queens 1985 &bull Band 8: Motiv aus der Serie Flowers 1970 &bull Band 9: Motiv aus der Serie Joseph Beuys 1980/83 &bull Band 10: Volkswagen aus der Serie ADS 1985 &bull Band 11: Last Supper 1986 &bull Band 12: Motiv aus der Serie Goethe 1972 &bull Band 13: Motiv aus der Serie Guns 1982 &bull Band 14: Details of Renaissance Paintings, Sandro Botticelli, Birth of Venus, 1482, 1984 &bull Band 15: Campbells Soup I und II 1968/1969 Weitere Informationen zu Der Brockhaus in 15 / 18 Bänden Exemplar - neuwertig im Schuber:Die Bücher sind überdurchschnittlich erhalten. Ungelesen, innen tadellos, keine unangenehmen Gerüche, sauberer Gesamteindruck incl. Buchschnitt. Überwiegend in Neuzustand, nur vereinzelt mit minimalsten Sachverhalten v.a. zwei Bände mit auf den ersten Blick kaum erkennbaren Bereibungen an je einem Deckel. Wie auf Abbildung 5 ersichtlich, befinden sich alle Bände noch in den schwarzen Originalschubern. Diese - ihrer Funktion entsprechend - mit einigen Lagerspuren & Bestoßungen. [{ oxcontent identsn_bin15o18 30000 Gramm.

      [Bookseller: Lexikon und Enzyklopädie]
 2.   Check availability:     ZVAB     Link/Print  


        Points of Contact. Variation Number 7

      London: Marlborough Graphics, 1972. Single sheet.. Very Good +. Victor Pasmore. Bowness: cat.26 (5) ?'Points of Contact?', 1972. A set of seven, printed by the Kelpra Press, published by Marlborough Graphics in an edition of 60. (There was also another smaller edition on special paper.) Screen print on wove paper. Signed, with ?'AP?' (artists proof) written in pencil. Some very light foxing mainly in margins, else in very good condition. Image size: 635 x 454 mm; Sheet size 900 x 580mm

      [Bookseller: Roe and Moore]
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        Friedlaender. Radierungen.

      Wien, Propyläen, 1972 4°, 56 Bl. m. 56 farb. Abb., Kart. m. OU. in kart. Schuber., OU min. gebrauchsspurig, sonst tadell. Handschr. numeriertes Exempl. Nr. 17/150 der Serie A. Mit einer Original-Farbradierung im Format 34 x 24 cm. vom Künstler signiert u. numeriert. Mit Abbildungsverzeichnis. Johnny Friedlaender (1912 - 1992). deutscher Grafiker und Radierer. 1933 kurzeitig im KZ. ab 1939 bis 1943 im franz. Lager von Meslay-du-Maine interniert. Friedlaender zählt zu den Wegbereitern der modernen Farbradierung. Er gab dieser schwierigen künstlerischen Technik eine neue. zeitgemäße Ausdrucksform. welche die Tradition mit der Innovation verband. In seiner Werkstatt in Paris wurden viele bedeutende Künstler mit der Radierung vertraut gemacht. Versand D: 20,00 EUR Kunst - Monographien Illustr. Bücher - Originalgrafik

      [Bookseller: Antiquariat Peter Petrej]
 4.   Check availability:     buchfreund.de     Link/Print  


        Londoner Ansichten. Einführung von Jan Tomes.

       Mchn., Bruckmann (1972). qu.-4°. 92 S., 2 Bll. Mit 2 schw.-w., 16 mont. farb. Taf. u. 1 sign. u. num. Orig.-Lithographie v. O. Kokoschka (20 x 24 cm.). OSeidenbd. m. Rückengoldpräg. In OSchuber. In sehr gutem Zustand.Wingler-W. 475 - Eines v. 200 num. Expl. d. Vorzugsausgabe mit 1 vom Künstler eh. sign. u. num. Orig.-Lihtographie \"Tower Bridge\" (unter Passepartout). Versand D: 4,00 EUR Kunst, Graphik, Künstlermonographien

      [Bookseller: Antiquariat Burgverlag]
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        Film suivi de Souffle

      Edition originale de la traduction française établie par l'auteur, un des 50 exemplaires hors commerce numérotés sur vélin d'Arches paper, seuls grands papiers avec 292 autres vélin d'Arches paper.Précieux envoi autographe daté de Décembre 1972 et signé de Samuel Beckett à son ami le peintre Geer (Van Velde) et à sa femme Lise.spine et plats marginalement insolés. Les éditions de minuit Paris 1972 14,5x19,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Und nun meine Herrschaften fahren wir mit Curt Mühlenhaupt rund um den Chamissoplatz.

      Berlin, Atelier-Handpressen-Druck, 1972. Groß-Folio. 73 cm. 23 lose Blätter in Kartonmappe. Nummer 165 von 180 nummerierten und von Curt Mühlenhaupt signierten Exemplaren mit 14 Holzschnitten, 3 farbigen Linolschnitten und 4 Textseiten mit farbigen Linolunterdrucken. `Alle Blätter numeriert, signiert und handbekritzelt vom Meister selbst`. Auf Innendeckel der Mappe Kugelschreiber-Zeichnung von Curt Mühlenhaupt signiert und betitelt `Auch die Tante Grete kommt ab und an zum Chamissoplatz`. Maße Blätter: 63,5 x 49,0 cm.Sehr gutes Exemplar. Number 165 of 180 exemplares of the numbered and signed limited edition with 21 original graphics, all numbered, labeled and signed by Curt Mühlenhaupt. Verso cover original drawing with biro, labeled and signed by Curt Mühlenhaupt. Fine copy. Versand D: 4,90 EUR Original-Holzschnitt / original woodcut; Original-Linolschnitt / original linocut; Signatur, signiert / signature, signed copy; Vorzugsausgabe / limited edition

      [Bookseller: Antiquariat Lenzen GbR]
 7.   Check availability:     buchfreund.de     Link/Print  


        Player Piano (Original screenplay for an unproduced film)

      N.p.: N.p., 1972. Draft script for an unproduced film, "Player Piano," based on Kurt Vonnegut's first novel. After his directorial debut with Jules Feiffer's "Little Murders" in 1971, Alan Arkin wrote this adaptation of Vonnegut's legendary science fiction novel and announced plans to direct in the summer of 1972, with Edward Pressman and Burtt Harris producing. Green studio wrappers. Title page present, with a notation in holograph pencil of copy No. 8 the initials "N.H." at the top right corner, with credits for screenwriters Arkin and Patinkin and novelist Vonnegut. 182 leaves, mimeograph. Pages Near Fine, wrapper Very Good bound with two gold screw brads.

      [Bookseller: Royal Books, Inc. ]
 8.   Check availability:     ABAA     Link/Print  


        Zeitschrift für Unternehmens- und Gesellschaftsrecht. 1.-26. Jahrgang. ZGR. Die Jahrgänge 25 und 26 in Einzelheften. Für den 25. Jahrgang liegt eine Einbanddecke bei.

      Berlin, Walter de Gruyter, 1972 - 1997. - Einbände berieben, bestoßen und angeschmutzt. Wenige Bleistiftanstreichungen. Innen sauber. Insgesamt guter Zustand. Sprache: Deutsch Gewicht in Gramm: 20000 23 x 17 cm , Pappbände ohne Schutzumschlag

      [Bookseller: Göppinger Antiquariat]
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        Signed 1972 Josef Albers The 10th New York Film Festival Serigraph

      1972 - "The 10th New York Film Festival" by Josef Albers, Signed Serigraph printed in 1972 from an edition size of 144. The overall is size of the Serigraph is 50 x 26 inches. The condition of this piece has been graded as A: Mint. Here is some supplemental information about the Serigraph: Signed and Numbered out of 144 in pencil by Albers. Created in 1972 by Josef Albers advertising the 10th NY Film Festival in 1972. 200 unsigned posters were created, along with the 144 signed and numbered prints. The piece is referenced on pages 30-31 of the Lincoln Center Posters book. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
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        1972 Miro Lithographies Volume I, 1930-1952 Mourlot Book

      1972 - "Miro Lithographies Volume I, 1930-1952" by Joan Miro, Unsigned Book printed in 1972 from an edition size of 5000. The overall is size of the Book is 13 x 10.25 inches. The conditon of this piece has been graded as A: Mint. Here is some supplemental information about the Book: This Hardcover, published by Tudor Publishing Co. New York, is covered with cloth, dust jacket and protective wraps. The book's condition is like new and contains eleven original lithographs, including five double pages, printed by Fernand Mourlot. Limited to 5000 numbered copies, 232 pages, 189 plates described. The catalogue's text is in English and written by M. Leiris.Miro’s art is based on the purity of poetic emotion and spontaneity of execution. The artist also found his favorite medium in lithography. The importance of his graphic work, continuous renewal and enrichment of his style show the high value which the artist attached to this medium of expression. Miro uses black ink with a range of values and refined tones, reaching wild and playful effects. With elements derived from Catalan traditional art and a spatiality, Miro gave his objects and symbols a proper life as subjects of stories from other worldly microcosms - the ideal reflection of a world longed for by the artist. [Attributes: Hard Cover]

      [Bookseller: Rare Posters]
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        Wintering Out

      Faber & Faber, London, UK 1972 - First UK Edition, First Print. A true first print with 'First published in 1972' to the copyright page and no mention of reprints. Near Fine paperback original which has been rebound in blue cloth with a matching slipcase featuring the original cover to the front of the slipcase, light marks to the cover. The Authors third poetry collection. [Attributes: First Edition; Hard Cover]

      [Bookseller: Kelleher Rare Books]
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        Landscape With Praying Mantis Original etching.

      1972. Single sheet.. Good. Anthony Gross. Paysage Avec Mante Religieuse) (Herdman 7203; Reynolds 251) Etching signed in plate and in pencil. A Trial Proof printed on a soft wove paper. Signed and titled in pencil by the artist. The sheet has overall light browning and some brown speckling, not so much as foxing, but appears to be from impurities in the paper, plus a light mount stain. (I can send more photos upon request) Herdman states that the plate was later used for a numbered edition of 250 copies, which were sold to Observer Prints, London. There were also 7 Artist?'s Proofs.; Plate size 351 x 553mm (13 7/8 x 17 7/8 inches)

      [Bookseller: Roe and Moore]
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        1972 Joan Miro Le Miroir de l'Homme par les Betes Etching

      1972 - "Le Miroir de l'Homme par les Betes" by Joan Miro, Unsigned Etching printed in 1972 from an edition size of 200. The overall is size of the Etching is 17 x 12.75 inches. The conditon of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Etching: Color Etching from Le Miroir de l'Homme par les Betes, by Miro and Fenaud.Le miroir de l'homme par les betes V / The beasts as a mirror for man V (D. 570). Original color etching, color wash, and aquatint, 1972. 200 unsigned. This sheet is not signed. Miro’s art is based on the purity of poetic emotion and spontaneity of execution. The artist also found his favorite medium in lithography. The importance of his graphic work, continuous renewal and enrichment of his style show the high value which the artist attached to this medium of expression. Miro uses black ink with a range of values and refined tones, reaching wild and playful effects. With elements derived from Catalan traditional art and a spatiality, Miro gave his objects and symbols a proper life as subjects of stories from other worldly microcosms - the ideal reflection of a world longed for by the artist.

      [Bookseller: Rare Posters]
 14.   Check availability:     IberLibro     Link/Print  


        L¿HERBE DU DIABLE & LA PETITE FUMEE.

      Soleil noir 1972 - CASTANEDA Carlos. L¿HERBE DU DIABLE & LA PETITE FUMEE. Une voie Yaqui de la Connaissance. Paris, le Soleil noir, 1972. In-8 (20 x 14), 336 pp., broché sous emboîtage. Edition originale de la traduction. Un des 250 ex. sur vélin sous un emboîtage-objet, contenant une ¿uvre originale de Giovanna. Le plus remarquable document de toute la littérature consacrée à la drogue depuis LES PORTES DE LA PERCEPTION d¿Aldous Huxley. Étudiant en anthropologie à UCLA (Los Angeles), Carlos Castaneda se rend au Mexique en 1960 pour sa thèse d'ethnobotanique. En Arizona, il rencontre don Juan Matus, indien d'origine yaqui, spécialiste en « sorcellerie », en plantes médicinales et hallucinogènes dont il devient l'élève jusqu'en 1971. En 1968, sa thèse est publiée sous le nom : THE TEACHINGS OF DON JUAN : A YAQUI WAY OF KNOWLEDGE. 500 ¿ [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Dutel]
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        California as an Island: An Illustrated Essay . . . With Twenty-five Plates & a Bibliographical Checklist of Maps Showing California as an Island 1622-1785

      San Francisco: The Book Club of California, 1972 - 4to, quarter calf, pictorial tan boards, gilt lettering. ? A seminal scholarly work on the subject of early cartography of the western coast of North America, and very likely the most attractively designed and printed work of its kind. Edges and boards slightly worn; fine copy. First edition, one of 450 copies printed by Robert Grabhorn and Andrew Hoyem. [Attributes: Hard Cover]

      [Bookseller: Brick Row Book Shop, ABAA]
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        The Filibuster: a study of the political ideas of Wyndham Lewis.

      London: Cassell,, 1972. Octavo (212 × 134 mm). Bound by Sangorski & Sutcliffe in recent black quarter morocco, red cloth sides, titles to spine gilt, marbled endpapers, top edge gilt. With the original dust jacket bound in at rear. Portrait frontispiece. A fine copy. First edition, first impression. Presentation copy, inscribed by the author on the front free endpaper to his daughter, "For Joyce, who suffered as much as I did researching & [unclear] for an old friend W.L. with love, Geoffrey. 21.9.72." With Joyce Thirlaway Bridson's bookplate to the front pastedown. Her father was a close friend of Wyndham Lewis in the latter part of his life; this book explores Lewis's life between the years 1920 and 1950.

      [Bookseller: Peter Harrington]
 17.   Check availability:     Biblio     Link/Print  


        THE BAUR COLLECTION GENEVE: VOL 3 CHINESE CERAMICS, Monochrome-Glazed Porcelai

      Geneve [1972], Collections Baur. Brown cloth, very clean,dj.. 59 color, 288 b.w. photos, 22p. text + ca.400p. plates, full. descriptions of each work, 23 x 29 cm., firm, solid copy.. FIRST & ONLY LIMITED NUMBERED EDITION OF 1000 COPIES. A LIMITED NUMBERED EDITION OF 1000 COPIES An excellent and important catalogue, with high quality col- or plates, complete descriptions of each of the 500 + pieces in English, with brief French summary. Each piece described is illustrated with close-up photography and a view of the inscription on the bottom as well, date seals &c. An important reference. * The work was issued in a total of 1100 copies, the first 50 issued in vellum, numbers I-l; the next 50 were reserved for the collaborators. These 100 were for private distribution only. The remaining 1000 were numbered from 1-1000, and were the one and only copies for public sale. All copies are considered quite rare from the date of publication. * Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
 18.   Check availability:     Biblio     Link/Print  


        Vision Russe. Album de [16] lithographies originales en couleurs de peintres et sculpteures d'origine russe avec une poème de Velemir Chlebnikoff.

      Paris: Editions Art-CC Christophe Czwiklitzer -1973 (um 1986) 1972 - Imp.-2° Mit 16 farbigen Original-Lithographien unter Passepartouts. 30 Textbll. In stabiler, weißer Holzkassette mit 1 mont. farb. Lithographie von Dmitrienko auf der Vorder- und 1 mont. farb. Lithographie von Charchoune auf der Rückseite. - Tadelloses, neuwertiges Exemplar. Eins von 75 numerierten Exemplaren der französischen Ausgabe, sämtliche Lithographien von den Künstlern numeriert und signiert, Druckvermerke vom Verleger signiert. - Sammelveröffentlichung der Mappenwerke "Vision Russe I" und "Vision Russe II", in dieser Zusammenstellung erst um 1986 erschienen. "Vision Russe I" enthält 8 farbige Lithographien von Andreenko, Charchoune, Dmitrienko, Grimm, Khodoss-Léger, Mansouroff, Staritsky und Zadkine, "Vision Russe II" ebenfalls 8 farbige Lithographien von Annenkoff, Benatov, Blond, Hosiasson, Issaiev, Karskaja, Lanskoy und Zack, auf Zwischenblättern biographische Text der Künstler. [Attributes: Signed Copy]

      [Bookseller: Antiquariat Gertrud Thelen]
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        Victorian Nightmares; The Man-Wolf and Other Horrors; A Tide of Terror; Return From The Grave; Terror by Gaslight; The Thrill of Horror; Cold Fear; The Taste of Fear.

      Eight volumes. 8vo. All very good or better in publisher's coloured cloth and dustwrappers. Minor edgewear, no priceclipping or significant wear or defect, a clean, tight uniform set. All signed by Hugh Lamb to title pages. Internally clean. A very pretty signed collection of one of the most comprehensive and carefully selected collections of weird and supernatural tales available. Collecting together a numberof stories and authors that at the time had been almost completely forgotten, Mr. Lamb performed a service to those who enjoy and collect such tales by reminding us of such gems as Erckmann-Chatrian's "The Man Wolf." and H.R. Wakefield's "The Red Lodge." without forcing us to track them down in their original form at great expense and frustration. The fact that now, having read them, we can go track them down is due entirely to mr. lamb's refusal to allow them to be forgotten. An attractive and increasingly rare collection.

      [Bookseller: Jonathan Kearns]
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        PR-Schlüssel zum Erfolg

      Edition Praeger, München 1972 - Buchblock und Einband sauber; Buchblock, Einband und Schnitt weisen leichte Gebrauchsspuren auf, SU weist Flecken und leichte Gebrauchsspuren auf Hinweis: Wir versenden als Brief im Luftpolsterumschlag, bzw. Päckchen/Paket. Auf Wunsch verschicken wir als Büchersendung (bis 500g 1,50 Euro, bis 1000g 2,20 Euro in Deutschland), allerdings kann hier die Laufzeit bis zu 2 Wochen betragen. deutsch 209 pages. 8 [Attributes: Hard Cover]

      [Bookseller: Der Bücherhof]
 21.   Check availability:     ZVAB     Link/Print  


        Ten German Mini-Posters for Films Presented by Andy Warhol (Original Posters)

      Frankfurt, Germany: Constantin-Film, 1972. Archive of ten German mini-posters from five movies produced by Andy Warhol between 1968 and 1972, including two films he directed: "Lonesome Cowboys" (1968) and "Blue Movie" (1969) and Paul Morrissey's "Flesh" (1968), "Trash" (1970), and "Heat" (1972). The posters feature iconic images of Warhol superstars Joe Dallesandro, Candy Darling, and Viva, as well as Sylvia Miles and Warhol himself. An interesting representation of Warhol's transition from a period of prolific underground film production to his near-retirement from directing, part of a broader shift from artist to brand. During this transition, Morrissey, acting as his manager, conceived of the idea to make more conventional narrative features "presented by" Warhol to keep Warhol's name in the press. The strategy was successful, much to Morrissey's later regret, at not only maintaining Warhol's fame, but financially as well. This financial success was in no small part due to their reception by German markets, where they were distributed by Constantin-Film. All mini-posters 9.5 x 11.5 inches. Near Fine or better. Murphy, pp. 214-27, 231-242, 242-245. Koch, pp. 104-13, 126, Watson, pp. 368-371, 387-90, 392-94. Vogel, pp. 217, 245-46, 255-7.

      [Bookseller: Royal Books, Inc.]
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        The Exorcist (Original screenplay, west coast)

      Burbank: Warner Brothers, 1972. Early version of the final script for the 1973 film, directed by William Friedkin, based on the 1971 novel by William Peter Blatty, written for the screen by Blatty, and starring Ellen Burstyn, Max von Sydow, Lee J. Cobb, and Linda Blair. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic, with a strangeness and depth supplied by Burstyn and Sydow that only increases with repeated viewings. Another distinction of "The Exorcist" was that it walked away with 2 Oscars (including Best Screenplay for Blatty), along with 8 nominations (including Best Picture), a feat nearly unheard for a horror film. Yellow studio wrappers with titles in black, stated FINAL, dated April 24, 1972, rubber-stamped copy No. 13, and holograph ink notation reading: "WEST COAST VERSION / SAME AS NEW YORK RE-TYPED VERSION." Distribution page present. Title page present, with a credit for novelist-screenwriter Blatty. 137 leaves, mechanically reproduced, with blue revision pages throughout dated between 6/22/72 and 12/1/72, and some undated with "File Copy Change" noted at the top center. The revisions include a character name memo bound in just after the title page ("Cardinal" to "Bishop"), and a single-leaf Appendix with Merrin's speech to Satan.Pages Near Fine, wrapper Very Good plus with some small closed tears and yapping at the wrapper edges, internally bound with two gold screw brads.

      [Bookseller: Royal Books, Inc. ]
 23.   Check availability:     ABAA     Link/Print  


        The Godfather

      Hollywood: Paramount Pictures,, 1972. Film advertising poster for The Godfather based on the novel by Mario Puzo, produced by Albert S. Ruddy, directed by Francis Ford Coppola. Starring Marlon Brando, Al Pacino, James Caan, Richard Castellano, Robert Duvell, Sterling Hayden, John Marley, Richard Conte, Diane Keaton. Screenplay by Mario Puzo and Francis Ford Coppola. UK quad size. Approx. poster size 104 x 69 cm (41 x 27 inches). Excellent condition. Presented in a dark brown wooden frame. The film was the box office leader for 1972 and was, for a time, the highest-grossing picture ever made. It won three Academy Awards for that year: Best Picture, Best Actor (Brando) and in the category Best Adapted Screenplay for Puzo and Coppola. Its nominations in seven other categories included Pacino, James Caan and Robert Duvall for Best Supporting Actor and Coppola for Best Director. The success spawned two sequels: The Godfather Part II in 1974, and The Godfather Part III in 1990.

      [Bookseller: Peter Harrington]
 24.   Check availability:     Biblio     Link/Print  


        The Great Gatsby (Original screenplay for an unproduced film, Mary Miles Minter's signed copy)

      Sherman Oaks, CA: Self published, 1972. Draft script for an unproduced adaptation of F. Scott Fitzgerald's novel, "The Great Gatsby." Copy belonging to actress Mary Miles Minter, SIGNED by the screenwriter John Baron on the title page. Minter was a stunning actress during the early twentieth century, starred in over fifty silent films, and was at the center of a murder scandal in 1922 involving the death of director William Desmond Taylor ("Huck and Tom," "Johanna Enlists"). Minter's career was forever tarnished after the scandal, and she died in 1984. Fitzgerald's novel has been adapted several times, notably in 1926, 1949, 1974, and most recently in 2013. This script bears striking resemblance to that penned by Francis Ford Coppola for the 1974 Jack Clayton film. Blue studio wrappers, with a credit for screenwriter Baron on the front wrapper. Title page present, rubber-stamped as a registered copy of the Writers Guild of America, West, dated 1972, with credits for novelist Fitzgerald and screenwriter Baron. 159 leaves, with last leaf of text numbered 158. Mechanically reproduced. Pages Near Fine, wrapper Very Good plus, bound with a silver prong brad.

      [Bookseller: Royal Books, Inc.]
 25.   Check availability:     Biblio     Link/Print  


        L'Assassinat De Baltard (Signed First Edition)

      Paris: Forumla 13 Editeur, 1972. First edition. Oblong softcover. Text in French. A collection of black and white photographs documenting the destruction/demolition of the old Parisian food market Les Halles that was moved to a different area of Paris. The book serves in essence as a form of Gautrand's protest against the change. A near fine copy in wrappers. Signed and inscribed by Gautrand to photographer Tom Marotta. Uncommon, especially signed. (Parr & Badger v3, 153)

      [Bookseller: Jeff Hirsch Books, ABAA]
 26.   Check availability:     Biblio     Link/Print  


        Rolling Stones American Tour 1972 (Original poster)

      London: Rolling Stones Productions, 1972. One sheet poster advertising The Rolling Stones American tour following the release of "Exile on Main Street." Not only the peak of the band's greatness, but a tour that would generate much internal and external controversy. Robert Frank turned in a brilliant cover design for "Exile," and was invited to film the band in cinema verité fashion while on this tour. The film he submitted, showing heroin use, groupie sex with the band, and just about everything else except onstage performance, met with the disapproval of the Lads, and after haggling in court an injunction was put in not allowing it to be screened in public. A concert film, "Ladies and Gentlemen, The Rolling Stones," was shot during several performances in Texas, but was little seen until a recent DVD release that revealed it to be easily the finest filmed performance of the band ever made. 27 x 41 inches (105 x 89 cm). Folded, Near Fine.

      [Bookseller: Royal Books, Inc.]
 27.   Check availability:     Biblio     Link/Print  


        WATERSHIP DOWN

      London: Rex Collings. 1972. First edition, first printing. Original light brown cloth with gilt illustration to the upper board and titles to the spine, in dustwrapper. Folding map to the rear. An excellent near fine copy, the cloth very clean and the binding square. The contents are entirely complete, without loose or torn pages and with the folding map to the rear in fine condition. There is a neat previous owner's gift inscription to the top edge of the front free endpaper. Complete with the lightly rubbed and creased price-clipped dustwrapper. An attractive example. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
 28.   Check availability:     Biblio     Link/Print  


        Nuovi Argomenti. Nuova serie dal n. 1 del 1966 al n. 30 del 1972.

      Trenta numeri in 26 fascicoli. Nuova serie dal n. 1 del 1966 al n. 30 del 1972. In 8vo (cm. 22,4) di circa 100 / 200 pagine ognuno. Rivista trimestrale diretta da Alberto Carocci, Alberto Moravia, Pier Paolo Pasolini e dal n. 27 del 1972 da Pasolini, Moravia e Siciliano. Pier Paolo Pasolini: Hanno sparato a Bob Kennedy; L?enigma di Pio XII; Trasumanar e Organizzar; Affabulazione; Poemi zoppicanti; La poesia della tradizione... Altri scritti di: Aldo Rosselli, Dario Bellezza, Danilo Dolci, Enzo Siciliano, Alberto Moravia, Giuseppe Bertolucci, Giovanni Raboni, Dacia Maraini.... Axs

      [Bookseller: Libreria Bongiorno Paolo]
 29.   Check availability:     maremagnum.com     Link/Print  


        The Exorcist (Original oversize double weight still photograph from the 1972 film)

      Burbank: Warner Brothers, 1972. Vintage oversize borderless double weight black and white photograph from the 1972 film. An amazing image, showing Max von Sydow looming above--and seemingly beyond--a very possessed young Linda Blair. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic, with a strangeness and depth supplied by Burstyn and Sydow that only increases with repeated viewings. Another distinction of "The Exorcist" was that it walked away with 2 Oscars (including Best Screenplay for Blatty), along with 8 nominations (including Best Picture), a feat nearly unheard for a horror film. 11 x 14 inches. Near Fine.

      [Bookseller: Royal Books, Inc.]
 30.   Check availability:     Biblio     Link/Print  


        Drumming for Eight Small Tuned Drums, Three Marimbas, Three Glockenspiels, Male and Female Voices, Whistling and Piccolo (Limited Edition LP and printed score)

      New York: John Gibson and Multiples, 1972. Limited edition LP and printed score, one of 500 copies (this being no. 65) SIGNED and numbered by Reich. A live recording of a performance at The Town Hall, New York City, originally released in 1971. One of Reich's early masterpieces, "Drumming" employs the composer's trademark phasing technique and functions as a transitional piece between his early, more formal work and the less structured compositions that would follow. Outer sleeve Very Good, with some minor splitting and chipping to the edges, light soil, and a faint dampstain to the heel. Inner sleeves toned, one with a small split, Very Good plus. Records are about Fine, with a few faint, shallow scratches, and play properly. Score printed from Reich's holograph musical notations and instructions, accordion folded in self wrappers, printed on the versos only. Very Good, with light toning to the edges, nicking to the wrapper edges, and a tide mark to the lower front wrapper.

      [Bookseller: Royal Books, Inc.]
 31.   Check availability:     Biblio     Link/Print  


        Sur la Pierre; Poèmes et lithographies

      Montcalm Calleries, Michigan 1972 - Folio. Lithographs laid loose in wrappers (25x32.5 cm), housed in decorative clam-shell case, fine condition. (18363). Livre de luxe. Twelve lithographs in four colors from zinc plates by Gilot. No. 23 of 168 copies. Numbered and signed on limitation notice by Ms. Gilot. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Bauer Rare Books]
 32.   Check availability:     AbeBooks     Link/Print  


        Ceylon Tea: Product of European Exploitation! (Signed Original Silkscreen Print)

      San Francisco: Galeria de la Raza, 1972. Original color silkscreen print, 66 x 51 cm. One of an edition of approximately 75 printed. SIGNED AND DATED IN 1972 by the artist. Just about Fine and unframed. Only a couple of tiny wrinkles at the corners with three tiny pin holes along the top edge. Garcia's work is a challenge to social and political structure. Co-opting familiar images from popular culture, Garcia's work articulates themes of social justice, human rights and economic exploitation. "Ceylon tea" provides a sarcastic "deep reading" of Lipton's tea package...contrasted with a supergraphic from the original product label, Garcia hits us with the provocative subtitle...to destroy any naivete about the consumer relationship to foreign labor." (Cushing and Drescher, Agitate! Educate! Organize!) Printed by the artist while he was a member of the San Francisco Poster Workshop, the Galeria de la Raza, Third World Communications, and Ediciones Pocho Che. A beautiful example of Garcia's early work.

      [Bookseller: Royal Books, Inc.]
 33.   Check availability:     Biblio     Link/Print  


        DIZIONARIO ENCICLOPEDICO DEI PITTORI E DEGLI INCISORI ITALIANI DALL'XI AL XX SECOLO

      GIULIO BOLAFFI EDITORE, 1972 - UNDICI VOLUMI DI CM. 28, PP. 6000 CA COMPLESSIVE. CON MOLTISSIME ILUSTRAZIONI. LEG. EDIT. IN SIMILPELLE CON TITOLI E FILETTI IN ORO AI DORSI SOVRACCOPERTE ILLUSTRATE, ALCUNE CON MINIME TRACCE D'USO, PER IL RESTO L'OPERA E' IN OTTIMO STATO DI CONSERVAZIONE.

      [Bookseller: LA LIBRERIA COSSAVELLA]
 34.   Check availability:     AbeBooks     Link/Print  


        Le miroir de l'homme par les bêtes - Illustrated with 5 etchings by Joan MIRO

      Maeght, Paris 1972 - - PRESENTATION : in folio in leaves in grey linen case. - ILLUSTRATION : 3 original full-page color etchings with aquatint, a full-page B&W carborundum etching and the same etching printed in regards of the first one but with opposite colors by Joan MIRO. The cover is also illustrated with a collage of metalic papers and there 10 metalic paper pages with word embossed in regard of the text. - SIGNATURE : Handsigned by Frenaud and Miro at the justification page. - PRINTER : Atelier Arte. - PAPER : Bristol. - SIZE : 18 x 13". - LIMITED : 200 copies (+25 artist proofs). - REFERENCES : Miro books / Cramer n° 159. - CONDITION : Excellent, light wear to the case. ASK FOR EXTRA PICTURES [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Artfever]
 35.   Check availability:     AbeBooks     Link/Print  


        Souvenirs et Portraits d'Artistes. Mit einem Vorwort von Jacques Prévert: "Le coeur a l'ouvrage". Paris, Alain A. C. Mazo und New York, Leon Amiel, (1972). Fol. Mit 25 ganzseitigen (1 doppelblattgr.) Original-Lithographien von Baudin, Braque, Brianchon, Buffet, Chagall, Cocteau, Delvaux, Derain, Estève, Fenosa, Giacometti, Guiramand, Jenkins, Lapicque, Masson, Manessier, Matisse, Minaux, Miró, Picasso, Sutherland, Terechkovitch, Vasarely, Villon und Wunderlich. 4 Bl., 245 S., 1 Bl. Lose mit bedrucktem Originalumschlag in Original-Lwd.-Kassette.

      - Souvenirs et Portraits d'Artistes. Mit einem Vorwort von Jacques Prévert: "Le coeur a l'ouvrage". Paris, Alain A. C. Mazo und New York, Leon Amiel, (1972). Fol. Mit 25 ganzseitigen (1 doppelblattgr.) Original-Lithographien von Baudin, Braque, Brianchon, Buffet, Chagall, Cocteau, Delvaux, Derain, Estève, Fenosa, Giacometti, Guiramand, Jenkins, Lapicque, Masson, Manessier, Matisse, Minaux, Miró, Picasso, Sutherland, Terechkovitch, Vasarely, Villon und Wunderlich. 4 Bl., 245 S., 1 Bl. Lose mit bedrucktem Originalumschlag in Original-Lwd.-Kassette. Eins von 800 num. Exemplaren auf "Vélin d'Arches". Darüber hinaus wurden noch einige unnummerierte Exemplare für Freunde, Künstler und Mitarbeiter gefertigt. Hommage an Mourlot und zugleich Erinnerungen dieses für die Perfektionierung der Lithographie als Ausdrucksmittel der modernen Kunst so entscheidenden Druckers. Illustriert mit Originalen großer von ihm betreuter Künstler. Einige dieser Freundschaftsgaben waren schon wenige Jahre zuvor für ein damals geplantes, aber nicht verwirklichtes Werk "Adieu à la rue de Chabrol" geschaffen worden. - Der Originalumschlag etwas gebräunt und der Leinenbezug der Kassette an einigen Stellen mit schwacher Blasenbildung. [Attributes: Hard Cover]

      [Bookseller: Patzer & Trenkle]
 36.   Check availability:     ZVAB     Link/Print  


        Encuentros [Texto impreso] =] Rencontres = Meetings = Treffen = Incontri : [Exposición] Pamplona, 26 VI-3 VII / organización, Alea ; dirección, Luis de Pablo y J.L. Alexanco. Los Encuentros de Pamplona 1972 Contribución del Grupo Alea y la Familia Huarte a un acontecimiento

      Madrid : Alea, ([impresión] Agresa) 1972. Text: in English; French and Spanish / German 1 volumen (sin paginar, [101] hojas plegadas) : ilustraciones, fotografías ; 28 x 21 cm. Softcover/Paperback, Rücken bräunlich und mit Blessuren, sonst Exemplar in gutem Erhaltungszustand Die Pamplona Treffen (26. Juni - 3. Juli 1972) waren der Wendepunkt in der nationalen künstlerischen Entwicklung in den letzten Jahren der Franco neben den Hinweis auf die symbolische Ende von Schritt Domain informalist Malerei und Abstraktion, davon ausgegangen, und von der offiziellen Kulturpolitik eingesetzt.Artists in attendance in Pamplona Participating artists (list created from reviews appeared in the press): Juan José Aquerreta, Arri, Balerdi, Isabel Baquedano, Néstor Basterrechea, Bonifacio, Ramón Carrera, Eduardo Chillida, Gonzalo Chillida, Luis García Núñez (“Lugán”), Agustín Ibarrola, Iñurrieta, Mari Paz Jiménez, Vicente Larrea, Remigio Mendiburu, Mieg, Mirantes, Javier Morrás, Ortiz de Elguea, Pedro Osés, Joaquín Resano, Mariano Royo, Rafael Ruiz Balerdi, Pedro Salaverri, Sistiaga, Zumeta. // Other artists: Javier Aguirre, Carlos Alcolea, José Luis Alexanco, Shusaku Arakawa, Jordi Benito, Nacho Criado, Equipo Crónica, Esther Ferrer, Xavier Franquesa, Joan Gardy Artigas, Madelaine Gins, Llimós, Antoni Muntadas, Fernández Muro, Dennis Oppenheim, Martial Raysse, Salvador Saura, Francesc Torres, Isidoro Valcárcel Medina. // Poets: Alain Arias Misson, Carlos Ginzburg, Jorge Glusberg, Ignacio Gómez de Liaño, Lily Greenham, Kriwet, Fernando Huici, Javier Ruiz. // Architects: José Miguel de Prada Poole. // Dance and theatre artists: Laura Dean and her company, Merce Cunningham (as a spectator), Ludwig Flaszen, Kathakali from Kerala. // Musicians: Agúndez, José and Jesús Artza, J. S. Breton, Silvano Bussotti, John Cage, Luis de Pablo, Diego del Gastor, Luc Ferrari, Grocco, Juan Hidalgo, Hornung, Kathakali from Kerala, Hoseyn Malek, Tomás Marco, Walter Marchetti, Carmelo Llorente (Pamplona Choral Society), Eduardo Polonio, Steve Reich, Josef Anton Riedl, Tran van Khe, David Tudor, Horacio Vaggione. // Spectators: Juan Antonio Aguirre, Castilla del Pino, Luis Gordillo, Armando Montesinos, Simón Marchán, Tomás Llorens. Kunst 3 Versand D: 4,50 EUR Kunst allgemein / Kunstwissenschaft / Kunsttheorie, Ausstellungskatalog / Kunstausstellung, Kunstgeschichte / Moderne Kunst / Malerei des 20. Jahrhundert

      [Bookseller: Wiesbadener Antiquariat Christmann]
 37.   Check availability:     buchfreund.de     Link/Print  


        L'IMITATION DE JESUS CHRIST.

      EDITIONS D'ART LES HEURES CLAIRES 1972 - R240102834: 264 pages - quelques bandeaux et lettrines en couleurs - quelques illustrations en couleurs hors texte - sous emboitage cartonné rigide jaspés en bon état - ornements encadrant le texte - signet conservé - tranches en tête dorées - 6 photos disponibles - titre + ornements dorés sur le dos . EXEMPLAIRE N°421/1630 SUR VELIN CHIFFON DE LANA - Miniatures de Yvonne Vaulpré Debeauvais - Traduction de Lamennais - La reliure éditeur est une réalisation de la reliure du centre d'après une maquette de Michel Vincent - Jean Taricco a gravé sur bois toutes les reproductions des aquarelles et ornements d'Yvonne Vaulpré Debeauvais et a assure la direction de l'impression du texte et des illustrations qui est due à Marcel Marsillac, Roger Fontaine, André le Coz, Serge Schlaeintzauer . In-Folio Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais Classification Dewey : 232-Jésus Christ [Attributes: Hard Cover]

      [Bookseller: Le-Livre]
 38.   Check availability:     AbeBooks     Link/Print  


        Wintering Out

      Faber and Faber Ltd, 1972 - Wrappers a little marked and spine slightly browned, otherwise a nice copy. Presentation Copy, inscribed by the author in 1973 on the title-page to Derek Parker, editor of The Poetry Review, and with the author’s printed name crossed through [Attributes: First Edition; Soft Cover]

      [Bookseller: Bertram Rota Ltd]
 39.   Check availability:     AbeBooks     Link/Print  


        The Outfit (Original screenplay for the 1973 film, Norman Kaplan's copy)

      Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1972. Draft script for the 1973 film. based on the 1963 "Parker" novel by Donald E. Westlake (writing as Richard Stark). Copy belonging to uncredited actor Norman Kaplan. One of the great crime films of the early 1970s, today a cult classic, with understated performances from Duvall, Black, and Baker, as well as a who's-who of character actors, playing out a violent story that takes place mostly in a beautifully ordinary rural setting. Shot on location in Los Angeles, California. Yellow studio wrappers, rubber-stamped copy No.182, dated December 18, 1972, with credits for producer Carter De haven, and director/screenwriter Flynn. 132 leaves, photographically reproduced, with the last leaf of text numbered 128. Pages and wrapper Near Fine, with a few tiny corner creases throughout, bound with two gold brads. Grant, p. 483. Hardy, The BFI Companion to Crime, p. 332. Silver, p. 438. Spicer, p. 433. Stephens, pp. 234-235.

      [Bookseller: Royal Books, Inc.]
 40.   Check availability:     Biblio     Link/Print  


        Again, Dangerous Visions (First Edition, signed by Harlan Ellison and 10 others)

      New York: Simon and Schuster, 1972. First Edition. First Edition. INSCRIBED by editor and contributor Harlan Ellison on the title page: "For Russ / Harlan Ellison." Additionally SIGNED by 10 other contributors, each at their contribution, including Ellison, Ursula K. Le Guin, Gene Wolfe, Ray Bradbury, Edward Bryant, Kate Wilhelm, Joanna Russ, Gregory Benford, Thomas Disch, Richard Lupoff, and Terry Carr. A collection of 46 stories selected by Ellison, winner of a special Hugo Award in 1973 for Best Anthology. Along with its 1967 companion, "Dangerous Visions," probably the most important single anthology of science fiction produced in the twentieth century, representing nearly every major science fiction author of the 1950s and 1960s. Near Fine in a lightly rubbed, Near Fine dust jacket. Anatomy of Wonder (1987) 4-650.

      [Bookseller: Royal Books, Inc.]
 41.   Check availability:     Biblio     Link/Print  


        IN PRAISE OF FOLLY [ENCOMIUM MORIAE] TEN ORIGINAL PRINTS FROM WOODBLOCKS . WITH EXCERPTS OF THE LATIN TEXTS, SELECTED AND FREELY TRANSLATED INTO ENGLISH BY THE ARTIST.

      New York & Baltimore: Aquarius Press, 1972. - Folio (51 x 36 cm). Loose bifolia printing the text, with prints interleaved, enclosed in printed outer wrapper and laid into cloth clamshell portfolio, gilt leather label. A bit of offset from the portfolio lining papers to outer wrapper, portfolio a bit bumped and smudged, text and prints fine. One of 150 numbered portfolios, with each print signed in the margin by the artist, from an edition of 170. The ten wood- engravings were printed on Japanese mulberry paper by James Lanier, under the supervision of the artist. An additional 100 impressions of each wood-engraving were separately printed in different format. A superbly visual accompaniment to Erasmus' commentary on the vanity of humankind, the foolishness of the aristocratic class, and the corruption of the church hierarchy. Oversize, requiring special shipping charges.

      [Bookseller: William Reese Company - Literature, ABAA]
 42.   Check availability:     AbeBooks     Link/Print  


        1972 Andre Frenaud Le Miroir de l'Homme par les Betes Foil Print

      1972 - "Le Miroir de l'Homme par les Betes" by Andre Frenaud, Unsigned Foil Print printed in 1972 from an edition size of 200. The overall is size of the Foil Print is 17.5 x 31.5 inches. The conditon of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Foil Print: Foil print from Le Miroir de l’Homme par les Betes, by Miro and Fenaud. English- "The beasts as a mirror for man" I (D. 566). Original color etchings, aquatint, carborundum, and dry-point, 1972. In Grand Folio sheets under shirt illustrated with a a collage box.

      [Bookseller: Rare Posters]
 43.   Check availability:     AbeBooks     Link/Print  


        Wall Street and the Stock Markets

      Chilton Book Company, 1972. Hardcover. Near Fine/Very Good. Chilton Book Company, New York 1972. First Edition / First Printing. Stated First Edition, no additional printings. Cloth boards. Signed by Peter Wyckoff at the front endpaper. Rare Signed. Inscribed to Clem with best wishes in 1973. The Signature is Guaranteed Authentic. Book Condition: Near Fine, clean boards, tight spine. Light shelf wear, light age toning. Dust Jacket Condition: Very Good, price clipped. helf wear, light spots. Wrapped in a new mylar cover.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
 44.   Check availability:     Biblio     Link/Print  


        MARVIN K. MOONEY WILL YOU PLEASE GO NOW!

      Published by Random House, 1972. 1st edition.. Hardback. Very Good/Good. Illustrated by Seuss, Dr.. Very good condition in an almost very good dustwrapper. Bright & Early Series. White pictorial boards. Colour illustrations throughout. Spine and corners bumped with a couple of small splits to base of spine. Inscription in blue biro to front pastedown. Very pale page browning else contents clean. Dustwrapper ($2.50 printed price on front flap) is edge creased and torn with some slight loss and a few light marks. [R]

      [Bookseller: Stella & Rose's Books]
 45.   Check availability:     Biblio     Link/Print  


        10 Farbholzschnitte zu Pablo Neruda >>Aufenthalt auf Erden<<

      Leipzig, Philipp Reclam Vlg., 1972. Mit 10 OFarbholzschnitten von HAP Grieshaber. Imp.-Fol., lose in Originalleinwand-Mappe mit 1 aufgez. sign. OFarbholzschnitt auf dem VDeckel. Fürst 72/71-81. - Vor dem Druck des Werkes von Pablo Neruda >>Aufenthalt auf Erden>Mädchen mit Gitarre<< versehene Mappendeckel wurden vom Künstler signiert. 7 num. u. 3 (Nashornsaurier, Triasbaum, Ertrinkender) auf Velin bez. \"Probe\". - \"Vor dem Druck des Werkes von Pablo Neruda ... wurden von zehn der darin enthaltenen 18 Farbholzschnitte, die Grieshaber dafür geschaffen hat, je 100 Exemplare ... mit der Hand abgezogen.\" (Druckvermerk) . - Mit hs. Widmung und Signatur Grieshabers \"Messe in Ffm. Contra la junta fascista Neruda a presente Viva duce und bestätigendem hs. Eintrag von Sigurd Marien, beides datiert 9.10.75. - Vorlieg. Ex. lt. hs. Notiz auf Einpackpapier mit unleserl. Sign. \"Ursprünglich Geschenk an den Oberbürgermeister von Leipzig.\" - Vorderdeckel ets. fleckig, o. re. oberfl. Abriss bis ca. 1 cm in die Darstellung, Mappe fleckig und berieben. Ecken tls. etw. knickfaltig, einige Bll. im w. Rd. etwas fleckig. Versandkostenfreie Lieferung

      [Bookseller: Antiquariat Galerie Joy]
 46.   Check availability:     buchfreund.de     Link/Print  


        Liber Lucis.

      London: Master Amado 777,, [c. 1972-73]. A new exposition of The Law of Thelema prepared according to the instructions of Master Therion, 666, and by his son here proclaimed Master Amado 777. 7 issues in 8 parts (all published), quarto. Original variously coloured and decorated printed wrappers, stapled as issued. Illustrations throughout. Ownership inscription (in red biro on preliminary blank in issue I) of a Malcolm Wallhead (who in the 70s designed a fibreglass igloo later used by the Australian Antarctic Division). A little rusting of staples otherwise in excellent condition. First and only edition of this xeroxed typescript periodical, "subsequent issues of these occasional papers will be of strictly limited edition" (publisher's note in Issue I). A very scarce complete set: Copac records only one location in British and Irish institutional libraries (a complete set at the Warburg Institute), OCLC adds two complete sets, at Harvard and, via the St Galler Bibliotheksnetz, at the Kantonsbibliothek Appenzell Ausserrhoden, Trogen, Switzerland. "Amado Crowley" was the pseudonym of Andrew Standish (1930-2010), who claimed to be the secret, illegitimate son of Aleister Crowley, although this has been universally dismissed by Crowley scholars. The Liber Lucis is a very 70s production, including pieces on "The Amethystine Cycle of Exercises" (yoga), astral projection, "sex magick", and rune casting. The Amado Crowley website is still up and running.

      [Bookseller: Peter Harrington]
 47.   Check availability:     Biblio     Link/Print  

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