Displayed below are some selected recent viaLibri matches for books published in 1971

JACOBSEN, ROBERT - IRVE, BENT & OLE OLSEN.
        Lazarus-notater.
      Med 16 originallitografier af Robert Jacobsen. Brøndum, København 1971. Upagineret. Indbundet i et unikum-bind udført af Robert Jacobsen og bogbinderen Ole Olsen i fællesskab. Bindet er et papirbind, hvor overtrækspapiret er et originalt kunstværk af Robert Jacobsen udført i akvarel med en hvid grundfarve og farverne rød, grøn, blå, orange, gul og sort. Rygtitlen er forgyldt og bogblokken er ubeskåret. Bindet er signeret øverst på forreste inderperm i guld: 'Ole Olsen 1974 Co'libri - Robert Jacobsen'.. Helt unik og flot bogbind og kunstværk af bogbinderen Ole Olsen og kunstneren Robert Jacobsen. Et af Ole Olsens bidrag til bogbinderkunsten var ideen om, at lade kunstnere udføre et originalt kunstværk på det overtrækspapir, der dækker bogens bind. Bogen bliver på den måde et helt unikt kunstnerisk udtryk, hvor kunst og håndværk mødes på frodigste vis. Ole Olsen samarbejdede med flere kunstnere om at udføre unikke bind - Svend Wiig Hansen, Leif Lage, Austin Grandjean, Helge Ernst og ikke mindst Robert Jacobsen. I 1974 blev flere af bindene vist frem på udstillingen 'Kunstnere skaber bogbind', der var den første af sin art i Danmark og som helt berettiget vakte opsigt

      [Bookseller: Vangsgaards Antikvariat]

Mirò Joan (Barcellona 1893 - Palma di Maiorca 1983)
        Le lizard aux plumes d'or VIII
      Litografia originale a colori, mm.476x330 relativi alla sola parte incisa, tratta dalla cartella di Mir¢ "Le lézard aux plumes d'or"composta da una serie di 13 litografie illustranti poemetti chirografati dello stesso Mirò. La cartella fu stampata in 195 esemplari numerati (numerata la cartella ma non le litografie). Filigrana riproducente la firma di Mirò. Ottima conservaz.

      [Bookseller: Taberna Libraria]

NIELSEN, Virginia and Ursula Koering
        [Original art and related Archive]: Adassa and Her Hen
      David McKay Philadelphia: David McKay. (1971). Archive of original and related material created for the 1971 children's book about a young black girl from Jamaica attempting to save her pet hen Coco from becoming coq au vin. Her efforts lead her unexpectedly to a meeting with the President of Jamaica. All material fine with the exception of a supplied copy of the finished book, good with moderate dampstains to the boards in very good original dustwrapper. Ursula Koering was a New Jersey artist who graduated from the Philadelphia College of Art and illustrated over 200 children's books including Trucks At Work (1946) by Mary Elting; Slappy Hooper: the Wonderful Sign Painter (1946) by Arna Bontemps and Jack Conroy; The First Book of Negroes (1952) by Langston Hughes; and The Long Year (1969), Ester Wier's follow-up to her Newbery Medal-winning book, The Loner (1963). A very nice archive illustrating the publication of a children's book from manuscript to preliminary mock-up to finished art work. Further details upon request. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]

[Goya, Francisco] Sayre, Eleanor
        Late Caprichos of Goya: fragments from a series
      FREE domestic or international shipping with direct order. **New York: Walker, in association with the Department of Printing and Graphic Art, Harvard College Library, 1971. Frontispiece & 32 illustrations on 31 plates. + 46 pp. (including 12 figures). Full leather. 29 x 20 cm. PLUS a double suite of the 6 original etchings (12 total) loose in blue cloth folding case. All housed in 1/4-leather & blue cloth clamshell case. Very fine. **Copy XII of only 25 copies containing the double suite of 6 original etchings in their first and only public edition (plus 125 copies with the single suite). The three double-sided copper plates from which the plates were printed passed from Goya's grandson Mariano to John Savile Lumley, then to Colnaghi, from whom Philip Hofer acquired them in the 1930s. He, in turn, gave them in 1970 to the Museum of Fine Arts, Boston, after the present edition of 150 sets had been printed. The Museum's policies absolutely prohibit any further edition. The few proofs pulled by earlier owners are scrupulously described in Eleanor Sayre's superb catalogue.

      [Bookseller: Laurence McGilvery ]

Frazetta, Frank
        National Lampoon Cover--original Watercolor Rough for the Cover Art
      Lampoon Lampoon, 1971. Frame Fine (Our Highest Grade). Art Fine (our Top grade)./Mat and Frame Fine (top grade). Original Watercolor Art. Original Art, Signed, Framed. Signed by Artist. Image: 4 1/4 x 7 1/2"; Frame: 23 1/2 x 23 1/2 ". Original Watercolor Rough for National Lampoon Cover, April 1971 SIGNED at the bottom, "Frazetta" and dated "JAN 71". Pale yellow ½-inch fillet inside narrow dark red fillet, with white linen mat and gilt bead inside gilt frame under glass. Image size: 4 ¼ x 7 ½ inches. Frame size: approximately 23 ½ x 23 ½ inches..

      [Bookseller: Barry R. Levin Science Fiction & Fantasy]

HUGHES, Ted.
        EAT CROW.
      1-21pp. Frontispiece by Leonard Baskin. Original full calf with cloth slipcase. Small quarto. Number 133 of a limited edition of 150 copies signed by the author. Some light spotting on endpapers; gilt on spine mellowed as usual; else a fine copy.

      [Bookseller: David Miles]

GOREY, Edward
        Three Books from the Fantod Press: The Deranged Cousins; The Untitled Book; The Eleventh Episode
      The Fantod Press New York: The Fantod Press. (1971). First. First edition. Three volumes in stapled wrappers, in publisher's printed envelope as issued. Books are as new; the envelope is near fine with minimal edgewear. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]

Coca Cola.
        Coca cola. lotto di 34 assegni con data: 1906, 1907, 1909, 1915, 1916, 1917, 1919, 1920, 1925, 1928, 1929, 1930, 1931, 1932, 1935, 1936, 1945, 1960, 1962, 1965, 1971, 1973.
      collezione di 34 assegni originali della Coca Cola; gli assegni sono tutti diversi e sono in ottimo stato (vedi immagine allegata); date assegni: 1906, 1907, 1909, 1915, 1916, 1917, 1919, 1920, 1925, 1928, 1929, 1930, 1931, 1932, 1935, 1936, 1945, 1960, 1962, 1965, 1971, 1973.

      [Bookseller: Soffientini Gianni]

TROVA, ERNEST. (1927 ? 2009) American surrealist and pop art painter and sculptor. Best known for his signature image and figure series, The Falling Man,
        Group of Eleven A.L.S., with envelopes, nine 4to; two 8vo; one 12mo, Saint Louis, MO, 1967-1971
      RD. Letters sent to Lola Pergament in NY about art items popularized by comic characters (roll paper, watches, postages), which Trova was interested to buy for his collection. Letters sigined in full, "Ernest Trova." ? Thanks for informing me of the Mickey+Donald wall paper. Could I have a roll of each?? The letter on personal stationery, dated on Oct 12, 1971 reads, "Any way I do hope you will let me know if you can find me also items, movie star jewelery, rings, bracelets, necklaces of Frank Sinatra, Elvis Presley etc?.?; The letter dated on Oct 22, 1967 reads, ? I am interested in buying Mickey Mouse watches, Shirley Temple wrist watch??; Letter of March 29, 1968 reads, ??I will wait till you find the radio items to complete my collection??; Letter on Nov 13, 1967 reads, ? Thank you for Buck pin?. I do want the Duck Tracy pin??; Letter on Nov 2, 1967 reads, ??I would also be interested in a Tom Mix ring and other small items popularized by comic characters of the 1930?s??; Letter dated July 22, 1968 reads, ?Thank you for informing me of the Mickey + Donald wall paper. Could I have a roll of each??; Letter of Dec 4, 1968 reads, ?Dear? thank you for writing. I do have these two rolls but I will use them for trade include $ 12.00 + postage??.

      [Bookseller: David Schulson Autographs ]

[GOREY, EDWARD]. Allais, Alphonse
        Story for Sara. What Happened to a Little Girl
      Albondocani Press NY: Albondocani Press, 1971. Oblong 12mo. (18)ff. One of twenty-six lettered copies, signed by Gorey. An ironic tale, illustrated Gorey's characteristic drawings. What happened to the little girl was not very nice, but then again, neither was she. Some slight fading to spine and the faintest trace of soil to front cover, else very fine in yellow illustrated wrappers. (Toledano A41a).

      [Bookseller: Bromer Booksellers ]

        FOLON. Musée des Arts Décoratifs - Paris - Du 10 décembre 1971 au 10 février 1972.
      In-8 oblungo (mm. 240x320), cartoncino edit. illustr. a colori, 68 pp.nn. Catalogo della mostra, con una breve introduzione di François Mathey e alc. ill. in b.n. incluso ritratto dI Jean-Michel Folon (1934-2005); al fine ?testimonianze?, lista delle opere esposte e biografia dell?artista belga. Vi sono riprodotte a colori: 14 ?affiches et couvertures? e 11 + 12 (a p. pag.) ?aquarelles et encres de chine? realizzati fra il 1968 e il 1971. Il ns. esempl. porta al frontespizio una affascinante dedica con disegno autografo dell?A. che continua su altre 4 pagine. La dedica è per lo scrittore Giorgio Soavi col quale l?artista realizzò numerosi progetti per Olivetti a partire dal 1967. Ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]

MAXWELL, William
        Ancestors
      New York: Alfred A. Knopf. (1971). First. First edition. Fine in very good plus dustwrapper with a little rubbing and a couple of tiny nicks. Novel set in Ohio in 1818. Warmly Inscribed by the author to his fellow editor at The New Yorker Rachel MacKenzie: "For Rachel with love, Bill. June 21, 1971." Rachel MacKenzie replaced Katherine White as the fiction editor at The New Yorker on the recommendation of May Sarton. During her tenure at the magazine MacKenzie was noted for her nurturing and editing of, among others, Sarton, Philip Roth, Muriel Spark, and especially Isaac Bashevis Singer. MacKenzie's enthusiasm led to the magazine devoting an entire issue to Spark's The Prime of Miss Jean Brodie. However, the magazine wouldn't publish Goodbye, Columbus as she recommended because William Shawn was too squeamish over the more "frank" aspects of the novella. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]

MacDonald, John D
        Pale Gray for Guilt (First American Hardcover Edition)
      Philadelphia: J. B. Lippincott, 1971. First American edition in hardcover in a first issue jacket, with a code of 971 at the top right corner of the front flap, and a price of $5.50 at the bottom of same. Near Fine in a bright, Near Fine dust jacket. Bookplate on the front endpaper; jacket is a bit rubbed at the folds. Overall, an unusually sharp copy of one of the scarcest Travis McGee hardcover titles.

      [Bookseller: Royal Books, Inc. ]

PUZO, Mario and Francis Ford Coppola
        [Screenplay]: The Godfather: Screenplay by Mario Puzo and Francis Ford Coppola
      New York: Paramount Pictures. 1971. Original screenplay. Third draft. Dated March 29, 1971 (the date principal photography began). 143pp. Unbound mimeographed sheets printed rectos only, with related material. A script used by the studio to prepare the television version, this is accompanied by 1) a four page mimeographed memo marked: "Master Copy -- Showing Actual Changes Made", apparently intended to make the film televisable, for instance: "21' - Caan balls wedding guest against bedroom door - pick up scene as Duvall knocks on door, Caan and girl are then in freeze position - continue scene (with girl's off camera 'Oh Sonny!' but WITHOUT the orgasmic moans and sighs) after Caan says he will join Duvall in a minute. (Recommended cuts will be made) (Also after cuts made 'Oh Sonny' didn't make sense and Coppola agreed to cut)." Also: "31' - greatest piece of ass I've ever had. (Cut 'ass' only) (Changed to 'greatest piece of stuff')." Also with 2) Single photocopied sheet printed recto only of Coppola's introduction to the film indicating, in part: "I was pleased to have the opportunity to personally supervise the revisions, working with NBC so that this film could be viewed on television." Slight age-toning and light wear at the extremities, paperclips on the pages where changes have been made with pencil notes, else a near fine copy. The bestselling novel was made into one of the most acclaimed blockbuster films, directed by Francis Ford Coppola and featuring Marlon Brando, Al Pacino, James Caan, Robert Duvall, and many others. The Godfather was first nationally broadcast on NBC in November, 1974, a month before the theatrical debut of the equally acclaimed The Godfather: Part II. In 1977 a more elaborate, chronological portrayal of the Corleone epic (combining this film, its sequel, and numerous cut scenes) was edited and televised as The Godfather Saga (reportedly in order to raise funds for Coppola's Apocalypse Now). .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]

AUDUBON, John James (1785-1851)
        Wild Turkey, Female and Young. From "The Birds of America" (Amsterdam Edition) [Pl. 6]
      Amsterdam and New York: Johnson Reprint Corporation and Theatrum Orbis Terrarum, 1971-72. Colour-printed lithograph, on fine hand-made paper. Excellent condition. 25 1/4 x 38 inches. 26 3/4 x 39 7/8 inches (approx). In October 1971, employing the most faithful printing method available, the best materials and the ablest craftsmen of their age, the Amsterdam firm of Theatrum Orbis Terrarum Ltd., in conjunction with the Johnson Reprint Corporation of New York, set out to produce the finest possible limited edition facsimile of the greatest bird book ever printed: the Havell edition of John James Audubon's well-loved "Birds of America". The Curators of the Teyler's Museum in Haarlem, Holland made their copy of the original work available for use as a model. The Museum, founded in 1778, bought their copy through Audubon's son as part of the original subscription in 1839. After long deliberation, the extremely complex but highly accurate process of colour photo-lithography was chosen as the appropriate printing method. The best exponents of this art were the renowned Dutch printing firm of NV Fotolitho Inrichting Drommel at Zandvoort who were willing to undertake the task of printing each plate in up to eight different colours.The original Havell edition was published on hand-made rag paper and the publishers were determined that the paper of their edition should match the original. Unhappy with the commercially available papers, they turned to the traditional paper manufacturers G. Schut & Zonen (founded in 1625), who, using 100% unbleached cotton rags, were able to produce a wove paper of the highest quality, with each sheet bearing a watermark unique to the edition: G. Schut & Zonen [JR monogram] Audubon [OT monogram].The publishers and their dedicated team completed their task late in 1972 and the results of these labours were affectionately known as the "Amsterdam Audubon." 250 copies were published and sold by subscription, with the plates available bound or unbound. Given all this careful preparation, it is not surprising that the prints have the look and feel of the original Havell edition.John James Audubon was born in Les Cayes, Haiti on 26 April 1785. From 1788 to 1803 he lived in France until he was sent to the United States to manage an estate that his father had bought in Pennsylvania. He returned to France in 1805, but his fascination with the United States had taken root and he returned again in May 1806. He married Lucy Bakewell in 1808 and together they embarked on a difficult period financially that was only to be resolved, through Audubon's unshakable and justified belief in his own abilities, with the publication of his masterpiece in 1827-1838."The Birds of America" is the single greatest ornithological work ever produced and is the realization of Audubon's dream of traveling throughout the United States recording, natural size, every native bird then known. The 435 double-elephant folio sized plates, printed by the Havells of London, depict some 1,065 different species, the majority drawn from specimens that Audubon himself had captured.The Havell edition was expensive at the time of publication and this has not changed. Possibly the last complete copy which will ever appear on the market sold for a staggering $8,802,500 in a sale in New York in March 2000. Currently, the increasingly rare individual plates from this edition, when they do appear, generally sell for between $5,000 and $175,000 depending on the image. The quality of the Amsterdam Audubon plates is apparent to any discerning collector and it is becoming ever clearer that they offer the most attractive alternative to the Havell edition plates, given the latter's spiraling prices. Cf. Zimmer, p. 22; cf. Bennett, p. 5; cf. Fries, Appendix A; cf. Wood, p. 208; cf. Nissen IVB 51; cf. Sabin 2364; cf. Ripley 13; cf. Tyler, Audubon's Great National Work, 1993, Appendix I.

      [Bookseller: Donald Heald Rare Books ]

MARSHALL, James
        [Original Drawings]: Cavafy Poems
      (1971). First. Five original pen and ink and watercolor illustrations. One is Initialed, the others unsigned. Loose sheets, 9" x 12" each. Slight soiling, else fine. From a 1971 portfolio of drawings, at the very beginning of his career as a professional children's author/illustrator. Very nice. Marshall was a very prolific author and illustrator of children's books including the Caldecott Honor book Goldilocks and the Three Bears, The Three Little Pigs, and his popular George and Martha series. His friend Maurice Sendak remarked that Marshall, who died in 1992 at age 50, was "uncommercial to a fault." .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]

OZICK, Cynthia
        The Pagan Rabbi and Other Stories
      Alfred A. Knopf New York: Alfred A. Knopf. 1971. First. First edition. Fine in a very near fine dustwrapper with slight rubbing, and a little age-toning on the rear panel. Presentation copy, with a card laid into the book, as well as Inscribed by the author to Norman Mailer: "For Norman Mailer, a pagan rabbi. With esteem, Cynthia Ozick. May 2, 1971." Author's second book, with a great association. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]

Thompson, Hunter S.;Steadman, Ralph, illustrator
        Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
      Random House New York:: Random House,, 1971.. First Edition. Hardcover. Book fine, Dust jacket fine.. Bound in publisher's original quarter black cloth and grey paper covered boards with the spine stamped in silver and the front cover stamped in blind. A spectacularly fresh copy of the book without the frequently found sun fading in a flawless dust jacket. Image available on request.

      [Bookseller: James & Mary Laurie Booksellers (A.B.A.A]

SHEPHERD, Jean
        Wanda Hickey's Night of Golden Memories and Other Disasters
      Doubleday New York: Doubleday. 1971. First. First edition. Fine in a spine-tanned, else very good dustwrapper. Signed by the author and dated in the year of publication. Very uncommon signed. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]