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Displayed below are some selected recent viaLibri matches for books published in 1971

        Quatre nuits d'un rêveur [Four Nights of a Dreamer] (Original French poster)

      Paris: Albina Productions, 1971. Original French theatrical release poster for the first of three films made by Robert Bresson in the 1970s. "Quatre nuits d'un rêveur" is based on a short story by Dostoevsky titled "White Nights," originally published in the magazine "Annals of the Fatherland" in 1846. A typically precise, stylized, and carefully choreographed outing by Bresson, rarely screened. The story concerns a four-day (or four-evening) relationship between a young artist and a young woman, one that begins with the man saving the woman as she contemplates jumping from a bridge. 24 x 32 inches. Rolled, on archival linen. Fine.

      [Bookseller: Royal Books, Inc.]
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        The Alphabet Of Francesco Torniello Da Novara [1517]; Followed by a comparison with the Alphabet of Fra Luca Pacioli

      Verona: Officina Bodoni, 1971. First edition thus. Hardcover. Orig. quarter navy morocco and lettered cream boards. Teg. Fine in fine slipcase. 104 pages. 27.5 x 20 cm. Limited edition, copy 28 of 150 copies set in Dante type and printed on hand-press on paper made in Amalfi by Ferdinando Amatruda. This English edited by Giovanni Mardersteig. Another Officina Bodoni facsimile edition of geometrically constructed alphabets and calligraphic books of the Renaissance including the original Italian of 1517, which was based on that of Fra Luca Pacioli, printed at Milan by Gotardo da Ponte in 1517. Torniello's alphabet presents calligraphic improvements in capital letters, and is the first construction based on logical measurement called "Punto," (Point). Host of diagrams and illustrations throughout. Original prospectus and order slip laid-in.

      [Bookseller: Royoung bookseller, Inc.]
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        Ebert, Albert. - "Verena".

      - Lithografie / Pinsellithografie, partiell geschliffen, auf hellem Karton, 1971. Von Albert Ebert. Auflage Exemplar Nr. 16/30. 21,4 x 15,3 cm (Darstellung / Druckbild) / 23,5 x 19 cm (Blatt). Brade-Stula L 61. Rechts unten in Bleistift signiert und datiert. Links Auflagenbezeichnung. - Links schmaler Streifen entlang der Blatkante durch oberflächlichen Abriss etwas ausgedünnt. Sonst sehr guter Zustand. Albert Ebert (1906 Halle - 1976 Halle). Deutscher Maler und Grafiker. 1922 Abbruch einer Lehre zum Maurer. Bis 1939 diverse Tätigkeiten u.a. als Möbelträger, Markthelfer und Bauarbeiter. Ab 1939 als Soldat im Zweiten Weltkrieg, Verwundung. Während des Lazerettaufenthaltes erste Beschäftigung mit Malerei. 1946 Studium an der Burg Giebichenstein in Halle bei Charles Crodel und Waldemar Grzimek. 1948 Hospitant an Landesgalerie Sachsen-Anhalt in der Moritzburg in Halle als Restaurator. 1948 erste Ausstellung in der Künstlergemeinschaft "Die Fähre". 1954-56 Arbeit als Heizer in der Kunsthochschule Burg Giebichenstein. Durch Förderung von Freunden und ein Stipendium der Block-CDU ab 1956 freischaffend. 1973 Kunstpreis der Stadt Halle. Wegen seines naiven Stils oft als "Rousseau von der Saale" apostrophiert. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: GALERIE HIMMEL]
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        Archive of Old Post Office Theatre Posters

      East Hampton, New York 1971 - Broadsides. Illustrated by Isadore Seltzer. Measuring 11" x 17" and 13" x 19.75". Overall very good with some toning, pins holes at the corners, and light edge wear; one poster with a couple of water spots. Eight posters for performances at the Old Post Office Theatre on Newtown Lane in East Hampton, New York, which was co-owned by photographer Ken Robbins who used the upstairs as his first dark room. The theatre specialized in avant-garde plays by the likes of Harold Pinter, Terrance McNally, Sam Shepard, Eugene Ionesco, Joe Orton, Rochelle Owens, Boris Vian, Leonard Melfi, and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performances and even less have survived. [Attributes: First Edition]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Angle of Repose

      Garden City, New York: Doubleday & Company, 1971 First Printing of stated First Edition, in first issue dust jacket, with original price of $7.95 and "A.O.R." listed directly above price, no mention of pulitzer prize. Book in fine condition; light tanning to spine, else book in fine condition.

      [Bookseller: Idler Fine Books]
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        Idole und Realitäten. Zehn Original-Radierungen zu Liedertexten der Beatles. Mit einer aquarellierten Original-Bleistiftzeichnung des Künstlers.

      Frankfurt und Berlin: Propyläen 1971. 11 Blatt, die Radierungen montiert in festen, bedruckten Papierumschlägen. Lose in mit silberfarbenem Papier bezogenen Original-Schuber, Groß-Folio, 72,5 x 52 cm. (dieser minimal bestossen und zerkratzt, die Papierumschläge teils gering knickspurig, sonst und im Ganzen schön erhalten) Eines von nur ganz wenigen Exemplaren des Abdrucks für den Künstler, alle Blätter von Schmettau eigenhändig bezeichnet \"e.a.\" und signiert, die Bleistiftzeichunung ebenfalls eigenhändig signiert. Regulär erschienen darüber hinaus zehn römisch numerierte Exemplare, alle auch jeweils mit einer zusätzlichen Bleistiftzeichnung, sowie eine Normalausgabe von 60 arabisch numerierten und signierten Exemplaren. Die Liedtexte wurden außen auf die farbigen Papierumschläge gedruckt: The word, A hard day`s night, Hey Jude, Good morning, good morning, Baby you`re a rich man, Only a northern song, Revolution, Strawberry fields forever, Don`t let me down, I am the walrus. Schmettau ist vor allem als Bildhauer und Plastiker hervorgetreten, sein wohl bekanntestes Werk ist der Brunnen auf dem Breitscheidplatz in Berlin, vom Volksmund liebevoll \"Wasserklops\" genannt. - Wir bieten auch ein Exemplar der Normalausgabe (ohne die Bleistiftzeichnung) zum Preis von 1200,00 Euro an. Weitere Bilder auf Anfrage oder auf unserer Homepage. Versandkostenfreie Lieferung [Beautiful, Rare and Special;Schönes;Seltenes;Darstellende Künste;Bibliophilie;Kunst;Deutschland;Deutschland 20. Jahrhundert;künstlerische Grafik]

      [Bookseller: Versandantiquariat Bürck]
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        Rules for Radicals: A Practical Primer for Realistic Radicals

      New York: Random House, 1971. First Edition. Hardcover. Very Good. First edition. 196 p. Fine in Very Good+ dust jacket. Jacket presents well, chipped at foot, small light stain on back panel, a bit of rubbing and creasing, price intact ($6.95). No sunning, which is nice. An uncommonly neat, clean copy of a scarce first, commonly referred to as "the bible of community organizing.

      [Bookseller: Burnside Rare Books]
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        Encyclopedia Judaica (16 Volume Complete Set + 2 Year Books)

      Keter / Macmillan, 1971 Hardcover 18-Volume COMPLETE SET (16 Volumes + 2 Yearbooks), 1971 1st Ed, stated 1st Printings (NOT 1994 reprint ed), Near Fine decorated turquoise boards show only minor shelf wear & signs of age, no markings, NOT ex-lib, a bright tight exemplary full set of this classic reference work (no djs, as issued); 18 lg heavy 4to Volumes, illus. THIS SET CANNOT BE SHIPPED OUTSIDE THE USA; Extra shipping charge REQUIRED for delivery of this massive heavy set. First Edition. Hard Cover. Near Fine.

      [Bookseller: Nighttown Books]
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        Annual Report 1970-71

      Sydney 1971 - 20,5 x 33 cm ca. 75 Seiten 370 gr. sehr guter Zustand (kleine Notizen mit dem Kugelschreiber) [Attributes: Soft Cover]

      [Bookseller: Schueling Buchkurier]
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        The Works.

      London: The Bodley Head,, 1971-80. 5 volumes, octavo (192 × 114 mm). Recent dark blue morocco, titles and decoration to spines gilt, raised bands, single rule to boards gilt, marbled endpapers, top edges gilt. An excellent set. A handsomely bound set of Ford's works which was first published by the Bodley Head in 1980.

      [Bookseller: Peter Harrington]
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        Das Bildnis des Dorian Gray. Oskar Wilde

      Klagenfurt : Kaiser, 1971 - 263 S. ; 19cm Exemplar in gutem Zustand, Einband mit leichten Gebrauchsspuren, K12861 Sprache: Deutsch Gewicht in Gramm: 350

      [Bookseller: Antiquariat Buchhandel Daniel Viertel]
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        Wigand, Albert. - "INRI".

      - Mischtechnik / Collage, Tempera & Farbkreide, auf Pappe, 1971. Von Albert Wigand. 30,0 x 24,3 cm (Darstellung / Tafel). Verso in blauer Farbkreide signiert. Dazu in grünem Filzstift signiert und datiert. Dazu persönliche Widmung und Titel. - Collage mit Streichholzschachtel, Streichholz, Druck mit dem Kopf der beliebten DDR-Trickfilmfigur Pittiplatsch, sowie verschiedenen anderen Materialien. - Die Ecken minimal bestoßen. Insgesamt gut erhalten. Albert Wigand (1890 Ziegenhain - 1978 Leipzig). Deutscher Maler und Collage-Künstler. 1912/13 Studium bei Lothar von Kunowski an der Kunst-Akademie Düsseldorf. 1912 und 1919-22 Kurse bei Otto Ubbelohde in Goßfelden. 1914-18 Sanitäter im 1. Weltkrieg. Ab 1916 in Frankreich (Rethel und Sedan). 1923/24 Studium bei Igor Jakimov in Berlin. Seit 1925 in Dresden, tätig als Schaufensterdekorateur. Entwickelte in den 1930er Jahren seinen lyrisch-expressionistischen Stil. 1943 ins Gaswerk, später ins Wasserwerk dienstverpflichtet. 1946-55 Laternenwärter. Nach dem Krieg v.a. Öl- und Temperamalerei sowie Experimente mit Formflächen. Ab 1956 verstärkt Collagen, auch aus fragmentierten früheren Arbeiten. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Interfunktionen 6. Vito Acconci. Bruce Nauman. Joseph Beuys. Arnulf Rainer. Bob Morris. Mike Heizer. Hamisf Fulton. Dennis Oppenheim.

      Köln. Interfunktionen. 1971. Auflage 1000 Exemplare. 4°. 90 S., 2 Blatt. OKarton. Winziges Fleckchen am Rücken, leichter Schattenabklatsch der beiliegenden Farbseiten auf die Textseiten. Insgesamt sehr gutes, frisches Exemplar. Nummer 1 / 60 einer nicht näher definierten Vorzugsausgabe mit Beilagen, hier von Arnulf Rainer ein Originalabzug eines Face Farcing Fotos, handschriftlich betitelt \"Stufen\", nummeriert 1/60 und signiert sowie eine Arbeit von Joseph Beuys in 7 Teilen, bestehend aus 7 verschiedenfarbigen Seidenpapieren, bedruckt, unterschiedlich gefaltet und auf verschiedenen Seiten des Heftes eingelegt (wordurch ein dezenter Schattenabklatsch auf die Seiten entstand). Auf dem grünen Blatt handschriftlich von Joseph Beuys in Bleistift signiert, hier aber nicht nummeriert. Enthält ferner unter anderem eine Fotostrecke zu Joseph Beuys und Terry Fox: Action. Als Vorzugausgabe selten, da vermutlich nur ein Teil der geplanten 60 Exemplare ausgeführt wurde. [Vgl. Kellein / Das Archiv Sohm; S.177; Beuys - Schellmann, Die Multiples, Nr. 38, S. 80]. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Kunstzeitschriften

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        7 Morceaux pour toi par 3 amis.

       1971. Kl.-8°, Broschiert Originale farbige Handzeichnungen im Blockbuchbindung. Unikat. Versand D: 5,00 EUR Graphik

      [Bookseller: Antiquariat an der Uni München]
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        Original Miles Davis Concert Poster, Berlin, 1971.

      Berlin: , 1971. Berlin Jazz Tage, Germany, Nov. 4-7, 1971. A0 format (1168 mm by 838 mm) vintage off-set lithographic poster. Design by Kieser, photography credit to Volker Hartmann. A touch of wear and several tiny closed tears to upper left and right margins, else about fine, bright, crisp and, very uncommon for a poster of this size, it has never been folded. This powerful portrait of Miles Davis was designed exclusively for the Berlin Jazz Festival of 1971, an extraordinary international gathering of the era's jazz luminaries, at which Miles' new band, featuring Keith Jarrett, Gary Bartz and Don Alias, was one of the headliners. Kieser's design draws heavily on the psychedelic influences which he had been employing in his rock posters of the late 1960's, and the portrait of Miles is considered to be one of his signature pieces in this genre. This image also featured strongly in the jubilee celebrations of the Berliner Festspiele, festival production manager Ihno von Hasselt describing the Jazzfest posters, for which Kieser was solely responsible up to 2000, as "street fighters. Hermetic depictions of signs which erected an entire defence system against the surrounding world of emblazoned dullness, sloppy inflated advertising and meaningless graphic design." Gunther Kieser is one of Germany's pre-eminent poster artists whose work can be found in the collections of major museums including the Tokyo Museum, the Louvre and the Museum of Modern Art. He has had a prolific and varied career, during which his technically innovative, provocative and brilliant designs have kept him in the forefront of European poster art. Kieser is perhaps best known for his jazz and rock concert posters, and particularly for the work he did for the German concert producers Lippman & Rau from the 50s to the 80s, and for whom he effectively acted as in-house designer. A significant jazz poster by an important designer, and extremely uncommon, particularly in such sharp condition.

      [Bookseller: Peter Harrington]
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        Zoof?hrer (Zeichnung Tiger)

      Jaderberg 1971 - 15 x 21 cm 64 Seiten 140 gr. Umschlag leicht berieben, sonst sehr guter Zustand [Attributes: Soft Cover]

      [Bookseller: Schueling Buchkurier]
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        Auguste Renoir.

      Lausanne: Editions Durand-Ruel 1971 - Catalogue raisonné de l'oeuvre peint. Avant-propos de Jean Renoir, Preface de Charles Durand-Ruel. Band/Tome 1 (Alles): Figures 1860-1890. Mit 31 teils farbigen Abbildungen im Text und 646 teils farbigen Abbildungen im Katalog. 429 S. Original-Leinenband mit Original-Schutzumschlag. - Reliure pleine toile d’editeur sous jaquette. - Sehr gut erhaltenes Exemplar. - Bon etat. Eins von 1850 numerierten Exemplaren (Gesamtauflage: 2000). - Erste Ausgabe / First edition. - Das Werkverzeichnis war auf fünf Bände geplant, es ist jedoch nur der vorliegende erste Band erschienen / The first in what was to have been a set of five volumes of the catalogue raisonné of Renoir's word. This first volume, however, was the only one to appear of this particular project. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Gertrud Thelen]
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        Luis Bunuel and Jean-Claude Carriere on the set of "The Discreet Charm of the Bourgeoisie"

      N.p.: N.p., 1971. Original double weight, wide margin photograph of Luis Bunuel and screenwriter Jean-Claude Carriere by Mary Ellen Mark, taken outdoors during the shooting of Bunuel's "The Discreet Charm of the Bourgeoisie." Notated on the verso as having been taken in 1971, with a separate rubber stamp showing a date of 1980, presumably when the photograph was struck. Carriere was Bunuel's most significant screenwriting collaborator, authoring or co-authoring many of Bunuel's greatest films, including "Diary of a Chambermaid" (1964), "Belle de Jour" (1967), "The Milky Way" (1969), "The Discreet Charm of the Bourgeoisie" (1972), "The Phantom of Liberty" (1974), and "That Obscure Object of Desire" (1977). In a custom museum-quality frame, archivally mounted, with UV glass. Print 8 x 10 inches (20 x 25 cm), image 5 x 7 inches (wide margin). Criterion 102, 117, 143, 290, 402, 593. Schrader 33.

      [Bookseller: Royal Books, Inc.]
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        A Day in the Life of George & Gilbert the sculptors.

      London, Art for All, Autumn 1971. Orig. wrappers. With 6 photographs. 12, 4 p.*third booklet, published in 1000 numbered copies and stamped GG. - Fine copy.

      [Bookseller: André SWERTZ B.V.]
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        WOLF

      Simon and Schuster, New York 1971 - First printing stated. Faint sticker ghost front pastedown, else fine, The white cloth is pristine, In a very near fine dj, with faint crease top of spine. His 1st novel, after 3 volumes of poetry. Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Dale Steffey Books]
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        [Postal sculpture] The Limericks. Nos. 1-8.

      London, Art for All, March-May, 1971. 8 issues. 200 x 135 mm. 4 pp. each.*complete set of The Limericks, dedicated to a Dutch/German artist and his wife. Each with an scratchy line illustration on the upper cover (after photographs), a brief text in couplets and all signed by the artists in red ink. - The series contains Lost Day, Shyness, Experience, Worldliness, Idiot Ambition, Normal Boredom, Manliness, Artist's Culture. - With all the 8 mailed envelopes with the stamp Towards progress and understanding in art and on the reverse GG, both in red ink. - Fine copies. - See G&G 1968 to 1980 pp. 86-87.

      [Bookseller: André SWERTZ B.V.]
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        THE LITHOGRAPHS OF CHAGALL II 1957-1962

      MONTE CARLO: ANDRE SAURET, 1971 FIRST EDITION. QUARTO. 208PP. ILLUS. 11 ORIGINAL LITHOGRAPHS. PLUS B&W AND COLORED. TEXT IN FRENCH. TWO PAES HAVE 1/2" RED INK MARK AT MARGIN. D/J HAS TWO SHORT CLOSED TEARS AT EDGE.

      [Bookseller: ANTHOLOGY BOOKSELLERS]
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        Drumming for eight small tuned drums, three marimbas, three glockenspiels, male and female voices, whistling and piccolo.

      [N.Y., John Gibson/Multiples (?)], 1971 (1972). Leporello. 30 leaves, each 35.5 x 28 cm.*One of 500 numbered copies, signed in pencil on last page "452/500 Steve Reich 1972". - Facsimile of Reichs original musical scores with annotations and explanations. On the first page a plan how to arrange instruments and singers. - Added: The ALBUM with the same title and same publishers. 2 LP's 30 cm, 33 RPM. In orig. gatefold sleeve with 5 b/w photographs. Also published in an edition of 500 copies (this is also 452). With text inside in facs. of Reich's handwriting. - With also inserted a mimeographed sheet saying "Musical score # [by hand]: 452 of this signed and limited edition of 500 musical scores of 'Drumming' composed and copyrighted by Steve Reich ... The copyrighted musical score described above shall not be used to take any performance whatsoever be it public, private ...". - A complete ensemble in (very) good condition. - Cat. Broken Music pp. 205.

      [Bookseller: André SWERTZ B.V.]
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        Grendel (Review Copy)

      Alfred A. Knopf, ew York 1971 - A lovely copy of the 1971 stated 1st edition. A Review Copy to boot, with the Alfred A. Knopf Review Slip laid-in. Tight and Near Fine (with one or two microscopic spots at the bottom-edge) in a bright, price-intact, Near Fine dustjacket, with none of the customary fading along the spine. One tiny spot at the rear panel's bottom-edge, otherwise the dustjacket is pristine. Octavo, 174 pgs. A superb copy of John Gardner's "breakthrough" novel. [Attributes: First Edition; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
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        Side by Side.

      London, Art for All, 1971 (Cologne/N.Y., Konig Brothers, 1972). Orig. brown/red marbled cloth, lettered in black. With 65 full page photographs and 20 full page drawings. (15), 178 pp.*1st edition, published in 600 numbered copies. With an introduction To the reader of Side by Side from the sculptors: These chapters together represent a contemporary sculpture novel ... , signed by both in red ink. - Very good copy. - See G&G 1968 to 1980, p. 106.

      [Bookseller: André SWERTZ B.V.]
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        Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream

      New York: Random House, 1971 Illustrated by Ralph Steadman. First edition, first printing. Publisher's black cloth spine over dark gray boards, Steadman's Raoul Duke illustration to the front cover in blind, spine lettered in metallic silver; original pictorial dust jacket designed by Susan Schwaab, with Steadman's illustration of Duke and Dr. Gonzo driving through the desert, lettered in blue, red, and black. About fine, with a hint of faint toning to the top edge of the front board; unclipped dust jacket, with a hint of faint toning to the top edge of the front panel, else fine. A beautiful copy. Originally published in Rolling Stone, Fear and Loathing in Las Vegas is the author's best known "failed but essentially noble experiment in Gonzo journalism," a literary genre that subjectively blends truth and fiction. The novel tells of the protagonist Raoul Duke and his attorney Dr. Gonzo as they travel on a drug-fueled, wild adventure "into the heart of the American Dream." The plot is loosely based on the author's actual adventures with American attorney and activist Oscar Zeta Acosta and is supplemented with Thompson's reflections on the 1960's counterculture movement. Ralph Steadman's iconic and grotesquely beautiful illustrations animate Thompson's bizarre journey, assisting the reader in picturing the novel's absurd events. Fear and Loathing in Las Vegas was adapted into a popular film of the same name, starring Johnny Depp and Benicio del Toro, in 1998.. Illus. by Steadman, Ralph. 1st Edition.. Hard Cover. Fine/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Originialgrafik. Siebdruck.

      1971 - 76 x 55 cm, 77 x 56 cm, Tadell, gerahmt Nr. 39 von 150 Exemplaren, unten rechts signiert. - Vivarelli (1919-1986) studierte von 1934 bis 1939 an der Zürcher Kunstgewerbeschule. 1946 wurde er künstlerischer Leiter des progressiven Studio Boggeri in Mailand. Vivarelli avancierte hier ? und später wieder zurück in der Schweiz ? zu einem der führenden Kräfte der Schweizer Moderne. 1950 entstanden erste Gemälde, 1958 war er zusammen mit Richard Paul Lohse und Hans Neuburg Gründer des Magazins Neue Grafik. Das Kunstgewerbemuseum Zürich stellte im selben Jahr unter dem Titel Konstruktive Grafik Arbeiten der Drei aus. 1960 entstand die erste Plastik, 6 quadratische Flächen.1961 gewann Vivarelli den Wettbewerb um die Gestaltung des Firmenlogos von Electrolux. Später konzentrierte er sich auf Konkrete Malerei und Skulptur. 1977 war Vivarelli Mitglied der Kunstkommission für die neuen Universitätsbauten Zürich-Irchel, von 1978 bis 1986 war er im Vorstand der Zürcher Kunstgesellschaft tätig. Schlagworte: Grafik - konstruktive [Attributes: Signed Copy]

      [Bookseller: antiquariat peter petrej]
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        The Exorcist

      New York: Harper & Row,, 1971. Octavo. Original red cloth-backed dark red boards, titles to spine gilt, buff endpapers. With the dust jacket. Ownership label to front pastedown. Spine rolled, light abrasion to front free endpaper; an excellent, bright copy in the creased and sunned jacket. First edition, first printing. Signed by the author on the front free endpaper.

      [Bookseller: Peter Harrington]
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        Mountain Sheep: A Study in Behavior and Evolution.

      University of Chicago Press, Chicago 1971 - First edition. Octavo, original cloth. Inscribed by editor George Schaller to Peter Matthiessen on the front free endpaper, "To Peter, the sheep waddies of sheep from George March, 1975." With Matthiessen's printed name above in his hand and bookplate to the inner gutter. Very good in a very good dust jacket. This book was used in research for the author's masterwork, The Snow Leopard and is cited in its bibliography. A nice association, linking Schaller, one of the foremost field biologists of the twentieth century and Matthiessen, one of the finest nature writers of the last half century. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        DEADLY EDGE.

      New York: Random House,. [1971]. boards.. A fine copy in fine dust jacket with a tiny rub to front spine fold.. (#137126). First edition. Signed by Westlake with an"RS" in parentheses on the title page. A Parker novel. "The Parker series is one of the most evenly written in crime fiction; the sixteen novels are consistently well done and readable ... and DEADLY EDGE [is] a particularly fine example" - Pronzini and Muller, 1001 Midnights: The Afficionado's Guide to Mystery and Detective Fiction, pp. 749-51.

      [Bookseller: L. W. Currey, Inc.]
 30.   Check availability:     Biblio     Link/Print  


        Grapefruit SIGNED

      

      [Bookseller: Schubertiade Music & Arts]
 31.   Check availability:     Biblio     Link/Print  


        Archive of Old Post Office Theatre Posters

      East Hampton, New York. [circa 1971]. First. Broadsides. Illustrated by Isadore Seltzer. Measuring 11" x 17" and 13" x 19.75". Overall very good with some toning, pins holes at the corners, and light edge wear; one poster with a couple of water spots. Eight posters for performances at the Old Post Office Theatre on Newtown Lane in East Hampton, New York, which was co-owned by photographer Ken Robbins who used the upstairs as his first dark room. The theatre specialized in avant-garde plays by the likes of Harold Pinter, Terrance McNally, Sam Shepard, Eugene Ionesco, Joe Orton, Rochelle Owens, Boris Vian, Leonard Melfi, and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performances and even less have survived. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 32.   Check availability:     IOBABooks     Link/Print  


        L'OEuvre complet de Suzanne Valadon.

      Paris: Cie Française des Arts Graphiques. 1971 - Folio. Full blue morocco in slipcase. First edition. 370 pp., with 500 black & white illustrations. The catalogue raisonné of works by Suzanne Valadon, each illustrated (drawings, pastels, paintings and prints) with a bibliography, and an index of Valadon collectors of note. Printed on Velin d'Arches, and limited to 1000 copies. As new. [Attributes: First Edition]

      [Bookseller: Wittenborn Art Books]
 33.   Check availability:     AbeBooks     Link/Print  


        The Shahnameh of Ferdowsi. The Baysonghori Manuscript. An Album of Miniatures and Illuminations. / Le Chahnameh de Ferdowsi. Le Manuscrit de Baysonghor. Un Album de miniatures et enluminures. / Das Schahnameh von Ferdousi. Das Bajsonghor\'sche Manuskript. Ein Album mit Miniaturen und Illuminationen

      Offset Press, 1971. Leinen Mit einzelnen leichten Gebrauchsspuren, Innentitel mit vier Signaturen, in englischer, französischer und deutscher Sprache, auf 3000 Exemplare limitierte Sonderausgabe, Titel: The Shahnameh of Ferdowsi. The Baysonghori Manuscript. An Album of Miniatures and Illuminations. / Le Chahnameh de Ferdowsi. Le Manuscrit de Baysonghor. Un Album de miniatures et enluminures. / Das Schahnameh von Ferdousi. Das Bajsonghor\'sche Manuskript. Ein Album mit Miniaturen und Illuminationen Versand D: 2,90 EUR

      [Bookseller: Versand-Antiquariat Konrad von Agris]
 34.   Check availability:     buchfreund.de     Link/Print  


        Brus, Günter. Irrwisch.

      Kohlkunstverlag, Frankfurt a. M. 1971. - 4°. OKart. unp. EA Auflage 500 Expl. Kanten min. berieben, insgesamt schönes Expl. [Attributes: Soft Cover]

      [Bookseller: Kunstkiosk im Helmhaus]
 35.   Check availability:     ZVAB     Link/Print  


        Homage to Theodore Dreiser

      New York: Random House. (1971). First. First edition. Publisher's full dark blue morocco gilt, raised bands, top edges gilt, blue marbled endpapers. Robert Penn Warren's own copy, Warren Inscribed the title page in black ink: "After Random House became my publisher, Bennett Cerf was accustomed to sending me special copy (such as this) of each new book, autographed by him. This special copy was the last of such copies & not a present from Bennett. RPW." Cerf had died in 1971, and presumably was either dead or too sick to inscribed this title to Warren. A further contemporaneous pencil note by Stuart Wright (publisher of the Paleomon Press that published a great deal of Southern Literature in the last quarter of the 20th Century): "Presented to me in May 1986 and identified on title page at my request as author's copy. SW." A portion of Wright's Library formed the nucleus for Eastern Carolina's spectacular Southern Literature collection. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 36.   Check availability:     Biblio     Link/Print  


        Capricci liguri. Nove incisioni. Presentazione di Ferruccio Ulivi.

      De Luca 1971 In folio; pp. 1 con il testo, seguono le nove incisioni, sciolte, numerate e firmate a matita dall'Artista. Cartella brochure edit. con titoli al piatto; bella edizione limitata a soli 25 esemplari numerati. Dopo la tiratura le lastre sono state biffate.(vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
 37.   Check availability:     maremagnum.com     Link/Print  


        Utrecht project. With 17 cm. 45 RPM single.

      Utrecht, Hedendaagse Kunst - Sonsbeek buiten de perken, 1971. Orig. wrappers. Illustr. with 18 b/w photographs. 32 p.*Text in Dutch and English. - With the 2 original 'blp'-stickers, one in white and one black, meas. 22.2 x 9 cm. - In fine condition. - Very rare. Added: the poster 'Artschwager Projekt Utrecht - Hedendaagse Kunst/Kargadoor Zomer 71' With b/w photograph and 4 black 'blp's. 51 x 59.5 cm. - Signed in pencil "Artschwager '71" - In very good condition. - Fine complete ensemble.

      [Bookseller: André SWERTZ B.V.]
 38.   Check availability:     NVvA     Link/Print  


        Eigenhändiger Brief mit Unterschrift.

      Düsseldorf, 22. I. 1971. - 4to. 1 page. „I am no more in the possession of the film „Le Bateau d’Eurasie" [sic], but you can have it from the Wide White Space Gallery, Anny de Decker, Antwerpren. - Briefkopf gestempelt „Hauptstrom". Mit aufgeklebter Absenderangabe des Kuverts auf Briefpapier.

      [Bookseller: Kotte Autographs GmbH]
 39.   Check availability:     ZVAB     Link/Print  


        Alan J. Pakula, Donald Sutherland, and Jane Fonda on the set of "Klute" (1971)

      N.p.: N.p., 1971. Vintage oversize double weight candid photograph of Alan J. Pakula, Donald Sutherland, and Jane Fonda on the set of "Klute" in the summer of 1970. Shot, struck, and mounted by the film's still photographer, Bob Willoughby. The photographer has written at the top of the verso, in holograph ink: "Donald Sutherland, Alan Pakula, and Jane Fonda." With Willoughby's ASMP stamp (Pacific Palisades address) and reference number. Full provenance available. A seminal and substantially understated neo-noir, one of the great films of New Hollywood cinema in the early 1970s. Set in New York City and filmed on location there. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, Willoughby began working as a photographer for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. It was while on assignment covering Judy Garland in a "A Star is Born" that Willoughby's ability to capture his subjects' spontaneity, humor, and vulnerability, resulting in images that were far different from more traditional film stills, came to Hollywood's attention and earned him his first "Life" magazine cover. Willoughby spent the next 20-plus years working as a set photographer for every major studio, documenting some of most important films of the era and creating intimate portraits of some of Hollywood's greatest celebrities. Technically and stylistically innovative, Willoughby built the first remote radio-controlled cameras used on film sets, pioneered the use of the "silent blimp" for 35mm cameras, and created brackets to mount his cameras directly over the movie cameras to capture the same images. Willoughby moved his family to County Cork, Ireland in 1972, working on only a handful of films through the late 1970s and early 1980s, though he would continue to photograph, exhibit, and publish books for the remainder of his life. The stills in this collection were given by Willoughby to friends in Kilbrittain, Ireland just prior to his move to Vence, France in 1989, where he would remain until his death in 2009. Perhaps more than any other photographer, Willoughby is responsible for creating the the look of mid-century celebrity and moviemaking in the popular imagination, with his images printed in magazines literally every week of his career. But beyond being prolific, Willoughby's legacy rests with his ability capture the essence of the actors he photographed, as well as the films with which those photographs were associated. As Sydney Pollack said in his introduction to Willoughby's autobiography, "Sometimes a filmmaker gets a look at a photograph taken on his own set and sees the 'soul' of his film in one still photograph. It's rare, but it happens. It happened to me in 1969, the first time I looked at the work of Bob Willoughby during the filming of "They Shoot Horses, Don't They?" Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. In a custom museum-quality frame, archivally mounted, with UV glass. 13.5 x 9.25 inches. Near Fine. Hardy, The BFI Companion to Crime, pp. 195-196. Silver, pp. 411-412. Spicer, pp. 431.

      [Bookseller: Royal Books, Inc.]
 40.   Check availability:     Biblio     Link/Print  


        Tulsa

      New York, Larry Clark, 1971 - 32 Bl. Seiten auf dem Titel von Larry Clark signiert,.Schutzumschlag an den Kanten berieben, sonst sehr gut Sprache: Deutsch Gewicht in Gramm: 1200 31 cm, Original-Leineneinband mit Schutzumschlag [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Rump]
 41.   Check availability:     ZVAB     Link/Print  


        Mrs. Frisby and the Rats of Nimh

      New York: Atheneum, 1971. First Edition. Very Good. First edition stated, first printing. Near Fine, in a Very Good dust jacket with price of $5.95 intact, and with no Newbery Medal present. Light lean to spine. Dust jacket shows light toning, and two short tears to the top of the front panel (1 inch and 1/4 inch long), with some associated creasing. The front flap is creased along the edge, and has a rubber stamp at the bottom reading "Material Center Central Office May 5 71". A rather nice copy of this difficult to obtain Newbery medal winner.

      [Bookseller: Burnside Rare Books]
 42.   Check availability:     IOBABooks     Link/Print  

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