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Displayed below are some selected recent viaLibri matches for books published in 1972

        Hall's Breechloaders: John H. Hall's Invention and Development of a Breechloading Rifle with Precision-Made Interchangeable Parts and Its Introduction into the United States Service

      George Shumway Publisher, 1972. Limited Edition. Hardcover. Near Fine/Very Good. York, PA: George Shumway Publisher, 1972. Limited edition, unnumbered of 500 issued in cloth. Hardcover. 369 pp. Near fine, in a very good unclipped jacket. Jacket has light edge wear with the head of the spine expertly reinforced with book tape. A small closed tear at the top of the rear panel has received similar treatment. Inscribed to noted sword collector, Richard "Dick" Johnson, on the front free endpaper: "To Dick Johnson - / To a fellow company member / and Hall enthusiast with / kindest regards / R. T. Huntington

      [Bookseller: Stick Figure Books (ABAA/ILAB)]
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        In Out Productions presenteert Equipo Movimiento – MARROQUIN /YOUNG TCHONG / CARDENA,

      In Out Productions, Aalst 1972 - 490 x 345 mm. Blue and day-glow pink screen printed on paper stock. A heavily screen-printed document, very rare. Few if any copies known to be in existence. Unusually Cardena has been included as part of Equipo Movimiento which is rarely seen elsewhere. In-Out Productions printed the poster as an advertisement for the exhibition in Belgium (New Reform Gallery) that took place 17.11.72 – 30.11.72. The In Out Centre was founded by Michel Cardena in 1972, its core participants were the artists Raul Marroquin, Ulises Carrion, Hetty Huisman, Sigudur and Kristján Gudmundsson. It closed in 1974 but is regarded as one of the most significant avant garde centres in the Netherlands in the 1970s. Condition: Various pinholes to corners and closed tears to bottom right corner, very good. [Attributes: First Edition]

      [Bookseller: William Allen Word & Image]
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      Equipo Movimiento, Amsterdam 1972 - 84 x 33 cm. Black screen print on white cartridge paper stock. Together with purple rubberstamp of the movement founded by Marroquin ‘In-Out Productions Equipo Movimiento Marroquin-Young Tchong’. Inscribed Marroquin E/M / 72, numbered 34/50 , signed 'Raul Marroquin / 72' in pencil. One of three prints from 1972 that features stills from a film made by Marroquin in the same period. The film-stills, which are drawn from the film held in the Li-Ma Archive in Amsterdam, involve a deadpan moustached actor staring straight at the camera putting on various hats and headpieces. These prints are the only physical examples of this work created by the artist in the 1970s. Marroquin is presently featured in the exhibition Playground Artistas Dialogo - Raul Marroquin and klaus Fruchtnis, Museo de Arte Contemporaneo de Bogota, June 30-July 31st, 2016. Condition: light creasing to bottom and bottom corners but no tears or marks overall near fine.

      [Bookseller: William Allen Word & Image]
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        Hommage à Georges RIBEMONT-DESSAIGNES.&#8206

      Galerie Chave Vence 1972 Lithographie originale en 8 couleurs de dimension 760 X 540 mm., signée et numérotée au crayon par Max ERNST. Tirage limité à 99 exemplaires. Parfait état. ( Max ERNST Druckgraphische N°184 ). D'autres photos sur

      [Bookseller: Librairie Tiré à Part]
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      Cambridge, MA: MIT Press, 1972. First Edition. Hard Cover. near Good dust jacket. Folio. Light shelfwear to the extremities including bumping to the corners; some separation at the back endpaper at the hinge--the hinge is holding well; contents clean and binding sound; errata slip laid in; scarce in printed glassine dust jacket; this jacket is shelfworn as usual; complete but for a chips at the spine the affects the “L” in the title; previous owner tape repairs here and there; digital images can be made available upon request.

      [Bookseller: Michael Pyron, Bookseller]
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        Kosmicheskie dali

      1972 - (SOKOLOV, A.K.) LEONOV, Aleskei Arkhipovich. Kosmicheskie dali. Moscow: Ikobrazitel'noe iskusstvo, 1972. Folio (11 by 14-1/2 inches), original marbled blue imitation leather gilt portfolio, metal and enamel cover medallion, original printed self-wrappers; pp. 34, 33 loose color plates. $2800.First edition of Russian cosmonaut A.A. Leonov's work on artificial satellites, with 35 loose color illustrations (17 folding) and 5 additional monochrome red-tone illustrations laid in, signed on the front wrapper by both the illustrator A.K. Sokolov and by Leonov. Text in Russian.This elaborate production by Russian cosmonaut A.A. Leonov concerns artificial satellites and astronautics. "In March 1965, at the age of 30, Soviet cosmonaut Alexei Leonov made the first spacewalk in history, beating out American rival Ed White on Gemini 4 by almost three months. Floating outside his tiny Voskhod 2 capsule for 10 exhilarating minutes, Leonov felt, he writes, "like a seagull with its wings outstretched, soaring high above the Earth" (Air & Space, Smithsonian). Leonov went on to write extensively about his life as an astronaut and about space exploration in general. The wonderful illustrations by A.K. Sokolov display satellites and the landscapes of astronomical bodies as well as space itself in vivid color. The entirety is housed in a handsome publisher's portfolio made of blue imitation leather and bearing a raised metal and enamel medallion with a hammer and sickle. This copy contains two copies of Plate 1, for a total of 35 plates instead of the usual 34. Five additional folio red-tone monochrome illustrations, apparently also by Sokolov, have been laid in; they do not appear to be integral to this edition. The front wrapper also bears an inscription in an unidentified hand in addition to the signatures of Leonov and Sokolov.Small, faint stain on front wrapper/inscription, slight scattered foxing to verso captions of folio plates, light edge-wear to portfolio including small missing piece at top of pocket. A near-fine copy, most desirable signed. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
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      Grenoble, Editions du Grésivaudan, (1972).In-folio de 225 pp., 7, en ff. sous couverture rempliée imprimée, chemise et étui, chemise à lacets pour le portfolio de la suite (manque 3 lithos dans la suite). Magnifique édition, peu courante et injustement méconnue, illustrée de 16 lithographies originales en couleurs de Pierre PARSUS.Tirage à 299 exemplaires tous signés par l'artiste, celui-ci un des 50 exemplaires numérotés sur vélin d'Arches comprenant en portefeuille : une suite en couleurs des 16 lithographies sur Arches au format in-plano et 4 lithographies en couleurs imprimées sur soie et signées par l'artiste.Très bel exemplaire de ce superbe Giono.

      [Bookseller: Librairie d'Âpre-Vent]
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        Amphigorey; Amphigorey Too; Amphigorey Also (3 books)

      New York: G. P. Putnam's Sons; Congdon & Weed, Inc, 1972-1983. First edition. Hardcover. Very good/very good. SIGNED. Quarto [29 cm] Illustrated boards. The extremities are moderately bumped and rubbed, and the dust jackets, with very occasional areas of minor soiling, show light surface and edge wear. The dust jacket for Amphigorey is sunned at the spine, and has a crease in the rear inside flap. The jacket for Amphigorey Too has a 1" closed tear along the bottom edge of the front panel. Attractive first editions of three companion volumes in Edward Gorey's Amphigorey series. Edward Gorey has signed all three books near his name on the title pages.

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        Journal de prison 1959.

      Editions Sarrazin 1972. In-12 broché de 238 pages au format 13,3 x 19,4 cm sous belle couverture typographique rempliée par Patrick Michel. Courte biographie de l'auteur, avec portrait photo, sur les rabats. Longue préface de Josane Duranteau. Frontispice de Fernand Michel. Un des 100 exemplaires n° sur pur fil du tirage de tête ( seul grand papier ) accompagnés de la superbe gravure originale n° & signée par Fernand Michel. Notre exemplaire port le n° 48. Microscopiques frottis au bas du dos, sinon état superbe, proche du parfait. Rarissime édition originalePort gratuit pour la France ( En raison des nouvelles normes postales, les livres dont l'épaisseur dépasse les 3 cm seront expédiés obligatoirement en Colissimo avec un forfait ajouté de 5 € ) Port à la charge de l'Acheteur pour le reste du monde. Pour destinations extra-planétaire s'adresser à la NASA. Membre du Syndicat Lusitanien Amateurs Morues - Vente exclusivement par correspondance ! Le libraire ne reçoit que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.

      [Bookseller: Librairie Victor Sevilla]
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        The Case of the Irate Witness and Other Stories

      William Morrow & Co, New York 1972 - Published posthumously, The Case of the Irate Witness is the only short story, featuring Perry Mason, that Gardner ever wrote. Bound in are a list of books by Erle Stanley Gardner and a "Publisher's Note." Octavo, price of $4.95 on front flap of dust jacket; neat owner name on FEP. A beautiful copy, with just a hint of wear at foot of spine. [Attributes: First Edition; Hard Cover]

      [Bookseller: Charles Parkhurst Rare Books, Inc. ABAA]
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      Benjamin Blom, Inc, New York 1972 - The lovely facsimile issued by Blom in 1972, in tan paper-covered boards, with vellum tips and backed in vellum with lettering in orange. With the publisher's 12 page pamphlet inserted in pocket in the rear of the book. Printed in red and black. Faint spotting to the rear pastedown,and a small stain from the staples in the pamphlet; there is a faint musty odor. The publisher's slipcase is Very Good. Near Fine binding. [Attributes: Hard Cover]

      [Bookseller: BLACK SWAN BOOKS, INC., ABAA, ILAB]
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        Hamburger Kunst-Kassette : Pavlos [Box Set].

      Hamburg : Kunstverein Hamburg, 1972. 246 von 500 Inhalt: Baum-Objekt (ein signiertes Original-Multiple von Pavlos), José Pierre: \"Pavlos oder die Beschreibung der Welt\" - eine Tragödie, Ausstellungskatalog mit Texten, Abbildungen, einem Atelierbericht sowie ausführlicher Bio- und Bibliographie, Vollst. Oeuvrekatalog. In Box. Box etw. berieben/Schutzfolie leicht eingerissen, Baum etwas berieben/ eingerissen/ leicht fleckig/ gebräunt, ansonsten gut erhalten. Versand D: 2,20 EUR

      [Bookseller: Druckwaren Antiquariat GbR]
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        Tarzan Alive: A Definitive Biography of Lord Greystoke

      Doubleday & Company, Inc., 1972 Very good in a very good dust jacket. INSCRIBED by the author on the half-title page. First Edition stated on the copyright page. Book has slight rubbing along the bottom edges, and very light soiling of the page ends. Dust jacket has original price of $5.95 printed on the front flap. Chips at the corners and spine ends; soiling; a small piece missing from the top of the front panel and top of spine, and a small closed tear on the top of the front panel. We will provide a certificate of authenticity for this item. Comes housed in a custom slipcase.. Inscribed by Author(s). 1st Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books ]
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        La religione oggi un approfondito dibattito di scienziati, teologi e filosofi sul significato della religione nel mondo moderno e sulle nuove forme di religiosità

      ARNOLDO MONDADORI, MILANO 1972 - Gli Oscar ITALIANO N. L83 della collana;raduzione di Elena Baffi, Marina Bianchi e Mario Spinella; brossura editoriale con segni di usura nel dorso e nella copertina e nella legatura; presente firma di appartenenza sul frontespizio

      [Bookseller: Biblioteca di Babele]
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        GREASE ; A New 50's Rock Musical

      Winter House Limited, New York 1972 - First Edition, First Hardcover Printing of this beloved Broadway and film classic. Introduction by Michael Feingold. Fine in a Near Fine dust jacket, very faint label shadow rear panel, priced ($4.95) front flap. SCARCE, and especially so in such lovely, collectible condition.The world premiere of GREASE was in Chicago in 1971, and the Broadway premiere followed in 1972, starring Barry Bostwick and Carole Demas. Basis for the 1978 movie starring John Travolta and Olivia Newton-John, and 2 Broadway revivals, in 1994 and 2007, in addition to countless regional theatre, summer stock, community theatre, and high school and middle school drama group productions. Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Dale Steffey Books]
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        Design A Plastické Hmoty ? Design and Plastics. Umelecko-Katalog.

      Prague, The Museum of Decorative Arts, 1972. - 24:24,2 cm. 206 S. (137 Nrn.) m. zahlr. Abb. Farb. OPlastikeinband mit 2 Plastikringen gebunden. Original-Ausgabe. Kleine und frühe Fibel über Kunststoff-Möbel. Neben den vielen Italienern wie S. Asti, L. Castiglioni, DAM Milano, J. Colombo, M. Bellini, S. Coppola u.a sind Objekte von Leif Alring, O. von Bohr, V. Firt, J. Hofman, Z. Kadlec, Y. Kukkapuro, L. Niklova usw. enthalten. Texte in tschechisch und englisch. Mit sehr auffälliger Einbandgestaltung aus orangerotem Kunststoff. In 1972 the Museum of Decorative Arts in Prague launched ?Plastic Design,? a study devoted to surveying the accomplishments of the plastics industry in Czechoslovakia. Rather than culminating in an exhibition of national designs, the museum?s study resulted in Design A Plastické Hmoty, a book displaying its subject through its neon plastic cover, white plastic two-ring binding, and numerous clear plastic overlays. texts in Czech and English [Attributes: Hard Cover]

      [Bookseller: M + R Fricke]
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        A 2-PAGE TYPED LETTER SIGNED by MILICENT TRYON Addressed to Freudian psychiatrist and criminologist Dr. Arthur Foxe on the subject of sexually motivated murder.

      December 30, 1972.. 1972.. Good. MILICENT TRYON WAS RESPONSIBLE FOR INTRODUCING THE WORD "GENDER" INTO THE LEGAL LANGUAGE - Over 350 words typed on two sheets of 11 inch high by 8- 1/2 inch wide paper. Thanking the psychiatrist and criminologist Dr. Arthur N. Foxe for granting her an interview, Milicent Tryon introduces herself in a way that suggests they have met before: "Applause Magazine folded, my husband and I separated, and Minou had kittens. I now work as a $145 a week secretary, but things could be worse. I get to walk to work (at Columbia)...." Milicent Tryon was Justice Ruth Bader Ginsburg's secretary at Columbia University. She quickly dives into her subject: "Now, about murder. (Just so your unconscious can be thinking about my questions during the day, I thought I'd send a few.) I want a profile of a typical character who commits sexually-motivated murders...." She follows up with some perceptive observations, paraphrasing the German psychologist Erich Fromm's observations about sadism and provides context from her own life while seeking answers: "(My little summaries seem so pat, so simple, so trite. Yet, I've been around such growth patterns myself, and I have a feeling for this thing that goes beyond understanding. My own mother was created in a laboratory by Tennessee Williams and Vincent Price. Two of her brothers molested me, as fine southern gentlemen do on occasion. And one of my brothers who has been under her influence excessively is on his way to becoming like Uncle. He's also sadistic, unlike Uncle)." Elaborating, she offers subjects for discussion: "A big feminist issue is this women-as-objects thing. Its relation to murder is something I hope you will comment on.... Once a boy has such a crippled childhood, how much of what happens afterwards, when he's in his teens and beyond, makes him into a killer?" Concerned that Dr. Foxe may worry about being misquoted, she asks: "Are you still with me? I definitely want you to look over my version of you comments. I'd hate to make a fool of myself in print.... Enclosed are some of my reviews, just to prove that there are fools who will publish my stuff...." Signed "Milicent".<p>The original mailing envelope is stapled to the letter together with an 11-1/2 inch high by 8- 1/2 inch wide sheet of paper upon which are photocopied three of her film, music and literary reviews.<p>Additionally attached is a 4-page proof, on 11 inch high by 8-1/2 inch wide paper, of Dr. Foxe's essay "Murder". The heavily corrected proof is preceded by a brief biography of the psychiatrist at the top of the cover page. An annotation requesting a "galley proof" is penned by Dr. Foxe on the cover page. Typed and penned strike-outs and ink corrections in DR. FOXE'S HAND abound and several paragraphs are clipped and pasted onto the pages. One such paragraph reads: "But what is the cause of murder? The cause of murder is the same as that which causes other crime--the variants being in quantity, situation and coloring. The three causes of crime are, 1-violence done to the child by those around it, parents, grandparents, brothers, sisters, and less frequently non-members of the family. Sustained violence, less frequently, later in life, may have a similar effect, 2- Sanction given the criminal act in childhood by a major parent or equivalent figure. (The mother who sanctions thefts for the household, even if needed, is an example) 3- a general lack of leaven in the family or early childhood situation- warmth, consideration, thought." We've been unable to determine if Dr. Foxe's essay was ever published.<p>Milicent Tryon's letter is in near fine condition, folded for mailing with but minor creases to the corners. Dr. Foxe's manuscript, with its pasted paragraphs and corrections, is in used but nonetheless good condition. <p>Although little information is available about this fascinating woman, she was responsible for replacing the word "sex" with the word "gender" in legal briefs and law. At the invitation of Dean Michael Sovern, Ruth Bader Ginsburg accepted a position at Columbia University in 1972, becoming the Law School's first tenured woman professor. Having successfully argued gender discrimination cases before the Supreme Court, a cause that she continued at Columbia, she became a "Superstar". According to Professor Hans Smit, "She was the only member of the faculty who taught the law that she created." In an April 10, 2009 interview with Professor Deborah Jones Merritt & Professor Wendy Webster Williams, Supreme Court Justice Ruth Bader Ginsburg recalled her time at the school: "Students went through the U.S. Code chapter-by-chapter and reported on the laws that differentiated on the basis of, we say 'gender' now, we said 'sex' then." Prompted by Professor Williams' statement: "We say 'gender' now because of your secretary." Justice Ginsburg replied: "Well, I changed because of her prompt. Other people did for different reasons. But, for me it became altogether clear when my secretary at Columbia said, 'I'm typing these briefs for you and jumping out all over the page is 'sex, sex, sex.' Don't you know that for the male audience you are addressing, the first association of the word 'sex' is not what you're talking about. So, why don't you use a grammar book term? Use 'gender.' It has a neutral sound, and it will ward off distracting associations.' Milicent Tryon was my astute secretary then, and from that day to this, I've used gender." Following that statement Professor Williams observed: "And the Court picked it up."

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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        Kritischer Kalender. 1973.

      München, Bruckmann 1972. Mit 27 Abb. nach Lithographien von A. Paul Weber und einer Orig.-Zeichnung des Künstlers. Unpag. Gr.-8vo. OPp.-Einband. Mit einer Orig.-Zeichnung in Faserstift von A. Paul Weber (signiert und datiert \"18.11.72.\") auf dem fliegenden Blatt. Auf dem fliegenden Vorsatz zudem gewidmet \"D.E. von apw.\" - Einband mit kleinen Gebrauchsspuren. Sonst von guter Erhaltung Versand D: 5,00 EUR A. Paul Weber, Karrikatur, Satire, Zeichnung, Handzeichnungen 20. Jahrhundert

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        Amanecer en el delta del Parana' e altre poesie

      Milano , M'ARTE, Immagini e testi 1972 - Con 2 litografie originali a colori, numerate e firmate, di Rufino Tamayo (cm 28x38). Riproduzione del manoscritto firmato da Asturias. Note bio-bibliografiche e foto di Asturias di Henri Cartier-Bresson. Poems by Miguel Angel Asturias, accompanied by two numbered and signed lithographs by Rufino Tamayo (cm 28x38). Reproduction of the manuscript with an original signature by the poet. Photos in black and white by Henri Cartier-Bresson. Folio. pp. 64 nn. . Ottimo (Fine). . Edizione originale di 129 + XIV es. numerati. . Rilegato tela, custodia (cloth, slip-case) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Gennaio a Kyoto

      Milano , M'ARTE, Immagini e testi 1972 - Con 2 acqueforti originali a colori, numerate e firmate, di Masuo Ikeda (Landscape - Antique Woman, cm 38x28). Facsimile del manoscritto originale, in ideogrammi giapponesi, con firma autografa del poeta. Versione inglese di Junzaburo Nishiwaki, versione italiana di Mary de Rachewiltz. A poem by Junzaburo Nishiwaki accompanied by two numbered and signed etchings by Masuo Ikeda (Landscape - Antique Woman, cm 38x28). Italian translation by Mary de Rachewiltz and English translation by the Author. Reproduction of the Japanese manuscript with an original signature by the poet. Cm 40x29. pp. 44 nn. . Ottimo (Fine). . Edizione originale di 149 es. numerati. . Rilegato tela, custodia (cloth, slip-case) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        An Maidon. Zum Schicksal der Religion

      Milano , M'Arte,, Immagini e testi 1972 - Un scritto filosofico ed una poesia, inediti in Italia, di Horkheimer con due acqueforti originali, numerate e firmate, di Giuseppe Guerreschi (cm 30x20). Lastre originali donate alla Calcografia Nazionale. Riproduzione del manoscritto originale di An Maidon firmato dall'Autore. Scritti di Grytzko Mascioni e Enzo Paci. Note bio-bibliografiche. Traduzione di Ervinio Pocar. A philosophic essay and a poem, still unpublished in Italy, by Max Horkheimer, accompanied by two numbered and signed etchings by Giuseppe Guerreschi (cm 30x20). Reproduction of the manuscript with an original signature by the poet. Texts by Grytzko Mascioni and Enzo Paci. Folio. pp. 42 non numerate. Firma autografa dell'Autore (Signed by the Author). Ottimo (Fine). . Edizione originale di 149 es. numerati. . Rilegato tela, custodia (cloth, slip-case) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Collection of belongings from a british citizen who became a Tibetan Monk in the 1970's under Lama Zopa Rinpoche and Lama Yeshe. The collection contains: 1. A work of japanese calligraphy with 48 original watercolour calligraphy sheets (Quarto size) and twelve examples of ideal paper sheets for Calligraphy (from Unryu , Sekishu, Netsume to Mulberry to others). 2. An original typescript of Teachings by Thubten Zopa Rinpoché called "Bodhicitta" / 3. An original stapled pamphlet called "Heart Sutra" / 4. An original pamphlet "3- Essential Zen Texts" printed by "The Cosmic Beggar Free Press" containing: "Preliminary Prayers", "The Chant in Praise of Zazen" by Hakuin Zenji, "The Hsin-Hsin Ming" - "Trust in Mind" by Tsen-Tsan, "The Heart Sutra" b

      Bodhgaya 1972 - Bodhgaya, c.1972. Octavo. Softcover. Very good condition with only minor signs of external wear. From the library of tibetan monk Harry Luke [grandson of british diplomat Sir Harry Luke (nee Lukach) and son of british writer Peter Luke]. Sprache: English Very good condition with only minor signs of external wear. From the library of tibetan monk Harry Luke [grandson of british diplomat Sir Harry Luke (nee Lukach) and son of british writer Peter Luke]. [Attributes: Soft Cover]

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        La Notte (dai Canti Orfici).

      Castiglioni & Corubolo, 1972. In-4°, legatura editoriale in mezza pelle granata scuro, col nome dell'autore in oro al dorso, acetato protettivo e astuccio muto editoriali, taglio superiore dorato, pp. 31(9), di cui le ultime sette bianche. Raffinata bellissima edizione - con molte vignette e due illustrazioni a piena pagina a colori intercalate nel testo - realizzata in solo ottanta copie numerate, di cui alle prime ventuno si univa una cartella con due dei linoleum del libro impressi con colori diversi. Il nostro esemplare è uno di questi (Numero 19) - la suite dei due linoleum è contenuta nella cartella e nel foglio di giustificazione originali. Ottimo stato di conservazione di questa rara bellissima edizione di uno dei massimi capolavori della poesia italiana. Alberto MANFREDI (Reggio Emilia, 1930 - 2001) è stato pittore e incisore, assistente di Mino Maccari all' Accademia di Belle Arti di Roma e poi, per molti anni, titolare della cattedra di Tecniche dell' incisione a Firenze (e a Firenze aveva esposto varie volte, alle gallerie Pananti e Santo Ficara). Alla sua attività di pittore aveva da sempre affiancato quella di illustratore, anche collaborando a riviste come «Il Gatto Selvatico» di Attilio Bertolucci o come «L' Espresso», ma soprattutto con la realizzazione di stampe originali per molte edizioni d' arte, fra cui le «Memorie lontane» di Guido Nobili stampate dall' Officina Bodoni di Mardersteig per conto dei Cento Amici del Libro, il Dialogo dello Zoppino pubblicato da Gino Nebiolo nelle sue edizioni «All' Insegna del Lanzello», «Il pinguino senza frac» di Silvio D' Arzo, riproposto poi da Einaudi. Amato da scrittori come Bufalino, Sciascia, Bilenchi, e da critici come Pallucchini, Ragghianti, Valsecchi, la sua arte si è sempre mantenuta distante dalle mode, ricercando in se stessa («è fra i pochi pittori che sanno ancora disegnare», diceva di lui Maccari) e nelle sue scaturigini protonovecentesche - da Degas a Beckmann, da Modigliani a De Pisis - le proprie ragioni espressive.

      [Bookseller: Daris S.R.L.]
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        A Theory of Justice.

      Oxford University Press,, London: 1972 - First British edition. Near fine in a near fine dust jacket.; 607 pages [Attributes: First Edition; Hard Cover]

      [Bookseller: Grendel Books, ABAA/ILAB]
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        James and the Giant Peach

      Knopf, USA 1972 - Reprint Circa 1972. Same format as the 1st edition. Signed by the author to the endpaper. Illustrated by Nancy Ekholm Burkert. Book is very good++ and bright. The wrapper is verty good++ and bright. Light rubbing and creasing to top edge. Very un-common to be signed by Dahl. A lovely example. More images can be taken upon request. Ref Size: 4to - over 9¾" - 12" tall [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Lasting Words Ltd]
 25.   Check availability:     AbeBooks     Link/Print  


      Kineticism Press, NY 1972 - Small square 4tos., approximately 100 pp., illustrated from b&w photographs. Illustrated printed wrappers. 4 Issues, Numbers 1-4. Issue No. 4 has faint wrinkling; issues Nos.1 & 2 have slight rubbing at spine, otherwise all issues are very good to near fine. Blank subscription card laid-in. Founded in 1970 by Willoughby Sharp, the publisher, this magazine was devoted to conceptual art. It ceased publishing in 1973 with issue no.13.Although not technically a magazine devoted to photography, conceptual art and artists relied heavily upon photography as the medium of presentation. The artists include, the photographers Skunk-Kender, Carl Andre, Jan Dibbets, Richard Long, Joseph Beuys, Robert Smithson, Bruce Nauman, Terry Fox, Dennis Oppenheim, Richard Serra, Yves Klein, William Wegman, Vito Acconci, Gordon Matta-Clark, Robert Morris, Sol LeWitt, Alice Aycock, Walter DeMaria, Lawrence Weiner, et al.Duplicate of Number 1; slight crease at upper tip of front wrapper, $150.00; and Number 2; shallow creases to front wrapper, $100.00. [Attributes: First Edition]

      [Bookseller: Andrew Cahan: Bookseller, Ltd., ABAA]
 26.   Check availability:     AbeBooks     Link/Print  

        Fifteen Photographs from the San Francisco Art Institute

      San Francisco Art Institute, San Francisco 1972 - #14 of only 100 copies. Plain tan box has some foxing and soiling to upper left corner, but is clean and solid otherwise; photographs are all in excellent condition. They are silver prints (14) and one chromagenic color print, each approximately 5 1/2x7 1/2 inches (14x19 cm.) and smaller, and dry mounted; the most famous photographer being LARRY SULTAN, who was a graduate student at The SF Art Institute at the time. EXTRA POSTAGE [Attributes: First Edition; Hard Cover]

      [Bookseller: Recycled]
 27.   Check availability:     IberLibro     Link/Print  

        Hydrofoil Sailing

      Imprint unknown. Hardcover. 0903238004 Boards have general wear with the corners and spine ends rubbed. Content clean with light foxing to fore pages. Good DJ in protective laminate. Ex-library with all the usual stamps etc. . Good. 1972.

      [Bookseller: Infinitebooks]
 28.   Check availability:     Biblio     Link/Print  


      New York: Benjamin Blom, Inc, 1972. Hard Cover. Near Fine binding. The lovely facsimile issued by Blom in 1972, in tan paper-covered boards, with vellum tips and backed in vellum with lettering in orange. With the publisher's 12 page pamphlet inserted in pocket in the rear of the book. Printed in red and black. Faint spotting to the rear pastedown,and a small stain from the staples in the pamphlet; there is a faint musty odor. The publisher's slipcase is Very Good. Near Fine binding.

      [Bookseller: Black Swan Books, Inc.]
 29.   Check availability:     Biblio     Link/Print  

        Paysage marine avec un Capucin. Seelandschaft mit Kapuziner. Illustré et traduit de l'allemand par Max Ernst.

      Edition Hans Bolliger, Zürich 1972 - Zürich, Edition Hans Bolliger 1972. 34,5x26 cm. 1 Bl., 33 S., 3 Bl. Mit 2 Originallithographien und 6 Collagen. Lose in Originalbroschurdecke in Schuber. Brusberg 174 BP - Spies, Collagen 545, 546. - Originalausage. - Nr. XXX/XXX Exemplaren HC mit 2 handschriftlich numerierten und signierten Originallithographien auf Vélin Rives (GA 607 Exemplare). - Exemplar der Variante mit dem deutschen Text vor dem französischen. Mit einem Nachwort von Werner Spies. - Mit handschriftlicher Widmung von Annemarie und Hans Bolliger im Kolophon. Sprache: N

      [Bookseller: Daniel Thierstein]
 30.   Check availability:     ZVAB     Link/Print  

        Ms. Typoskript mit kl. eigenh. Korrekturen, eh. Widmungsblatt mit U. ("Gottfried") und eh. Begleitbrief. Ramsau am Dachstein, Juni und Juli 1972.

      1972. 9 SS. auf 9 Bll. (Typoskript und Widmungsblatt) bzw. 1½ SS. (Brief). 4to. Aus dem eh. Begleitschreiben an Wolfgang Ploderer: "Da Du in so liebevoller und verständnisreicher Weise Dich meiner künstlerischen Wehen annimmst [...] hier nun eine praktische Bitte: Könntest Du mir einige sorgfältige Ablichtungen beiliegenden Textes machen - drei Exemplare - und samt Original hierher senden lassen? [...] Es handelt sich um den Text für das Oratorium, das ich zum 30jährigen Bestehen der UNO schreiben möchte. Lass bitte nirgends darüber etwas verlauten [...]". - Gottfried von Einems Kantate "An die Nachgeborenen" op. 42 wurde zum 30. Jahrestag der Gründung der UNO am 24. Oktober 1975 in New York uraufgeführt. Interpreten waren Julia Hamari, Dietrich Fischer-Dieskau sowie die Wiener Symphoniker (unter der Leitung von Carlo Maria Giulini) und der Chor der Temple University. Gewidmet war das Werk, dessen vierter Satz die Vertonung von Brechts Gedicht "An die Nachgeborenen" ist, Friedrich Dürrenmatt und dessen Frau Lotti. - Der Brief auf Briefpapier mit gedr. Briefkopf.

      [Bookseller: Antiquariat Inlibris]
 31.   Check availability:     Link/Print  

        Turkish Sketchbook

      Weissenborn. 1972. Spiral bound. Ring-bound sketchbook containing 14 (1 loose) original felt, crayon and watercolour views, each c.350 x 270mm, all signed by the artist in pen. Subjects include 'Road to Ankara' and 'Kursadazi'. .

      [Bookseller: double B books]
 32.   Check availability:     Biblio     Link/Print  

        The Secret Birthday Message

      Crowell, 1972 A first edition, first printing, with the complete row of numbers from 10 to 1 on the title page. Fine in a fine dust jacket with the original price of $4.50 still on the jacket. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bookbid Rare Books]
 33.   Check availability:     Biblio     Link/Print  


      New York: Benjamin Blom, Inc, 1972. Hard Cover. Near Fine binding. The lovely facsimile issued by Blom in 1972, in tan paper-covered boards, with vellum tips and backed in vellum with lettering in orange. With the publisher's 12 page pamphlet inserted in pocket in the rear of the book. Printed in red and black.Faint spotting to the rear pastedown,and a small stain from the staples in the pamphlet; there is a faint musty odor. The publisher's slipcase is Very Good. Near Fine binding.

      [Bookseller: Black Swan Books, Inc. ]
 34.   Check availability:     ABAA     Link/Print  

        Félix Vallotton, catalogue raisonné de l'oeuvre gravé et lithographié. Catalogue raisonné of the printed graphic work.

      Genève, Bonvent, 1972.Fort volume in-4 de XXIII-285-[2] pages, cartonnage illustré, titre au dos, étui de protection en carton gris portant une étiquette. Illustré des 237 estampes de Félix Vallotton répertoriées et décrites, et parfois du dessin préparatoire ou des variantes de tirage. Ouvrage bilingue français-anglais. Sur les 2050 exemplaires sur papier couché blanc mat, un des 2000 non numérotés de l'édition originale.

      [Bookseller: La Librairie Ancienne Alexandre Illi Bom]
 35.   Check availability:     Livre-rare-book     Link/Print  


      Non précisé. 1972. In-4 Carré. En feuillets. Bon état. Couv. convenable. Dos satisfaisant. Intérieur bon état. 27 plaques en métal gravé servant à l'impression de clichés photographiques. Avec planches photographiques (tirages) correspondantes (sur mauvais papier légèrement jauni). Avec Bon de livraison (Imprimerie Wallon, Vichy, n° 08674, 20 jan. 1972, à M. Jouventin). 'N° 4-71, Article Jouventin'. '5 clichés non utilisés'. Manchots. Graphiques. Tableaux.

 36.   Check availability:     Livre-rare-book     Link/Print  

        Claes Oldenburg-Lake Union Seattle Festival-1972 Offset Lithograph-SIGNED

      1972 - "Lake Union Seattle Festival" by Claes Oldenburg, Signed Offset Lithograph printed in 1972 from an edition size of 189. The overall size of the Offset Lithograph is 36.5 x 24.5 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Offset Lithograph: Signed and numbered out of 189 by Claes Oldenburg. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
 37.   Check availability:     AbeBooks     Link/Print  

        Paul Wunderlich. »Sfumato pour Claes Oldenburg«

      - Farblithografie, 1972. 66 x 50,5 cm

      [Bookseller: Frölich und Kaufmann]
 38.   Check availability:     ZVAB     Link/Print  

        Fait divers, faits éternels

      Paris, G. Visat 1972/74 - Fol., 7 Bogen u. 7 signierte und num. Farbradierungen von Hans Richter (1888-1975) - Chemise, Olwd.-Mappe, Olwd.-Schuber - Eines von 79 (ges. 124) num. Exemplaren auf Bütten. - Erstmals veröffentlichte Texte von Guy Rosey mit einer dafür geschaffenen Folge Farbradierungen mit Aquatinta. - ars libri 141, 109. nicht bei Monod [Attributes: Hard Cover]

      [Bookseller: Antiquariat Dietrich Schneider-Henn]
 39.   Check availability:     ZVAB     Link/Print  

        Minuit. Revue Périodique.

      Paris, Editions de Minuit, 1972 - 1982. 50 Hefte / 50 Issues. Ill. OKart. N° 1 - 50. OKart. teils lt. gebräunt und lt. berieben. Insgesamt gute Exemplare. Versand D: 2,00 EUR

      [Bookseller: Antiquariat Thomas Vinke]
 40.   Check availability:     Link/Print  

        Etchings illustrating Chaucer's 'Canterbury Tales.'

      Waddington Galleries, London 1972 - 19 original etchings with aquatints in black by Elisabeth Frink, printed on J. Barcham Green paper. One of the hors de commerce copies, being 25 copies lettered andered D276-D300 (of a total edition of 300 issued in three different types of edition), signed and numbered by the artist (this D284). Introduction and Translation by Nevill Coghill. Very large folio. (648 x 928 mm). Pp.189, loose as issued in the publisher's original green buckram portfolio with image of a hawk by Frink on the upper cover in gilt, portfolio with some wear and one tie missing and some staining to the inside of the portfolio and the recto only of the first blank, internally very good and clean. Elisabeth Frink (1930-1993) is widely recognised as the greatest British sculptor of her generation and established as a printmaker of major importance. Her Canterbury Tales is a monumental book with superb full-page etchings by Elisabeth Frink depicting the figures, animals and birds that characterise her work. The 310 gram watermarked paper used was specially made by J Barcham Green of pure cotton, the etchings were printed by Cliff White at White Ink Ltd., London. Frink's 19 etchings illustrate The Prologue, The Knight's Tale, The Miller's Tale I, The Miller's Tale II, The Reeve's Tale, The Shipman's Tale, The Prioress's Tale, Chaucer's Tale of Sir Topaz, The Nun's Priest's Tale, The Physician's Tale, The Pardoner's Tale, The Wife of Bath's Tale, The Summoner's Tale, The Clerk's Tale, The Merchant's Tale, The Squire's Tale, The Franklin's Tale, The Second Nun's Tale and The Manciple's Tale. [Attributes: Signed Copy; Hard Cover]

 41.   Check availability:     AbeBooks     Link/Print  

        In a People House

      Random House, 1972 A near fine first edition in a very good dust jacket, with a one inch closed tear and a crease on the front panel and the original price of $2.50 on the front flap. Housed in a custom-made collector's slipcase. Meets all of the first issue points in the Younger Guide. One of the scarcest of the Seuss books, published under his pseudonym Theo. LeSieg, which is his real name, Geisel, spelled backwards.. 1st Edition. Hardcover. Near Fine/Very Good.

      [Bookseller: Bookbid Rare Books ]
 42.   Check availability:     ABAA     Link/Print  


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