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Displayed below are some selected recent viaLibri matches for books published in 1971

        OEUVRES DE RACINE - COMPLET - 3 TOMES EN 3 VOLUMES

      1971. MICHEL DE L ORMERAIE. 1971. In - 4.Carré. Relié plein cuir. Très bon état. Couv. fraîche. Dos impeccable. Intérieur frais. 413+ 447+ 412 pages - quelques illustrations en noir et blanc dans le texte - tranches dorées - contreplats en couleurs - frises dorées sur les tranches des contreplats - dos à 5 nerfs - caissons, titre et auteur dorés au dos - blason et filets dorés sur les plats - frontispice en noir et blanc - 6 photos disponibles - 1 fac - similé du certificat d'authenticité de l'édition Texte en vieux français - MICHEL DE L ORMERAIE éditeur de livres rares et précieux - D'après l'édition de 1760 - TIRAGE PREMIERS SOUSCRIPTEURS EXEMPLAIRE NUMEROTE N°820 / 1600

      [Bookseller: Le-Livre.Com]
 1.   Check availability:     maremagnum.com     Link/Print  


        Lieux Communs

      Alexandre Iolas, 1971. Onze poèmes et douze collages de Max Ernst édités par Alexandre Iolas et réalisés par Sergio Tosi (cm 32x23). Folio (cm 50x35). pp. 36. Ottimo (Fine). Edizione originale di 1000 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        Let a thousand parks bloom

      , , 1971. Perfetto (Mint). Tecnica mista su base litografica. Cm 100x70. . Perfetto (Mint). .

      [Bookseller: Studio Bibliografico MArini]
 3.   Check availability:     Biblio     Link/Print  


        Tulák: obcasník [The tramp: an occasional journal], nos. 6 (1971), 1, 2, 3-4, 5, 6 (1972), 1, 2 (1973).

      Brno 1971 - Quartos (30 × 20.5 cm). Original staple-stitched mimeograph typescript and illustrations to rectos and versos. Very good; last page of one issue detached. Eight issues of this Czech journal of the “tramping” movement in Normalization-era Czechoslovakia, edited by the activist Miroslav “Kami” Karela. Tramping developed in the 1930s as the local equivalent to the worldwide scouting movement, as well as a predecessor of Czech environmentalism. Its participants toured the Czech countryside with knapsacks and guitars, acting out a particular kind of counter culture viewed with suspicion by the Husák government. It was heavily influenced by American culture, especially in its fascination with the Wild West, as these issues document, with mimeographed illustrations of Western landscapes, campfires, and saloons. Among the contributions are “tramp poetry,” descriptions of hikes, and information about the group and its events. Issued semi-illegally as a samizdat, with a clause noting that it was issued for “private circulation” only. Not in KVK, OCLC. Not held by the Czech National Library. [Attributes: First Edition; Soft Cover]

      [Bookseller: Penka Rare Books, ILAB]
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        A Wizard of Earthsea

      UK: Gollancz. London, Gollancz, 1971. Hardback First Edition and first impression. The book is in fine condition as is the jacket. A lovely copy, corners a trifle bumped and a couple of light indentations. . Fine. Hardback. 1st Edition. 1971.

      [Bookseller: Hyraxia]
 5.   Check availability:     Biblio     Link/Print  


        The Lathe of Heaven

      US: Scribners. New York, Scribners, 1971. First edition and first impression. A near fine copy, blue topstain faded, otherwise a lovely copy. . Near Fine. Hardback. 1st Edition. 1971.

      [Bookseller: Hyraxia]
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        Altenbourg, Gerhard. - "Schatten-Blätter".

      - Lithografie / Gravur / Ritzung, auf hellem kräftigem Büttenpapier, 1971. Von Gerhard Altenbourg. Auflage Exemplar Nr. 35/40. 21,6 x 28,9 cm (Darstellung) / 22 x 31,5 cm (Stein) / 29,5 x 41,5 cm (Blatt). Mehnert 186. Janda L 156/1. Rechts unten in Bleistift signiert und datiert. Dazu eigenhändige Auflagenbezeichnung und Prägestempel des Künstlers. Mittig Titel. - Sehr gut erhalten. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        The War (and Peace) Memoirs. [Adolf Hitler: My Part in His Downfall; "Rommel?" "Gunner who?"; Monty: His Part in my Victory; Mussolini: His Part in my Downfall; Where Have All The Bullets Gone?; Goodbye Soldier; Peace Work]

      Michael Joseph, London, 1971-1991 - Seven Volumes, all First Editions. [220 x 140 x 160 mm]. Bound in original publisher's black cloth with gilt lettering to spine, in neat dust jackets. [Attributes: First Edition]

      [Bookseller: George Bayntun ABA ILAB]
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        The Fly on the Wall

      Harper & Row, Publishers 1971 - First Edition, First Printing SIGNED by Tony Hillerman on a laid in signature. A spectacular copy. This TRUE FIRST EDITION has the number line beginning with 1 on p.212 This ORIGINAL dustjacket is vibrant in color with NO chips or tears. The book is in excellent condition and appears UNREAD. The binding is tight with NO cocking or leaning. The pages are exceptionally clean with NO writing, marks or bookplates in the book. Overall, a beautiful copy in collector's condition. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Atlas des Großen Kurfürsten (Mauritius-Atlas). Atlas of the Great Elector. Faksimile-Ausgabe des in der Staatsbibliothek, Unter den Linden, Berlin, deponierten Werkes.

      Leipzig, Edition Leipzig, 1971. - Royal-Folio (82 x 56 cm). Mit 28 (25 doppelseitigen) farbigen Karten. Ganzlederband auf 18 echten Bünden aus dunkel- und hellbraunem Leder mit Medaillon-, Eck- und Randbeschlägen auf beiden Deckeln, 3 Metallschließen in Messing sowie Vollgoldschnitt (Beschläge vereinzelt etwas angelaufen). Eins von 750 nummerierten Exemplaren. - Aufwendig gestalteter Faksimiledruck der Ausgabe A des monumentalen Atlas' unter der künstlerischen Leitung von Alfred Kapr. - Mit dem Kommentarband von Egon Klemp. - One of 750 numbered copies, with the commentary. Bound in full calf, metal corners and buckles, 3 clasps. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Manfred Nosbuesch Berlin]
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        Revolutionary Memorial Services for George Jackson, Field Marshal, Black Panther Party

      n.p.: [Black Panther Party], 1971. Four-panel memorial booklet from the funeral of George Jackson, together with a few pieces of Soledad Brothers ephemera, in an envelope from the Soledad Brothers Defense Committee. The four-panel memorial booklet is present in two versions, one of them original, with a well-defined photo on the front cover, the other one a copy with a less clear photo. We don't know whether the copy was made for the original service in anticipation of a larger crowd, or if it was made later under some other circumstance, but for the sake of completeness both versions are included. Also included are a piece of Defense Committee letterhead pre-signed by Betsy Hammer, one of the founders, and two somewhat worn stickers in support of the Soledad Brothers. We find one holding of this booklet in OCLC, at Brown (another version for a Philadelphia satellite service is held elsewhere). The participants in the funeral program include Bobby Seale, Elaine Brown, Huey Newton, Ruchell Magee, Fleeta Drumgo and other well-known names.

      [Bookseller: Bolerium Books Inc., ABAA/ILAB]
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        Sin Arco.

      Leufert. An unusally formatted volume consisting of two printed fly-leaves and 15 folded sheets, printed recto and verso, with (4) pp. of text and altogether 28 double-page plates showing arresting images in stark black and white of the use of the arrow in modern visual communications and industry, all images meant to be viewed from multiple perspectives. 4to. Cloth, slightly soiled. Caracas (Refolit) 1971 One of 120 copies.

      [Bookseller: F.A. Bernett Books]
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        RISM. Einzeldrucke vor 1800. A-Z in 9 Teilen. (AI 1-9 der Geamtausgabe). (=Internationales Quellenlexikon der Musik / International Inventory of Musical Sources / Repertoire International des Sources Musicales; Vol./Bd. 1-9). [9 Bd./ Vols.].

      Bärenreiter Kassel, 1971 - 464, 580, 435, 514, 579, 670, 422, 406, 542 S. Deutsch-englisch-französisch. German-English-French. Bd. 6 Seitenschnitt leicht fleckig. Bibl-Ex. Buchrücken alterungsbedingt verblasst. Einband lichtrandig. Guter Zustand/ Good Sprache: Deutsch Gewicht in Gramm: 2100 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Haker GmbH & Co. KG]
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        Vietnam Sinfonie.

      A collection of items related to Wolf Vostell's works on Vietnam, including: Vietnam Sinfonie, the full set of four serigraphs, each with an image of the astronauts from the Apollo 14 lunar mission from a CBS News broadcast, including Commander Alan Shepard playing golf on the moon. 19 x 27 in. Serigraphs on thin cardboard, loose as issued. 1971. Each signed by Vostell and indicated "E.A." in pencil at left; Vostell VS/DDLG: Vietnam Sinfonie Oder Desastres dela Guerra, 14 Objektzeichnungen Als Partituren 1971/72 en Homenaje a Goya, the unpag. (33) catalogue from Vostell's exhibition at Galerie Van de Loo in Munich, with a short essay by Rainer Wick, index, profusely illustrated. Oblong 8vo. Orig. illus. wrpps. Munich (Galerie Van de Loo) 1972. One of 500 copies; unpag. (7) typed manuscript for Vostell's May 27, 1967 happening "Miss Vietnam", containing a list of materials and instructions for which sections were to be executed by Vostell himself, the audience, or other forms of media, held in Köln in conjunction with Galerie Tobiés & Silex. 4to. Self-wrpps., stapled at upper left corner. Köln 1967; and a group of 14 original photographs by Thomas J. Tilly, taken for the Vostell exhibition held at Galerie Van de Loo in 1972, 4 stamped to both recto and verso with the photographer's stamp in purple ink, and to verso "Wolf Vostell, 1 Berlin 12, Giesebrechtstrasse 12" in red ink, the four stamped photographs each with two hole punches along bottom edge. 10 photos 6 1/2" x 8 1/4", 4 photos 7 1/8" x 9 3/8". Loose as issued. 1972.

      [Bookseller: F.A. Bernett Books]
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        Historisches Wörterbuch der Philosophie.Völlig neubearbeitete Ausgabe des " Wörterbuchs der Philosophischen Begriffew" von Rudolf Eisler. Bände 1-13 A-Z und Register

      Darmstadt, Wissenschaftliche Buchgesellschaft, 1971-2007. - zus. Ca. 13.000 S. Das umfassendste philosophische Begriffslexikon alles Zeiten. Gutes Exemplar mit minimalen Gebrausspuren. Mit der häufig fehlenden Gesamttext CD-Rom. Sprache: Deutsch Gewicht in Gramm: 13000 gr.-4° blaues Originalganzleinen mit Rückenschild (teilweise etwas aufgehellt)

      [Bookseller: Antiquariat Michael Solder]
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        Tales from the Crypt (Original screenplay for the 1972 film)

      Middlesex: Amicus Productions, 1971. Draft script for the 1972 British film. Based on the comic book series by Al Feldstein amd William M. Gaines, published by EC Comics from 1950 to 1955. In a pun-filled style of ironic horror, told in a series of episodes, the film stars Sir Ralph Richardson as the cheery Crypt Keeper who spins tales about how various people have died. The episodes range in content from a creepy Santa Claus (starring Collins and Boddy, the first of the "psycho" Santas) to the consequences of disbelief in the supernatural. Several notable stars also featured in the various episodes include Ian Hendry, Peter Cushing, Robert Hutton, Barbara Murray, and Nigel Patrick. Produced by Amicus Productions, chief rival to England's most powerful horror studio, Hammer Films. The film spawned a sequel called, "The Vault of Horror" (1973), also composed of episodes based on the EC comics, and a third film, George A. Romero's "Creepshow" (1972), was produced as an homage to the look and feel of the prior films, without direct connection to the original comic book series. After more than a decade, the franchise received a TV spot: the HBO series, "Tales from the Crypt," featuring a deathly and corpselike version of The Crypt Keeper, voiced by John Kassir. The film also influenced Ernest Dickerson's "Tales from the Crypt: Demon Knight" (1995) and Gilbert Adler's "Bordello of Blood" (1996), but the subsequent films never matched the first for its full and chilling merit. Set in the catacombs of a graveyard, shot on location in England. Fuchsia titled wrappers with die-cut window in the British style. Title page present, undated, with credits for screenwriter Subotsky and publisher Gaines (EC Comics). 82 leaves, with last leaf of text numbered 80. Roneograph. Pages and wrapper Near Fine, bound internally with two silver brads. Lentz, p. 1577. Muir, pp. 230-232. Newman, pp. 34, 132. Weldon (1983), p. 677.

      [Bookseller: Royal Books, Inc.]
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        Veterinary Obstetrics and Genital Diseases

      Ithaca New York: Stephen J.Roberts, 1971 Spine is Tight & Crisp. Boards are Flat & True; the Corners are Square w/o Bumps. No Wear Marks on Edges. Pages are Clear, Clean, Unmarked and Bright White. No Marks. No Underlining. No Wrinkles or Creases. Not a REMAINDER. Not EX-LIB. Not BCEContact seller to arrange shipping method and paymentPriority and International orders will require additional postage.More Information | Ask Bookseller

      [Bookseller: peterfryersales]
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        The French Connection [French Connection] (Original screenplay for the 1971 film)

      Los Angeles, CA: Twentieth Century-Fox, 1971. Revised draft script for the 1971 film. Produced for use on location in New York City in March and April 1971, when shooting for the film commenced there. William Friedkin made his name with this gritty adaptation of Robin Moore's 1969 nonfiction account of east coast drug trafficking and its impact on New York City undercover police officers. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City, with glorious period detail in nearly every frame. The screenplay was written by African-American author Ernest Tidyman, one year after the publication of his seminal Harlem-based crime novel, "Shaft." Winner of five Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actor (Hackman) and Best Editing, along with three additional nominations. Tan titled wrappers, noted as FRIEDKIN DRAFT and REVISED on the front wrapper in holograph pencil, dated 3/23/71 and 4/26/71 in holograph pencil. Title page not present. Last leaf of text unnumbered. Photographically reproduced, with photocopied punch holes, and a few revision pages throughout, dated variously between 4/26/71 and 3/23/71. Pages and wrapper about Near Fine, bound with three gold brads. Grant, p. 250. Hardy, The BFI Companion to Crime, pp. 136-137. Spicer, p. 429.

      [Bookseller: Royal Books, Inc.]
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        Teatr. (Teatp). 1971. 12 issues

      Moscow (Moskva): Iskusstvo, 1971. 4to. Original wraps. 12 issues complete for the year. Later issues ISSN 0131-6885 1969--1972 -- « » -- , , . 1937 « ». 1941 1945, 1995, 1998--1999, 2009--2010. , 1990- ( 1996 1997 ). 2010 1 2 . 1945--1953 , 1954--1990

      [Bookseller: Alan Wofsy Fine Arts]
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        Pale Gray For Guilt

      New York: Lippincott, 1971. Endpapers have been professionally restored and book tightened. The first hardcover edition of this scarce Travis McGee mystery by MacDonald in the correct first state dustwrapper (with the $5.50 price at the bottom corner of the front flap of the dustwrapper and the number 971 on the top of the flap. Dustwrapper is very nice with a touch of scuffing to extremes (and a bit of loss to the bottom of the spine). The book is tight and clean and shows well. . First Edition. Hard Cover. Near Fine/VG+.

      [Bookseller: abookshop]
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        When Hitler Stole Pink Rabbit.

      London: Collins, 1971 - Octavo. Original red boards, title to spine white. With the dust jacket designed by the author. Gift inscription to front free endpaper. Spine gently rolled and slightly faded. An excellent copy in the mildly toned jacket with some shallow chips to extremities. With illustrations to text by the author. First edition, first impression. The semi-autobiographical novel won the 1974 Deutscher Jugendliteraturpreis. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        STORY FOR SARA

      - GOREY,EDWARD. STORY FOR SARA. NY: Albondocani Press 1971. Oblong 6 1/8 x 5 1/4", pictorial wraps, Fine. 1st edition. LIMITED TO 26 LETTERED COPIES FOR USE OF THE AUTHOR AND PUBLISHER SIGNED BY GOREY. Printed on fine paper and handsewn. Laid in is the publisher's order card that is illustrated by Gorey reproducing the cover of the book. THIS CARD IS ALSO SIGNED BY GOREY. Toledano A41a. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Landschaften. 18 Radierungen. 1970. Folge von 18 sign., dat. und num. Orig.-Radierungen.

      Galerie Brockstedt ]., [Hamburg 1971 - Lose Tafeln unter Passepartout in Lwd.-Kassette mit Deckelschild. 37,5 : 39 cm. - 1 von 20 num. Exemplaren der frühen und seltenen Landschaftsfolge mit Kopfweiden, Regenlandschaften, Deichland, dichten Büschen und dürren Stämmen aus der Gegend um Hamburg. - Die Radierungen in Strich- und Flächenätzung. - Enthält die Radierungen Trister Tag - Apfelbäume - Bäume im Gegenlicht - Geestrücken - Holländische Landschaft - Fährmanns-Sand I - 3 und 5 - Acht Bäume - Lichter Wald - Kopfweiden - Waldrand, in Gedanken an Willem Buytewegh - Bielenberg - Kleines Gehöft II - Gebüsch - Deichland - Regenacker - Fährmanns-Sand und Hinterm Deich. - Druck der Radierungen bei H. Frielinghaus in Hamburg auf Japanbütten. - Papierformat ca. 26 : 37 cm. - Sämtliche Tafeln lose und nicht fixiert. - 10 Tafeln schwach gebräunt, 5 davon im w. R. mit feinen Stockflecken. Insgesamt gutes Exemplar der ausgesprochen seltenen Folge. Gäßler 10. - Frielinghaus 31-34, 36, 37, 39, 41, 44, 46, 48, 50-54, 119 und 172. 4500 g. [Attributes: Hard Cover]

      [Bookseller: Ketterer Kunst Hamburg GmbH]
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        L'Idiot International. No. 1 (December 1969) through No. 22 (December 1971). Together with L'Idiot Liberté. No. 1 (December 1970) through No. 8 (October 1971) (all published).

      28 issues total of the leftist underground French publications, comprising the complete first series of L'Idiot International, together with a special supplement to issue no. 7, and a complete run of L'Idiot Liberté, with one issue combining no. 21 of L'Idiot International with no. 8 of L'Idiot Liberté (Sept./Oct. 1971), both under the editorial direction of Jean-Edern Hallier, published alternately every two weeks, containing articles, interviews, reviews, and occasional prose and cartoons covering issues in France and abroad, with topics including youth movements, Franco, communism, classes, women's liberation, the Black Panthers, immigrants, skinheads, and the political climate in Italy, Uruguay, China, the United States, South Africa, Russia, and many other locations. Illustrated throughout from drawings and photographs. Tabloid. Orig. illustrated self-wrpps., most issues with colorful graphic covers. Some small tears and splitting along spines, overall very good condition. Paris (Editions Hallier) 1969-1971.

      [Bookseller: F.A. Bernett Books]
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        Howl for Carl Solomon

      San Fransisco: Grabhorn-Hoyem, 1971. Hardcover. Like New. Signed. Limited edition, one of an unnumbered 275 copies signed by Allen Ginsberg. Printed on handmade paper and bound in cloth beautifully stamped with a drawing by Robert La Vigne. Previous owner bookplate to front paste down, else a fine and stunning copy, with publisher's prospectus laid in.

      [Bookseller: Burnside Rare Books]
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        Vietnam Inc.

      NY: Macmillan. (1971). The rare hardcover issue (thought to number 200 copies) of this classic book of photojournalism of the Vietnam war, which focused on the effects of the war on both participants and victims rather than the fighting itself. Welsh Magnum photographer Griffiths was one of the first to capture the true horror of the Vietnam war, both in its catastrophic impact on the civilian population of the impoverished agricultural nation of Vietnam and in its perversion of American values in the dehumanizing power and scale of the modern industrial war machine, and to effectively convey those ideas and images to an American audience, helping to change the general consensus view of the war by Americans. This is an ex-library copy, as evidenced by a bookplate on the front flyleaf (stamped "Withdrawn") and a circulation list and card pocket on the rear flyleaf. The pastedowns show some evidence of the removal of a previous jacket protector, under flaps. Some play in the binding, only a very good copy but in a surprisingly fine dust jacket. The hardcover is very scarce: at this moment in publishing history, "trade paperbacks" were a novel idea, able to be marketed to a younger and more impecunious audience than hardcover books, and several publishers opted to limit hardcover publication numbers of new titles in order to print more softcovers, priced lower, and aimed at college students and other young people. The Collier edition of this title is the Macmillan softcover that was issued simultaneously, and turns up many times more often than the hardcover does. In all likelihood, the hardcovers were largely targeted to the library market, which would explain the provenance of this copy. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        An Jesus Christus glauben : Bibl. Überlegungen z. Grund d. Christseins.

      München : Don-Bosco-Verl., 1971 - 63 S. ; 8, antiquarisch gut erhalten K10450 ISBN 3769801385 Sprache: Deutsch Gewicht in Gramm: 400 [Attributes: First Edition; Soft Cover]

      [Bookseller: Antiquariat Buchhandel Daniel Viertel]
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        La Magnanerie de Ferrage. A suite of 12 signed linoleum cut by Alberto Magnelli (6 in color)

      La Magnanerie de Ferrage. Introduction by André Pieyre of Mandiargues. Societe Internationale d'Art du XXe Siecle, Paris 1971 Large portfolio with a suite of 6 Linoleum cut in color by Alberto Magnelli, each signed and numbered, and two original photographs of Andre Villers tipped inside the original box, portraying the artist in his studio. Total edition of 133 copies. Our copy is one of 15 copies in Japan Nacre numbered in Roman from I to XV, it contains an extra suite of prints, in black signed and numbered. Elephant Folio. Condition: in fine condition, preserved in the original dark green cloth box.

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
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        Studies in Religion / Sciences Religieuses. SR - revue canadienne.

      Los Angeles, (u.a.), University Press, 1971-2011. - ISSN: 0008-4298. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild. Sprache: Deutsch Gewicht in Gramm: 40000 8°. Blaue Leineneinbände (Band 6 farblich abweichend). Bände 1 (1971/72) - 40 (2011) + Index für die Bände 1-20 in 40 Bänden.

      [Bookseller: Antiquariat Trageser]
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        [Anvil Press] Early Poems 1940-42

      Lexington, KY Anvil Press 1971 Tall, slim 8vo: [8],27,[3]pp. One of 150 unnumbered copies printed in red and black in Hammer New Uncial type on handmade Hosho paper. Publisher's mustard boards with printed paper spine label, limitation slip laid; scarce original matching mustard dust jacket printed in black. A pristine copy, the jacket spine panel barely rubbed to the top edge. Provenance: pictorial book plate of bibliophile Arthur A. Goldsmith, Jr., to the front paste down. Fine

      [Bookseller: Fine Editions Ltd.]
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        Scrap: the New York Sunday supplement [subtitle varies], Nos. 1-8, December 9, 1960 through June 14, 1962. An exceptionally rare complete set

      New York, [1971?] - A few illustrations in each issue. No. 1 is 4 pp. on off-white paper, 35.5 x 28.1 cm; nos. 2-8 are 8 pp. each on pale gray paper with page size 30.5 x 22.9 cm (folded in quarters from sheets about 61 x 46 cm). A spirited look at the New York art world during a period of extraordinary change. No. 2 has excerpts from a WBAI interview with the editors, "Scrap's First Tape" [a pun on Samuel Beckett's great monologue "Krapp's Last Tape"]. In no. 3 Paul Brach writes on Rauschenberg, and Jasper Johns reviews the printed version of Duchamp's The Bride Stripped Bare by Her Bachelors, Even. Geist on Rothko fills most of no. 4. No. 8 features two reviews of Harold Rosenberg's Arshile Gorky: the Man, the Time, the Idea. Now, about this complete set: Scrap originally appeared on the cheapest newsprint, and the few copies available are usually browned, chipped, and very brittle. Some time after 1969, when Geist lent—not gave—a set to the Smithsonian for microfilming, he apparently decided to make a limited number of sets on better paper. MoMA has this version both bound and unbound and assigns it a date of 1971(?). That sounds plausible; I first encountered copies in 1974. A close comparison of both versions confirms that the much crisper second printing was made from original masters or negatives, not reproduced from the 1960-1962 newsprint copies. OCLC locates 15 full or partial sets, some of those in microform.

      [Bookseller: Laurence McGilvery, ABAA/ILAB]
 31.   Check availability:     AbeBooks     Link/Print  


        Francisco De Quevedo. Trois Visions.

      Yves Rivière Editeur, Paris 1971 Tadellos Text Französisch. In originalem Versandkarton. Büttenmappe mit goldgeprägter Rückentitelei in Büttenschuber, unverletzt. Limitierte Auflage von insgesamt 140 Exemplaren, hier Nummer 94 von 100 Exemplaren, VON ANTONIO SAURA EIGENHÄNDIG SIGNIERT. Mit 42 Originalsteindrucken mit Seidenpapier-Schutz davon 11 doppelseitige Bögen und 19 ganzseitige Lithographien auf Velin d\' Arches. Die Texte: Le sergent de ville demoniaque, Du monde en son interieur, Le jugement dernier. Tadellos! +++ Antonio Saura (1930/1998) Spanischer Künstler und Schrifsteller, bedeutender Nachkriegsmaler. +++ Francisco Gómez de Quevedo y Santibáñez Villegas (1580/1645) spanischer Schriftsteller des Barocks (Siglo de Oro). Er gehörte zu den Meistern des sogenannten Schelmenromans (Novela Picaresca). +++ Texte en francais. Dans sa boite en carton destinée à l\'expedition. Portefeuille présenté dans son emboitage elegant et intact, celui-ci avec titre en lettres dorées. Tirage limité à 140 exemplaires, ici \"cent exemplaires numérotés de 26 à 125\" (ici numéro 94) SIGNÈ PAR ANTONIO SAURA DE SA PROPRE PLUME. Avec 42 lithographies originales sur Velin d\' Arches (dont 11 en double page, protégées par papier de soie). Les 3 visions: Le sergent de ville demoniaque, Du monde en son interieur, Le jugement dernier. Excellent état. +++ Antonio Saura (1930/1998) est un peintre et écrivain espagnol. D\'abord marqué par le surréalisme, il s\'en est éloigné en allant vers la peinture abstraite, puis vers un style plus physique. +++ Francisco Gómez de Quevedo Villegas y Santibáñez Cevallos, né probablement le 14 septembre 1580 à Madrid et mort le 8 septembre 1645 à Villanueva de los Infantes, province de Ciudad Real, est un écrivain espagnol du Siècle d’or, de la littérature duquel il est l’une des figures les plus importantes et les plus complexes.(de Wikipedia). +++ Text in french. In its original cardboard box. A portfolio in hand-made paper, housed in its original slipcase with gilded title on spine, intact. A limited edition altogether in 140 copies, here number 94 from 100 issues. INSCRIBED BY ANTONIO SAURA HIMSELF. With 42 original lithographs with tissue-guard, including 11 double sheets and 19 full-size lithographs on Velin d\' Arches. The 3 visions: Le sergent de ville demoniaque, Du monde en son interieur, Le jugement dernier. Excellent condition +++ Antonio Saura (1930/1998) Spanish artist and writer, one of the major post-war painters to emerge in Spain in the fifties whose work has marked several generations of artists and whose critical voice is often remembered.(from Wikipedia) +++ Francisco Gómez de Quevedo y Santibáñez Villegas (1580/1645) Spanish nobleman, politician and writer of the Baroque era. +++ Stichwörter/ Keywords/ Mots clés: Künstlerbuch Limitiert Vorzugsausgabe Grafik Illustrierte Bücher Collector\'s Edition Bibliophilie Versand D: 5,50 EUR

      [Bookseller: Antiquariat Clement]
 32.   Check availability:     buchfreund.de     Link/Print  


        The Carey Treatment [A Case of Need] (Original screenplay for the 1972 film)

      Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1971. Revised draft script for the 1972 film, "The Carey Treatment," here under the working title, and source novel title, "A Case of Need." Based on Michael Crichton's 1968 novel, written as Jeffrey Hudson. Screenwriters included Ravetch, Frank, director Edwards, and Black, all collectively known as James P. Bonner. Dr. Peter Carey (Coburn) works at a hospital in Boston, where a friend of his is accused to murdering a young girl by way of a botched abortion. Cary decides to uncover the truth, with near fatal results. Shot on location throughout Massachusetts. The third Crichton adaptation, the first two being "The Andromeda Strain" (1971) and "Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues" (1972). Orange titled wrappers, rubber-stamped copy No. 203, dated September 13, 1971, with credits for director-screenwriter Edwards, and screenwriters Ravetch, Black, and Frank. Title page integral with front wrapper. 120 leaves, with last leaf of text numbered 115. Mechanically reproduced, with blue and gray revision pages throughout, dated variously between 9/13/71 and 9/16/71. Pages and wrapper Near Fine, bound with two gold brads.

      [Bookseller: Royal Books, Inc.]
 33.   Check availability:     Biblio     Link/Print  


        Monty Python's Flying Circus

      N.p. [London]: N.p. [BBC], 1971-2. Thirteen typed camera scripts, each secured with a split pin to top left. Slight rusting of pins to some episodes, with consequent marking to surrounding paper. Some episodes marked up by studio cameramen on day of recording. The entire third series (of four), comprising nine original, first-state camera typescripts, the remaining four on different paper stock, and possibly of later origin (see below), EPISODE TWO (ONE OF THE FIRST-STATE SCRIPTS) SIGNED ON TITLE PAGE BY CHAPMAN, IDLE, PALIN AND JONES ON DAY OF RECORDING. Series Three of Python ran from 19 October 1972 to 18 January 1973, and comprises thirteen episodes. Tensions were by then growing within the group, and John Cleese, worried that they were beginning to repeat themselves, had to be pressured into staying on. (Cleese had a point: he would play no part in Series Four, and episode 13 of this series marks his last Python appearance). The BBC was getting nervous, too. Many sketches had moved on from the pure silliness of the first two series, and had become much more savage, surreal and, in many cases, downright unpleasant. Editorial interventions from the Corporation became more frequent, increasing tension within the group still further. Despite all this, much classic Python is to found in these scripts: The Cheese Shop and Sam Peckinpah's Salad Days (Ep. 4); Whicker's Island (Ep. 5); and Gumby Brain Specialist (Ep. 6), among many other indelible moments. The Proust Competition sketch of Episode 9 was censored by the BBC: they objected to Chapman's use of the word 'masturbation' and insisted the soundtrack be cut at the (in)appropriate moment. And Episode 13 carries three sketches which were never broadcast at all: Revolting Cocktails, Sculptor and Wee-Wee Wine Cellar. Cleese thought Sculptor under-rehearsed, and Cocktails and Wine Cellar childishly scatalogical. His fellow Pythons agreed with him on the first sketch, the BBC agreed with him on the other two. All three were recorded; all three were cut; all three are now lost. Of these thirteen camera scripts, the provenance of four is unsure. Episodes 1, 4 (which lacks the title page), 6 and 7 are on a different (white) paper stock, and appear to have been photocopied from originals -- the annotations of the camera crews are not pencilled on, but were there when the copy was made. However, all four are secured with split pins to top left (like the other nine), the pins are of the same make and vintage as the other nine, and there is rusting to the pins and browning to the surrounding paper similar to that found on the other nine, suggesting they are of a similar vintage. This becomes more certain with the evidence provided by Episode 11, a yellow script with white, presumably rewritten pages inserted into it. Of the nine first-state scripts, Episodes 2, 3, 5, 8, 9, 12 and 13 all carry camera crew annotations (some more than others); Episodes 10 and 11 are unmarked. Episode 13 is of a different paper stock, and is a deeper yellow, and Episodes 9, 10 and 11 have been subjected to some later nibbling by mice at the leading edge (not affecting text). All are in condition consistent with their age and usage, with some rusting to pins, and light (non-mouse-related) edgewear. From time to time a single Python script will surface. Here is the complete third series, signed by four of its creators, of one of the most influential comedy shows ever made.

      [Bookseller: Neil Pearson Rare Books]
 34.   Check availability:     Biblio     Link/Print  


        The Fly on the Wall

      New York: Harper & Row,, 1971. Octavo. Original blue cloth spine lettered in dark blue and white, blue cloth boards, blue endpapers lettered in white, untrimmed. With the dust jacket. Light horizontal scuff to back panel of jacket. An exemplary copy in the striking dust jacket (designed by Paul Spina). First edition, first printing, of Hillerman's second book (following The Blessing Way, 1970). Presentation copy from the author, inscribed on the half-title: "For Michael de Haven, Tony Hillerman".

      [Bookseller: Peter Harrington]
 35.   Check availability:     Biblio     Link/Print  


        Conversation with the Supplicant

      The Janus Press, West Burke, Vermont 1971 - Limited edition of 100 copies, this no. 48, SIGNED BY CLAIRE VAN VLIET. Note this work is presented as unbound sheets, with the lithographs printed on the same paper as the text. Claire Van Vliet (b. 1933), the artist for this book, is also the founder of The Janus Press which she started in San Diego in 1955. Van Vliet chose "Janus" as the name for her Press based on the ancient Roman god Janus, who looked both forward and backward and therefore stood for balance. Franz Kafka (1883-1924) has been called "the Dante of the 20th century" and Nabokov placed him among the greatest writers of that century. His writings often feature isolated protagonists faced by bizarre or surrealistic predicaments and incomprehensible social-bureaucratic powers, from which has arisen the term, "Kafkaesque" (N.B., info on author from Wiki). This short story an excerpt from "The Penal Colony", per a note on the copyright page. ***DESCRIPTION: Unbound sheets, ten signatures total, eight full-page lithographs by Claire Van Vlient with tissue guards, the lithographs printed directly from the stones drawn by the artist (with no printing on the reverse side of the page containing the lithographs); folio size (approximately 12.75" tall), 12 printed leaves total, text Monotype Times New Roman, printed letterpress, paper Zerkall Butten; limited edition of 100 copies, this no. 48. The loose signatures are encased in a drop-back box covered in olive linen cloth, ivory paper spine label with black lettering, lined with black linen cloth. ***CONDITION: Fine - the signatures are clean, crisp, as new. The box is also fine, the spine label perfect; there are some natural variations in the linen cloth covering the box, as it came from the publisher. ***POSTAGE: International customers, please note that additional postage may apply as the Abe standard does not always cover costs; please contact us for details. ***Swan's Fine Books is pleased to be a member of the IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help. [Attributes: Signed Copy]

      [Bookseller: Swan's Fine Books, IOBA]
 36.   Check availability:     AbeBooks     Link/Print  


        Talking About Oz (Vintage audio reel)

      N.p.: N.p., 1971. Vintage audio recording on three quarter inch tape, three minutes and 30 seconds long, of John Lennon and Yoko Ono on Radio Free London circa 1971. The couple spend the time advocating for free speech and on behalf of the founders of "Oz" magazine, then on trial for obscenity and "conspiracy to corrupt public morals.""Oz" was one of the most influentially designed and controversial underground magazines of the psychedelic era, and the trial became something of a cause celebre among the British left, with Lennon and Ono leading the charge, releasing a benefit single featuring the tracks "God Save Oz" and "Do the Oz" to raise funds for the defense and recording numerous radio spots such as this one to publicize the issue. In this recording, Lennon and Ono discuss the case and, after taking some shots at the presiding judge (whom Lennon refers to as "an old wanker"), Lennon sings the Harry Lauder standard "Keep Right on to the End of the Road," with Ono singing the repeated line "Let's not fall asleep." The recording ends with Ono saying "don't fall asleep fellas" and Lennon adding "and girls." This differs of other Radio Free London spots, which typically ended with Lennon signing off by saying "radio free witness," leading us to believe this is a variant recording or an outtake of similar material used for "The Lost Lennon Tapes" radio series.Reel in Fine condition, housed in a Very Good cardboard box with Lennon's and Ono's names and the title typed on the front. Also included in a CD-R containing the audio.

      [Bookseller: Royal Books, Inc. ]
 37.   Check availability:     ABAA     Link/Print  


        Folon, Musée des art décoratifs, du 10 décembre 1971 au 10 février 1972 [envoi et dessin original de Jean-Michel Folon]

      Paris: Musée des arts décoratifs, 1971. Livre. Illus. by Jean-Michel Folon. Très bon. broché. Dédicacé par l'illustrateur. Edition originale. In-4 Oblong. Paris, Musée des arts décoratifs, 1971. 24 x 32,5 cm, in-4 à l'italienne, 34 ff. n. ch. (68 pp.), nombreuses illustrations en noir et en couleurs, à pleine page. Catalogue de l'exposition à Paris, Charleroi, Bruxelles et Milan. Exemplaire enrichi d'un ENVOI autographe signé dans un DESSIN ORIGINAL de Folon aux feutres, courant sur toute la page de faux-titre : "à Elisabeth [Auclaire], J.M., Paris, 13 janvier 1972". On JOINT deux couvertures reproduisant un dessin de Folon : "Graphis annual, 1971-72" et "L'Express" n° 1080. Bel exemplaire..

      [Bookseller: Des livres autour (Julien Mannoni)]
 38.   Check availability:     Biblio     Link/Print  


        Stanley Kubrick Directs: A Visual Analysis by Halcyon (First Edition, Inscribed by Stanley Kubrick)

      New York: Harcourt, Brace, and Jovanovich, 1971. First Edition. First Edition. INSCRIBED by director Kubrick on the front endpaper: "To -- / Best wishes / Stanley Kubrick." One of the best assessments of Kubrick's career, focusing on the films made through 1971, photo illustrated throughout. A rare signature from one of the greatest and most reclusive twentieth century cinema auteurs. Near Fine. A touch of faint dampstaining to the top page edges and endpapers, else a bright, unread copy.

      [Bookseller: Royal Books, Inc.]
 39.   Check availability:     Biblio     Link/Print  


        Tales of Earthsea Three Volumes A Wizard of Earthsea; The Tombs of Atuan; The Farthest Shore

      London Victor Gollancz 1971 / 1972 / 1973 1st editions. 3 volumes. 8 x 5 inches. Hardbacks in blue, brown and purple coloured cloth covers. With Illustrated dustwrappers. Gilt to spines. In very good conditions. With very good dustwrappers. (In protective sleeves.) Some spotting to outer page edges else very clean and tight copies. 191; 159; 206pp. On vol. with illustrated endpapers.

      [Bookseller: The Antique Map & Bookshop]
 40.   Check availability:     Biblio     Link/Print  


        L'Année Philologique: Bibliographie Critique et Analytique De L'Antiquite Greco-Latine (Tome XLII-LXVI, LXXII-LXXIII)

      Les Belles Lettres, 2000 Buch und Zeitschriften Vlg., 1971-2002. - Ausgetragenes Bibliotheksexemplar mit nur einzelnen leichten Gebrauchsspuren, Jahrgänge 1971-2002 in 27 Bänden (27 gebundene Bücher), die Bände 67-71 und 74 fehlen, insgesamt sehr guter Erhaltungszustand. Sprache: Französisch Gewicht in Gramm: 40000 [Attributes: Hard Cover]

      [Bookseller: Versand-Antiquariat Konrad von Agris]
 41.   Check availability:     ZVAB     Link/Print  


        The Carpet People

      London: Colin Smythe, 1971. First Edition. Hardcover. Very Good. First British edition, first printing. Near Fine, in a Near Fine dust jacket with price intact. Previous owner gift inscription to front free end paper; faint rubbing to cloth at edges. Gilt stamping very sharp. Dust jacket shows several tiny dings, the main fault being horizontal strips of adhesive and plastic along the top and bottom edges of the blank verso from where publisher's "Duraseal" laminate was formerly glued down; label to verso of front flap lightly offset and visible from the front. Otherwise, a stunning copy of the author's first book.

      [Bookseller: Burnside Rare Books]
 42.   Check availability:     IOBABooks     Link/Print  


        Angle of Repose

      Doubleday, New York 1971 - A near-pristine copy in mylar-protected dj. DJ has extremely minor edge wear; book is clean, tight, bright and square, with a previous owner's unobtrusive gift inscription on the free front end paper. [Attributes: First Edition; Hard Cover]

      [Bookseller: Greensprings Books]
 43.   Check availability:     AbeBooks     Link/Print  


        Conversations with the dead: Signed first edition, first printing. Extremely rare!

      Holt, Rinehart and Winston, U.S.A. 1971 - A very rare first edition/first printing signed book. Probably the only signed first/first available online! Book condition is near fine. Minor yellowing on the first free page and on the edges and a price written with pencil on the corner of the first free page. Dust jacket condition is very good; the front is fine, The rear have couple of faded creases and 3 closed tears (the longest tear is about 6mm in length). The dust jacket is protected with mylar and is NOT price clipped. Probably, this is the only copy of signed/first ed/first print of this book. A beautiful copy!! [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Assaf Books and Art]
 44.   Check availability:     AbeBooks     Link/Print  


        Be Here Now, (or Remember, Be Here Now)

      San Cristobal, New Mexico: Lama Foundation, 1971. Second Printing . Hardcover. Very Good/No Jacket. Square 8vo. pp. [48], 108 double page, [9], 1-121, [19]. Illustrated. Book protected in new mylar. Stated Second Printing. Copyright page notes, First Printing, February 1971, 25,000 Copies; Second Printing, May 1971, 31,000 Copies. Original, light blue, hardcover cloth binding has gilt titles and decorations. Binding and hinges are in solid, tight, square condition with the slightest of tanning on covers. No former owner's names or marks, a clean copy except for a small damp stain on a number of pages toward the rear of the book. One of the first guides for those not born Hindu to becoming a yogi. Important for its influence on the Hippie movement and subsequent spiritual movements. This book has been described as a "countercultural bible". The author, a psychologist, describes his research with Timothy Leary into LSD and psychedelics at Harvard. Influenced and inspired Steve Jobs, Wayne Dyer, Michael Crichton, and George Harrison. Overall an attractive, scarce copy of the hardcover edition.

      [Bookseller: Arabesque Books]
 45.   Check availability:     Biblio     Link/Print  


        THE RETURN OF LA BELLE JARDINIERE: Max Ernst 1950-1970

      Abrams (1971), New York - Large 4to. Yellow cloth in original illustrated dust jacket. Jacket with trace foxing at upper edge, faint band of toning to rear. Cloth and upper page edge with light foxing. Otherwise near fine. INSCRIBED by Ernst to his publisher with an original drawing to half title page. Publisher’s copy of this generously illustrated collection of Ernst’s later works. With a small, original drawing by the artist and in- scribed by Ernst to Paul Anbinder, who worked for Abrams in various capacities, including company President, from 1969-1975. He later went to found the art-oriented imprint Hudson Hills Press. With 88 illustrations including 38 in full color. Genuinely inscribed books from Ernst are uncommon, and rare with such a strong association. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Brian Cassidy, Bookseller ABAA/ILAB]
 46.   Check availability:     AbeBooks     Link/Print  

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