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Displayed below are some selected recent viaLibri matches for books published in 1970

        Royal Flash.

      London: Barrie and Jenkins (1970)., 1970. First British printing. 8vo. 261 pp. Map endpapers. Original red boards. SIGNED by Fraser on the title page. Slight edge dustiness else tight, fine in a DJ with several small edge chips/tears, very good minus. Scarce signed.. Signed by Author(s). 1st Edition. Hardcover. Fine/Dust Jacket Included.

      [Bookseller: Thomas Dorn ABAA]
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        Warhol, Andy.

      1970 1970 - 4°. Ausstellungskatalog Musée d’Art Moderne de la Ville de Paris. Twelve-page leporello. Color silkprint illustrations, of which two full pages and a photo portrait of Andy Warhol. Text in French by G. Brownstone and A. Pacquement.

      [Bookseller: Kunstkiosk im Helmhaus]
 2.   Check availability:     ZVAB     Link/Print  


        Atlantic Salmon Flies & Fishing

      Harrisburg, Pa, 1970. First edition, one of 600 signed copies, with a special reproduction of a watercolor by Weiler done only for the deluxe edition. Line drawings by Milton C. Weiler. 1 vols. 8vo. Cloth. Very fine in slipcase. Weiler, Milton C. First edition, one of 600 signed copies, with a special reproduction of a watercolor by Weiler done only for the deluxe edition. Line drawings by Milton C. Weiler. 1 vols. 8vo. Deluxe Issue.

      [Bookseller: James Cummins Bookseller]
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        Sans

      Edition originale, un des 100 exemplaires hors commerce numérotés sur B.F.K. de Rives, seuls grands papiers avec 642 autres B.F.K. de Rives.Précieux envoi autographe daté de Janvier 1970 et signé de Samuel Beckett à son ami le peintre Geer (Van Velde) et à sa femme Lise.Agréable exemplaire. Les éditions de minuit Paris 1969 14,5x19,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        7 Typed Letters, signed and 1 Autograph Letter, signed to Jimmy Heinemann

      1970. Letters concerned with the death of Rockefeller's mother; the expansion of Mexican Light and Power, which "supplies 52% of all the power produced in this country and serves most of the important industrial areas in and around Mexico City...At present practically all the electric energy we produce is consumed and unless we are able through expansion to produce more energy the program of the Government will be to no avail." "Our problems at present are immense. There are so many factors which enter into a request for credit with the World Bank that at times we feel almost submerged. However, I do believe we are making good and steadfast headway and that soon we will be able to obtain those moneys which are not only necessary to the company but also to the economy of Mexico and to a certain extent the well-being of Latin America"); David's brother Stephen, who "hopes to enter for his own account the dye-stuffs industry...he is intrested in producing high class dyes of which a great penury exists in the States today, since Germany is no longer supplying them"; the incorrect attribution of an article to Rockefeller ("Fortunately, however, I think it is reasonably accurate and therefore will do no harm"); Heineman's move to the firm Model, Roland & Stone ("it is a very aggressive and up-and-coming firm"); Heineman's editorials on the "inevitability of a U.S.-U.S.S.R. rapprochement" and "the desiribility of a Sino-U.S. rapprochement...I feel that people throughout the country are very much more prepared to accept the realities of Mao Tse-Tung's government than the State Department seems to think they are"

      [Bookseller: James Cummins Bookseller]
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        Reigen. Mit 10 zweifarbigen Original-Lithographien von Otto Bachmann..

      Ascona, Centro del Bel Libro, 1970 Gross-2° (52 x 34 cm), 84 S. Mit 10 vom Künstler einzeln sign. u. num. Kreidelithographien., OLwd-Kassette mit Rückentitel mit losen Bogen, Kassette angeschmutzt, innen tadellos Exemplar 22 von 80 arab. numerierten Exemplaren auf Rives-Raisin-Bütten (Gesamtaufl. 140 Ex.). Im Impressum von Otto Bachmann num. u. signiert. Die Lithographien wurden vom Atelier Mattheu in Zürich unter Aufsicht des Künstlers abgezogen. Den Druck besorgte die Druckerei Berichthaus. Die Gesamtherstellung betreute Josef Stemmle. Centro del Bel Libro. Ascona. Versand D: 20,00 EUR Illustr. Bücher - Originalgrafik

      [Bookseller: Antiquariat Peter Petrej]
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        "Dodge Sportflite" Concept Art

      1970. Watercolor and pastel on illustration board. Signed "William A. Moore" Intriguing concpetual drawing for an unusual pickup truck Three views of a rather dazzling vision of a pickup truck, and though the "Dodge Sportflite" was never produced, the idea of making more luxurious and innovative pickup trucks has definitely caught fire since the time of this handsome drawing. This design brings the driver over the engine, as in many heavier trucks, giving the driver greater command of the road, especially for town and city driving. The styling of the cab and cargo bed is anything but mundane with lines, vents, a black ribbon around the cab, and two large additional brake lights that add a notes of elegance and creativity to the overall effect. "In 1956, William Moore won the General Motors Fisher Body Craftsmen' Guild National Exhibition for his car design. In 1968, he accepted a position as Head of Design for Lear in Reno, Nevada. William Moore's art has been placed in...the Smithsonian and the Favell Museum of Art and Artifacts..." (The Museum of Automotive Art and Design website). The Museum of Automotive Art and Design website, artist biographies # 129.

      [Bookseller: Donald Heald Rare Books]
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        Nouvelles exemplaires : Rinconete et Cortadillo, L'Illustre laveuse de vaisselle. Gravures originales de Enrique Marin.

      Les Centraux bibliophiles, Paris 1970 - Paris, Les Centraux bibliophiles, 1970. 33 x 25,5 cm, in-4, 128 (3) pp. - 18 gravures en noir dont 2 à double page, 1 à pleine page et 15 dans le texte, en feuilles sous couverture imprimée et coffret de l'éditeur. Tirage à 125 exemplaires, celui-ci l'un des 120 sur vélin de Rives (n° 110). Exemplaire enrichi de l'une des 10 SUITES sur Japon nacré (il fut également tiré 10 suites sur Auvergne). Très bel exemplaire, rare avec la suite. (MONOD, 2458) (2,5 kg) [Attributes: Soft Cover]

      [Bookseller: Des livres autour (Julien Mannoni)]
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        Autograph Letter Signed, on his personalized "Dr. Seuss," blue stationery, 4to, address printed as "The Tower, La Jolla, California," n.d. ca 1970-71

      - Geisel writes in his print style handwriting referring to a "N.Y. Times" story about the Lyndon Johnson party. "To explain my mystifying presence at this shindig, I'm enclosing a copy of The Lorax.(my forthcoming book for kids about Ecological Problems).the original drawings of which now reside at his request in his library. I'm now engaged in expanding it into a T. V. Special for C.B.S. for adult audience as well as kids." He signs, "Ted." The book is not included. The animated musical based on Geisel's "The Lorax" aired on CBS on Feb. 14, 1972. The story formed the basis for the 2012 film, "Dr. Seuss' The Lorax," described as a "computer-animated 3D musical fantasy comedy film." According to "The Man Who Was Dr. Seuss: The Life and Work of Theodor Geisel," by Thomas Fensch, Ladybird Johnson's secretary had met Geisel who described this forthcoming "The Lorax." She suggested because of the environmental nature of the book, that it could help Ladybird Johnson's campaign in cleaning up the environment and would he consider contributing the manuscript to the Lyndon Johnson Presidential Library in Austin. Geisel then called President Johnson offering to donate both manuscript and artwork for "The Lorax." His offer was accepted.

      [Bookseller: Schulson Autographs, Ltd.]
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        Penthesilea - Illustrated with 11 handsigned etchings by Oskar Kokoschka

      Editions de Beauclair, Paris 1970 - - PRESENTATION : in folio in leaves under illustrated wrapper and linen case. - ILLUSTRATION : 10 full page etchings handsigned & numbered by Oska KOKOSCHKA, the first one is repeated on the title page. - PAPER : Auvergne vellum. - SIZE : 50 x 38 cm (20 x 15"). - SIGNATURE : Each etching is pencil signed by KOKOSCHKA, also handsigned by the editor. - LIMITED : 100 copies (each etching is pencil numbered). - REFERENCES : Welz 454-463 / Spindler 40-49. - CONDITION : Excellent. ASK FOR EXTRA PICTURES [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Artfever]
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        Le Goût du Bonheur. Trois Carnets d\'Atelier.

      Paris: Éditions cercle d\'Art, 1970. Nr. 394 von 666 französischsprachigen Exemplaren. 31 S., 71 Lithographien. Lose Blätter in Mappe, Büttenpapier mit Wasserzeichen ARCHES, Schuber u. Mappe in geprägtem OLn. Sammlung von 71 Lithographien [davon 26 in Farbe], in Auswahl und Herstellung eng begleitet durch Picasso. Aufwendige Reproduktionen dreier Skizzenbücher Picassos aus dem Jahre 1964 [\"Suite érotique\"]. Druckverfahren mittels Dietz Offizin Handpresse unter Verwendung authentischer Farbanmischungen Picassos. Größe der Druckfläche ca. 10,5 cm x 16,5 cm, MAße der KAssete u. Blatter ca. 35 cm x 27,50 cm. Limierte Auflage von insgesamt 1998 Exemplaren, jeweils 666 in französischer, englischer und deutscher Sprache. Schuber und Mappe sauber und tadellos, Lithographien in sehr gutem Zustand.

      [Bookseller: Druckwaren Antiquariat GbR]
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        La Cravate ne Vaut pas une Médaille.

      - S.l. (Genève), S.n. (Rousseau) S.d. (1970). In-4° carré, en ff, sous emboitage objet décoré de cubes de Lego de différentes couleurs (voir photo) Livre objet entièrement sérigraphié et lithographié. Tirage limité à 200 exemplaires numérotés. Amusant ouvrage typique de l?époque.

      [Bookseller: Librairie In-Quarto]
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        Lexicon Spinozanum. Ed. von Emilia Giancotti Boscherini. Lateinisch mit Englisch-Italienischer Einleitung. 2 Bände: Bd. 1: A-K. Bd. 2: L-Z. International Archives of the History of Ideas.

      La Haye Martinus Nijhoff, 1970. 1. Auflage. XXXVIII, 629 S. / X, S. 630-1375. Gr.-8°. Originalleineneinbände mit goldgeprägtem Rückentitel. Sehr selten, gutes Exemplar. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Michael Solder]
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        The Diary of Samuel Pepys A New and Complete Transcription edited by Robert Latham and William Matthews BRIGHT, CLEAN SET IN DUSTWRAPPERS

      Bell & Hyman,, [1970-1983]. 11 vols., 8vo., with numerous illustrations and maps; cloth, gilt backs, a very good, bright, clean set in the dustwrapper. The definitive edition, comprising nine volumes of the diary, the Companion volume and the Index volume.

      [Bookseller: Island Books]
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        INSOMNIA OR THE DEVIL AT LARGE. GYPSYLOU SERIES #4 FOLIO. FIRST LIMITED NUMBERED

      Albuquerque 1970, Loujon Press. A paper covered wooden box,. 48.5 x 60.5 cm., 12 mat size folio color lithos, with spiral. bound book, SIGNED BY HENRY MILLER, A LIMITED HAND-NUMBERED. EDITION OF 385 COPIES. FIRST EDITION.Very clean, crisp copy.. The book cover is decorated foil paper on linen wrappers and covers 47 [2] spiral bound leaves. With a facsimile hologra- phic manuscript printed on recto only of 37 leaves. The book and all the illustrations are housed in a wooden box, with a very large black & white photograph of Henri & Hoki having a nice chat while Henry sits on his toilet, in the elaborately decorated, graffiti covered walls. A few small tears and pieces missing from this photograph, but all in all very nice. The book is printed on thick deckle edge paper, it contains Miller's paean in rose & paint to Hoki, written and painted during their courtship. This is the most elaborate production of the Loujon Press, beset by numerous mishaps, with the total limitation falling far short of the initial number of sets planned. The remaining copies are now quite R A R E ! This also contains the publisher's large size printed envelope posted to a bookseller, with adverts for this edition, and a letter, signed by the publisher Jon Webb as well as several prospectus showing the printing process, cover of the box, photos of the Webbs [Gypsy Lou & Jon] and a large folding [48 x 63 cm.] sheet showing highlights from the book, with photos of Henry, Hoki; verso with newspaper articles on Henry from the New York Times, and samples from Henry's manuscript text. Advertising the various editions & limitations & variations. Below are extracts from the trade edition dust jacket notes. "A new book by Henry Miller is a rare and important literary event. INSOMNIA differs from all his other works. It is a love story. Always a romantic at heart, Henry Miller fell passionately, completely, but not hopelessly, in love at age 75 with a 25 year old Japanese singer, Hoki Tokuda. Hoki spoke some English; Miller spoke no Japanese. Hoki was a featured singer in a piano bar in Hollywood. Henry was a semi-retired and divorced, a lonely literary giant. He purs- ued her for a year. Out of the frustration of sleepless nights, out of a clear vision of himself as an aging romant- ic, out of his compulsion to court and marry this "young nightingale," Miller has fashioned a deeply moving, reveal- ing romance." This is his most fascinating insight to his own heart and passion. Loaded with great art work, drawings, photos of Hoki & Henry, and color paintings by Henry. Color scans can be sent by e-mail. A L W A Y S R A R E ! Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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        CHANOYU QUARTERLY: TEA AND THE ARTS OF JAPAN.

      Kyoto 1970-1999, Urasenke Foundation. Original stiff color. wrs.,ca. 18 x 25.5 cm.,very clean, lacks 13 issues:5-12, 36,. 55,73, 76, 81, from vol. 1 #1 through #88 the index, all in. original bindings, 75 issues, clean, some ex-library marks.. A LONG RUN OF THIS CELEBRATED JOURNAL THE RUN OF CHANOYU QUARTERLY: Originally edited by Henry Mittwer, then later by his charming daughter, Gretchen Mittwer until is end in 1999. . THE CONTENTS: This Zen journal of Japanese Tea Ceremony covers the green tea, ceramics, other tools & accessories of the ceremony, the tearoom, associated art objects, the appreciation & practice of the Japanese Tea Ceremony. Also covers various Japanese arts, ceramics, intellectual and stimulating essays, literature, history, and a wide number of fascinating subjects. * URASENKE FOUONDATION: The Urasenke Foundation is devoted to a large number of Japanese arts, aesthetics and cultural subjects mainly starting with the a Zen art, ceramics, Zen, flower arrangement, gardens, lacquer, poetry, painting, Noh drama, architecture & tea rooms, Japanese papermaking, calligraphy and far too many to list here. Suffice to say, that the CHANOYU QUARTERLY contains a myriad of essays on all things Japanese art and culture which relates to the appreciation of Japanese art forms. . Urasenke Konnichian of Kyoto, Japan is one of three major establishments that have preserved and furthered the rich cultural tradition known as Chanoyu, or the Way of Tea. Indeed, the first generation of Urasenke, Sen Rikyu (1522-1591), was a seminal figure in the transition of the Way of Tea from a medieval practice to its modern form. The principles of Chanoyu that Rikyu enumerated "wa" [peace], "kei" [respect], "sei" [purity], "jaku" [tranquility], have remained the foundation of this cultural form for over four hundred years. . The Urasenke Foundation was established in May of 1949, by the fourteenth generation master Tantansai. Thus began an unprecedented commitment to advancement of the Way of Tea, sparked by the realization that although the Way of Tea is a distinctly Japanese cultural form, its basis is a set of values and concepts that could be followed by anyone, regardless of nationality. . In 1964, Tantansai's son Hounsai Genshitsu succeeded to leadership of the Urasenke Tradition. His experiences as a student overseas and his friendships with many non-Japanese convinced him of the validity of his father's ideas. Under his guidance, the Urasenke Foundation has made great strides, especially in the international sponsorship of the Way of Tea. * THE JOURNAL: The journal has been the voice & illustrated picture of the organization and contains many fine articles by leading exponents of the arts, Tea & Zen masters, truly a calming and magnificent resource. . This work began in Spring 1970, the first 10 issues were bound in a different and colorful textile pattern. Then with 1971, they changed the covers to be buff stiff board of a single color, but the colors varied over the years, typically 4 issues or a year's worth in the same color. *** THE COMPLETE SET: Chanoyu Quarterly was issued in a total of 88 numbers, number was the last issue, and was a comprehensive index to the whole set. ***. TEA CEREMONY BOOKS: Please inquire with us for a current list of books on Japanese Chanoyu [teaism], some by one of the early editors of this journal, Henry Mittwer, and of course those by other tea masters. Gretchen Mittwer guided Chanoyu Quarterly for a long time in her father's footsteps. * This is a heavy set, extra appropriate postage applies. * Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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        The New York Times Magazine, August (Aug) 2, 1970 - Cover Photos of Yukio Mishima in Samurai Poses

      The New York Times, New York 1970 - 56 pages. Features: Cover photo of Japanese Renaissance Man Yukio Mishima who took his life three months later; Dear Prince - a letter to Norodom (Prince) Sihanouk on the situation in his native Cambodia since he moved to Peking (Beijing) and US troops came and went; Photo-illustrated feature article on Yukio Mishima; How to Lose the Bermuda (Yacht) Race (from Newport, RI to the Onion Patch); Beautiful color fashion ads; Portrait of a Decade - what the census shows about the turbulent 60's; Fashion photos entitled 'Cop-out Clothes; Photos of Robert T. Snyders' home in Brooklyn; Bridge article; No-Cal Cola ad on back cover says "We Ain't Got No Sugar." Above-average external wear. Crossword completed in pencil. A worthy vintage copy of this rare Mishima memento. [Attributes: First Edition; Soft Cover]

      [Bookseller: RareNonFiction, IOBA]
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        Standart Luxusform Nr. 5. Standarts. Herausgeber Galerie Michael Werner.

      München. Verlag Jahn und Klüser. 1970. 30 x 21 cm. 150 unpaginierte Blatt. OHalbleinen (Karton mit Leinenstreifenrücken). Umschlag etwas angestaubt, Seiten papierbedingt wie meist etwas gedunkelt. Insgesamt sehr gutes Exemplar. Das Künstlerbuch mit einer Aufeinanderfolge von Zeichnungen, Zeichen und kryptischer Graffiti, in Blau gedruckt, erschien in einer Auflage von 1000 Exemplaren und einigen wenigen berarbeiteten Exemplaren. Hier ein überarbeitetes Exemplar, bezeichnet \"Luxusform Nr. 5\" mit 2 Zeichnungen in rotem Filzstift auf dem vorderen und hinteren Umschlag (Moby Dick, Meer und Waalfänger) sowie Textauszügen der englischen Fassung von Melvilles \"Moby Dick\", handschriftlich von Penck ebenfalls in rotem Filzstift über das gesamte Titelblatt und die letzte Seite verfasst. Auf Blatt 149 unten mittig unter dem gedruckten \"Standart\" handschriftlich signiert \"Ralf Winkler\". Jede überarbeitete Fassung ist ein Unikat! Ausgesprochen selten. [Nicht bei Michael Glasmeier; Die Bücher der Künstler]. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Original-Zeichnung / Original Painting, Signierte Bücher / Signed Books, Künstlerbücher, Vorzugsausgaben

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        Fall.

      o. Angaben, Selbstvlg., 1970 8°, o. P. (24 Bl. m. 22 Abb.), Geh., Tadellos. EA dieses Künstlerbuchs. im Selbstverlag des Konzept- und Performancekünstlers Bas Jan Ader (1942 - 1975)erschienen. Die Abbildungen sind FiImstills aus den Kurzfilmen «Fall 1. Los Angeles» sowie «Fall 2. Amsterdam» und zeigen in elf Bildern Aders Stürze erstens von einem Hausdach und zweitens fahrradfahrend in eine Gracht. - In tadellosem. verlagsfrischem Zustand. Versand D: 20,00 EUR Photographie Kunst - Künstlerbücher

      [Bookseller: Antiquariat Peter Petrej]
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        The Kid from Soho (Original screenplay for an unproduced television pilot)

      Los Angeles: Sid and Marty Krofft Productions, Inc, 1970. Draft script for an unproduced television pilot. Perhaps the wildest association we have ever handled. At the dawn of the 1970s, maverick film director Sam Fuller was having trouble finding decent work, and apparently writing a pilot for the LSD-infused likes of Sid and Marty Krofft ("H.R. Pufnstuf," "Lidsville") was not beneath him. Those who embrace both Fuller and the Kroffts (as we all do here at Royal Books) can only imagine how wonderful such a series would have been. The first leaf describes the plot outline as follows: "A boy who grew up too soon meets a man who never grew up in the virgin West of 100 years ago. This is the story of the Kid from Soho, a tough 14-year-old Cockney, who finds himself riding with a legend--Pecos Bill." Also noted among the characters are Wild Bill Hickok and Doc Holliday, along with "seven beautiful international canaries who entertain in the Birdcage Saloon, [ranging] from 18 to 24 years of age." The canaries are an international bunch to say the least, hailing from Paris, Italy, China, Harlem, Spain, Sweden, and Atlanta. Orange studio wrappers, dated May 18, 1970, with story and screenplay both credited to Fuller. 106 leaves, mechanically reproduced. Pages and wrapper Near Fine, bound with two gold brads.

      [Bookseller: Royal Books, Inc.]
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        FLORA SR SRBIJE 1-10

      serbian languageKomplet OD 10 KNJIGA - FLORA SR SRBIJE Izdavac SANU Beograd god. izdavanja 1970 - 1986 odlicno ocuvane

      [Bookseller: Knjiga na dlanu]
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        Signed 1970 Will Barnet Woman Reading Serigraph

      1970 - "Woman Reading" by Will Barnet, Signed Serigraph printed in 1970 from an edition size of 300. The overall is size of the Serigraph is 40 x 30 inches. The condition of this piece has been graded as C: Several Signs of use and handling, some visible marks. Here is some supplemental information about the Serigraph: Printed on Rives paper by Fine Creations, Inc., New YorkCommissioned by Poster Originals, N.Y. Pencil signed and numbered. The image represents the artist's daughter reading a book. Signed in the middle of the print below the image. Barnet's artistic career was defined in that it, according to Doty, "has always gone beyond the limitations of modern art because his work affirms a faith in life." He has been the subject of over eighty solo exhibitions held at the Virginia Museum of Fine Arts, The Museum of American Art of the Pennsylvania Academy of Fine Arts, The National Academy of Design Museum, The National Museum of American Art, The Montclair Art Museum, The Boca Raton Museum of Art, and the Crystal Bridges Museum of Art. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
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        In Our Terribleness.

      Indianapolis & New York: The Bobbs-Merrill Company, Inc.,, 1970. (Some elements and meaning in black style). Oblong octavo. Original black cloth, silver lettered spine, black endpapers, all edges grey. With the dust jacket. With the "removable mirror", colour illustration on page 1, monochrome illustrations from photographs througout. Light creases to extremities of jacket, slight bump to top right corner. An excellent copy. First edition, first printing. Presentation copy from both the author and photographer, inscribed on the title page: "for Junius, Peace & Power [ankh symbol] Imamu" and "For Brother Junius, a Very Brilliant Brother, sifa ote mtu weusi! [a Swahili expression, meaning: 'all praise to the Black man'] Fundi". An important association copy: we believe "Junius" to be Junius Williams, a nationally recognised US attorney and Civil Rights champion, more recently author of Unfinished Agenda: Urban Politics in the Era of Black Power (2014). "In Our Terribleness praises African Americans for surviving oppression and remaining 'beautiful throughout.' The book is filled with pictures of common folk doing common things: riding the bus, walking down the street, standing on the corner. The accompanying prose assigns a sense of grandeur and divinity to the images as if to project common folks as gods and goddesses. The book even contained a removable mirror with the phrase 'In Our Terribleness' inscribed on it. The mirror was flexible so that one's image can be changed and altered. The reader could see his or her own 'terribleness'" (Scot Brown, Fighting for US: Maulana Karenga, the US Organization, and Black Cultural Nationalism, NYUP 2003, pp. 148-49). There is also an interesting and glowing appraisal of the book in the Winter 2013 issue of Aperture magazine.

      [Bookseller: Peter Harrington]
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        ENCYCLOPÉDIE DI DIDEROT E D'ALEMBERT. RECUEIL DE PLANCHES, SUR LES SCIENCES, LES ARTS LIBERAUX, ET LES ARTS MÉCHANIQUES, AVEC LEUR EXPLICATION. 18 vols.

      Franco Maria Ricci, Italy 1970 - 1970 - 1980. 18 volumes made of 12 volumes of prints and 6 volumes of text, each in its original cardboard slip cases and with glassine acetate covers. Luxurious reprint of the French original encyclopaedia printed in .Paris in 1751 - 1772. Beautiful collectable copy Limited edition of only 3000 copies. [Attributes: Hard Cover]

      [Bookseller: LLIBRERIA KEPOS-CANUDA]
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        Ford concept

      1970. Gouache on composition board. Signed, "Dom Pacitti" Striking controntation with an early 70's Ford grille This is a dramatic, confrontational drawing by Dom Pacitti of the type of hidden headlight grille popular in the early 70's. Though the idea of concealing headlights had been around since before World War II, it only became popular in the mid-60's at the same time intricate chrome grilles were catching on. Here against a dark brown background, the proposed Ford (XL?) swerves to avoid hitting the viewer (seated on a curb) showing its bright new bumper, grille and right front fender as well as a glimpse of the right side. The diagonal positioning allows the artist to maximize the dramatic display of beauty and agility.

      [Bookseller: Donald Heald Rare Books]
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        The Oxford English Dictionary: Being a Corrected Re-Issue with an Introduction, Supplement, and Bibliography of a New English Dictionary on Historical Principles Founded Mainly on the Materials Collected by the Philological Society - 13 Vol.Set

      Oxford at the Clarendon Press/Oxford University Press, London 1970 - 13vol.set (12vols.&suppl.); HBs dk.grayblue w/gilt; fine condition w/clean,tight pgs. DJs beige w/dk.blue; some rub&soil; some w/chips&tears; corner-cut; suppl.w/taped chip repair. "This reissue of A New English Dictionary on Historical Principles as The Oxford English Dictionary in twelve volumes is a reprint of the original ten-volume work. An additional volume comprises a Supplement of new words and meanings, " Size: Folio - over 12" - 15" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Xochi's Bookstore & Gallery]
 26.   Check availability:     AbeBooks     Link/Print  


        Self Portrait: Photographs by Lee Friedlander (First Edition) [SIGNED]

      Haywire Press, New City, New York 1970 - First edition, first printing. SIgned by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs and text (untitled preface) by Friedlander. Designed by Friedlander and Marvin Israel. Unpaginated (88 pp.) with 42 plates plus the cover image (not reproduced inside the book), printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 8-1/2 x 9-1/8 inches. Friedlander's Self-Portraits call attention to the complex, fractured and sometimes dissimulating interplay between various screens, shadows, reflections, lenses and the surfaces of the photographs themselves. Introducing this body of work, Friedlander wrote, "I might call myself an intruder." Following this, in Andrew Roth's Book of 101 Books Vince Aletti asserts, "Friedlander does seem to be lurking or barging into his own pictures -- a hovering, disembodied Everyman, at once here and gone. Like the ephemeral figures in nineteenth-century spirit photos, he appears as a shadow, a reflection, a pair of shoes, a barely discernible shape. Although there are a number of shots where Friedlander's head is clearly visible in a mirror or looms unmediated into the frame, none are conventional or in any sense flattering self-portraits.Mostly, however, he seems determined to remove himself from the frame -- to become not the subject of the picture but just another incidental bit of photographic phenomena, no more important that a shaft of sunlight or a shop window or a passing shadow." [Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), in Martin Parr and Gerry Badger, The Photobook: A History, Volume I. (London and New York: Phaidon, 2004) and in Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #3.]. As New (from Friedlander's personal archive). Friedlander's Self-Portraits call attention to the complex, fractured and sometimes dissimulating interplay between various screens, shadows, reflections, lenses and the surfaces of the photographs themselves. Introducing this body of work, Friedlander wrote, "I might call myself an intruder." Following this, in Andrew Roth's Book of 101 Books Vince Aletti asserts, "Friedlander does seem to be lurking or barging into his own pictures -- a hovering, disembodied Everyman, at once here and gone. Like the ephemeral figures in nineteenth-century spirit photos, he appears as a shadow, a reflection, a pair of shoes, a barely discernible shape. Although there are a number of shots where Friedlander's head is clearly visible in a mirror or looms unmediated into the frame, none are conventional or in any sense flattering self-portraits.Mostly, however, he seems determined to remove himself from the frame -- to become not the subject of the picture but just another incidental bit of photographic phenomena, no more important that a shaft of sunlight or a shop window or a passing shadow." Signed by Author. As New (from Friedlander's personal archive). [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
 27.   Check availability:     AbeBooks     Link/Print  


        Bibliotheca Belgica. Bibliographie générale des Pays-Bas (complete set in 6 volumes).

      Bruxelles, Culture et Civilisation, 1964 - 1970. - 6 volumes. Original cloth, (leather look) hardcovers. viii,1024 pp., 1072 pp., 1182 pp., 932 pp., 910 p. & iv,492 pp.; 28.5x21.5 cm. With illustrations. - (sl. worn, cloth sl. dam. at hinges, small seminary library stamps/ tickets) Although very good set, see picture. 16000g [Attributes: Hard Cover]

      [Bookseller: Emile Kerssemakers]
 28.   Check availability:     ZVAB     Link/Print  


        The Blond Knight of Germany; A Biography of Erich Hartmann, Greatest Fighter Pilot of All Time [Signed]

      Published by Arthur Barker Ltd., 5 Winsley Street, London First Edition 1970. 1970. First edition hard back binding in publisher's original raspberry covers, gilt title and author lettering to the spine. 8vo. 9'' x 6''. Contains [xvi] 318 printed pages of text with monochrome photographs throughout. Appendix closes the book with Erich's 'Victory Credits Record'. Fine condition book in Fine condition dust wrapper, not price clipped 45s. Label attached to the title page SIGNED 'Erich Hartmann'. Erich flew 1,404 combat missions and participated in aerial combat on 825 separate occasions. He claimed, and was credited with, shooting down 352 Allied aircraft, 345 Soviet and 7 American, while serving with the Luftwaffe. During the course of his career, he was forced to crash-land his damaged fighter 14 times due to damage received from parts of enemy aircraft he had just shot down or mechanical failure. He was never shot down or forced to land due to enemy fire. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A. ISBN 213002175

      [Bookseller: Little Stour Books PBFA]
 29.   Check availability:     Biblio     Link/Print  


        Anatomy of a Revolutionary Movement: "Students for a Democratic Society"; Speakers' Honoraria at Colleges and Universities; Juvenile Justice and Corrections; Amphetamines; Heroin and Heroin Paraphernalia

      Washington: Government Printing Office. (1970-1971). First. First edition. Multiple Special House Reports (91st Congress, 2d Session) bound in one volume. Thick octavo. Complete as issued in the original publisher's cloth. Some toning, near fine. Contains two important investigative reports by the Committee on Internal Security (i.e., the renamed House Un-American Activities Committee): Anatomy of a Revolutionary Movement: "Students for a Democratic Society" (No. 1565: vii, 175, xiii pp., with photographs); and Report of Inquiry Concerning Speakers' Honoraria at Colleges and Universities (No. 1732: xii, 52pp.). Both were conducted under the direction of Richard H. Ichord, the Committee's Chairman, a fervent anti-Communist who crusaded against the Peace Movement during the Vietnam War. The report on Students for a Democratic Society and associated New Left groups, includes an illustration of FBI Wanted Poster for William Charles "Bill" Ayers that was used by House Republicans to discredit President Barack Obama. The report on Speakers' Honoraria, undertaken to investigate the possibility that New Left radical groups and organizations were financing their activities through speaking engagements, includes the Dissenting View of African-American Congressman Louis Stokes of Ohio. Also included in this volume are three timely reports by the Select Committee on Crime on drug use and related criminal activities among urban and counterculture youth: Juvenile Justice and Corrections (No. 1806: v, 85pp.); Amphetamines (No. 1807: v, 44pp.); and Heroin and Heroin Paraphernalia: Second Report by the Select Committee on Crime (No. 1808: v, 83pp.). A nice copy, scarce in the trade. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 30.   Check availability:     Biblio     Link/Print  


        Säkulaurausgabe Werke Briefwechsel Lebenszeugnisse. Bd. 1: Gedichte 1812 - 1827. Bd. 1KI: Gedichte 1812 - 1827 Kommentar. Bd. 1KII: Gedichte 1812 - 1827 Kommentar. Bd. 2: Gedichte 1827 - 1844 und Versepen. Bd. 3: Gedichte 1845 - 1856. Bd. 4: Tragödien, frühe Prosa 1820 - 1831. Bd. 5: Reisebilder I 1824 - 1828. Bd. 6: Reisebilder II 1828 - 1831. Bd. 7: Über Frankreich 1831 - 1837. Bd. 7K: Über Frankreich 1931 - 1937 Kommentar. Bd. 8: Über Deutschland 1833 - 1836 Kunst und Philosophie. Bd. 9: Prosa 1836 - 1840. Bd. 10: Pariser Berichte 1840 - 1848. Bd. 11: Lutezia. Berichte über Politik, Kunst und Volksleben. Bd. 12: Späte Prosa 1847 - 1856. Bd. 13: Poemes et Legendes. Bd. 13: Poemes et Legendes. Kommentar. Bd. 14: Tableaux de Voyage I. Bd. 15: Tableaux de Voyage II. Italie. Bd. 14/15K: Reisebilder. Tableaux de Voyage. Kommentar. Bd. 16: De l\'Allemagne I. Bd. 17: De l\'Allemagne II. Bd. 18: De la France. Bd. 19: Lutece. Bd. 20: Briefe 1815 - 1831. Bd. 20K: Briefe 1815 - 1831 Kommentar. Bd. 21: Briefe 1831 - 1841. Bd. 21K: Briefe 1831 - 1841 Kommentar. Bd. 22: Briefe 1842 - 1849. Bd. 22K: Briefe 1842 - 1849 Kommentar. Bd. 23: Briefe 1850 - 1856. Bd. 23K: Briefe 1850 - 1856 Kommentar. Bd. 24: Briefe an Heine 1823 - 1836. Bd. 24K: Briefe an Heine 1823 - 1836 Kommentar. Bd. 25: Briefe an Heine 1837 - 1841. Bd. 25K: Briefe 1837 - 1841 Kommentar. Bd. 26: Briefe an Heine 1842 - 1851. Bd. 26K: Briefe an Heine 1842 - 1851 Kommentar. Bd. 27: Briefe an Heine 1852 - 1856. Bd. 27K: Briefe an Heine 1852 - 1856 Kommentar. Bd. 20-27 R: Briefwechsel 1815 - 1856 Register. Herausgegeben von den Nationalen Forschungs- und Gedenkstätten der klassischen deutschen Literatur in Weimar und dem Centre National de la Recherche Scientifique in Paris.

      Berlin; Paris: Akademie-Verlag; Editions du CNRS, 1970 -1988.. 1. Aufl., 41 Bände Gr.-8°, Oleinwand mit OSchutzumschlag, Umschläge mit leichten Gebrauchsspuren und kleineren Randläsuren, Der Schutzumschlag von Band 26 Kommentarband mit 2 durchgängigen Rissen, ansonsten sehr gut. es fehlen 15 Kommentarbände die bis 2008 erwschienen sind. Versand D: 5,00 EUR Literatur 19. jahrhundert, Heinrich Heine, Werkausgaben, Deutsche Literatur

      [Bookseller: Altstadt-Antiquariat Goslar]
 31.   Check availability:     buchfreund.de     Link/Print  


        Chine Pittoresque, La

      White Lotus, Paris 1970 - Chine Pittoresque, La [Attributes: Hard Cover]

      [Bookseller: SEATE BOOKS]
 32.   Check availability:     ZVAB     Link/Print  


        Johnny Got His Gun (Original screenplay, inscribed in 1970 by Dalton Trumbo to set decorator George R. Nelson)

      Los Angeles: World Entertainment / Robert Rich Productions, 1970. Final Draft Script for the 1971 film, "Johnny Got His Gun," directed and written for the screen by Dalton Trumbo based on his 1939 novel, and starring Timothy Bottoms, Donald Sutherland, and Donald Barry. This is set decorator George R. Nelson's working copy, inscribed to Nelson by Trumbo on the title page during the production of the film: "For Bob Nelson / who made this script have the appearance of life / Gratefully / Dalton Trumbo / Chatsworth / July 24, 1970." Nelson's notes are in holograph blue ink throughout, noting various props needed for various scenes (e.g., "Artillery", "war poster", "machine gun," etc.) Trumbo's classic meditation on the horror of war was first published in 1939 by J.B. Lippincott, winning the National Book Award (then called the American Book Sellers Award), and was subsequently serialized in the leftist newspaper The Daily Worker in 1940. Trumbo's left-leaning views, and ultimately his direct association with the Communist Party in the early 1940s caused him to be called before the House Un-American Activities committee, where, along with 9 other writers and directors, he refused to testify about Communist activity in Hollywood. The group, dubbed The Hollywood Ten, was subsequently blacklisted, and Trumbo spent 11 months in prison. Thirty years after the book's publication, Trumbo himself directed the film adaptation of his novel, which won the Grand Prize of the Jury at Cannes. White production company wrappers; title page present, stated FINAL DRAFT, with a date of June 5, 1970. 134 leaves, mechanically reproduced, rectos only. Pages and wrapper Very Good, well used but completely intact, bound with two tarnished gold brads.

      [Bookseller: Royal Books, Inc.]
 33.   Check availability:     Biblio     Link/Print  


        Beyond the Valley of the Dolls (Original screenplay for the 1970 film)

      Los Angeles: Twentieth Century-Fox, 1970. Final Script for the 1970 film, produced and directed by Russ Meyer and written for the screen by Roger Ebert, prior to his better-known work as a film critic. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." Three members of an all-girl rock band called The Kelly Affair pull up stakes for Hollywood in search of stardom. After reaching the promised land, Susan arranges for Kelly and her bandmates to attend a wild party thrown by Ronnie "Z-Man" Barzell (John La Zar), a flamboyant and very successful record producer. Z-Man renames the band The Carrie Nations, signs them to a record deal, and they're one of the biggest acts in America practically overnight. The nonstop train of decadence, drugs, and betrayal finally comes off the rails during a drug-fueled orgy at Z-Man's mansion, which erupts into violence when the rock mogul's darkest secret is revealed. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future blaxploitation icon Pam Grier, "Beyond the Valley of the Dolls" proved to be Meyer's biggest box-office success [The AllMovie Guide]. Orange studio wrappers, stamped "First Draft" on the front wrapper (but crossed through, with the holograph ink notation "Shooting Script" written just above it), and dated September 17, 1969. Stamped as copy number 5073, with the holograph marker notation ".5" just after that. Title page present, with a date of September 17, 1969, and screenwriter credits for Roger Ebert, followed by story and treatment credits for Ebert and Russ Meyer. 183 pages, all but three of which are blue revised pages dated variously between 9/19/1969 and 2/19/1970 (the few unrevised pages being eye-rest green). Pages Near Fine, wrapper Very Good plus (bright, with yapped edges), bound with three gold brads. The massive final shooting script from one of the seminal drug exploitation films of the post-Summer of Love era.

      [Bookseller: Royal Books, Inc.]
 34.   Check availability:     Biblio     Link/Print  


        Cabaret (Original screenplay for the 1972 film, screenwriter's annotated working copy)

      Los Angeles: Allied Artists, 1970. Revised First Draft script for the 1972 film. Composite working script belonging to screenwriter Hugh Wheeler, profusely annotated in holograph pencil and ink by him on virtually every page. Included here are three unpublished, candid photographs of Minnelli, Wheeler, and other members of the "Cabaret" crew while on the Rome shoot of the film. From the library of Hugh Wheeler. Screenwriter Jay Presson Allen worked on multiple drafts of the screenplay, none of which pleased director Fosse. After months of rewrites, Presson finally turned the script over to her colleague and friend Wheeler, with whom she had collaborated two years before on the screenplay of Graham Greene's "Travels with My Aunt" (for which they were both nominated for a WGA Award). Under WGA rules, Presson alone was credited as screenwriter in the film's credits, and was nominated for an Academy Award (losing to "The Godfather"). Wheeler is listed in the extended credits as a research consultant. Wheeler is best known as the winner of multiple of Tony Awards for Stephen Sondheim musicals "Sweeney Todd" and "A Little Night Music," and not as well known as the author of dozens of murder mysteries under the nom de plume Patrick Quentin. A milestone of the New Hollywood Cinema. Winner of eight Academy Awards, including Best Director, Best Cinematography; nominated for two others, including Best Picture and Best Screenplay. No wrapper as issued. Title page present, noted as "(First Draft) - REVISED," with a credit for screenwriter Allen. 129 leaves, composite of typescript, mimeograph, photographic and mechanically reproduced leaves, with tan and blue revision pages throughout, with various dates in holograph ink, all from October and November 1970. Near Fine, in Wheeler's original spring binder.

      [Bookseller: Royal Books, Inc.]
 35.   Check availability:     Biblio     Link/Print  


        Andy Warhol (Stockholm Catalogue)

      Stockholm: Moderna Museet, 1970. Fine copy in the distinctive silkscreened flower wrapper; rare in this pristine condition.. Third printing. Quarto. Warhol's famous 'Stockholm Catalogue', published on the occasion of his first European museum show at the Moderna Museet, Stockholm, February - March, 1968. The concept for the catalogue was developed by Kasper König, who commissioned Factory stalwart Billy Name, and a teenage Stephen Store, to photograph how Warhol and his coconspirators lived and worked. But it was König's use of the xerox machine to reproduce Warhol's own work that gives this catalogue its signature feel. By some estimates over 200,000 copies were printed in three editions. (Parr / Badger, v2, 144-145; Open Book 238-239).

      [Bookseller: Harper's Books, Inc.]
 36.   Check availability:     Biblio     Link/Print  


        The Blessing Way

      MacMillan, London 1970 - Blue cloth, black lettering. First British edition. Signed to title page by Hillerman. Spine head slightly bumped. Board edges very slightly rubbed. The unclipped jacket in mylar is in fine condition. ; 8vo 8" - 9" tall; Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: curtis paul books, inc.]
 37.   Check availability:     AbeBooks     Link/Print  


        ONE HUNDRED YEARS OF SOLITUDE ** Signed By the Author **

      Harper & Row, NY 1970 - ***** SIGNED by the Author. ***** This is the true first American book cl;ub edition (with "FIRST EDITION" stated on the copyright page, and with no number line on the copyright page or the final page). ***** This book is SIGNED and DATED by the author (Gabriel Garcia Marquez) on the title page. The author has not inscribed this book to anyone; it is just signed and dated by the author. ***** Very nice hardcover with the original dust jacket. There is NO writing, NO bookplates, and NO remainder marks. It IS a book club edition. It is NOT a former library book. ****** CONDITION: Both the book and dust jacket are in very nice FINE condition. ***** OUR GUARANTEE TO YOU: All books are guaranteed to be as described. We believe that no sale is complete until you are happy. Any book is returnable for a full refund (including postage) if you're not 100% satisfied. All books are packaged very carefully and shipped via USPS Mail with Delivery Confirmation. Thank you! Richard Vick, Modern First Editions (Buying and Selling Modern First Editions since 1982). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Richard Vick, Modern First Editions]
 38.   Check availability:     IberLibro     Link/Print  


        1970 Marc Chagall The Magician Of Paris Mourlot Lithograph

      1970 - "The Magician Of Paris" by Marc Chagall, Unsigned Lithograph printed in 1970 from an edition size of 6000. The overall is size of the Lithograph is 28 x 20 inches. The conditon of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Lithograph: "The Magician of Paris" 1970-Grand Palais Exhibition (Dec 1969 - March 1970) A Sorlier rendering of the original print "The Magician of Paris" (1969, number 597 "Lithographs IV, 1969-1973', Sorlier, 1974). Two printings were made because of the success of the exhibition and because the stones had worn out.

      [Bookseller: Rare Posters]
 39.   Check availability:     AbeBooks     Link/Print  


        The Bluest Eye.

      New York: Holt Rinehart & Winston, 1970. First edition of the author's first book. Octavo, original half cloth. Signed by Toni Morrison on the title page. Fine in a near fine first issue dust jacket that shows a single tear. Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear: You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it. There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is--yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 40.   Check availability:     Biblio     Link/Print  


        Arnold, Walter. - "Emporsteigende".

      - Zeichnung / Bleistiftzeichnung, mit Tusche in Grau laviert, um 1970. Von Walter Arnold. 41,9 x 29,8 cm (Darstellung / Blatt). Rechts unten in Bleistift signiert. Dazu betitelt. - Ausstellung: 2014 "Walter Arnold - Der Bildhauer" Galerie Himmel, Dresden. - In den Ecken originale Reißzwecklöchlein. Verso Montagereste. Insgesamt guter Zustand. Walter Arnold (1909 Leipzig - 1979 Dresden). Deutscher Bildhauer und Grafiker. 1924-28 Ausbildung als Holz- und Steinbildhauer. 1928-32 Studium bei Alfred Thiele an der Leipziger Kunstgewerbeschule. 1933-40 freischaffend. Soldat und Kriegsgefangener im Zweiten Weltkrieg. 1946-49 Dozent an der Hochschule für Grafik und Buchkunst Leipzig (HGB). 1949 Berufung an die Hochschule für Bildende Künste Dresden (HfBK), bis 1970 dort Professor. 1970-74 Professor an der HGB Leipzig. 1952 Mitglied der Deutschen Akademie der Künste. 1958-64 Nachfolger von Otto Nagel als Vorsitzender des Verbandes Bildender Künstler. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 41.   Check availability:     AbeBooks     Link/Print  


        Travels in Tartary, Tibet and China, During the Years 1844-5-6 Vol. (1+2)

      White Lotus, London 1970 - Travels in Tartary, Tibet and China, During the Years 1844-5-6 Vol. (1+2) [Attributes: Hard Cover]

      [Bookseller: SEATE BOOKS]
 42.   Check availability:     AbeBooks     Link/Print  


        The House that Dripped Blood (Original screenplay for the 1971 film, signed by Robert Bloch)

      London: Amicus Productions, 1970. Draft script for the 1971 film. SIGNED by screenwriter Robert Bloch on the title page in 1982. Brief notations throughout in holograph ink and pencil. An anthology horror film, featuring four different stories, including vampires, witchcraft, wax ladies, and eerie stranglers. In one story, a writer is haunted by the psychopathic central character of his latest novel; in another, two friends are haunted by a wax figure that eerily resembles a woman they once knew; in the third story, a widower is neglectful and abusive to his daughter; and the final story, an actor starring in a vampire film buys a cloak from a mysterious shopkeeper, and the cloak begins to instill vampiric powers in the actor. Ingrid Pitt has a supporting role, as does Joss Ackland, Jonathan Lynn, and Joanna Lumley. Bloch wrote for several Amicus Productions film, including "The Skull" (1965), "The Psychopath" (1966), "The Deadly Bees" (1966), and "Asylum" (1972). Shot on location in England. Blue studio wrappers. Title page present, undated, with a credit for screenwriter Bloch. 128 leaves, with last leaf of text numbered 127. Mimeograph. Pages and wrapper Near Fine, bound internally with a silver prong brad. Lentz, p. 1196. Muir, p. 119. Weldon (1983), p. 344.

      [Bookseller: Royal Books, Inc.]
 43.   Check availability:     Biblio     Link/Print  


        Erinnerungen. Zeichnungen 1968-1970.

      Berlin. Edition Hundertmark. 1970. - Kartonschachtel mit montiertem Titelschild. 1 handschriftliches Impressum, 1 handschriftliches Inhaltsverzeichnis, 1 farbiges Photo, 14 Originalzeichnungen (Bleistift, Farbstift, Wasserfarbe). Format der Schachtel 22,2 x 31,2 cm. Schachtel mit minimalen Altersspuren, Zeichnungen teilweise mit Atelierspuren, sonst in gutem Zustand! 2. Karton der Edition Hundermark. Das vorliegende Exemplar trägt die Nr 1 (von 20) und war wohl das Künstlerexemplar von Ludwig Gosewitz (1936-2007). Die Zeichnungen hier nicht monogrammiert, aber vom Künstler voll beschriftet und teilweise sorgfältiger gezeichnet! Von großer Seltenheit! [Attributes: Soft Cover]

      [Bookseller: W.Clemens book and art]
 44.   Check availability:     ZVAB     Link/Print  


        The Devils (Original screenplay for the 1971 film)

      Burbank, CA: Warner Brothers, 1970. Revised Final draft script for the 1971 film. Studio File Copy, rubber-stamped on the front wrapper. Based on Aldous Huxley's 1952 novel, "The Devils of Loudon," and John Whiting's 1965 play. A power-hungry Cardinal in seventeenth-century France seeks control over the city of Loudun, but first needs to destroy Father Grandier (Reed), the priest protecting the city. The Cardinal and his entourage then frame the priest as a warlock in control of a satanic nunnery, including the sexually repressed Sister Jeanne (Redgrave). Set in France, shot on location in England. Derek Jarman provided the futuristic set designs, as well as production design, modeled after the sets in Fritz Lang's "Metropolis" (1927). Goldenrod studio wrappers, noted as FINAL on the front wrapper, rubber-stamped copy No. 20, and dated July 28, 1970. Distribution page present, with receipt intact. Title page present, dated July 28, 1970, with credits for screenwriter Russell, writer Huxley, and playwright Whiting, as well as the British production company, Russo Productions. 87 leaves, with last leaf of text numbered 83. Mechanically reproduced on eye-rest green stock, with blue revision pages throughout, dated variously between 9/24/70 and 9/28/70. Pages and wrapper Near Fine, bound internally with two gold brads. Lentz, p. 1032. Muir, p. 109. Weldon (1983), p. 181.

      [Bookseller: Royal Books, Inc.]
 45.   Check availability:     Biblio     Link/Print  

______________________________________________________________________________


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