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Displayed below are some selected recent viaLibri matches for books published in 1972

        The Oxford Companion to the Theatre

      London: Oxford University Press, , 1972. Third edition. Octavo (230 x 145 mm). Presentation binding of purple full morocco for Asprey, decorative gilt spine tooled with the motifs of Comedy & Tragedy, two-line gilt border on sides enclosing single roll tool border with ornamental corner pieces, all edges gilt, two-line gilt turn-ins, marbled endpapers. Spine lightly sunned. A handsomely bound copy. Presentation copy to one of the greats of British television comedy and light entertainment, Ronnie Barker (1929-2005), inscribed on a preliminary blank leaf: "To Ronnie, To say Congratulations on 25 'Glorious Years' (contrary to the vicious slur about your age on p. 80) luv Danni (?) 11.11.73". This was clearly signed at a star-studded party celebrating Barker's quarter century in the business (he made his professional debut as an actor on 15 November 1948 as Lieutenant Spicer in a performance of J. M. Barrie's Quality Street). Amongst the many luminaries who have signed are Josephine Tewson and June Whitfield, both of whom performed many times with Barker, Richard Briers, Michael Bates, Michael Hordern, Frank Windsor, Barker's agent Peter Eade, Joan Sims, and Barker's long-time partner and co-star of The Two Ronnies, Ronnie Corbett.

      [Bookseller: Peter Harrington]
 1.   Check availability:     Biblio     Link/Print  

        ugo nespolo

      Giampaolo Prearo Editore S.r.l. (Viale Montenero 4) - Officine Grafiche di Marradi (stampa) 1972 Rilegato buono Italiano Dedica dell'autore unico I ed.: Luglio 1972. 200 copie di questo volume sono state inserite in un multiplo firmato e numerato 1/200 (copia senza multiplo). Collana senza nome diretta da Enrico Crispolti. Con Bibliografia essenziale, Films, Proiezioni e traduzione del saggio critico di Enrico Crispolti in inglese (Translation by Emma Zavaroni). VIII grande/ (6)+150/ rilegatura rifinita in carta patinata nera con titoli in bianco e illustrazione a colori al primo piatto ( un giocattolo dell'Artista). Con illustrazioni in b/n nel testo e f.t. e con tre tavole f.t. in cartoncino con altrettanti lavori dell'artista firmati a grafite (il terzo lavoro con busta in carta lucida trasparente contenente fili di lana colorati). Hanno collaborato per le fotografie: Paolo Mussat Sartor, Torino - Paolo Bressano, Torino - Fulvio Colangelo, Torino - Umberto Lunardelli, Milano - Attilio Bacci, Milano - Enrico Cattaneo, Milano. Hanno collaborato per la ricerca artistica: Galleria Blu di Milano - Galleria Schwarz di Milano - Galleria Il Punto di Torino - La CGSS di Torino - Galerie Le Chat Bernard, Chicago. Impaginazione: Elena Pizzigoni - Carla Lunghi. Direttore artistico: Elvio Bacheroni. Con dedica dell'artista a pennarello verde mela nel primo foglio di guardia. Stato buono (usura della copertina, in prticolare nei canaletti).

      [Bookseller: Studio Bibliografico De Carlo]
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        [Original Pen and Ink Panel for:] THE DOCTOR'S DILEMMA [caption title]

      [New York?: The Artist, 1972. Original pen and ink cartoon panel on artist's tracing paper (298 x 168 mm, plus ample margins). A few marginal finger smudges, but about fine. Double-matted. The original artwork for this collaborative five-panel (plus title) comic strip by Ashbery and Brainard, prepared for publication in the 1 November 1972 issue of CHICAGO (Kermani C204). With Ashbery's name incorporated in the title panel at top, and captioned at the bottom, "Drawn by Brainard." A fine example of the significant body of collaborative work by two friends, which manifested itself early on in the era of 'C' COMICS and the ferment of the 1960s New York literary and artistic community.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Hokusai`s Spaziergang. Widmungsexemplar des Autors mit blattgroßem, signierten und datierten Selbstporträt Janssens in Bleistift und Buntstift auf dem Vorsatzblatt sowie beiliegender doppelblattgroßer handschriftlicher Einladungskarte....

      Christians Hamburg 1972 (...Über das Zeichnen nach der Natur. Traktat über die Herstellung einer Radierung. Landschaft, Anspielung und Kopie, Vokabeln der Griffelkunst. Herausgegeben von Gerhard Schack.). 246 Seiten, 1 Blatt. Mit sehr zahlreichen schwarz-weißen und farbigen Abbildungen und Illustrationen, schlichter roter Oln mit farbig illustriertem OU, 4° ( 33 x 25 cm ). Auf dem Vorsatzblatt mit fast blattgroßem Selbstporträt Janssens im Halbprofil mit Brille ( Bleistiftzeichnung mit kleiner Buntstiftkolorierung ), im Hintergrund die Elbe mit einem Schiff, über Janssens Kopf eine kleine Möwe. Datiert am 10.12. (19)72, von Janssen signiert. Vorn inliegend ein signiertes Doppelblatt mit 14-zeiliger handschriftlicher Einladung Janssens zum *Champagnerfrühstück* zwecks Vorstellung des Buches *Hokusai`s Spaziergang* am Sonntag den 10. Dezember 1972 im Hause der Christians-Druckerei, Hamburg (\"...Mein Buch \"Hokusai`s Spaziergang\" ist fertig. Es gefällt uns so ausnehmend gut, dass ich und der Herausgeber - und auch die Griffelkunst, der Drucker und der Verleger es Ihnen vorstellen möchten. Als bestechenden Anreiz für Ihr Kommen liegt auf Ihrem Platz ein Buchexemplar, in das ich Ihnen was Kleines reinwidme......Gruss Ihr Janssen \". Die Einladung mit Kugelschreiber geschrieben. Zu Textbeginn eine kleine Illustration eines Igels ). Die Zeichnung wie auch die Einladungskarte und das Buch von guter Erhaltung - der Schutzumschlag beschädigt und mit stärkeren Randläsionen. ( Gewicht 1300 Gramm ) ( Pic erhältlich // webimage available ) Versandkostenfreie Lieferung anssen, Horst Janssen, Hokusai, Originalzeichnung, Bleistiftzeichnung, Selbstporträt, Porträt, Bleistift, Einladung, Einladungskarte, Champagnerfrühstück, Kugelschreiber, Widmung, signiert, datiert, Google

      [Bookseller: Antiquariat Friederichsen]
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        Ferry Boats.

      Bristol: Venture Prints Ltd.,, 1972. Colour offset lithograph on heavy wove paper. Image size: 30.5 x 40.5 cm. Excellent condition. Presented in a contemporary decorative wood and gilt frame with conservation mount and glass. Edition of 500. Signed in pencil lower right by Lowry, Fine Art Trade Guild blindstamp lower left, number stamped to verso. After an original oil painting excecuted in 1960. At the time of publication the original painting was held by Bristol City Art Gallery and then subsequently sold by Christie's in 1991.

      [Bookseller: Peter Harrington]
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        The Boys of Summer - SIGNED BY 27 PLAYERS

      Harper and Row, New York 1972 - Signed by Roger Kahn and 27 players: Stan Musial, Rex Barney, Cal Abrams, Joe Black, Mickey Owen, Tommy Holmes, Bobby Thompson, Johnny Podres, Ralph Branca, Enos Slaughter, Rube Walker, Bob Feller, Buck O'Neil, Joe Pignatano, Vic Lombardi, Clem Labine, Shotgun Shuba, Jim Romano, Gene Hermanski, Billy Loes, Paul Minner, Bobby Bragan, Tommy Henrich, Luis Olmo, Al Gionfriddo, Buddy Hassett, and Eddie Miksis, plus Stan Strull (the Dodgers' batboy and clubhouse assistant). Included is a program and pass for the three day Jackie Robinson Conference at LIU Brooklyn in April 1997, where my father collected many of the signatures in this volume. Book in VG- condition with a 1/2" wide bump on the top of the front board by the hinge. Bump extends down 3/16". Two spots of miniscule fraying- one by the rear top edge near the outer edge, the other at the bottom of the rear corner. Mild sunning to bottoms of boards, and minor soiling/darkening of boards. Jacket in Good+ condition edge wear and some small tears, primarily around the head and feet of the spine, hinges, and flap folds. Minor creasing and soiling. Stated first edition. One of a kind. Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Jusara Book Shop]
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        Going to the Match.

      London: Medici Society,, 1972. Colour offset lithograph on wove paper. Image size: 52.8 x 68.0 cm. Sheet size 64.3 x 78.5 cm Sellotape residue to extreme top edge, light creasing to margins hidden by the mount. Presented in a lime wax frame with conservation mount and glass. Edition of 300. Signed in pencil lower right by Lowry. Fine Art Trade Guild blindstamp lower left. Reproduced from an original 1953 oil painting of football fans converging on Burnden Park, Bolton Wanderers' old football stadium. Originally titled Football Ground, the painting won first prize in a competition organized by the Football Association. Lowry was very surprised when he heard about it as he did not know the picture had been entered. In 1999 the painting was bought by the Professional Footballers' Association for £1.9 million. A record price at the time for a Lowry.

      [Bookseller: Peter Harrington]
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        Niemeyer-Holstein, Otto. - "Stehender Frauenakt (Evelyn Engel)".

      - Mischtechnik / Kohle & Ölfarben, auf festem Zeichenkarton, 1972/1973. Von Otto Niemeyer-Holstein. 56,0 x 42 cm (Blatt). WVZ 2114. Rechts unten in Kohle signiert und datiert. Verso eigenhändig Werk-Nr., weitere Signatur und Jahr. Dazu die Bezeichnung: "Evelyn Engel". Etwas abgesetzt davon Notiz: "Farbstudie Akt / 1973". - Farbstudie in Öl (1973) über Kohlezeichnung (1972). - Geringe Montagespuren (Papiergelenkreste) auf der Rückseite. Sehr guter Zustand. Otto Niemeyer-Holstein (1896 Kiel - 1984 Lüttenort). Deutscher Maler und Grafiker. 1914-16 Kriegsfreiwilliger. 1919 Malkurse bei Arthur Segal in Ascona, später in Berlin. 1920 einige Monate in der Kunstakademie in Kassel. 1923 lernt er Paul Klee und Lyonel Feininger kennen. 1924 Gründungsmitglied der Künstlergruppe "Der große Bär" in Ascona. Lebt im 2. Weltkrieg zurückgezogen auf der Insel Usedom. 1953 gerät er zwischen die Fronten der Formalismusdebatte der DDR. 1954 Ausstellung in der Kunsthalle Mannheim, 1961 in der Nationalgalerie Berlin. Zahlreiche Auslandsreisen. 1964 zum Professor berufen. 1969 Mitglied der Akademie der Bildenden Künste Berlin. 1981 Ausstellung in der Kunsthalle Rostock. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        The Water-Method Man

      Random House, New York 1972 - A near fine, stated first edition, signed on the half title page, in a near fine [priced $6.95] dust jacket. Binding is tight, pages are clean/crisp and boards are bright and square. Dust jacket has a small shadow imprint of a paper clip on upper center front. A gift quality copy. 365 pages. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Wolfmueller's Books]
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      Parma, Italy: Franco Maria Ricci, 1972. Hardcover. Near Fine. INSCRIBED BY ERTE on the half-title. A very handsome copy to boot of this lavish 1972 limitation. #1,072 of 2,000 copies issued by the legendary Italian publisher Franco Maria Ricci and with accompanying text by the formidable French philosopher Roland Barthes.. A clean, bright, Near Fine copy. Bound in dark silk, with an immaculate pasted-on image to the front cover and crisp, completely unflecked gilt-lettering along the front panel and spine. Also includes a Near Fine example of the publisher's decorative cloth box. Very uncommon signed by Erte.

      [Bookseller: Appledore Books, ABAA]
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        Panorama 72 with Original Lithographs by Sonia Delaunay & Maurice Esteve Mourlot

      Societe Internationale D'Art XXe Siecle, Paris 1972 - Good lithographs, book in good clean condition with rubbing to boards, no dustjacket, FRENCH TEXT [Attributes: Hard Cover]

      [Bookseller: Treasured Books Ltd]
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        formulation : articulation. Serigraphie. 1972.

      - 25 : 25 cm auf starkem, weissen Papier 30 : 30 cm. Untere rechte Ecke mit dem Blindstempel: A. Neujahrsgabe von Ernst Beyeler in 380 nummerierten Exemplaren abgezogen im Dezember 1972. Lose in der Original-Präsentationsmappe, dort nummeriert: 181 und Max Frey zugeeignet. – S. 3 der Mappe mit typogr. Text von Albers zu diesem Siebdruck: „es zeigt eine sehr seltene farbinstrumentation, die ich weder historisch noch ethnographisch plazieren kann. Ein unstoffliches blau konversiert mit einem ebenso ungeläufigen grün. Es klingt mir wie ein farbtrio gespielt von nur zwei farbnachbarn." – In makelloser Erhaltung.

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        The Satanic Rituals

      Seacaucus, N.J: University Books, 1972. 1st Edition. Hard Cover. Fine condition in Near Fine jacket in protective mylar wrap. First Avon Printing, December 1972. 220 pp.; 8vo; blood orange paper over boards in black dust jacket with a light 1" surface scrape front cover; light wear at corner tips and a few specs of white back cover and spine where black has been rubbed; a few spots of light foxing inside jacket.

      [Bookseller: G. F. Wilkinson Books]
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        Joan Miró. Der Lithograph. Bände. 1-4 (von 6). Genf, Weber (Copyright Maeght, Paris), 1972-1982. 4to. (Rückenhöhe ca. 32,7 cm). Mit 36 farbigen Original-Lithographien von Joan Miró (davon 4 auf den Original-Umschlägen u. 10 doppelblattgroß) u. über 800 meist farbigen Abbildungen. Orig.-Leinenbände mit den farb. Orig.-Umschlägen in Orig.-Lithographie, Klarsichtumschlägen u. roter "Bauchbinde" für Bd. III.

      - Joan Miró. Der Lithograph. Bände. 1-4 (von 6). Genf, Weber (Copyright Maeght, Paris), 1972-1982. 4to. (Rückenhöhe ca. 32,7 cm). Mit 36 farbigen Original-Lithographien von Joan Miró (davon 4 auf den Original-Umschlägen u. 10 doppelblattgroß) u. über 800 meist farbigen Abbildungen. Orig.-Leinenbände mit den farb. Orig.-Umschlägen in Orig.-Lithographie, Klarsichtumschlägen u. roter "Bauchbinde" für Bd. III. Die deutsche Ausgabe des maßgebenden Werkverzeichnisses; die später (1992) erschienenen Nachtragsbände (Bde. 5 u. 6) von Cramer für das Oeuvre der Jahre 1972 - 1981 enthalten keine Originale als Beigaben. - Band I: 233 S., 1 Bl. 12 (inkl. Umschlag) Orig.-Lithographien. Vorwort von Michel Leiris u. Kommentar von Fernand Mourlot. - Bd. II (1953 - 1963): 248 S., 3 Bl. 12 (inklusive Umschlag) Orig.-Lithographien. Vorwort von Raymond Queneau. - Bd. III (1964 - 1969): 207 S., 3 Bl. 6 (inklusive Umschlag) Orig.-Lithographien. Vorwort von Joan Teixidor. - Bd. IV (1969-1972): 208 S. 6 (inklusive Umschlag) Orig.-Lithographien. Vorwort von Nicolas u. Elena Calas. - Sehr schönes Exemplar, lediglich die unbedruckten Folienumschläge von Bd. I und II gering "wellig" u. bei Bd. II mit minimaler Fehlstelle am ob. Kapital. [Attributes: Hard Cover]

      [Bookseller: Patzer & Trenkle]
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        Watership Down

      New York: Macmillan, 1972. Copyright date is 1972, 1st edition, 1st printing. Cream cover over boards with brown lettering and design on the front and the spine. Marron inside covers front and back. Book meets all first editions points with 70003 printed on the back lower right corner with complete number line to [1] cover is not tinted. Book wood be rated higher but for a soling along the top edge of the back cover. There is no writing, tears or bent pages. Dust Jacket, no tears or bent flaps nor is it price clipped. Jacket meets all 1st issue points, Rabbit and compass on the upper edge of the back of the jacket also on the front, 6.95 on the inside front flap. Reviews from U.K reviewers on the back of the jacket. Also has the number 70003 on the lower right corner of the back of the jacket. Dust jacket would be rated as near fine but has a small book store label on the inside front flap. Also a eraser of some writing on the back upper left corner. Dust jacket in a clear cover, Shelf wear to the edges and to the head and toe of the spine is minor, light bump to the head and toe of the spine. Text amd illustrated maps are bright and clean, binding is secure, a solid collectibile book.. First Edition. Hardcover. Very Good Plus/very good Plus. Illus. by Marilyn Hemmett. 7¾" - 9¾" Tall. Collectible.

      [Bookseller: Mclin Haven]
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      [Tokyo 1972, Kodansha]. White cloth, as new, folio, 30 x 43. cm., cloth slipcase, 117 color, 81 b.w. photos, 273p., chro-. nology, Japanese text, some English captions most in Japan-. ese, brilliant work ! FIRST & ONLY DELUXE EDITION. A GRAND MONOGRAPH SHOWING FULL SIZE COLOR PAINTINGS By and large perhaps the single most important work illus- trating the largest number of Yumeji's prints and paintings in grand and some in full size. * This is almost a catalogue raisonne, including his woodblock printed works as well as manuscript drawings. A grand scale work, showing prints & paintngs in true-to original color and many in orignial size. * A spectacular look at his poignant work, sensitive and stunning in composition and nature. A valuable referfence for any serious collector. Each entry is with title, size and where appropriate the limitation is stated. Few if any resources indicate the limitation statement of woodblock prints by this celebrated artist. With biography and copious notes on each work. Nicely done ! * Color scans can be sent by email. Images displayed may not always be the exact photo of the copy in stock for sale at any given time. If you want to see the exact image of the book or edition in stock today, please request this by email. . Photos of most of our books are posted to our .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
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        A Republic, If You Can Keep It

      New York: Quadrangle Books, 1972. Presentation copy "For Robert Young Jr [?the biographer of Fatty Arbuckle] / with the best wishes of / Earl Warren"; a very good copy dustjacketed Earl Warren's first book-length work, its title based on Benjamin Franklin's epigrammatic reply (upon leaving the Constitutional Convention) whether we were to enjoy a republic or a monarchy--"a republic, if you can keep it

      [Bookseller: Meyer Boswell Books, Inc.]
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        Wallace on Foreign Police

      Wallace for President campaign, 1972 brochure/policy statement from Wallace forPresident calls Nixon "soft on Communism"picture cut and retaped, otherwise excellent4 panels, 2 sides each

      [Bookseller: Seidboard World Ent.]
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        In sight of Blue Mounds.


      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        Monty Python's Flying Circus Season 3 Episode 10: "E. Henry Thripshaw's Disease" (Original script for the 1972 television episode)

      London: British Broadcasting Corporation [BBC], 1972. Draft script for the 36th episode (season 3, episode 10) of the British comedy series, aired in 1972. As it had not yet been ordered in the series when issued, it is noted here as "Episode 13." John Cleese was once asked in an interview what he felt was the difference between the development of comedy for Saturday Night Live (which he hosted several times) and Monty Python's Flying Circus. His response was that it was pretty much the opposite of live sketch comedy, in that SNL would "write the show in a day, rehearse for a week, and perform it live," while the Python troupe would "write the show for a year, build the sets in a day, and record it in an hour and a half." One need look no further than this meticulously detailed script from the legendary series, which notes every detail of the preparation to which Cleese referred, including exactly 90 minutes during which the content was actually recorded, as well as every detail of each sketch. The BBC censored this episode more than any other in the series, cutting three sketches ("Big Nosed Sculptor," "Revolting Cocktails," and "Wee-Wee Wine Cellar"), as well as much of Terry Gilliam's animation, all now believed to be lost. All of these missing sketches appear in this script. The episode that aired contained the remaining sketches: "Tudor Jobs Agency," "Pornographic Bookshop," "Elizabethean Pornography Smugglers," "Silly Disturbances," "The Free Repitition of Doubtful Words," "'Is There?'...Life after Death?," "The Man Who Says Things in the Wrong Order," "Thripshaw's Disease," "Silly Noises," and "Sherry-drinking Vicar." Yellow self-wrappers, mechanically reproduced, 66 leaves. Pages and wrapper Near Fine bound with a single tarnished silver brad at the upper left corner.

      [Bookseller: Royal Books, Inc.]
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        First Folio 10/10

      Steam Press 1972 - Portfolio of ten broadsheet poems and illustrations limited to 50 copies of each, and signed by both poet and illustrator. As follows 'And Sometimes it Happens' by Brian Patten: 'Behind His Mask' by Virginia Lawson: 'More Than I Am' by Kevin Crossley- Holland: 'For Talitha' by Christopher Logue: 'The Rhino' by Edward Lucie-Smith:'In the Little Girl's Angel Gaze' by Ted Hughes: 'Boys in a Pie' by John Fuller. And the following signed solely by the author.'A Silly Thing To Do' by Jane Deverson: 'Descartes' by Stephen Spender: 'No Invader' by Allan Hodgkins: And last but not least 'The Little Red Xmas Card' (unexpurgated) by Ralph Steadman. Presented in a burgundy card portfolio tied with a silken cord [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: barnoble-books]
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        Die Mausv÷gel. Coliidae. (Neue Brehm-B?cherei Band 459)

      A. Ziemsen Verlag, Wittenberg Lutherstadt 1972 - 20,5 x 14,5 120 Seiten 300 gr. Sehr guter Zustand, Umschlag leicht berieben [Attributes: Soft Cover]

      [Bookseller: Schueling Buchkurier]
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        After the winter Original lithograph

      Paris 1972 - Original Lithograph in colours published as a folded double-page in Derriere le Mirror No. 198 in 1972. Unsigned and unnumbered edition of 5000.

      [Bookseller: Antiquariat Reinhold Berg eK]
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        Akustisches Abreaktionsspiel. Eine Aufnahme des Westdeutschen Rundfunks Köln.

      Wien. Galerie Klewan. [1972]. 30 cm - 33 RPM / Klewan 30-382. OKarton-Box mit montiertem Fotodruck einer Aktion. Box an einer Kante etwas gegilbt, eine Einstecklasche angerissen. Sonst gutes Exemplar, Platte mint! Edition der Galerie Klewan. Producer – Edek Bartz, aufgenommen im Westdeutschen Rundfunk, Köln. Erste Tonveröffentlichung Nitschs. Einige wenige Exemplare der Edition sind signiert, einige wenige überabeitet. Hier auf dem oberen Rand der Box handschriftlich von Hermann Nitsch in Bleistift signiert. Die Auflage soll bei 100 Exemplaren gelegen haben. Sehr selten. [Vgl. Broken Music, S. 188]. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Avantgarde / Avant-garde, Musik / Music, Österreich / Austria, Künstlerschallplatten, Vorzugsausgaben

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        Denkmalpflege in Baden-Württemberg.

      (Stgt, Landesdenkmalamt Baden-Württemberg, 1972-2009). Nachrichtenblatt des Landesdenkmalamtes. 1. Jahrgang 1972 bis 38. Jahrgang 2009 in 19 Bänden + 1 Band Register für die Jahre 1972-2008. Mit sehr zahlreichen Beiträgen und unzähligen, z.T. farbigen Abbildungen. 4°. Rote Leinenbände mit goldener Rücken und Deckelprägung. Umschläge der Zeitschriften z.T. mit Namenstempel, sonst sehr schön. * Geschlossene Reihe der im Quartal erscheinenden Zeitschrift mit einer unglaublichen Fülle von Artikeln und Abbildungen zu allen Aspekten der Denkmalpflege aus ganz Baden-Württemberg. Versand D: 4,90 EUR Baden Württemberg, Architektur, Kunst, Geschichte, Kulturgeschichte

      [Bookseller: Antiquariat Jürgen Fetzer]
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        Mattioli nell'atelier di Manzù. Prefazione di Giancarlo Vigorelli ed un diario di Renzo Guasco.

      Fogola 1972 8°gr. quadro (27x27); pp. non num. 102 su carta Magnani di Pescia, con la riproduzione f.testo di trentasei studi di Carlo Mattioli, alcuni a colori, un fac - simile di una lettera di Giacomo Manzù a Mattioli. Ril. cartone edit. con titoli al dorso e al piatto, sovraccoperta illustrata con tracce d'uso, astuccio editoriale illustrato. Esemplare nell'edizione di testa, limitata a 99 esemplari, contenente un'acquaforte originale di Manzù, "Ritratto di Inge", numerata e firmata a matita dal Maestro; l'edizione complessiva dell'opera è di soli 399 esemplari.(vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        Le coran

      Paris Club du livre, Philippe Lebaud éditeur 1972. 4 tomes complet. Les tomes 1 et 2, pour le texte : In - 4 pleine reliure vert olive, dos à nerfs, titre doré, plat estampé à froid, tête dorée, étui. Les tomes 3 et 4 sont dans un double coffret de toile verte au dos de cuir vert olive, titre doré (identique aus tomes 1 et 2). Ce double coffret renferme 2 volumes au format in - 8. L'un relié pleine basane fauve, plat estampé à froid et correspondant au manuscrit d'Ibn al - Bawwab commenté par D.S Rice. Le second volume au même format est relié pleine toile verte, titre doré sur le platcorrespond à la traduction : L'unique manuscrit d'Ibn al - Bawwab à la chester beatty library, par D.S Rice. Traduction de Jacqueline Bernard. 66 pages. Les tomes 1 et 2 : Le coran traduit de l'arabe par Jean Grosjean illustré de sérigraphies originales par Zenderoudi. Précédé d'une étude de Jacques Berque. 277 + 273 pages + tabble. Tirage limité numréroté. 1 des éé00 exemplaires sur vélin de ana numérotés en chiffres romains et protant le N°MDXLVIII. Exemplaire en parfaite condition.

      [Bookseller: Librairie Artgil]
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        Irish Writings from the Age of Swift Seven Volume Set

      Dublin: The Cadenus Press. 1972-77. First Edition. Hardcover. The set includes volumes 1 to 7. Original half calf over marbled boards. One spine mildly faded else a fine set. ; Octavo .

      [Bookseller: Lyrical Ballad]
 28.   Check availability:     Biblio     Link/Print  


      London: Jonathan Cape, (1972) First printing. Very near fine in a near fine dustjacket. A very attractive copy of this scarce first edition. The fourth novel by this prolific and award winning writer, a masterful dark fantasy novel for older children, one which "takes place in 1832 - in a period of English history that never happened. Good King James III is on the throne and the country is ravaged by wolves which have migrated through the newly opened Channel Tunnel." Dust jacket art and illustrations by Pat Marriott. 159 pp.

      [Bookseller:, IOBA]
 29.   Check availability:     IOBABooks     Link/Print  

        Luftpumpen-Museum. [Objekt].

      Köln. Edition Galerie art international. 1972. 79,5 x 60,0 x 12,2 cm. Holz, Papier, Tesakrepp, Metall (Fahrradluftpumpe), Plexiglas. Bodenkarton mit kleinem Feuchtigkeitsrand oben rechts, sonst sehr gutes Exemplar. Gelatinesilberabzug, mit Papierklebestreifen auf Karton montiert, mit montierter Metall-Fahradluftpumpe in Holzobjektkasten mit Plexiglasabdeckung. Exemplar 138/200, unterhalb des Bildes rechts mit Bleistift signiert, datiert 72 und (links) nummeriert sowie (mittig) bezeichnet: \"Für H. Rywelski, \"Das Luftpumpen-Museum\", Mein letztes Projekt in Köln, (Objektfassung)\". 1972 hat Vostell von der bereits 1971 erschienenen Serigrafie \"Luftpumpen-Museum\" in verschiedenen Varianten eine Objektfassung hergestellt. Hierbei montierte er eine silberne Metall-Luftpumpe entlang der abgebildeten Hohenzollernbrücke in Köln, hier auf einem Foto in Silbergelantineabzug mit anderen Abmessungen als bei der zuvor erschienenen Serigrafie. Es handelt sich dabei um einen \"Museumsentwurf\" für die Sammlung Ludwig in Köln in Gestalt einer überdimensionierten Luftpumpe als transparenter Röhrenanbau an die Hohenzollernbrücke. Es erschienen verschiedene Fassungen, auch in unterschiedlichen Rahmungen oder Boxen. Hier ein dem Objekt gerecht werdender tiefer Kasten aus rohem Holz. [Vgl. Vostell. Die DRuckgrafik, 1971.6, S.88/89]. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Kunst, Editionen, Künstlerbücher, Multiples

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
 30.   Check availability:     Link/Print  

        Alea encuentros 1972 Pamplona. Encuentros - Rencontres - Meetings - Treffen - Incontri. 26. VI - 3. VII 1972 Pamplona. Organizacion ALEA, Direccion Luis de Pablo y J.L. Alexanco.

      Pamplona. Edit. ALEA. 1972. First edition. 28 x 21 cm. 306 unpaginierte S. OKarton. Rücken am unteren Kapital mit kleiner Fehlstelle, etwas angeplatzt. Bindung insgesamt etwas labil. Umschlag etwas nachgedunkelt und minimal fleckig. Noch gutes Exemplar des außerordentlich seltenen, fragilen Kataloges. Katalogtexte in Englisch, Französisch und Spanisch. Impressum und weitere Details auf 6 transparenten Kunststoffseiten. Der aufwändig gestaltete Katalog besteht, bezug nehmend auf jeweils eine Aktion, aus einem Faltblatt, einer doppelseitigen Einsteckkarte und Textseiten. Zu den Künstlern, die an diesem einwöchigen Treffen an verschiedenen Orten in Pamplona teilnahmen, gehörten unter anderem Vito Acconci, Carl Andre, Art & Language, John Baldessari, Ben, Mel Bochner, Christian Boltanski, Luis Bunuel, John Cage, Christo, Jan Dibbets, Jochen Gerz und sehr viele mehr. Das Festival, ausgehend von der Gruppe ALEA, von Künstlern für Künstler, sollte offen für alle Strömungen und nicht nur der Avantgarde vorbehalten sein. \"The crux of the idea was to create a new way of inhabiting art, sharing the stage, getting the spectator involved, bringing feelings together in harmony, mixing the avant-garde with the traditional, art with sound, with constant attention paid to the quality of the events and their ability to come alive. The title would define our wish; the location was ideal for fitting enough venues into the old quarter of a city to host the numerous artistic happenings that were proposed. The main figures were sought among those who embodied what was to come and what had already become established in the different trends. It lent itself to putting new concepts face to face with those that were already apparently settled. The controversy was on.\" (José Luis Alexanco José Luis Alexanco). Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Kunst, Spanien / Spain, Ausstellungskatalog

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
 31.   Check availability:     Link/Print  

        La Cravatte ne vaut pas une médaille.

      - Genf, (Rousseau Editeur),1972. 40 Bl. u. 1 Orig.-Collage in Sichthülle. Mit zahlr. farbigen Serigraphien, Lithographien und collagierten farbigen Papier-, Plastik- u. Stoffteilen. Weisser Orig.-Karton mit mont. Titelschild und weisse Kunststoffmappe in Orig.-Schuber mit mont. Multiple aus zahlr. farbigen Legoteilen und einem Orden auf grauer Legoplatte in Schubergrösse, vom Künstler signiert und nummeriert: 23/160. Petit II, 394-404; Multiples 53-56; Livres 21. - Eines von 30 (no. 23) im Druckvermerk signierten und nummerierten Exemplaren (von 11 bis 40) der 2. Vorzugsausgabe (nach 1 bis 10) mit 3 zusätzlichen blattgrossen Orig.-Collagen (Köpfe aus s/w u. farbigen marmorierten Plastikteilen, Karton und Papier ("Homme au papillon", "Mr. Jean Petit", "A la mode de Vasarely"), jeweils vom Künstler in Bleistift signiert und 23/40 bzw. 23/75 nummeriert. - Die Gesamtauflage betrug 160 nummer. Ex. + 20 Ex. H.C. + 20 Ex. E.A. - Ein ausschliesslich vom Künstler gestaltetes echtes, originelles Künstlerbuch in tadelloser Erhaltung. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
 32.   Check availability:     ZVAB     Link/Print  


      New York: Castelli Graphics and Multiples, Inc., , 1972. Screenprint on Beckett High White paper: Sheet size: 91.7 × 91.4 cm. Framed Size: 92 x 92 cm A graphite mark towards the upper right sheet edge, a few hairline cracks as is usual with the Mao images due to the thickness of the ink, but much better than usually seen. Presented in a contemporary silver metal frame with acid free backing board and conservation perspex. One of 50 artist's proof aside from the edition of 250. Signed and numbered in ball point pen to verso lower left by Warhol. Rubber stamp of the printer, Styria Studio, Inc., New York to lower right. One of ten prints from Warhol's iconic Mao portfolio. The image derives from a photograph on the book cover of "Quotations of Chairman Mao Tse-Tung".

      [Bookseller: Peter Harrington]
 33.   Check availability:     Biblio     Link/Print  

        President Nixon thanks publisher James Copley for his “most perceptive and encouraging” comments “which followed my trip to the People’s Republic of China…”

      Washington, May 4, 1972. 7" x 10.5". "Typed Letter Signed “RN” as President, 1p, 7” x 10.5”. On pale green White House stationery, blind embossed presidential seal at top center. Washington, May 4, 1972. To James S. Copley, La Jolla, California. With original White House envelope. Fine condition.In full, “Several weeks ago, Pat and I received members of the ASNE [American Society of News Editors] at the White House, and we were distressed that your illness prevented Helen and you from being here. However, we were encouraged to learn from Herb Klein that you have had a chance for a brief desert stay and have been in the office lately.“I wanted to thank you also for your very warm letter which followed my trip to the People’s Republic of China. Your comments, as always, were most perceptive and encouraging. Needless to say, Pat joins me in the hope that each day will bring you continued improvement in health and that you will soon be on the way to complete recovery.”President Nixon was the first U.S. President to visit China. During the historic week of his visit, February 21-28, 1972, he met with Communist Party Chairman Mao Tse-tung and had almost daily extended conversations with Premier Chou En-lai.A conservative Republican, James S. Copley (1916-1973) was publisher of the “San Diego Union,” “The San Diego Union-Tribune,” and the “San Diego Evening Tribune” from 1947 until his death in 1973. He was Chairman of the Board of The Copley Press, a newspaper chain comprising 15 daily and 32 weekly publications. Herb Klein had worked for the Copley newspapers before and after serving as Nixon’s press secretary and Communications Director."

      [Bookseller: University Archives]
 34.   Check availability:     Biblio     Link/Print  

        Max Ernst.

      Frankfurt am Main, Büchergilde Gutenberg, 1972 - 216 Seiten die Einbandseiten minimalst berieben, ansonsten das Buch sauber und frisch, auf dem Titel von Max Ernst signiert. Max Ernst (* 2. April 1891 in Brühl - + 1. April 1976 in Paris), eigentlich Maximilian Maria Ernst war ein bedeutender Maler, Grafiker und Bildhauer deutscher Herkunft. Der Maler gehört zu den großartigsten Erscheinungen der Kunst des zwanzigsten Jahrhunderts. Sein Beitrag zu Dada, der Kunstbewegung, die in unserem Jahrhundert die esoterische Verlogenheit einer Part-poar/`art-Kunst bekämpfte, und besonders seine überragende Position in der surrealistischen Bewegung sind in den letzten Jahren durch die Inspiration, die Pop Art und Nouveau Ralisme aus der surrealistischen Kunst gezogen haben, in ihrer Bedeutung noch profilierter hervorgetreten. Die beiden Grundlagen dieser Kunst, der aus dem Unter- bewußten gespeiste Traum und der Automatismus, bei dem unbewußte Antriebe eine bewußte formale Kontrolle erfahren, haben durch die von Max Ernst entwickelten Techniken der Frottage, der Grattage und der Decalcomanie adäquate Ausdrucksmittel erhalten. Mit dieser Bildmonographie über den bedeutendsten deutschen Künstler des zwanzigsten Jahrhunderts wird eine neue Buchreihe begonnen, mit der versucht werden soll, Leben und sämtliche Werkdisziplinen eines Künstlers integriert darzustellen und durch direkt auf die abgebildeten Werke bezogene Texte einen Buchtyp zu entwickeln, der in seinem Aufbau eine Führung durch ein ideales Museum darstellt, bei dem der Betrachter von Werkzyklus zu Werkzyklus geleitet wird. In die Werkabbildungen eingeblendet sind autobiographische Dokumente, welche die künstlerische Entwicklung verdeutlichen sollen. Sprache: Deutsch Gewicht in Gramm: 650 8°, illustrierte Original-Broschur [Attributes: First Edition; Signed Copy]

      [Bookseller: Bührnheims Literatursalon GmbH]
 35.   Check availability:     ZVAB     Link/Print  


      Los Angeles 1972, Dawson's. Blue cloth, very good, 24 b.w.. plates, 623p., bibliography, appendices, index, co-authored. by Osamu Ueda, list of publishers, engravers, printers,. 18 x 26 cm., a few spots top signatures else a clean copy.. AN EXTREMELY RARE AND VALUABLE REFERENCE SOURCE This is the single most important reference on E-hon [Japanese woodcut illustrated books]. With copious biographical notes on artists & authors, appendices of titles in Kanji, a chronological list of books with classification by subject, and an index of publishers, engravers, printers & binders. * An easy to use work, with full bibliographical data concerning pagination, illustration, and further reference citations. This was originally intended to be a catalogue of the author's own collection but was eventually enlarged to include extensive material from other sources. * The work covers a wide variety of genres, therefore, all recorded printed books of the Nanga, Maruyama, Shijo schools are included herein, plus certain predecessor and successor works. Also some of the original works, or their Chinese inspiration or artists works which were published in Japan and had an important influence on the development of neo-Chinese styles in Japan are included. * Essential for resource for any library, museum curators, students, collectors and dealers, including scroll collectors. * EDITION: Although it is not stated, we knew the Dawson's quite well, and Muir Dawson directly told me that the book was printed in a small FIRST & ONLY LIMITED EDITION OF 500 COPIES. * Scans can be sent by email. Images displayed may not always be the exact photo of the copy in stock for sale at any given time. If you want to see the exact image of the book or edition in stock today, please request this by email. . Photos of most of our books are posted to our .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
 36.   Check availability:     Biblio     Link/Print  

        Shashin yo Sayonara / Bye, Bye Photography, Dear

      Tokyo: Shashin Hyoron-sha, 1972. Light inevitable creases at the spine, tiny crease to the top of the rear wrapper, small tape shadow to the rear end paper, a thoroughly near fine copy in wrappers in a near fine jacket. Housed in a custom clamshell box.. First Edition. Small quarto. SIGNED by Moriyama in Japanese and English. The photographer's third book: a masterpiece of Japanese photography, and the book that best illustrates the conceptual ideals and vision of the Provoke photographers. Here Moriyama pushes the boundaries of the medium: assembling images from a variety of sources, placing them in a tumultuous and discordant anti-sequence, and assaulting the viewer with full-page grainy, blurry, and sometimes indecipherable pictures. (Parr / Badger, v1, 298; Roth 218; Open Book 290; Auer 543).

      [Bookseller: Harper's Books, Inc.]
 37.   Check availability:     Biblio     Link/Print  

        Small craft warnings. A New Directions Book. Book Club Edition.

      ohne Ort, New Directions Book, cop. 1972. 1. Auflage 92 Seiten (1 Blatt) mit Frontispiz von Fred Voelpel. 8°, gebundene Ausgabe, Leinen mit Schutzumschlag, dieser sauber in Folie eingeschlagen, Schutzumschlag-Fotografie: Felipe Napoles, Gestaltung von Gertrude Huston, auf dem fliegenden Vorsatz mit Kurzwidmung und Signatur von Tennessee Williams, sauberes, frisches Exemplar im Bestzustand, mit beiliegendem Echtheitszertifikat. Tennessee Williams (* 26. März 1911 in Columbus, Bundesstaat Mississippi - + 25. Februar 1983 in New York City; eigentlich Thomas Lanier Williams III) war ein US-amerikanischer Schriftsteller. Den Spitznamen „Tennessee“ erhielt er von Collegefreunden an der University of Missouri, weil er den Akzent, der im Bundesstaat Tennessee gesprochen wird, sprach. Seine Großeltern, bei denen er oft und gern zu Besuch war, lebten immer noch dort, was für seinen Akzent prägend war. Das in Hollywood zunächst abgelehnte Script für Die Glasmenagerie markierte 1944 in Chicago Williams’ ersten Bühnenerfolg. Das Stück Die tätowierte Rose (seinem Lebensgefährten Frank Merlo gewidmet) erhielt den Tony Award als bestes Schauspiel. Es wurde 1950 ebenfalls in Chicago uraufgeführt. Kritiker definieren den Stil seiner Schauspiele als „Southern Gothic“ („Südstaatengotik“). 1948 und 1955 wurde Williams für seine Stücke Endstation Sehnsucht („A Streetcar Named Desire“) und Die Katze auf dem heißen Blechdach („Cat On a Hot Tin Roof“) mit dem Pulitzerpreis. (wikipedia) Versand D: 5,00 EUR

      [Bookseller: Bührnheims Literatursalon GmbH]
 38.   Check availability:     Link/Print  


      Los Angeles: Galant Press, 1972. (1st Edition). Hardcover. Good +/good. 218p. History of the University of California, Los Angeles basketball teams coached by John Wooden during the 1960s and early 1970s. Former owner's name on pastedown, some pages dog eared, jacket has tears and chips to edges. Scarce. 4 leaves of b&w photo plates. (7-5/8"x5-3/8")

      [Bookseller: Champ & Mabel Collectibles]
 39.   Check availability:     IOBABooks     Link/Print  

        The Brakhage Lectures: George Melies, David Wark Griffith, Carl Theodore Dreyer, Sergei Eisenstein (First Edition, inscribed in the year of publication)

      Chicago: The Goodlion, 1972. First Edition. First Edition. INSCRIBED by Brakhage on the front endpaper to his friend and colleague Annette Michelson: "June 17, 1972 / To Annette / Some small echoing answer to your life's work...and in friendship - * / Stan / [at bottom of page] * and..." Michelson is today a Professor of Cinema Studies at New York University. In this volume, published in 1972, Brakhage investigates four of the principal architects of cinema, including Sergei Eisenstein. In 1973 (one year after the publication of this book) Michelson wrote an important early piece on Brakhage in ArtForum titled "Camera Lucida / Camera Obscura," comparing the work of Brakhage and Eisenstein. A wonderful association, and an important collection by one of the most important cinematic artists of the 1970s. Very Good plus in paper-covered card wrappers as issued, with moderate rubbing and a bit of light wear at the extremities.

      [Bookseller: Royal Books, Inc.]
 40.   Check availability:     Biblio     Link/Print  


      Garden City: Doubleday & Company, Inc., 1972 - Octavo, cloth. First edition. Second book of the Amber series, the scarce sequel to NINE PRINCES IN AMBER (1970). Barron (ed), Fantasy Literature 4A- 276. Schlobin, The Literature of Fantasy 1144. Survey of Modern Fantasy Literature I, pp. 29- 35. Tymn (ed), Fantasy Literature, p. 182. A fine copy in fine dust jacket with a faint vertical crease at the center of the spine panel. A very nice copy of a book that is quite scarce in superior condition. (#152951) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
 41.   Check availability:     AbeBooks     Link/Print  

        College de France - Chaire de Physique Nucleaire : Lecon Terminale faite le Lundi 29 Mai 1972

      Ohne Angabe, 1972 - Ausgetragenes Bibliotheksexemplar, Deckel farblich leicht inhomogen und mit kleinem Knick Sprache: Französisch Gewicht in Gramm: 499 [Attributes: Soft Cover]

      [Bookseller: Versand-Antiquariat Konrad von Agris]
 42.   Check availability:     ZVAB     Link/Print  

        Ingres and other parables. With 10 b/w photographs.

      London, Studio Int. Publ., 1972. Oblong 4to. Orig. wrappers. 24 p.*Text in English, French, German and Italian. - Baldessari's first artist book presented as hanging wall calendar. - Good copy.

      [Bookseller: André SWERTZ B.V.]
 43.   Check availability:     NVvA     Link/Print  


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