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Displayed below are some selected recent viaLibri matches for books published in 1971
Sergei Yesenin 1895-1925 (n.p.): Sumac Press. [ca. 1971]. Broadside poem, 6" x 9", memorializing Yesenin, and dedicated "to D.G.," Harrison's co-founder of Sumac, Dan Gerber. This is the first poem in Harrison's collection Letters to Yesenin. One of 33 copies only according to Harrison, although Gerber has put the number between 80 and 100 copies; still, one of the rarest Harrison "A" items. Unmarked, but from the library of Peter Matthiessen, a longtime friend of Harrison. And together with Dan Gerber's own Sumac Press broadside, Sources. The Gerber broadside, also 6" x 9", has a little edge-foxing, otherwise both items are fine. First Edition. No Binding. [Bookseller: Ken Lopez Bookseller, ABAA] 
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Late Caprichos of Goya Fragments from a Series Commentary and Notes by Eleanor Sayre. - New York: Philip Hofer, 1971. Slim small folio, 46pp. With a frontispiece and 32 illustrations. Original full brown morocco by Arno Werner, the extra suite of plates in a cloth folder, all contained in a quarter brown morocco clamshell box. The second suite of plates are archivally matted and framed. Limited edition, this being number VIII of XXV super de luxe copies, with 2 additional suites of original prints, from an edition limited to 150 copies. This super de luxe edition includes a double suite of the 6 original etchings (12 total) six of which are loose in a blue cloth folding case and 6 of which are beautifully framed. The three double-sided copper plates from which the plates were printed passed from Goya's grandson Mariano to John Savile Lumley, then to Colnaghi, from whom Philip Hofer acquired them in the 1930s. He, in turn, gave them in 1970 to the Museum of Fine Arts, Boston, after the present edition of 150 sets had been printed by David Godine. No further prints will ever be pulled from these plates. They depict "Warlock", "Witch", two "Majas" and two "Smugglers". [Attributes: Hard Cover] [Bookseller: John Windle Antiquarian Bookseller, ABAA]
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Crossing the Water (UCP) Faber, London 1971 - Some faint moisture mottling on front cover next to spine and on spine, corners slightly bumped, and tanning of the covers along the margins. Poems, published by Ted Hughes eight years after Plath's death. 64 pages. [Attributes: First Edition; Soft Cover] [Bookseller: Purpora Books]
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EL HINCHABLE DE IBIZA Edición cultural del Monsanto Ibèrica, IBIZA 1971 - EL HINCHABLE DE IBIZA Edición cultural del Monsanto Ibèrica -1971 IBIZA ¿ 1971 / JOSE PONSATÍ JOSE PONSATÍ ¿ EL HINCHABLE DE IBIZA ¿ 32 PÁGINAS DESPLEGABLES Y UN POSTER ¿ Poster 70 x 33 ¿ Escrito en Castellano Inglés y Catalán ¿ Extraordinario e innovador dossier con estructura desplegable. [Attributes: Soft Cover] [Bookseller: NOSTROMO2]
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American Flamingo. From "The Birds of America" (Amsterdam Edition) Amsterdam and New York: Johnson Reprint Corporation and Theatrum Orbis Terrarum, 1971. Colour-printed lithograph, on fine hand-made paper. Excellent condition. In October 1971, employing the most faithful printing method available, the best materials and the ablest craftsmen of their age, the Amsterdam firm of Theatrum Orbis Terrarum Ltd., in conjunction with the Johnson Reprint Corporation of New York, set out to produce the finest possible limited edition facsimile of the greatest bird book ever printed: the Havell edition of John James Audubon's well-loved "Birds of America". The Curators of the Teyler's Museum in Haarlem, Holland made their copy of the original work available for use as a model. The Museum, founded in 1778, bought their copy through Audubon's son as part of the original subscription in 1839. After long deliberation, the extremely complex but highly accurate process of colour photo-lithography was chosen as the appropriate printing method. The best exponents of this art were the renowned Dutch printing firm of NV Fotolitho Inrichting Drommel at Zandvoort who were willing to undertake the task of printing each plate in up to eight different colours. The original Havell edition was published on hand-made rag paper and the publishers were determined that the paper of their edition should match the original. Unhappy with the commercially available papers, they turned to the traditional paper manufacturers G. Schut & Zonen (founded in 1625), who, using 100% unbleached cotton rags, were able to produce a wove paper of the highest quality, with each sheet bearing a watermark unique to the edition: G. Schut & Zonen [JR monogram] Audubon [OT monogram]. The publishers and their dedicated team completed their task late in 1972 and the results of these labours were affectionately known as the "Amsterdam Audubon." 250 copies were published and sold by subscription, with the plates available bound or unbound. Given all this careful preparation, it is not surprising that the prints have the look and feel of the original Havell edition. John James Audubon was born in Les Cayes, Haiti on 26 April 1785. From 1788 to 1803 he lived in France until he was sent to the United States to manage an estate that his father had bought in Pennsylvania. He returned to France in 1805, but his fascination with the United States had taken root and he returned again in May 1806. He married Lucy Bakewell in 1808 and together they embarked on a difficult period financially that was only to be resolved, through Audubon's unshakable and justified belief in his own abilities, with the publication of his masterpiece in 1827-1838. "The Birds of America" is the single greatest ornithological work ever produced and is the realization of Audubon's dream of traveling throughout the United States recording, natural size, every native bird then known. The 435 double-elephant folio sized plates, printed by the Havells of London, depict some 1,065 different species, the majority drawn from specimens that Audubon himself had captured. The Havell edition was expensive at the time of publication and this has not changed. Possibly the last complete copy which will ever appear on the market sold for a staggering $8,802,500 in a sale in New York in March 2000. Currently, the increasingly rare individual plates from this edition, when they do appear, generally sell for between $5,000 and $175,000 depending on the image. The quality of the Amsterdam Audubon plates is apparent to any discerning collector and it is becoming ever clearer that they offer the most attractive alternative to the Havell edition plates, given the latter's spiraling prices. Cf. Zimmer, p. 22; cf. Bennett, p. 5; cf. Fries, Appendix A; cf. Wood, p. 208; cf. Nissen IVB 51; cf. Sabin 2364; cf. Ripley 13; cf. Tyler, Audubon's Great National Work , 1993, Appendix I. [Bookseller: Donald Heald Rare Books]
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Istogrammi di architettura Milano 1971 - Manifesto pubblicato dal gruppo di architetture radicale Superstudio nel 1972, timbro e firma Superstudio, 87x69 cm, stampa offset [Bookseller: Giorgio Mastinu]
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Jeou-P'ou-T'ouan ou La chair comme tapis de prière. (Rouputuan) Avec une suite. Paris, Éditions de l'Odéon, André Vial 1971 - Illustré par Raymond Brenot. 17 compositions en couleurs, dont les 5 peintures chinoises. Les lettrines sont une création originale de Yvette Vibert. Complet & Contrôlé. Roman érotique écrit vers 1640 par le lettré Li-Yu, a été traduit en français pour la première fois par Pierre Klossowski et fut publié par Jean-Jacques Pauvert en 1962. La traduction de P. Klossowski est établie sur l'édition originale chinoise signalée au Catalogue des romans populaires chinois de Souen K'ai-ti. Édition tirée à 1150 exemplaires numérotés. Celui-ci (N°39) un des 110 sur vélin à la cuve de Rives, contenant une SUITE en couleurs, sur vélin chiffon de Lana et une SUITE en couleurs sur soie des planches reproduisant les peintures chinoises du XVIIIe siècle de la collection Roger Peyrefitte. Paris, Éditions de l'Odéon, André Vial - 1971 - 206 pages. Très belle reliure demi basane blonde de l'éditeur. Dos à 4 nerfs avec titre et auteur à froid et doré. Plats de soie jaune moirée. Un laque de chine avec sinogrammes dorés de Gérard Lejeune au centre du plat supérieur. Tête dorée sur témoins, non rogné. Gardes de velours camel. Chemise individuelle pour les suites. Étui cartonné de protection légèrement passé. Quelques rousseurs sur une gravure sur soie. Très bon état. Format in-4°(28x21). Li Yu (1611-1680) est un dramaturge, romancier, essayiste, et éditeur. Il est représentatif de ces lettrés louant les plaisirs de la vie. Ce roman a un statut controversé au sein de la littérature chinoise et a pendant longtemps été banni et censuré. Il est considéré actuellement comme une allégorie qui utilise sa nature pornographique pour attaquer le puritanisme du confucianisme. Le prologue indique que le sexe est bon pour la santé lorsqu'il est considéré comme une drogue et non comme un aliment ordinaire. Edition illustrée [Attributes: Hard Cover] [Bookseller: Livres et Collections]
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FEAR & LOATHING IN LAS VEGAS. A Savage Journey to the Heart of the American Dream SIGNED BY HUNTER S. Thompson (with his "HSThompson"), Thompson's classic second & most lauded book, launching his unique brand Random House, New York, 1971. HBDJ, 1971, STATED 1ST EDITION,with "97532468" number line, Dj With Correct Publication Code 6/72 On Rear Flap VG/VG , Light Wear FOX DJ, FADE TO EXTREMITIES BLACK EMBOSSE BOARDS WITH BLACK CLOTH AT SPINE CVR4 & TITLED IN WHITE, 206 pgs, Tiny chips tears DJ Extremities, 8.25 x 5.75 in. DJ mylar-protected, ,Thompson's classic second & most lauded book, launching his unique brand of stoned & intoxicated yet inspired "Gonzo journalism". the savagely comic account of what happened to the country in the 1960's -- told through the narration of a strange, drug-crazed journey to Las Vegas. based on two trips to Las Vegas, Nevada, that Hunter S. Thompson took with attorney and Chicano activist Oscar Zeta Acosta in March and April 1971. Thompson wrote that he concluded their March trip by spending some 36 hours alone in a hotel room "feverishly writing in my notebook" about his experiences.. Signed by Author. 1st Edition. Hardcover. Very Good/Very Good. Illus. by Ralph Steadman, . [Bookseller: BLUFF PARK RARE BOOKS]
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The Myth of Sisyphus and Other Essays. London: Hamish Hamilton, 1971. 141 x 217 x 21 mms. Bound by Haein Song in 2013 in a Bradel binding with dark blue vellum sides and natural goatskin spine. Hand tooled in gold. Hand printed endpapers with leather joint to panel doublures. Housed in the original purple cloth clamshell box with gilt lettering on upper cover. [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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Israel: A Personal History Funk and Wagnalls Inc, New York 1971 - Signed limited first edition, number 1788 of 2000 copies. Signed beneath the photographic frontispiece by David Ben-Gurion. Thick quarto, original full dark blue morocco, watered silk endpapers, top edge gilt. Near fine in a fine slipcase. Also includes the original publisher's cardboard box. David Ben-Gurion's life has been so completely identified with Jewish history that "Israel: A Personal History" amounts to an autobiography. With this book, Ben-Gurion joins the small company of great historical figures who have left for posterity a personal record of the events in which they were prime movers. [Attributes: First Edition; Signed Copy; Hard Cover] [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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A comedy of Terence called Andria. Translated into English by Richard Bernard with twenty-five illustrations by Albrecht Dürer.Verona,Editiones Officinae Bodoni,Novembre 1971 - La celebre commedia di Terenzio tradotta in inglese nel 1598 da Richard Bernard nella revisione di Betty Radice che ha scritto una breve nota sul traduttore, con 25 xilografie conservate nel Kunstmuseum di Basilea disegnate da Dürer verso il 1492 su legni mai completati; ora i disegni sono stati riportati e incisi per la prima volta da Fritz Kredel per questa edizione. Segue uno studio di Giovanni Mardersteig, con alcune riproduzioni, sul giovane Dürer a Basilea e sulle edizioni illustrate del Terenzio di questo periodo.Tiratura di 170 esemplari su carta a mano Magnani, di cui 160 numerati (1-160) e 10 "ad personam". (Nostro n° 12). Carattere Dante corpo 13 e 14 tondo e corsivo, titolo nel frontespizio in Zeno corpo 48. Schmoller,176. 34g. [Bookseller: La carta bianca studio bibliografico]
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Kölner Kunstmarkt 71. Kölner Kunst Markt / Cologne Art Fair / Cologne Foire d`art 71. 5. bis 10. Oktober 1971. Köln. [Verein progressiver deutscher Kunsthändler Köln.] 1971. Auflage 300 Exemplare. 47 x 33 cm. 74 unpaginierte S.; 26 Tafeln; 1 Schallplatte. OLeinen-Kassette. Kassette an den Rändern etwas berieben, eine kleine Stelle etwas angeplatzt. Sonst sehr gutes Exemplar. Exemplar Nummer 99 von 300 Exemplaren der Vorzugsausgabe. Enthält neben dem Katalog 26 Originalgrafiken in verschiedenen Techniken sowie eine Langspielplatte. Alle Arbeiten (außer Barry Le Va) sind handschriftlich nummeriert (99 / 300) und von den Künstlern signiert. Enthalten sind: Georg Baselitz (doppelseitige Farbradierung); Bernd und Hillas Becher (Fotolithographie); Agostino Bonalumi (Offset); Agostino Bonalumi (Farbserigrafie); KP Brehmer (Farbradierung); Johannes Geccelli (Farblithographie); Raimund Girke (Serigrafie); Hermann Goepfert (Siebdruck auf Silberfolie); Nancy Graves (Farboffset); Antonius Höckelmann (Radierung); Dieter Krieg (Offsetlithographie); Tadaaki Kuwayama (Serigrafie, andere Nummerierung, Exemplar 125 / 350); Alf Lechner (Prägedruck); Barry Le Va (Offset, nicht signiert); Bernhard Luginbühl (Radierung); Rafael Martinez (Siebdruck); Rune Mields (Farblithographie); Lienhard von Monkiewitsch (Farblithographie); Wolfgang Petrick (Radierung); Michelangelo Pistoletto (Offset auf selbstklebender Spiegelfolie); Rolling Stones (Sticky Fingers Langspielplatte, Erste deutsche Pressung mit dem Cover von Andy Warhol); Joachim Schmettau (Radierung); John Seery (Farblithographie); Giangiacomo Spadari (Farbserigrafie); Larry Stark (Lithographie); Alan Turner (Radierung); Stefan Wewerka (Radierung); Rainer Witenborn (Doppelseitige Lithographie). Der Cover - Entwurf von Andy Warhol für die Platte Sticky Fingers ist die berühmte Jeans mit dem funktionierenden Reißverschluss. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Original Grafik, Galeriekataloge [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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Ellsworth Kelly New York: Harry N. Abrams, Inc, (n.d., c. 1971). Tiny splash to the top edge, else near fine in a near fine jacket, with almost none of the endemic fading typically found on the front panel. Nice copy of the definitive monograph on Kelly.. First Edition. Thick square quarto. With 225 illustrations, 68 in color, tipped-in. [Bookseller: Harper's Books, Inc.]
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Los Premios Nobel Plaza & Janés. 1971 Barcelona. 18 cm. 18 vols. Encuadernación en tapa dura de editorial estampada. (=184091=) Ver imagen [Bookseller: Libreria Alcaná]
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FEAR & LOATHING IN LAS VEGAS. A Savage Journey to the Heart of the American Dream SIGNED BY HUNTER S. Thompson (with his "HSThompson"), Thompson's classic second & most lauded book, launching his unique brand Random House, New York 1971 - HBDJ, 1971, STATED 1ST EDITION,with "97532468" number line, Dj With Correct Publication Code 6/72 On Rear Flap VG/VG , Light Wear FOX DJ, FADE TO EXTREMITIES BLACK EMBOSSE BOARDS WITH BLACK CLOTH AT SPINE CVR4 & TITLED IN WHITE, 206 pgs, Tiny chips tears DJ Extremities, 8.25 x 5.75 in. DJ mylar-protected, ,Thompson's classic second & most lauded book, launching his unique brand of stoned & intoxicated yet inspired "Gonzo journalism". the savagely comic account of what happened to the country in the 1960's -- told through the narration of a strange, drug-crazed journey to Las Vegas. based on two trips to Las Vegas, Nevada, that Hunter S. Thompson took with attorney and Chicano activist Oscar Zeta Acosta in March and April 1971. Thompson wrote that he concluded their March trip by spending some 36 hours alone in a hotel room "feverishly writing in my notebook" about his experiences. [Attributes: First Edition; Signed Copy; Hard Cover] [Bookseller: Bluff Park Rare Books]
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The Alphabet of Francesco Torniello Da Novara (1517).Followed by a comparison with the Alphabet of Fra Luca Pacioli. Introduction by Giovanni Mardersteig.Verona,Editiones Officinae Bodoni,Gennaio 1971 - Esemplare n°140 di 160.Ristampa del trattato e del facsimile della costruzione dell'alfabeto maiuscolo seguito dal confronto fra le maiuscole di Luca Pacioli e quelle del Torniello e dalla traduzione in inglese di Betty Radice con il facsimile ridotto ridotto dell'alfabeto di Torniello. Introduzione con alcune illustrazioni, esempi delle costruzioni geometriche di alfabeti fino al 1529 e bibliografia di Giovanni Mardersteig; la xilografia nel frontespizio è stata reincisa da Leonardo Farina. Carattere Dante corpo 11, 12 e 13 tondo e corsivo, due iniziali da xilografie di G. Le Signerre, titolo nel frontespizio in blu e titolo precedente il trattato con lettere ricavate dall'alfabeto del Torniello in nero. Schmoller,170. 27g. [Bookseller: La carta bianca studio bibliografico]
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[Costume illustration for] The government inspector by Nikolay Gogol. [U.S.] (27 cm, 10.65"). 24 col. illus.. ca. 1971 A remarkable album: 24 panels of hand-inked and painted costume designs for a production of Gogol's Government Inspector (a.k.a. The Inspector General, originally Revizor). These delightful designs, slightly reminiscent in style of Jean de Brunhoff's illustrations, convey a great deal of personality; each panel's character is shown in a different pose — including those characters given more than one costume — with a range of expressions portrayed throughout. The images were painted on heavy panels bound together with cloth tape => leporello- or accordion-style, with the entire sequence unfolding as one very long, very impressive strip ABOUT 20 FEET LONG. Following Anne Gregory's name on the cover here is the designation, "'71," but its significance has not been established. There was a premiere of Zador's revised operatic version of The Government Inspector at El Camino College in that year, and these do look like they could be operatic costumes; so perhaps the date refers to that production — or, perhaps "Anne Gregory" was to graduate from that institution or another, that year. As above, cover panels with small smudges, interior panels clean and bright. => A unique and extensive work of art, offering literary, theatrical, and costuming interest in addition to its aesthetic pleasures. [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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African Antelope New York: Amwell Press, 1971. Limited Edition of 200 copies. Hardcover. Fine/Orig Slipcase Near Fine. Skirka, P. 143 pp, ill. In pen and pencil the antelope of Africa are depicted and described. Foreword by Tony Dyer. This coffee table sized book is as good to read as to look at. This is the LIMITED edition from Amwell Press. ONLY 200 copies. Fine in near fine slipcase. One of the most idfficult of all Amwell titles to obtain. [Bookseller: Trophy Room Books]
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Two Homemade Photo Albums]: E 6th St [and] The Grossman's East Chatham Building Book New York 1971 - Two tall octavo volumes. Unpaged. A few images loose or detached but all are present, very good or better. Homemade photo albums and journals made by Jill Grossman for her husband the noted publisher Richard Grossman. *The Grossman's East Chatham Building Book* (133 photographs, various sizes, both black and white and color, many captioned, hand-drawn map) photographically records and captions the construction of the Grossman's New York State House in East Chatham between 1968-1969, and is presented and dedicated to Richard by Jill in 1971. It shows the couple building the house: framing, raising walls, roofing, painting, gardening, gathering firewood, smoking pot, and generally living an idyllic country life. *E 6th St* (handpainted boards with applied handwritten title. 41 photographs, various sizes, both black and white and color, mostly uncaptioned, applied title page elements) is dated in 1970 (probably completed in 1971, as the final picture is dated on Christmas in 1970), shows a few images of their apartment but mostly concerns itself with scenes from New York's then-gritty streets, including images of the Fillmore East marquee, storefronts, a wall with layers of stripped posters, graffiti, posters advertising Bella Abzug's Congressional Campaign, and street characters. Richard Grossman made his living and his fame as a small publisher, publishing books such as Ralph Nadar's *Unsafe At Any Speed* and Helen Hanff's *84 Charing Cross Road*. The creator of the books, Jill Kneerim, was Grossman's second wife (later divorced) and is a respected literary agent. These charming handmade books capturing a brief but interesting moment in time in the life of the liberal New York publisher. [Attributes: Hard Cover] [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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Enchiridion medicinae, medicamentorum tam simplicium quàm compositorum, in certos titulos distinctam sylvam continens, quorum in pharmacopoliis & medicinis praecipuus est usus.Basel, Pietro Perna, 1573. With: (2) [HARCHIES, Josse de (Jodocus HARCHIUS)]. [Enchiridion medicum, simplicium pharmacorum, quae in usu sunt, nomenclaturam, historiam, facultates, & administrationem ... poemate comprehendens].[Basel, Pietro Perna, 1573]. 2 works in 1 volume. 8vo. Contemporary blue-green sprinkled limp vellum. Ad 1: Thorndike VI, pp. 142-143; VD16 H1904; ad 2: P.G. Bietenholf, Basle and France in the sixteenth century (1971), p. 66; Durling 2257; VD16 H564. Ad 1: Second edition of a brief medical compendium written by Georg Henisch. "In Georg Henisch (1549-1618) we have a man of broad culture and learning, who taught logic and mathematics and practiced medicine at Augsburg, translated Heriod and writers on the Trojan war, ... published medical handbooks and works in arithmetic and astronomy" (Thorndike). He enlists many "simple" medications for various ailments, like a headache or vomiting. Ad 2: First and only edition of a herbal compiled by the Belgian Josse de Harchies (d. 1580): "a rather eccentric Francophone doctor ... a native of Mons who practiced his profession in Liège and later in Strasbourg and Saarbrücken" (Bietenholz). The present work discusses various plants, herbs and some other natural products, along with their medicinal powers.With owner's inscriptions. Ad 2 lacking the title-page and first quire, containing a preface, quire B of ad 1 misbound. Otherwise in very good condition, only some occasional marginal thumbing. [Bookseller: ASHER Rare Books (Since 1830)]
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Fear and Loathing in Las Vegas Random House, 1971. Hardcover. Near Fine/Very Good. Random House, New York 1971. First Edition / First Printing. Stated First Edition with full Random House numberline with 2 present. Cloth boards. Illustrated by Ralph Steadman. Book Condition: Near Fine, clean boards, tight spine, clean pages. Light spots at the fore-edge of the pages, normal sunning at the top edge. Dust Jacket Condition: Very Good+, light shelf wear, sunning at the spine. Light spots, crease at the front panel. Wrapped in a new mylar cover. [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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African Antelope Amwell Press, New York 1971 - 143 pp, ill. In pen and pencil the antelope of Africa are depicted and described. Foreword by Tony Dyer. This coffee table sized book is as good to read as to look at. This is the LIMITED edition from Amwell Press. ONLY 200 copies. Fine in near fine slipcase. One of the most idfficult of all Amwell titles to obtain. [Attributes: Hard Cover] [Bookseller: Trophy Room Books]
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The Bluest Eye True First Edition, Stated Second Printing, June 1971, Holt, Rinehart, Winston. In near fine, near new condition, clean and unmarked, crisp pages, appears unread, in a near fine, near new dustjacket, with $5.95 publisher's price intact on flap. Signed in full by Toni Morrison in ink on title page. [Bookseller: Postliterate @ AMR-HK ]
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L'Oeuvre Dessine De Jean-Honore Fragonard (1732-1806): Catalogue Raisonne, Volumes 1-4 Paris, France: F. de Nobele, Libraire, 1971. Hardbound. VG, ex art reference library with minimal marks, very fresh and clean internally. Original wrappers bound into red cloth. Four volumes, complete. Lists over 2700 works. Text is in French. More than 1500 pp in all. Published over a nine year period, the four volumes are each divided into halves with catalogue entries listed in front and monochrome plates at the back. Each book divides the works by subject, such as portraits, landscapes, drawings after the masters, etc. [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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Quatre nuits d'un rêveur [Four Nights of a Dreamer] (Original French poster) Paris: Albina Productions, 1971. Original French theatrical release poster for the first of three films made by Robert Bresson in the 1970s. "Quatre nuits d'un rêveur" is based on a short story by Dostoevsky titled "White Nights," originally published in the magazine "Annals of the Fatherland" in 1846. A typically precise, stylized, and carefully choreographed outing by Bresson, rarely screened. The story concerns a four-day (or four-evening) relationship between a young artist and a young woman, one that begins with the man saving the woman as she contemplates jumping from a bridge. 24 x 32 inches. Rolled, on archival linen. Fine. [Bookseller: Royal Books, Inc.]
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The Alphabet Of Francesco Torniello Da Novara [1517]; Followed by a comparison with the Alphabet of Fra Luca Pacioli Verona: Officina Bodoni, 1971. First edition thus. Hardcover. Orig. quarter navy morocco and lettered cream boards. Teg. Fine in fine slipcase. 104 pages. 27.5 x 20 cm. Limited edition, copy 28 of 150 copies set in Dante type and printed on hand-press on paper made in Amalfi by Ferdinando Amatruda. This English edited by Giovanni Mardersteig. Another Officina Bodoni facsimile edition of geometrically constructed alphabets and calligraphic books of the Renaissance including the original Italian of 1517, which was based on that of Fra Luca Pacioli, printed at Milan by Gotardo da Ponte in 1517. Torniello's alphabet presents calligraphic improvements in capital letters, and is the first construction based on logical measurement called "Punto," (Point). Host of diagrams and illustrations throughout. Original prospectus and order slip laid-in. [Bookseller: Royoung bookseller, Inc.]
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Ebert, Albert. - "Verena". - Lithografie / Pinsellithografie, partiell geschliffen, auf hellem Karton, 1971. Von Albert Ebert. Auflage Exemplar Nr. 16/30. 21,4 x 15,3 cm (Darstellung / Druckbild) / 23,5 x 19 cm (Blatt). Brade-Stula L 61. Rechts unten in Bleistift signiert und datiert. Links Auflagenbezeichnung. - Links schmaler Streifen entlang der Blatkante durch oberflächlichen Abriss etwas ausgedünnt. Sonst sehr guter Zustand. Albert Ebert (1906 Halle - 1976 Halle). Deutscher Maler und Grafiker. 1922 Abbruch einer Lehre zum Maurer. Bis 1939 diverse Tätigkeiten u.a. als Möbelträger, Markthelfer und Bauarbeiter. Ab 1939 als Soldat im Zweiten Weltkrieg, Verwundung. Während des Lazerettaufenthaltes erste Beschäftigung mit Malerei. 1946 Studium an der Burg Giebichenstein in Halle bei Charles Crodel und Waldemar Grzimek. 1948 Hospitant an Landesgalerie Sachsen-Anhalt in der Moritzburg in Halle als Restaurator. 1948 erste Ausstellung in der Künstlergemeinschaft "Die Fähre". 1954-56 Arbeit als Heizer in der Kunsthochschule Burg Giebichenstein. Durch Förderung von Freunden und ein Stipendium der Block-CDU ab 1956 freischaffend. 1973 Kunstpreis der Stadt Halle. Wegen seines naiven Stils oft als "Rousseau von der Saale" apostrophiert. [Attributes: Signed Copy; Soft Cover] [Bookseller: GALERIE HIMMEL]
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Archive of Old Post Office Theatre Posters East Hampton, New York 1971 - Broadsides. Illustrated by Isadore Seltzer. Measuring 11" x 17" and 13" x 19.75". Overall very good with some toning, pins holes at the corners, and light edge wear; one poster with a couple of water spots. Eight posters for performances at the Old Post Office Theatre on Newtown Lane in East Hampton, New York, which was co-owned by photographer Ken Robbins who used the upstairs as his first dark room. The theatre specialized in avant-garde plays by the likes of Harold Pinter, Terrance McNally, Sam Shepard, Eugene Ionesco, Joe Orton, Rochelle Owens, Boris Vian, Leonard Melfi, and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performances and even less have survived. [Attributes: First Edition] [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
28. Check availability: AbeBooks
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Angle of Repose Garden City, New York: Doubleday & Company, 1971 First Printing of stated First Edition, in first issue dust jacket, with original price of $7.95 and "A.O.R." listed directly above price, no mention of pulitzer prize. Book in fine condition; light tanning to spine, else book in fine condition. [Bookseller: Idler Fine Books]
29. Check availability: Biblio
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Idole und Realitäten. Zehn Original-Radierungen zu Liedertexten der Beatles. Mit einer aquarellierten Original-Bleistiftzeichnung des Künstlers. Frankfurt und Berlin: Propyläen 1971. 11 Blatt, die Radierungen montiert in festen, bedruckten Papierumschlägen. Lose in mit silberfarbenem Papier bezogenen Original-Schuber, Groß-Folio, 72,5 x 52 cm. (dieser minimal bestossen und zerkratzt, die Papierumschläge teils gering knickspurig, sonst und im Ganzen schön erhalten) Eines von nur ganz wenigen Exemplaren des Abdrucks für den Künstler, alle Blätter von Schmettau eigenhändig bezeichnet \"e.a.\" und signiert, die Bleistiftzeichunung ebenfalls eigenhändig signiert. Regulär erschienen darüber hinaus zehn römisch numerierte Exemplare, alle auch jeweils mit einer zusätzlichen Bleistiftzeichnung, sowie eine Normalausgabe von 60 arabisch numerierten und signierten Exemplaren. Die Liedtexte wurden außen auf die farbigen Papierumschläge gedruckt: The word, A hard day`s night, Hey Jude, Good morning, good morning, Baby you`re a rich man, Only a northern song, Revolution, Strawberry fields forever, Don`t let me down, I am the walrus. Schmettau ist vor allem als Bildhauer und Plastiker hervorgetreten, sein wohl bekanntestes Werk ist der Brunnen auf dem Breitscheidplatz in Berlin, vom Volksmund liebevoll \"Wasserklops\" genannt. - Wir bieten auch ein Exemplar der Normalausgabe (ohne die Bleistiftzeichnung) zum Preis von 1200,00 Euro an. Weitere Bilder auf Anfrage oder auf unserer Homepage. Versandkostenfreie Lieferung [Beautiful, Rare and Special;Schönes;Seltenes;Darstellende Künste;Bibliophilie;Kunst;Deutschland;Deutschland 20. Jahrhundert;künstlerische Grafik] [Bookseller: Versandantiquariat Bürck]
30. Check availability: buchfreund.de
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Rules for Radicals: A Practical Primer for Realistic Radicals New York: Random House, 1971. First Edition. Hardcover. Very Good. First edition. 196 p. Fine in Very Good+ dust jacket. Jacket presents well, chipped at foot, small light stain on back panel, a bit of rubbing and creasing, price intact ($6.95). No sunning, which is nice. An uncommonly neat, clean copy of a scarce first, commonly referred to as "the bible of community organizing. [Bookseller: Burnside Rare Books]
31. Check availability: IOBABooks
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Encyclopedia Judaica (16 Volume Complete Set + 2 Year Books) Keter / Macmillan 1971 - Hardcover 18-Volume COMPLETE SET (16 Volumes + 2 Yearbooks), 1971 1st Ed, stated 1st Printings (NOT 1994 reprint ed), Near Fine decorated turquoise boards show only minor shelf wear & signs of age, no markings, NOT ex-lib, a bright tight exemplary full set of this classic reference work (no djs, as issued); 18 lg heavy 4to Volumes, illus. THIS SET CANNOT BE SHIPPED OUTSIDE THE USA; Extra shipping charge REQUIRED for delivery of this massive heavy set [Attributes: First Edition; Hard Cover] [Bookseller: Nighttown Books]
32. Check availability: AbeBooks
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Annual Report 1970-71 Sydney 1971 - 20,5 x 33 cm ca. 75 Seiten 370 gr. sehr guter Zustand (kleine Notizen mit dem Kugelschreiber) [Attributes: Soft Cover] [Bookseller: Schueling Buchkurier]
33. Check availability: ZVAB
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